#women do not exist under the law

[nimblermortal]

@athingofvikings Like this!

(the table on the right applies to free men only, and I did not include the supplements)

(women, of course, get and give nothing)

[drdemonprince]

I don't think I have it in me to be an abolitionist because I read that horrible story about the trans teen murdered in South Carolina and my knee jerk reaction is, those people should rot in jail, ideally forever, or worse. No matter how I look at it I can't make myself okay with the idea that you should be allowed to steal someone's life in such a horrible way and then just go back to enjoying your life. Some stuff is just too over the top evil.

You can have whatever emotions you want about that person's murderous actions, but the reality is that the carceral justice system is one of the largest sources of physical, emotional, and sexual torment for transgender people on this planet.

Transgender people are ten times more likely to be assaulted by a fellow inmate and five times more likely to be assaulted by a corrections officer, according to a National Center for Transgender Equality Report.

Within the prison system, transgender people are frequently denied gender-affirming medical care, and housed in populations that do not match their identity, which increases their odds of being beaten and sexually assaulted.

The alternative to being incorrectly housed with the wrong gendered population is that transgender people are also frequently held in solitary confinement instead, often for far longer periods on average than their non-transgender peers, contributing to them experiencing suicide ideation, self harm, acute physiological distress, a shrunk hippocampus, muscculoskeletal pain, chronic condition flare-ups, heart disease, reduced muscle tone, and numerous other proven effects of solitary confinement.

The prison system is also one of the largest sites of completely unmitigated COVID spread, among other illnesses, with over 640,000 cases being directly linked to prison exposure, according to the COVID prison project.

We know that number is rampantly under-estimated because prisoners, especially trans ones, are frequently denied medical care. And even basic, essential physical care. Just last year a 27-year-old Black man named Lason Butler was found dead in his cell, having perished of dehydration. He had been kept in a cell without running water for two weeks, where he rapidly lost 40 pounds before perishing. His body was covered in rat bites.

This kind of treatment is unacceptable for anyone, no matter who they are and what they have done, and I shouldn't have to explicitly connect the dots for you, but I will. One in six transgender people has been to prison, according to Lambda Legal. One in every TWO Black transgender people has been to prison. One in five Black men go to prison in America.

THIS is the fate you are consigning all these people to when you say that prisons must exist because there are really really bad people out in the world. We should all know by not that this is not how the carceral justice system works. Hate crime laws are under-utilized, according to Pro Publica, and result in few convictions. The people who commit transphobic acts of violence tend to be given softer sentences than the prisoners who resemble their victims.

We must always remember that the violent tools of the prison system will be used not against the people that we personally consider to be the most "deserving" of punishment, but rather against whomever the state considers to be its enemy or to be a disposable person.

You are not in control of the prison system and you cannot ensure it will be benevolent. You are not the police, the judge, the jury, or the corrections officers. By and large, the people who are in these roles are racist, transphobic, ableist, and victim-blaming, and they will use the power and violence of the system to terrorize people in poverty, Black people, trans people, "mad" people, intellectually disabled people, women, and everyone else that you might wish to protect from harm with a system of "punishment." Nevermind that incaraceration doesn't prevent future harm anyway.

You can't argue for incarceration as the tool of your revenge fantasies, you have to argue for it as the tool that it actually is. The purpose of a system is what it does. And the prison system's purpose has never been to protect or avenge vulnerable trans people. It has always been to beat them, sexually assault them, forcibly detransition them, render them unemployable, disconnect them from all community, neglect them, and unperson them.

[nothorses]

I think one of the ways that tranandrophobia seems to distinguish itself from the other forms of oppression it is connected to is in the way it attempts to convince you it is indistinguishable and that transmascs are always just collateral damage to everyone else's "real" problems.

One example is the very blatent tirf claim that transphobia on its own isn't real, that it is all misdirected transmisogyny, and that transmascs only experience oppression due to our association with transfemmes.

But there is also the insistence that anti abortion laws and similar things are targeted at cis women and therefore are "women's issues" - transmascs shouldn't complain about being excluded because it "isn't about us". Same with homophobia and butchphobia. Even the terf talking point that they are just protecting "little cis girls" from making irreversible mistakes pretends that actual the transmascs being harmed is just an accident and not the goal.

Trying to talk about transandrophobia is a constant stream of "It's just transphobia. It's just misogyny. No, you can't call your experiences misogyny because that isn't about you. You can't call yourself a lesbian or a butch or compare your oppression to lesbophobia. It isn't about you. Yes, terfs hurt you, but you aren't their main target. This isn't about you. Yes, you need abortions and experience medical misogyny, but you can't talk about it because this isn't about you. You were sexually assaulted because of misdirecred misogyny. Don't make it about you. You've never contributed to the history of gay men, or lesbians, or the trans community. It isn't about you. Those cross dressers weren't trans. Stop trying to make women's history about you. You can't reclaim cunt or faggot or dyke because those words aren't about you. I don't care how many times you've been called a tranny. That word isn't about you. Why must you make everything about you?"

Because sure, transmascs exist, and we might be impacted by everyone else's oppression, but it is always thought of as a theoretical consequence of what is really going on, if it is thought of at all. Transmascs are not considered to be oppressed in our own right.

This idea gives the lawmakers plausible deniability, allies an excuse to ignore us, and feeds into transmasc erasure. If we are never the actual target to begin with, then clearly, we can't be uniquely targeted. The law makers don't need to be held accountable for their transandrophobia because it isn't like they are trying to hurt transmascs, right? We need to let the real victims speak, the ones being targeted on purpose.

Nobody ever sees the way it all piles up, and even if they do, they think "well it's just an accident, right? If we fix the main problem, then this fringe issue will go away on its own" without ever considering that transandrophobia isn't as rare, fringe, or accidental as society wants it to appear and that actual effort needs to be put into dismantling it.

It isn't that they actually believe that transandrophobia isn't real. It's that they just don't believe it is about transmascs. Because even if we are the common denominator, we are still just collateral damage and could not possibly have anything of value to say. Because as collateral damage, our issues are never our own and thus never need to be discussed on our own terms.

100%. And I think this is exactly what this sort of cycle of erasure depends on.

We are erased, our problems are erased, and our oppression is erased, which means it's easy for people to ignore us, our problems, and our oppression. There's so little evidence, so few people talking about it, and they never really see or hear anyone name us in this violence, so surely, it isn't about us at all! It must be about the people they know about already, the problems they know about, and the ones who are always readily named in these conversations.

If we're speaking up, there's no reason to believe us; if anything, we come under scrutiny for trying to talk about these issues nobody else can see. We must be crazy, hysterical, whiny and overdramatic, or perhaps malicious. We're stealing attention, stealing space, and stealing help. We might be victims, but we are incidental and unworthy victims.

And ignoring us, our problems, and our oppression means we continue to be erased. Which makes it easier to ignore us, and erase us, and easier to perpetuate violence against us. And so on.

It's understandable, in a way, for people to ignore us; most people don't know about any of this in the first place, and when they do, they're not inclined to take any of it seriously. Even if they do see convincing evidence that our problems are real and worth talking about, it's easy for that to be a one-off that they eventually forget about. Everyone else is talking about everything else, so we sort of fade away.

It's not their fault; they're not trying to ignore us. They just haven't learned to recognize violence against us, and they just don't seek us out, and can they really be blamed for that? Can they really be blamed for the violence that continues because they and others don't see or try to stop it? We're so hard to find in the first place. You know, because we've been so thoroughly erased.

There are a lot of people who've been fighting this for a long time, and even more we don't-- and probably won't-- ever know about, who've been fighting for even longer. I think it's getting better; the organized backlash against us is, imo, a sign that our reach is getting stronger and wider. But it's a hard cycle to break.

[doberbutts]

Tbh I think the comparison to white people might be some simple us vs them thinking (maybe not all the time, though). White people complaining about oppression = nonsense/overeaggeration (if you're myopic), therefore comparing transmascs to white people is a way to call what they say nonsense. Or, if you're under the impression oppression=good person points, then white = bad/wrong, therefore transmascs are bad/wrong. Idk. Lots of these folks have some black/white thinking.

