#why do leaves fall

[a-scary-lack-of-common-sense]

O, Icarus.

O, my Icarus...

Stanford is desperate. He has tried every method possible to try and rid himself of Bill, and he's got nothing to show for all his efforts but more scars and less sleep.

His head is killing him. Another consequence of his many attempts to just live. Yes. He yearned to live, because he was dying. Dying in the hands of his own muse. Was it so wrong of him to want to live? To fear death? Perhaps Stanford was selfish; a hypocrite, to avoid the same death that had so soon and so unfairly claimed his friend and his brother, but he was only a man.

Stanford knew he didn't stitch his wound right, he could feel it. He could feel the cold nails and bolts dig into his head; his scalp pulled taught over his newly metal plated skull to cover the holes. He felt something rattle when he moved. Perhaps he should have welded the metal plate into his head instead.

Project Mentem did not react well to his open skull and neither did the poorly screwed metal plate in his head.

[flowersforthemachines]

What home smells like (Crossroads comments)

Note: judging by the audio I extracted and the conversation file, Bellara and Taash don't have lines for that event (if they actually have lines and I missed them, pls lmk).

Rook: That scent… I can't place it. Neve: For a moment… it smelled like Dock Town after it rains. Lucanis: Coffee. Like Illario and I smelled in the kitchen where we grew up. But that cannot be right. Harding: That's my ma's apple cake! But… how? Davrin: That's smoke from my old clan's campfire. But… how do I even know that? Emmrich: It's reminiscent of the mortuary's perfumes, but… ah. Of course. Emmrich: There's small enchantments around this place. From the old elves, welcoming their kindred home.

My DAVG Extracted Audio Masterlist

[the-great-horse-cocktail]

Alternate timeline where Stanley doesn’t accidentally ruin Ford’s project but he still doesn’t get into Geek Life University bc some kid showed up with a baking soda volcano

[sceebybeeby]

did y'all's journals also come with this page? i haven't seen anyone else talk about it

(page pngs and thoughts under read more)

(code says "when i write 'house' my ink turns blue)

(code says "didn't develop or in the hallway?")

i think i niche'd too close to the sun, but my thought process was basically what if the navidson record was real in the gravity falls universe through an outside lens? (and also took place in the 80's) and then it made me think about how both ford and navidson are similar in their obsessions and need to figure things out over "caring" about the people around them, so narratively it makes sense, i think that ford would be too fascinated by the house to ever learn his name which is why he's referred to as "the stranger." i also wanted to show the difference between navidson and ford by having their cameras be different, ford's can only produce sepia while navidson's is in color. i don't think i got his voice down and it's probably clunky but c'est la vie this was more style practice than anything

[what-am-i-doing-in-this-fandom]

One coin has two faces. Or whatever

[vaguely-concerned]

just for fun this time during 'sea of blood' I counted out all the venatori corpses I think we can be pretty sure were lucanis' handiwork before we show up (not including the ones he kills in his initial cutscene, and with an assumption that he's been at work mainly up and down in the areas we move through until we find him, not behind the locked door -- I think that's mostly the work of rampaging undead and other venatori-hoisted-by-their-own-petard suchlikes). can thus happily inform you lucanis has killed at least 32 venatori before rook and company get there. at least one of them he's impaled on their own weird crystal spike things the venatori mages cast as an AOE attack and that they're trying to keep him contained with when we find him. so he's clearly been keeping busy lol. that's my boy dispensing poetic justice and claiming some enrichment in his enclosure while he's at it good for him!

[hymen-restoration-project]

HELP???

[jthegayfruit]

Merry Christmas

Here's your obligatory mistletoe drawing staged by the matchmaker herself

Ignore why the bow has more effort into it I like making things shiny

[carouselunique]

Cinch had three charges in her care once, Celestia entrusted her with the day-to-day care of Prince Blueblood, the new Princess Cadence and her student Sunset Shimmer - running a kingdom is difficult enough alone without three young ponies to look after - so when Celestia is absent (often) that means Cinch was in charge of these three ponies. And while the matron of the castle was always rigid about rules and wanted her three charges to uphold her reputation and to build their own budding reputations high, she cared about them very much. You'd have to, spending your time with the same three young ponies for so long, guiding and teaching them to be their best...

