#will come back later to see this shit

[ghostreblogging]

Hello! Thank you for applying for teacher's position for Amity park's Casper high!

We have a very close knit little place here. So there are rules to follow! We will go on the rules of the workplace in the next email!

As you will be moving here. There is well a set of very very recommended set of rules. I mean you won't get arrested but please do follow them.

You see you will be living in vermillion row. And we have set you up in a little flat .

Anyways , make sure to print the following rules out. Or save it. Just anyhow. Make sure to memorize it.

Rule 1.

Fentons seem to be are a very nice family. Don't mind the screams of terror from the basement. They like us have many skeletons in their closet. It's rude to go looking.

Rule 2.

No matter what you do. Don't go out after dark. There are things that go bumping in the night. They like the dark better.

Rule 3

After dark don't open your doors. Keep your windows locked. As we said there are things out there. And they will take in any invitation to get in.

Don't listen. They will try every trick in the book.

Rule 4

When the sky turns a green shade please make your way to the nearest shelter. Most big buildings and residential properties have a shield built around them.

The biggest shields include:

The Amity park mall

The Fentonworks

Casper high school

Please stay till the sky turns back to normal

Rule 5

If you hear destruction or static. Please go to sheltered areas mentioned in rule 4. But as long as the sounds of destruction and static are far away, you are free to continue on your day.

Rule 6.

The dead don't stay dead. So make sure to bury any animals people you've killed. It is also in good faith to bury a corpse in the open. Don't call the cops. They can't do much.

Rule 7.

If you see a disconnected shadow. Please leave the area as soon as possible and enter a place with a shield or a highly populated area. But if you are unable to do so run towards it. It is not guaranteed but this will increase your chances.

Rule 8.

Although it is not necessary. Please make an offering to phantom. We literally don't appreciate him enough

Rule 9.

Please keep any important items and documents In a bag or a folder. Not a box.

Rule 10.

If you see people that are clearly not human, please ignore them. The ones that you can differentiate are either the weaker or older ones. Either way it's not a good idea to let them know you can see them.

Rule 11.

If you notice any technology glow slightly green or produce an eerie humming noise. Dispose or give it to the fentons immediately.

Rule 12.

Don't light fires near the local fast food chain.

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[captainmaxatx]

Omega! Logan who was born in the 1800s when secondary gender roles were very prevalent but it actually really suited him and he wanted to be a home maker and have a bunch of pups but he was always too big and hairy and and not seen as a good Omega. Alphas would sleep with him but never treat him the way they would a “proper” omega and they didn’t ever want anything serious because it’s like almost shameful to have a big hairy omega.

Then times change and Omegas start breaking out of the cookie cutter roles and they go into the work force and what not (feminism but it’s omegas) and Logan is very happy for them he thinks they all deserve the right to choose, but still no one wants him. And everyone expects him being an omega with the way he looks to be at the forefront of the movement to want the change for himself, but he doesn’t.

And over the years he toughened up and stops looking to start a family and put his dreams on the back burner to become what everyone expected of him.

And then everything happens and all the sudden Logan finds himself in a universe without secondary genders, where he isn’t a too big and hairy omega, he’s just some guy.

And unintentionally he finds his way into the role he’s always craved, where he takes care of the home and the dog while Wade makes the money, and it’s the closest he’s ever been to the life he wanted. He mostly retires from fighting and heroing, but now he’s ready for a new challenge. And being near Laura has only served to dig up that old desire and instinct he tried to bury so long ago

And I mean, even if the mutant hate wasn’t as bad as it is in Logan’s old world there was still a time here not to long ago when mutants were ran out and scattered around the world. And now with the people at Xavier’s working on getting the Mutants back into the city trying to re group with their still dwindling numbers. I mean Logan and Wade should help with the mutant re population efforts, who better to do that then two very eager immortals who can heal from anything and with a whole gang of friends around them for free child care.