I think the answer is much easier than that.

The majority of people I see using the race analogy to draw a parallel of white vs black racism and trans man vs woman oppression are white themselves. Not everyone, but I would say my casual scroll of Bad Take Havers usually reveals whiteness here.

It does not surprise me at all that the very same white people doing this do not have the nuanced racial understanding to be able to reflect how, for instance, both black communities and latine communities experience racism in different yet similar ways, and how there is both bad blood and also shared history and solidarity between both communities, with many people who exist somewhere in between (afrolatinos) and people who exist completely outside of this equation (other marginalized races of color) or on the fringes (other mixed people of color but with only one of the involved races in this venn diagram) that also may experience their own oppression.

And so, they don't even think to use the comparison of black and Latino understanding, instead choosing to reach for white vs black racial dynamics. They don't have the understanding necessary to get why that's neither a good comparison nor is it a fair one to use especially when this particular conversation was started by trans mascs of color and how prior conversations regarding trans men and mascs occupying a marginalized gender were started by both (cis *and* trans) women of color and trans men and mascs of color.

It also does not escape my attention that those insisting that not only do trans men and mascs have privilege (something I do not completely disagree with, although I think as always it is more nuanced than "have" vs "have not") but also that trans men and mascs are specifically an *oppressor class* are also largely white, and show an inability to understand that "privilege" does not always equally translate to "oppressor". This comes to a head when discussing trans men in powerful positions- teachers, doctors, politicians, business owners, religious leaders, even celebrities- and whether they are pushing harmful rhetoric or if they are holding the line and refusing to budge.

And, while not true in all cases and certainly no one is perfect, because people are people and thus imperfect at the best of times, the majority of all trans people in power hold the line and refuse to budge regarding harm to our community. We can all think of examples- usually celebrities- of otherwise, but those pushing for laws and change are generally hand-in-hand with each other keeping step and refusing to leave their fellow siblings behind.

This does not mean that we cannot *contribute to* or even *lean on* transmisogyny- remember, there were cis women on the Supreme Court gleefully voting away abortion rights even though it directly affects them. There is no identity that makes you immune to bigoted bias, and no identity that protects you from doing harm to others. That is on each of us to do better, to each out in fellowship and solidarity to our fellow humans, and to lift each other out of the pit.

Much like how a Latino friend of mine may experience privilege in that he does not experience the antiblackness I do, and much how I may have privilege that I speak English as my mother tongue and he doesn't in this largely English-language-dominated country, neither of us are inherently each other's oppressors unless we are acting on oppressive bias. Intentionally or otherwise.

Oppression is action, not existence.

But again, I am not surprised a group of largely white people do not understand nearly enough of this nuance as it applies to race to then be able to apply it to gender.

[bellejolras]

i don’t mean to go on a rant but I’ve been reading reviews of Poor Things bc i hate being happy and ohhhh my goddddd

spoilers under the cut but I have complaints about people’s (lack of) media literacy

Oh my god okay so first of all, if you haven’t seen a movie how are you going to comment on it. Reading summaries and other people’s reviews only is not sufficient to make an original point. you do not know what you’re talking about. just stop.

Second, the movie is. satirical. Which I thought was obvious from the absurd premise and surreal visuals? This is not supposed to be the real world. Nor is it advocating for all the stuff it shows. In fact, it’s even actively indicting some of what it shows. For example: fucked up power dynamics in sexual relationships exist in the movie, but the movie is not saying they are good, it’s criticizing them. Is this not getting through to people?

Third, and related, it’s not ! just ! about ! a sexy baby !! Partly because again, satire. But also partly because she rapidly goes through childhood & adolescent maturity. And it’s not meant to be, like, linear… the regular laws of empirical data and science do not apply to this world… so she is not in fact, like 6 when she’s having sex but more like 16. Which you could argue is still a minor, and im not disputing that, because again the movie is critical of this part and duncan is a total loser. But there’s a massive difference between the mental development of those two ages. ALSO there’s literally nothing inherently wrong with baby bella autonomously discovering masturbation. That’s extremely normal for little kids, often just as a way of self-soothing because it feels nice and not with any awareness of sexuality. And it’s fine if you thought that was a weird scene! but it’s hardly pedophilia to include in the film when the “baby” in question is in fact played by fully grown adult emma stone and I cannot believe that I’m seeing people accuse this movie of that

Fourth, if you claim your takeaway from this movie is “it wants me to believe that women’s power only exists through their sexuality” then I don’t believe you’ve seen the entire movie (see point 1). Narratively it’s only a means to an end for Bella, and when she gets tired of it, she stops! She gets bored of duncan and reads philosophy! She leaves her sex work career and becomes a medical professional! And, even in the sex scenes, while there are many, they center her and her experience, her pleasure. Yes, her tits are out a lot but the sex scenes are weird, intentionally grotesque without being violent. The montage with duncan is shot through a fisheye lens and literally pans away from the bed to focus on a bird landing in the room. Duncan can proclaim himself the best lover in the world, but he’s really not important to the scene ¯\_(ツ)_/¯

In conclusion, I know the people I’m complaining about aren’t going to read this, but just in case, I urge you to learn media literacy. And anyone else who read all of this, thanks lol!! accepting good faith discourse in the notes/replies

[nicklloydnow]

“May I be permitted to say a few words? I am an Edinburgh graduate (MA 1975) who studied Persian, Arabic & Islamic History under William Montgomery Watt & Laurence Elwell Sutton, 2 of Britain ‘s great Middle East experts. I later went on to do a PhD at Cambridge & to teach Arabic & Islamic Studies at Newcastle University . Naturally, I am the author of several books & 100s of articles in this field.

I say all that to show that I am well informed in Middle Eastern affairs & that, for that reason, I am shocked & disheartened for a simple reason: there is not & has never been a system of apartheid in Israel. That is not my opinion, that is fact that can be tested against reality should anyone choose to visit Israel.

Let me spell this out, since I have the impression that many students are absolutely clueless in matters concerning Israel, & that they are, in all likelihood, the victims of extremely biased propaganda coming from the anti-Israel lobby.

Hating Israel

Being anti-Israel is not in itself objectionable. But I’m not talking about ordinary criticism of Israel . I’m speaking of a hatred that permits itself no boundaries in the lies & myths it pours out. Thus, Israel is repeatedly referred to as a “Nazi” state. In what sense is this true, even as a metaphor? Where are the Israeli concentration camps? The einzatsgruppen? The SS? The Nuremberg Laws?

None of these things nor anything remotely resembling them exists in Israel, precisely because the Jews, more than anyone on earth, understand what Nazism stood for. It is claimed that there has been an Israeli Holocaust in Gaza (or elsewhere). Where? When?

No honest historian would treat that claim with anything but the contempt. But calling Jews Nazis and saying they have committed a Holocaust is a way to subvert historical fact. Likewise apartheid.

No Apartheid

For apartheid to exist, there would have to be a situation that closely resembled how things were in South Africa under the apartheid regime. Unfortunately for those who believe this, a day in any part of Israel would be enough to show how ridiculous this is.

The most obvious focus for apartheid would be the country’s 20% Arab population. Under Israeli law, Arab Israelis have exactly the same rights as Jews or anyone else; Muslims have the same rights as Jews or Christians; Baha’is, severely persecuted in Iran, flourish in Israel, where they have their world center; Ahmadi Muslims, severely persecuted in Pakistan & elsewhere, are kept safe by Israel; or anyone else; the holy places of all religions are protected by Israeli law.

Free Arab Israelis

Arabs form 20% of the university population (an exact echo of their percentage in the general population). In Iran , the Bahai’s (the largest religious minority) are forbidden to study in any university or to run their own universities: why aren’t your members boycotting Iran ?

Arabs in Israel can go anywhere they want, unlike blacks in apartheid South Africa. They use public transport, they eat in restaurants, they go to swimming pools, they use libraries, they go to cinemas alongside Jews — something no blacks were able to do in South Africa.

