#winona: ‘that’s just wrong’
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ace-succo · 1 year ago
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My goal in life at the moment is making a book accurate Dracula adaptation one day... because there is no way that they're all just so bad (I'm talking about the one with Winona Ryder) (I have no idea about the others but they're probably better)
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sodapopsgt · 10 months ago
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OK here is all I could find........ I turn to dust.....
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impactrueno · 2 months ago
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i keep getting amazed by how starkly different betelgeuse and lydia’s dynamic is in the movie versus the cartoon. what do you mean one was based on the other? how did we get “that WAS you stalking me!” from the same source material as “you’re one of a kind, beetlejuice. don’t ever change.”
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yeah it happens
it seems like they decided on making a beetlejuice animated series first, and then they tried to figure out how to make it kid friendly. there's this interview that says stephen ouimette's first beetlejuice voices were very close to keaton's in the movie, but that they felt there was something very off about having an "evil creepy guy with a goth girl in the attic" and that was when they decided to soften the character. ouimette did a lighter and funnier voice and that alone was enough for them to feel like he wasn't a threat and the goth girl was safe around him. and i guess things just took off from there as they figured out the characters. it IS a children's cartoon, and being ran by abc at the time they had to keep things cute and wholesome. tim burton was very involved in the creation process (as much as he could while working on batman) so having bj and lydia be friends instead of enemies was pretty much his choice. but again, kids cartoon ran by abc. and that's why we have sugary sweet quotes like the one you said.
seems like even back then tim has always preferred a more amicable dynamic for those two. we already know him, michael, winona, everyone in the cast wants them to be together to some degree thanks to recent interviews. and i think that is why beetlejuice's character was slightly changed in the sequel, from an evil creepy guy to just....a creepy guy with a crush i guess. point is, they don't want him to be The Bad Guy anymore and that's why the sequel is the way it is.
BUT they can't just make him "not evil" and expect it to work, that would make no sense, he still needs to have this creepy and wrong edge to him, and lydia's not gonna just forgive and forget what happened in the first movie. so, combining allllll these elements, we get this brand new dynamic between them: creepy guy in love with the woman he's been stalking for 30 years (pure insanity but not exactly evil) and woman who's like "ugh not this fucking guy again" but still goes to him for help, begrudgingly. she can't quite get rid of him. they're obviously not enemies anymore and they're not friends either. but now it's a bit more believable for them to reach some sort of amicability, eventually.....perhaps in the third one.....we shall see
AND THAT.......is how we got from this concept
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to this concept
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and finally this concept.
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three entirely different dynamics. three three three. rule of thirds, you know i love it. it's a crazy journey but i think it makes more sense when broken down like this.
musical stuff isn't really part of this journey BUT the musical did help soften people's perception of beetlejuice even MORE, so now pretty much everyone can buy into the idea that he can be more than just an "evil creepy guy," to the point where soooo many people were actually dying to see the two team up and be friends in the sequel.
and now the original movie feels like the outlier. oh the IRON-E ok sorry im not using that pun again
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d0llcuries · 2 months ago
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hiii im new to your blog so idk all the rules yet but I was wondering if you could do a neteyam x navi reader ofc like when they first arrived to the reef you and tuk clicked immediately you both have a really close bond like you two spend a lot of time together weather it’s swimming together or making matching jewelry🩵 and that’s kinda how you and neteyam even started dating because of how much tuk would talk about you !!!! I hope this isn’t too much sorrrryyyy❤️ I love your work btwwww
TIDES THAT BROUGHT ME TO YOU
pairing(s): neteyam x fem!na'vi reader
summary: the sullys arrival to awal'atu causes a stir among your people, though you could care less about their presence. that is, of course, until a certain forest girl changes your mind
author's note: i fear there is an inexplicable pull within me to write yn as an absolute freakazoid in every oneshot i create. that being said, if you want yn to be normal in your request plspls specify her personality type otherwise she'll come out acting like winona rider from mermaids (1990). kinda fumbled this one too i should not be writing on my period 🧍
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the first thing you notice about them is how thin they are.
their descent from the sky on their great winged beasts stirs up the sand in great, sweeping clouds, but it does nothing to hide the way their limbs, long and lean, cut through the air as they dismount. forest people. they move with a lightness, a caution that seems strange to you. the metkayina are not built like them. they are broader, bodies strong and firm, their muscles shaped by the tides and the weight of water. and their tails—their tails—eywa, they are so thin! practically useless. you wonder how they manage to balance at all.
you and tsireya emerge from the water, sliding off your ilus in one fluid motion, the cool spray of the ocean dripping from your skin as you wade through the shallows. the soft sand shifts beneath your feet, and your tail flicks lazily, trailing behind you as you approach ao’nung and rotxo, who stand together just ahead. tsireya pushes a strand of wet hair from her face, her movements graceful, her eyes immediately catching sight of the sully brothers—the skinnier of the two stares at her a little too long, his expression a mix of curiosity and something almost like awe.
you almost laugh when he nods in her direction, his voice low and far too confident. “hey.” (miles morales ahh)
tsireya’s face flushes a familiar shade of soft blue, and you cringe inwardly, the secondhand embarrassment hitting you like a wave. her reaction is painfully obvious, her wide eyes as she bends her head, a hesitant smile betraying her. you glance sideways, searching for a distraction, and rotxo is already there, as if sensing your discomfort.
“look at them,” he mutters under his breath, his voice pitched low so only you can hear. “how do they even manage with tails that thin?”
ao’nung, standing just beside him, snickers, his broad shoulders shaking with suppressed laughter. it's the kind of laugh that is infectious, spreading like ripples across the surface of the sea, and even though you are not cruel—even though you know it’s wrong—you can’t help the small tug of a smile that curls at the corner of your mouth. it’s all in good fun, after all. forest people, clearly they have wandered too far from where they belong. surely they won’t be here for long.
it is not that you want to make fun of them, these strangers who have come to seek uturu, but something about them seems... wrong, somehow. misplaced.
you were still laughing when you caught neteyam’s eyes on you.
his gaze was steady, calm in a way that she didn’t expect, and she felt the weight of it like a shift in the tide. not accusing, not angry, but watching. taking her in as if she were something curious. something strange. her smile faded, the amusement leaving her as she pulled her gaze away, pretending not to care. what was he looking at?
you shift your weight slightly, your arms hanging loose at your sides as you observe the exchange between the sullys and tsireyas parents. she watches them with a quiet, thoughtful expression, her brows knitting together in concentration. there’s no judgment in her gaze, no hint of the amusement that had touched your own. she looks at them with nothing but curiosity, a flicker of compassion lighting her features. she catches your eye and raises an eyebrow, silently urging you to soften. you sigh, the weight of her gentle disapproval settling over you. of course tsireya would be the first to see beyond appearances. she always does.
you’ve known her for as long as you can remember, since you were both small and would spend your days swimming out into the open waters, daring each other to dive deeper, pushing your lungs to their very limits. she has always been the heart of your little group, the steady, guiding force that tempers ao’nung’s bravado and rotxo’s sharp-edged laughter. where they tease and taunt, she soothes, her voice like the steady rhythm of the waves, always pulling you all back to center.
it’s no surprise, then, that you find yourself drawn into spending more time with the newcomers, tsireya’s gentle insistence pulling you along as she helps guide them through the early days of their stay. you are metkayina; you know the ways of the water, the ebb and flow of the tides, the secrets that the ocean keeps. it’s your responsibility to teach them how to live in this world, even if you don’t want to.
at first, you hang back, letting tsireya do most of the talking, watching as she shows them how to breathe, how to move, how to swim like the metkayina do. it was exhausting just to look at them. lo’ak struggles to hold his breath, his frustration palpable as he tries again and again to stay underwater. kiri moves with a sort of distracted grace, her attention more focused on the creatures of the reef than the lesson itself. you observe them with detached interest, your thoughts drifting like the waves.
you don’t care about them. you don’t.
and then, tuk happens.
you hadn’t meant to pay attention to her. in fact, you had barely noticed her at all in the beginning, the youngest of the sully siblings blending into the background behind her older brothers and sister. but tuk has a way about her, a brightness that’s impossible to ignore. she’s all wide-eyed curiosity and boundless energy, so unlike the others, who carry the weight of their family’s uncertainty like a heavy cloak. while they are cautious, tuk embraces everything around her with an infectious enthusiasm that makes her impossible to overlook.
you catch her one day after a particularly long lesson, her small hands fumbling with a piece of seaweed, attempting to braid it into her hair for whatever reason. her brow is furrowed in frustration, her lower lip caught between her teeth in concentration, and something about her determination—her fierce little spirit—draws you in before you even realize what you’re doing.
