#without any adverse effects.
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cera-chem · 1 year ago
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izzyspussy · 3 months ago
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why are they laughing at him as he gets straight up killed??? he doesn't deserve this! he's a sweet kid at heart! he literally just needs one (1) real friend!!
#jack facts#willow and xander and tara all got that exact type of chance and you could argue the same is true for cordelia and anya!#and why don't we just not even start in on angel#like jonathan went from attempted suicide to so grateful for one moment of attention he created a whole award to give about it#to IN ONE YEAR becoming so powerful a witch he seamlessly altered the perception of the entire population of the world#without any adverse effects to himself and only the one (1) flaw that is inherent to the spell he used#to all but instantly giving up that power when he realized it posed danger (that he understood) to people#to feeling genuine remorse for doing that even tho he needed it explained to him why they were so upset#and making every apparent effort to learn that with humility and offer whatever wisdom he could in return#to... this.#like why tf didn't anybody say hey man are you doing alright after being suicidal?#hey man the spell you did was wrong but that doesn't mean you can't do magic anymore why don't we meet up sometimes and study together#or better yet he could have mcfuckin joined the coven god damn#like they went from witch being a relatively gender neutral combo of innate talent and learned skill in early seasons#to now we're supposed to forget the boy willow and amy did spells with in hs + the fact that giles himself was in an all male coven#and even believe that only Special Girls like willow and tara can do any significant amount of real magic at all#why on earth is willow the biggest witch of ever and started out floating pencils and then having a whole plotline#about learning to use her power ethically and control herself and practice temperance and etc#AND anya gets to be a good guy even though she has to be taught about ethics and consent and compassion and all that too#but jonathan's thing is being soul crushingly lonely and having no self esteem but being incredibly sweet once given the time of day#and is instead relegated to two bit loser villain?#why because he's the Actually Uncool type of unpopular instead of the Too Smart And Nice To Be Popular type of unpopular?#makes me sick he literally just needs a friend. just one genuine friend who cares about him personally. that's all.#and it's not like they're doing a ''this is what happens to vulnerable kids when no one cares about them!'' thing which would be different#no they're just like lol he's unpopular like our protags but he's also short with a nasally voice! which means he's bad!#once again i swearrrrr i'm not doing armchair psych on a creator based on the content of their work#please i swearrrrrrrrrrrr i'm not doing that i prommy i know it doesn't work that wayyy i knowwwww#don't worry about ittt i'm so totally definitely not doing that at allllll#anyway
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byberbunk2069 · 1 year ago
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:)
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misscrawfords · 11 months ago
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3, 35 and 40 for the book ask :)
3. Already answered!
35. What do you think of Ebooks?
Mixed feelings. I much prefer physical copies of books. However, I am a book borrower not a book buyer and my library is extremely slow at getting new books, especially more obscure books not originally published in the UK, if it gets them at all. And then there's a really long waiting list. So I see online there's a new diverse romance come out I want to read - chances of my library getting anytime soon are practically nil. I started borrowing or buying ebooks which are cheaper and reading on my phone - not a lot but enough that I finally bought a Kindle last month. Do I feel good supporting Amazon? No. But it did seem like the best way to be able to read certain books and I was getting tired of reading a lot on my phone - a Kindle has better visibility. I can also see the benefits when travelling. Don't worry though - 90% of what I read is still paperbacks. If I had a choice I'd always go for that.
40. Has there ever been a book you wish you could un-read?
Yes, actually. Two spring to mind, both from my childhood. The first was a totally age-appropriate story about a boy, possibly called Luke, whose brother had leukemia. It was one of those children/YA (I guess it would be Middle Grade these days) books with a Worthy Theme that Kids Might Relate To to Help Them With Difficult Stuff. Not my sort of book even then but for some reason I got hold of it. It really, really upset me. I started becoming terrified of getting cancer, of someone I loved getting cancer, of dying, of loved ones dying...
The second was a biography of the cellist Jaqueline du Pre that my uncle bought me as a present when I was 10. My uncle has a habit of misjudging presents but I didn't know that and while this wasn't a kid's book, I guess it looked innocuous enough. This may seem totally different to the above book but it really isn't. Du Pre developed the condition of MS and the biography went into detail about her condition and its effect on her life including her sex life (which I found morbidly fascinating without really understanding it) and eventually her decline and death. Like the above book, this absolutely grabbed me and obsessed me and scared me.
Basically, I cannot engage with fiction that deals with terminal illness, especially cancer. I just can't. I can't watch medical dramas - I can't even deal with Call the Midwife! To this day I will not read any book that has this kind of plotline or theme. All through my teenage years, I refused to read any book that didn't have a happy ending. It was only when studying Greek forced me to engage with Greek tragedy that I started to let in a couple of "sad stories". Even now I will always take happy endings over sad ones, I avoid angst and I never touch misery porn stories. I can deal with the genre of Tragedy (as in Greek or Shakespeare) because it is not so much sad as inevitable, if you get the difference. Chekhov is on a very thin line. In real life too I find terminal illness, hospitals, doctors really awful, more than is normal, I think. A lot of my friends at school wanted to become doctors - I would do literally any other career. It's my nightmare. Whether my horror of these things came before these two books or not I don't know, but I do remember they had a really profound and negative effect on me and I really wish I hadn't read them at that point in my life.
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kerosene-saint · 1 month ago
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yknow what I'm not sure my anti depressants are doing anything at all
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zoe-oneesama · 3 months ago
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What are your thoughts on what happened to Chloe at the end of Season 5? Do you plan on watching Season 6?
Like as IF that's the last we'll see of her.
I was gonna wait to give my review of Season 5 - I wanted a release date for Season 6 and then drop them like a count down leading up to the new season - which is why I haven't delved in much and talked about my opinions.
But Chloe's ending was bullshit, and we all know it. Not because she leaves Paris, not because she loses the few friends and connections she has, and not even because she's a massive brat who finally gets some form of comeuppance.
But because of the form that comeuppance comes in.
Why on God's Green Earth is ANDRE the one? ANDRE is the one to drag her ass out of Paris and condemn her publicly and gets to act like the big hero, doing the right thing and putting Chloe in her place? ANDRE. The one who GAVE her her place and covered it in gold leaf and never once until this whack-job of a season considered that a bad thing?!
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Appropriate, appropriate face Caline.
The absolute absurdity of them to write THIS MAN in any sort of correct light, the one who from Day 1, Season 1 has been a solid and complete background for why Chloe is...Chloe. Who spoiled and abused his power to make sure she never felt an ounce of consequences or remorse or backlash. How dare they try and pull this move on us when they could remove Audrey from the story entirely and no one would second guess Chloe's entire personality or upbringing?
These writers have somehow convinced themselves that Andre is not only without any guilt in the outcome of this situation, but that he's redeemable! Redeemable through the act of shipping off his daughter, whom he's been nothing but devoted to, and sending her off to a boarding school with her (AS HE ADMITS) just as awful mother as her chaperone, while he abducts casually replaces her with his new better daughter, Zoé.
I'm sure that won't have an adverse effect on your child who is used to absolute and unconditional love for her whole life, you are definitely a good person who's finally figured out how to do the right thing.
/s
These writers have somehow convinced themselves that Chloe is absolutely hopeless and evil and has reached the point of no return, but ANDRE. Andre's fine.
And Gabriel too, apparently. Hm, seems to be a theme with these worthless male parents and getting off scott free....
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innerfare · 2 months ago
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You’re Sick - Part 1
Summary: How do they act when you come down with a bad fever?
Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid
Genre: Fluff
CW: None // SFW
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Luffy: 
Don’t expect him to look the other way when you blow snot all over the place. He’ll laugh and even poke a little fun at you. One thing he won’t do is fuss over you. Sure, he’ll bring you something to eat, and he’ll tell you to get under the blanket if you’re so cold, but he won’t be a mother hen clucking. And it’s comforting, actually. If there’s one thing you can count on from Luffy, it’s for him to remain calm, and he does just that when you come down with a fever, showing up for you without smothering you. 
Zoro: 
He’s not very good at the nurturing gig. The main thing is that he doesn’t want you to think that he thinks you can’t handle yourself. But… well, he worries. He’s never seen you this way, and the fear of loss is never out of reach for him. He takes to hovering by the door with his arms folded over his chest, even lowering his head to rest his eyes but never once sitting down. It’s not even a conscious thing, him staying on his feet the entire time you’re sick; his instinct is just to protect you, and this is the way he knows. 
Sanji: 
Soup. Of course he’s going to make soup. And then he’s going to make more soup, so much soup that the entire crew will be eating soup for at least the next week. Sanji doesn’t know what else to do with himself. He has to keep himself busy, though, has to keep his hands moving, or else he’ll find himself in a dark place. Luckily, he knows he can place his faith in Chopper to nurse you back to health. In the meantime, though, he’s going to keep making soup because he knows the power of a good meal. 
Ace: 
He brushes it off so easily you would think he wasn’t worried- if you didn’t know him, that is. What hits him the hardest when you’re bedridden, though, is how much you take care of him, followed by a fear that he won’t reciprocate well enough and you’ll be cross with him. He never would have imagined his fear of abandonment would rear it’s ugly head at such a time, but there he is, sitting on the end of the bed feeling like his most precious treasure is about to slip through his fingers. He wants to run from it, but he manages to grab your hand and give you a smile, teasing you about your messy hair. 
Sabo: 
He babies you- the man who rarely picks up the transponder snail and usually hangs up in the middle of the call when he does, the man who can’t be damned to remember most people’s names, the man who seems so utterly blasé most of the time. He drags a damp cloth across your forehead, he takes your temperature every hour, he reads and rereads the label on the medicine you were given by the doctor to be sure you get the right dose at the right time and don’t show any of the adverse side effects listed. 