Israeli hospitals not only treat Jews & Arabs, they also treat Palestinians from Gaza or the West Bank. On the same wards, in the same operating theatres.

Women’s Rights

In Israel, women have the same rights as men: there is no gender apartheid. Gay men & women face no restrictions, and Palestinian gays oftn escape into Israel, knowing they may be killed at home.

It seems bizarre to me that LGBT groups call for a boycott of Israel & say nothing about countries like Iran, where gay men are hanged or stoned to death. That illustrates a mindset that beggars belief.

Intelligent students thinking it’s better to be silent about regimes that kill gay people, but good to condemn the only country in the Middle East that rescues and protects gay people. Is that supposed to be a sick joke?

(…)

I do not object to well-documented criticism of Israel. I do object when supposedly intelligent people single the Jewish state out above states that are horrific in their treatment of their populations.

(…)

Israeli citizens, Jews & Arabs alike, do not rebel (though they are free to protest). Yet Edinburgh students mount no demonstrations & call for no boycotts against Libya , Bahrain , Saudi Arabia , Yemen , & Iran. They prefer to make false accusations against one of the world’s freest countries, the only country in the Middle East that has taken in Darfur refugees, the only country in the ME that gives refuge to gay men & women, the only country in the ME that protects the Bahai’s…. Need I go on?

(…)

Your generation has a duty to ensure that the perennial racism of anti-Semitism never sets down roots among you. Today, however, there are clear signs that it has done so and is putting down more.”

[penny-anna]

you do not have to like fanfiction. if you think fanfiction is cringy & annoying you can just Say That. but any attempt to argue that fanfiction is inherently inferior to other types of writing falls apart under scrutiny.

'most fanfiction is badly written' sturgeon's law is an adage that states '90% of everything is crap'. this was first coined in defence of science fiction, a genre often maligned as inherently inferior to 'real literature' (sound familiar??)

'oh but most fanfiction is worse than published fiction' yes; this is because pro published books go through a heavy selection and editorial process before the public see them. when it comes to quality of writing you are not comparing like to like. the appropriate 1:1 comparison would be fanfiction & amateur original fiction.

i have hung out in multiple online writing spaces & in 'anyone welcome' RL writing groups and can say with reasonable confidence that most original fiction getting produced is just plain mediocre. there's so so much bad original fiction being produced every day. u just never see it.

'you have to wade through so much garbage to find anything worth reading' you ever hear like. a fiction magazine editor describe what their slush pile experience is like??

'ok but fanfiction is bad because it lacks originality, it's better to come up with your own story & ideas' nobody actually thinks this!! people trot this out about fanfiction but like pro published literature is full of retellings of public domain stories and no-one ever argues that they're inherently worse or less creative than works with original plots.

the dividing line between fanfiction & 'original' fiction generally isn't actually originality, it's whether or not it's transformative of a text that's currently under copyright. & i would hope it's self-evident that the copyright status of the text a work is transforming shouldn't have any bearing on its literary merit. why on earth would it??

'but most fanfiction is trope-y and formulaic' yes this is true and yes i do think there's an argument to be made that a work of fiction that's interchangeable with thousands of other works of fiction is lacking in 'literary merit'.

however this is also true of a lot of pro published literature. whole swathes of genres like eg crime & romance exist to give readers the same experience over and over again. are these books bad? maybe! does their existence mean the entire genre they belong to should be written off? obviously no.

'but fanfiction is all about shipping' yeah a lot of fanfiction belongs to the romance & erotica genres. you do not have to like this. but disparagement of romance as a genre has its roots in the fact that it's mainly written & enjoyed by women. its just sexism lads. :(

'fanfiction encourages bad habits in writers' there's some merit to this argument IMO (that's a different rant) but see above re:90% of everything is crap; the presence of bad writing in a genre doesn't mean that the whole genre should be written off.

'what so you think fanfiction is as good as *insert classic novel here*' nobody is saying this; if you see someone arguing that fanfiction is real writing and jump to 'this person thinks MCU coffee shop AUs are culturally significant works of literature', to be blunt, that is a you problem.

'fanfiction just isn't real literature' ok so fiction divides into 'real literature' and 'not real literature'. got it.

[ID: screencap of a tumblr post by user theislandofmisfittoys:

Okay… nice dichotomy, IDIOT ‼ what lies  outside it???]

(OP)

[femconstellation]

Libfems who are pro-prostitution/pro-“sex work” think that the issue with prostitution is the conditions, so they want to ‘improve’ those conditions. They want prostitutes to have the protection of labor laws and to be able to go to their job just like if they were going into the office.

And while the conditions are horrible, that isn’t the sole issue. There’s ‘sex workers’ who live in nice penthouses and always have food on the table and dress in Gucci and I am still against ‘sex work’ in their cases because I am against sex being a commodity. I am against women being a commodity.

A prostitute could be protected under labor laws, live in a nice house, have set hours, and never have to work with abusive pimps ever again and they’re STILL VICTIMS. They’re still going to be traumatized and hurt because selling sex is traumatic no matter how much you corporate-fy it.

And libfems do not understand this perspective because they think the problem is prostitutes working in subpar conditions when the problem is prostitution’s whole existence.

[thephantomsdream]

so I've been reading real published romance books and they cannot fill the void that ao3 and company do fill, but they did give me an idea. ok, lmfao, hear me out. (I've had this in my drafts for way too long, i decided to release it because why tf not)

content: alien!141, soulmates!141, abduction, intergalactic human trafficking, space shit; very vague idea of anything ever; probably made up alien names; writer is at work while dealing with annoying costumers so it's rushed and dumb.

imagine:

Good ol' you, in your house, unaware that in the deep, vast universe, trafficking also existed. Not long ago, a reptilian race found out about our warm bodies, interesting features and intelligent yet primitive brains, and started to abduct and sell men and women to rich buyers. It was good business, especially considering our side of the universe wasn't even aware of extraterrestrial life, so they couldn't even guess where they disappeared! The treaty and all intergalactic laws were vague about us. "Let them be" meaning "Let them fuckers figure their shit out, lol idk".

Well, as you can understand, the Sheh'deauz (lmfao stay with me) decided to in fact not let us be. So back to lovely you, yeah?

Home alone, playing videogames or something, when suddently you see some flashes of light out the window. It was weird considering it wasn't raining but you remained calm, as you assumed maybe a storm is approaching? Mainly, you couldn't give a shit but the moment you heard scratching and hissing outside your door, you panicked. Long story short, your house slowly started filling with an invisible gas that just made you pass out, but you did see your door opening, same weird blue-white light emanating from under it as it did, and a scaly leg entering your home as you fell on the floor.

You figured, as the genius that you were, that you were, in fact, not dreaming as you spent many hours (days? felt like days) in a cage. Very oddly technologically advanced. In another strike of genius, and of course, after seeing your kidnappers, you figured it was a spaceship and you were in some deep sci-fi shit. (maybe after laughing and asking them where are the hidden cameras. i would...)

After throwing tantrums and having the ugly multi-colored creatures mock you and hiss at you, you kinda gave up and sat by the very human bed you've been given and allowed time to pass. You were given food every so often, a toilet nearby, water at your disposal. But you feared for your life.

Well, let me tell you something. You have the luckiest misfortune of all, really. Or maybe, just maybe, things are meant to be this way. Maybe it was all meant to happen like this. Allow me to explain.

In another corner of the universe, four of the greatest warriors of the Intergalactic Army frowned at a holographic screen. A female alien, older, still beautiful, ethereal looking, skin creamy white with some lavender edges and striking blue eyes was frowning back.

"You're fucking kidding me." Their captain said (in a different language than ours but your writer here is multi-lingual, don't worry), getting closer to the screen. She just nodded, rubbing her forehead.

"Where is that again?" Asked another.

"So like—" a third one, this one with a distinct accent compared to the others, tilted his head incredulously. "They're our cousins genetically?"

