#with this person in particular

[andallthatmishigas]

I will always always always feel that if someone treats me badly, it’s for one of two reasons. One, they don’t realize it because they don’t think enough of me to know what they’re doing. Or two, I’ve done something to earn the treatment. Rationally, I know I don’t deserve that. But I’m still going to feel like this.

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[snarkspawn]

little doodle of bellara with her hair down

[trans-axolotl]

one of the reasons it's really hard for a lot of intersex people when intersex topics are on the news cycle is because the public's reaction reveals how little anyone knows or cares about intersex people, including people who call themselves our allies. almost every time intersex topics are trending, the discourse surrounding them is filled with misinformation. people who only learned today what the word intersex means jump into conversations and act like an authority. endosex/dyadic/perisex people get tripped up over things that are basically intersex 101, with tons of endosex people incorrectly arguing about the definition of intersex, who "counts," DSD terminology, and so much more. i've seen multiple endosex people say today that they've been "warning intersex people" and that we should have known that transphobia would catch up with us eventually, which is an absolutely absurd thing to say given the fact that consistently over the past ten years, it has often been intersex people sounding the alarm on sex-testing policies and also the fact that many, many intersex people are also trans, and already are facing the impacts of transphobia. there is an absolute failure from the general public to take intersex identity seriously; people seem not even able to fathom that intersex people have a community, history, and our own political resources. instead, endosex people somehow seem to think they're helping by bringing up half-remembered information from their high school biology class which usually isn't even relevant at all.

and this frustrates me so fucking much. not because i want to deny the impacts of transphobic oppression--i'm a trans intersex person, trust me when i say i am intimately aware of transphobia. this frustrates me because there is no way we can achieve collective liberation if our "allies" fail to even engage with basic intersex topics and are seemingly unaware of the many forms of intersex oppression that we are already facing every fucking day. if you are not aware of compulsory dyadism, if you are not aware of interphobia, if you are not aware of the many different ways that intersex people are directly and often violently targeted--how the fuck do you think we're going to dismantle all of these systems of oppression?

if you were truly an intersex ally, you would already KNOW that this is not new, and would not be surprised--interphobia in sports has been going on for decades. you would know that we do have a community, an identity, a history--you would have already read/listened/watched to intersex resources that give you the background information you need for allyship. you would know that although there is a really distinct lack of resources and political education, that intersex people ARE developing a political understanding of ourselves and our oppression--Cripping Intersex by Celeste Orr and their framework of compulsory dyadism is one example of how we're theorizing our oppression. It's absolutely fucking wild to me how few people I've seen actually use words like "interphobia" "intersexism" "compulsory dyadism" or "intersex oppression"--endosex people are seemingly incapable of recognizing that there is already an entrenched system of oppression towards intersex people that violently reshapes our bodies, restricts our autonomy, and attempts to eradicate intersex through a variety of medical and legal means.

you cannot treat intersex people like an afterthought. not just because we're meaningful parts of your community and deserving of solidarity, but also because intersex oppression impacts everyone!!! especially trans community--trans people will not be free until intersex people are free, so much of transphobia is shaped by compulsory dyadism, the mythical sex binary, all these ideas of enforced "biological sex" that are just as fake as the gender binary.

it makes me absolutely fucking livid every time this shit happens because it becomes so abundantly clear to me how little the average endosex person knows about intersex issues and also how little the average endosex person cares about changing that. i don't know what to say to get you to care, to get you to change that, but we fucking need it to happen and i, personally, am tired of constantly being grateful when i meet an endosex person who knows the bare minimum. i think we have a right to expect better and to demand that if you're going to call yourself our ally, you actually fucking listen to us when we tell you what that means.

okay for endosex people to reblog.

[casscainmainly]

Reading Red Robin after having heard all the fanon takes is hilarious. It's like, oh. That didn't happen. That person didn't say that. That person did say that, but it meant something totally different in context. That happened, but it wasn't as big a deal as people say. That didn't happen. That person didn't say that. Again and again every issue it's actually so funny.

