#why is it so painful to watch this

[nums-bird]

Being suddenly immersed in trigun after years of procrastinating it is so funny bcuz seeing the comparisons btw 90's Vash and the current one is so weird to me.It can literally range from absolutely destroying the current Vash in a very violent way to literally calling him "babygirl" "yassified Vash" "Vash with both autism and ADHD"

[boomxyzu]

He has to find her. He is gonna find her.

And this time it was not for duty or for the kingdom.

[danandfuckingjonlmao]

i can’t casually watch the first night nurse “IM A DEAD BOY DETECTIIIVE” scene (still have it memorised somehow tho) because it makes me so sad, and one of the main reasons is edwin’s reaction.

we see throughout the show that edwin’s fear response is freeze. he can’t snap into action, he just freezes. that’s why charles has to always be like “motherfucker move?? fuckin run??” and eventually just shoves him because he won’t do it otherwise. as much as i joke about him being a passenger princess and having the vibe of “i simply refuse to lift a finger to defend myself, i will stand here and look pretty”, it is fully a fear response.

so after saying charles’s name in the most heartbreaking terrified way possible, he just starts moving. he doesn’t even think about it—it’s automatic. it’s the most natural, instinctual thing in the world for him. where charles goes, he follows. ESPECIALLY when things seem like they’re going to go horribly, because he will under no circumstances let charles get into trouble alone. like HE IS FOLLOWING THE PERSON WITH THE POWER TO SEND HIM BACK TO HELL JUST BECAUSE HE CANT BE WITHOUT CHARLES I AM SO FUCKIGN UPSET RIGHT NOW DO YOY UNDERSTAND

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[terrumdurak]

continuing those sketches with two more pages

[heyyallitssatan]

Bruce and all of his kids, are full of scar tissue and mended bones

Every single one of them can count on two hands or less how many bones they haven’t broken, and they can count on even less how many joints they have dislocated, and don’t even get me started on sprains

Point is, the Batfam haven’t exactly taken a lot of care with their very fragile human bodies over the years of vigilantism

You know what makes old scars burn and old breaks ache, and what makes every sprained stretched muscle tight

The cold

So Bruce, and all of his kids legal and not, fucking hate winter, they hate the cold, because it makes everything tighter, every warm up take a little longer, everything hurt just a little more

Of course you wouldn’t know it, with Dick striking poses that would make professional contortionists cry, or Cass landing perfect flip kicks, or Steph and duke giving each other massages, or Damian doing yoga, or Jason hitting pads with Bruce, or even Tim running through a cardio workout that puts the JL to shame

They would never show that pain, that weakness, to anyone else, because some villains would target those potential pain points if they ever saw even a hint of them, but more than that, because they have to be strong, for their teams, for each other, for the entire world

So you may never know that Dick spent an hour stretching out his left shoulder this morning, the first dislocation he ever go on patrol

Or that Cass is practicing flip kicks because he knees are killing her but she needs to know that they won’t be a hindrance

Or that Steph and Duke are giving each other pre workout massages because they’re covered in knots that make moving hard

Or that Damian is doing yoga because it helps with the imagined cold and real pain from having metal in your spine

Or that Jason’s broken fists sting with each hit

Or that Bruce is wearing a back brace today because his broken spine was killing him this morning

Or that Tim is doing cardio because the cold makes breathing a little harder so he has to be prepared

You’ll never know how much pain they’re in, not in the field when they broke their ribs and are coughing up blood, certainly not when they’re training the pain of the cold away

Because that’s what they do, they keep training, until it doesn’t hurt, or until they know for a fact that it doesn’t matter if it does

The Bats hate the cold, but they’ll be damned if they ever let it stop them

[martlet-my-beloved]

There's a choice that you have to make on your own (part 1)

Plot? In my goofy comedy au comic? It's more likely than you think

First - Previous - Next - Masterpost

[turquoisemagpie]

Appreciate the little things.

Not to ignorantly deny all of the big bad things in the world, but to survive them.

[nightwolf14292]

As much as I love TimKon, I prefer TimBern and it's mainly because of this:

“Bernard says I sacrifice myself like it's a bad thing.”

“But it's all I've ever known.”

“All that my family has ever been taught.”

Tim, out of all of the BatFamily members is the one that never really had a choice.

Bruce had a choice to become Batman. He almost retired, until things went badly again and he realized how much more awful Gotham would be if he did.

Dick had a choice to become Robin. When Bruce fired him he could've finished college and lived a normal life, but he chose to continue on as Nightwing.

Jason had a choice to become Robin. And while his mind had been messed with after being dunked in the Lazarus Pit, he had a choice to become Red Hood, too.

Damian had a choice to become Robin. He fought hard for the role, and seems to genuinely enjoy doing it.

Tim didn't have a choice to become Robin. Yes, no one actually forced him into the role, but he saw what had happened to Bruce after Jason's death (such as how he became more violent), and knew that Bruce needed a Robin to keep himself sane. He tried going to Dick, but Dick said the best he could do was help as Nightwing as he wasn't willing to be Robin again. So Tim felt like he had to take up the role, because Batman, his greatest hero, would lose it if he didn't.

Tim also didn't have a choice to give up being a vigilante, unlike the others. When he got replaced as Robin, Bruce was trapped in time and everyone but him thought he was dead. He didn't have Dick's experience of going out soul searching and deciding that being a hero was what he wanted in life, he had to almost immediately take up a new secret identity and start going on missions so he could find out what happened to Bruce.

I love TimBern so much, because Bernard is Tim's connection to civilian life. If you're a hero dating a hero, even when you're being civilians and doing civilian things, there's always going to be the knowledge of who you both are really, and the missions you've been on together (Such as Tim looking at Kon and remembering things like when he tried to clone him because he was ‘dead’). I feel like with Bernard, Tim can be a full on civilian and forget about the hero life for a while, and that makes it special.