"You can say so." She groaned. "The Council decided to not touch that part of the galaxy. They are being observed. Fucking hell! They were going on the right path."

"If they don't destroy their own planet before." The captain muttered, voice tired and coarse. In his many, many years lived, he's seen it happen again and again. Greed and stupidity almost whipped their race, so he's been following the Terrans close-by, as close as a mere Intergalactic Task Force Captain (stick with me lmfao) could follow.

"So what's the plan?" The tallest one asked, mask made of what others assumed was one of his most dangerous prey's skull was placed on his face.

"We give them hell." Captain commanded, Laswell nodding.

"Stay close, at the outskirts of their galaxy. We intercept any package and find their buyers."

"What do we do with our lil cousins then?"

"Eliminate any witnesses."

Shit went down really quick. You figured they were preparing for something as the guards by your cell somehow summoned some advanced looking chairs from the walls to strap themselves on and hissed at you mockingly, as they've done before. You just sat in a corner, by the bed, and wanted to cry. You were going through all stages of grief every few hours and it was getting exhausting. You were just now starting to understand how dire your situation was and how little chances you had of going home.

They turned off the main lights and a thousand scenarios crossed your mind. It was as if they were bracing for something. You frowned as you saw the guards tense as some alien hieroglyphics appeared on a holographic screen. It looked... like a countdown... You grasped the bed, trying to brace yourself for something. And good that you did because it felt as if the ship collapsed with something.

It basically shook you off to the ground, and while you'd think this was supposed to happen, you quickly realize it wasn't since the guards unstrapped themselves from the chairs and started shrieking as alarms suddently blared. After that? Seconds and it was over. Two white blasts ended them both, hitting them exactly in the middle of their ugly skulls. You did not hear any footsteps but you saw a shadow approaching your cell, so you scurried closer to your bed and now presumably magic shield that will block blasts that melt alien skulls.

The barriers from your cell unlocked, sliding to the sides and someone jumped in front of you. Someone big, dressed sleekly in black, although you could swear the edges of his frame looked transparent for a second. It was big, yet had the complexity of a human so you stayed locked in place, big scared eyes on the person pointing a big son-of-a-bitch gun at you. You heard it growl and speak something shortly, and the hairs on your whole body pricked.

World stopped for Price as he cracked another neck, just after locking eyes with the leader of this "cargo" ship. He was about to take a step forward to gently guide this person towards personal enlightenment by confessing all the information they needed, even if it would be involuntarily, when Soap spoke... well, growled just one word in their comms.

"Mate."

[vindicated-truth]

The most fictional aspect in Beyond Evil is the existence of Han Joowon.

Everything about the show is recognizable in real life.

Men like Kang Jinmook whose response to women standing up for ourselves is outright violence.

Parents like Do Haewon who are blind to the fact that their so-called love is exactly what's destroying their children.

People like Jung Cheolmun and Lee Changjin who get eaten up by their own greed and ambition.

Weak, cowardly, narcissistic people like Han Kihwan who care only for themselves.

The broken system of law enforcement that protects the established system of power more than it protects the people.

All the women. All the women are recognizable, because they represent everything women have ever had to suffer from just to try and survive in society.

Trying to prove themselves in a career dominated by men like Oh Jihwa.

Trying to prove that they can make it alone without family like Yoo Jaeyi.

Trying to prove that they're not wrong for running away from their own family like Kang Minjeong.

Women who trusted in the wrong boyfriend like Lee Yuyeon.

Women who married the wrong husband like Lee Suyeon.

Women who are just trying their best to make a living when every means to keep themselves alive has failed them, just like Jin Hwalim, Wi Sunhui, Yeo Chunok, and Lee Geumhwa.

Women who had a bright life ahead of them only to be cut short by men who can’t stand their light.

And of all these characters in the show, the most recognizable of all is Lee Dongsik.

Victim of police brutality. Victim of false accusations, of public trial.

Victim who's looking for a missing family member, and then for her dead body, seeking justice that has never been granted for 21 years.

Victim of betrayal from the people he had loved the most.

This is the most recognizable aspect of the show: victims who suffer years of injustice without ever finding the answers they were hoping for.

That's why Han Joowon is the true fictional character in the series—because you just don't see people like him in real life anymore.

The kind of person who treats everyone equally under the law—regardless of status, wealth, or personal connection.

The kind of cop who actually fights for the rights of the people who pay his job with their taxes, instead of just abusing the system to keep themselves in power.

The kind of man with an unshakeable moral compass and an unyielding determination to set wrongs to right.

The kind of man the world wasn’t able to corrupt.

That's why he symbolizes hope in the story. The hope that maybe, just maybe, a man like him still exists in real life.

Because we are all Lee Dongsik.

Because just like him, we are each in our own way perpetual victims to society's established systems of oppression—foremost of them the police force.

And we can only hope that someday, someone like Han Joowon can walk into our lives and prove without a single shred of doubt that justice still exists.

To prove, more than anything, that Han Joowon isn't fictional.

[tododeku-or-bust]

Less than a month ago I learned that a Black, mentally-ill woman, Sonya Massey, got shot in the face and mocked while she pleaded for her life, all because she called the cops to help her in what she thought was an actual threatening situation. She clearly had thought about the decision, about how they murder us and get away with it under the law. She tried to be nonthreatening, while under perceived threat, and she still failed.

And she is but one of many Black women to meet such a fate.

You're gonna tell me to exist in the same society with a history of callous, racist violence from its "protectors", under that same identity... And then tell me that calling the cops is a benefit. That such a decision can be made and wielded lightly, when it could literally kill me under circumstances there's no way for me to control. A decision that could cost me my life, if I have no idea it's coming. Even when I'm already feeling threatened, because the people who are supposed to solve it could very well hurt me too.

But you think you should do it because of annoyance. That it's just so easy. And you don't think you benefit from nor contribute to the power allowing these things to happen. 😐 "Kill the cops in your mind!" Imma need y'all to turn the barrel chinward first.

[laurasimonsdaughter]

A fairy's true name

Earlier I wrote about how much trouble I had finding even one example of a fairy trying to learn a human’s name to use it against them, but folktales where it is the other way round do exist!

Until recently the best example I had for this “use a fairy’s true name against them” plot, was Rumpelstiltskin (and all its variants, for there are many). But technically the Rumpelstiltskin plot itself is not enough to claim that knowing a fairy’s true name gives you power over them. After all, a specific deal was struck between the fairy (or dwarf, or imp, etc.) and the human, with the finding out of the name releasing the human from their debt to the fairy. (Best examples including a fairy: Peerie Fool, Tríopla Trúpla, Titty Tod).

But it turns out that the tale type “The name of the helper ATU 500” contains stories in which I would argue it is made clear that knowing a fairy’s name holds power:

In these stories a the supernatural creature in question is a helpful house spirit or neighbour to the human, but immediately leave them forever as soon as they (sometimes through trickery) find out their name, after they refused to tell them:

Hoppetînken, a mountain dwarf (German, Kuhn, 1859)

Gwarwyn-a-throt, a spirit/elf/bogie (Welsh, Rhys, 1901)

Silly go Dwt, a fairy (Welsh, Rhys, 1901)

And these stories contain what I would call “strong circumstantial evidence”:

In Winterkölbl (German Hungarian, Vernaleken, 1896) a grey dwarf who lives in a tree makes a young king guess his name before he will (somewhat reluctantly) consent to let him marry his human foster daughter (she was abandoned, he did not steal her!).

In The Rival Kempers (Irish, Yeats, 1892) an old fairy woman sets a young woman the task of guessing her name, but then gives it to her freely (with some extra help to win her good fortune), because she was polite and generous to her.

Conversely, in The Lazy Beauty and her Aunts (Irish, Kennedy, 1870) the three fairy women who help the protagonist with her spinning, weaving and sewing, actually introduce themselves by name, but they are clearly nicknames: Colliagh Cushmōr (Old Woman Big Foot), Colliach Cromanmōr (Old Woman Big Hips), Colliach Shron Mor Rua (Old Woman Big Red Nose).