“like this,” you murmur, kneeling beside her and gently taking the seaweed from her hands. your fingers work quickly, weaving the strands together with ease. “you have to twist it more. it’s not like the vines in the forest.”
tuk’s eyes widen, her expression lighting up with awe. “wow! you’re really good at that!”
and that’s it. from that moment on, you can’t seem to shake her. tuk becomes your shadow, or maybe it’s the other way around. wherever you go, she’s there, trailing after you with an endless stream of questions, her small footsteps pattering through the sand as she tries to keep up with your longer strides. her curiosity knows no bounds, and you find yourself drawn into her orbit, unable to resist the bright spark of joy that seems to follow her everywhere.
the first time she swims with you, her movements are awkward, her limbs too quick and too stiff, and she sputters as she breaks the surface, her wide eyes filled with frustration. “it’s too hard!” she huffs, pushing wet hair from her face. “i’ll never be as good as you.”
“you will,” you say gently. “you just have to feel the water. do not fight it.”
tuk frowns, unconvinced, but she doesn’t give up. over the days, you watch as she grows bolder, more confident in the water. you teach her how to control her breathing, how to let go of her fear, and she listens, her small face set in determined concentration. she clings to your arm after each lesson, her bright laughter ringing in your ears as she pulls you back to the beach.
and with tuk, inevitably, comes neteyam.
at first, you barely notice his presence, too busy entertaining tuk. he lingers on the outskirts of your time with her, watching from a distance, never quite joining in but never too far away either. it’s easy to forget he’s there, his quiet nature blending into the background.
but neteyam has a way of making himself known, even in his silence.
it starts small. you feel his gaze on you more often, the weight of it something you try to ignore at first. he never says much, never interrupts your time with tuk, but you notice him lingering just a bit closer with each passing day, his tall frame casting a shadow over you and tuk as she chatters on about whatever has caught her attention in that moment. sometimes, you catch him smiling—those soft, fleeting smiles that seem to disappear before you can fully register them. they’re rare, but when they happen, they make your heart stutter, a strange warmth blooming in your chest that you quickly dismiss.
he’s deliberate, thoughtful, always watching, always observing. you can feel his attention like the gentle pull of the tide, steady and unyielding. it’s unsettling, but not in a way that you dislike. in fact, if you’re honest with yourself, it’s kind of... comforting.
tuk even speaks about him sometimes, her admiration for him clear in every word. “neteyam would love this,” she says one day, as you show her to repair a torn fishnet. “he’s so good at everything. you’d like him, i think.”
tuk had been telling you some story about their home in the forest, her small hands moving animatedly as she spoke, when neteyam quietly joined the two of you. he folded his legs beneath him, watching with that same gentle expression he always wore when tuk was around. you paused, hands stilling over the bracelet you were working on, and glanced at him out of the corner of your eye.
“you do not have to stop,” he said, his voice low and easy, the corners of his lips lifting in a small smile. “i am just here to watch.”
you thought about running away, getting up and leaving after making a up some excuse to remind them that you had better things to do than sit with them in the sand making bracelets. something about the way he spoke—his voice so warm and unhurried—caught you off guard. the way your heart bested faster when he was around, the way you caught yourself blushing like tsireya whenever lo'ak opened his mouth was... unusual. it unsettled you in a way you couldn’t quite put into words.
the three of you sat there in comfortable silence as you finished the bracelet, your hands working on autopilot while tuk chattered on, oblivious to the subtle shift in the air between you and her brother. you were grateful for her presence, for the way she kept things light without realizing it. by the time you tied the last knot and secured the bracelet around tuk’s wrist, you hadn’t noticed that neteyam had been watching you the whole time, with a softness that made you feel like he wasn’t just looking at you. he was seeing you.
“you are good at that,” he said quietly, his voice barely louder than the sound of the waves.
you tightened your grip on the edge of the bracelet you’d been working on for yourself, gaze dropping to the sand. “i have had practice.”
he nodded, still watching you. the weight of his gaze felt like a physical thing, pressing against your skin, exposing you in a way that made you feel uneasy. you were used to keeping your distance, keeping your indifference like a shield between you and his family. you had learned to tune it out, the presence of others—your people, the sullys—but with neteyam, it was different. you couldn’t ignore him the way you did the rest. but neteyam was quiet, his presence like the sea on a still morning, surrounding you without making a sound. you liked that.
as the sun dipped lower, casting warm golds and pinks across the sand, you tied the final knot and slid the bracelet onto your wrist. it wasn’t perfect—nothing ever was—but it felt right, the weight familiar against your skin. you held it up, inspecting your work, twisting your wrist slightly to catch the fading light.
“that one is beautiful,” neteyam said softly, his eyes on the small woven beads, the shells glinting like scattered stars. his gaze flicked to your wrist, then back to your face. “you should make me one.”
you blinked, your lips parting in surprise. “you want me to make you a bracelet?”
he smiled then, a small thing that felt like it could crack open the horizon. “well, you made one for tuk. i feel a little left out.”
you glanced at tuk, who was too busy showing off her new bracelet to the other children playing by the water to notice the exchange.
“i do not know,” you said slowly, turning the bracelet on your wrist. “i do not usually make things for people.”
neteyam tilted his head, his expression open, waiting. “you made one for tuk.”
“you do not even like it here,” you said suddenly, sharper than you intended. the words left your mouth before you could stop them, and you could see the flicker of surprise in his eyes. he opened his mouth to respond, but you continued before he could speak, your voice quieter this time. “you do not like us.”
the truth of it lingered in the space between you. you hadn’t forgotten the way they’d arrived, tense and uncertain, the way his brother had snapped at you and your people, the way his parents had worn their worry like a second skin. they didn’t belong here, and they knew it. the thought had made you laugh at first, but now, sitting here with neteyam, you didn’t know how to feel about it.
for a long moment, he was silent, his gaze turning out toward the sea, his expression unreadable. the light of the setting sun cast long shadows across the sand, and you could hear the distant calls of the other children as they played by the water. tuk’s laughter echoed somewhere nearby, but it felt distant, like the tide pulling away from the shore.
“you are right,” neteyam said finally, his voice low. “we do not belong here.”
the words were a simple acknowledgment, but they landed heavy between you, pressing down on your chest. you didn’t know why it bothered you to hear it. they didn’t belong. that was obvious. but there was something in the way he said it—something quiet, resigned—that made you realize just how heavy that truth must have felt for him, for all of them.
“but we are trying,” he added after a moment, his voice soft. “we are doing our best. even if it does not seem like it.”
your fingers tightened around the bracelet on your wrist, the edges rough against your skin. you could feel the weight of his gaze again, warm and steady, and for the first time, you met his eyes without looking away. there was something in them, something that caught you off guard. not sadness, exactly. not defeat. but acceptance. a quiet understanding that maybe, just maybe, you weren’t so different after all.
you swallowed, your throat suddenly dry. “i will make you a bracelet,” you said, your voice barely more than a whisper. “if you still want one.”
neteyam smiled again, that small, warm curve of his lips that felt like it could light up the entire ocean. “i would like that.”
over time, it became harder to stay distant, your walls cracking under the weight of his quiet companionship. you didn’t even realize how much you’d begun to change, how your awkwardness softened, until one day you caught yourself laughing at something neteyam had said—really laughing, not the half-smile you usually gave. it wasn’t that you’d stopped being strange or different, but it didn’t matter so much anymore. neteyam had a way of making you feel like it was okay to be the way you were, that there was no need to force yourself into shapes that didn’t fit. the space between you that once felt wide now felt smaller, warmer, and for the first time in a long while, you didn’t mind the closeness.
he listened, the way he understood things without needing to say them. they spent more time together, sometimes with tuk, sometimes just the two of them, and slowly, quietly, something grew between them.
it was in the small moments—the way his hand would brush against yours when they walked, the way he’d smile at you from across the water. you didn’t fight it, didn’t push it away. you let it come, let it settle into your bones like the rhythm of the waves.
one evening, as you sat together on a small outcrop of rock, watching the sun sink into the horizon, neteyam turned to you, his expression soft and open in the fading light.
“you know,” he said, his voice barely more than a whisper, “tuk talks about you all the time.”
you smiled, “does she?”
he nodded, his gaze warm. “she adores you. she’s always telling me how you are the best swimmer, the best jewelry maker. she even started asking me to tell her stories about the forest, because she wants to impress you.”
her heart tightened at the thought, and she couldn’t help the small laugh that escaped her. “tuk is very easy to like.”
neteyam’s smile grew, and for a moment, you sat in comfortable silence, the sound of the waves lapping gently at the shore below. then, quietly, he added, “she is not the only one who talks about you.”
you glanced at him, her heart skipping a beat. “oh?”
his gaze met yours, steady and sure, and the warmth in his eyes was enough to make you breath catch in her throat. “i do too. all the time.”
his gaze meets yours, steady and sure, and the warmth in his eyes is enough to make your breath catch in your throat. “i do too. all the time.”
you blink, caught off guard. a breeze rolls off the sea, pulling strands of your hair into your face, but you can’t bring yourself to move. his words hang in the air between you, sinking into your skin like the warm sun after a cold swim. all the time.
“why?” your voice comes out smaller than you mean for it to. you’re almost afraid to hear the answer, as if it would shift the ground beneath your feet, change the delicate balance that has settled between you both.
neteyam’s gaze softens, his lips curling into the smallest smile, and you realize, with a start, that he isn’t nervous at all. he seems sure of whatever it is that lingers in the space between you. quietly confident, like always. “i guess because... i think about you a lot.”
you open your mouth to say something, anything to fill the silence, but before you can find the words, a small voice cuts through the moment like a blade.