[en-chi-la-da]

"We're pals, aren't we?" ☔😊

[hanzajesthanza]

(Adam Dudaczyk) The fact that vampires drink blood to get that *meaningful hand-neck gesture* - you made that up? (Andrzej Sapkowski) Yes, I didn't model myself on anyone here, I don't know anyone who wrote before me about the fact that vampires drink blood not to satisfy their hunger, but to satisfy their thirst for… entertainment. Texts: the guys sent me to get blood, I was flying drunk… The fun was great.

as i reread this i couldn't stop thinking of this meme

[gristlegrinder]

doing the skywatch meta for the first time in a hot minute for the weekly like i love lyhr i love lyhr i love lyhr i love lyhr i love l

[all-for-the-recs]

Oh this fic??? Only my baby. Freaking LOVE emry_stars

Chapters: 24/24 (COMPLETE)

Words: 71,045

Author's summary:

Andrew Minyard is barely scraping by college with his sanity intact, bored out of his mind, until he runs into Kevin's new tutoring student. Literally.

[camgoloud]

anybody on here read fucking. uh. the magicians

[scoliosispunk]

so i saw. sonic 3 last night.

agent stone. agent stone i am so sorry

(full thoughts in the tags. i am so insane im crazy hey fanfiction writers fix this right now please.)

[herenvibing]

cr3 is gonna end and the pc’s still feel like the same people to me :|

(crcritical content in the tags feel free to skip)

[tevos]

////

[dykevanny]

had a really funny idea for an ask blog ft. Vanny and another plex employee oc,,

[kyliafanfiction]

I sometimes feel like characters who do truly monstrous things while also having been victims of some pretty insane shit themselves are sort of an exercise in empathy. Or at least, should be seen as such.

Like, in real life, if a person who has been horribly broken by their experiences and failed by society than proceeds to rape someone - it's hard to feel the justifiable sympathy/empathy for that person (without excusing their rape, never do that) because well, you can look at this actual human person they hurt, or worse, and it feels gross and disrespectful to the rape victim.

And this is understandable. (And applies to more than just rapists/rape victims of course, that's just the most visceral one and thus picked for that reason)

But a fictional rape victim is... fictional. You can't 'disrespect' their trauma, and while obviously rape/whatever else is real, and people may related to the rape victim and thus see your comments about the rapist also being a victim as somehow being about their experience...

Well, it's not.

Because the rapist here, didn't actually hurt a real person. Fictional characters are objects. They're objects that often grab us by the throat and refuse to leave our fucking heads, yes, but they're objects. They are tools used by writers to tell a story, and readers to tell a story.

And one of the things fictional characters are good for is allowing us to consider experiences we never had, and imagine ourselves in other circumstances and lives. (Also just fun and fascinating and interesting to watch their stories).

It's very easy to feel for the rape victim in fiction, and rightly so. That's Level 1 Empathy there. Granted, some people IRL fail that, but that's not really what we're talking about here.

Advanced Empathy, hard Empathy is feeling for the rapist. Not for the rape, of course, even if they feel guilt about it, but if someone really was failed on multiple levels and was broken and damaged and went through the sort of psychological wringer that would leave most of us here on tumblr catatonic - they do deserve the same Empathy any human (any person) who went through all that.

Even after they also do the bad thing, critically they still deserve Empathy. And that is fucking hard. I very often have a hard time feeling bad for truly awful people who also deserve empathy and sympathy, real and even fictional (despite all this, yeah, I'm not perfect on this) for what they (separately) went through.

It also becomes even harder when what they went through is utterly bound up with what they did. How what they went through and experiences is in part responsible for what they did - because they still made a choice. The circumstances may have left them not in their right mind, may have left them feeling without choice, may have driven them to things they normally might not think of or do, but they still chose to do that bad thing. And that's not okay. They still hurt someone.

And yet - one cannot remove the action from the circumstances. So you can still feel empathy, and elucidate all the factors and circumstances as to what led up to their choices and why, and it doesn't change that they did the horrible thing. The rape, or the murders, or whatever.

But circling back - with a fictional character... they didn't hurt a real person. There's no one who is real that suffered. The things the character did IRL are bad because they hurt real people.

So you're not being disrespectful to the victim by feeling that empathy, or sympathy. By exploring the things that they were a victim for. Even by wanting to focus on those things - fictional characters should be compelling in all their aspects, if they're written well.

