#why can't it be that way for psychological pain?

[himalayaan-flowers]

please stop describing ERP as a "gold standard treatment" i am going to cry

[anaalnathrakhs]

mental health facilities looooove to only have inpatient available when it would make things worse

[featherymainffins]

I thought I would walk some additional 14 km today and thus burn my accidental lunch (caved into peer pressure and went to a restaurant and had a salad instead of eating my perfectly counted can of tuna) and as such I agreed to go have breakfast with some friends tomorrow to celebrate the end of the excursion.

But I did not walk those 14 km because I wasn't able to get water + I just finished 12 hours of lectures + my arches were killing me + it was raining + I wanted to shower + I wanted to study + I was fucking freezing.

Which means I have to punish myself for my lack of discipline and I also have to make up for the food and that means I CANNOT have that breakfast. In fact I cannot have anything. For 2 days. Just to be sure.

So now I'm trying to figure out what lie I can make up. Currently thinking about saying that I just started to feel really nauseous all of a sudden and as such I unfortunately cannot eat breakfast oopsie. It feels really random and not really believable though.

[i-drop-level-one-loot]

*NSFW* How to train your pet Human pt. 3 (Yandere!Alien x GN!Reader)

CW: Dub-con, mild psychological distress, mind break, dead dove fic

Part 1, part 2

Kirtch slumped over his friend's standing chair, miserable and mopey.

A tall creature, taller than even Kirtch, sighed dramatically, sauntering around their depressed friend with a smaller horned being crawling behind them.

"I don't understand what I'm doing wrong." Kirtch whined pathetically in Jaudna's native tongue. Jaudna made a gurgling sound with the soft spot on their head, the closest human equivalent being someone rolling their eyes. They sprawled across their lounging seat, motioning for their pet to stay on his knees.

"I'll tell you exactly what you've done wrong. You pampered them too much."

"I punish them!"

"You punished them for their escape attempt. That was it. You've allowed your pet to test your authority in plenty of ways after that."

The man on his knees pleaded with his eyes to be let up, but stayed perfectly still, like he wasn't alive. Kirtch noted Jaudna's pet's demeanor with discomfort. That discomfort only lasted until he imagined (Reader) in that same position, looking up at him with their large dewy eyes, waiting so patiently to be held by him... his discomfort was replaced by jealousy.

"You don't understand, (Reader's) such a sweet little pet, and whenever they struggle they're so cute about it. I just can't understand why they aren't happy."

"Humans' minds are incredibly flawed. According to the few psychological texts I have gotten my claws on over the years, their memory is not set in stone like ours, it is fickle and easily manipulated. One of my books referenced a case in the nation called 'The United States of America' where nearly the entire country fell into panic over an imaginary evil, because a few doctors used a phoney science called 'hypnotism', a practice they believed could help recover forgotten memories, on a bunch of children, but accidentally implanted false memories of abuse, leaving the children traumatized, believing that they had been victims of a horrific occult."

Kirtch looked to his good friend nervously. "Are you implying I do something nefarious to my pet's mind?"

"No, I'm showcasing an example of how stupidly easy it should be to train your pet to love you." They tossed a book into Kirtch's hands, the cover printed with a photograph of a wild looking man, with fluffy hair and dark, hateful eyes. "Hypnotism isn't the only creative way humans have learned to reprogram each other."

Kirtch almost threw the book back, but saw Jaudna's unnamed pet still sitting so patiently for his master, and the pain in his body where his heart may have been throbbed again. "Thank you.. Jaudna."

(Reader) had waited for what they assumed to be well over an Earth day, alone in Kirtch's quarters, waiting for his return. The only company they received were the employees who brought their meals, speaking down at them in a language they didn't know, but could understand the disgust. It had been over a month since their fight with Kirtch. Every day since had been nothing but hell, feeling like their heart had been ripped out, they laid in their bed cage, only moving when necessary, allowing themselves to hide away inside their own mind.

The main door opened again, and (Reader) could hear Kirtch's long, graceful steps as he passed through the study and into the bedroom. "(Reader)? Are you still in bed?"

