#why is it always pain

[soporificlily]

If I am to flower into something other than myself, I would rather rot into nothingness as I am.

dw she's just an eepy girl <3

[quiddie]

Just had a friend show me a conversation in a fan discord about Suvi as a Black American woman in the context of the fallout from the election. And honestly? Yeah. The blueprint is simple: Black women are expected to put their own priorities and emotions on hold to show up for everyone else's battles and hold endless space for everyone's feelings while simultaneously weathering attacks on our character (oh she's so angry/aggressive/violent/rude) and authority (she's a woke hire/affirmative action quota/nepobaby) without complaint. We're expected to save the day under nigh-impossible circumstance, and with fewer resources and support that is AT BEST, conditional.

So yeah, relistening to Suvi's speech in The Witness hurts now. Because that's exactly the feeling I'm wrestling with, and what I see mirrored in the Black women around me. We are exhausted and angry and sad. Those voter percentages are a betrayal of "we" that was promised by other marginalized groups when speaking of the interconnectedness of our liberation. And the unexamined expectation that we immediately rise from the depths of our despair to prepare for the next fight is a cruelty. Suvi isn't real, but if this helps lend empathy toward actual Black women in the world, then I'm glad.

[kelin-is-writing]

This man is ART.

[loonylittlemoony]

Yup, I'm gonna need to take some time off! 👋 See y'all next week when we can try again! 👋

i'm sure this happened at some point

lily: *lying on remus' bed, crying and eating remus' chocolate*

remus: *coming in* lils, what are you doing here? hey, are you okay?

lily: i know you have chocolate under your pillow...

remus: that time of the month huh?

lily: yeah...

remus: me too. *lies next to her and they share chocolate and watch romcoms together*

if somebody drew this it wpuld honestly be a masterpiece.

[ruubesz-draws]

Godzilla and Kong's teamwork in a nutshell

No wonder they always fight...

Inspired by this video:

[metanarrates]

what I find very interesting about the narrator's choice of reward - ie. an eternity of supposed bliss inside the cabin - is that while it seems on its surface just another instance of him projecting his desires onto you, it actually isn't. he himself probably thinks that he would desire an unchanging eternity like the one in the cabin, but...

when he is talking about his reasons for wanting to remove death from the world, his focus is almost entirely on connections to others. he talks about the greater good, having loved ones, wanting better for them. it's those connections that drive him to submit to death in the hope of defeating it. he is definitely selfish, but if he was totally selfish, he wouldn't have been able to do that. he believes his own death is a worthy sacrifice for the continued existence of his world. his vision of an ideal eternity, as he describes to you, is one where connections are endlessly and joyfully rediscovered.

in his ideal ending, you've killed off the only being you could ever meaningfully connect to. and this is one of the main reasons his plan dooms itself. who could bear the weight of an eternity alone? not him, certainly.

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[nova-rpv]

"i have a sister now! thank you, granpa! we are going to do so much stuff together!"

(trans masc newborn shado btw. tag as ship and ill kill you)

[livelovecaliforniadreams]

#Me @ 1 In The Morning

[once-in-a-half-life]

saw a tweet and immediately had this joke in mind

[wodimewoahtime]

hey till...... don't you have just a little too much tsundere "i'm not gay" yaoi protag power???? why are you attracting these guys like a hamster to the shredder

[gayjaytodd]

just in case you're wondering how bad antisemitism is online by now: my friend had to take down the memorial post she made on IG for her dad and stepmum (who died less than a week ago) bc people were spamming it with "free palestine" and "two less zionists is a good thing" comments

[cinna-rose]

Doing Our Life meme/text posts/whatever these are called! :)

[crowleave]

ok so the thing is, the kiss really was the best way crowley knew to convey his feelings to aziraphale because nina and maggie were right, they do talk but they never say what they mean.

but that doesn’t mean they don’t understand each other, at least to a certain extent.

and crowley knows aziraphale

he knows that he loves books and plays and the stories made by humanity. he watches his angel learn magic the human way and finds out he learned french the human way and knows better than anyone how much he loves human food. he throws a ball to get nina and maggie together because that’s what the humans in jane austen novels would do.

crowley knows that aziraphale romanticizes humanity, loves the drama and the stories and every little thing that makes humans human.

and what could be more human than a desperate kiss asking someone to stay

[citruspectful]

I can't explain why I thought this was funny I just had to do it🤷‍♀️ at least I got to draw a bunch of pretty Cove's

[unowneyenon]

I saw a post on here back a little while ago claiming that Stanford built the shack in Bill’s image when they knew each other (or something like that!) and that’s why there are so many triangle & pyramid motifs built into the shack. I think that idea’s really interesting, but there’s one problem; it’s impossible based on the journal three timeline.

according to this timeline in journal three, ford came to gravity falls in 1975, a good 6 years before he first met bill. so, using his grant money, he built the shack and all of the triangle and pyramid things inside…for some reason. why?????

ok so hear me out if it’s IMPOSSIBLE for ford to have known bill when the shack was built, maybe ford somehow knew him in a…subconscious way?? the image above is from TBOB, and it seems like from a young age ford was already interested in yellow floating triangles; and while this could totally just be foreshadowing, what if it implies some kind of …fate-related thing? something something ford was just MEANT to meet bill by some predetermined twisted fate created by the universe & that fate of them meeting was also subconsciously the thing that made ford research all that is strange & weird, thus making him end up in gravity falls???? i’m not sure how to put this into words! but just based on the shack triangle stuff and the photo, there’s just something there that screams that bill was and always has been subconsciously in ford’s thoughts and they were always meant to meet in this universe for better or for worse (it’s for worse)???????

edit: hey it’s five am and it has now come to my attention that he could have probably just remodeled/somehow made his own stained glass windows & such, BUUUT it’s still a personal theory that there is some kind of fate thing going on with ford and bill, & REALLY holding onto that theory with how ford was mesmerized by that kind of stuff at straight up infancy….hmmm time for bed for me