#why do you think I’m here

[yennao]

This took me ten hours, the last 6.5 hours of being yesterday. Please enjoy, My treat

[mxaether]

prev prev tags??? bitch you want me to go back TWO POSTS for something funny?? absolutely not.

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[adaki]

GIRLS NITE OUT >_< ((clockwork could not make it)) (wip)

[apostaterevolutionary]

Okay can I be a bitter Anders fan for like. Just 2 minutes here lmao

Cause bioware released some game stats for veilguard and apparently 72% of players redeemed Solas which is like. Okay yeah the game kinda pushes you towards that. But when I think of all the shit I used to have to put up with just for enjoying Anders like at all and…

(This is not me being anti-Solas, I do not care if you love or hate him, but I am gonna say what he’s done is like. Objectively worse than literally every other companion so lmao. And that’s fine! You can still enjoy him! I’m not saying you can’t and it’s important to me that people understand that! I’m just saying he did in fact do objectively morally worse things in game than Anders did and I don’t think that’s really debatable. And I can’t really make my point here without saying that but I do want to make it clear this is not some moral condemnation of Solas enjoyers cause it’s not)

Getting anon hate on the regular, being told “oh you’re allowed to like Anders as long as you regularly talk about how much he sucks”, people gleefully describing how much fun they have killing him ON your posts about the fact that you like him, the devs making jokes about shitty fates for him when fans asked innocent questions about him, the absolute audacity of his writer to say half the shit she did in interviews (about bisexuality and mental illness, most critically), and then being beaten over the head again in inquisition about how Anders is the worst character to ever exist and there’s no redemption for terrorists who lie to you one time in the entire game and he deserves death or worse and that’s it

And now… 72% of people are down to redeem the guy who lies to you for 2 games straight and who did a lot of questionable things that includes creating the fucking blight and. Like. I guess I’m glad that Solas fans can live in a world where they aren’t constantly harassed and can give their ship like. A pretty damn good ending all things considered. And that the devs love Solas and actually give the option for that happy ending and have characters go to bat for Solas throughout the game and the most annoying thing they have to see are people making scrambled egg memes. I would not wish anyone to have to deal with the shit Anders fans had to put up with back then cause it sucked. It really sucked. And I’m glad it’s not being repeated with a different character, if nothing else

But like. Man there really is a difference when the writers actually like the character who does the thing, huh

[cowardlykrow]

“Not my circus, not my monkeys”… Except those are his monkeys and they are the circus

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[glitchedcosmos]

You know, I would love it if we get to see shadows medical failure guilt expanded on, it makes sense he would have a lot , he has a lot of deadly, raging guilt inside of him, survivors guilt, creation guilt, the guilt of past mistakes that almost destroyed entire planets ect, and the guilt of failing someone you were medically responsible for. I want too see that guilt of failure expanded on, Shadow is the ultimate cure, he sees himself as a tool, a weapon, a twisted distortion of a miracle for someone else, a creation to surpass all else for no one but his friend, pushing himself through endless tests, doing anything he was told to do for the sake of his only friend, his best friend, the only true friend he’d know for a long time. The weight of pressure and anxiety crushing him out of fear of failing Maria , not being able to save her from the conditions she faced, not being able to cure her, not living up to the only worth he was created to have. I want to see that expanded on , I want to see how absolutely crushing that guilt of failure is, during their time on the Ark, and the awful , doubled up guilt of the aftermath , the guilt of it all rooted in his most familiar failure. its a important part of his story, and I for one would love to see it expanded on .

[bb-eb-db-bb-eb-b-ab-f-b-ab]

THIS SCENE—

[hanzajesthanza]

witcher netflix: [drops]

henry cavill fans: honestly, i don’t really care about the story, i’m just here because hcav is hot asf

me: wtf? how shallow is this… only there because the titular witcher is hot? talk about missing the point…

witcher 4 trailer: [drops]

✨ciri✨: 😡

me: … i understanded.

[turtleblogatlast]

One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.

And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.

Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.

(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)

[luneariann]

Established skk my beloved

[buttered-milky]

Russingon being an incestuous couple is so fucking interesting to me for what it represents narratively. (Yes, I know they are not canonically a couple. No, I do not care, because I do believe the coding is on purpose. Even if it’s accidental, it’s still there.)

