Hello!! I followed you for your absolutely amazing Twisted Wonderland comics (thank you for making them, by the way-) but I saw you posting about something called Ride Kamens? I haven’t heard of it before, what’s it about? Or if that’s a bit much to ask, where could I find more info about it? It seems right up my alley 👀
Thank you!
thank you! :> :> :> (this is also for the other anon who asked about where to find it, I am honored to be infecting the world spreading interest in this silly game)
Ride Kamens is still doing prerelease marketing and isn't out yet; it's set for "early summer 2024", so a bit yet to go! similar to Twst, it's a mobile game about anime boys loosely based on an existing franchise (Kamen Rider), although it seems like it's going to be more standalone/won't require familiarity with Rider going in.
the (very) basic premise is that your player character has just taken over their late father's role as a secret agent, supporting the city's superheroes by running a secret base disguised as a cafe (plus you have a personal butler for some reason) (the reason is because it's amazing). you also have to help the heroes regain their lost memories, and it looks like it'll have a bit of a route/choice aspect there (not romance, just different endings to the character episodes depending on what you do). the details are kinda hard to tell at this point but the characters seem like a really fun bunch; there's definitely big "idiots with emotional problems" energy which I am extremely into.
all the official info is in Japanese only at the moment, but here's the website and the ride_kamens twitter! (though the twitter is sort of overtaken by posts about the AnimeJapan exhibit right now, whoops.) and I believe some people are already planning on doing translations for it too? lots to look forward to! :D
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Happy Birthday Azure!
@4listr / @azureitri this is what I meant. hehe
I apologize for how rushed this is!! I had some stuff I needed to take care of inbetween.
Please forgive Solei and their strange thoughts. Azure confuses them, but Solei does wish to understand him. They're not the type to push it, though, so after this they kind of just quietly coexist around him. They won't start anything if they feel like he won't budge.
If Azure has any ties to butterflies, Solei wouldn't know it. The gift is just a coincidence.
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I think JJK going on break after the last chapter is a bit cruel. This is nerve-wracking. We still have 3 chapters left and so many things can happen there. 268 feels too good to be true and the title is weird.
I'm not sure what is the right translation and I don't have access to raws. Right now, it's 268 title is "Finale" or "Conclusion" but I heard from someone that it can be also be read as "Curtains".
If it can be read as "Curtains", then it could be a reference to "final curtains". The problem is JJK has its own version of "Curtains", right? Idk what to think.
Gosh I wish it was “Curtains”. The chapter title is 決着 (Kecchaku) which means settlement/conclusion/end.
For example, at the end of an extremely brutal fight in Jojo's Bizarre Adventure, Jolyne screams “Kechakuuuuuuu!” (決着ゥゥーーーッ!!) (It's actually a small Jojo meme in the JP fandom.) This got translated as "Game set!"
I love the localization they used for this since that entire battle was like struggling in arcade mode for a fighting game.
Anyways, in the context of JJK, especially since this has been a literal Sukuna Gauntlet and the previous chapter had the “Ringing the bell on a long fight.” editor’s comment, I don’t think there’s an ambiguous way to read Kecchaku. The Curtain/Veil kanji in JJK is 帳 (Tobari). (Though if there’s some fancy wordplay I’m missing please let me know.)
However…I would kneel before Gege if this was an elaborate trick by Sukuna—him giving Yuji delusions of a happy ending only to yank it away last second. It’s very hard to make characters feel familiar but slightly off on purpose for misdirection. That kind of tonal control is something I praise Umineko for. (Dungeon Meshi does it excellently for the shapeshifter scene.)
But that is pure copium I think. Sometimes otherwise good media just fumbles the endings. (Not an example of good media, but I was around for the Secret BBC Sherlock Season 4 Ending meltdown so I’m not too hopeful about a turnaround.) I personally blame the JP work culture/crunch since a lot of modern mangas have rushed endings due to burnout/unfair contracts.
I think the most heartbreaking examples of this phenomenon for me are The Owl House and Moral Orel. Those shows still stick the landing imo, but the creators are very open about how studio interference forced them to condense everything. You can feel that suffocation in the final episodes. Everything is just slightly off and you know it would be better if the creators were allowed their breathing room.
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"To dream the impossible dream, that is my quest." - Prince Fernando of Asturias
+ Seb not getting what he ordered
+ the usual
Hello yes, look! It's baby Renault Fernando, isn't he so cute??? Who wouldn't want to force him into an arranged marriage, like cmon man be real. Here is the progress as usual, as well as his suit without the design, cause I'm pretty proud of it just blank even!