“hey!” tuk’s voice, sharp and high, breaks your quiet. you both turn to find her standing at the edge of the rocks, her little face pinched in frustration, her hands on her hips. “i knew it!”
your eyebrows shoot up, startled. “knew what?”
tuk stomps closer, her bare feet padding noisily across the stone. “i knew neteyam would steal you from me!” she jabs a finger in his direction, her small frame shaking with righteous indignation. “you’re my friend, not his!”
the words hit you like a slap, and you glance at neteyam, who looks equally taken aback, his mouth parting in surprise. tuk’s big eyes shimmer with unshed tears, and something in your chest squeezes painfully. you hadn’t even realized how much time you’d been spending with neteyam, how it must have felt to tuk, who had so eagerly claimed you as her own from the start.
neteyam steps forward, hands raised in surrender, his voice gentle. “hey, tuk. no one is stealing anyone.”
but tuk isn’t having it. her little fists clench, and she whirls on you, eyes wide and brimming with hurt. “you promised we’d make more jewelry! and swim with the ilus!” her bottom lip trembles, and she takes a step back, as if the distance will make the ache in your chest less sharp. “you said you were my best friend.”
guilt washes over you like a cold wave, chilling you to the bone. you kneel down, reaching for tuk’s small hand, but the little girl pulls away, hurt radiating off her in waves. “tuk, i did not mean to—”
“you don’t like me anymore.” tuk’s voice is small now, defeated, and your heart breaks at the sight of it, at the raw pain in her eyes. “you like him more.”
the words leave you stunned, speechless. you look to neteyam for help, but he stands frozen, his jaw tight, clearly torn between comforting his sister and letting her work it out. after a long pause, he crouches beside tuk, his voice soft and reassuring.
“that is not true,” he says quietly, his hand resting gently on tuk’s shoulder. “she is still your friend, tuk. i am just... lucky to be friends with her too.”
tuk sniffles, her little fists rubbing at her eyes, and your heart clenches in your chest. “but i found her first,” she mumbles.
you can’t help the soft smile that tugs at your lips at the child’s words, your heart aching in the best way. “you did find me first, tuk,” you say gently, finally managing to reach out and take her hand. tuk lets you this time, her fingers small and warm in your grasp. “and you are still my best friend. nothing is going to change that.”
tuk looks up at you with wide, watery eyes, still unsure. “promise?”
you squeeze her hand, your voice soft. “promise.”
after a moment, tuk’s shoulders relax, and she swipes at her face with the back of her hand. she glances between you and neteyam, her lip still trembling but her anger starting to fade. “okay,” she whispers, “but you have to make me another bracelet first.”
a small laugh escapes you, and you nod, relief settling into your bones. “deal.”
tuk brightens instantly, her smile returning in full force. “and you both have to swim with me tomorrow. no skipping!”
neteyam chuckles, brushing a hand through his braids. “we would not dream of it.”
satisfied, tuk gives a dramatic sigh before turning and running off toward the other children, her earlier tears forgotten. the weight of her outburst still lingers, though, and as you both stand there in the quiet aftermath, you realize just how much tuk’s words have struck something deep inside you. you like him more.
it isn’t true, is it? or maybe... maybe it is. you’re not sure anymore. the thought makes your throat tighten.
neteyam seems to sense the shift in you, his gaze turning serious as he watches you carefully. “you okay?” he asks, his voice soft, a little uncertain.
“i do not know,” you say quietly, your voice barely more than a whisper. “it feels...different.”
neteyam is silent for a long moment, his brows furrowing slightly as he steps closer, his presence a steady, comforting weight at your side. when he finally speaks, his voice is low, careful. “what does?”
you look up at him then, the words heavy on your tongue. “everything. you, me, tuk...”
neteyam's voice is quiet, almost hesitant as he asks, “is it a good different?” his eyes search yours, the question hanging in the air between you. there's an openness to him now, a vulnerability that makes you pause. you see him clearly in this moment—the forest boy with his thin tail, strong but out of place here in your world. his presence is unfamiliar yet comforting, the way his skin contrasts with the sea, the way he stands rooted even on shifting sand. the difference is undeniable, but it's not unsettling. it feels like something new, something good.
you meet his gaze, and in that instant, everything falls into place. his eyes, a deep shade that reminds you of the forest he came from, hold a quiet kind of warmth, like the steady burn of a fire. you're different, yes—he, with the wilderness in his bones, and you, with the sea in yours—but that contrast feels like a harmony rather than a divide. with a small nod, you let the truth settle between you, firm and certain. “yeah,” you murmur, a soft smile pulling at your lips. “it is.”
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i'll proof read this when i get back home i have to go out now 😭
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artificiallita · 29 days ago
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i got bit by the butch wolverine bug and trust me im in lov w her BUT have we considered futch deadpool???
(headcanons and upcoming fic snippets under the cut)
working on a big silly fanfic about this hot mess boinking logan in the odyssey. here’s some headcanons while the story finishes cooking.
- so. kept her first name as wade. i’ve seen a few alt names floating around for f!deadpool (big love for the winnies, winonas, and wandas of the ladypool extended universe) but genderfuck ‘not rlly a name’ just fits my vision for her. her parents were weird idk.
- deadpool is a woman in all variants except one in my personal headcanon. he is called dudepool. also her corresponding nicepool is male gaze-ified pre-mutation wade. she’s bleach blonde and her suit has a titty window.
- ex special forces turned mercenary whose life shit the bed when she was diagnosed with cancer. tried to be proactive about it long enough to get a mastectomy, then found out said cancer was pretty much everywhere else, and we know the story from there. since this predates her healing factor, she’s permanently single-boobed. has padding in her suit to even her out since it doesn’t leave a whole lot to the imagination, wears big t-shirts and ignores it in her civilian life.
- bisexual disaster zone. spent many years in a very happy and deeply perverted relationship with a male stripper named van carlysle, until that went down the toilet. a solid 70% of the casual sex she has is with women.
- dresses like the shitshow nightmare we know and love, loves an awful t shirt and a pair of crocs. put little to no effort into her appearance pre-mutation and that hasn’t really changed, had a brief phase of screwing around with makeup and wigs and then decided it was basically - to use a line of internal monologue from the pending fic - rolling a turd in glitter.
- speaking of, has a real complex about the changes to the way people perceive her post-mutation, namely that they seem to find her super fucking irritating and odd in a way that they very much Didn’t when she was still conventionally hot. between her military background and the general company she keeps, she’s quite often the only woman in her circles, and has always been a dysfunctional mess of adhd and unfiltered word-vomit, but that was generally read as mpdg ‘cool girl’ behaviour prior to her transformation, and now people seem to just think she’s a lunatic. less ‘oh god im hideous’, although she *absolutely* has those moments too, more ‘oh god everyone i know has thought i was a weird pain in the ass this entire time and only tolerated me because they wanted to fuck me’
- wears a lot of poorly applied eyeliner and purposely sleeps in it because she thinks it looks cool. it does not.
- had absolutely zero plans to snitch to cassandra about johnny’s rant, right up until the ‘bald hell’ line. she took that shit personally (almost definitely didn’t need to but whatever. i support women’s wrongs.)
and some snippets from the fic, all of which are me wade objectifying logan. technically spoilers but also what else did anyone expect
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jemichi90 · 5 months ago
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okay OP, in your recent art you mentioned that "you will explain if needed" and gave a detailed explanation of what might have happened (to Charlie and Maxwell).
I'd LOVE to hear more of your thoughts, and the "explanation" that you said you'd provide (⁠ノ⁠◕⁠ヮ⁠◕⁠)⁠ノ⁠*⁠.⁠✧
ps i really like your art.
Oh! Hello there! 👀
And yes indeed I did. Alright then, get ready for the brainrot. xD
For a long time I've thought that Charlie died and came back wrong, and in the recent updates there have been several things hinting at it.
Here is a list of the ones I can remember right now:
Maxwell says ”There's a story behind that...” when inspecting a touch stone.
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After the recent update, the ”dark side” Winona can sense traces of Charlie on the touch stone, confirming it's related to her (the quotes vary).
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In the Encore animated short, there is a brief flashback of Charlie with the Ancient Fuelweaver behind her, and then her Chess piece is seen falling and sinking inside a black square on the board - some heavy symbolism there, sparing us from the gory details, I guess...
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In Charlie's stageplay, the doll that represents her breaks, but she's brought back to life by the Mirror (Them?) - alive but different, as she says.
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And then there are things that fall more into the headcanon territory, until more evidence comes up that either proves or debunks those ideas entirely, but I'll explain those as well, since they heavily influece my art inspiration.