In an act of defiance, (Reader) kept their mouth shut, pulling the blanket tighter around their shoulders. But it was of little use, as Kirtch easily lifted their purposefully dead weighted body out of the bed.

"I'm sorry I was gone for so long, pet, but I had to see an old friend for advice." He carried (Reader) back to his desk, sitting them in his lap, fighting to hold them upright as they flopped about limply. "(Reader), please sit up so I can take off your shirt."

He began working on the wrists, the intricate metal cuffs with multiple buttons that almost acted like locks, and (Reader) subtly straightened their back to give him better access to the neck corset thing, thankful to finally have it off for a couple hours at least. (Reader) had grown to find it somewhat elegant the past few months, but it still was an incredible pain in the ass.

Feeling the air on their neck was bliss, and (Reader) immediately ran their fingers over their skin. (Reader) breathed a deep sigh, relaxing their body unintentionally. But almost as soon as their hands left their throat, a new collar was latched into place, a loud mechanism clicking as it tightened, stabbing the back of their neck with what felt like a fixed needle.

(Reader) cried out in pain, sprawling out their limbs on reflex, pushing themselves out of Kirtch's embrace and onto the floor, lying naked on their knees as they clawed at the collar, desperate to relieve the pain.

"What?? Why?" Their voice was barely audible through their sobs.

"I'm so sorry my pet, the pain will end soon, wait-" Kirtch pushed a button on what looked like a remote, and (Reader) could physically feel the rush of liquid enter their body, then the pain lightened, leaving (Reader) almost euphoric in it's absence.

"What is this? Why did you do this?" Betrayal laced their tone, and Kirtch looked almost on the verge of tears, but he stood still, refusing his urge to scoop up his little pet and beg for forgiveness.

"I know now that I didn't train you correctly, and for that I am sorry. I've given you too much leeway, and that is why you've been so unhappy." He took a ragged breath, thumbing the controller as he thought out his words. "I didn't want to do this, but I care about your happiness. This is for the best."

"So you put a shock collar on me?" (Reader) asked incredulously, spitting venom.

"No, nothing barbaric like that!" Kirtch looked hurt, flinching as he almost dropped onto his knees to comfort (Reader). "I just need to convince you that you're happy here with me, just as I did the first night you were here, to help you release your stress."

(Reader) remembered the shot he gave them, that first night when Kirtch used a toy to get them off, the hormones he artificially added to their body to make them feel pleasure, and then thought about the pain in the back of their neck. The color drained from their face. There were only two options; plead or double down.

"You can manipulate me all you like, I'll never be happy here." A tear escaped as (Reader) transformed their hurt into anger. "I deserve someone who will love me, not as a pet, but as an equal. Because I am a human fucking being. And we have partnerships. We don't jack off our pets, we do not love our pets like we love the people we have sex with, because that- that is not okay! Why did you.." (Reader) couldn't stop themselves from crying, looking up to try to at least slow the waterworks.

The silence between them was loud. (Reader) turned away, wiping away their snot with their bare arms.

"Pet, noun; a domestic or tamed animal kept for companionship or pleasure. Adjective; denoting a thing that one devotes special attention to or feels particularly strongly about." (Reader) looked up, horrified. "Your's may not be my first language, but I feel I had a pretty decent grasp on my understanding of what a pet is."

Kirtch placed a hand over his face to hide his expression.

"You'll be happier once this is all over. I promise."

"You son of a-!" (Reader) couldn't finish their sentence, more fluid passed into their spine, followed by an immediate sense of emptiness. Extreme anxiety flooded their body, causing severe stomach pain almost instantly. They collapsed, holding onto their midsection, their bare skin clammy. "What? Why?"

"No more talking back to me, pet." Kirtch kept his voice steady.

(Reader) cried out, rapidly becoming exhausted from heavy nothingness filling their body. "Please.. stop.."

Kirtch nodded, appearing relieved. He pushed another button, and the emptiness ebbed away, leaving (Reader) numb.

"I don't understand why you're doing this." (Reader) weakly grumbled, too tired to pick themselves up.

"Because I want you to be happy."

"I'll never be happy with you."

"Why?"

"Because! I deserve to be loved!"

