#work place comedy

[k11lka]

dear followers today i give you shitpost. Tomorrow... Who knows.

Rest in peace Tim, you would love modern brainrot memes.

[toadletthethird]

I like the mental image of voices grabbing Opportunist by the scruff of the neck, when he tries to be sneaky, and holding him in the air while he tries to explain himself

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[telesodalite]

Never getting over Fulcrum being a project manager...

Idk why, but something about that is so funny to me. Not just because the title of "project manager" is inherently kinda funny for a Decepticon, but also because-

1. It's vague sounding and hard to explain irl because it technically exists in multiple fields, like healthcare or manufacturing, which surely translates into canon in some way.

2. In canon, it's simultaneously a really mundane, innocuous sounding job, yet it's also a super morally awful position to reside over depending on the context. (*cough* forced colonization and cyberforming *cough*)

And 3. It solidifies the fact that behind all the surface level militaristic work we get with both the Decepticons and Autobots, there's also Cons and Bots with "normal" jobs in both factions.

Like, sure yeah we get scientists and doctors, engineers and programmers, but usually in big important or warfront positions. (For plot reasons, understandably.) But it's also really funny and interesting to think of those that worked background positions, or minor jobs.

Like an Autobot working in their equivalent of an HR department, or a Decepticon who runs one of their outpost's or starship's kitchens.

Just all the pre-war jobs that didn't just disappear with the war, but instead evolved to exist within the factions.

It's particularly funny with the Decepticons though, because it could be a super mundane job or situation, but because it's them, it has to have an air of ~e v i l~ to it, either legitimately and/or merely for the vibes, like Tarn's "performance reviews".

[blindrapture]

In 2011, I started writing a thing, on a whim. In 2013, I finished it. A lot of people seemed to love it? Then over the next decade, I put a lot of work into expanding and editing it, with plans for a complete physical book release that didn't happen. Well, here it is again. As an internet novel. A finished novel, this time.

I will start posting the story on May 21st, 2024. May 22nd will be a day of rest. And then, from May 23rd until October 21st, every day will see a new chapter-- a new log. ("F-Five months?? How long is this novel?" Oh yeah, good point. That won't actually get us to the end. There may be another eight, ten days of chapters afterwards. It is important, however, to emphasize the May 21 - October 21 model.)

I will make sure to put the bulk of the contents under "Read More" breaks, so each log won't clutter your browsing experience.

The logs will have art in them. Not as much as in the original draft, but there will still be some. As of May 1st, I expect art by Rappu, RealaChao, Wiratomkinder, and Vis.

I plan on supplementing the logs with the occasional post talking about the making and intention of the story. I dunno, it's gonna be a five-month distribution period, I'm gonna get antsy during that and am gonna want to ramble. That'll be separate content, though.

And when the story is fully and completely posted on tumblr, I will release the full novel on my Website, where I like to keep the rest of my creations. Both the tumblr novel and the Website novel will be free reading, forever. I reserve the right to try again at a paid physical edition afterwards.

So! That's it. Rapture is coming. OH GOD THE RAPTURE IS BURNING is coming.

Trigger Warnings: Sex, Gods, and Rock & Roll. (violence. some swear words. teenage angst, cringe. death. insects. surrealism. symbolism. unpredictability of what will be explained and what won't. sexual acts with dubious consent-- you will be able to skip that part. religious iconography. and so much prog rock.)

Get ready for it.

[ddeck]

in the hypothetical corrie guard tv show adaptation the opening sequence is a very erratic montage through the cg headquarters set to rehab by amy winehouse

[takunwilliams]

Miss Casey aka Gemma , so sad

severance is a great show do you watch ?

[a-a-a-anon]

appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.

i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.

some specific accolades/accreditation/fun facts:

Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)

Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."

a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)

Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."

the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance

Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)

Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)

Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"

she and Rik chose the bands (x)

Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)

facts from the blu-ray commentary tracks:

Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair

Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)

Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting

Lise came up with Neil's flowerpot covering in Nasty

Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol

Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)

this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)

i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!