Law: 
You expect him to be gruff with you. After all, your boyfriend hasn’t struck you as a doctor famous for his bedside manner. That’s not to say he’s mean, he’s just not very sappy. But when you come down with a fever, you notice a line in his brow you’ve never seen before and quickly realize the depths of his worry. Law is more gentle with you than he’s ever been, even going so far as to quietly spoon feed you. And he holds you the entire time, any risks to his own health be damned. 
Kid: 
If you didn’t know him so well, you’d think he was mad at you, or at least trying to disturb your sleep because he doesn’t want you to rest. But he snapped at you to sleep in his bed, not your own, and when he comes into his cabin every fifteen minutes, you recognize his extra loud footsteps and irate muttering about you coughing all over his sheets as concern. Eventually, he sits in a chair by the bed with a hunk of metal in his hands that he fidgets with while he watches over you, barking at Killer to bring you something hot. 
———
Hope you enjoyed it! If you want more, you can check out my masterlist here!
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sunderwight · 11 months ago
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Crack SVSSS Mpreg AU where when Shen Yuan transmigrates in, the system impregnates him with the displaced soul of the original Shen Qingqiu.
For the purposes of this AU, we'll say that male pregnancies or trans men being pregnant in the PIDW universe are uncommon but not especially noteworthy concepts.
So now not only does he have to deal with recovering from his qi deviation and of course being pressed into the role of the scum villain from the novel he was just reading, he's also mysteriously knocked up, can't explain it, and doesn't even know for sure if the baby will recollect being Shen Jiu when its born -- and of course hate him for stealing the Shen Qingqiu life.
What's more, Shen Yuan can't bring himself to get rid of it, because he does have mixed feelings about stealing Shen Jiu's life as well. Even though he knows it's probably the best tactical move, and he doesn't even like Shen Jiu, and the system has said there wouldn't be any penalties because it wouldn't impact the major important plot milestones, he opts to just... keep it. And not think too hard about it.
Luckily(?) cultivators have a lot of control over their bodies, which means a pregnancy can last however long they want it to, so Shen Yuan doesn't have to worry about giving birth in a hurry. SJ seems fine in utero, stalling his development doesn't have adverse effects, so Shen Yuan just swears Mu Qingfang to secrecy and figures out how to keep his pregnancy at the early stages for as long as possible while he hashes everything else out. So apart from internal freak-outs, most of the early plot proceeds as usual.
Unluckily(?), this state of affairs changes when Shen Qingqiu gets infected with Without-a-Cure, as that makes it so that putting off the inevitable is no longer a viable course of action. He can't spare the extra energy and doesn't have the stability of cultivation required to mess around with his pregnancy anymore, so things have to proceed at a more normal rate.
Which means the other peak lords and the disciples on Qing Jing find out that Shen Qingqiu has been harboring a secret pregnancy for an undetermined length of time. Shen Yuan has to bite the bullet and use the amnesia excuse to explain his lack of insight to the existence of any other parents (he's surprised it works so well, because he doesn't know that the rest of the sect has already figured out he doesn't remember some things after his fever), which inspires a lot of behind-the-scenes chaos because everyone has ALSO figured out that Shen Qingqiu's amnesia seems to pertain to things that must have traumatized him in the past.
So if he's pregnant, and he lost his memories of how he got that way...
Well. Cang Qiong is now on the hunt for an attacker who might already be dead and doesn't actually exist.
But everyone agrees that Shen Qingqiu doesn't need to be troubled by these details, so if he's okay with not remembering, then they're okay with letting him not remember. The only one who tries to bring it up is Liu Qingge, and that's mostly in the context of wanting clues so he can track down the culprit and stab them until they are dead.
Luo Binghe supports the quest to find the persona responsible and violently murder them, but as a disciple he has no resources to actually go on some wild goose chase for a mystery rapist. Besides, he has more important things to do on the peak, like making Shizun's meals, keeping Shizun's house, and preparing to help raise Shizun's baby. Luo Binghe is not going to be the stepdad, he is going to be the dad who stepped up! (Binghe please cool your jets you're like fifteen you're going to give your future shizun whole new inner turmoil about whether it's possible to accidentally babytrap your own teenage disciple via immaculate conception reincarnation pregnancy...)
Anyway eventually baby SJ arrives, and Shen Yuan immediately decides to block all recollections of the childbirth process and never dwell on it again. Something happened, he's no longer going to think about it, oh look a baby! A potentially evil villain baby. With cute widdle toes and tiny fingers and a squished, grumpy baby face that gets all red when he cries...
Yeah. Despite his reservations, there's no way he's not getting attached.
He gets Binghe to help him pick out a name for the baby, partly because he feels terribly presumptuous when he actually knows this kid's real name (but he can hardly call his son "Shen Jiu"), partly to encourage Luo Binghe to have some fondness for the kid so that if he someday hates his old shizun, he might still spare his "son" from his revenge. Even though it's actually SJ's fault. Well, he's a baby now. He probably doesn't even remember anything! He sure does cry a lot! Would the OG villain cry and fuss and settle down only after being sufficiently cuddled?
Turns out, yes. Shen Jiu remembers everything from before his fatal qi deviation. He's just also still an infant. So what can he do but cry? And maybe pee on the beast and that body-stealing creature that has reduced him to this. He spends most of his early infancy waiting for someone to come smother him with a pillow, but the conspirators must want to keep him alive for some reason, because it doesn't happen. Instead he gets looked after and soothed and taken care of in a way he never has been. Also, his stupid baby instincts keep insisting that the creature which stole his body is actually the safest person in the whole world.
It's like a cruel joke. SJ finally gets the childhood he always wanted deep down inside, but the one giving it to him is some kind of monster.
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becomingthatgirl111 · 1 year ago
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organize your week like this to be closer to the best version of yourself
i interpret the process of becoming our best version as climbing a ladder, on each step, we learn something new that serves us, and the next we complement it with something new, and so on until we reach the end and after many small habits we have become that version we wanted to be. little by little we are learning and although sometimes it is complicated to climb because of the adversities that may arise we can always take up the path again and put into practice what we have learned. that said, today i want to share a method that i have created to organize our habits and thus fulfill them more effectively and feel motivated. in this post i will only present some examples, you have to apply it to your own situation and my recommendation is to start now even with small habits that will be the ones that will lead you to success. i recommend that you try it for this week and write down your results, if it has worked for you keep using this "organization method" and adding new habits or increasing its time.
organize by categories.
create groups to categorize the habits you want to implement in your life, for example like this (the habits are examples, use your own)
🌿 health (body and nutrition)
10 minutes of exercise every day
30 minutes of walking every day
drink a lot more water
start eating consciously
one self-care day a week, for example on friday. we can take this day more relaxed and take more care of ourselves, dedicate more time to our personal and mental care.
do massage with the quartz roller and gua sha
make an appointment for nails, hairdresser, spa, eyelashes or even go to a coffee shop with yourself.
use a face mask and hair mask
🌿 personal growth
read 10 pages a day
listen to personal growth podcasts or audiobooks (choose one and listen to it all week long)
choose an affirmation and write it down every day
record in a diary or an app your mood and what you did during the day.
create a to-do list of what you will do for the day (the night before)
choose a video of affirmations and listen to it every day at a time that suits you best
🌿 studies
study about what you are studying or training for.
dedicate e.g. 20-30 minutes each day to study or review.
study a new language, 15 minutes a day, 5 days a week.
🌿 hobbies
1 - 2 hours to what you enjoy doing (depends on the day and your schedule)
you can write down in a notebook the groups you want to choose for yourself and then the habits you are going to implement, even if they are very small, for example 5 minutes of daily exercise, that is a good start.
to stay focused and not fall into old habits we can also replace the old habits with new ones that we want to implement in this way.
old habit: too much time on instagram new habit: reading or listening to an audiobook while i take a walk. or even just 15 minutes of social media a day.
other examples:
drinking soda or alcoholic beverages > drinking a lot more water and starting to drink natural juices.
watch a lot of series on netflix (or any streaming platform) > read or listen to podcasts/audiobooks that nourish my mind.
overthinking, worrying > meditating for about 5 minutes
lying in bed without doing anything > organizing my room
think in negative > think about the things you would like to happen to you
other tips to connect with your best version
write in your diary how you would act, be and what habits your best version would have. this will give you clarity about what you want and you will feel closer to that because you will know how to act.
establish small habits to start with and take it as a kind of game or test during this week. don't push yourself too hard.
at times when you don't know how to act or react, think about how your best version would act and what it would do.
write down things you are proud of or would like to be proud of.
if you are easily distracted or do not know what to do at any given moment, set alarms to know what to do at that moment.
if you use social media a lot, set a limit of use.
choose habits that you know you will be able to do easily, that will make you gain confidence and little by little establish those habits in which you have procrastinated or which are more difficult for you.
think big, open yourself to the possibilities that life offers you every day and keep a positive attitude towards any situation.
apps i recommend: habit: it serves to keep track of your habits and also get organized, it's a kind of to-do list. daylio: you can record your mood, what you did during the day and your habits, it also allows you to write and add photos. it is very complete, it can be used as a digital diary. notion: to get organized.
duolingo: if you want to learn a language a few minutes a day will be enough. i learned a lot of grammar in english thanks to this, which works if you practice daily.
and as always my blog is about this and there will be many more related posts in addition to the existing ones, all to be our best version 🤍 in fact if you try it i would love to know your results.
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chronicallycouchbound · 4 months ago
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PSA: Please don’t ask participants to do grounding/mindful/somatic/etc practices at your events
Grounding exercises should not be an activity in large group settings, especially unsolicited and without warning, especially if you’re not aware of every single person in the space’s mental health conditions, physical health conditions, and personal relationship to their body.
