#why do i need to go to YouTube to get the real facts with actually knowledgeable sources and writers

[sycopomp]

watching a quote unquote big cat olympics doc

but they fell into the pitfall of most grading metrics these days

the tests were one-size-fits-all, and the rules were almost entirely arbitrary compared to what would actually be useful as a big cat predator nevermind to that specific species at all

one of em isn't even a Big Cat... muttergrumble...

[jenscx]

[15] DAYLIGHT — thinking bout you

you didn’t expect karina’s version of talking to be, literal talking. the bright shine of a voice call request makes you rub your eyes in the dark, in disbelief. hesitantly, your fingers press the green accept button. a deep, almost raspy chuckle is the first thing you hear. in the late night, or early morning, it sends shockwaves throughout your body.

“hey, darling.”

a lump forms in your throat. you mumble back, “hi, karina.”

she giggles and the husky tone elicits a warm and tingly sensation across your skin. you wouldn’t mind hearing her voice for the rest of your life. you could only imagine how it would sound in real life, her breathy and gruff voice in your ear. it causes you to shudder. you should really sleep if you were eluding such delusions.

“what’s up with the late talk?” no nicknames, no annoying and snide remarks, just the hint of concern in her words, “do you need help with something?”

you shake your head even though karina can’t see you, “no, just couldn’t sleep.”

“you said you were thinking about stuff. wanna talk about it?”

an involuntary blush rises. you can’t tell the person you were thinking of, that you were thinking of them.

“can’t tell you,” you say in hushed secrecy.

you can almost hear the smirk karina has. “oh really? that’s such a shame. did you just want to hear my voice?” you splutter indignantly, “no way.”

karina laughs. it’s music to your ears.

“it’s okay, darling. i know i have a nice voice.”

your throat constricts and turns dry.

“you’re so insufferable,” you scoff, but unable to deny the fact that the influencer does have a nice voice. a mesmerising one even.

“so,” karina drawls, “what’s the real reason of you texting me at 3am? only my booty calls do that.” a deep pit forms in your stomach. booty calls? just knowing the fact that karina might have had girls at her beck and call made your insides coil up. confused at the unfamiliar feeling, you simply remain silent.

“hm?” she urges.

“i don’t wanna talk to you anymore. bye,” you spit out, eyes narrowed. if anyone were here to witness your current state, they would have immediately darted from your fiery gaze that could kill someone.

“woah,” karina blurts out, “don’t be so haste, darling. i was just kidding.”

you roll your eyes, “and i wasn’t but whatever.” her nonchalant flirting with pet names only fueled the insecurity in your head. guess you were just another girl to play with. if she was so comfortable saying such things, it would only make sense that she’s done it countless of times before. you were probably just an easy target. as your finger hovered over the end call button, karina’s voice rings out again.

“as the winner of the bet, i command you not to end the call,” you can envision her proud grin.

“command? i’m not your dog,” you frown. your cat, bobo, snuggles up to you. if this were any other day, bobo wouldn’t be so affectionate. but maybe he sensed the inner turmoil you faced.

as you stroked his fur, karina says, “of course not. but seriously, are you not gonna tell me why you texted me?”

i wanted to talk to you because even though you’re the most annoying person alive i’m still madly attracted to you.

“just wanted to talk to someone. all my friends are asleep,” you lie.

“so i was just a second choice? that hurts my feelings, darling.”

“yeah, sorry to break it to you.”

karina guffaws.

“also,” you suddenly remember, “what are we going do on saturday?” you hear rustling from karina’s side, assuming she’s changing positions.

“i actually haven’t thought about it yet. what do you wanna do?”

“don’t you just normally walk around the city and shop?” you ask, recalling karina’s previous vlogs that you definitely did not watch countless times.

karina voice takes on a teasing lilt, “does park yn watch my vlogs? that boosts my ego knowing you hate youtubers.”

“i just saw it on my recommended page, don’t let it get to your head, dumbass. also, i hate a youtuber, not all youtubers,” you say, not bothering to explain any further.

“mhm, sure. anytime you wanna see this pretty face you can just text me instead of watching my videos,” karina says playfully.

you change the subject rather quickly.

“i wanna go to a cat cafe.”

“oh! yeah, actually we can do that. i always wanted to do that,” karina confesses, but then she laughs, “won’t bobo be jealous that you’re meeting other cats?”

“bobo isn’t my boyfriend,” you purse your lips. karina’s voice perks up, “and do you have one?”

you’re bewildered.

“what? have what?”

“have a boyfriend. do you?”

“none of your business, stupid,” you sneer. karina can’t help but pout. “but aren’t we friends, yn? you said we were acquainted on your stream. by now, we should be considered friends.”

you laugh sarcastically, “of course, we’re best friends and i will definitely tell you about my personal love life!”

“actually, i don’t think you have a boyfriend,” karina replies, amused, “you play league, overwatch and valorant. no single person plays all three, and more.”

your eyebrow raises as you bring the phone closer to your ear, desperate to hear more of karina’s voice.

“you play overwatch too, dumbass.”

karina yawns, “whatever, you’re still a stupid virgin who doesn’t have a boyfriend or any love life.”

“shut up, freak. i’m going to sleep.”

she hums, “fine. wear something cute on saturday.”

“that’s like five days away.”

“put in effort for me, ‘kay? i need to milk this bet as much as i can, and a cute yn on my thumbnail would get clicks.”

you snort, “okay.”

“good night, or morning, or whatever. rest well, darling.”

“night, karina.”

her voice is gone. just the beep of your phone.

tossing your phone to the side and almost hitting bobo, you’re unable to stop the grin on your face from forming.

you fall asleep with a smile.

masterlist | next

TAGLIST ! @flolio @imahallucination11 @wallfl9wer @edamboon @seullovesme @twicesserafim @klvarchives @rinapomu @pandafuriosa60 @jisooftme @cwpiqwon @yoontoonwhs @limbforalimb @xen248 @r4cjh @dni-unavailable @yukianism @i3lia @ryujinsdimple @httpisaoki @haerinsloverr @masuowo @multiliker @edenzeepy @1luvkarina @yeetaberry127

[querenciasturniolo]

OKAY NO, “favorite” was insanely good. If you wouldn’t mind, could you please write a part 2 for this fic? Maybe their flirting before something finally happens or maybe another car video with them already dating but no fan knows?

oops ⮕ c.s.

word count: 1.4k

warnings: swearing

summary: chris slips up, and the secret’s out

a/n: i’m so glad you liked favorite !! i changed the idea just a little bit 🤏🏻 but i hope you like it !!! 🤞🏻

{i’m not the biggest fan of this, but that’s okay. i might rewrite this at some point, but who knows 🤷🏻‍♀️}

everything written is completely fictional. the people i write for are written with characteristics and mannerisms that i made for them, this is in no way depicting what would actually happen in real life.

part one || part two

Before you realized what was happening, Chris Sturniolo had made his way into your heart and stayed there.

The few months after the Q&A video was posted, the two of you continued keeping in touch. You talked to Nick and Matt of course, but Chris was incredibly persistent on answering quickly and asking you questions about yourself. It was only a matter of time before the two of you finally got together.

It had been almost a year since that video, and eight of those eleven months you’d been with Chris. The two of you decided early on to keep your relationship a secret from the fans, but with each video you did with them, more edits of Chris looking at you the way he did nearly blew the secret.

You thought it was funny, how he couldn’t control the way his eyes scanned over you like you were the only thing on his mind. It wasn’t just Chris, though. Nick keeping the bit of you and Chris admitting to be each other’s celebrity crush and favorite triplet in the video didn’t help things, either.

Your new single had only been out for a few weeks, and every single interview consisted of the same question.

“Fans have been speculating that your new single, Rare, is actually a love song about Youtube star, Chris Sturniolo. Is this true?”

You’d laugh and shake your head, your chest aching and your heart pounding as you said the same thing over and over again.

“I think the interpretation of music is up to the listener. If the listener wants to believe this song is about Chris, that’s okay. If they want to believe it’s just a love song I wrote for fun, that’s fine too. I personally was inspired to write about the feeling you get around someone who’s important to you.”

The interviewer would then fake laugh along with you, and thankfully change the subject. You hated lying to your fans, and just lying in general, but it was nice to have something private. You wouldn’t mind going public, persé, but you’d need to talk about it first to make sure he was on the same page.

Chris had spent the majority of his time at your apartment when you were in LA, and any time he wasn’t there, you were at their house. One of those times was right now, Nick and Matt sitting next to you on the couch and watching a show you had absolutely no interest in. Chris had his head in your lap with his eyes facing the screen, your fingers carding through his hair absentmindedly as you pretended to pay attention.

Suddenly, Chris sat up and turned to face you, his hair sticking up in different directions and his eyes wide.

“We should go live.” He suggested, Matt and Nick glancing over from where they were sitting with furrowed eyebrows.

“Why?” Matt asked, reaching for the remote and pausing the show.

Chris shrugged his shoulders and pulled his phone out, glancing at you unamused and running a hand through his hair to fix it. “Why not? We aren’t doing anything anyway.” He said, tapping the Instagram icon and sliding over to go live. He propped his phone up on the Pepsi can on the coffee table and rested his head on his hand. Comments started pouring in almost immediately, many of them about the fact that you were on the couch next to him.

After a few moments of silence, Chris glanced over at the three of you with his eyebrows raised. “Are you guys just going to sit there like bumps on a log, or are you going to join me?” He said, your eyes rolling as you scooted more into frame, Nick and Matt grumbling as they stood up and followed suit. Nick sat on your other side while Matt sat on the other side of Chris, all four of you now looking at the comments flooding in.

Y/N WHO IS RARE ABOUT?????