And yet, of course, if you do that empathy and do talk about what the bad person went through and all that context, people come at you. They call you evil, just as bad as the (again, fictional) character, or they say that you're treading dangerously close to the arguments people use to defend the real people who do these things in real life. Or you're disrespecting all the victims of these crimes IRL. Especially of course, if the person coming at you has a reason this comes close to home.

But again - fictional.

In an ideal world, we'd all feel sympathy and empathy when it's called for, regardless of what the person did. Even the worst most monstrous people deserve human treatment in prison. And if you don't have empathy, that's hard. Even if you do have empathy, that's hard.

So if you look at a fictional character (who doesn't hurt a real person by virtue of being fictional) that does horrible, vile things, but went through so much, and you still can't empathize or sympathize with them... I mean, it doesn't make you a bad person, not even close, this is still fiction, and there's people I should empathize with in fiction that I don't, but...

It's still a failure of your ability to be empathetic. And we're all humans. We're all failing at that, among other things, all the time. But... it's good to be aware of that. at least?

At the very least, bear that in mind when other people are talking about that context, and that victimization. And please, for the love of god, don't fucking pretend that the victimization didn't happen, that this person who did do terrible things (in fiction) suddenly didn't also (in fiction) experience awful shit, as if doing a bad thing erases all the bad things done to you.

Again - it doesn't necessarily make you a bad person, but like... the horrible state of prisons in our society is a real, actual problem. The way we as a society dehumanize people who do bad things is a real actual problem for a lot of reasons (not least because it creates an incentive for authority that wants to dehumanize a person or a group to expand the definition of 'did bad things' to make their dehumanization now acceptable, among other things).

So yeah. Fictional character who suffers but than also makes others suffer - that's a useful exercise in Empathy. And doing that doesn't make you or anyone else a bad person, or actually defending the sorts of crimes, IRL or Fictional, that this character did. Contextualizing is not whitewashing, empathy is not erasing, and humanizing is not disrespecting the victim(s).

So yeah, they fictional character did bad things. But there's more to them than that. And you can say but and talk about what comes after but without disrespecting the fictional victim. Because the fictional victim... is just as fictional. Just as not real.

Is it possible for this to end up being taken too far? Yes. But that's a reason to be mindful of yourself when it comes to real people, not to never do it. And when it comes to fictional people - again, fictional. Nobody was actually, really hurt.

(I really do want to make clear, before people read the tags, that this applies to all crimes these sorts of characters do, rape was just picked as the one to use as the example.)

[zafiro-anyejo]

.

[plan-3-tmars]

"She deserved someone to love and she chose me. And so I played the part until I couldn’t anymore."

- Arthur Lester, Malevolent Podcast

HEY hi it's me um I know I've talked about the end scene of half already but I was rewatching it .. as you do and I think I found another interpretation of it I like so!! I wanna talk about it!!

I noticed that the way this specific scene reveals kazui biting the apple vs hinako's suicide is very similar and I kind of like the idea that this the moments leading up to hinako's suicide from both their perspectives?

Take Kazui biting the apple, I think this could be the moment he decides to tell the truth. Rip off the bandaid, so to speak.

This posing of the apple, with it being on the table, is EVERYWHERE in half. It's literally the first thing we see in the MV.

I like to interpret it as a nagging reminder, a weight on Kazui's shoulder he always knows is there. In this scene he acknowledges this weight, the weight of his lies and the secrets he's kept from Hinako and decides enough is enough

He rips off the bandaid, he tells her the truth.

Then the flashbacks move on to Hinako, contemplating suicide on what I assume is their home balcony. She's just learnt from Kazui that he doesn't love her anymore, he never has loved her. Their relationship was a lie originally built for his benefit. She's distraught I'm sure, Kazui arrives and seems to try and talk her out of it

But it doesn't work. She jumps, and she dies. The price Kazui paid to get this weight off his chest was Hinako's life.

This parallel shows that really well i think:

No more lies,

No more Hinako.

[transannabeth]

hi. for people who saw gatsby: an american myth. do you remember mckee asking nick for lunch. and then gatsby in like the next scene inviting nick for lunch. because i remember.