But my two favourite examples are Whuppity Stoorie (Scottish, Chambers, 1858; reprinted by Rhys, 1901) and The heir of Ystrad (Welsh, Rhys, 1888, reprinted in 1901). I'll summarise them below the cut:

Whuppity Stoorie (Scottish, Chambers, 1858; quotes from Rhys, 1901)

A woman is left by her husband. She has a baby boy to feed and her only hope is that her sow will have a big litter of piglets. However the sow gets ill and as the woman weeps with the fear that the pig will die, she sees an old woman coming up the road. “She was dressed in green, all but a short white apron and a black velvet hood, and a steeple-crowned beaver hat on her head. She had a long walking staff, as long as herself, in her hand --” This “green gentlewoman” tells her that she knows the woman’s husband is gone and that the sow is sick and asks what she’ll give her if she cures the pig. The woman heedlessly promises her anything she likes. So the green woman cures the pig with a spell and some oil and then reveals that she wants to have the woman’s baby in return, thereby revealing to the poor woman that she is a fairy. The fairy is unmoved by the woman’s sorrow, but does reveal that: “I cannot, by the law we live under, take your bairn till the third day; and not then, if you can tell me my right name.” Luckily the woman overhears the fairy woman singing her own name and gets to keep her child by addressing her as such, after which: “If a flash of gunpowder had come out of the ground it couldn't have made the fairy leap higher than she did. Then down she came again plump on her shoe-heels; and whirling round, she ran down the brae, screeching for rage, like an owl chased by the witches.”

The heir of Ystrad

A young gentleman hides in the bushes to see “the fair family” dance on the river bank. There he sees the most beautiful girl he has ever seen and wants more than anything to win her for his own. He jumps in the middle of the circle of fairies and grabs her by force, while all the others flee. He is kind to her, but keeps her captive, and eventually she agrees to become his servant. She steadfastly refuses to tell him her name though, no matter how often he asks. One night he once again hides near where the fairies play and he hears one fairy lament to another that last time they were there, their sister Penelope (Pénĕlôp) was stolen by a man. He returns home joyfully, calling is favourite maid by her name, which greatly astonishes her. The young man finds her so beautiful, industrious, skilled and fortunate, that he wishes to marry her. “At first she would in no wise consent, but she rather gave way to grief at his having found her name out. However, his importunity at length brought her to consent, but on the condition that he should not strike her with iron; if that should happen, she would quit him never to return.” They marry and they lived “in happiness and comfort”. She bears him a beautiful son and a daughter and through her skill and fairy fortune they grow richer and richer. But one day while trying to bridle an unruly horse the husband accidentally hits his wife with the iron bridle. As soon as the iron touches her, she vanishes. But one cold night she comes to his bedroom window one more time, telling him that if ever her son should be cold, he should be placed on his father’s coat, and that if her daughter should be cold, she should be placed on her petticoat. Then she disappears forever.

I adore both of these stories. Whuppity Stoorie is probably the clearest example of the power of a fairy's name. But The heir of Ystrad is as good a fairy bride story as The Shepherd of Myddvai and that has been a beloved favourite of mine for as long as I can remember. Either way they're both wonderful takes on the power it grants to know a fairy's name.

[perseephoneee]

okie dokie does a Dean Winchester x reader fic work? Had an idea way back in s1 when jess first dies, (older sister, who kinda takes sam under her wing) reader ended up meeting dean through sam. They had similar personalities but (reader) was more of a hopeless romantic than Dean. Sam on the other hand could totally see them together but Dean always denied it.

“Stop eyeing her like she's a piece of steak, you creep” “The hell? I do not do that, I don’t know what you’re talking about.”

so they left ca and travelled and maybe in s2-3 (doesnt have to be accurate) they end up back in ca because of a case or cause reader called sam for help. (not expecting dean to show up as well) and after shes not in danger, turns out they get along really well.

"Im not an arm rest, dean." "Mhm, then why are you so short?" "I'M 5'3 THATS NORMAL"

and just fluff..? idk man let me know if its not what you want to write, i can totally change it💜

not a steak (dean winchester x f!reader)

↳ masterlist  ↳ ship exchange ↳ taglist ↳ 1k celebration

wow remember when i could actually write things in a timely manner? yeah, me neither. i miss those days (that never existed). whomp whomp.

You don't necessarily remember the exact moment that you met Sam. He's been a constant in your life since you were his TA as an undergraduate, watching this freakishly tall freshman so eager to succeed in your class. He made your heart soft, and he made you feel protective. Even though he was so much bigger than you, a naivety in his persona made you take extra time to ensure he succeeded. He ended up getting an A in the class.

You do remember when you met Dean, however. You had heard stories of Dean from Sam the few times you'd catch lunch outside of school. By this point, you were a grad student, filling the void of the older sibling that Sam unconsciously needed filled. You never pried for too many details, and that's how you got people to shut up really fast. But you did meet Dean right as he left town to look for his Dad. Dean was coarse and dismissive of you as if you were just another roadblock stopping him from taking his brother. When you finally got his attention, it was just to size you up before wordlessly climbing into his car. Sam seemed apologetic, but mostly, you were just worried. You had every right to be. Jessica died a week later.

The thing about you is that you can't let a dead dog lie. Where's the fun in that? You'd much rather figure out ways to raise them.

Sam was brilliant, but he let enough details slip to allow you to research him. And you were a law graduate student; you knew a thing or two about studying. Random newspaper clippings, shoutouts of various names, and blog posts allowed you to figure out the supernatural aspect of his life that he had kept from you. You should've been more surprised, but you were more excited than anything. There was more out there. What a strangely relieving thought.  

This knowledge proved helpful when you realized you had a poltergeist.

The new place you moved into was charming and Victorian, the dream of everyone with a Pinterest board. It was in fairly decent shape, and with your roommates, you guys thought you could polish it up to something livable during your suffering years of graduate school. Unfortunately, the price was too good to be true, which led to the unfortunate circumstance of hauntings culminating in one of your roommates in the hospital, barely alive. You called Sam that night.

"Hey Sam, it's me…" you trailed off at that, feet tucked under you as the machines' beeping cut through the silence. "I need your help."

The next day, he was at your door, enveloping you in a hug. He smelled exactly the same, and you didn't realize how much you missed him. Dean was with him.

"I'm Dean," he nodded, holding out a hand. You raised a brow.

"We've met."

"I would've remembered someone who looks like you," Dean scoffs, an easy smirk on his lips that probably made many women swoon. You just rolled your eyes, going back into your house and hoping Sam followed.

A week later, the boys were still here. This ghost was frustrating, and it was more the principle of it that was pissing you off more than anything. You let the brothers stay at the house since it was safer in numbers and cheaper. Plus, your roommates took a wide berth of the place before returning. A routine developed in the short time they were here. You cooked breakfast, Sam made coffee, and Dean woke up at some point. You and Sam would enjoy the paper before something happened (usually related to the crossword that Dean was totally not interested in), and you ended up bickering with the older Winchester until Sam got fed up with it and shut it down.

"Stop eyeing her like she's a piece of steak," Sam muttered to Dean when you weren't around, having stormed off to some other corner of the house. Dean almost spit out his coffee.

"The hell? I do not do that. I have no clue what you're talking about."

Sam just nodded, hiding a smirk behind his book as Dean grumbled about not checking you out.

For the first time that week, Sam was out that night. He was following "a lead." What that lead was, no one knew, but it meant you were alone. With Dean. In a house. Without supervision.

You grumbled something about making dinner. Dean followed you.

"Are you lost?" you asked, hands on your hips as Dean plopped himself at the counter.

"I'm following the food."

"Of course you are."

"Please, no more rabbit food," Dean groaned. "I can't take it anymore."

"Oh no, definitely not," you smirked, pulling out some steaks from the fridge you had been saving. Dean's eyes immediately lit up. "You're helping me cook these. I'm not letting your dumb ass sit around while I prepare a meal."