I subscribe to the idea that the two characters in the ancient murals represent Maxwell and Charlie themselves in their early years in the Constant (but depicted by the locals that were unfamiliar with human anatomy). Time moves differently in that world so it could have been thousands of years ago, but the two made contact with the locals and briefly improved their life through the use of Their magic – until it backfired and the entity that must have been sealed for a reason broke free. Assuming the character with the torch really is Charlie, she died protecting Maxwell from the consequences of his own mistakes. In the final mural image, only her cracked head can be seen.
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Another headcanon I have comes from the fact that one of shadow Charlie's arms seems to be entirely made of shadows (curiously, there are also arm bones attached to the touch stone, although they could have belonged to a pigman too, like the heads), so I think that whatever happened to her basically shattered her to pieces, and some pieces may still be missing - like that arm. But details like this are only a headcanon for now.
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This also falls in the time period between 1906 and 1910-ish, when apparently some crazy stuff happened that Klei hasn't showed us much about – yet (according to their own post some years ago). ^^
So based on all this, my idea is that Maxwell summoned the Fuelweaver (as seen in the murals), but he messed up big time and Charlie got caught in the crossfire trying to protect Maxwell. She died a gruesome death (that may have torn her to pieces even more brutally than in my drawing). Maxwell in his desperation made the touch stone in a hurry (which is why it looks so rough compared to all his other constructs), carried what was left of Charlie there, and made a deal with Them to bring Charlie back to life no matter the cost. And they did. They just didn't bring her back exactly like she used to be, and she would probably fall to pieces and die instantly if she was separated from the entity that she now shares the body with...
I think Maxwell had been able to move freely in the Constant (maybe even out of it, based on his disappearances earlier) until then, but deals like that come with a price, so he lost his freedom and became Their tool (sold his soul to save Charlie?). Or something like that anyway.
There are also the parallels between Charlie and Abigail with their connection to their special flowers, as highlighted in the newest animated video. Charlie just might be another ghost inside a flower herself, but thanks to Them, she got to keep her body, or at least a form that resembles her body.. But I prefer to think that her actual broken body is still a part of the deal, as messed up as that is. We already know that They can keep a body that should have died a long time ago alive for an eternity, thanks to Maxwell. When he was released from the Nightmare Throne and time caught up to him, he didn't just die, he turned to a skeleton that crumbled to dust in an instant..! That's some old corpse, but he'd been conscious all that time because They wouldn't let him die.
So yeah, these happy thoughts inspired that piece. I might draw more about that if I still feel like it later. :D
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herefortheships · 2 months ago
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Just rewatched Beetlejuice Beetlejuice again, and I have thoughts!
But this was my first time watching it while being a Betelgeuse x Lydia shipper, so there might be some unhinged shipper takes here. I'll leave my completely speculative, potentially emotionally-charged impressions under the "read more" cut, under the list.
A lot of what I'll mention here I already noticed after my first watch, but I hadn't written a post like this about my impressions after watching the movie, so I decided to put it all here.
Here it goes!
This movie NEEDED more Betelgeuse. I'm sorry, Michael, but you are kinda wrong. It's not like we need the movie to be all about Betelgeuse, but we needed at least five or ten more minutes with the ghost with the most.
The movie sprang to life whenever Delia was onscreen. The same can be said about Betelgeuse.
The chemistry between Michael Keaton and Winona Ryder was through the roof. All scenes between them were immaculate and precisely why we needed MORE Betelgeuse!
I didn't notice how slow the first half of the movie felt, until Betelgeuse shows up. The movie picks up the pace after the couples therapy scene.
Betelgeuse is crazy about Lydia, no doubt. Was he gonna try to kiss her when he said "come here" right before she yelled "home, home, home!"? I think he definitely was going to throw himself at her. Anyway, he had several chances to do that later and he didn't try anything, but he might have been more restrained not to scare her away again.
Betelgeuse always seems to be more careful around Lydia (about checking her out, touching her, etc). Is he shy about Lydia specifically? lol
We needed more interactions between these two, especially so Lydia could see Betelgeuse wasn't the scary demon she thought him to be. He's more of a self-serving, lovable a-hole with a perverted side, than an all out evil entity. (She still got to see he's not that bad through his actions in the movie, after he saves Astrid and goes above and beyond by also exposing Rory and sending Jeremy to hell lol, but we needed a little more conversation between the two. This would help Lydia process her trauma around Betelgeuse. (*I have a point about this particular thing below, under the cut). Also would have helped the audience see why Betelgeuse's motivation to marry Lydia had nothing to do with Delores and everything to do with how he feels about Lydia herself (he was already chasing Lydia before Delores came into the picture, and had been doing so for over 30 years, as he keeps her photo on his desk and hasn't moved it from there, as shown by the cobweb behind it. Betelgeuse is looking into that portrait literally every single day).
Delores could have been entirely removed from this movie and nothing would have changed. When she shows up and says "Betelgeuse is mine" she literally does nothing to Lydia, whose photo she had literally smashed minutes earlier. When faced with the real woman who she believes to be stealing her man, she doesn't attempt anything against her? That was weak writing.
Everything around Delores was weak writing, except for her backstory.
Lydia did not leave Winter River at the end of the movie. I think the bed she wakes up in after the nightmare is still in Winter River.
As a matter of fact, the nightmare/dream sequence starts when she's quitting her show. The music that denotes that this is a dream starts there. Lydia did not quit the show. She might later on (if there's a 3rd movie we'll know if she did quit), but by the end of this movie she did not quit. That was part of the dream.
Betelgeuse starts blowing up like a balloon before Lydia says his name three times. She's said it once and he started ballooning. So I confirm: he did this himself on purpose. This man is a drama king and this was his grand exit back into the afterlife. 😂
I had this strange vibe that Astrid was bullshitting when she said that by violating code 699 the marriage contract was null and void. The contract also burned when she mentioned it. If it was null and void by Betelgeuse's violation of the code, why is it that it only burned when Astrid mentioned it?
Betelgeuse was indeed in bed with Lydia at the end. Not only is she sleeping to one side of the bed, the pillow he was in was wrinkled like he'd been lying there, and we can also hear the echo of his laugh. This makes me believe that he's the one who put the dream in her mind. Maybe to get back at her for banishing him. (This is a headcanon though, but the fact stands: Betelgeuse was truly there).
Oh before I forget, Lydia did look sad/conflicted at the end after Betelgeuse blew up and vanished. We can't know exactly how she felt after her time with Betelgeuse in this movie because it ended before we had a moment with Lydia alone after everything was said and done. Her story doesn't wrap up, because after she says her goodbye to Delia, what we have with Lydia is the dream sequence. Then she wakes up next to Betelgeuse, and again, alone, but still we can hear Betelgeuse's laugh echoing in the room as Lydia looks half scared, half confused (her face is like "wtf??") as the final scene of the movie.
And now for the potentially unhinged fangirl takes and headcanons (mostly revolving around Betelgeuse and Lydia):
Lydia has always had unresolved feelings for/around Betelgeuse. These unresolved feelings, whatever they are, has not allowed Lydia's romantic relationships to progress. The movie presents these feelings as trauma, and I find that very interesting. Let's explore this one a bit:
Early in the movie when Lydia is talking to Astrid about death and Richard is mentioned, Lydia mentions that her relationship with Richard had ended long before he left and had his accident in the Amazon. Astrid also mentions later that his dad left after his relationship with her mom had ended (If I recall correctly, Astrid says it like "after they separated, my dad left").
Then, when Lydia is talking to Delia after she's seen the Betelgeuse ad that Astrid found in the attic, she starts talking to Delia about how she met Rory at a grief retreat dealing with the loss of Richard and some unresolved feelings. Notice how she said her relationship was over long before his death. Naturally she was grieving him, but what are these unresolved feelings about? Is there guilt involved due to... :
Later, when Lydia tells Rory about Betelgeuse, she goes about it this way: She reminds Rory about their couples therapist, and how he told her that until she faced this "thing" that she was holding back, her relationship with Rory was not going to evolve. This thing of course turns out to be Betelgeuse.
So this kinda confirms that Lydia has some unresolved feelings around Betelgeuse that are holding her romantic relationships back.
As I mentioned above, this is presented as trauma. Is it because of her experiences in the first movie? I don't think so for various reasons: She not only grew up surrounded by the love and care of the Maitlands, she also hasn't seen or heard Betelgeuse in years though she's felt his presence. She also appeared to be living happily at the end of the first movie. You can't present me a traumatized character in the sequel when you showed me this character to be completely fine at the end of the previous film. Lydia also mentions to Delia that her anxiety comes from seeing ghosts every day.
So her traumatic feelings about Betelgeuse stem from something inside her that she needs to face or she won't be able to move on. Keep in mind these are my interpretations and shouldn't be taken as fact! But I believe that Lydia's trauma stems from guilt about having feelings and attraction toward Betelgeuse (possibly since she was a teenager), someone who, in her own words, she is convinced is a "trickster demon".
She may have always been attracted to him, but she pushed it down ("held it back", using her own words). She probably worries that having these feelings makes her "wrong" in some form. That she is "dirty" or even "evil" herself. How can she feel an attraction to someone like Betelgeuse, who is not only scary-looking, but also did scary things to her family and once tried to force her to marry him? These are her conflicted thoughts.