By the time Ditzy came into the picture, Cinch was down to two charges. She refused to fail them the way she failed...

Well, with one down, there were two left and she cared so much she wouldn't let anyone ruin them, especially not themselves. Surely they would come to realize Cinch was only helping.

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal with his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[peacockrulz]

Sorry for the lack of posts, have some more headcanons!!

[falloutboyfan18]

Fall out boy then and now

[rubberduckyrye]

I've been seeing a fair bit of "Shuichi treats people more like cases than people" sentiment, and while it is an interesting idea for Angst Purposes, I just don't think that's very in character for him realistically.

Especially when people talk about the runaway cases he dealt with.

I think a lot of people think "runaway" and think "children who are in abusive homes who NEEDED to run away" and not "Children who got emotionally devastated by something and made an irrational choice in the heat of the moment" because there is a fundamental difference between the two. Even still, you should not leave a runaway child to fend for themselves! They are vulnerable! They need help!!!

Whether they need help getting home or help into a new home.

I think that also people don't acknowledge it when Shuichi says that he checks up on the runaway cases post-investigation to make sure everything's still okay and going well. I'm also sure that, as part of the process, he learns from the runaway child the reason why they ran away, and if the reason was as devastated as domestic or sexual violence or severe neglect, he would NOT just send them off home.

That is not in character for him.

He has a lot of very human interactions with his classmates (outside of Kokichi, who is explicitly hated by the narrative) and tries (maybe fails, but tries) to be considerate towards them and their inner feelings.

His interactions in his LSEs aren't just acting, he's still being "himself", and his interactions with characters like Kirumi (I.E. validating her and humanizing her, insisting that her love for him isn't bad because she is his equal) despite playing the role of her "master." And in Gonta's, he knew Gonta was upset over scaring him so he comforted him and reassured him that everything was okay.

Also in Kirumi's FTE's, Shuichi offered to be Kirumi's "master" when she was playing a joke on him with the whole stray maid thing, and in Kiibo's FTE, he offers to continue helping Kiibo find new avenues to explore via his robot emotions and the whole robot business thing.

Shuichi doesn't just, stick around only to figure someone out and then get bored of them when he's done. I'll be the first to admit it, how Shuichi treats Kokichi specifically is pretty terrible at times, but that is a narrative flaw that does not apply to everyone else.

He's very thoughtful, tries his best to be accommodating and supportive, and does try his best to make connections with the people around him. He almost overextends himself just to help others--which is something that he would do for runaway children as well.

I think people need to give Shuichi more credit than just seeing the Runaway Cases thing and immediately thinking his neglectful person who only cares about solving mysteries because canon didn't explicitly state how he handles those cases.

[doveboycreature]

I think we’ve started being a lot harder on people with insecurities which in some ways I think is good, because I feel like people used to get away with believing that their insecurities were noble and innate and not something that they had to work on to fix, because if they affected someone else it wasn’t their fault anyway because they couldn’t control the insecurity. Now we are asking people to work on fixing themselves in order to not harm others which I think is very important. But at the same time, you deserve someone who’s going to be patient with you. You deserve people who will help you work through it and not make you feel worse about it as you go through the difficult process of pulling yourself out of the hole. We can ask that people take responsibility for themselves while also being compassionate.

[thisisntreaver]

Hello I have once again upset myself thinking about Logan an the effect Aurora had on him and his relationships.

Walter is a father figure to him and HOBW and their relationship is in TATTERS, and as far as canon shows, it's never mended.

Does Logan believe the man who raised his sibling and took care of him after Sparrows death died hating him? Does he believe Walter only saws the bad in him? Does it have any impact on his decision to go into his self-imposed exile? Does he regret not telling Walter about what happened to him in Aurora soonee??

Did he and Walter ever have a chance to reconcile, to speak of what happened to them on their respective trips to Aurora? Did he ever express regret for Logan feeling as if he couldn't speak of what happened to him?

Did Walter ever embrace Logan as one of his own again, or did they stay away because of their history?

[charmre]

Salt in my lungs, Holding my breath Making peace with my inevitable death I guess I did alright considering Tried to be a halfway decent friend Wound up a bad comedian An honest fool with more bad habits Than you can count