You chuckled and shook your head. “Rare is a song I wrote about how it feels to be around someone who makes you love yourself.” You said, your answer vague as you noticed the way Chris’ fond eyes flickered to you on the screen for a split second before going back to scanning the comments.

well that’s one way to answer a question i guess

it’s about chris confirmed

idk, the verse about someone with bright eyes like stars seems to scream chris

Nick scoffed and looked at you. “How many times have you been asked that?” He asked. You shrugged your shoulders.

“About ten thousand, but I don’t mind. It’s sweet that people want to know. It’s a happy song, they just want to know why.” You said, Nick pursing his lips and humming noncommittally before looking back to the phone.

The live went on for what seemed like ages, the four of you replying to as many comments as possible, the rapid rate of which they were coming in made it near impossible to read. After a while, Matt pulled out his phone and started scrolling through Tiktok, his volume low and his eyes flickering between his phone and the live.

“We filmed our Wednesday vlog today, it’s one of my favorites so far.” Chris said. “No hints as to what it is, but I hope you guys like it.”

Matt snorted at whatever was playing on his phone, nudging Chris’ shoulder for him to look. He did, his eyebrows furrowed and his tongue between his teeth as he watched. You and Nick continued reading the comments, laughing and responding to a few before Chris guffawed and covered his mouth with his hand at whatever Matt was showing him.

He grabbed Matt’s phone out of his hand and held it in front of your face. “Babe, look at this!” He said, all four of you freezing in place as you registered Chris’ words. Before any of you could react, comments started flying in immediately, whether they were keyboard smashes or just consistently repeated ‘I KNEW IT’s.

“End the live.” Nick mumbled, all four of you reaching for the phone at the same time and knocking it off of the table.

“Shit!” Chris shouted, scrambling for his phone and desperately jamming his thumb onto the screen to end it. It was no use—his live had crashed, and his screen was frozen on the image of all four of you staring wide-eyed at the camera seconds after Chris’ slip up, comments still pouring in at an impressive rate, each comment blurred. In a last ditch effort to fix it, he turned off his phone and dropped it into his lap.

The four of you sat there in silence, the tension in the room thick enough to cut with a knife. You finally turned your head and met Chris’ eyes, his face frozen in a wince.

“Oops?”

The silence only lasted a few more seconds before you completely lost it, hysterical, raucous laughter bubbling out of you as you clutched your stomach. The three of them joined in soon after, the four of you near tears as the reality of what just happened set in.

“How did that even happen?! We were doing so well!” You said through your laugh, Chris shaking his head and wiping at his eyes.

“I don’t even know, it just came out.” He said, the four of you finally calming down enough to catch your breath. “I mean, at least we don’t have to hide it anymore.”

You pulled out your phone and opened Instagram.

“Well, there’s only one thing left to do.” You said, Chris leaning into your shoulder as he watched you create a post. “Help me pick one.” You said, scrolling through your photos before he tapped one. You had taken it ages ago, but it was still your favorite picture the two of you had taken together.

“What should the caption be?” You asked, Chris raising his eyebrows at you and scoffing.

“What do you think?”

You rolled your eyes and typed the lyrics out, making sure to tag Chris before posting the photo and locking your phone.

“And now we wait for the uproar.” You said, Chris chuckling and pressing a kiss to your temple. Nick groaned dramatically, catching both of your attention as he pushed himself off of the couch and headed towards the kitchen.

“Oh God, if you guys are going to be all mushy now, could you at least give a warning?” He said, though you could tell he was only teasing. Your phone screen kept lighting up, notifications pouring in from Instagram.

“Well, it’s out there now, I guess. You’re stuck with me.” You said, Chris rolling his eyes as he wrapped an arm around your waist and lightly leaned his weight onto you.

“Yeah, I guess I am.”

don’t keep your distance, i’m not scared

i’m not gonna fight this, baby you’re rare

[mecania]

Before people say anything about bloodborne not having anything to do with women in the slightest I'm going to need them to an intense read up on medical history and then read Simone du Beauvoir's 'The Second Sex' and then like. everything else by Beauvoir, if you have not already, as a MINIMAL baseline. very, very bare bones reading, but it should be enough if you actually want to engage with discussions regarding the treatment of women in medical instituitions and the supposed ideal of the 'perfect, true female body' in actual good faith. (please take note... this is working off of the understanding that gender is not ontological and is not grounded in anything real. there is no reality to the idealised woman under the patriarchy, and there is no worth in defending it because it can only harm and makes no fucking sense. thank you)

Even if you do not think the subtext was intentional (which it very much is, i don't typically like stating 'if you want to understand the story watch this youtuber!' but charred thermos on yt delves into the inspirations behind hemwick charnel lane and that is proof enough that the writers did give a shit about the unique position of women in the world of medicine and religion. also he has multitudes more knowledge on 18th century european medicine as told in art than i do), that does not deny the fact that it can still be read in that lens and it makes bloodborne much more rounded out and meaningful in our current social climate. it is impossible to make a complete work of art about medical and religious institutions and the abuse they have enacted for years without engaging in discussions about how oppressed groups were treated by these institutions.

there is implicit reference to the treatment of 'foreigners' in these medical systems. notice how the patients in maria's lab, those who are not put in 'better conditions' (like adeline, who has her own space) speak in a distinctly different accent/cadence than most other characters you find. you are explicitly hit with xenophobia by the first few doors you knock on aside from gilbert's. this game is not 'vague', it is very, very allegorical and referential.

there are very good references to the idealisation of the 'woman', and how this construct works in reality, that i cannot think of it being anything but a discussion of this very concept and showing the truth behind it. a confusing part of sexism can be the utter difference between the treatment towards pregnancy versus the treatment towards women. it is, in truth, not a 'mistake' in the system, but rather an intentional facet. the woman is not substantial but a concept to be maintained for the sake of other ideologies like purity, heritage, and legacy (which is why the concept of 'womanhood' is so heavily disputed and even denied to those who you think should fit into it by these rules. it is simply plain bullshit). in the patriarchy the concept of the woman is divine, but the 'substantial' woman is believed to be dirtied by the nature of her existence. this is why we can abuse women's bodies while at the same time worship pregnancy; pregnancy is her saving grace in the system's eyes. this is what happens to queen yharnam, to arianna, and to get the point across even further so unbelievably clearly, this is what happens to kos. once a living god, an extraterrastial being that is the root of worship still now. in stark contrast to the immense pedestal she is placed upon, her physical body was discarded, maimed and brutalised for the sake of cutting her apart and taking out what was inside of her; her stillborn.

this is where we see the contrast between the worship of the conceptual woman versus. the treatment of the 'real' woman who has had this concept forced on her and what has been determined to be her physical body. the physical body of the determined woman will never meet the standard of the conceptual woman, because that is what it is; a false truth, an idealisation, and something to control, to detain. kos is trampled in death, her body is a tool, despite the passionate worship she received then and receives now. she is revered as a 'mother' yet at the same time it is this status and its claimed actualisation that allowed for them to dismantle and abandon her corpse. you hear her name praised and called upon for knowledge, yet when you find her, she is a pitiable corpse, blending in with the grey sand beneath her. the worship done in the name of the divine, holy, mythological 'female body' is not done in spite of the treatment of the supposed real woman. it is done in tandem.

[centrally-unplanned]

I might be a bit of a weirdo in this regard so I am a bit biased, but I think a fundamental problem AI Companion Apps like lets say Friend.com are going to have in "replacing socializing" is that socialization is instrumental and that instrumentality lies in the real. The ad copy for this product and so many of its various clones is a normal-looking everyman just chatting with their companion, making comments about the weather or how their hiking is going, etc. Treating it like a friend and talking to it like a friend does.

The rub there is that not many people do those behaviors for the reasons presented. They are treated as somehow "inherently" enjoyable, that you just love talking to ~something~ about the weather and anything that can pantomime the right responses is going to do it for you. That isn't how it works for most people; the point is the other person. The words themselves, divorced from the speaker being a breathing human you have a relationship with, are not very interesting. Instead it is about building rapport, signalling care, a human-connected daily ritual. Sometimes it is positive, but it is negative sometimes too! You put up with Kyle's 18th story about his dog's health woes because, look, it's boring as shit, but Kyle needs to rant about it and if this is the price of admission to his amazing saturday brunch parties you are going to pay up.

Even interesting-in-their-own-right convos are normally not like wow, you taught me some amazing new fact; it is hearing your friend's interesting take or experiences. There is this whole structural undercurrent here, this person is admirable or kind or you have a lot of history with them or they are really hot and so their words are contextualized into an emotional experience of connection or curiosity or wanting to impress them and a million other things around that structure.

When you shed all of that, when it is an AI that you know is just programmed to listen, that you can turn off at will, that you can just override and ask it for directions or to switch over to spotify or to sext you catgirl pics, there isn't anything left. These conversations are useless - what is the point? Why would I tell my phone how tired I am? Those are empty words, I am immediately bored and will flip over to YouTube instead.

Obviously there are niche applications. Porn and its adjacencies of course, where the fiction is the point. Specifics like a daily journal that interacts with you a bit? Sure, that would work for some. One-offs and curiosities of course, "Siri+" because that is a functional tool. But none of these are the same thing.

Now there are already, and have been for years, successful apps like Replika or Character.AI. The people on those clearly seem to enjoy talking to a digital friend, right? And I agree with you, humans are diverse, for some people this stuff works. Now for many, even possibly the majority depending on how you count it, these things are just the above categories though; a porn bot, a curiosity, a "man look how far AI has come" exploration. But I agree there are users who truly treat these tools as their friend or partner

And I have looked at the conversations those people have with their friend or partner. And...look. These tools suck. They do not, in any way, believably mimic a human conversation. By design they do not, endlessly accommodating and affirming, with shallow personalities and infinite flexibility. They are not friends, they are boxes to stuff inputs into and get validations out of, no human conversation works this way. Some people want that, no worries. Some people need that, maybe, I get it. But most people don't. These conversations would, if treated as an actual companion to most people, be incredibly cringe. They are not a sign that AI friends for everyone are right around the corner, if only we boost the specs. They are a niche product for a certain kind of person that does not mass scale at all.