Confronting these emotions is Lydia's true path to healing wholly, because she will be faced with her own darkness. And this is what she is vehemently avoiding by wanting Betelgeuse out of her life (whilst simultaneously wanting him in her life).
This is yet ANOTHER reason why we need a third film: Lydia needs to face her own feelings about Betelgeuse or else she will always be stuck in life. Her relationships will always fail because her heart belongs to someone else; to the one person (ghost) she refuses to give it to, not because of what she feels about him, but because of what having these feelings makes her feel about herself. Only facing this will Lydia be whole again.
That's interesting material for a third and final film, but again, just my headcanons and interpretations. These movies are mostly comedy, and so it's unlikely they will go into the deep stuff. But then again, this movie at times went surprisingly deep, despite being mostly bonkers comedy, so there is a chance they will explore deeper, darker themes in the final installment. Usually the final film in a series goes harder than the rest into the deeper and more nuanced themes.
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elderwisp · 1 month ago
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◁ || ▷
Syx: So when I said find a hobby, I didn’t mean buy a fixer-upper.
Icarus: I know!
Syx: Ok but if you knew then why?!
Icarus: Because it’s better than half of the shitholes on the market!
Syx: I bet I could find something better. Watch.
Icarus: NO! No.
Ares: Why are you guys yelling? I have such a bad headache.
Icarus: Can’t handle your liquor anymore? 
Ares: I can leave. 
Icarus: Oh he’s cranky.
Syx: Incredibly.
Winona: Hey! Uh, sorry to bother you losers but Icarus, there’s people outside.
Icarus: Huh?
-
Icarus: Hello! 
Umber: Hi, we heard someone moved into the old house on the gulch and we wanted to welcome you. Hope you don’t mind!
Icarus: Not at all. 
Umber: I’m Umber, this is my son Wren. My wife Juniper. Talia and my sister Sienna. Wow that was a mouthful. 
Icarus: [ chuckles ] Icarus and my sister Winona. These are my friends, Syx and Ares. My grandma is…
Winona: Sleeping.
Icarus: Ah, yes.
Juniper: We brought some apple pie for all of you. 
Winona: Mom used to make this all the time! Icarus, maybe she can teach you how to bake. 
Icarus: Oh-
Juniper: Actually, Sienna here made it. I just packaged it up. 
Icarus: We’ll have to say thanks, right Winona? Winona?
Winona: Sup. You guys cool?
Wren: Probably.
Winona: Sick.
Sienna: Nice to meet the fool that bought this place.
Icarus: Uh-
Umber: Christ Sienna-
Sienna: A joke!
Icarus: I mean you aren’t wrong.
Sienna: See? He agrees. Anyways, let us know if you need any help.
Icarus: I appreciate it. 
Icarus: So how long have you lived here?
Umber: Whole life. It’s rare when people leave.
Icarus: Ah. What happened to the folks who owned this home?
Umber: Old age, a sweet couple, they never had kids. They always said the whole town was ‘nough. With no one to take care of the house, things got rough to say the least.
Icarus: I see.
Umber: [ chuckles ] How’s it coming along?
Icarus: Bad, honestly. The cleanup took a few days. 
Umber: I wonder how many trash bags it took.
Icarus: Plenty. Cleared out the store down the street.
Umber: I bet Bill loved that.
Icarus: Definitely, the guy let me take home a soda. Sun’s hot here. No one tells you that.
Umber: Wait ‘til summer.
Icarus: Oh boy. Some of the pipes were damaged and on top of that we needed an electrician.
Umber: Was it expensive?
Icarus: Very. Most of the foundation is good but I replaced a few beams. That was difficult. 
Umber: Well next time you do that, let me know. I can help you out. We don’t want the house collapsing on ya.
Icarus: Wouldn’t that be something.
Umber: You’d be in some deep shit to say the least. 
Icarus: [ chuckles ] I guess so. Wanna see the house?
Umber: Lead the way.
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holylulusworld · 3 months ago
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Bad day at work
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Summary: It’s a bad day at the office.
Pairing: Jake Jensen x fem!Reader
Warnings: short reader, enemies to…, language
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You groan and slam your hand onto the table. This fucking meeting could’ve been an email. No one had anything to say, and now you are left with more workload and less information than before.
On top of all, the new software your boss forces you to use is messing with your files. You can’t find shit any longer and are already on the edge. One false word, and you will murder the next person daring to distract you.
“Fuck you!” You grunt and throw your wireless mouse at the wall. Great, now your mouse is broken too. “This is the wrong day to mess with me, you fucker!”
Staring at the broken mouse, you sigh. There is no way around it. You'll need to call IT to ask for help. It’s just that you hate asking for help. Most of the time, they ask you to switch it off and on again. As if that ever solved your IT problems.
“Fuck…shit…dog poop!” You curse loudly. “I guess there’s no way out this time. With a broken mouse and the software messing with my files.”
You take a deep breath before you grab your phone to call the IT. It rings a few times before a grumpy voice answers your call. While you describe your problem, the guy chews audibly. You roll your eyes. None of the IT guys seems to take their job seriously.
“Did you try to switch your computer off, and on again?” You huff into the phone. Why do they always ask you shit like that? “Miss, did you hear me.”
“The software is not working. It’s messing with my computer. Switching my computer off will do shit,” you snarl at the IT guy. If he eats while you ask him to solve your computer problems, you can be unfriendly.
“Miss, you don’t have to be rude,” the IT dude dares to hang up the phone. You’re fuming. If he’s not going to haul his ass up to your office to fix your problem, you’ll bring your laptop to him and slap the cockiness out of him with it.
You get up from your chair and slam your laptop shut. Huffing, you look at your broken mouse. Well, they can fix this for you, too.
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“IT DUDE!” You yell at the guy with spiky hair and glasses. “Was that you on the phone?”
He dips his head to watch you storm toward him. “Hello, there,” he grins as you throw the broken mouse at him. “What can I do for you? Name’s Jensen.”
“I don’t care if you are Winona Applebee,” you growl. “If I call you for help, you haul your ass up to my office and do your job!”
Jensen cocks a brow. “Miss, please lower your voice. I know IT problems can be stressful, but I won’t allow you to talk like that to me or my team.”
“What are you going to do about it?” You throw your laptop in his lap and put your hands on your hips. “I’ll get you fired if you don’t get to work.”
Laughing in your face, Jensen rises from his seat. You didn’t know he was so much taller than you. Suddenly aware that he’s dwarfing you, you take a step back.
“I’ll show you what happens when you mess with the IT crowd…”
Part 2
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Tags in reblog.
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toast-the-unknowing · 1 year ago
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on fanfic plagiarism
Almost five years ago, in January of 2019, someone I'd never met before reached out to tell me that one of my Pynch fics, "Word on the Street," had been plagiarized.
I remember that the stolen fic was posted in k-pop fandom, though not what specific band it related to -- I'm not into k-pop, or really into pop music at all.
I remember that the person who messaged me told me that they had found my fic because the plagiarist had a reputation for stealing fic, so when they'd posted a new story, this person had known to do some digging.
I don't remember what the plagiarist's username was. I remember scanning the stolen story, trying both to read every detail and to avoiding taking any of it in, because looking at that right-but-wrong, not-quite-there, uncanny-valley-ness of it made me queasy.
I remember being darkly amused that the plagiarist had cut out the reference to the main character suffering physical abuse at the hands of his father -- I guess it didn't make sense in the context of the new character. It's almost like the story wasn't written for him. It's almost like someone wrote the story about Adam Parrish, instead.
I filed an AO3 complaint, on the grounds that this was a blatant and unarguable violation of their plagiarism policy. Within twenty-four hours, they got back to me, and the story was removed.
It was a weird, uncomfortable, gross feeling, knowing someone had taken words I'd written and passed them off as their own.
But at the same time -- "Word on the Street" was a silly thing I dashed off pretty quickly, during a period of my life when I was doing a lot of writing. It hurt to have it stolen. It was a violation. But…I had other words, that were more important to me. Maybe that was a buffer.
-
Last month, about six weeks ago, someone I'd never met before reached out to tell me that one of my Pynch fics, "there's talk going 'round this town," had been plagiarized.
I was, bizarrely, amused.
I was less bizarrely furious. I was understandably, relatably, I would say rationally, furious. But in a way (and as always, when I say in a way, I am calling back to the scholars of overthinkingit.com for whom in a way is meant as the thing I have just said or am about to say is false) -- in a way, I was amused.
The plagiarist clearly did a 'find and replace' on the character names, to replace Adam and Ronan's names with those of k-pop characters. They did a bad job of it, since the name "Ronan" still appears in one paragraph and the name "Parrish" still appears in two paragraphs. The fic is here, in case anyone doesn't believe me, under the name "i do(n't remember)". At first when I complained about the fic on tumblr, I didn't mention the name, or which fic they'd stolen, because I was worried about anyone…I don't know, making a scene. I've stopped caring. AO3 user springguk is bad at find and replace and they should feel bad. About their computer skills, and also about their blatant plagiarism.
springguk also did some more edits to my fic, I have to give them credit for that. I wrote "there's talk going 'round this town" within a relatively short time span, for me. I tend to either finish things within one week, or else take several months. I believe this one took about five or six weeks completely to write -- I was very inspired.