Practices such as mindfulness, grounding, somatic exercises, breathing techniques, body scans, etc. are very helpful therapeutic tools to help manage stress. They can (and do!) help plenty of people– when taught safely and used effectively!
HOWEVER for people with conditions that cause psychosis and/or dissociative conditions such as depersonalization/derealization, these techniques are contraindicated and can make their symptoms significantly worse. They should only be used with guidance from their mental health team and adapted to their needs. For people with conditions like anxiety and PTSD, being aware of breathing can trigger a trauma response or anxiety attacks.
And for people with conditions that cause chronic pain or other uncomfortable bodily sensations, becoming re-centered with their bodies can cause more awareness of the pain they are in, which a level of (ideally functional) dissociation is actually helpful. For people in wheelchairs and powerchairs, touching the ground beneath their feet isn’t always an option. For people with cardiac and pulmonary conditions, deep breathing can be impossible or can trigger asthma attacks. For disabled people in general, doing body scans can be impossible due to paralysis or limb differences. They can bring awareness to things the person wasn’t aware were wrong to begin with (which is helpful in certain spaces, but not a great ice breaker at a retreat!)
And for trans people, binders and other garments can restrict breathing, and taking repeated deep breaths while binding can cause rib damage (which is why you shouldn't bind at night, while coughing from sickness, while exercising, etc). Becoming centered in a body that makes you dysphoric can be deeply distressing, again, a level of functional dissociation helps.
This also goes for plenty of other people in marginalized bodies, such as people of color, people who use substances, queer people, and more. Becoming grounded in your own marginalized body can be a heavy weight to carry, and needs appropriate and individualized care to be a beneficial experience.
As an alternative, I suggest doing a round of gratitudes instead, it allows for people to choose their level of vulnerability in spaces, while not being generally contraindicated for many people. Doing fun (and appropriate to the setting) icebreakers are great. Ask what brings someone to the space. Check-ins about basic needs such as if people need to use the restroom, eat, drink water, are rested, etc. can be more appropriate body check-ins for folks to do.
I don’t recommend doing these exercises even with a warning beforehand. If I'm in the room while someone is leading a breathing exercise, even if I try to ignore it, I (and most people) would automatically become aware of my breathing. The same goes for any other techniques. These techniques can cause real, life-threatening levels of harm for some people, and can even just be deeply uncomfortable or distressing for others. Dissociation is not inherently evil or bad or harmful. It is the way the body and mind naturally respond to adverse experiences (note: it can also cause distress and at higher levels, can be disordered) it is best to allow people to exist as they are in communal spaces. Let people show up as they are.
Most spaces are not equipped or appropriate to respond to emergencies, difficult feelings, and all the varied responses that can come from folks doing mindfulness in group settings.
I personally do some things before large gatherings and events to feel centered on the activity I’ll be doing, and afterward, I decompress. Encourage participants to lean on their natural supports and offer suggestions for it! Be creative in your caring!
This also doesn’t mean to discourage these practices! If you see someone doing deep breathing, check in with them, offer a space for them to decompress, care for them! Worksheets or posters on techniques like square breathing and 5 senses check-ins are great for a quiet room or spaces where participants can decide if they want/are able to engage with those tools. It should be a fully consensual opt-in, rather than being forced to opt-out. Having to leave a room when a group leader says “We’re going to start a mindful breathing meditation, please feel free to leave if you have psychosis, chronic pain, or are trans” is obviously othering and outs people.
Sincerely, someone who has psychotic symptoms, dissociation, chronic pain, is trans and whose body is marginalized in many ways and is really tired from trying to explain this at every event I go to
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derinwrites · 25 days ago
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Do you have any advice for writing in a web serial format?
Let’s look at this in two sections – the business part, and the actual writing part.
The Business Part
1. Consistency. Consistency in updates. Have a schedule and STICK TO IT.
If your schedule is too hectic and starts affecting your health or otherwise adversely affecting your life, change the schedule; update less often. Don’t update in spurts and then randomly stop. The audience will far more easily tolerate a slow schedule than an inconsistent one; an inconsistent one will lose many readers. You’re not Andrew Hussie and you can’t get away with that bullshit.
There may be times where you need to take a hiatus due to some emergency, life event, or health condition. This is fine – your wellbeing is more important than your story. But you need to be up-front with your audience about this; tell them you’re taking a hiatus and tell them exactly how long it’s going to be. If you can, you should tell them in advance (this isn’t possible for things like a car accident, but is very possible if you’re planning to, say, move house in a month). If you’re taking too many hiatuses, then it’s better to slow down your schedule and update less often. Audiences prefer fast and consistent, but if they have to choose, slow is better than inconsistent.
The #1 helper to consistency is having a big buffer – that is, have several weeks’ worth of unpublished chapters. The length of your buffer is personal taste, but I like to keep mine as long as possible so that if there’s some problem that stops me from writing for several weeks, it won’t upset the schedule. It keeps my stress down to know that I have that leeway. Other writers prefer to only write a week or two ahead, though, so different things work for different people.
2. Decide on your monetisation system early and prioritise it.
The most popular and most effective method for monetising a web serial seems to be the patronage method, which is the one I use. You set up a patreon, ko-fi, or whatever sponsorship system you prefer, and offer rewards to those who support you. Having their names in a credit list and getting access to advance chapters are very common rewards. Some people also lock access to their discord behind a paywall, or offer extra stories or let supporters name story characters.
This model is not the only way to make money from web serials. Some people make money via advertising, or selling merchandise, or use the web serial itself to advertise stories that they sell. You can of course use several revenue streams – you can have both a patreon/ko-fi and run ads on your website (I don’t because I hate ads, but you can), or start selling merch related to your story once there’s a demand for it. Many web serial authors (including myself) sell their completed works as books. But the important thing here is that one of these systems will be your main system, and you need to know what it is and behave accordingly. If you run ads AND have a patreon, are you more focused on ad revenue or patreon revenue? You’re going to have to put your time and attention into one of them over the other. You’re going to have to make decisions that will help one and harm the other. So know in advance which one is most important to you.
You don’t have to monetise your story at all, of course. Plenty of people write fiction on the internet for free every day with no thought to making an income at all. But if you’re serious about this, I would recommend monetising it, because that makes a better and more consistent product. The reason I’m still able to keep writing these year after year is that my supporters pay my mortgage; without Patreon and ko-fi, I’d have to get a different job, and wouldn’t have time or energy to write consistently. Also, the reason I can write and update even when I don’t feel like it, and the reason I always push to make my stories as good as possible even when I’m not interested, is because I owe it to my supporters who are paying me real actual money to read my work. If I didn’t owe my readers anything, none of these stories would ever get finished, because writing is only fun about half of the time.
3. Don’t expect to be able to turn this into a career.
This advice sounds silly coming from me, who has through sheer luck, as well as the generosity and passion of my readers, somehow turned this into a career. But I need to emphasise that that luck is not typical. Most web serial writers will not be able to support themselves solely with their writing. It can make a good side hustle, but if your primary goal is “low barrier to entry work-from-home career where I don’t have to answer to a boss and can support myself comfortably,” then web serial writing is usually all of those things except the last one. There’s no harm in trying to turn this into a career – I did it, as have many other web serial authors – but don’t expect that result, is all I’m saying.
Still, if you can do it, it does have a lot of advantages.
4. Don’t expect to make money fast.
I remember when I finally started making an entire $100/month on Patreon. It was a fantastic day.
It was when I’d been writing web serials for four years.
5. Your most valuable resource is your readership.
Your readership will grow and gather momentum over time. The best business decisions you can make are those that grow your readership and allow your readers to participate in community, even if you have to give up opportunities to make money to do it.
A good example of this is discord. Some people have private discords that only their patrons can access; while this is a useful anti-spam and anti-harassment tool, I don’t recommend doing this if you don’t have a major spam or harassment problem. Some people will pay for discord access, yes, so you might get a handful of extra dollars per month that way – however, you will also get a far less active discord. When it comes to readers, population density is critically important; the more activity, the more people talking about your work together (or talking about anything and bonding with each other), the better. Plenty of people have joined my free discord just because it was there and only read my stories after seeing people talk about them there. Then they go and get their friends to read the stories. Enthusiastic readers are inherently valuable, and the best thing you can do is give them the resources they need to talk to each other and share their interest.
This principle applies to a lot of things. I have a lot of free stories on my website that aren’t the usual web serials, and more than once I’ve considered whether they should be paywalled. The answer I always land on is ‘no’; I couldn’t tell you how many readers have been roped into my web serials because they liked Copy <|> Paste, or The Void Princess, or Drops of Blood. These readers may or may not then become monetary supporters, but even the ones who don’t will increase activity and discussion about the stories, have fun and tell jokes in the discord, and may even produce fanart. A thriving community is always going to be more valuable to you than a few extra dollars; make sure to support them accordingly.
Your readership will start very small. In terms of marketing, this is your hardest time. A big readership does the majority of the marketing for you, but when you’re on your own, it takes a lot to convince anyone to give your stories a shot. It helps if you have an existing readership to leverage, which is what I did – I’d been writing Animorphs fanfiction on AO3 for years, and many of my first readers followed me over from there. If you have such a community that already has faith in your writing, leverage it. If you don’t, you can gain one my writing in a place where people go to read stories similar to your work, such as an appropriate subreddit, or a web serial site like Royal Road or Scribblehub. You are looking to gain as high a number of enthusiastic, engaged readers as possible.
And now, the fun part – the actual craft!
The Writing Part
1. Always remember that you are writing for two audiences
A web serial author has to keep two audiences in mind; the serial readers, and the bingers. You are writing a story that needs to be fun and engaging when read very slowly, at the pace of whatever your update schedule is, but that also needs to be interesting when read all at once.
This is not an easy task.