You can sell people the "illusion" of a friend, even a nearly perfect one, and it might sell - as the stage show it is. Like a video game, something you explore, experience, and discard. Because it's not a person; I can just drop it if I want and it won't feel anything. That is what makes it an illusion and not magic; it is a trick that I see through over time. And making whatever implementation of Claude your little bluetooth-on-a-necklace runs have 10% higher fidelity or "able to pass the Turing Test" isn't going to change that. Maybe it will work as a product - video games sell after all. But it won't be a social revolution.

Then again these Friend.com guys apparently spent 2/3rds of their seed money on buying the web domain for Friend so they might have other problems to worry about.

[ivys-garden]

I, like many of yall, have noticed a vocal minority of people showing there support for Wilbursoot, going as far as to attack shubble and her supporters. In this post I'll go through the main points I've seen them argue with and explain why I believe that they are all wrong.

“Shubble was the real abuser” - No. If she was, William would have spoken up. There is no evidence for this, well, that isn't faked or saying one thing is another (like the guy saying a pic of will crying was because of shubble or the guy trying to pass a stream of a completely different girl of as shubble abusing will… live. On stream. Yah, think we would have heard of that before now.)

“She has no proof” - genuinely fuck of. In domestic abuse cases there won't always be hard proof, that's one of the reasons the police struggle to do anything about it. If a wife is struck by a husband and it leaves no mark that doesn't mean it didn't happen “why didn't she show the bruises” have you guys ever been bruised? Bruises heal quickly, and she doesn't have any to show since the allegations came out after their break up, all the bruises would have healed. “Why didn't she take photos at the time?” Look at it this way, if I punch you across the face you will have a lot of thoughts, none of them will be “I should take a photo of this so people belive me what I say it happened”

(Also don't pretend that people wouldn't just say the evidence was fake if she did have pictures)

Oh and she does have evidence, the fact William admitted to it.

“She just did it for attention” - bitch, shubble doesn't need attention she was doing great. Just because you never heard of her didn't mean she was some underground indie youtuber, she didn't need to lie to get attention. Also lying about domestic abuse is not a good way to do this since it's really easy to disprove. The other party would come out instantly to tell everyone the truth. William didn't do that because shubble WAS telling the truth.

“Her story changed” - no. It didn't. Even the idea that she changed whether or not wilbur bruised with the bites or made her bled (both of which are still bad, btw) is made up, she never said that, as was clarified by shubble herself

“She encouraged death threats” - She openly decouraged death threats. Saying she was like: “everyone go and tell people to kill themselves” is literally putting words in her mouth

Also, this by no means goes for everyone, but arguing about death threats while, wilbur hasn't told his supports not to send death threats and that wilburs supporters have been saiding threats to shubble and her fans while condemning the few shubble fans who sent death threats, is kinda stupid

(Also this is by no means the main point but I have seen people who support wilbur literally begging for death threats, soooooooo)

(Oh aslo I was mistaken in the early version where I said shubble had implied that she didn't belive wilbur could change, that was another misconception and I'm sorry for spreading it. Shubble does belive that people can change IF they put in the work to do so)

Also remember, William has not been shown to actually change yet. He still hasn't even given shubble an apology that takes proper accountability, when he does that, apologies to everyone else he's wronged, and puts in the effort to actually be better moving forward, then we can forgive him. But at the moment he has not shown that.

So until then: support shubble. Belive victims. Raise awareness for these issues in the gaming space (this has been going on for a long time). And don't engage with people who make up evidence to support there parasocial relationships, don't send death threats (obviously, because that's wrong) but also don't engage in any other way. This will be my last post on this subject. Move on from William and the support for him will die down when they realise there's no one to disagree with, and then William, Shubble and all of us can move past this and into the future as a (hopefully) better space

[yaseraphinee]

astro observations 3 - appearance and vibes / leo risings focus

WHY IS EVERYONE LEO RISING ???

(REMINDER : I am NOT a professional astrologer. Everything I say are my personal opinions and not facts.)

Hi guys !

First of all, I wanted to say sorry for not posting in 1 month. My 2 weeks and a half trip was not the most relaxing to say the least. But I still had fun overall!

Now, let's get down to the nitty gritty of things : Today's post will be about Leo risings, and like I said in the last post about Virgo risings (you can check it if you want here), this post will not be a description of their physical characteristics and vibes but instead be an open conversation to answer one of my biggest astrological questions : Are Leo risings the most common rising sign ? (Libra and Virgo risings will also be part of the conversation but not at the center of it, obviously)

This question has been bothering me for a while now. It feels like whenever i meet a group of people, i click on a few random profiles on astro seek , I, more often than not, encounter a bunch of Leo risings.

Even on instagram when some random people reveal their big three in their stories, or on their bios it feels like 4 times out of 10 it's a leo rising ?

I don't know if i am tripping but i feel like , after studying and learning about astrology for a little more than two years and doing, seeing and dissecting so many birth charts, i recently came to the conclusion that Leo risings might the most common rising sign.

Actually, this conversation seems to not be reserved to Leo risings only since Virgo and Libra risings appear to be also REALLY common rising signs.

-> EXEMPLE :

To give a real life exemple , last year i knew the rising signs of 20 people in my grade. To show you clearly how common some signs seem to be, i am going to make a list of each student next to their rising signs, calling each 20 of them student 1, student 2, ....

-> MY RELATIONSHIPS WITH THOSE STUDENTS :

Within those 20 students, most of them were good acquaintances and a minority were my friends. I did not have really profound relationships with most of them.

/!\ i am aware that only 20 people is FAR from being enough evidence to prove my point but i am just trying to show WHY i have been questionning the possibility of leo risings, alongside with libra and virgo, being the most common rising signs, and not prove that they are the most common because i clearly do not know and i need your help lol /!\

Student 1 : Gemini rising

Student 2 : Virgo rising

Student 3 : Scorpio rising

Student 4 : Virgo rising

Student 5 : Leo rising

Student 6 : Libra rising

Student 7 : Cancer rising

Student 8 : Capricorn rising

Student 9 : Libra rising

Student 10 : Virgo rising

Student 11 : Virgo rising

Student 12 : Cancer rising

Student 13 : Aquarius rising

Student 14 : Taurus rising

Student 15 : Leo rising

Student 16 : Leo rising

Student 17 : Aries rising

Student 18 : Leo rising

Student 19 : Sagittarius rising

Student 20 : Cancer rising

*A few of them , i am not sure if they're 100% accurate since they gave me an approximative time of birth.

-> RESULTS :

You can CLEARLY see that Leo, Virgo and Libra risings are the most common. (cancer risings seem also really common here)

Out of the 20 students , 10 are Leo, Virgo or Libra risings. They make up almost a majority of the risings, which is crazy regarding the fact that they are 12 possible rising signs, and only 3 out of the 12 make up half of that list.

The funny coincidence here is that , in the zodiac wheel, they are all one after another :

Leo-> Virgo -> Libra

Now , I remember seeing a while ago a youtube short explaining that the rarest rising signs are allegedly Aries , Pisces and Aquarius risings. I'll put the link if you want to watch it but to summerize she says that basically : Every single day for two hours (approx.), each one zodiac sign constellation rises on the Eastern Horizon. If a baby is born during the 2 hour chunk when Gemini is rising, that baby will have a gemini rising. The particularity that makes Aries, Pisces and Aquarius so rare is that those constellations only rise for one hour (approx.) each day. Since most of the signs rise for a longer amont of time (2 hours), you have a higher chance of having those signs on your ascendant and logically, a lower chance of having Aquarius, Pisces and Aries on your ascendant.

At the beginning, I said that I studied astrology for a little more than two years HOWEVER I haven't really studied (if not at all) the more "technical side of astrology", what the discipline and knowledge requires to be practiced correctly and accurately and to make the best interpretations possible.

That is one of the reasons why I am coming here : to seek help from professional astrologers who can not only clarify if what the girl in the youtube shorts is saying is true or not and why it is true, but also to tell me if my theory makes any sense, if there's some truth in it - > basically, to give us answers.

Now, even if you're not a certified astrologer you are still obviously welcomed to partake in this conversation ! I will be more than happy to answer to all of you guys and to get your intake on this conversation <33

Let's use our brains together and come up collectively with an answer !

Remember guys : STAY BLESSED 💅🏼✨ ! (period ha! 👅💋)

[anim-ttrpgs]

An absolutely incredible review of the beta version of Eureka: Investigative Urban Fantasy by review Willy Muffin on youtube, complete with visuals and actual analysis!

I'm going to also add to this post a comment that I left on the video, offering further insight into the design intentions of the game, though the comment might not make as much sense if you haven't watched the video yet.

Hey, lead writer of Eureka here, first of all I wanna say how good and professional this review is, it’s almost indescribable how it feels to see our project taken so seriously and given real analysis, complete with visuals and everything! We would be super impressed and happy with it even if you didn’t like the game—but luckily it sounds like you loved it hahaha

I’d also like to address a few things throughout the video, not as arguments or rebuttals, just further developer insight for everyone

Re: “Urban Fantasy.” “Urban Fantasy” is basically just another term for “modern fantasy”, just a fantasy story that takes place in the 20th or 21st century and deals with the intersection of contemporary life with the supernatural, and it might be an Americanism, or even a Southern-ism, since it has a lot of connections and origins in the living folklore of New Orleans, so I shouldn’t be surprised it isn’t a term everyone is familiar with. Just think of it as the kind of genre where instead of the vampire living in a secluded scary castle, his name is Phil and he’s your roommate haha. What We Do in the Shadows, Shadowrun, and the World of Darkness games are all some other good examples of “urban fantasy.”

