#will discuss another day

[moonetta]

I love miraculous but I think a massive misstep for the show was to barely have the unit of ladybug, chat noir, rena rogue, carapace and queen bee work together. I love the season 2 finale because I think they worked so well together as a unit! Rena and carapace’s banter, chloe being snarky, carapace having chat noir’s back etc. it was so great. Sadly it wasn’t even in heroes day that much because they got akumatised pretty quickly. When I saw it again in miraculer (one of my fave eps) I was so glad they were continuing with it!! (Chloe’s writing in that ep was also rlly good). I wish they kept the group going rather than giving everyone in the class a miraculous (although I did end up liking this more than I thought I would and how it fleshes out the class more). Maybe if Thomas Astruc didn’t hate Chloe :/ (why would u start writing a redemption arc for a character and then stop halfway through like???). But yeah. I wish they had lots more interactions as heroes 😭 at least in season 5 we’ve had mari, adrien, alya and nino hang out again.

[nyancrimew]

can you explain the ai thing to me as though I were a small child I am in fact very stupid and don't understand what the point being made was supposed to be

the point i am trying to make it that ai is fundamentally a labor issue (and just more broadly a capitalism issue) and should be treated as such, any attempts at trying to classify what makes something "not real art" is a slippery slope leading towards fascism and fundamentally irrelevant in the fight against unethical (uses of) AI. the same goes for any attempts at just making copyright laws more strict, this has never helped any independent artists and never will, at best it'll make any sort of derivative art (including fanart, remixes, collages, etc) basically impossible to do unless you're a massive corporation with an unlimited legal budget.

[shellofhappiness]

The general dialogue between Eric and that AOL girl regarding his philosophy on love has always stood out to me. It's one of the very few moments of vulnerability we've been given / able to find on his character over the past twenty years.

Eric always had his guard up. We all mostly know this from his own writings, no one acts like how he portrayed himself naturally. But, also including the accounts given about him from other people in his life, important or not, before and after passing. Mostly commonly described as aggressive and irritable, yet closed-off and restrained.

Alongside that online exchange, the only other times I can think of were when he called out of work to be there for his sick dog, or the innocent adoration he held toward his older brother, alongside sincere respect for his mother, of course, Reb's "I wish I were a fucking sociopath" Tape, and (arguably) his undisclosed email to his childhood best friend.

He talked about love like he was an outsider. A still figure watching it & whatever shape it may take maneuver around him, but not having the ability to engage. Let alone even acknowledge the fact it could be something of his own as well if he reached his hand out to touch it, but that wasn't even a possibility for him at that moment. Feeling comfortable enough to bring it up, but never to address it directly. Mentioning what he believed, but never outright saying it, afraid to cross a boundary. Though, he was still very careful with his wording despite not feeling confident enough to state his opinion in full. Being just general enough so he didn't risk the girl disagreeing with his words because he didn't give her an opening to do so, but still baring just a bit of his self to her through his ego because it was just the two of them.

Everyone talks about the concept of "love" relating to the case in reference to DK, because it was something that openly consumed him in private, but in a way, I feel the same just might have applied to Eric as well. But, like many other things relating to him, he hid it all away inside of himself. To live is to be vulnerable, and the times Eric was, never ended in his favor. Hence why he conditioned himself to be so isolated from everyone else, emotionally independent.

When Eric did openly talk about his doctrine on love, it was that degenerate & exploitative journal passage in which he wrote in depth about the idea of forcing himself onto certain women in his life alongside gaudy band lyrics. Considering how hesitant he was to directly speak to another girl about love, even under the context they were both being open with each other, the passage was likely written out of some kind of complex frustration. To compensate for how he felt like such a stranger in the face of it, but remarkably knowledgeable when speaking objectively. He wasn't being honest with himself, but still desperately needed some kind of liberation as an attempt to stop whatever feeling of desire he harbored from further stirring inside him.

The passion that stems from hatred is something I'm sure we all know Eric was well acquainted with. I think the hate inside of him masked the love, being overshadowed and making it appear small. It was definitely there, but seldom did it get a voice to speak in comparison to the amount of steam he let out on a general basis.

Eric cared a lot. When you look past the ego he presented to the whole world, he wasn't an individual with ASPD by any stretch of the means. He wanted not to be independent, but his life made him feel that was the only option he could truly rely on with the social instability he faced growing up. He wanted to be seen. I'm sure many people have voiced this before, but it's truly heart-wrenching to think he was doing this big finale act with his best friend, maybe because he had his best friend there to do it with him, only to find out post-mortem that DK didn't hold him to the same high regard. Maybe close, but not at all on the exact same level.