It’s something I fucked up pretty significantly with Curse Words, which was my first attempt at this. Curse Words has a lot of complicated political stuff happening throughout pretty much the whole story, as well as a complex save-the-world plot that’s reliant on a lot of secrets, mysteries and extremely speculative information. With so many wheels spinning, I decided to make the protagonist not particularly smart and move him very slowly through the plot to make sure that the reader would be able to keep up.
This was a mistake.
‘Pretty slow and simple’ at a novel reader’s pace is torturous at a web serial pace. Readers got a full week to discuss the mysteries and implications of each chapter with each other, doing the detective work of ten chapters between each one. The frustration with Kayden’s slow pace was clear, and he came across as an outright idiot rather than an average teen. Personally, I think this lesson was one of the biggest reasons for the difference in quality between Curse Words and Time to Orbit. Don’t slow down for your audience; they’re already slowed down by your update schedule.
At the same time, though, you don’t want to move so fast that you lose the bingers. You can’t assume that your readers will have time between chapters, or that they will discuss each chapter with other readers, or that they will go back over previous chapters looking for clues. Interested people reading update by update will do this, but bingers absolutely will not. So you still need to make sure that everything is comprehensible on a binge read with no backchecking or outside investigation.
My advice on this matter is to move as fast as possible, but take care to make sure that readers are reminded of everything important a few chapters before it comes into play. That way, both audiences can keep up. If you have to make a decision, it’s best to favour your update readers; they’re your most active community. They’re doing the up-to-date discussion, and probably doing the most word-of-mouth and fanart, although binge readers will do that too (I have plenty of dedicated readers who wait five or six weeks to binge a bunch of chapters on purpose, just because that’s their preferred reading style, and they’re still very engaged). But if you plan to publish your story later as a complete work, you also need to keep in mind how it’s going to read as a binge – and also, new readers will binge the earlier chapters of your story to catch up to the current one, so make sure it’s a good experience for them or they won’t get a chance to become update readers.
Two audiences. Mind your pacing and information reveals accordingly.
2. Chapter length
The general rule of web serials is that the more often you update, the shorter your chapters should be. The generally agreed ‘sweet spot’ is 1-1.5k words, 3 times a week, but this depends heavily on individual style. I update once or twice a week (depending on what stories I’ve got going) and try to keep my chapters between 2 and 2.5k words. If you update once a month, your sweet spot is probably about 10k words.
Don’t hold religiously to what other people tell you the ideal word count is – this will vary drastically with genre and personal style – but it’s best to try to stay fairly consistent. It’s not always possible to stay exactly on target because the best break points between chapters will vary (I’ve got 1.8k chapters and 3.5k chapters), but readers like to be able to predict about how long an update will be and they like it to not vary too wildly too often. As with choosing your update schedule, choosing your chapter length will depend on what suits your personal schedule, and what suits the story you’re writing.
“The shorter the chapter, the more frequent the updates” is a good rule for attracting the widest audience. Short, infrequent chapters will have a lot of readers losing interest between updates; long, frequent ones will have a lot of readers feeling overwhelmed. But the most important thing is finding something that you can consistently output year after year (remember, it took me 4 years to make $100/month; this is a long game).
3. It’s a TV show, not a movie
This advice is less useful in our age of Marvel movie franchises and made-to-binge Netflix series, so pretend I’m talking to you in the year 2010 or earlier. If a novel is a movie, a web serial is a TV show. What I mean by that is that a novel is shaped primarily as a complete experience, whereas a web serial is shaped as a chapter-by-chapter experience.
It’s best, in both cases, to have a well structures and paced story that is made of well structured and paced chapters. But sometimes you have to choose between the structure or a chapter and the structure of the story as a whole; making one better will cheapen the other. When you’re writing a novel, you should choose the structure of the whole, but when you’re writing a web serial, you should choose the structure of the chapter. Web serial readers will prefer a chained series of excellent chapters, over a beautiful story of chapters with mediocre individual structure.
In fact, whether you want a structure to the overall story at all is personal taste. My stories have strong overall structure and move towards a planned conclusion because that’s how I prefer to write (and it also makes the story bingeable, since it’s basically a novel being released really slowly), but plenty of web serials out there have no real planned ending and will wander about for years and years in no obviously consistent direction, occasionally throwing in a big twist or major change to freshen things up. These would make absolutely horrible novels, but make very popular web serials. Whether you write like me or like them, the rule is the same – the experience of each individual chapter takes priority.
Come to think of it, this might be why people call my stories “ADHD crack”…
4. Okay, so how do I structure a good chapter?
I generally try to do three things in every chapter.
- Hit the ground running
- Give them something new
- End on an open question
Hit the ground running – Unless it’s the very first chapter of the story, you don’t have to be coy getting into the action. Open the chapter as if it’s the middle of the chapter; start at full momentum. Catch the high point of the last chapter before it falls. It your last chapter ended with “We checked the fingerprints on the candlestick. It’s Colonel Mustard.” then you can start this one with “But he was in the library at the time!”, you don’t need to recap or slow down or anything.
Give them something new – Every chapter should give the reader at least one thing to talk and think about. A new choice, some new information, a shift in perspective, whatever. People are reading these updates one at a time so it is vital that they feel like they got something out of the experience. A chapter in which nothing is learned will make readers feel like their time was wasted, and they have all the time until next update to reflect on that.
This is also true of a novel, but it’s much more critical in a web serial. A novel with nothing chapters in it is just frustratingly slow-paced; a web serial with nothing chapters in it leaves the reader feeling cheated for long stretches of time.
The thing to talk about doesn’t necessarily have to be a big plot reveal or major advancement. An incredibly cute scene, or sad scene, or funny scene will work just as well. But you have to give them SOMETHING. If you’re giving them nothing, consider cutting the chapter entirely and integrating any important foreshadowing or whatever into the next chapter.
One major hurdle of mine with this rule is recap chapters. If you’re writing a very complex plot over a long period of time, you need ways to occasionally take stock and make sure everyone is on the same page and nobody’s forgotten or misinterpreted anything important. This information can be recapped or conveyed in the middle of an action sequence or something, but I personally find that putting other stuff in the scene makes it too distracting and therefore less effective. I like to literally just sit the heroes down in a room and have them go, “okay, we’re spinning a lot of threads at once right now; what do we know, what are we trying to figure out, and what are our next steps?” This is the literary equivalent of the save point or room full of health packs right before a boss battle. Game designers don’t put that room there to be nice; they do it so that they know exactly how much health you’re going to have going into the battle, and can structure it accordingly.
You can make these chapters entertaining with character banter, but you can’t really introduce new threads to talk about, except possibly as a twist right at the end. Introducing new information mid-recap distracts from the recap and makes it pointless. You might have something similar in your stories, chapters that are essential but don’t give the reader anything new to work with.
My advice for these is to just bite the bullet on this one. Release the chapter with nothing new to talk about. You can get away with doing this occasionally, if the chapter has a clear purpose (I get a lot of readers tell me that they appreciate my recap chapters). Readers who get nothing out of the chapter will shrug and talk about older stuff instead, so long as you only do this occasionally. But a chapter with no new information has a cost in opportunity and in reader patience, so only pay it if the chapter’s worth it.
End on an open question– End the chapter with a reason for the reader to come back. You want them to think about the story afterward and be eager to read the next chapter when it comes out. Adhering to this principle is probably why I have such a reputation for cliffhangers, although truth be told I don’t use nearly as many actual cliffhangers as people say, I just try to end by opening a question. By that I mean, the audience should always end a chapter asking a question, which can be something that will span dozens of chapters (“How can Colonel Mustard’s fignerprints be on the candlestick? Is he being framed? Does this mean that the candlestick was in the library and isn’t even the murder weapon?”) or span a single paragraph (“How will the narrator react to learning that Colonel Mustard lied about never touchign the candlestick?”) This could be the emotional height of a scene, or the point at which new information recontextualises everything. It could be the moment where the stakes are raised or an important assumption turns out to be false. Anything that makes the audience eager to learn what happens next will do.
There should always be at least one open question in your story, more if it’s thematically appropriate. You know how mmorpgs and crafting games and suchlike keep you playing for hours and hours by making sure you’re always near the end of an activity – keep playing til you reach the next level, oh but now we’re nearly at the end of this quest so we should complete that, oh but now we’re just 20 gold short of being able to buy that cool new armour so we should just… same trick. Readers should always have at least one ‘quest’, an open question that they’re following, and should always be close to an answer.
You don’t have to dramatically introduce an entirely new question each time; you can end a chapter by reminding the reader of an existing open question. I tend to be a fan of the Big Dramatic Reveal On The Last Line method (cliffhanger reputation), but you don’t have to do it that way. Indeed, it’s a good idea not to do it that way every single time, lest you get stuck in a rut; every chapter ending doesn’t have to be incredibly tense and snappy. Somebody mentioning that they wish they knew how they could get enough food to make it through the winter before a full paragraph of cuddling and falling asleep in their mother’s arms works just as well.
5. It will help if your story is good, but it isn’t required.
You don’t have to be very good at writing to do this.
It helps to be good at writing, of course, and I assume that since you’re asking me for tips, you’re the sort of person who wants to be as good at writing as you can. But there is some true hack garbage out there doing absolute numbers in the web serial circuit. I try not to harp on about this too much because Curse Words fans get really upset at me when I do, but I think most of us can agree that Curse Words kind of sucks. And that just sucks in an ‘author is still learning how to do this’ kind of way; there’s much worse writing, real bullshit Ready Player One-level writing, trucking along out there brilliantly.