Re: Scooby-Doo. Oh we would LOVE for you to run a Scooby-Doo-like wacky mystery with Eureka. Even though the main tone is dark and gritty and noir, we did intentionally build it so that it could run more lighthearted stuff as well! There’s even a few Scooby-Doo references to be found throughout the text, and if we hit a certain stretch goal on the Kickstarter, we’re going to be adding a bunch of Scooby-gang-inspired traits, including the option to play a Talking Dog!

Re: Combat being the largest section, even larger than Investigation. First of all, that’s kind of an illusion that is the result of the game being unfinished. I have a tendency when I write rules to use really long sentences, overexplain things, repeat myself, etc, and that dramatically bloats the rules text and page count, but that’s why we have an editor! She goes through after the fact and trims most of the fat off my bloated writing style to make it flow smoother and read faster, and take up less space. The PDF that was read for this review has had the Investigation chapter copy-edited (and cut down in size by about 25%!), but the editor hasn’t gotten to the combat chapters yet, so they still have a hugely inflated page count. When she’s done with them, you can expect each combat chapter to also be cut down in size by about 25%, so they won’t be nearly so large a chunk of the book.

Secondly, I’ll explain our reasoning for why the combat chapters and advanced combat rules are such a big chunk of the rules text, it’s intentional design which I will now explain. If anyone still doesn’t agree with that design, that’s fair, and that’s why we made the Basic Combat Rules an option.

The reason that the advanced combat rules are the default, and the reason they exist at all, is because it incentivizes and rewards Investigation. If combat is super deadly, it makes Investigation, snooping, and spying more appealing than kicking down the door and getting your head blown off. But of combat is super deadly, it also needs to be very deep and tactical, because if it’s deadly but shallow, then there’s no player agency. “Combat starts, roll some dice, okay your guy is dead.” That’s no fun. So by adding rules and modifiers for cover/elevation, distance, the difference between a pistol and an assault rifle, etc. we make it so that not only is combat its own high-stakes puzzle, but make it so that when the PCs HAVE to engage in combat, all their investigation can really pay off and save their lives. Spying on a building to find out the number of goons stationed there and how they are armed helps you plan and assess risk, stealing the blueprints to the building helps you know how to get the drop on the goons, and know the best places to attack from so that they are stuck out in the open and you are not, etc. and having rules for those things means that all the PCs’ snooping and planning makes a real mechanical difference in whether they live or die.

That’s just my opinion though, and one of the biggest reasons WHY we decided to write the combat with as much depth as we did.

Anyway, thank you again for this review and analysis of our project, our Kickstarter jumped up by about ten more backers in the evening when this video went up after several days of no new backers, and we have to assume we have this video, and all of you watching and reading this, to thank. You’re really making our dreams come true. :)

Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th! Back it while you still can!

If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[georgeclarkewifey]

Inconvenience | g. clarke

Chapter 3 - Ikea Trip

Summary: four boys and noa in ikea, what could go wrong?

Word Count: 1.1k+

Warnings: swearing, George being a dick

noamurphy

liked by chrismd10, arthurtv and 13,473 others

noamurphy literally got halfway to Ikea before they demanded to stop for food

comments open

chrismd10 well we were hungry what did you expect?

⮑ noamurphy wait??? to get Ikea meatballs???

⮑ gkbarry_ noa speaking facts as usual

⮑ noamurphy love you babe x

arthurtv but we wanted hot dogs

⮑ noamurphy yeah and I wanted a successful football career but we don’t always get what we want

⮑ arthurhill just saw chris choke on his hot dog after he read this

⮑ fan new Noa lore?????

fan1 she’s so real for giving us this

⮑ fan2 mother really fed us today

⮑ noamurphy I worry for you guys sometimes

fan3 Ikea vlog 👉👈🥺 pls

⮑ noamurphy arthurtv ?

⮑ arthurtv 🫡

“Thank fuck.” Noa muttered, as the car finally pulled into the Ikea store parking lot. Somehow, their half an hour journey had doubled in length when Arthur TV declared that he was hungry and wanted to get hot dogs. “Honestly, all you guys do is think about your stomachs.”

“But I was hungry-“

“Well aware of the Television, maybe you should have had breakfast.”

“I had two Costco cookies!”

“Is that really what constitutes as a healthy breakfast these days.” Noa replied, rubbing her temples. “C’mon, let’s get this show off the road and into Swedish Heaven.”

Noa managed to herd the boys into the showroom area without much fuss, but once they were inside was where the real trouble began.

Arthur, who had decided to vlog the entire trip was running round the bedrooms with Chris, deciding to tumble out of a wardrobe every five minutes to declare that ‘they weren’t in Narnia any more’, which not only drew the attention of all the other shoppers, but some of the workers as well.

“Dixie! Please hold yourself together for five minutes, please? Just five minutes so that I can choose a bed frame and wardrobe…preferably one that you and Arthur haven’t tried to jump out of.” Noa pleaded, examining a black wooden bed.

“What colour do you want everything in? Because that will narrow the search down.” Chris said, before gazing at a set of bunk beds. “You know, if you ever wanted to have more than one person stay-“

“I’m not getting bunk beds Chris.” She sighed. “I’m not seven years old. Or making a nerf war sequel with my cousins.”

Starting to turn red, as the others snicked, Chris shook his head. “I was a kid okay? And at the time it looked good and we had fun!”

“Is anyone feeling thirsty?” Arthur TV asked, a slow grin starting to form. “I could go for a can of quick revive.”

Chris groaned in frustration, throwing his hands in the air. “Children, I’m friends with actual children.”

The four looked at each other, processing what he had just said, before dissolving into fits of giggles. Realising what they had interpreted, Chris shook his head and began to walk off. “Great, now they’re going to joke that I’m a nonce. Wonderful, just what I needed today, really, really it is.”

“Oh come on Chris, we know you don’t like kids. George, on the other hand-“

“Nope not even starting that conversation.” George grumbled, beginning to play with the drawers of one of the bed. “Why would someone want drawers on their bed?”

“If they don’t have enough room for a wardrobe I’m guessing. Not everyone has YouTuber money you see.” Noa replied, raising her eyebrows at him to reinforce her point. George just rolled at her and walked away, causing Noa to turn to the two Arthurs.

“Okay, what is his problem? Was it something I said? Or did?” She asked, moving to go inspect the next set of beds.

“Uh, we don’t actually know, we’re trying to figure it out too.”

“So he hasn’t even told you guys? Don’t you have like, guy time where you air all your grievances about stuff, and then bark like dogs at the end of it?”

Arthur (Hill) snorted. “No, you’re thinking of the Diamond Dogs, from Ted Lasso.”

“Shit yeah I am. Point still stands, he hasn’t said anything?”

“Not to us at least. And then I’d guess nothing to Chris either, because Chris then would have told us.”

Noa sighed as she ran her hand over a wooden bed frame. “Great, so one of your closest friends is pissed at me and I don’t even know why.”

“I’m sure he’ll come round, don’t even worry about it.”

“Thanks.” She muttered. “You know what, I think I’m gonna get this one. It’s cute, it’ll fit in my room, and I’m pretty sure there’s a matching desk and wardrobe.”

Grinning wickedly, Arthur (Frederick) beckoned Chris and George back over to join them. “You know, I reckon you need to test it, just to make sure that you like it.”

Noa smiled and flopped onto the bed. “Happy now?”

“Nah, I reckon you need someone to test it with you know? Just in case you ever find someone, or get lucky on a night out.” Arthur said, turning his head slowly to look at George.

“Why are you looking at me?” He asked, a small undertone of disgust in his voice, causing Noa’s eyebrows to raise gently.

“Well my shoes are muddy, so that’s a no. And Arthur and Chris are like her brothers, so I wouldn’t ask that of them.”

“But you’d ask that of me.” He grumbled quietly, moving to stand next to the bed. George sighed. “Move over then.”

Noa did so, smiling apologetically at George, before shooting a glare at the other three, who had all whipped out their phones.

George bit his lip as he laid down next to Noa, and began glaring daggers at the back of her head. He was hating every second, especially the fact that no matter where he looked, all he could see was Noa. From the top of her head all the way to where her hair fell on her back, obscuring the graphic print on the back of her hoodie. For a second, he wasn’t sure if he was in Ikea or his own personal hell, crafted for him by Arthur Hill.

“Wait, Noa you gotta make sure you’ve got enough room to roll over.” Chris added, throwing the couple an enthusiastic double thumbs up.

“I’m gonna kill you.” Noa said, only loud enough for George to hear, as she narrowed her eyes at Chris, who was too busy grinning from ear to ear, along with the two Arthurs.

George saw this and averted his gaze, doing everything he possibly could to avoid meeting Noa’s eyes as she faced him. He resisted for as long as he could, but eventually caved.

Luckily, he didn’t meet Noa’s eyes, as she had presumably fazed out, gazing at the geometric pattern on the pillow. George’s stare softened slightly has he studied her features, noticing the faint freckles that dotted over her nose, as well as the small circle of amber that added contrast to her icy blue eyes.

George wasn’t sure how he had been staring at her, but he was saved from any further embarrassment by Chris clearing his throat. “Glad that’s over.” He said, immediately sitting up and fixing his hair, leaving Noa behind.

She coughed, rubbing her face as if it would absolve her of any feelings of uneasiness and embarrassment. “Thanks for that.” She muttered to the two Arthurs. “I’m sure that really helped the situation.”