"You're bossy," Dean grumbles but doesn't complain further as he removes his flannel and sets it on the chair. You ignore that he looks really good in a t-shirt and return to grabbing ingredients. To his credit, Dean is good at letting you tell him what to do and following through. He is definitely a better chef than Sam, who has burned many things in your kitchen. Dean is an excellent sous chef. You tell him as such.

"The hell? I am not a sous," he says while furiously stirring butter.

"It's a compliment, you knobhead."

"Knobhead? What 1950s show are you living in?"

This conversation went back and forth for a while. But you finished cooking a meal, which is always considered a success in your book. Dean devoured him almost immediately before you could even finish cutting through it. Then, it was just you attempting to finish your meal in peace. This was difficult, as Dean continuously kept eyeing your food, hoping you might give it to him, and then would complain outwardly when you didn't.

"You're not going to finish it," he drank his beer, once again looking at your dinner. You glared.

"I can finish it."

"A girl like you doesn't finish an entire steak."

That comment pissed you off. You finished your steak in two bites, shocking Dean, and then proceeded to grab his glass of beer and down it in one gulp. You slammed the glass down, raising a brow. "You have no clue what type of girl I am."

You grabbed both your plates and made your way to the kitchen, putting them in the sink and starting to clean the dishes. You barely made it through a plate before Dean pushed you out of the way.

"Dean—"

"I'm not questioning your ability, but in my world, the one who doesn't cook cleans. So, sit your ass down," Dean said before you could chew him out. You bit the inside of your cheek and sat down, still glaring at him as he washed each dish meticulously and put them either in the dishwasher or on the drying rack. When he was done, he threw the dishtowel over his shoulder. The domesticity made you soften. "I'm sorry for earlier."

You blinked, not really expecting any sort of apology from Dean Winchester. You did expect that you would not get anything besides those words.

"I don't understand women."

You laughed at that, leaning on your hand with your elbow on the table. "Aren't you a self-proclaimed ladies' man?"

"I know how to sleep with women, but I don't get what goes through your heads," Dean leaned against the counter, arms crossed. "You want one thing and then a different thing, and I can't keep up."

"So, you're admitting you're slow." Dean threw the towel at you. "Women aren't that complicated; men are just bad listeners. You included."

"I can listen."

"Really? What was I frusterated about at dinner?" you challenged, getting off your seat and leaning over the counter. He blinked a few times.

"That I kept asking for your steak?"

"No, that you presumed that as a woman, I couldn't finish a steak."

"Well, that's not what I said," Dean replied, getting defensive. You just rolled your eyes, grabbing the wine bottle on the counter.

"Oh, also, insight into women; they lie about how good men actually are in the bedroom," you winked, leaving the room and taking the wine with you. You could almost hear Dean's jaw drop.

"It ain't a lie, princess," he intercepted you, his stupid legs moving much faster than yours. You frowned but didn't say anything. Dean took a breath, locking eyes with you. "Why do you insist on always pushing my buttons?"

"Because it's fun? Because you're both annoying and easy to annoy?" you shrugged, clutching your wine bottle to your chest. You didn't know why you picked on him, besides the fact he could be an absolute ASS sometimes that needed kicking. No, you suppose it goes back to early schoolyard days where instead of 'flirting,' you'd push the person and maybe claim to the entire class that they had cooties. To this day, you still had no idea what cooties exactly were, just that you never wanted to catch them.

"I think you like me," Dean smirked. He had crowded you against the wall leading to the living room. Your wine was an innocent bystander clutched to your chest. Maybe not as tall as Sam, but you still had to look up to see him. "I'm gonna prove it."

"Excuse me?" you breathed any sort of bite to your words caught in your throat as he reached up to your face and stroked your cheek. His hands found purchase holding your neck, tilting your face even higher and infinitely closer. Dean took the wine bottle out of your hands, your last line of defense, and stepped away for a second to put it back on the counter. His hands found your face again.

"Hey princess," he whispered, voice sultry. "Breathe." You couldn't do such a thing even if you wanted to because his lips were on yours, and he tasted like the draft beer in your fridge and apple pie. He was gentle, too gentle, and you wanted more. Your hands, first unsure of what to do, grabbed his shirt and pulled him closer. One of his hands moved to your waist, thumb brushing the exposed skin where your shirt rode up. He was everywhere all at once, masculinity encapsulated, and you were drowning in it. He pulled away, letting you breathe, the command you forgot to follow. "I wanted to do that since I saw you."

"Bullshit."

"Honest to god— well, not god, but honest— but then you had to go and be increasingly difficult," Dean scoffed, still holding on to you.

"You don't even remember the first time we met."

"Of course I do; it was a week after my Dad disappeared," Dean responded. "You were wearing pajamas and had a raincoat wrapped around you as you asked Sam not to go so that you could figure it out together. I was curt, and you looked like you wanted to call me a thousand horrible names, but you let it go as we drove away."

You smiled a little at that. "You do remember."

"What can I say? I like pushing your buttons."

You smacked him on the chest, earning a laugh as you fought off your smile. You did finally get your wine and let Dean choose something to watch. About halfway through your movie (and three glasses of pinot noir in), you got distracted by a makeout session that would've made your teenage self swoon, but it didn't progress more than that. Neither of you wanted to go too fast. Most of the time, it was just light conversation, cuddling, and the realization that maybe you two were much more alike than you thought.

Both of you fell asleep like that on the couch, blissfully unaware of the morning light. Sam came home early in the morning, dropping his bags before seeing the both of you entwined on the couch. A smile crossed his face.

"Finally."

taglist: @lover-of-books-and-tea @qardasngan @evasmlp

[deepdreamnights]

Hey there, saw your post re: harassment around artists using gen ai and thought it was great esp with the debunking of data usage myths. Would you share your thoughts regarding concerns that models are being trained to copy specific art styles and thus pose a direct threat to the artists whose art styles are being used?

Well, there's several levels to that.

The main one is that on copyright grounds, styles are explicitly non-copyrightable. Moreover:

No one's style is unique

No one's style is unimitatable by analogue means.

The second point is important, because anyone can go on Fiverr right now and and find someone to replicate any given art style, and every competent draftsperson has to be able to do it to some degree or another. No major animation house, art studio, or comic company has ever hired someone because they couldn't find someone else that could imitate the surface-level aspects of their style.

The first point is just a matter of basic reality. Ex-nihlo creativity either doesn't exist or is so rare as to be a once-in-an-epoch thing. Everyone builds on the influences that they learn from, and if you think someone has a unique style what they really have is a different media diet than you.

For example, Don Bluth. Born 1937, aged 15 in 1952.

Same year Time released this this picture of Burlesque Performer Dale Strong.

Someone made an impression.

Marilyn Monroe was also a national sex symbol when Bluth was a teen, putting some context to most of his other ladies, but especially Goldie Pheasant (or maybe she's more Jayne Mansfield, hard to tell through the bird-ness). His art style has obvious roots with Tex Avery and I would guess he read Mad Magazine a lot as a kid.

And Not to hang the guy out to dry alone, I was a teenager in the 1990s, and most of my sexy fictional ladies are 9/10 some combination of Dana Scully, Peg Bundy, and Rhonda Shear.

The point being that style isn't something you create intentionally so much as an accumulation of influences, drawn from the commons. Attempting to claim ownership of such a thing is by itself an act of theft in my view, and allowing them to be protected under the law would mean a judge being shown exactly how many pieces of prior art the Walt Disney Corporation owns that your work superficially resembles. Why, they'll even run it through a style recognizing AI to make sure they catch them all.

But let's talk about style matching.

It just takes one image now, and doesn't require training.

Which I'm sure sounds frightening, but this has been the situation since February for Midjourney, and it was available in the Stable Diffusion ecosystem long before that. If the threat were as pronounced as feared, we'd have seen the impact by now. And we haven't, and we're unlikely to, for several reasons, several of them listed above.

The largest is that style isn't even close to the be all/end all of what an artist brings to a given project. And the kinds of execs who are making a 'replace 'em with a robot' kinda decision aren't the kinds of people who care about art style beyond how much it looks like the most recent successful thing. And nobody's ever needed a robot to ride coattails.