The point I’m trying to make here is that this isn’t an industry where there’s any value in hesitating and wringing your hands and asking yourself if you’re a good enough writer to do it yet. You are. You can just start writing a web serial right now and so long as you consistently update, you’re probably already above average for the market. And your first one probably will suck (mine did), but it’ll teach you how to make a better one. I think that Time to Orbit: Unknown is passably okay, and it absolutely would not be passably okay if I hadn’t written Curse Words first. Just go for it. Try to write a quality story if you can, but if you can’t, it’s honestly not that big of a deal. What matters, truly matters, is that you are committed to improving your craft. And that means actually practicing your craft. Which means writing some chapters and setting up a release schedule.
Good luck.
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patricia-taxxon · 14 days ago
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think the transmedicalism comparison is less like "ooh yeah you're . like gender is fake" or whatever, and more uh. like imagine a post that was like "you're not oppressed just b/c people who are more trans than you are mean to you online, especially when you're not even claiming to have any dysphoria" or "watching nondysphoric trans ppl talk about being valid is digital selfharm". like you dont have to go after specific ppl for ppls response to still be like: oh hm, not sure I like that. bit different than just being vaguely negative abt them yknow? anyway
You know what, yeah, on some level it is triggering to me when I expose myself to the online communities of groups I'm supposedly a part of and the discussion is primarily taken up by people for whom their greatest oppression is a denial of validity and understanding in online spaces, but that's a me problem. Usually what I say to myself is that I must not be an additional voice on top of neurotypical/cis society denying that validity, but with pluralblr it feels different. The gender/religion side of that community is such an overwhelming majority and it caused me so much grief and confusion in my early stages of realization through its insistence that it represents the thing that I am experiencing. And of course, it's not just "talking about being valid," its claims that non-disordered systems are the REAL victims of ableism, dogmatic de-centering of adverse effects and smothering positivity. It's like if medical transition was so taboo that people could reasonably go a year participating in trans communities without ever hearing about it. yknow? anyway
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mrsshabana · 2 months ago
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𝐖𝐄𝐑𝐄𝐖𝐎𝐋𝐅!𝐆𝐘𝐔𝐓𝐀𝐑𝐎 ⛧ 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝐓𝐇𝐑𝐄𝐄
꒦꒷‧₊ Summary Your body is at its breaking point, and the full moon isn't even over yet. All you hope is that you can make it through the night. But even if you do, things between you and Gyutaro will never be the same. ꒦꒷‧₊ Content Gyutaro x female!reader, 18+ MDNI, hunter/prey, size difference, vaginal sex, creampie, breeding, biting/marking, knotting, pregnancy ꒦꒷‧₊ Note 1.1k words
༺ Art ༻
⇢ Chapter one ⇢ Chapter two ⇢ Chapter four ⇢ Kinktober Masterlist
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Panic begins to set in as you realize the situation you're in. If he stays inside of you like this, there's no doubt that you'll get pregnant. That is the whole point of a knot after all.
His body presses down on you but you try your best to wiggle away without hurting him, moving your hips in an attempt to slide him out.
Gyutaro begins to snarl behind you, his claws digging into the ground beside your face.
His growls only intensify the more you move.
"O-Ok Gyu, I'm sorry... I'll stop," you whimper. Feeling afraid that you angered him, so not wanting him to lash out you stop moving completely.
But instead of trying to remove him from your sore cunt, it seems your movements had an adverse effect. As you swear you can feel him expanding even more inside of you. The way you wiggled around beneath him only made him hornier.
He begins bucking his hips, desperately trying to bully his cock deeper inside of you. But it's already stretching you past your limits, unable to go any deeper. Getting frustrated, his thrusts intensify. He wants to fuck you again so bad, but his knot won't allow him to pull back so he can plunge into you again. Only able to nudge against your tight walls, barely catching the friction he desires.
But the way you squeeze around his growing knot makes up for the lack of friction. Feeling the way you tightly clench around him makes him go insane, his cock already twitching in preparation for shooting another heavy load inside of you.
You hold onto his wrists as his body rocks on top of you. Trapped beneath the weight of him, there isn't much you can do. A moaning and quaking mess as he ferociously tries to breed you once again.
Your stomach already feels impossibly full, you know you can't take anymore. "G-Gyu please... ah, I can't! No m-more!" you beg.
But your pleas go unheard as he's already past his breaking point. His hips pushed so hard against your ass that you legitimately think it might bruise.
His body shudders and he wraps his arms around you and holds you close. You feel the pressure inside of you increase as he fills you up even more. Satisfied whines escape him, echoing off of the cave walls.
The pressure gets unbearably uncomfortable to the point where you can no longer move. Gyutaro gently nuzzles against you and licks the back of your neck, being sweet and affectionate as if to tell you that you did a good job. That you're such a good girl for him.
He's so busy giving you affection that he doesn't even realize you've already passed out. Eventually, his knot deflates and he can safely slide out of you.
Feeling a deep connection after what the two of you just shared, Gyutaro holds you against his chest and caresses you in his arms. Giving you soft licks and kisses on your face until inevitably falling asleep as well.
༶•┈┈⛧┈┈⛧┈┈•༶
As the full moon sets, the sun begins to rise - waking Gyutaro from the peaceful slumber he was in.
It's hard to explain but he wakes up feeling complete. Like last night he found a piece of himself that he didn't know he was missing. He feels lethargic, but really happy and calm at the same time.
Before he can even look around at his surroundings he picks up on an unusual scent. The scent of mating - he reeks of it.
And that's when he finally notices you lying beside him, and all the memories from last night come flooding back. Now that the full moon has passed, he can think rationally. Deep down he feels so guilty about what happened, but he can't help but feel ecstatic that he finally made you his mate.
Sex is very different for humans than it is for werewolves, it's not as meaningful and symbolic. Werewolves typically don't mate with just anyone, it has to be someone they feel a special connection to. Someone who they are ready to spend the rest of their lives with. And Gyutaro didn't need to know you for very long to know that you were the one for him.
The urge to make you his mate was so hard to hold back, but he did it for you. But when the full moon came he gave in to his primal urges and claimed you as his. He feels a sense of fulfillment and bliss knowing that he can call you his mate.
"Y/N..." he whispers, nudging your shoulder.
You don't budge so he starts licking your face, his tail wagging excitedly behind him. That cute golden retriever energy finally showing through now that the full moon is gone.
"C'mon Y/N! Time to wake up!"
The wet tongue gliding across your face finally wakes you from your slumber. "Ngh... Gyu?" You rub your eyes, making sure that he's actually real.
"Yeah, who else would it be?" he smiles. You can't help but stare at that quirky smile full of sharp teeth, those fluffy black ears, and that happily wagging tail. Everything that makes him different, everything that you love so very much about him.
So happy to see him back to his old self, you hug him tightly, feeling like you could cry.
He possessively wraps his arms around you, "I'm sorry about last night, I wanted our first time to be more tame since you're a human..."
"I-It's ok," you mutter, "I liked it..."
His eyes widen, "You did?"
"I did," you nod, "It was scary at first, but I knew what I was getting into when I chose to be with you."
"Y/N... you know I love you, right?" He grins and hugs you tighter, "We'll have to do it again after the pups are born."
"I love you too Gy- wait... the what?"
"Haha, don't act surprised! Do you really think there's a chance you aren't pregnant after last night?"
You're at a loss for words, the thought of actually getting pregnant by a werewolf feels so foreign to you. But he's right, it shouldn't be unexpected after what happened.
"Don't worry, Y/N," he smirks, "You're gonna look so pretty with my pups inside of you... I can't wait to get you pregnant over and over again."
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kooki914 · 4 months ago
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Nobody asked and yet you're getting it anyway, my Dess interpretation! Tbf I love a lot of other people's Dess designs maybe more than my own based on complexity/symbology alone, but this is what my original take for her was so I'm sticking to it. Extremely long list of factoids for her under the cut!
Dess hasn't seen a hairbrush in 8 years.
Opening her first fountain was an accident, and so was entering the dark world, but it was something she desperately needed at that point. She was knighted by Spade King, before being dubbed the Roaring Knight by the general public after she opened the second fountain and people started (correctly) assuming she was trying to cause the apocalypse.
Dess is mtf trans! She was out since she was 9, and took puberty blockers for a while, but stopped after she disappeared because she, y'know, didn't have access to them anymore. Strangely, even though she's been off of them for so long, there's very few side effects. You can just see her Adam's apple sometimes and muscle mass started building for her easily, but that's it. She's silently grateful that her dad didn't pass down any beard-making genes.
The reason why it's been so mild is due in part because of the effect of being in the "void" for too long, aka the space so dark and isolated you can't even feel your own limbs. She was stuck in the code of the game, basically, and it's had adverse effects on her mentally and physically, the only positive effect being less testosterone production in her body.
The physical effects are odd. Though she's grown and her body's age is what it would've been if she never disappeared, she's still in the same clothes she was when she ran away, but they sized up with her. The black nail polish she had on is still there too, not even chipped. As previously mentioned, her hormones are out of whack but, somehow, she's still clearly a grown adult, as if she just went through a very, very mild puberty.
The mental effects of being stranded in the literal nothingness are as expected as they are odd. The standard effects of not having contact with another person for so long have, somehow, never taken hold. It's like the social part of her brain was just put on pause. However, part of the madness she DID get was her very much considering her memories might just be made up. As if she was always here and managed to, somehow, delude herself into thinking she had a life outside of this place, when she never did. Essentially, she stopped existing, but retained some level of consciousness.
The whole "not existing for a while" thing as well as the fact that she's pre-hrt trans means she absolutely hates mirrors. Give her a mirror and she'll give back about a hundred shards of it. When she was younger she usually just had dysphoria over looking too boyish (hence why she never cut her hair) but nowadays she has weird feelings about something as simple as Having Knees (the existential horror of having a body after being formless in the nothingness during your formative years).
Her journey as the Knight was mostly about rediscovering herself, trying to find purpose and trying to help the people around her. She spent her whole life feeling helpless, and wanted to destroy that feeling, for everyone. Her violent behavior was rewarded by the equally maladjusted Spade King, and they teamed up under the pretense of helping all of darkner kind.