(I was inspired, specifically, by the press coverage of Winona Ryder and Keanu Reeves 'discovering' they might be 'accidentally' married. I mention that in my author's notes. springguk doesn't mention what 'inspired' them in their author's notes. I wonder how they talk about it with friends. They do, in their author's notes, include a link to their ko-fi, and a request that people buy them a coffee.)
If I'd taken longer with this fic, I might have made some edits. Even at the time, I knew I was being self-indulgent in letting the scene with my teenage female OC talk at such length with Ronan about what his non-canonical film career had meant to her, a person the audience didn't care about. But I had fun. I liked Fox. I didn't want to cut her, and what the hell, it was fanfic. I decided to self-indulge.
I was darkly amused to find that springguk did cut out the scene with Fox from their plagiarized version. Maybe springguk is a more disciplined editor than I am. Maybe springguk just didn't have a good k-pop character to map Fox onto. Maybe springguk didn't even realize that Fox was an OC. Do you know anything about the fandom you steal fics from, springguk? I can't help but wonder. Have you read The Raven Cycle? Do you care about teenage OCs who steal cars because of fake films that are clearly meant to be stand-ins for The Fast and the Furious franchise?
Maybe springguk just didn't give a fuck, because none of their heart and soul was poured into this fic. I cared too much about Fox. springguk doesn't care about a single word in the fic they published. Why would they? They didn't write it.
I'm being a little mean in naming them so many times. But I'm able to, this time, because although I filed a plagiarism complaint with AO3 six weeks ago, springguk's stolen fic "i do(n't remember)," is still available to read on AO3 to this very day. I don't have to wrack my brains to remember what their username was, or which k-pop band they recast my work with. I can just look at their fic with its 24 comments and 151 kudos. Hell, maybe that fic is even better than mine, if you don't mind that by cutting the sequence with Fox they've sacrificed a fairly substantial development in the romantic relationship, and also if you don't care that at one point the characters names switch from Jeongguk and Taehyung to Ronan and Parrish, because seriously, for fuck's sake, if you're going to steal a fic at least do a goddamn ctrl+f at the end.
I was mad. I was amused. I made a complaint that the AO3, six weeks later, has still not acted on. I mostly moved on.
-
Tonight, someone I'd never met before reached out to tell me that one of my Pynch fics, "while we're on the subject, could we change the subject now," had been plagiarized.
I wanted to vomit.
I was supposed to be playing Dungeons and Dragons online with friends tonight; I spent the entire call unable to focus on anything anyone was saying. I had to keep reminding myself that I was on camera and my face wasn't supposed to look like that.
"while we're on the subject, could we change the subject now" is the first of a series of, currently, twelve fics. skytoseungmin, the person who stole it to pass it off as their own work, knew this. Their stolen version was published as part one of a series, though they hadn't published any of the sequels. Presumably, they wanted to wait long enough to make it plausible they'd gone and written the follow ups, instead of just finding them.
skytoseungmin likely didn't know that this fic and this series are intensely personal. They didn't know that the apartment that Adam -- Seungmin, in their ill-gotten version -- lives in, that was based in part off of the apartment I lived in for a year in Pico-Robertson with talldecafcappuccino. They didn't know that the 7-Eleven Adam buys coffee at is the same one I used to tease talldecafcappuccino for buying coffee at. They didn't know that the strip club where Adam and Ronan have their humorously ill-timed romantic revelation outside of, that was the strip club I used to use as a landmark when giving people directions for how to navigate the confusing as fuck freeway exit I lived near, which once caused me to accidentally tell my highly Catholic parents "just go past the strip club and you're good!"
skytoseungmin didn't know that the apartment Adam -- sorry, Seungmin, thoroughly, they were better with find and replace than springguk -- lived in, was also based off of my ex's apartment in Palms, where I as the mere visiting girlfriend was never allowed to park in the parking lot. Where I would sometimes have to spend twenty or thirty minutes circling the neighborhood before I could find parking, often a walk of several minutes away. skytoseungmin doesn't know that when Ronan's car get towed from a McDonald's parking lot, that that was a specific McDonald's on Venice Boulevards, the same one my ex's asshole roommate used to just roll his eyes and say that I should park at. skytoseungmin doesn't know that I once wished passionately that I had just parked in that McDonald's parking lot and risked getting towed, on the occasion that a man followed me several unlit blocks from my car. skytoseungmin doesn't know that when I talk about how helping someone park is the truest love language there is in Los Angeles, that that was what I meant. Has skytoseungmin ever had to circle to half an hour to find parking in Los Angeles? Has skytoseungmin ever loved someone enough to do that, instead of saying, fuck it, they can come to me or we're breaking up? Has skytoseungmin ever loved someone in Los Angeles enough, to do as my ex did, and come running as fast as humanly possibly when their girlfriend called them whispering and crying on the phone, someone's following me, please, I'm scared, I wish I just parked at the McDonald's?
"while we're on the subject, could we change the subject now" is a very personal fic.
It isn't half as personal as some of the fics that come after.
skytoseungmin marked their plagiarized version of the fic as part one of a series. Were they planning on stealing part two, where I, through an alternate universe characterization of Ronan Lynch, dig into my experience of grief and trauma surrounding my grandmother's dementia? Were they planning on stealing any of the explicit fics, where I play with kink and desire in ways I haven't even exposed to my actual sexual partners, but where I felt able to through the guise of fandom? What else was skytoseungmin planning on stealing, with charming little author's notes apologizing for how they missed the fandom-relevant date they were shooting for, because they were so busy with exams, tee-hee! Why the excuses, skytoseungmin? how long does it take you to ctrl+f, even if you are more thorough about it than springguk?
If I seem too accusatory and mean-spirited toward skytoseungmin, well, the LA verse is a very personal fic.
And it's also, it turns out, only one of eight different fics that they stole from me.
I didn't even notice at first, to be honest. I was too stunned. But my friend Jessie, my Lady Galahad, went to my defense and clicked through to the author's page, while I was still reeling at the horrible possibilities of part one of a series. It turned out, of eight fics on skytoseungmin's author's page…I had written every single one of them.
Some were short and pretty lighthearted, things I hadn't had to invest too much of myself into -- like I said, sometimes, I can write a fic in under a week.
Other things…
They stole the space western AU.
I don't think I can articulate to any human being how much that hurt me, to look at it, to see.
I wrote that as a thank you gift for someone who donated to Fandom Trumps Hate.
I spent nearly two years of my life on it -- two years during which, because of mental health issues and life situation changes, my words per year dropped precipitously. I still haven't recovered. I still think of what a failure I am for not writing more, currently, actively, and I remember how the space western AU was both a symptom of that and a defiance of it: yes, writing has become fucking hard, fucking NEARLY IMPOSSIBLE, but I'm still doing it, goddamn it, you can't stop me, even if all I produce is the tiniest trickle of words a month. it can still add up, somehow, if we just keep TRYING.
To see the space western AU, casually nestled amongst a half dozen other fics that were all apparently casually dashed off in the same month…I know it was theft, I know it was a lie, but it still felt like a slap in the face, why can't you write this fast?
Jessie, my Lady Galahad, went on a campaign of commenting on all of skytoseungmin's (my) fics, and I am so thankful. The k-pop fans who heard Jessie have been reaching out, to her, to me, to each other on Twitter, and I am so thankful for them too. skytoseungmin has deleted all of their (my) fics on AO3, and their entire AO3 account, and their entire twitter, apparently. Maybe they were hoping to get enough clicks to parlay them into some kind of book deal, and they'd now rather give up what was a low investment effort on their part than be associated with accusation of plagiarism.
I suppose they can always start over with a new user name and someone else's fics if they really want to.
I suppose they can always start over with a new username and my fics, if they really want to.
And after all, AO3 has still not reached out to me about springguk, and "i do(n't remember)" is still sitting there. Maybe springguk is also going for a book deal. Who knows?
Why complain about any of it?
In a way* (and remember what "in a way" means), isn't it a compliment, if someone loves the words I wrote, even if they don't know it was me that wrote them? toast-the-unknowing and shinealightonme, if they're the same name (and they are), then why not springguk or skytoseungmin, too?
Am I making too big of a deal out of this? Does everyone just have their work stolen from them, all of the time? Is that simply the cost of doing business in an era and an ecosystem where we all can copy and paste twenty-four thousand words with greater ease than our ancestors could transcribe a single phrase? Are more prolific, more famous, more successful fan authors looking at my piteous cries and thinking, bitch, you've only been ripped off by k-pop fans ten times, come back when you have real problems?
And yet in a month, a year, a whole life phase of not being able to write as much as I would like to, because of my health, because of my work, to have someone else just casually pass off the words I have managed to eke out, as though they have no value, as though it were no more than photo copying a shitty flier to stick under a windshield wiper…
I can't imagine springguk or skytoseungmin give a shit how I feel about any of this. At best, they roll their eyes; at worst they laugh to know they hurt me -- and what's the difference between the two? I'll never know either way.