But the next largest part is that AI style imitations aren't really accurate because the robot doesn't see style in the same way we do. It's all just math to the robot, and it prioritizes what it notices, not what we do.

I'll demonstrate.

Jack Kirby will be my example, for several reasons.

He has a bold and identifiable style, he's arguably the most famous artist in western comics history, and he has many analogue imitators and homagers.

Using Midjourney and prompting "an illustration of dana scully by jack kirby, 1968, in the style of 1960s marvel comics --ar 3:4 --s 15"

Using the base model, on the first roll we get three complete style mismatches and one that's kinda close, though I'd say that's way more Sal Buscema or John Byrne.

Kirby's women had a certain, difficult to describe oddness about their faces that the robot doesn't seem to grok, and it doesn't touch on the kinds of wild patterns and bold black/white swatches that make Jack's work feel 'jack'.

Tom Scioli's take on Kirby is a sort of lovingly flanderized parody, but it captures the spirit of Jack's art much more directly even if a lot of individual details aren't period-accurate. He draws Kirby the way you remember Kirby from your childhood, but I don't question whether the page above is trying to be a Jack Kirby homage or one to Sal Buscema.

But Midjourney has style reference, so we can inject the Kirby right in. Using the picture of Sersei dancing from above with the same prompt, we get:

Well, the work is more convincingly period, but again, we're not terribly close to being on-point. In fact, they're not very consistent between each other. Top left is any 80s marvel fill-in artist. Top right is maybe Kirby-esq. Bottom Left is flat out Jim Lee, bottom right is very Byrne-y.

Using three reference images to give the best shot, I'm also moving to using images of a similar color style, and all with a woman as the central focus. I have included the infamous Crystal pin-up shot because as I said, Kirby women have a certain oddness to them (fondly).

Results (MJ 6.1 on the left, Niji 6 on the right):

It all says 60s-70s Marvel, but I don't think Kirby would be the first guess for any of them. Maaaaaaybe the lower-left Dana in image #2 if you squint.

And that's Jack Kirby. Massively popular and prolific with a career spanning decades. If anyone in the comics space should be impersonatable by this thing, its him.

I'm sure you could train a LORA to get closer, and sure, the tech is only going to get better from here, but by the nature of how the system works no generation pulls just from what is referenced. Every generation is both blended with other concepts and emphasizes only what the machine catalogs as relevant, not what we might.

There's not much to stop someone from imitating your style with a machine, but there was nothing stopping them from doing the same with an underpaid freelancer. The results are likely to miss the mark regardless.

If the client wants you, they'll try and get you. If they just want something kinda like you, they've always had an avenue to that.

Fortunately, you're more than your style, and whatever anyone can do with the machine, you can do better because you've got access to both.

[audreyscribes]

Ω PJO DEMIGOD HEADCANONS: 👑HERA: QUEEN OF THE GODS, GODDESS OF MARRIAGE, WOMEN, MARTIAL HARMONY, AND THE PROTECTOR OF WOMEN DURING CHILDBIRTH 💒

Author's Note: Hi everyone, so some of you have been expecting this. I wasn't lying that I hadn't give it some thought but I didn't write this earlier since I wasn't sure how I could make it work. It might not be what you guys expected but here it is. This is going to be a stretch and please suspend your expectations for this. This is for the anons who asked if I could do Hera. I tried. This is what I came up with. Thanks for reading, liking, and reblogging! I really appreciate it! [PJO DEMIGOD HEADCANONS MASTERLIST]

*Warning: Immense wall of text below [Keep Reading]

I can only see this happening, given that Hera is very loyal to Zeus, and how a demigod child of Hera is born. 

You’re a child of Zeus when the King of the Gods became mortal (SOMEHOW) temporarily and Hera supported him like the loyal wife she is. 

You’re either born like how Athena births her children, where Hera thought about (a) mortal man, or like Hebe (in some mythological records) where she was born from Hera eating a piece of lettuce, from Hera by herself, but was somehow born half-mortal, instead of immortal. 

You were crafted out of clay by Hera? Maybe???

You were born when Hera had become mortal herself (SOMEHOW????), born with Zeus’s help *COUGH*. 

Regardless, your existence or any other demigod child of Hera is unheard of. Like it was not even a thought of possibility. 

No one is sure how to proceed or wrap their minds around your existence. I don’t think you’re told how you were born, but even if you were told, you’re sworn by the River of Styx not to tell anyone except outside a few very selective approved individuals. This is because out of the listed reasons above, only one doesn’t insinuate anything relating to the King or Queen of Gods being mortal; which would reveal a weakness to the two monarchs of the Gods and the harmony of peace among the gods, or indicate Hera of cheating which would break the foundation of marriage and the law behind it. This unfortunately creates a lot of gossip behind your back about your godly mother and you’re the physical representation of it. Something Hestia herself tells you about, in a disapproving way to your godly parent.  

There are immediate renovations to the Hera cabin, mostly because it is not livable at all. You’re temporarily put in the Big House until things are done to the Hera cabin. Annabeth has been given an official ‘pardon’ by Hera because of this, so there’s that? At least.

Annabeth isn’t sure how to interact with you, given Hera’s clear distaste to her, and how you’re her daughter, but at the same time you’re also innocent. 

Percy is also a bit conflicted given Hera was the one who gave him the amnesia and the whole camp Half-blood and Jupiter thing, but he goes about it a bit easier because he knows all about bearing their godly parents misdeeds and grudges and all that. 

On the other hand, you’re living with the knowledge that by technicality, a lot of people could’ve been married under the Ancient Greek laws. For example, Percy and Annabeth could be or would’ve been married when you heard that they were playing hacky sack with an apple and if Percy threw the apple at Annabeth, and she caught it, it would’ve technically counted as “accepting a marriage proposal”, and they were married-

Your mother’s domain is technically powerful and important but at the same time, it’s not very useful to you; considering there’s a lack of married individuals among the campers and the only one who is married is Mr. D, but you don’t dare to. But it’s not like you can do anything anyway since he is a god and you’re just a demigod…that and he’s been avoiding you.

Mr. D just avoids you and you’re not sure until someone tells you that Hera tricked his mother, Semele, into making Zeus reveal his true form to her to prove he was Zeus, evaporating her. 

If Camp Half-blood has the aura of uncertainty, then Camp Jupiter is the opposite. The treatment towards you is the opposite where they treat you with reverence but because Juno is so revered, being her child makes you feel isolated.

The cabins that are at odds with you are the Aphrodite, Zeus, Athena cabins, while the cabins that are more cordial with you are the Hebe, and surprisingly the Ares and Hephaestus cabins. 

At least there are a bunch of beautiful white lilies at Hera’s cabin, making the cabin more of a place to live than a renovated temple. The lilies are there because it is said they were born from her. 

Argus is also your bodyguard for a reason. He was created by Hera for the sole purpose of being a guard and watchman, and considering you are the daughter of Hera, you fall under his duties. Not long after you were born, when you have grown out of the age protection Hera can protect you from, and Hebe when you’re past 8 years old, the monsters start coming into droves. There are monsters immediately trying to kill you, not just fueled because you’re a powerful demigod, but because of also Lamia, who she personally comes hunting for you. This is because Lamia, when she was a mortal queen and had the eye of Zeus, Hera was responsible for killing all of her children and became what she is now, and is also responsible for monsters hunting demigods to this day. Argus is only able to protect you only for so long so sharpen your skills and fight for your life. 

When you get claimed, the world goes absolutely silent. Everyone stares upon the claim mark floating above your head, a peacock, like its a crown above your head. The spread feathers of the peacock does certainly make it look like one. With a crown above your head and a field of white lilies sprouting beneath your feet like a white carpet, it almost makes you think you’re a child of royalty being announced.  But you don’t let yourself be that deluded much longer. They stare at the mark longer than you like to admit, some blinking and rubbing their eyes as if they are seeing an illusion. You already know who your godly parent is, so you know the claim is just a message to Camp Halfblood. 