“I reckon so yeah.” Arthur Television agreed happily.

“Being sarcastic Artie, being sarcastic.” She sighed, patting his shoulder.

chrismd10

liked by noamurphy, arthurhill and 386,820 others

chrismd10 can’t buy an ikea bed without testing it first

comments open

fan1 noa??? and George???? what is going on right now???

⮑ fan2 I was there and I don’t think they’re a thing bc Arthur asked them to do it

⮑ fan1 but why would he do that if not for…?

noamurphy hate you arthurhill

⮑ arthurhill love you too

maxbalegde can’t believe my mans in bed with someone else

⮑ noamurphy not my fault I promise he’s all yours x

fan4 I know they say that there’s nothing going on but look how close they are!!!! really confused rn

⮑ arthurtv Watch my vlog and then you’ll be fine

gkbarry_ omg who’s that fittie in bed

⮑ georgeclarke yours truly

⮑ gkbarry_ ew no not you

⮑ chrismd get roasted George

⮑ georgeclarke shut up hobbit

[symphonybracket]

YouTube links: Mahler 2, Tchaikovsky 6

Comments:

Mahler 2

Have you ever wanted to feel like you're going to shake apart into a billion pieces if someone so much as looks at you. That's how I feel after listening to this beast. This symphony changed my life for real. It's famous for it's ending and for good reason!! It truly feels like your soul is getting blown up and steamrolled. Listening to it live was like getting peeled by god. It calls for 10 horns which is how you know it's going to fuck severely. It comes in 5 movements: good lord oh my god, hehe teehee, oh so that's why they call it the death shriek, crying on the floor for 5 minutes, and I Have Died. The part known as the "Death Shriek" is shown below! And if you're interested in learning more about the symphony, here's my favorite analysis website!

It's an everything in the universe piece and when I sang in the choir for it I think I actually ascended to a higher plane of existence for 15 minutes

I came across (imo) a good video giving a summarised background of Mahler 2, it’s called ‘Gustav Mahler - Symphony No. 2: Explained in 3 Minutes’ by orchestra of the music makers on YouTube

There is also a piano arrangement!

Tchaikovsky 6

Everyone bangs on about the 4th movement but it's the 3rd movement that really hits

tchaik 6 is what i would listen to if i had an hour to live

the 5/4 movement of the tchaik lives rent free in my mind and i think about it every day

It’s beyond gorgeous. The melodies soar, the orchestra swells, and you just need to lie down for a while after listening to it. It’s Romanticism at its zenith. You want to weep and sigh, and it’s impossible to listen to it without literally feeling something.

Symphony No. 6, titled “Pathétique”, was Tchaikovsky’s final symphony. It is an intensely emotional piece, and to many scholars demonstrates the emotional turmoil that characterized much of Tchaikovsky’s life. He died about a week after its premiere, a fact which leads many scholars to debate about whether the content of the piece itself reflects the possibility that he may have committed suicide. The title itself is often translated to mean “impassioned suffering”, although this was most likely a later addition by Modest and not actually part of Tchaikovsky’s vision. Given these facts, many scholars interpret this piece to be about death and suffering. However, this piece can also be seen to represent life and all its contrasting moments. This interpretation is more holistic and inclusive of all of the moments captured in this piece, and also serves to break down the common narrative of Tchaikovsky as a tragic figure.

More comments about Tchaikovsky 6 below the cut (length warning):

Scholarship surrounding Tchaikovsky’s music tends to focus heavily on the ways his confliction over his homoerotic desires appears in his writing. However, his personal letters reveal a much more balanced understanding of himself that goes beyond the common narrative. In one letter written to Modest describing a new relationship with another man, he writes: “I awoke today with a feeling of unknown happiness and with a complete absence of that emotional sobriety that used to make me repent in the morning for having gone too far the day before.” Many of the letters he wrote regarding his relationships demonstrate no shame and no anguish beyond what can be expected of a man living in a homophobic society. It is important to take this information into account when listening to a piece such as this one that has been discussed so frequently, and to understand it beyond the turmoil and strife that it is seen to represent. Like many of Tchaikovsky’s works, this symphony displays a range of human emotions. It is not only representative of tragedy and “impassioned suffering”; it is a depiction of what it is like to live. It is also interesting to note that this piece is used as a signifier of queer desire in the novel "Maurice" by E.M. Forster, a novel also notable for its radical portrayal of a queer man who gets a happy ending. Much to think about there.

The first movement begins with a lone bassoon soloist playing a plaintive minor melody, which later comes back in the strings. As the movement progresses, it grows in intensity and texture. More instruments are added, and the music becomes more frantic, building and building towards the dramatic trumpet fanfare. Throughout this piece, Tchaikovsky continues to make significant use of contrasting dynamics and melodies, reflecting the emotions he hopes to convey through the music. Dramatic, tumultuous sections are interspersed with pastoral woodwind melodies, and the angry brass fanfares give way to a quiet ending.

The second movement is reminiscent of a waltz, and uses the strings and woodwinds more than the brass to achieve its floating melodies. The dynamics ebb and flow to build tension, but this movement never reaches the same levels of anguish that the previous movement does. Tchaikovsky makes use of pizzicato in the strings to convey a lighter, more cheerful mood, and features the upper woodwinds prominently. He also repeats themes frequently, giving the audience something familiar to listen out for as the movement progresses.

The third movement begins with frantic energy in the strings and woodwinds. As more instruments join the rush of music, the underlying eight note accompaniment does not let up, continuing the vivacious beginning through the whole movement. Instruments pass the melodies between each other and engage in conversations across the orchestra. Like the first movement, the brass play a prominent role in creating dramatic climaxes in the music, as well as supporting the march-like conclusion. Conductor Myung-Whun Chung describes the deceptively dramatic ending as, “one of the greatest, most thrilling, but most empty of victories in musical history,” observing that this movement has the energetic finality of a final movement. The reversal of having the true finale be a slower movement represents a shift away from the “Beethovian model of light over darkness” common in most other symphonies of this time period.

As mentioned before, ending on a movement with a slow tempo was a significant shift away from the standard of the time. This innovation inspired many other future composers to use the same technique, most notably Mahler in his Ninth Symphony. The quiet beginning builds up towards a chaotic rush of fast runs throughout the orchestra, only to stop abruptly and continue in halting, cautious bursts of melody. The movement continues with this cycle of rushing up to a climax and backing away as the movement progresses. Tchaikovsky highlights the horns in this movement, giving them both angry, blaring notes which cut through the string melodies and the flowing, lyrical lines that are passed throughout the orchestra. As the piece ends, the instruments fall away until all that is left are steady repeated notes in the basses, bringing this lament of a movement to an understated close.

[poppitron360]

After responding to @puzzled-pegasus’ ask about my lighthearted Leo hcs, I came up with a WHOLE BUNCH MORE so buckle up (these are mostly Valgrace)

1. Okay so I recently did a rewatch of all six Tinkerbell movies for this project I’m working on and for no other reason not just because they’re awesome and I KNOW FOR A FACT that Leo loves those movies (they’re a beloved classic in Cabin 9). The plot of the first movie is LITERALLY JUST “Hey making things is really cool and you don’t always need flashy nature powers to be useful and you should be proud of your gifts!!’ (The Tinker fairies are literally just Hephaestus kids with a green colour palette).

2. “Tinkerbell” is one of Jason’s nicknames for Leo. Leo pretends to hate it but he secretly loves it.

3. Jason started noticing that whenever Leo steals his hoodies the tags at the back always end up mysteriously being cut off. Leo hates them bc of sensory issues. Now, whenever Jason buys a hoodie, the first thing he does is cut the tag off so that Leo can wear it, too.

4. Leo once collected all the tags that he cut off his clothing and sewed them together to make a plushie and gave it to Jason to say thank you.

5. Gift-making is Leo’s love language. Jason’s love language is showing off those gifts.

6. “How to Train Your Dragon” is also one of Leo’s favourites, and he likes to curl up with Festus in Bunker 9 and watch all three movies plus the spin-off shows.

7. He references Vines CONSTANTLY. So does Piper. They like to watch compilations on YouTube and quote along to them. Jason is SO CONFUSED when they quote them out in public.

He’s just like “Why did you yell “LOOK AT ALL THOSE CHICKENS!!” When we passed by that field of geese earlier?”

And they respond with, in perfect unison- “Wouldn’t you like to know, Weather Boy?”

8. I feel like he’d be the typa guy who’s memorised the entire Bee Movie Script.

9. His favourite musical is “In The Heights” bc he knows all the Spanish and he also relates to Usnavi on a SPIRITUAL LEVEL.

10. One time he was a little too overenthusiastic doing the HOT TO GO dance and accidentally wacked Reyna in the face. They found her in the process of trying to tie him in a bag with a rabid dog to throw him in the lake.

11. *types text out in all caps* *deletes it and types in lower case* *thinks “ah, fuck it” and types it out in all caps again*

12. Carries around Uno Reverse cards in his pockets just in case. It’s actually gotten them out of some tough situations.

Monster: I’M GONNA KILL YOU!!

Leo *reaching into his tool belt*: ha!

Leo: UNO REVERSE!!

Leo: NOW WE’RE GONNA KILL YOU!!!

13. His favourite Taylor Swift song is “I can do it with a broken heart”

14. Kinda a genius at Puzzle games, videogames in general (in TLH he gets exited when he sees Beckendorf’s old bed had a gaming rig, and also canonically played Mario Party with Jason). He used to play those Lego Videogames as a kid. (He still does).

15. Also he’s the only person who can beat Annabeth at Chess. She gets SO MAD:

“It’s literally a war strategy game! How are you better than me?!”