Dess set out to cause the Roaring, per his instruction, without knowing what it even was. All she knew is that, apparently, she was the only one who could, and that gave her a sense of purpose. Once she learned it'd bring about the end of the world, she was so detached from the world that she carried on anyway, not concerned with the life that could be lost because, god, she spent so long outside it, how COULD she know what life was worth now?
Dess went by neutral pronouns (they/it) as the Knight because it was another mask she used to distance what she Knew of herself and what she Had to be (kind of like Asriel calling himself "Flowey" in Undertale, actually). Being called "her" was too familiarising and humanising, being called "he" made her break out into hives and start killing, so she stuck with the alternatives for utilitarian reasons. Somewhere along the way she got sick of it and started missing her feminine pronouns, but decided to just stick to the bit anyway. The world was gonna end soon anyhow, who cares?
Once she's out of the role of Knight and back in the light world, you bet your ass she's switching back to exclusively she/her. Fuck neutrality, this girl needs gender affirmative language.
Rediscovering music, and specifically playing and making music, was one of the things that helped Dess get back in touch with being a person again after the whole Knight debacle. She plays piano and harmonica of her own volition, and the violin because of her mom's insistence, but her true favourite will always be the guitar. She was a little small as a kid so playing it used to be difficult, but now that she's an adult having it in her lap is easy, and honestly it just makes her feel alive. One of those dreams she had as a kid that she forgot about along the way, y'know?
Her and Asriel were just family friends at first, but when they ended up going to the same class together too, they quickly became best friends. They were there for each other through everything, Dess got Asriel into games, he was there when she came out, and they were practically inseparable. Asriel was a hard worker and Dess was a super active sports kid, they balanced each other out well and were known as the highest achievers in their class, the golden kids.
Kris and Noelle got dragged into their adventures basically on accident, Noelle because Dess was the one babysitting her all the time, and Kris because they wanted to spend time with their brother. They often spent time outside together because Dess loved being anywhere but at home. She didn't mind Azzy's house, though. Kris was a lot to deal with sometimes and Dess scolded them in a lot of the same ways adults scolded her (minus the hitting them over the head with stuff, what was all her). She has no idea the impact she's had on their behavior.
She was always kind of violent, but when she was younger it wasn't really an issue, more like an excuse to get her into sports. She learned to act out because causing problems was the only context in which she'd get attention from her very busy parents. With Noelle specifically, Dess took on a semi-parental role and quickly developed a habit of taking on way more burdens than she could handle. Even with Asriel as a best friend and the Dreemurrs as a surrogate family, the control her mother Clarice commanded over her life was just too limiting. It all boiled over.
Dess started lashing out at other kids around when puberty hit, starting fights and genuinely hurting people. She never got expelled because her mother was the mayor, but Dess started getting grounded more and more often, which meant less and less time with her only real friend, and more with her very dysfunctional family. She loved Noelle, but her little sister became another responsibility, another liability that could get Dess in trouble, it was way too much for her to handle maturely when she was only 13.
Dess "disappeared" because she ran away from home. She hated living there, but neither of her parents could admit that, hence her disappearance being so "mysterious" to the other townsfolk, they genuinely thought she vanished from inside the house. It was only after Kris admitted they saw her in the woods near the bunker that night that the case got more complicated, and the legend only grew more terrifying.
Her original plan was to just catch a bus to out of town and hope for the best, but when she ran into the woods in pitch blackness, she couldn't find her way around. She was too reliant on light, and couldn't manage in darkness. She found the bunker in her aimless wandering and, hoping to sleep off the night and make up excuses in the morning, she went inside. She couldn't have known that nothing was in there.
The effects of her sudden disappearance rippled throughout the whole town. Most obviously, Asgore got fired for not being able to find her and Rudy quit his job to be a stay at home dad for Noelle's sake. Less tangibly, Asriel and Clarice both started burying themselves in work to avoid grief. Kris and Noelle socially shut down for a few years, it's why neither of them have any real friends other than the strained relationship they have with each other. Asriel took on Dess' habit of "be anywhere but home" when his parents started having marital problems, and Kris latched onto him even harder to avoid losing any more people in their life. Through all this, Dess was nowhere, silently wondering if anyone even noticed she's gone, if her life was even real to begin with.
One of the strange things that happened to her while stranded in nothingness was almost being able to hear someone mumbling to themselves. When she called out, the voice vanished, only to re-emerge an uncertain amount of time later and excuse himself for getting startled. He just doesn't get guests often, you see. And guests get him even more rarely. It was refreshing to hear a consciousness separate from her own, but his mind was even more broken than hers, unable to answer her questions about what was real and what was imagined as he seemed to think he himself was a product of unreality. Plus, he never really stayed for too long and he never wanted to talk about himself either, as if mentioning his own name could shatter him to pieces.
The reason Dess didn't lose her mind from to his influence like Jevil and Spamton did was because she's just fundamentally pragmatic. You can throw philosophy and existential questions at her all you want but as long as she talks and thinks, she exists, which means reality is Something, even if it's completely eluding her grasp. It might also have something to do with her being a (homestuck warning) Void player, meaning the idea of the innate meaninglessness of life and unanswerable questions about reality itself don't really sound earth-shattering to her.
She used her knife to open fountains at first, the one she brought with her from the light world, but along the way she picked up a rapier and decided it was way cooler than a knife so it's her go-to now. She's not actually that good with swords, though. She uses them like baseball bats. Despite this, Spade King still praises her as if she's the best warrior they've seen in generations. It might've gone to her head.
Her relationship with King is fundamentally a mentor and a student. He gave her flawed information, but taught her a lot about herself, the world she found herself in, and the role she could choose. And, that's the most important part, he let her CHOOSE, because he was genuinely under the impression that she was just a really powerful darkner and not a lightner. His strictness and high standards reminded her of her parents, mostly her mom, but his willingness to give HER control over her own destiny is what made her favour him over every other adult in her life. Discipline that treated her like a valued person rather than an asset was basically unheard of for her until then. Plus, reminding her of her parents gave Spade the bonus of every time he encouraged her on anything it'd activate the "parental approval" neurons in her brain that were terribly starved up to that point.
From Spade's point of view, the Knight (as a darkner) is everything he wants to be, but can't be. At first he mentored her mostly as an excuse to live vicariously through her, but in getting to know her better he discovered they have a lot more in common than he first thought. Unregulated emotions, unresolved pasts, the constant feeling that you need to do More and Louder in order to make any kind of impact... he started to genuinely care about her. If/when he's redeemed, finding out the Knight has been a lightner this whole time might not even be that much of a betrayal. Seeing her face and learning her name as she apologies for lying is like reconnecting with his own wounded, younger self. Letting it be water under the bridge means he doesn't lose connection to himself again, doesn't lose connection with his best student. Plus, December IS a nice name.
She met Lancer, but didn't pay him much mind. She was busy with overthrowing the other Kings and was too tired to be a babysitter again. Due to her rancid vibes as the Knight (and the fact that she quickly became the favoured child even though it wasn't her intention) Lancer doesn't like her that much. She left Card Kingdom pretty quickly, anyway (Spade's advice to seek another worthy kingdom to grant a fountain to), so she never got much of a chance to get to know him, even if she wanted to.
Her relationship with Queen is even more fraught. Due to Queen's tendency to mimic the "mother" personality for every lightner she meets individually, as well as her more Explicitly Controlling tendencies, Dess quickly became rebellious and then antagonistic towards her. Queen tried to choose FOR her, to get her to open fountains on HER terms, and Dess wasn't having it. Yes, following Queen's instructions would've caused the Roaring much, MUCH sooner, but, like. Not at ALL in a satisfying way.
She has no idea who Gaster is. When asked, she'll assume he's a Darkner. If asked about the man in the nothingness, she'll shrug it off. Now that she's out, she doesn't know if he's actually real or something she just made up in her head, though she laughs that off as well. "I sound a lot like him when saying that, huh?"
Learning Asriel goes to college is complete whiplash for her. Her sense of time is WRECKED. Like, yeah, she can wrap her head around Noelle and Kris being teens now, but ASRIEL??? What do you MEAN he's not still stressing over chemistry exams and cramming for spanish class, and is, like, actually studying something he's interested in???? Unheard of.
She makes fun of him SO much for his little beard stubble, dude. It's all in good fun, but like, you can only be called "mini Asgore" so many times by your childhood best friend before it starts to cut deeper. On the flipside he has literally nothing bad to say to her. She nearly caused the apocalypse, but like, he gets it. He would've done the same in her shoes (hooves??). He thinks her Dark World armour is so kickass and he could never pull it off like she can.
Unsurprisingly Asriel has a crush on Dess. He always kinda had one, even when they were kids, but reconnecting as adults just Fully bashed him over the head with the fact that he's had repressed feelings for her and he has NO idea what to do about it. He's anxiety incarnate and thinks Dess already KNOWS he has a crush on her and just isn't saying anything because she's playing it cool, or doesn't wanna hurt his feelings, or thinks he's too lame to date or something. He thinks she's the coolest person who ever lived and has no idea how to cope.
Meanwhile in reality, Dess is a clueless aro/ace. She doesn't really know what having a crush even means. She thinks being a couple is, like, flirting and fighting behind closed doors (you can tell the only couples she knew personally were her parents and Asriel's parents), so she thinks it's just exhausting and doesn't know why anyone bothers. When Noelle tells her she has a crush on Susie Dess is like "Hell yeah, love is love........ wait do you mean you like her or you want her to crush you with a boulder" and Noelle sweats for a while before replying with "b-both?"
Dess has never been to Castletown. Most likely will never go.