That you are the demigod child of Hera. A being that has not been thought of to even possibly exist. An impossible existence. 

Yet here you are. And you knew how. And yet you couldn’t tell any of them because Hera made you swear to not reveal that information to anyone outside of a very selected few confidants. If they knew any of the truths, then it would break the balance of the gods and would bring chaos to them; threatening them and you. 

The claim begins to fade, disappearing into glittering lights and as it falls upon you, so do the campers’ eyes. Thousands and thousands of eyes stare at you, not for you, but what you are. 

Argus stands beside you, standing like a guard and his protective stance only adds to the confirmation.

Mr. D drops his can of diet coke and as it splatters across the floor, Chiron finally breaks out of his stupor. He kneels and bows before you, his limbs shaking a bit as he stutters as he announces. 

“The bloodline is determined. Hera, Queen of the Gods, Goddess of Marriage, Women, Martial harmony, and protector of women during Childbirth. Hail, [y/n] [l/n], child of the queen of the gods.”

There is silence before chaos erupts as everything is turned over their heads.

[book--brackets]

Summaries under the cut

Gallagher Girls by Ally Carter

Cammie Morgan is a student at the Gallagher Academy for Exceptional Young Women, a fairly typical all-girls school—that is, if every school taught advanced martial arts in PE and the latest in chemical warfare in science, and students received extra credit for breaking CIA codes in computer class. The Gallagher Academy might claim to be a school for geniuses, but it's really a school for spies. Even though Cammie is fluent in fourteen languages and capable of killing a man in seven different ways, she has no idea what to do when she meets an ordinary boy who thinks she's an ordinary girl. Sure, she can tap his phone, hack into his computer, or track him through town with the skill of a real "pavement artist"—but can she maneuver a relationship with someone who can never know the truth about her?

Fablehaven by Brandon Mull

Trespassers will be turned to stone

For centuries, mystical creatures of all description were gathered to a hidden refuge called Fablehaven to prevent their extinction. The sanctuary is one of the last strongholds of true magic. Enchanting? Absolutely. Exciting? You bet. Safe? Well, actually, quite the opposite . . .

Kendra and her brother, Seth, have no idea their grandfather is the current caretaker of Fablehaven. Inside the gated woods, ancient laws keep order among greedy trolls, mischievous satyrs, plotting witches, spiteful imps, and jealous fairies. However, when the rules get broken, powerful forces of evil are unleashed, forcing Kendra and Seth to face the greatest challenge of their lives, to save their family, Fablehaven, and perhaps even the world.

The Secrets of the Immortal Nicholas Flamel by Michael Scott

Nicholas Flamel was born in Paris on 28 September 1330. Nearly seven hundred years later, he is acknowledged as the greatest Alchemyst of his day. It is said that he discovered the secret of eternal life. The records show that he died in 1418. But his tomb is empty and Nicholas Flamel lives. The secret of eternal life is hidden within the book he protects—the Book of Abraham the Mage. It's the most powerful book that has ever existed. In the wrong hands, it will destroy the world. And that's exactly what Dr. John Dee plans to do when he steals it. Humankind won't know what's happening until it's too late. And if the prophecy is right, Sophie and Josh Newman are the only ones with the power to save the world as we know it. Sometimes legends are true. And Sophie and Josh Newman are about to find themselves in the middle of the greatest legend of all time.

Out of My Mind by Shannon Draper

Melody is not like most people. She cannot walk or talk, but she has a photographic memory; she can remember every detail of everything she has ever experienced. She is smarter than most of the adults who try to diagnose her and smarter than her classmates in her integrated classroom - the very same classmates who dismiss her as mentally challenged because she cannot tell them otherwise. But Melody refuses to be defined by cerebral palsy. And she's determined to let everyone know it - somehow.

The Witch of Blackbird Pond by Elizabeth George Speare

Orphaned Kit Tyler knows, as she gazes for the first time at the cold, bleak shores of Connecticut Colony, that her new home will never be like the shimmering Caribbean island she left behind. In her relatives' stern Puritan community, she feels like a tropical bird that has flown to the wrong part of the world, a bird that is now caged and lonely. The only place where Kit feels completely free is in the meadows, where she enjoys the company of the old Quaker woman known as the Witch of Blackbird Pond, and on occasion, her young sailor friend Nat. But when Kit's friendship with the "witch" is discovered, Kit is faced with suspicion, fear, and anger. She herself is accused of witchcraft!

Books of Bayern by Shannon Hale

She was born with her eyes closed and a word on her tongue, a word she could not taste.

Her name was Anidori-Kiladra Talianna Isilee, Crown Princess of Kildenree, and she spent the first years of her life listening to her aunt’s stories and learning the language of the birds, especially the swans. And when she was older, she watched as a colt was born, and she heard the first word on his tongue, his name, Falada.

From the Grimm’s fairy tale of the princess who became a goose girl before she could become queen, Shannon Hale has woven an incredible, original, and magical tale of a girl who must find her own unusual talents before she can lead the people she has made her own.

Fudge by Judy Blume

Life with his little brother, Fudge, makes Peter Hatcher feel like a fourth grade nothing. Whether Fudge is throwing a temper tantrum in a shoe store, smearing mashed potatoes on the walls at Hamburger Heaven, or trying to fly, he's never far from trouble. He's an almost three-year-old terror who gets away with everything, and Peter's had it up to here! When Fudge walks off with Dribble, Peter's pet turtle, it's the last straw. Peter has put up with Fudge for too long. Way too long! How can he get his parents to pay attention to him for a change?

Bartimaeus by Jonathan Stroud

Nathaniel is a boy magician-in-training, sold to the government by his birth parents at the age of five and sent to live as an apprentice to a master. Powerful magicians rule Britain, and its empire, and Nathaniel is told his is the "ultimate sacrifice" for a "noble destiny."

If leaving his parents and erasing his past life isn't tough enough, Nathaniel's master, Arthur Underwood, is a cold, condescending, and cruel middle-ranking magician in the Ministry of Internal Affairs. The boy's only saving grace is the master's wife, Martha Underwood, who shows him genuine affection that he rewards with fierce devotion. Nathaniel gets along tolerably well over the years in the Underwood household until the summer before his eleventh birthday. Everything changes when he is publicly humiliated by the ruthless magician Simon Lovelace and betrayed by his cowardly master who does not defend him.

Nathaniel vows revenge. In a Faustian fever, he devours magical texts and hones his magic skills, all the while trying to appear subservient to his master. When he musters the strength to summon the 5,000-year-old djinni Bartimaeus to avenge Lovelace by stealing the powerful Amulet of Samarkand, the boy magician plunges into a situation more dangerous and deadly than anything he could ever imagine.

Shadow Children by Margaret Peterson Haddix

Luke has never been to school. He's never had a birthday party, or gone to a friend's house for an overnight. In fact, Luke has never had a friend.

Luke is one of the shadow children, a third child forbidden by the Population Police. He's lived his entire life in hiding, and now, with a new housing development replacing the woods next to his family's farm, he is no longer even allowed to go outside.

Then, one day Luke sees a girl's face in the window of a house where he knows two other children already live. Finally, he's met a shadow child like himself. Jen is willing to risk everything to come out of the shadows - does Luke dare to become involved in her dangerous plan? Can he afford not to?

Princess Academy by Shannon Hale

Miri lives on a mountain where, for generations, her ancestors have quarried stone and lived a simple life. Then word comes that the king's priests have divined her small village the home of the future princess. In a year's time, the prince himself will come and choose his bride from among the girls of the village. The king's ministers set up an academy on the mountain, and every teenage girl must attend and learn how to become a princess.

Miri soon finds herself confronted with a harsh academy mistress, bitter competition among the girls, and her own conflicting desires to be chosen and win the heart of her childhood best friend. But when bandits seek out the academy to kidnap the future princess, Miri must rally the girls together and use a power unique to the mountain dwellers to save herself and her classmates.