“[Witty Chess Pun here], mi amiga.”

*Annabeth flips the board over*

16. I mean we all know that he plays with Lego, right? I like to think that’s how he designed the Argo II, by building it with Lego first.

17. Jason and Piper only find out that Leo’s real name is “Leonidas” AFTER he died. And now Jason would never get to tease him about it…

(I know Rick confirmed it wasn’t but I like it so I’m sticking with it)

18. He was actually very careful to not teach Hazel all the memes right away, and save a few for the perfect opportunity. After he told her about his plan to sacrifice himself, he goes up to her and says very solemnly “At my funeral, please- I want you to play my favourite song as you burn my shroud. It’s a beautiful song called “Never Gonna Give You Up” by a man called Rick Astley- it’s about strength and loyalty and devotion. I think if- if I don’t make it… it would be a fitting send-off.”

She falls for it SO easily, and Leo got to play a few tricks on his friends from beyond the grave.

19. I know his death was a serious matter, but you can’t tell me that Leo didn’t use it to mess with Frank and Hazel.

“Hey, Frank! Are you gonna finish that cookie?”

“Well, I was planning on-“

And then he gives him an “I’m about to die tomorrow” look and Frank just caves and gives him the cookie. Little does he know that Leo’s already scored two muffins and a chocolate bar from Hazel by pulling the exact same trick.

20. In a world where Jason survived, he also uses it to mess with him.

“Hey Leo, can you take out the trash?”

“Can’t you do it? I died to save you.”

21. When he turned 18, he actually got a “Hot stuff” tattoo just like the fake one he drew in MoA

[atopfourthwall]

Geez Louise that was an aggressive response. I wasn't advising you on how to make everyone stop teasing you, mid level youtubers will always have jerks. I was talking about a proven method to deal with it in a healthy way- judging from your response alone I felt you needed. Think of its this way: you made that comic 17 years ago. Do you really want to be still getting SO angry and snapping at people in another 17? If not at LB but whatever else they'll come up with? But up to you, best of luck.

You're absolutely right it's an aggressive response. Maybe it was an unwarranted one... but your message was frankly unserious and unoriginal. Because your "proven method" is horseshit. "If you let people bully you, they'll stop bullying you." That's what you're recommending - be good natured about people insulting me. It is in fact not healthy to sit there and bear it and pretend I'm okay with it. I was quiet about it for a year or two before I finally started pushing back on it. I was miserable and it was affecting my mental health. They kept doing it - some because they honestly did not realize it upset me (and again, that's who the thread is for and I repeat - speaking out about is what got people to stop). But the other ones? "Do you really want to be still getting SO angry and snapping at people in another 17? If not at LB but whatever else they'll come up with?" Here is what you need to understand and I don't think you do: THESE PEOPLE DON'T FUCKING LIKE ME. They don't like my face. They don't like my voice. They don't like my show. They don't like my sense of humor. They don't like my hat. They don't like that I'm liberal. They don't like that I support LGBT+ people. They don't like that I analyze Power Rangers. They don't like me when I'm happy. They don't like me when I shout. They don't like me when I'm successful. They don't like that I was part of Channel Awesome. They don't like that I'm NOT part of Channel Awesome. They don't like my friends. They don't like me streaming. They don't like me criticizing truly awful people. They don't like when I don't dance to their little nickname. They. Don't. Like. Me. I am a joke to them - a clown, a living meme that they can throw my name out and it's an automatic laugh. I am not a person to them with thoughts and feelings and something that can be hurt. I am only real to them because they think I'm pathetic and they want to bully someone that they think is more pathetic than them. They do not and never will respect me. They see me as the guy who invented Lightbringer 17 years ago. That's it. That is all I will ever be to them... if I'm lucky, because these are the same kind of people who will try to find ANY weakness, anything that's slightly embarrassing I've said or done as a weapon... or just make up complete bullshit to attack me and make that into more memes against me, too. And the fact that you just refer to it as "teasing" me shows everything I need to know, frankly. Because that's all that it is to you - not something that was hurting me. Not something that was affecting my mental health. Not something that I respectfully ask people to stop doing because it makes me uncomfortable. Hell, your original message said I was "constantly" doing it. Two threads a couple years apart with a smattering of me asking one-on-one "Hey, can you not do this? It's actually intended as an insult." The assholes doing it to be assholes just get a block, because why the fuck would I try to engage with them? So yeah, if I'm aggressive in my response, I'm sorry, but your way is NOT healthy. Maybe my way isn't the right way for everyone, sometimes it CAN make things worse... but that's not the case for me and I get tired of bad advice from people who think they understand what's going on.

[ineffectualdemon]

I don't think saying "why would any adult want to be friends with a kid? What could they possibly have in common?" Is helpful when talking about concerns about grooming

Not only because cross generational relationships are not inherently bad or predatory

(the one bad example I gave on my other post doesn't cancel out all the really wonderful adults who made me feel safe as a teenager)

But because it's disingenuous

What could an adult possibly have in common with a teenager?

Well:

They like the same shows

The same music

The same books

The same YouTubers

They do the same crafts

Art styles

Other hobbies

They do the same sport (archery, martial arts, etc)

It's not bad to be friendly and have friendships with people who share your interests and hobbies even if they are in another generation

Thats how skills get passed on to new generations. This is a positive thing!

But that's also the reason this:

"why would any adult want to be friends with a kid? What could they possibly have in common?"

Isn't helpful

Because kids know what they have in common with the adult they are friends with so it must be a combination of common interest + they ARE as mature as their new friend says and it all feeds into the grooming talk the adult is using on them

Most of the adults who have friendships with teens are very aware that they are adults and have a firm line that they will not cross and will in fact tell the kids how to protect themselves better. These are adults to choose to engage with teens to teach and be friends in the very careful distant way that you are with somebody else's child. They are there to have fun, impart some wisdom, and feel like a proud mentor and make sure everyone is safe.

Not to say the teens are lesser as the learning goes both ways. Teens are young but there is a saying about fresh eyes being helpful. Kids are not stupid and I have learned a lot from just my teenager. Teens are worth listening to

In those friendships the adult has a responsibility but they can be a vital resource and help for teens who aren't getting any support from home

(there are also adults who are not choosing to engage with you and you can't be angry at people swearing and telling raunchy jokes at their table that you weren't invited to when you're the one who walked over and they already told you to go away. And sometimes the Mentor/Friend person will be at that table and tell you to go away as well and you need to listen.)

But the ones who are shady can easily counteract that message because they are in private messages talking about things they absolutely shouldn't and then saying how mature you are to prevent you from expressing how uncomfortable you are

They will keep pressing your boundaries to make you give me and they will encourage you to keep it a secret

Teenagers

It's not bad to have friends who are adults and it is perfectly ok to have people older than you in your life. You add value to these relationships and it's good for both generations to communicate and learn from each other

But: if someone is telling you deeply personal intimate stuff that makes you uncomfortable or asks you questions about your body or sex life but you don't feel able to tell them that, or suggest you keep the friendship or chats a secret and go on to praise your maturity - that's not okay

That's shady as hell

A real friend whose an adult will keep things in the open and would never suggest you keep your chats secret and if they did say something to make you uncomfortable (we're all fallible) they will apologise and make sure to not do that in the future. But they have to actually not do it in the future

[that-ari-blogger]

Iconic (Defying Gravity)

If you look up "iconic Broadway songs", you get lists upon lists of musical numbers, but there are a few constants. Beside One Day More from Les Misérables, Don't Cry For Me Argentina from Evita, and Seasons Of Love from Rent, you will usually find Defying Gravity, from Wicked.

If you think about it, this is actually rather weird, right? The aforementioned songs are about preparing for death, dying, and looking back on life, respectively. Defying Gravity is about a witch deciding to fly. A story that is objectively fantastical (it depicts magic and flying monkeys in a place that definitely does not exist) stands next to stories of real-world history and events, and nobody bats an eyelid because... well... because it's just that good.

This is like a corgi winning a race fair and square against a ton of cheetahs.

I think it's worth examining just what Defying Gravity does to stand beside giants, and what story it is telling.

Let me explain.

SPOILERS AHEAD: (Wicked)

Defying Gravity is a battle cry.

When you examine a piece of media, the first thing you need to understand is what it is that that piece of media is trying to achieve. For example, if you examine a commercial for toothpaste through the same lens as a commercial film, that commercial will fall short. Similarly, if you examine a song that is trying to get stuck in your head through a classical, technical lens, things get funky.

You can, of course, apply those different lenses if you want. That's the fun thing about art, there are few rules. But even then, you need to understand the purpose of the text.

Defying Gravity is a battle cry.

It is a song that calls to arms its listeners. It says to Oz that things will get better, if Elphaba has to tear down the world to make it so. And it tells the audience to get excited, because someone has just started shaking things up.

The song is a turning point in the musical. It is the end of act one, and it sets the trajectory of the second half of the story. It defines how the characters will behave going forwards. But also...

Defying Gravity is a breakup song.

I don't think the two are disconnected at all. Wicked is about reality and dreams colliding, and it follows the seeking of freedom. The twist is that for freedom, you have to give up your safety, and Glinda isn't prepared to do that, but Elphaba is.

This is a piece by @abd-illustrates (Youtube, Deviantart). Although I believe it's technically about No Good Deed, I feel it's relevant here and a spectacular feat of artistic merit that I had to put it in.

Wicked has been accused of queer bating by fans, and while I see that angle, I don't quite agree. I think that the romantic relationship between Glinda and Elphaba does happen, but the fact that it doesn't work is key to the story. They are doomed lovers, and this song is that breaking point.

What is more valuable to our protagonists? Autonomy or stability? Both characters pick different options, and that incompatibility tears them apart.