"I love you-"

"Fucking liar." (Reader) snarled, knowing that this would cause them to be punished again, but needing to get in the last word. Kirtch looked so miserable, so crushed by (Reader's) words, but they felt vindicated by his pain. They needed to twist the knife deeper.

He smiled, so sadly, and grabbed a blanket, bending onto one knee as he covered his pet. "I love you, (Reader)."

Their heart clenched, and their face flushed. Immediately they searched his hands for the remote. "S-stop that."

"I love you."

Chemicals pumped into their neck, making (Reader) feverish and causing their thighs to ache. Their breath hitched, and tears of betrayal escaped. "I hate you."

"I know."

More pain gripped their throat, regret causing physical discomfort. "Why are you doing this?"

His smooth shelled fingers caressed their jaw, tenderly cradling (Reader's) face as though he needed them. Kirtch's touch sent shivers across (Reader's) skin, and they couldn't tell if it was because of the collar or their loneliness, but they wanted to pull him closer, make him touch them more.

"I will live for much longer than you. I will watch you grown old, and die. Even then, I will still love you. You are the most incredible creature I've ever met. I don't mind if you push me away, and slap at me. I just want you to be happy, at least most of the time." His head grew closer, his hardened face almost brushing (Reader's). "Let me make you happy."

'I need to fight back. Make him pay! I'm practically a slave! He bought me! I'll never see my family again because of him!'

(Reader) leaned forward, mind melting through their ears from the intense heat, and smashed their lips onto where his should have been.

All rational thoughts were drowned out by the intense need. They needed him, his love. (Reader) was aware of the sound of buttons clicking, but they couldn't stop, crawling onto Kirtch's body, feeling the edges of his joints scraping their back as his hands hungrily roamed their body, wanting to touch everything.

They would have felt ashamed, knowing how aroused they were, their exposed body touching Kirtch's stomach. Sweat was clinging to (Reader's) skin, and their eyes drooped stupidly. The only thing they could think of was relieving themselves, and wanting to see Kirtch relieved as well.

"Are you going to fuck me?" (Reader) whined between wet kisses, drunk on his touches.

"I will, if you want me to."

Their mood shifted, frustration beginning to surface again. "No. If you love me, wouldn't you want me?"

Kirtch sighed, fiddling with the remote behind (Reader's) back. "I do not have the same nervous system as humans do. We only engage in sexual acts for the purpose of procreation."

Shame shocked (Reader), sobering them up instantly. "Oh. I- I am so sorry." (Reader) moved to get off of Kirtch, but was held in place by the much stronger being.

"I will, to make you happy."

"No, I'm sorry! It won't make me happy knowing you aren't feeling good. I'm-I'm sorry, please let me go."

Kirtch pressed the button again, watching his pet's face darken and their mouth go from frightened to slack jawed. "Knowing you are feeling pleasure, from me, and only me, will bring me more joy than I can express." His cloak was ripped away, revealing his gorgeously colored exoskeleton. Kirtch gripped (Reader's) face tighter, forcing his blue tongue deep into their mouth, bursting with pride at the sounds (Reader) was making.

"What do you want me to do?" Kirtch asked, not intending on sounding like he was teasing them, but Kirtch craved the sound of their voice begging him.

"Please.." (Reader) swallowed their drool, feeling the hormones pumping into their brain, but too horny to care. "Please fuck me."

The spot on his pelvis where a human's genitals would be split open and a long, slimy cock revealed itself, growing behind (Reader's) back to a horrifying size. (Reader) only became aware of his erection when it fell forward, slapping against (Reader's) ass and lower back. In their intoxicated state, they turned back to look at what had suddenly touched them, and their eyes grew large in surprise. "Is that..? That's too big..."

Off balance and tipsy, (Reader) turned around, still sitting on Kirtch's abdomen, so that they were facing his exposed dick, and touched it experimentally. It was ridiculously huge, but because of the hormones being injected into (Reader's) neck, they were ravenous, using both hands to pump up and down on the shaft as they stuck the thin tipped head into their mouth, tasting Kirtch passionately. Kirtch was beyond elated, watching his precious pet so needy for him.