Putting the fact aside both of them expressed fantasies of doing NBK with their own respective "dream girl," DK wanted other options for someone to go through with the date, other actual people in his life, but from Eric's point-of-view, it had to be Dylan. Dylan was one of the very few people in his life, the only one still present with him, that aided his desire not to be alone. To be seen as an individual. To be vulnerable. Under the impression Dylan felt the same way he did, or at least something similar ... and while I won't deny it was there, it just wasn't as significant to the other party.

"What one person calls true love (EH) can be just another cheap thrill to another (DK)."

I'd like to specify that my goal with this post isn't to send the message that they were "gay," nor point out any form of "romantic chemistry," but rather to emphasize how languished love was overall in Eric's life. Also, I think there's an absurdist humor that comes from the irony of him saying this with what we know would follow half at his hands (you know who the other half is).

They both loved each other as friends, without a doubt, but it's so tragic to think that Eric's closest bond, a connection of love so intimate yet unrelated to direct societal romance, which created a strength so abundant that it started a ripple effect worldwide that still persists to this very day, wasn't quite requited the way he thought it was. Just like every other published bond of his, in his sad little existence.

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[qiu-yan]

if i'm recalling correctly, it was actually the jiang cheng stans who came up with the jiang cheng torture dungeon. the jiang cheng antis wrote paragraphs upon paragraphs about jiang cheng's torture....and the stans took that and appended "dungeon" to the end

[2isted-chocol8-art]

You will get to it, eventually. But there's no rush.

-> More Outer Wilds Art!

[bonebuckets]

you know what. I’m just gonna say it. now that I know I have support, The Silt Verses IS the best recent audio drama out there.

[sweetlullabyebye]

Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.

But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-

[kathaynesart]

If Leo can defeat his enemies easily by using the 'Portal Chop' move, wouldn't that mean he'll actually be the #1 priority for the whole Krang to kill when they spotted him? Even more so motivated to use their abilities to remove his ninpo to get rid of a 'bump on the road'?

Hehehe I’m glad someone asked! Yes he and his brothers are on the Krang’s most wanted list. But here’s the thing: only a few Krang are actually capable of sealing off mystic energy/ninpo. Specifically Krang 1. This is because there are different types of Krang with very different abilities (details under the cut).

To answer your question plainly, since Krang 1 is one of the few that can seal off the Ninpo powers, that has left the two sides at a stale mate. The turtles are DANGEROUS, and could do some lethal damage to Krang 1, but if Krang 1 gets the drop on them it’s all over for the turtles. Both sides KNOW this. What’s more I’ve given Krang 1 a weakness that he can only use this ability every so often. So he’d need to get the brothers all together in one fell swoop otherwise it leaves him vulnerable. For this reason the brothers seldom fight as all full set when in close proximity to him (another reason why Donnie normally stays back at HQ).

So we’ll have to wait and see how that pans out. Hope that answered your question. For those interested in the Krang types you can check out my ramblings under the cut:

KRANG TYPES:

Sister Krang is a Brawler Type. She’s the most violent of the three, the strongest outside of her mech, and can keep going even after receiving a number of life threatening hits.

Brother Krang is an Infester Type. He can only speak through the people he’s infested, is physically weak, and goes down easily in battle. However he’s considered far more dangerous because of his ability to easily infest and transform prey to become part of the Krang hive mind. Infesters are also the tech crew and are best suited to drive the ships.

Krang 1 is a Prime Type, the rarest and most well rounded of the three. He has the brains and the brawn. Master tactician who can read the minds of his prey. He’s a powerful fighter (especially in his mech), and is able to use his connection to Empyrean to seal off mystic abilities such as Ninpo. While the Krang is considered a hive mind the Prime is the one in the driver seat as well as the “face man.” Normally there is only one or two Prime Types at a time.

From these three I’ve spawned several more types (including the Fighter type that end up killing Leo in the end) but I’ll save that for a proper Krang hierarchy post in the future.

If you’ve gotten this far thanks for reading my TED Talk.

[furious-blueberry0]

"Oh but the Jedi were so cold and detached and they even condemned love, they were so cruel"

The Jedis were the literal definition of Agape love, but I guess that for you people the only type of love that exists and is valid is the one that leads you to fucking

[ashofalltime]

⚡️✨ATL FOREVER✨⚡️

[chaoticallyfluffy]

Ok consider:

A new hero emerges and the Justice League watches him for a while who make sure he’s not a threat. They see this giant clumsy man who moves like he’s not used to his body, smiles goofily every time he saves someone, and is clearly inexperienced with his powers and they’re all just like. Ah. This is a child.