If you don’t have a lot of experience with incest in other fiction (for example: the staple gothic horror), incest usually represents deviance. That’s just what it says on the tin: diverting from norms. Usually in a bad way. Deviance can be narratively treated as bad or wrong, and there is plenty of deviance from our meta societal norms with these two, but I digress. I don’t want to talk about that today.

I want to talk about subversion, and the deviance that is sometimes good, actually, and the message that sometimes you must break norms to do good.

[PS guys if you read all this and want to add your thoughts please do! This is kind of half-baked and I’d love to see more opinions because I’ve not seen anyone talk about this much.]

They are so fucking fascinating, because they are deviant! They are! Their entire relationship is baffling politically because of the Finwëan house feuds. More importantly, they have individual deviances that this relationship is telling you to pick up on.

.

Maedhros is a Kinslayer. Maedhros is also arguably the most heroic one of his siblings.

.

No, we can’t burn the ships. How the fuck are we gonna get Fingon over here?

No, I have to go parley with Morgoth.

I have to abdicate the crown because I’m becoming something I don’t want to be.

No, I have to put myself in front of everyone else. I have to hold Himring so the rest of Beleriand doesn’t get nuked.

I have to summon everyone for the Nirnaeth.

.

And then after Fingon dies in the Nirnaeth, Maedhros (as we all know) goes fully off the rails—which is to say, he becomes fully Fëanorian. He goes back to the norm for his family.

There are more Kinslayings. He tries once to save two twin children, and that’s it. He gives up. There is no more hope. Maglor is responsible for taking in the next set. Maglor also wants to beg the Valar for forgiveness, and maybe Maedhros would’ve seen the sense in that once, but instead he becomes the second coming of his father and dies burning, clutching onto his Oath.

The deviance from Fëanorian standards was the only thing keeping him from becoming a monster for all that time.

.

Fingon is also (very likely) a Kinslayer. He’s also the family extrovert and hope incarnate.

Unlike Aredhel and Turgon, he does not seclude himself for his own protection. He does the opposite.

.

No, we can’t just stay here in Aman. We need to protect the other half of our people??

No, we actually have to get Maedhros. Fine, I’ll do it myself then. I’ll reach out to the gods while I’m at it, since none of you will.

Of course we’re going to join every battle. Of course we’re going to help hold down Beleriand.

If I have to face evil alone I suppose I will, then.

.

And he dies when he’s alone against those Balrogs. Fingon is also like his father in many ways—but in some ways he is not. He is brighter, sometimes. He is hope incarnate in the worst of places.

.

I’m far from the first person to acknowledge that what Maedhros and Fingon have going on is a very strong message to never give up hope. But like—not just that. What kills me is that, you know, the hope and the heroism and the goodness is the deviance.

They like each other while most of the Noldor are off getting doomed or fighting with their relatives. You get to those little bits where it mentions Maedhros and Fingon still keeping up their friendship and you kind of have to think “damn, at least some people still genuinely love each other in the midst of all this horror.” It’s sweet. And yet it’s deviant.

And that’s weird, right? Usually deviance is bad. But I think here it’s more neutral. Just presented as: this is not the common option, not the norm. It’s not the common option, but it leads to one of the kinder relationships in the Silm.

The Silm wants you, the reader, to take away that you should have hope and goodness, even when everything around you is hell. Even when it is the hard option. When it becomes hardest to hold up light and help others, that is when it’s needed most.

It will be scary sometimes to be hopeful, and that’s okay. It will be scary to extend yourself. It will be scary to trust and to defend others. That’s okay. Do it fucking scared and keep doing it.

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[housecow]

Girl please stop romanticizing obesity, it will literally kill you eventually (and I know it’s not the first time someone says it to you). Like are you even ok? Romanticizing being immobile & being humiliated on the street? Why would you even aspire to this? For some attention of questionable men on this app? Girl they don’t deserve you. This message comes from a place of concern, it is not intended as an insult. You said you want a career in the future, maybe focus on that, I’m not sure how possible it is do all that while being immobile or having whatever condition.

omfg 😭 i apologize for writing little stories to get myself off, i guess?? lmfao. i have a fetish. i state clearly in my bio that this is what to expect. sorry im horny posting anonymously on tumblr.com ???? stop being weird when u don’t even belong in these spaces

[n1ghtwr1ter]

At the end of my latest TLT reread and it’s been physically painful attempting to read the last 40+ pages of Nona. Like, the short shrift that Gideon/Kiriona gets given by the people in the story…the theoretical good guys who honestly only see her as a thing, as a means to an end with an inconvenient dead soul attached to it… It makes me want to rip my own heart out of my chest.