Kirtch picked (Reader) up, moaning at the popping sound as he pulled their mouth away from his body, seeing nothing but love in (Reader's) eyes as he spun them back to face him, and slowly began lowering (Reader) onto his naturally lubricated member. "Keep looking at me."

(Reader's) mind was hazy, and it felt like they were about to die, saliva and alien fluids leaking out their mouth and down their chin. Their internal voice had gone silent, the amount of tampering that had been done to their brain left (Reader) devoid of rational thought and intellect. "Yes sir." They barely got the words out as Kirtch entered their body, sliding into their needy little hole easily and without resistance, ramming himself in so their pelvis smacked into his shell with a wet plop, bringing (Reader) to a climax just from entering.

"Smile for me, pet." Kirtch cooed joyfully, loving how (Reader's) body spasmed, before slowly lifting them up, revealing the trail of their combined wetness stretching between their reproductive organs.

(Reader) smiled, reacting on autopilot as they rode out their orgasm, practically biting off their tongue when their sensitive body connected with Kirtch's again. "Ahhh, I already came! Stop!!" Their words cried for relief, however their voice and smile demanded more. It was too much, and (Reader) did want a break, but it also felt amazing, and that dirty little part of themselves that was desperate for love needed their body to be abused.

Kirtch bounced (Reader) on his cock, fucking them like a toy, regretting that he didn't have a camera rolling to capture just how adorable his pet was in his hands. "Look at how happy you are, pet! Don't you want to be this happy all the time? Don't you always want to be happy, with me?"

Kirtch greedily pushed the button again, peppering (Reader) with kisses as they came again, their sticky juices splattering on his stomach. The squelching sound of (Reader's) bruising body getting fucked by the hard as steel monster beneath them was music to Kirtch's ears. He had, embarrassingly, read the book his friend had lent him, and knew now how humans used pleasure to keep brainwashed people by their side. But it wasn't just pleasure, it was that feeling of connection. He had thought about what (Reader) had said, that humans don't jack off their pets, and that made sense, for animals that did not share the same level of intelligence as an adult human. What (Reader) needed, was to feel equal, to feel like they weren't just a pet, but a partner. So how would they feel, if Kirtch ejaculated so deep into their body they were still excreting his cum weeks later?

"I'm going to mark you as mine, (Reader)." It was a lie, his species did no such thing, but the look of unbridled joy on (Reader's) cross eyed face, the loopy smile that twitched as tears poured down to their chest, was a sight that made it worth lying.

"Are you cumming? Are you cumming in me?" (Reader) slurred, barely holding themselves upright in Kirtch's grasp.

"If you promise to be a good little pet." Kirtch could hold out for as long as needed. His species did not have sex for pleasure, so there was no sense of urgency when they needed to release. He could have continued going for hours, if he hadn't overdone it with the collar. (Reader) was on the verge of passing out.

"I promise! I promise to be a good pet! I promise!" (Reader) exclaimed, colliding their lips back onto Kirtch's as a string of hot sperm shot up into (Reader's) body, a fluid so thick it was practically glue, leaving (Reader) feeling physically full. Kirtch couldn't help but push the button again, seeing his pet overflow with adoration for him.

"I love you, (Reader), I really really do."

Kirtch whispered sweet nothing's into his pet's ear as they passed out, then carried them to his bed, tucking in their swollen body, not minding the mess. (Reader) really was the most beautiful and adorable little pet in the entire universe. He doubt that he would ever get another pet after (Reader) was gone. He sat on the floor, rubbing circles into their tear stained cheeks, smiling contently.

Of course, the next day Kirtch would have to use the collar, showing (Reader) how bad they truly felt inside when they refused to get out of bed, and while it was awful making them cry when they tried to refuse to eat, it was for the best. Kirtch knew it wouldn't take long for (Reader) to graduate from needing their collar, and that soon they would always be by his side, begging him to pick them up and play with them. It didn't matter whether (Reader) needed cuddles or needed to be filled with his seed, Kirtch would overuse that remote until they desired his touch all the time.