"Elphaba, why couldn't you have stayed calm for once? Instead of flying off the handle!

I hope you're happy

I hope you're happy now

I hope you're happy how

you've hurt your cause forever

I hope you think you're clever"

Glinda's perspective here is clear, she believes in the system she is a part of. She sees its flaws, but because they work for her, she sees them as strengths. And this is understandable, the system has only benefited her, so she is blind to its faults.

But understandable is not the same as agreeable, and I am inclined to follow Elphaba's logic here. The system is unjust, and directly in opposition to her goal of fairness and equality. She wants to make the world a better place, and now that the system's lies are revealed to her, she needs to take things in a different direction.

"I hope you're proud how you would grovel in submission

To feed your own ambition"

So, the sides are established, and this song serves as a battle of ideas. Both characters want their friend to join them, and its notable how they go about doing that.

Glinda falls on aspiration and references a previous song to get her point across.

"You can still be with the wizard

What you've worked and waited for

You can have all you ever wanted"

I feel the need to point out that Glinda wasn't present when Elphaba sang The Wizard and I, and yet she matches the tune and meaning almost perfectly. Elphaba hasn't merely told Glinda her dream, she has shared her dream with her, and confided in her that incredibly vulnerable side of herself.

Elphaba acted so differently in The Wizard and I than in the rest of the story, she was less guarded, and more childish with that naive hope that she holds onto throughout the entirety of the show. That hope just becomes less naive and more relentless.

Elphaba has shared that naivety and hope and whimsicality with Glinda, and it's that relationship that Glinda is calling on now. Remember us, remember our dream.

However, for all Glinda's canniness and understanding of the world, she doesn't understand people, and she doesn't understand Elphaba.

Elphaba wanted to meet the wizard for a reason. She had a motive behind her dream that superseded the specifics of how it would play out.

"But I don't want it

No, I can't want it anymore"

Notice the vernacular that Elphaba uses. She can't want to be with the wizard. In her mind, doing the right thing isn't a choice. To Elphaba, good is a force that has pushed her to where she is right now, and forced her to sing this song.

Essentially, Elphaba is a paragon hero and is actively unmaking the grey morality of the setting. Often in media, "realism" is shorthand for everyone being either selfish or misunderstood. It's a pessimistic worldview of life that I don't entirely agree with.

That does happen in real life, don't get me wrong. The vast majority of the world is made up of people who are capable of actions that are good, bad, or neither.

But there are people out there who are truly cruel and evil, trust me, I've met some of them. But I've also met their opposite, people who are kind and compassionate and do what they think is right because to them, there isn't another option.

Elphaba is that second type of person, and the musical has got its audience to take this for granted at this point. But it's worth remembering that this character is the Wicked Witch of the West, the cartoon bad guy of an iconic work of literature. The musical hasn't made her more morally nuanced; it has made the world more nuanced, and that has reframed this character entirely.

The song even reminds the audience of this fact through the ensemble, just to make the juxtaposition more obvious.

"Look at her! She's wicked, get her.

No one mourns the wicked! So we've got to bring her

Down"

This is actually foreshadowing for a later song.

Back to this part, the backing of the song has spent the majority of its run time playing elaborate movements, but for Galinda and Elphaba's talk about dreams, it simplifies. Galinda gets a bare trickle of that floaty harmony, but Elphaba gets next to nothing for her line. Mostly.

This, combined with the slowing down effect brought on by the fermata (the symbol that looks like an eye), gives the conversation an intimate tone. The two have just each other to hear, and nothing to get in the way. It also frames Elphaba's line as reassurance. There is a storm coming and she is telling her girlfriend that things are going to work out ok in the end.

However, the big chords come back in on the "anymore" and lead into the key change that covers the rest of the song. This is a metaphor for the change that is happening in Elphaba's mind. As she makes her decision on how to proceed, and recognises that things are now different, the slow build up to this song's finale is finally got underway.

The rest of this song is just a build up to a final crash of sound. It rises in a few beats with the choruses, as Elphaba tests her wings, so to speak. And the song gains momentum slowly as more instruments are added.

If you thought I wasn't going to at least reference Glee's multiple performances of this song and how in that series, Defying Gravity is explicitly synonymous with queerness and pride, welcome to the blog. I make analysis posts, maybe stick around if you like this kind of thing.

"Too late for second guessing,

too late to go back to sleep"

There are two separate ideas being intertwined here. First up is the reiteration of Elphaba's inability to stop. Once again, she is doing the right thing because someone has to do it, and soon it will be too late. But the duality of this phase links that idea with the revelation about Oz. She can't go back to sleep, she can't go back to ignorance. Now that she knows what she knows, she has to act.

"Too long I've been afraid of

Losing love I guess I've lost.

Well, if that's love, it comes at much too high a cost."

This isn't particularly complex storytelling, but it's effective none the less. Elphaba is saying her realisations out loud to keep the audience up to speed. In this instance, she has been chasing acceptance, and now understands that she was never going to get it from Oz, and that what she would have to do to obtain a facade of understanding is not worth it.

The fact that my analysis of that phrase is just saying it again but slightly differently is a pretty good example of how effective the storytelling in the line is.

"I'd sooner buy defying gravity

Kiss me goodbye, I'm defying gravity

And you can't pull me down"

The first chorus of this song is remarkably understated. It doesn't have the confidence of latter verses, and I will discuss why I think that is in a moment. The orchestra pulls back to a few instruments, and the drum plays a light rhythm on one of its... ok I my musical knowledge is a bit limited here. The bit of the drum that goes "tss tss tss", you know the one.

This gives it a light feeling that adds to the unsteady feeling of the chorus as Elphaba tests the waters and learns to fly. But she needs guidance, and support, and who does she turn to for that?

"Glinda, come with me."

This is the first time Elphaba has been thinking on the spot. Usually, she thinks everything through before she says it, but now she is running entirely on a single train of thought. I cannot stress enough how this thought process is literally: "love, kiss goodbye, Glinda". Historians will say they were close friends.

A leitmotif is a recurring musical phrase that represents a certain theme. For example, earlier in the musical, Galinda's "you deserve each other" musical phrase was repeated to show false relationships and false promises, and was also used in The Wizard and I to foreshadow the false promise of the Wizard and his gifts.

The Unlimited Leitmotif is used exclusively to symbolise Elphaba and Glinda's relationship. You can read that as platonic if you want, but there are some context clues that I would argue suggest otherwise. For example, it's called the "Unlimited" leitmotif for a reason.

As I have kept harping on about, the most valuable thing a person can achieve in this musical is freedom. This is a song about defying the laws of physics themselves. And the thing that Elphaba is offering Glinda here, the thing that is so defining for their relationship that it is literally the shorthand for it, is complete and total freedom.

Together, the two are unlimited.

The second chorus is sung together. Glinda gives Elphaba the strength of spirit to continue and is quite literally the reason she can fly in the first place.

But Glinda doesn't want that. She wants to feel in control of herself more than autonomy, and that's why the relationship falls apart. The two are doomed lovers, and it's not because one of them lies or cheats or any of that soap opera nonsense, but because they want different things out of life.

"Well, are you coming?"

"I hope you're happy

Now that you're choosing this"

"You, too

I hope it brings you bliss"

All in all, I think this breakup goes remarkably well. The two realise that their lives are taking each of them in a direction that the other cannot follow, and so they offer their goodbyes peacefully and get ready for the finale of this act.

Glinda even gives Elphaba a cloak to protect her from the elements as a final goodbye gift. Which, if you are keeping track, means that both the hat and the cloak, the Wicked Witch's most iconic visual elements besides her skin, were gifts from a very close friend.

I don't need to explain why the final chorus of this song is so good, do I? The music is phenomenal, the vocal performance is unrivaled, and it outright says half of the points I have been trying to make in this post.

I do think that the sheer skill on display here is important for the theming as well. Yes, the high note symbolises the flight and escape, yes it's synonymous with rising above petty grievances, and yes the rising is literally a reverse Deus Ex Machina. But it's also just the actress who plays Elphaba showing off and having a blast. There are no limits on her vocal performance, she doesn't have to rein in anything, and she can instead belt out a number as loud and powerfully as she wants because nobody is stopping her.

"As someone told me lately,

Everyone deserves a chance to fly"

This is a reference to something that the Wizard said to Elphaba, but when he said it, he was completely talking out of his arse. The Wizard, and a significant portion of Oz as a whole, parade around saying nebulously benevolent things, but they don't actually mean it. The Wizard has created a nation based around surveillance and oppression, there is no way that he believes in everyone getting a fair go.

The important thing to understand is that the Wizard's worldview is wrong. Everyone does deserve fairness. So his lie to appease Elphaba was in fact true. Elphaba's role in this is making that lie into a reality, by giving the people someone who will say things honestly and try to actually make the world a better place.

Finally, however, as the lights prepare to shut off and Elphaba rises into the distance. Glinda stands beneath her, looking up. She is now just another face in the crowd, but her sentiment stands in stark contrast to the rest of Oz.

Simultaneously, Glinda says goodbye, and wishes Elphaba good luck on the road ahead.

"I hope you're happy."

Final Thoughts

It needs to be understood that part of why Defying Gravity stands beside historical giants like Don't Cry For Me Argentina is the fact that it is fantastical.

Wicked is a musical about the relentlessness of hope. It is set in a world where anything is possible, and it brings that to life. Through the application of some truly impressive stagecraft, the actress who plays Elphaba genuinely flies for all to see.

This is a story that takes the impossible and makes it possible, and this is the song which cemented that theme in the minds of anyone who watched it. This song fully deserves its place as my second favourite in this musical.

That's right, my favourite is yet to come, and I'm enjoying watching y'all guess at what it is in the replies.