Nobody has cared about Gideon her whole life. Most people, in fact, if they remembered about her at all, went out of their way to tell her how much they wished she didn’t exist. In the final chapters of Gideon, she finally gets the thing she’s been desperate for her whole life: somebody telling her that they need her, they care that she exists, and they badly want her to go on doing it. This allows her to make peace with the prospect that at the ripe old age of 18, she needs to die so that that person can go on living and living and living, using the castrated remnants of her soul as fuel to do so. Not a great way to go, but at least Gideon would get to be useful to somebody, would get to be remembered for something.

And then she wakes up in the wrong body, and finds out that her sacrifice - her attempt to be useful in the most selfless way possible, in that her self will no longer exist - has been rejected. And not only that, but the person she tried to give herself to - the one who was supposed to care about her - went to extreme lengths to make completely sure that she no longer remembered about Gideon.

She literally cut Gideon out of her brain.

And now, drifting along in the worst sort of half life where she’s inhabiting her body but it’s no longer really hers, in very obvious fashion - there’s holes in it, her heart is missing, and it’s got her shitty father’s handprints all over it (not even touching how much of a violation that is), indelibly - she finally meets back up with the small group of people who could theoretically be relied upon to be glad to see her again.

But then the one who was supposed to care about her most tries to kiss her (massively OOC for Harrow), and turns out to not even be there - it’s some weird baby inhabiting her body, and doing a really shit job of it too. The rest of them won’t stop talking about how they need her to break into the Tomb - as if she was just another key, same as the ones they worked together to acquire in Canaan House, just bigger and more inconvenient - and/or how they both fucked and killed her mom, who also (surprise, surprise) wished that Gideon had never existed, but saw her as a thing that needed to be done for the good of the mission.

Ultimately, they all make it abundantly clear - Palamedes, Camilla, Pyrrha, and especially Nona, all these people who are supposed to be kind and good and right - that they would prefer she wasn’t there. That it just be her body, with no Gideon attached - at least not Gideon the way she is now, broken and rejected and miserable. They would all far have preferred that she not have her own inconvenient thoughts and feelings and desires and impulses - that she just be inanimate and let the important people, the grown ups, get things done.

They wish she didn’t exist. Same as everybody else in her life, save one, and now she’s left wondering whether Harrow really meant it at all. Because if she did, she wouldn’t have left Gideon to Kiriona’s fate.

And honestly? Really, truly? I know everybody in the fandom loves Pal and Cam and Nona and Pyrrha, but in the end I couldn’t give less of a shit about them. They are fucking side characters, and as intriguing as Nona has been from a worldbuilding standpoint, I ultimately resent having been forced to read 400+ pages of filler bullshit about fucking side characters. I am a butch, and I’m here for my sarcastic, loving, angry, vulnerable, forgiving, and yes, inconvenient sword butch. I’m here for Gideon. But Gideon has been fridged for the last two books of the series in which she is supposed to be a, if not the, main character.

And it feels like almost nobody else in the fandom feels the same way, which, fine. I’m used to that. I’m also used to being told I’m projecting; and I’m used to being told that I’m inconvenient too, in my thoughts and my opinions and the mere fact of my existence. I spent the first eighteen years of my life being told I was inconvenient. Yet another point of overidentification with Gideon.

But in case anybody still thinks that Nona proves that Gideon was an asshole all along, think about all of the above. Think about how it would make you feel to come back from not just death but from the erasure of your existence, something you chose in order to save the life of someone you loved, and be told that you’re inconvenient. Think about how you’d feel if you’d been told all your life that it would be better for everyone if you didn’t exist. And then tell me that Kiriona isn’t in the right and that I should give a rat’s ass what happens to literally anybody else.

It’s Kiriona Hours up in this House, butches. We’ve spent long enough caring about people who would prefer we weren’t around. For once in our entire lives we were told we were important; we were told we mattered; we were told we were the main character. We were going to, if not get the girl and save the world, at least get to do something real, something important, something like being the hero.

But that’s over now; we’re back to being wrong and bad and inconvenient thanks to the simple fact of our existence. So it’s time to embrace it. Let’s be a little shit. Let’s be kind of a dick. Let’s have our own agenda, let’s play our cards close to our heartless chest, let’s allow our circle of empathy to contract to ourselves and maybe one more person. That’s where I’m at right now. And I don’t see that changing anytime soon.