Her and Kris reconnecting is a bit awkward at first, mostly on account of the fact that Kris and their posse are the ones that had her bash her over the head as the Knight to get her to behave in the first place, but Dess doesn't really focus on that. Kris thinks they hurt her, she just thinks of them as a little hero. Susie kinda helps facilitate them talking like people again, at least at first, because she has no baggage with Dess other than hitting her with an ax over dark fountains and getting stabbed in return, but like... Out of all the people they fought Dess is the only one who actually said sorry for being a jackass, so it's all good in Susie's book. Kris is just happy to have Dess back, man, that bunker and their memory of it has been haunting them for entirely too long, now.
Like Kris and Asriel, Dess learned how to play piano in church. Unlike them, and unlike Noelle, Dess has actually become fully agnostic after her time in the void. If there IS an angel looking out for her, it certainly isn't one that could've helped her, so what's the point of worship? Plus, Asriel and Noelle are two angels looking out for her as is! Why add divinity to that? (I am extremely subtle, I know.)
To this day, she's still apologising to Asgore for getting him fired. He is still apologising for not being able to find her. It's a pity party.
No-one tell her parents but she smokes weed. Once she reformed from being the Knight, she had a lot on her mind, man, weed is the most harmless thing she could've taken to cope. Seam is a good dealer, they have the good stuff.
She's absolutely called King "dad" by accident before. He doesn't really mind. No-one tell Rudy though, he's gonna be pissed.
On that note, I feel the need to add that she was never as close to him as Noelle was, because he only really started being an active parent after Dess went missing. It's kinda tragic, and he feels REALLY guilty about it, but if he ever verbalises that guilt he's gonna actually crumble into dust. His confidence is all a mask as is, actually admitting that he was kind of garbage at being a dad with his first kid is just gonna make it so much worse. But, until Dess hears an apology, she's not really gonna be able to actually mend their relationship, so they're at an impasse.
Inversely, her time away from the light world kinda made Dess forget the way her mother acts. She sorta got a bit of "once away from the abuser you forget the abuse", especially knowing she herself was a kid when it all happened so she kinda started justifying her mother's actions to herself when away from her. After like 2 weeks of living with her again Dess fully remembers why she ran away and packs her bags to live literally anywhere else. Preferably with King if that's an option, though that might just make Lancer move out as well.
She doesn't know what minecraft is.
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genshingorlsrevengeance · 4 months ago
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How about the nerdy girls of genshin (Lisa, Sucrose, Ayaka, Kokomi) with an S/O who's an even bigger nerd than she is?
(Genshin Impact) Lisa, Sucrose, Ayaka, and Kokomi's S/O being a NERD
Nerd? YOU WILL REFRAIN FROM SUCH UNSCIENTIFIC TERMINOLOGY IN MY PRESENCE.
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Lisa respected that S/O could actually hold an intelligent conversation that didn't devolve into something insane, like with Alice.
They could actually speak about their inventions, while mostly theoretical, could be made with current technology, and understandable enough for her.
Such as a machine that could clean the room by itself! Something that Lisa desperately wanted.
And seeing how excited they were to showcase a new prototype to her, Lisa can't help but admire their enthusiasm.
(Lisa) "S/O, what's this one called?"
(S/O) "Well, its actual name is the RX-03 Cleaner, but I just nicknamed it the Wiper."
(Lisa) "...But it doesn't wipe anything down, it just sweeps."
(S/O) sigh "Listen, names aren't exactly the most important thing for a machine."
Lisa teases S/O to make a machine that could clean and organize the books in the library for her, but S/O refuses to make Lisa somehow even lazier than before.
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Sucrose was glad to have someone who could understand what she was talking about almost completely.
It put her at ease to just speak about experiments and concoctions without being given a strange look and actually getting a proper response.
Especially since it was with someone she loved, without worry of boring her S/O to death with the minute details of her experiment.
(Sucrose) "Hm...Do you feel any adverse side effects?"
(S/O) "Nothing seems to be different in response. I'll write it down for you in the log."
(Sucrose) "Hm...Perhaps we need to increase the strength of the mixture?"
Her usual shyness and hesitance is almost gone. As helpful and patient as Albedo was, it was nice to have someone on the same level of her, at the very least.
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Ayaka appreciated how different S/O was compared to most people she had met in Inazuma.
They weren't afraid to show their interests or their intelligence.
Granted, Ayaka had no idea what her S/O was going on about sometimes until they had to dumb their explanations down.
But she still wanted to learn, because it was something S/O cared about, and at the very least, she'll make an effort to be engaged!
(Ayaka) "And these fossils are...What did you call them again?"
(S/O) "Part of the megafauna that used to live in Tevyat!...At least I think they are. They predate the Archon-War, and even this skull is the size of a house! But to answer your question, they were Alces."
Ayaka leaned in with a glint in her eye, looking at the skull.
(Ayaka) "I see. Do we know anything else about these creatures?"
She didn't always follow S/O, but Ayaka still loved to hear S/O speak, hearing how energetic they were in their findings.
Archons knows how liberating it is to finally speak about things that you love, and she wouldn't deny the person she loved that ability.
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Truthfully, Kokomi could appreciate that S/O was as much of a bookworm as she was.
Perhaps even moreso, considering how often their eyes were locked onto the pages, brows furrowed in that cute way that Kokomi loved as they read.
Whether it be fiction, educational experiments, or even random pieces of literature, they read it with the upmost attention.
Which meant plenty of fun conversations with S/O about the stories they read.
(S/O) "It doesn't make any sense! Why in the world would the author write the character that way when it literally goes against everything that was established earlier?!"
(Kokomi) "Hah, it won't be the last time we see something like that, dear."
It did feel nice to hold an intelligent conversation instead of it usually veering off into something weird, like with Miko's book recommendations.
Though calling them "stories" was a bit kind, sometimes.
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lovemybluebully · 2 months ago
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Salad is a Four Letter Word
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Soooooo Venom seems to be popular again, especially with my new pal @ticklishdeadpool so this one is for you, buddy! 🍻
While I don't think I'm going to see the new movie I did decide to dig into my graveyard of abandoned fics. Found this WIP that I had started after the first movie came out and have now filled in all the gaps for your viewing pleasure. It was a little tricky as I haven't seen the movie in awhile, but hope I did okay. For that reason, I probably won't be writing anymore Venom fics for the current time, but at least this one will be out there now.
It's a totally nonsense-type of fic. lol Didn't really have anywhere that I was going with it so it had been abandoned, but still just fun, silly interactions between Eddie and Venom. With tickles of course! Me, write a fic without tickling? 🤣 Good one.
If you have a flesh-loving alien inside of you, you don't threaten to force him to eat salad. 😆
Venom (Movieverse)
Word Count: 2,546
"What are we doing here? We don't like this place."
Eddie let out an exasperated groan as he stood in the lobby of the hospital, waiting for the elevator to come back down.
"I already told you, Anne just wants to be safe and have Dan check me out. You know, just in case my body is having any adverse effects to you practically living inside me."
"We can assure you it is not," Venom gave an offended growl from inside of him just as the elevator doors opened.
"Yeah, well as much as I'd like to believe you we'll let the body scan decide that," Eddie nodded as he stepped into the elevator and pushed the button to the correct floor.
"Eddie doesn't trust us," the symbiote accused, prompting Eddie to roll his eyes as they moved up the floors of the building. For a powerful super alien from outer space he could sure be sensitive sometimes.
"Shut up, it's not that it's just that I need proof. I'm a reporter, and I like to have the facts."
"The fact is you're being a traitorous piece of shit."
The elevator finally stopped as they reached the selected floor and Eddie walked out into the hallway. He sighed heavily once he stopped in front of the door to Dan's office; his eyes looking up towards the ceiling as if trying to find his calm.
"Tell you what, if you behave here then we'll go get some McDonald's after this. Fair?"
"....Ok, deal. But lets make it a quick visit! I'm hungry!"
"You're always hungry," Eddie shook his head as he opened the door where the doctor and Anne were waiting.
"Hi Eddie, really nice to see you again," Dan welcomed him as he stood up from his desk and walked around to shake Eddie's hand.
"You too. Uh sorry we're late. My alarm didn't go off, and when I was trying to get out the door Venom was being his usual primadonna self and-Gaah!" Eddie grunted when a single symbiote tendril reached out and poked him in the ribs, just under the armpit.
"Keep talking, Eddie," Venom hissed threateningly; his head popping out from his host's back and wrapping himself over the wide shoulders.
"Well now I see who wears the pants in this relationship," Dan laughed, but it died out when Eddie gave him an annoyed glare, not finding his joke amusing in the slightest.
"It's a good thing you're a doctor and not a comedian."
"And it's a good thing you're a reporter and not a giant loser....oh wait," Venom snickered to himself while Eddie glared back at him.
"That's it. Deal's off."
"NOOOOO!!!" Venom wailed in sorrow as Eddie gave a smug grin and reconfirmed his earlier comment.
"See? Primadonna."
"Come on, guys, take it easy. This will all be quick and painless," Anne tried to break it up, though always finding their antics to be amusing.
"Yeah, it shouldn't be bad at all. Very standard procedure. So if you're ready we can get this all underway."
Eddie was then handed a hospital gown to change into as Dan led the way down to the lab.
.......................................
"Alright, buddy, we're gonna do an MRI now, and I know you don't like that so take a hike for a minute," Eddie instructed the alien as he gestured a thumb away from himself.
"Do I have to?"
"Just do it, would ya?"
"Ohhh ok," Venom grumbled as he seeped out of Eddie onto the floor, mostly forming into a blob, but with a serpent-like head extending out. Eddie blinked for a moment and then smirked down at the symbiote.
"You know, I never noticed how cute you actually look like that."
"We are not cute!" Venom glared up at him as Anne looked the symbiote over and nodded.
"You kinda are," she agreed with a grin, causing Venom to hiss and slither off out of the room.