Also I just think Bernard is neat :3

[gingermintpepper]

Day 4: Aristaeus

Interpretation notes and trivia below the cut!!

All rise for the entrance of my president !! Honestly, of all the figures and characters that were up for debate when I first started thinking about this story and who I wanted leading the charge Aristaeus was not one of them. Originally, I'd always known that Asclepius and Orpheus would be worked in somehow - they've always been favourites of mine in terms of children of Apollo (even if Orpheus as the child of Apollo and Calliope is less popular classically) and I expected my pick for the third child of Apollo to be involved to be similarly mortal like Iamus or Tenes but the more I looked into Aristaeus the more I fell in love with him! Ultimately, he's meant to be both a foil and a reflection of his father - a boy who grows up thinking his father's footsteps would always be warm only to realise that following in them would lead to death and destruction. While his status as a rustic and hunting god is still important here, Aristaeus' interpretation is much more focused on his connection to the Etesian wind and his quelling of the dog star Sirius which is why his hair in particular is so long and spiralling. All in all, more than any other figure I've chosen to interpret and represent in my work Aristaeus is the god I hope more people get interested in and research! I think there are a lot of important stories in his various myths and travels and I definitely want more people to discover and fall in love with them as I have!

Some fun trivia:

Apollo's firstborn son. Because he was born mortal on account of his very mortal mother, Apollo immediately took him to Olympus to eat ambrosia to begin his transition into divinity. Apollo would continue to feed Aristaeus small amounts of ambrosia and nectar for the next ten years until the child fully shed his mortal skin and was reborn as a god.

Due to the nature of making mortals deathless (namely the fun part of the process where they are completely remade and lose their mortal memories) Aristaeus spent most of his early life with his mother and siblings where they all pitched in to reteach him his family, his hobbies, his favourite things and ultimately how to live and love. Aristaeus was very attached to his maternal family because of this and his early acts of ingenuity were mostly born from his wish to make things easier for his family.

Aristaeus is the only one of his children Apollo hand raised full time. In those days, Aristaeus adored his father and believed him completely upright and blameless, the true face of a benevolent deity and the kind of man he aimed to be when he was full grown.

They would later have many bitter arguments and conflicts, the first and perhaps most impactful of all being their disagreement over Actaeon, Aristaeus' firstborn son. He wanted Apollo to teach him stating that it was a normal thing for a grandfather to do but Apollo vehemently refused to have any part of Actaeon's rearing, stating that he was not his child and that it was highly inappropriate for him to educate another god's son. When Actaeon later dies, Aristaeus blames a not insignificant part of that on Apollo - something that only worsens when he learns that it was Artemis who cursed the boy and that Apollo was always aware Actaeon would die young.

Spends most of his time travelling from place to place. Doesn't really like Olympus and prefers to spend his time minding animals or tending to fields. Is on wonderful terms with Demeter and Persephone and often makes decadent exchanges of olive oil and preserved meat for exotic flowers and fruit for his bees.

Big fan of wind and percussive instruments. Never liked the kithara because of how finicky it is and far prefers the hand drums and reed flutes of his mother's country. Exceptional dancer.

Will sell prized cattle for high quality and highly unique jewellry. Doesn't much care for gemstones but is an absolute gold fiend and has a massive collection of bracelets, anklets, nose and lip adornments and rings. Has never been north enough to hit India but got a ton of rare and different adornments from his Phoenician in-laws when he was married to Autonoë.

Hates dogs but doesn't mind wolves. Not a big horse fan either

Unlike other winds, he cannot transform into various animal forms. He's close enough to the Anemoi that he keeps up with the gossip but he's only really friends with Notos. Gets along poorly with Zephyrus whose preference for pretty youths has often led to them getting into physical altercations when they were younger. Aristaeus still holds a bit of a grudge about it.

Has a big stupid crush on Dionysus which is embarrassing because Dionysus also put him out of a job. Due to Dionysus' relative youth, he feels a bit conflicted about such feelings - mostly because Dionysus is on extremely good terms with Apollo and Aristaeus doesn't want him to get burned.

Despite kinda despising his father, Aristaeus is a pretty decent eldest brother and regularly keeps in contact with a lot of his siblings. He often delivers mead, flavoured honey and olive oil and uses it as an excuse to chat and catch up. Currently in a bit of a tiff with Asclepius because he's worried about him and his family.

Favourite colour is the rich gold of purified honey, favourite food is lokma and his favourite time of year is winter.

[benevolenterrancy]

Can I ask what was your first impression of TGCF and if it turned out wrong or right?

My first impression of TGCF was "this goof continuously ascends to -- and gets kicked out of -- heaven, this is going to be clown town isn't it?"

And honestly I stand by that one, I think I was completely correct**

(**barring the fact that this goof will then go on to experience ever conceivable horror known to man but honestly I mostly expected it after MDZS)

[shady-ratt]

Reasons why i haven’t finished watching Prime Defenders Season 1:

Second hand embarrassment

Second hand embarrassment

Second hand embarrassment

anyways someone get all of these guys adderall asap

[black-quadrant]

just like you give artists love, please do the same for writers. weaving words together and crafting cohesive stories isn’t easy, let alone stories that evoke emotions. it is an art form too and writers deserve to know you’re reading and that they’re seen for the hard tedious painstaking thoughtful work they do.

[brianskangs]

(231209) YOUNG K x SAY YES

[dallina17]

"I wish we could stay here"

"I wish we could have the life we dreamed of"

"But you are gone and none of this is real"

"So I have to let you go"

[faaun]

the way that diff languages sound r so fascinating they're all different and all so vivid