Next week, I will be looking at Thank Goodness and how it sets up the plot of the second act. So, stick around if that interests you.

Previous - Next

[the-solar-system52]

DAYCARE ATTENDANT IN HELP WANTED 2

FUCK YESSSS!! I REALLY THOUGHT RUIN WOULD BE SUN AND MOON'S LAST MAJOR APPEARANCE BUT NO!! NEW TRAILER IS OUT AND ITS TIME TO ANALYSE!!!

WE FINALLY GET TO DO ARTS AND CRAFTS WITH SUN!! This seems to be a puzzle mini game where you make Paper Pals!! I'm guessing, if you mess up the Paper Pal, you get jumpscared (probably by Moon) or it could be a time trail. It does seem weirdly DARK in the clip for Sun to still be here, but maybe that was intentional? Or not.

(those red doors seem to have lightbulbs on them, maybe there's a mechanic where we need to stop the lights from going out?)

Edit: I have even more evidence to suggest that the lights will be a feature in this minigame! In the one clip, if you slow it down, you can see the lights flicker and the screen you are using switch off!

I bet this is the electricity going out, and if that happens, Moon will jumpscare you! A lot of HW minigames have a "do this task but also stop this thing from happening so you don't get jumpscared" like the mangle vent repairs, so this makes sense!

NEXT UP WE GOT THE CAROUSEL MINIGAME! Not much to say about this one, since Dawko already uploaded him playing it, but this is significantly higher quality! Moons animation is different, and more things could change from the Dawko version considering the fact that it was only a playtest and wasn't finished yet. I'm very excited to play it!

(I hope they upload the carnival music in better quality if they release the soundtrack for the game. that shit SLAPS)

Ok so this is a weird one. We seem to be training the endo (who has a VR HEADSET on) with a moon-themed memory card game. At first, I thought this would be in the daycare because of the background, but in another clip, we see the camera pan over and we are actually in the daycare-themed room in the endo section all the way back in security breach!

Moon has always had a weird unexplained connection to the endos. Broken endo parts in his room, Moon merch and Daycare structures in the endo basement thing, and even evidence of a scrapped area of the endo section that Moon was supposed to appear in. (There was an unused soundtrack and unused animations, check out the Lost Bits YouTube video on SB for more info)

I'm excited to see if they will explain more as to why these connections are here. Is Vanny using Moon to train the endos to do her bidding? I dunno, but I'll be waiting to find out.

Last image i could find is this. It sure is a sun, dunno if its actually connected to Daycare Attendant Sun or not. The way this shot is framed makes it look like a dark ride?? That, or the player character has the weakest flashlight imaginable.

But if this IS Daycare Attendant related, then it'll most-likely be the intro for the Paper Pals minigame! Still, UNREASONABLY dark if this is a sun-centric minigame, there's no way the dark won't be part of the gameplay mechanic in this.

If anyone recognises this specific structure from anywhere in the pizzaplex please tell me!!

Edit: There's also this weird glitch-transition effect when it cuts to DJ Music Man, what's that about? Reminds me of the BB World Arcade Game a little bit.

Ending thoughts:

So before we get too excited, let's not forget about Help Wanted 1. The minigames were just that, MINIGAMES. They weren't even canon, and depending where this game takes place in the timeline, I don't think these are either.

I mean, these are DCA normal models! Where we left him in the story they were:

In their RUINED models.

And 2. Eclipse! And therefore non-hostile.

And even if this takes place BEFORE Ruin, how on Earth would Moon be at a CAROUSEL? In Help Wanted 1, the game was made-up by Fazbear Entertainment to make light of the rumours going around about Freddys, although they were based on real events, the Glamrocks aren't ACTUALLY in the Sister Location basements. I'm not saying there's NO truth to the minigames, but we shouldn't accept everything they tell us at face value.

BUT that doesn't mean we won't get ANY Daycare Attendant lore crumbs. Firstly, we may possibly get voicelines in the minigames, if they don't decide to just reuse old ones.

Secondly, it's possible this game will have something similar to the Help Wanted 1 Tapes. Secrets outside of the minigames that tell us more about the canon lore! Bonnie, The Glamrocks, DCA, and other loose ends from SB may be mentioned through these secrets!

Thirdly, what I just said may be made more likely if the "we play as Cassies dad" theory is true. If Cassie takes after her dad in having sympathy for the animatronics (which I think she does) then he will probably have something to say about all the stuff Fazbear Entertainment has done to the animatronics. Especially since he WORKS there.

EITHER WAY I AM SO INSANELY EXCITED!! Unfortunately, it comes out on December 14th and I won't be able to play it till Christmas so TAG YOUR SPOILERS EVERYONE!!!

[redvelvettecakes1]

⚠️ SPOILERS + THEORY FOR THE NEW WELCOME HOME UPDATE ⚠️

hello! this is my first post on tumblr, so I’m not sure how exactly to use this app very well but, just a note before I get started, I also have a YouTube channel, where I posted this theory on, i do not want to give away my channel on here though! If that’s okay!

. . .

I’m unsure if I’m overanalysing things, but hopefully you guys understand this theory and it makes sense to you! again, I could just be overanalysing, but these are genuinely just my personal thoughts!

first off, info on where I found the 2nd, 3rd and 4th photo from, basically if you go to the website and go to the “the playfellow exhibition” section, scroll till you see the bundle of photos and keep scrolling until you find the “welcome home Worksheet” image with a picture of Wally on it, then click on the image and either if you’re on laptop it’ll come up on the right side (I think) or if you’re on phone It’ll show up at the bottom, you then click the line that looks like an answer box and then it takes you to something that looks like a vault, click one of the buttons and it’ll ask you to enter a password, the password is BSPJW, then you should be taken to the place I’ll be talking about in this post! ✨

. . .

anyways, onto the theory I’ve made!

so, I’ve come up with a theory that wally might actually be the victim and it’s the re-searchers that are trying to uncover welcome home that are the bad people, like Amanda the adventurer and Hameln, people believe that Amanda is evil when really it was the company that was evil!

and this theory is basically going to be a bit like that, what if the re-searchers are actually the bad people? what if home and Wally are actually completely innocent and it’s just the re-searchers? as it seems to appear that welcome home was an ‘old TV show’ that nobody remembers apart from these so called ‘re-searchers’, the proof is mainly in photo 3, I believe the person who wrote that is one of the re-searchers, “maybe that’s why nobody has ever heard of WH”, this confirms that people don’t seem to remember welcome home apart from this re-searcher.

. . .

moving onto photo 2, the highlighted words, now I cant put my finger between if this is wally saying this or if it’s the re-searcher, because I mainly believe the other highlighted words are indeed wally, as photo 5 says “- wally darling” which appears to make it sound like wally, before I explain why I think it’s Wally, if you guys cannot read what it says in photo 2, i tried to read what it says, and it says . . .

“everything is so disgusting to touch, sometimes the mail doesn’t come for weeks, I want to rip into everything I have. my head feels so muddled too. ever since I opened that envelope.” . . .

. . .

now on quote “sometimes the mail doesn’t come for weeks” I have a feeling this is implying that something has happened to Eddie, since he is known as the “mailman”.

now anyways, back to why i believe this could be wally, basically in photo 4 it seems as if the re-searchers have found a wally puppet, now I have a feeling that the wally puppet could secretly be alive and it is actually wally but wally is playing d3@d due to the fact that the re-searchers might be dangerous people, I also think this is how wally gets onto the website and tries to contact the viewer, because if the owners of the website have the real wally, then wally must be able to sneak around and get a hold of the website, which is why it seems to appear that wally is the ONLY puppet in welcome home that seems to be able to interact with the viewer.

I also believe that wally trying to contact the viewer means he is crying for help, he is trying to hint that something awful has happened and he needs help with something, but it seems as if he has to keep it subtle, because if he gets caught, he could put himself in danger., this could also be why wally keeps repeatedly saying things like “can you see me?” “I can see you” etc, because he is trying to control the website and get possible help, and he believes the only way to get help is to try and hide secrets within the website to contact the viewer and try to speak with whoever is viewing the page.

. . .

but the question is, what happened to the other neighbors? where are they? and simply, I don’t quite know but I do remember this one welcome home theory I had seen on YouTube a while back, where the person stated that If you go into the “neighbourhood!” page and click on all the characters, it talks about ALL the characters in the past tense apart from wally, for example, it would say “wally IS” and for the others it would say something like “barnaby WAS”, and it literally talks about everyone in the past tense apart from wally.

why I think this is happening? because I believe that they are talking in the past tense for the other characters is because they haven’t FOUND them yet, in photo 4 it appears that the re-searchers have found wally, which is why they most likely talk in the present tense for ONLY wally, so I believe that the other characters are missing, either they’re just missing or something bad has happened to them, and the re-searchers have not found them yet, meaning this could be why they are making it sound like the other neighbors ‘no-longer’ exist.

. . .

In summery, I basically think that wally is alive and he is controlling part of the website— while the re-searchers are putting information into the website, wally is sneakily going on and hiding secrets, trying to warn the viewer and make the viewer realise that he needs help and that welcome home is not just a ‘sweet little neighbourhood’ that’s completely ‘safe’. and like I’ve also mentioned, I believe that the other neighbors are currently missing and the re-searchers are trying to hunt them down and find them, as that’s the re-searchers purpose, they’re trying to find the missing pieces of welcome home so they can ‘prove’ to people that welcome home was a ‘real’ TV show.

. . .

anyways, this is just a theory of course and I’m not in any way trying to say that this is canon or is true, it is just my thoughts and opinions and what these things look like to me, as there are many theories already, and although I feel like wally could be a victim, there is also a lot of proof that wally could be evil too.

but anyways, I hope this post made sense to you and you guys enjoy my theory! 💗