"Well lets get this over with before Venom has a heart attack from not eating for thirty minutes," Eddie joked, purposely saying it loud enough for the alien to hear.
"It's been an hour, you prick!"
"Ooooh sorry, one whole hour! Someone better call CPS on me," Eddie rolled his eyes and climbed up onto the table. He then laid down with his arms at his sides as Anne looked back at Dan to give him the go ahead.
"Alright, we're all set. Here goes nothing," Dan said over the speaker as he controlled the conveyor to slide into the tube until only Eddie's legs and feet were sticking out, "Now try not to move and this won't take long."
"Got it," Eddie nodded, but with the position he was in Anne couldn't resist teasing him a little.
"Comfy in there?" Anne grinned playfully, running a finger up the bottom of Eddie's bare foot as the man yelped and jerked his leg.
"He-Hey! Well not when you do THAT!"
"Sorry, it's just too easy," she briefly tickled his other foot receiving another squawk of objection as Eddie pulled up his knees to put his feet flat on the table.
"Heehee, stop it!"
"Get him again, Anne," Venom goaded into the microphone from where he sat next to Dan inside the control room as Eddie yelled back at him.
"Shut your mouth, parasite!"
Dan was trying to remain professional, but had to use his hand to cover his mouth so he could hide his amused smile.
"Lay still, please. Anne, leave the patient alone."
Anne smirked, giving him a wink as she walked away to join Dan and Venom. Once he saw that she was at a safe distance Eddie put his legs back down.
A few moments later the machine came to life and began the in-depth scan, while the three observed on the monitors in the control room. After a minute of looking at the pictures on the screens Dan cleared his throat.
"Hmm. Well that's interesting...," the doctor trailed off in his thought, making Eddie assume something was wrong.
"What? What do you see?! He hasn't been snacking on my organs, has he?! Venom!"
"Actually everything looks perfectly normal. Organs are all intact, no restrictions in your blood flow, heart looks healthy, brain functions are top notch. All in all I'd say you check out just fine. It's incredible," Dan put his hands up in astonishment as he sat back in his chair.
"So you're saying that having Venom inside of him hasn't done any damage whatsoever?"
Anne was just as surprised to learn this new information as Dan shook his head in response.
"Not that I can see, no."
"Told you, pussy," Venom sneered haughtily, slithering out of the control room back into view while the conveyor drew Eddie out of the machine.
"Well that's a relief," Eddie sat up and immediately began putting his clothes back on, "Guess I can sleep better tonight knowing that this parasite inside me isn't leeching off of my body so much."
"That can easily change if Eddie keeps calling us names...," the symbiote growled as Eddie just shook his head with an amused smirk. Dan then walked out into the room, scribbling some notes onto a clipboard.
"Alright, well since we're all done with that it's safe for Venom to get back into your body now."
"Yes!" Venom whooped as he quickly hurled himself at Eddie, knocking him back onto the table.
"Hey! Watch it!" Eddie grunted as he then found himself forced off of the table to his feet.
"Come on, lets go Eddie! Now!" Venom shouted as he took control and yanked Eddie's body across the room towards the door much to the surprise of the other two.
"Uhh, goodbye?" Anne gave an awkwardly half-wave.
"I promised him McDonaaaaaaald's!" Eddie's voice faded as Venom violently drug him out of the room.
A SHORT WHILE LATER....
"Happy now?" Eddie asked with a sickened frown as he recanted watching Venom devour over ten quarter pounder cheeseburgers. The alien belched in response from inside of him as they walked down the sidewalk.
"Yes. That will probably hold us over for another hour or so."
"You know, you're a pretty expensive date," Eddie groaned as he looked into his wallet, only having a few dollars remaining now.
"Would you rather we ate a human instead?"
"Uhhh no, heh. No, I'd appreciate if you didn't do that," he laughed nervously as he glanced around at all the people on the busy street that Venom could easily snatch up if he so desired.
"Well then you shouldn't complain. Besides, you love us."
"In a really screwed up kinda way, yeah I guess so," Eddie smirked, "Now shut up, will ya? People are gonna think I'm crazy if they see me walking around and talking to myself."
"People already think we are crazy," Venom pointed out, making Eddie shake his head.
"Not complete strangers. Now not another word until we get back home. Got it?"
"But Eddie we can't stay quiet that long..."
Eddie just kept his mouth closed, pretending he didn't hear anything.
"Eddie...."
Still Eddie continued to ignore him
"EddieEddieEddieEddieEddie!"
Eddie just continued facing forward as he focused on getting back to his apartment down the street.
"Ignore me will you...," Venom then grinned slyly as he crept out underneath Eddie's jacket to stay unseen and then gently squeezed the man's shirt covered ribs, making his body jerk in an unusual fashion.
"Gggnnh! You little...!" Eddie yelled just as he was passing a mother with her child, who looked at him accusingly as she pulled her daughter closer and hurried on.
"I'm...I'm sorry, I didn't mean....Not her, I just....," he tried to explain himself as he stammered after them to no avail, hearing the mother mention something to the little girl about, 'That is why you don't do drugs'.
Venom chuckled at how perfect the timing of that had been as Eddie growled.
"Alright, very funny. Now stay still and stay quiet," he muttered, trying not to move his lips too much as his outburst had attracted some unwanted eyes.
He'd made it another half a block before his sides were being attacked again as he stumbled and clamped his arms down.
"Eeheehee!" He gave a high-pitched giggle, prompting some of the street vendors to give him odd looks as he blushed and tried to walk a little faster.
"Will you stop? You're making me look insane."
"Can we talk again?"
"No!" Eddie hissed, "Just keep your fucking mouth shut, and wait until we-Ehahahah!"
The tentacled goo dug into his armpits for a few moments as Eddie squirmed in place and laughed wildly.
"No, not there!" He yelped just as the tickling stopped, looking up to find people had paused on the street to stare at him with curious eyes.
"I uh...heh.....I'm just uhhh....," when he couldn't think of any kind of believable explanation he quickly just turned and walked away again.
"I hate you so much right now," he whispered loudly through gritted teeth, hearing Venom laugh from within and knowing he was getting a big kick out of making Eddie look like a fool.
"Think that's funny? Well guess who's eating nothing but salads for the next week or two."
Venom's snickers immediately were cut off as he was now silent for a moment.
".....You're bluffing," his voice was full of uncertainty and worry and that made Eddie smirk, knowing he had the upper hand now.
"Tickle me again and find out, fucker," Eddie threatened vaguely, and just let Venom stew in his thoughts for now about whether he was being serious or not.
It seemed to work as he had now made it a few blocks without incident, even stopping to have a nice chat with Mrs. Chen when he came across her sweeping up her store front.
"Evening, Mrs. Chen."
"Hello Eddie. Not going to buy a chocolate bar today like usual?"
"No, no chocolate. I was thinking about going on a diet actually," Eddie smirked slightly as he rubbed at his stomach.
"Ohhh, he's not going to like that," she smiled, referring to Venom and knowing that he was the one who had the sweet tooth.
"Well it's for his own good. Besides he's been misbehaving a lot lately so I had to put my foot down. Say you don't happen to sell any saHAAlads, do yoohou?" His body spasmed out of nowhere as the shop keeper gave him a concerned look.
"What's wrong, Eddie? Are you ok?"
"Yeah, I'm f-INE! I'm juhust....Venom keeps....teehehehehee...I...I gotta go-ho, Mrs. Chen," Eddie stuttered through his giggles as he gave her a wave and continued on his way down the street.
"Don't worry, dear, he'll be back for that chocolate," Mrs. Chen called to Venom with a smile as the alien peeked out from under the back of Eddie's jacket and gave her a wink.
"V! What did I tell you?!" Eddie spat once they were out of earshot, "You really want to eat nothing but salads for a week?!"
All was quiet for a few moments before Venom finally gave a reply that made Eddie's skin crawl.
"Worth it."
A split second later and the tendrils were everywhere on his upper body; this time staying underneath his t-shirt to get directly at the bare skin. They were wriggling all over from his hips and belly all the way up his sides into his armpits, and there was nothing Eddie could do to try to hide his reactions.
The man was in a laughing fit now as he nearly fell over but managed to find his footing and continued to hurry down the sidewalk despite all the people staring at the hysterically laughing man as he went by. The tickling was unrelenting this time as he desperately looked for some kind of escape.
He finally was able to duck down an alleyway, stumbling and tripping over a garbage can as he went further down. After giving a brief look to make sure no one was around he collapsed with his back against a wall and shouted through his laughter.
"Okaaahaay! Okaahaahaaay! Hahahaha! You caahaan tahahalk agahahain! Now pleeeheease st....stop tihihickling meeheee!" His arms uselessly pressed to his sides as he kicked out and squirmed.
"And the salads.....?" Venom pressed with goo squirming up to tickle the reporter's sensitive neck as well, making him squeal out giggles.
"A johohoke! Juhuhust a johohohoke! Ahaahahaheeheehee! Plehehease buhuhuddy! I'm sohohorry!" Eddie shouted for mercy and was grateful when it was granted to him as he tried to calm down and get his breath back. Venom then popped out of his jacket to give him a shit-eating smile.
"Nice of you to come around, Eddie."
"....You're an asshole," Eddie glared playfully at him, giving him a small shove.
"Takes one to know one."
"Yeah? I thought I was a pussy?"
"Yes, but you're our pussy," the symbiote replied as Eddie's face gradually twisted in revulsion.
"Uhhh, thanks? I mean, that hardly sounds like a compliment, but thanks?"
"The best pussy we've ever had," Venom grinned proudly, in his mind thinking that had sounded better as Eddie only sighed and put his face in his palms.
"Please stop."
"Definitely the biggest."
"You can still eat me, right?"
105 notes · View notes