[communistkenobi]

"Sex" is commonly used to refer to a person's status as a man or woman based on biological factors. Although sex reflects a person's biology, as opposed to gender, which is generally considered to be socially constructed, the biological aspect of the body that determines a person's sex has not been legally or medically resolved. Traditionally, a person's legal sex is established by the sex that the birth attendant places on the birth certificate. Thus, for infants born with unambiguous external genitalia, the external genitalia typically control the sex determination. If the genitalia appear ambiguous, sex is assigned, in part, based on sex-role stereotypes. The presence of an "adequate" penis in an XY infant leads to the label male, while the absence of an "adequate" penis leads to the label female. A genetic (XY) male with an "inadequate" penis (one that physicians believe will be incapable of penetrating a female's vagina when the child reaches adulthood) is "turned into" a female even if it means destroying his reproductive capacity. A genetic (XX) female who may be capable of reproducing, however, is generally assigned the female sex to preserve her reproductive capability, regardless of the appearance of her external genitalia. If her phallus is considered to be too large to meet the guidelines for a typical clitoris, it is surgically reduced, even if it means that her capacity for satisfactory sex may be reduced or destroyed. In other words, men are defined based on their ability to penetrate females, and females are defined based on theis ability to procreate. Sex, therefore, can be viewed as a social construct rather than a biological fact.

— The Road Less Traveled: The Problem with Binary Sex Categories by Julie A Greenberg in Transgender Rights (2006)

interesting to note that 1) the introduction of chromosomal information doesn’t actually provide more “biologically accurate” precision in sex assignment, only a more complex set of administrative and medical instructions on the procedures of assignment, 2) the only concern in sex assignment is maintaining the distinction that “females make babies” and “males penetrate females to induce pregnancy.”

This is why the idea that “sex is biological” or that we can just drill down to find the sex atom of the human body, be that chromosomes or gametes or whatever else, is premised on the notion that sex assignment is simply a record of a self-evident reality, not the construction of the category of sex as the mythological foundation of cis-heterosexual reproduction

[bet-on-me-13]

It's a Deal.

So! Steph is in a bit of a Bind. Literally.

Her Father had just discovered that she was the Vigilante who kept ruining his Plans, and decided to Deal with her. So he tied her up at a Bomb Site for one of his Plans and left her to die there.

No matter how much she struggled, she couldn't escape the Ropes, and time was running out. If only she had managed to get that last message out to Batman in time, maybe he would have come to rescue her.

The Timer had nearly reached Zero, when all of a sudden Time Stopped. The Ropes around her fell away, and a guy walked up to her as if it was the most normal thing in the world.

"Hey, you seem to be in a bit of a bind."

"Not so much anymore, was that you?"

"Yeah, bit of a Free Sample. See, I'm in a bit of a bind as well. I made a Deal with these floating Eyeballs, and long story short in order to keep my town safe I need to take the Soul of an Innocent person."

"And is that where I come in?"

"Yup, Basically I save your life, help you out with whatever you want, and you give me the rights to your Soul."

"What if I just walk away while time is stopped?"

"The building is Locked down tight, and I can't actually hold Time stopped for too long either way, it's sort of a new power to me. Without my help you wouldn't get out in time."

"So it's sell my soul or die?"

"Trust me,I don't like it either, but it's what I have to do."

"You know what, sure. You help me escape, help me take down The Cluemaster, and I'll give you my Soul."

"Then it's a Deal."

"I think this is the start of a beautiful friendship."

[kvothes]

louise glück was a tremendous poet in her own life and also taught, advised, and nurtured uncountable other poets. her picking richard siken’s crush for the yale younger poets prize is a well known fact, but she selected a number of other poets for publication during her tenure as the contest judge that i think are worth knowing.

peter streckfus, cuckoo (2003)

richard siken, crush (2004)

jay hopler, green squall (2005)

jessica fisher, frail-craft (2006)

fady joudah, the earth in the attic (2007)

arda collins, it is daylight (2008)

ken chen, juvenilia (2009)

katherine larson, radial symmetry (2010)

poetry is a community! read her—and also read the poets she wanted to promote.

[lunacias]

but we'll never be rid of each other

[amarantheia]

Today's a personal Black Sails Anniversary for me, so posting this drawing of my faves from my fave show as a tiny celebration

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[art-is-kayos]

Checking up on his commission

[remxedmoon]

boo! old woman jumpscare

greyscale vers below!

[realpokemon]

every single eevee owner is like “i would never support mass breeders. i found my eeveelution in a trench abandoned and spit on and crying in a box on my doorstep perfectly trained friendship evo with no pokéball” and there are 30,000,000 of them. bonus points if it’s shiny

[sketchy-tour]

I can't see you. Do you see me? 👁️👁️