I know that some of the people they duped do care, and are also upset. That helps. And also, it doesn't help.
I just fucking hate all of this, and if all I have are words, and if my words are valuable enough for someone to steal, then here, here are enough of them to choke on. I know I did.
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carigm · 11 months ago
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MAJOR POTENTIAL SPOILERS/LEAKS REGARDING S5 (WARNING)
Last Spring/Summer, a semi popular fandom account on Twitter got sent some leaks about S5, focused on the first half of the season. At this time, many fandom accounts were receiving supposed leaks, so our attention was a bit scattered and we didn’t focus on any of them too much. A popular leak account on Twitter (unrelated to ST) also mentioned that they had gotten the first half of S5 leaked, and that this source is “never wrong”. Now, it is hard to tell if these leaks are the same as the ones that the specific fandom account I’m talking about received, but something to keep in mind. Her leaks were given to her by a person named James (which I assume is a fake name). These leaks were also posted on Reddit, last year, by her (the person in the fandom that got the leaks from James) but some major things were omitted in that post. I’m gonna leave a link here in case you guys want to read the discussion.
I’m sharing these leaks with you because some things from them are kinda lining up with what we’re seeing from S5 production. Keep in mind that these could be fake/wrong, and James himself said he didn’t have info on the last couple of scripts.
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According to James, Mike dies in Ep. 3. I’m adding more screenshots later for more context, but the gist of these leaks is that Mike bites it, mlvn never breakup nor do they get a resolution, and Byler is left up to interpretation but never really happens. (I don’t really need to get into how shitty this all is writing wise)
Let’s go over the things these leaks might have potentially gotten right, according to what we know so far.
1. James said that the time jump would occur in ep. 1, after an establishing scene where S4 left off. He said the time jump would place us in late 1987/early 1988. He also mentioned there would be a series of flashbacks showcasing stuff from before the time jump. The dates he gave do seem to be accurate, and David Harbour had a shaved head right before they went into filming, which could imply pre time jump scenes.
2. According to him, after Mike dies, they find a letter he had been writing. Some of us were theorizing Finn had a letter in his back pocket in those rooftop pics. Could’ve also been Finn’s script and he just stuck it there (who knows).
3. He said that Joyce gets badly injured in ep.3, and since there’s speculation Winona was seen filming at the hospital, some people think that means she was taken there because of her injury. It’s important to notice that Natalia, Cara, and Finn were also supposedly seen filming at the hospital, and that the production called for many extras for nurses and paramedics. So whatever they’re filming at the hospital, it might be bigger than Joyce getting injured in her leg. Let’s remember Max is at the hospital too. I’m not 100% sold on this part of the leaks.
4. Today it was revealed that they’re setting up to film at Stone Mountain. (This is where they filmed UD scenes for S4)
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Apparently production might have purple tentacles out already. (UD vines?)
Cara Buono mentioned, in that video shared by Ross Duffer, that she was filming stuff from Ep.2. This was around 2 days ago.
The people that know about the leaks think this is where Mike dies in ep. 3. Here’s some further context:
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Here’s some stuff he said about mlvn:
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Which is just….meh, because like I said, it doesn’t look like him and El ever breakup before his supposed death. Plus Byler never gets any resolution.
Now some things that might disprove the leaks (I’m trying to be impartial here)
1. These leaks mentioned Argyle a couple of times, saying he has a hero moment at some point. Eduardo made it sound like he’s not coming back to the show, but tbh he could just be lying. He’s listed for ep.2 on IMDb (and yes I know anyone with an account can edit that site)
2. These leaks say that Mike is very insufferable for the 3 episodes he’s alive, basically lashing out at everyone, specially El, and just overall behaving like an asshole. I really didn’t get that from the ElMike rooftop scene, in fact he seemed very gentle with her. People that know about these leaks think that the rooftop scene is Mike maybe apologizing to El and them having a heart to heart, right before he dies (no comment).
All in all, if Mike is dying this early, I’m sure we’ll know soon enough. The rest of the cast is gonna be filming for like a year, and Finn will be done in like two weeks 💀
I also hope there’s more leaks soon (on Reddit) so that we might compare them to these and see wtf is up.
I know someone is gonna inevitably ask why leaks would be out almost a whole year before they started filming when we usually get them during filming or post production, but I’ve been told these leaks happened around the time the writer’s strike began, which is when they were originally gonna start filming. I was also told other shows had issues with leaks around that same time.
I don’t want to get too much into the truly awful writing we’re facing if these are real but…First, I believe it’s a total disservice to Mike’s character. One of your mains since S1 and you don’t even offer him the option of dying towards the end of the season? Even fucking Eddie got that. Two, it seems like a very easy cop out for not having to make Byler canon. Let’s just have neither ship be endgame and that way we don’t get queerbaiting allegations. It also stands in a zone too close to torture porn for my liking, because sure let’s kill the character two of the most traumatized characters in the history of TV love most. And yes, it’s also a disservice to El and Will’s characters. And lastly, if that supposed letter vaguely alludes Mike having some sort of sexuality problems (we don’t know atp) it is pretty fucked up they just killed him off like that. Sure let’s not explore any of that, but give a half assed explanation via letter ex machina. This is looking like Supernatural finale levels of bad to me.
Another point, I distinctly remember the Duffers saying, after S4, that they could never kill off a character like Mike because it would be too painful, and that ST would cease to be ST and lose its identity. They didn’t want to be like GOT. I sincerely hope they actually meant this and were not trying to be cheeky or whatever the fuck.
It would be genuinely insane, and quite frankly, a highlight of their lack of writing abilities.
I hope the leaks are wrong, but I felt like it was necessary to warn everyone just in case. I know I’m not watching something this awful.
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lauralot89 · 1 month ago
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So I just watched Bram Stoker's Dracula for the first time since I was a child and what is even the fuck
(I have NO idea how I watched this as a child, it must have been an edited version on TV because there is no way my parents would have rented it for us)
It's incredible really. Nearly every choice made in this film was the wrong choice, and yet it was wrong in ways that fascinated and delighted me
(I'm not including the costuming/sets/sound design as wrong choices, those were all great)
At one point, Mina is crying and Dracula touches her tears and turns them into DIAMONDS with the vampire turning-tears-into-diamonds power I guess I forgot they have
I have rarely seen such levels of camp in a movie that I think I was supposed to take seriously, but there you go
did Terry Gilliam ghost-direct every scene in the asylum, that shot composition was straight out of Twelve Monkeys
there is no earthly reason that this Dracula/Mina romance plot makes any sense, but somehow Gary Oldman and Winona Ryder made it seem almost believable
I think it worked for me because
a) Their meet-cute is Mina reading Dracula to filth for being a creepy fuck, roasting him for thinking that moving pictures are science, and only giving him the time of day because he has a sick ass pet wolf
b) The blood-drinking scene is straight up Mina being such a monster fucker it actually weirds out Dracula, he's like "No I love you too much to condemn you to a life of vampirism" and she's all "shut up and bleed"
also like
imagine filming that scene and just having to lick all over your coworker's chest for like a dozen takes, awkward
It's truly bizarre how this is both the closest film I've ever seen to the source material and yet also is full of noncanonical nonsense and everyone's personality is replaced by horny, how am I supposed to reconcile this
Highlights of the film for me:
The aforementioned costuming, sets, and sound design
The fact that all the effects were done in camera
Dracula randomly waving a sword in Jonathan's face
Arthur Holmwood is the Dread Pirate Roberts
Instead of Dracula breaking a wolf out of the zoo to throw at a window, the wolf just breaks itself out to hang with him
Vampire Lucy
Dracula has a turning tears into diamonds power
Mina is like YOU KILLED LUCY for fifteen seconds and then immediately starts demanding to get vamped in the very same conversation
Jonathan spent weeks as the brides' juice box
Gary Oldman being ridiculously melodramatic and half of his lines sounding like they were delivered on the brink of an orgasm
Dracula's ridiculous Peter Pan shadow
The closest I think any movie has come to the Dracula death from the book
Dracula crying blood, always wonderful
My Mom's Complaints
Everything
Seriously, like every fifteen minutes or so she'd ask why we're even watching this
During the "Dracula and Lucy fucking in the garden" scene she asked if this movie actually had a theatrical release, and if it was the biggest bomb of all time
She did not like Old Dracula's hair
She did not like his motivation for becoming a vampire
She did not like his wolf form or his bat form or his old form
My Grandmother's Complaint:
Van Helsing would not have been so cavalier and undignified in telling Mina and Jonathan about Lucy's beheading
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diddyrivera · 1 year ago
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additional resources to marxist feminism:
living a feminist life by sara ahmed
the rise and decline of patriarchal systems by nancy folbre
this bridge called my back: writings by radical women of color by cherrie moraga and gloria anzaldua
delusions of gender: how our minds, society, and neurosexism create difference by cordelia fine
close to home: a materialist analysis to women's oppression by christine delphy
(pdf) the feminist standpoint: developing the ground for a specifically feminist historical materialism
(medium) on women as a class: materialist feminism and mass struggle by aly e
(sagejournals) capital and class: the unhappy moments of marxism and feminism: towards a more progressive union
(substack) the marxfem pulpit by abigail von maure (earth2abbs on tiktok)
if anything else related to marxist feminism, just let me know :)
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additional resources to eco feminism:
gossips, gorgons, and crones: the fates of the earth by jane caputi
parable of the sower by octavia e butler
neither man nor beast: feminism and the defense of animals by carol j. adams
bitch: on the female of species by lucy cooke
fresh banana leaves: healing indigenous landscapes through indigenous science by jessica hernandez
the intersectional environmentalist by leah thomas
right here, right now by natalie isaacs
feminism or death by francoise d'ealibonne
violent inheritance: sexuality, land, and energy in making the north american west by e cram
animal crisis: a new critical theory by alice grary
unsettling: surviving extinction together by elizabeth weinberg
land of women by maria sanchez
sexus animalis: there is nothing unnatural in nature by emmanuelle pouydebat
windswept: walking the paths of trailblazing women by annabel abbs
andrea smith - rape of the land
andy smith - ecofeminism through an anticolonial framework
carolyn marchant - nature as female
charlene spretnak - critical and constructive contributions of ecofeminism
heather eaton - ecological feminist theology
heather Eaton - The Edge of the Seat
janet abromovitz - biodiversity and gender Issues
joni Seager - creating a culture of destruction
karen warren - ecofeminism
karen warren - taking empirical data seriously
karen warren - the power and promise of ecological feminism
l. gruen - dismantling oppression
martha e. gimenez - does ecology need marx?