Okay so this is pure Fernando, innocent Fernando, before he had his apirations ripped way from him. Well not fully ripped away tbf, because that's the crux of his character: is it more humiliating to never succeed or to only succeed because someone handed it to you with concessions? I guess that's up for him to decide though ;;;
The thing I love about this drawing and young Fernando in general is how much easier it is to see his and Seb's similarities. Look how similar they look! Seb is just a bit more evil.
I think that's a big part as to why his feelings about Seb are so complicated. He both loves and hates how similar they are. From an egotistical point, he can appreciate and respect the familiar traits in Seb, the hunger, the exuberance, the pride, the ego. But also we hate seeing our own traits in other people, it's almost like turning a mirror on your worst traits and suddenly being able to see yourself from a new perspective. The biggest point here though is that Fernando turns that resentment onto Seb, as a way to clamp down on self hatred.
He becomes more bitter and resentful as he grows older, and loses a lot of his whimsy and joy. So it hurts him to see Seb, who in addition to getting everything he's ever wanted, also retain his whimsy. He, wrongly, just sees it as something that had to happen in order for him to grow up fully. It's more of a survival tactic, it started becoming unbefitting for him to have that level of unfounded confidence. That's the main reason he sees Seb as childish, immature and undeserving. He hasn't fully grown out of his capacity for whimsy and joy, and thus is below Fernando.
Well that was depressing oops! As the chibi art represents, this is probably a painting Seb got sent in the early days of planning their marriage. This is the Fernando who is still prideful, the Fernando who is still confident, the Fernando Seb vaguely remembers meeting his youth. Seeing this definitely pushes him even further towards the marriage(though tbf it's not like he even has a choice either.) Though when the time to actually start courting comes around, Fernando looks very uh different. This is both a joke about how different Fernando was in his first renault stint vs his second. But also I think he does show up very moody and disheveled, as a sort of last chance way to try and turn everyone on Seb's side, including Seb, off from the marriage. However, it's pretty much a done deal by that point.
Seb is uh, definitely confused, but I think he would be drawn to Fernando regardless. Actually, this might make Fernando even more appealing. Seb gets to push him all the time, try to break down his walls and get a glimpse at the real Fernando, if even just for a moment. Seb wishes he had more that just a blurry, vague recollection of Fernando at his peak confidence. Fernando definitely grows into something resembling his past self, after recovering from all the hurt, but there's just something about youthful exuberance that can't really be fully replicated.
Okay so about the quote. I went with Don Quixote this time instead of the typical Napoleon, because I thought it'd be funny. Fernando picks up the book at some point during his youth, and it inspires him a lot. He doesn't really see the satire in it, and comes to really admire Don Quixote's mentality, he's like "wow he never gives up! That's so admirable!" It definitely helps him through dark times to aspire to never give up no matter what. Though later Seb definitely rags on him for not knowing it was satire, and Fernando is like "wh-what do you mean satire?" But he's mentally strong enough atp for it to not cause his whole worldview collapse. About the quote specifically, there's definitely some part of him, even when young, that knows his aspirations are borderline impossible. I wonder if that part of him feels weirdly safe and comforted about the marriage. Yes, it's not ideal, but it's safe and secure. He gets what he wants, and there's no chance of anyone taking it away from him, no matter what.
I think his title would be Prince of Asturias? It was either that or duke, and I think prince fits him bettee(Machiavelli reference?) That title is currently the title for the heir to the Spanish throne. In this time period, it's also commonly used for the heir, but for Fernando it's a bit unsure. Like in real life, he's not directly the offspring, but he's still the most obvious choice for heir. But there's still enough room for Seb and his house to try to vie for the throne themselves, so it makes it all complicated.
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I just love how carefree mulder and scully are in david’s episodes, it’s a side of them we so rarely got to see… 😔😔😔
yeah, me too. david writes journeys for mulder, with clear morals and arcs. the unnatural is about valuing “life on this planet,” finding space for joy and connection in the midst of blinding pursuit. amor fati is about commitment to your purpose, realigning to who you are at the core, who you were as a child. the promises that you made to yourself then. hollywood a.d. is about legacy, what we leave behind: does it matter if it’s warped, or if it’s nothing, so long as we loved and were loved well?
david’s episodes are classic hero’s journeys, active lessons for mulder as a character. but these are all things that scully already knows, so she gets to be passive and lighthearted and wise. they aren’t having anything beaten into them; they’re growing through storytelling, through play, through identification. they’re growing through watching a movie at 3am and rambling to each other. they’re growing through eating gross fake ice cream and reading old newspapers on a saturday morning. they’re growing through swinging a baseball bat, hips before hands, all night under the stars.
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