Except they don’t think he’s a ten year old or however old Billy is at the time, no no. Clearly this hero came into existence shortly before his first appearance, just a few months ago. They don’t know how or why but It’s not the weirdest thing they’ve seen so it’s pretty easy to believe.

But they can’t just leave this toddler with the powers of a god to stumble around and potentially hurt someone by accident, nor go down the wrong path and become a villain. So of course they decide to ‘subtly’ guide him without alerting him to the fact they’re onto him.

They introduce themselves but instead of inviting him to the league they pop by every once in a while to ‘subtly’ teach him about responsibility and power, but also about love and humanity. They try to teach him to enjoy life and that he doesn’t have to act like an adult around them, instead encouraging him to enjoy his childhood even if it’s not an ordinary one.

(Too bad the Justice League suck at subtlety.)

Billy is certain they somehow found out he’s a kid before they even met him, probably because of Batman’s freaky know-it-all powers, but he isn’t very worried as they seem nice and don’t treat him like he’s dumb or fragile. They respect him as a hero despite his age so he lets himself act like a kid around them after a while.

When he gets comfortable enough to detransform Billy thinks that’s his identity reveal. The league thinks that he magicked himself a body that’s more of a representation of his true self and fits his developmental age better, possibly as a way to blend in with humans and experience what it’s like to be a normal child. Good for him!

Basically Billy gets a bunch of super powered parents and the Justice League get a newborn man that they think they’re raising from scratch lol

[aroaceleovaldez]

one of the things i'm most disappointed in HoO with is how the series sets up a really beautiful continuity to the first series but now extending from a primary focus on disability to a wider focus on intersectionality (which in itself is a REALLY fascinating place to discuss particularly Percy's character and the overlap between his experiences as a disabled student and how many readers interpret his experiences as him experiencing racial bigotry in part due to his racial ambiguity and how those experiences have overlap and what does that look like for specifically a disabled student of color, etc etc) - like, there is so much set-up for so many things: we have the introduction of a bunch of new major characters, the majority of whom are explicitly not white. We have set-up for queer intersectionality topics (Nico, Jason's bi-coding, Piper being mspec as well eventually). We have set-up for gender intersectionality (all of the girls and the intersection of their disabilities and gender and for everyone other than Annabeth also the intersectionality of gender and race). We even have other forms of disability than just the primary focus of ADHD/dyslexia coming to the table with stuff like Frank having dyspraxia coding, Frank and Hazel both having childhood terminal illness survivor coding, Hazel having seizure coding, Leo having autism coding and Nico's autism coding making a comeback, Percy's book 1 PTSD even gets some references in Son of Neptune, Leo and Nico's depression get big spotlights, also Nico's general grappling with becoming weaker and new physical disability. Heck you could even dive into Jason grappling with gifted kid syndrome and how that plays into his experience with ADHD/dyslexia versus someone like Percy whose same learning disabilities present differently. There's so much set up right at the beginning of the series to dive into...!

...and then Rick does literally nothing with any of that. and it sucks. and then in TOA he does even less with it and just drops nearly all of the disability stuff in general which sucks even MORE. Also it's all made even worse by dropping or magicing-away the existing disability coding because Rick changed his mind about it (Frank's dyspraxia and Hazel's fainting episodes going away, etc etc)

Like, TKC emphasized the themes about how the Kane Siblings grapple with colorism a lot! MCGA talks about queer topics and disability and how those intersect with homelessness! The entire first series has SUCH in-depth metaphors about disability! But HoO and TOA just totally drop the ball about it and don't even try! The most TOA ever gives is the world's blandest directly-spoken-to-the-audience one sentence blurb and pretends that qualifies as representation and that they've fulfilled their quota. TSATS is even worse about the disability erasure and speaking directly to the screen and calling that representation, not to mention how little the TV show erased the majority of references to disability from TLT alongside Percy's PTSD and made Sally an autism speaks mom while they were at it. And while I haven't read it yet I hear CoTG is equally not great about how it handles Percy's disabilities (or Annabeth's).

HoO could have given us so much but it didn't and i will never forgive it for that 😔 also the fandom could stand to talk more about intersectionality cause it's a really interesting topic and there's so much opportunity to explore it in the Riordanverse that does not get nearly enough discussion.

[pebbledrat]

Deranged trifecta of thumbnails

[antaripirate]

maxim maresh, red london father of all time

[pridoo]

Me: ok I'll take ONE test print page of my yaoi at work. Ok the coast is clear

Coworker: /materializes from thin air/ are you printing personal stuff