[trenstrenats]

okay so this is very niche and no one's gonna get it but this is my blog so whatever

if noel gets sent to spain and we know nothing of when he was sent to, i think it's safe to assume he's still in 1934-1935. and you know what was happening in spain from 1931 to 1936? when the civil war started and all academics had to flee?

linguists were gathering information for a phonetic atlas (ALPI). so essentially they went around asking a bunch of people how they say these specific 45 words, and they asked everywhere. so in the end you get a map of how the people from the north say 'water' differently from the people on the south. and the funny thing is that in the iberian peninsula there's quite the handful of languages so you can see a lot of change as a continuum (there's not a clear border between languages)

but on top of all that overall change, noel is in there somewhere. and i just think it's so funny that if they asked him, the list from the region he appeared in would look something like this:

abeja [ɜˈβɛʎɜ]

abeja [ˈbeʎɜ]

abeja [aˈβeʎɐ]

abeja [bi:]

abeja [əˈβɜʎɜ]

[kloppenheimer]

technically black sails is just treasure island fan fiction and clearly it was written by a gay 17 year old girl

[julietwiskey1]

Random fanfic idea. High School Science fair AU.

Caitlyn and Vi team up to try and win the high school science fair. Caitlyn is certain that she can win, while Vi has a defeatist attitude like they have already lost. But with a rousing speech from Caitlyn, and hearing that Jinx and Ekko were bared from working together, she starts to feel like they can do it.

Follow them as the intensely plan what they could build to win that could possibly see the judges. But every time they think they have something that could work they hear what Jinx or Ekko are working on. Forcing them to slowly up their ambition and inventiveness, only for their competitors inventions to get more and more absurd.

Caitlyn also slowly starts to suspect that Ekko and Jinx are working together in secret. She starts to trail them trying to find out what they are working on. And as her and VI’s project starts to take shape but continues not to work she starts seeking help from Jayce. Something that is against the rules.

Day of competition Caitlyn and VI’s cheating is discovered and their machine underperforms. Not wanting to go down alone she brings out information that Jinx and Ekko were collaborating. (Both having tied for first with Jinx’s Poro feeding machine that runs off the grey, and Ekko’s hoverboard that has an inbuilt stretcher ability.)

But Ekko and Jinx say that neither knew what the other was working on. And that they were actually working to build a Time Machine, that they have a functional prototype ready to display.

[s2pdoktopus]

There weren't enough fanfics to satisfy my inner GinZura trash so... I drew this...

[starcurtain]

Silly DiluVen Fic I Want to Read

That feeling when Jean shows up at your bar with your two-inch-tall fairy archon in the palm of her hands because apparently he's sick??? (Mona, please scry, can cat scratch fever actually kill someone--)

And apparently the Knights of Favonius Headquarters is not an acceptable place for him to recuperate because Klee exists? ("Hmph, a fair point. Kaeya is there too." "Wowwww.")

So the only reasonable alternative is to keep him at the Dawn Winery??? (Is this actually reasonable? Diluc doesn't think so, but then again he also thought a four-year-long murder spree was reasonable, so he is, perhaps, not the best of judges.)

Or: Google doesn't exist in Teyvat anymore, so Diluc just spends a week searching for cures and experiencing exponentially-increasing stress levels, because archons aren't supposed to get sick, they're definitely not supposed to turn into handkerchiefs with delusions of grandeur, and it turns out that it is much, much harder to keep feverish fairies out of trouble than anyone could ever have imagined.

(Also known as: "What do you mean you LOST him--" + "Lisa, what do wind sprites even eat--" + "My archon cannot be this cute" + "Is that our god in your pocket or are you just happy to see me" + "Die" + "I assure you, this is a doll. I just like dolls now. Please stop asking questions." + "This is weird" [builds a pillow nest anyway] + Of course he gets the human body back on the one night I cradled him in my arms--)

[gregor-samsung]

Nu astepta prea mult de la sfârsitul lumii [Do not expect too much from the end of the world] (Radu Jude, 2023)

[gh0st-c0mpany]

I really don't like the Obi-wan Kenobi show but I desperately need to see the concept art of Cody and Obi-wan dumping stormtroopers in the sarlacc pit only to be interrupted by other people dumping bodies into the pit

[empty-blog-for-lurking]

So i finally listened to The Magnus Protocol and uhh holy shit, yall mind if i

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