n. sturgeon - the nature of race
petra kelly - women and power
quinby - ecofeminism and the politics of resistance
rosemary radford ruether - ecofeminism: symbolic and social connections
sherry ortner - is female to male as nature is to culture?
sturgeon - the nature of race
val plumwood - feminism and ecofeminism
winona laduke - a society based on conquest cannot be sustained
if anyone has any other recommendations related to eco feminism, plz let me know :)
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additional resources related to trans feminism:
the empire strikes back: a posttransexual manifesto by sandy stone
(chicago journals) trapped in the wrong theory: rethinking trans oppression and resistance by talia mae bettcher
(philpapers.org) trans women and the meaning of woman by talia mae bettcher
the transgender studies reader by susan stryker and stephen whittle
if anyone has other recommendations related to trans feminism, plz let me know :)
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additional resources related to anarcha feminism:
the anarchist turn by jacob blumenfeld
we will not cancel us and other dreams of transformative justice by adrienne maree brown
burn it down: feminist manifestos for the revolution by breanne fahs
reinventing anarchy, again by howard ehrlich
anarcho-blackness by marquis bey
a little philosophical lexicon of anarchism from proudhon to deleuze by daniel colson and jesse cohn
joyful militancy by nick montgomery and carla bergman
wayward lives, beautiful experiments by saidiya v. hartman
we won't be here tomorrow and other stories by margaret killjoy
writing revolution by christopher j. castaneda
paradoxes of utopia by juan suriano
twelve fingers by jo soares
for a just and better world by sonia hernandez
if anyone has other recommendations related to anarcha feminism, plz let me know :)
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kesia-stupid-arts · 24 days ago
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please share your woodrow / wx headcanons im so curious. I also widely disagree with most of what the fandom has to say about them
Ahh, sorry for taking so long to respond to this! WX-78's buildday was tomorrow, maybe this is the best time to respond to this! LOL
I've thought about this, and I've realized this is not exactly a headcannon... just an analysis and theory of their canon, but everyone can have a different interpretation anyways.
You see, I usually see how people write WX as someone who still has the memories of their time as a human, but if you analyze it well, they don't.
If you take a good look at their dialogues, you will notice that they are ignorant about some things that humans commonly should know about, for example, WX does not know what a cat is, they don't know about christmas traditions, and a lot of other dialogues that make it seem like they know nothing about human's world.
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But the best evidence is in their animated short, when Winona re-connects the Empathy Module, their memories as "Woodrow" flow back (they immediatly remove it because they don't like it). In my opinion, the Empathy Module isn't exactly a component that gives WX-78 emotions or empathy, but it's a module where Woodrow's memories were stored, and by removing it, they lose all their memories as a human.
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However, WX-78 might not forget EVERYTHING, there's some dialogues that they imply they still remember a few things:
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Probably there were a few memories so deeply stuck into WX's mind that it survived the removal of the Empathy Module.
Btw, a little theory I'd like to share: In my opinion, WX-78 and Wagstaff knew about the Moon even BEFORE entering the Constant. The way WX speaks about the Moon makes it seem that's was always a goal they've been pursuing for a long time, which makes me think that Wagstaff found out about Alter's power at the time Woodrow or WX were working with him, and by consequence, WX also knew about it. This might also be a memory stuck with WX that survived the disconnection of the Empathy Module: Their goal to get the Moon's power.
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But anyway, that's just my interpretation and theories about their character, no one is wrong for having their own theories or hcs!
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myveryownfanfiction · 2 months ago
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18+ MINORS AND THOSE WITHOUT AGE IN BIO DNI
tags: @illiana-mystery, @iobsessoverfictionalmen
warnings: swearing
AN: Happy 53rd birthday Winona Ryder!
I glanced over at Lydia as she looked out the window. A small pile of things were already on the front lawn. She sighed before turning back to the model.
"Are you sure you want to get rid of it?" I asked, setting down the chair that had been in the corner of the room. Lydia looked over at me.
"I don't want to but I think it's time." She sighed. "Adam spent so much time on it. It's a time capsule at this point. But HE keeps coming and invading it. Hard to hold onto the good memories when that thing keeps popping out." I walked over and wrapped my arms around her.
"But surely there's more good than bad with it?" I said, leaning my head against hers. "I mean didn't Adam and Barbra mean a lot to you? This is one of the last things that you have from them."
"You're right." Lydia sighed, turning her head to look at me. "You're right." She kissed me softly before pulling away. "I just need to figure out how to keep him out." She picked up the book on the windowsill. "When we fly back to Los Angeles I'll read this. Figure something out." I nodded before picking the chair up again. I took it outside and added it to the pile.
"Anything else going down?" I called as I climbed up to the attic.
"No." Lydia called back. "But if we're staying here the next couple of days, we might as well decorate."
"Huh?" I said, pausing when I saw her pulling boxes out of the corner.
"Halloween decorations." She said with a smile. "Relax. Not Delia's. Adam and Barbra. Sure they're old and cheesy but..." She shrugged, looking through the box.
"That should be fun." I agreed, walking over and pulling out a string of bats. "And with the way Delia designed the house, it should be easy to do all this ourselves. Haven't done that in a while." Lydia nodded with a smile.
"Too bad Astrid couldn't be here to help." Lydia sighed. "I think she'd enjoy it." I snorted.
"Enjoy it? After what happened last time she was in this house?" I laughed. "Don't get me wrong, I know there's a lot of good memories here but how the fuck can you come back here year after year to maintain it and clean it out? After everything that happened to you here?" Lydia paused, holding a ghost close to her chest.
"Like you said, a lot of good memories." She said. "Adam and Barbra. Dad and Delia. Believe it or not, there's memories with Astrid here." Lydia looked around as I climbed onto the windowsill to hang the bats to the roof. She watched me with a careful eye. "He was a small part of it. Scared me for life sure. But I'll never forget watching Adam work on the model. Or Barbra trying to wallpaper the attic." Lydia laughed. "Or Delia arguing with thin air about colors to paint the living room." I turned to look at her as I climbed down. "I always had to intervene to let her know what Barbra was saying. The look on her face when she realized they were looking at the same paint swatch was always funny." She shrugged.
"Sounds like a fun place to grow up." I said, reaching into the box to see what else was there. Lydia nodded.
"It was." She said. "Let's put this stuff up." I nodded and picked up the box, carrying it down to the main floor of the house. "And maybe I can find a way to contact Delia and Dad. Who knows. It would be nice to spend Halloween with them again." I put the box down on a table and hugged Lydia when she had done the same.
"That would be nice." I said, brushing some hair off her face. "I'd love to meet them." Lydia kissed me softly.
"They'll love you." She assured me. Pulling away, she started to dig through the box to start decorating with a smile.
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teabeexo · 1 month ago
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MC/OC Personality Types
May be added onto or altered! Please keep in mind that I only just started looking into this and I’m still pretty new. Please don’t take offense if anything is wrong!
Wholly inspired and encouraged by @lov3-from-loserlane !
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MCs:
Winona: ENFP, 8 wing 7, so/sp, 379
Luella: ISFJ, 2 wing 1, sp/sx, 126
Vérène: INTJ, 3 wing 2, sp/so, 368
Tabby: INFJ, 6 wing 5, sp/sx, 469
OTHER (OL) OCS:
coming soon <3
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