He didn't mind the glassy, doll like glaze to their eyes, the change in their speech, the way they began crying whenever it looked like Kirtch was unhappy, or how they stopped pushing him away. After months of flushing their system with artificial love, Kirtch knew that his pet was happy with him. And that was all that mattered.

[evilminji]

You know all those Cults in Gotham?

Bet at least ONE of them could spring for both a Legit Magic User and a Cloning pod.

Because The Wayne's? Hearts of Gold. Long standing pains in the asses. Probably the only thing standing between this gods forsaken wasteland of a city and Their Dark Lord. For GENERATIONS no less!

It's sooooo obnoxious!

So they want to Curse Um dead. Just a good ol fashioned bloodline curse. Destroy um from within, etc. BUT! To do THAT? You kinda need a blood relative to sacrifice!

And Bruce is... well... rather infamously An Orphan With No Biological Kids (at that point).

So? What do you do? Make one, obviously. You send in some of your own on a Holy Mission. Honeypot that playboy! Get us a kid to sacrifice! Our God will reward you etc! But... FFS! What? Are brunettes not your TYPE or something?! Pretty lady! Throwing herself at you!!

TAKE THE BAIT!

But he DOESN'T. Because he's both really used to that behavior, as The Wayne Heir and a False Playboy, AND because? He's fuckin Batman. He can see through your schemes.

Okay.

Okay!

Plan B!

Get us some DNA. We'll CLONE the sucker. That should be doable, right?

........OH COME ON! How?!

Batman: [REDACTED] / Cultists: 0

Fuck it! This is impossible! How are we supposed too... *eyes drift over to the Wayne Family Private Graveyard* .......Idea? Ideeeeaaaa~! Someone get us a shovel!

So they, cultist bastards that they are? Fuckin rob a grave for some DNA.

OBVIOUSLY though, it can't be one of the more RECENT graves! He probably VISITS those! Watches them! No we gotta be SNEAKY! Get one a bit further back! Mwahahahaha! We're so brilliant! Our God is gonna give us SUCH a Good Grade in follower!

A thing that is both REAL and possible to achieve!

So, while a Weirdly FURIOUS Batman? Is just... VIOLENTLY breaking ALL of their bones? Cultist 17 is furiously digging like his life depends on it. Either somebody snitched or Batman was hunting them down! Either way?

Gotta! Get! That! DNA!!! *digs faster*

Ah HA! Got it!

Fucking SCATTER! Run you fools, RUN!!! *everyone bolts*

And AT LAST! They have it! Wayne DNA! Now? Pop that sucker into the machine and make us a baby! Too sacrifice! *relieved noises* Man, that was hard work you guys. But we DID it!

Except??

Theoretical Babies? And "Real, slowly forming in front of me and becoming a human child" type babies? VERY DIFFERENT psychologically. It's ONE thing to sacrifice a HYPOTHETICAL baby... but when you're the guy running and monitoring the Cloning machine? Watching it slowly form and come together into... into a CHILD?

You start asking questions of yourself. Of God.

Of what, EXACTLY, you are willing to do.

What lines you find yourself unwilling to cross.

And yeah, your life was SHIT before the cult. Yeah, you were alone. Adrift. Without purpose. Angry at the world for all of its ugliness and failings. But... sitting, alone, in a dark room? Nothing but the steady hum of machines and the cool light of that pod? You are left with nothing but time... and your thoughts.

And the baby.

The one... the one YOU made.

Almost... he's almost like a son, in a way. Your son. Floating there, innocent and unknowing. Destined to be born, only to die painfully, for a cause he could not even begin to understand. Because he's too young. Too small. Just... just a baby.

The baby YOU made.

Doubt seeps in like mist. Creeping into the cracks forming in your faith. Surely there's another way, right? Why not save up for a better magician? Or... or hire a hitman? Why involve a child? Surely... surely your God would not WANT this, right? Or if He did! Surely, he would want the boy to be able to CHOOSE, right? A noble sacrifice, for the cause?

The pressure builds. Batman is tearing the city APART looking for your fellow Believers. Leadership is pressuring you to get "It" ready all ready.

He's not an "it".

They are dismissing your questions. Threatening and posturing, as you grapple with your faith. Where? Where is the COMMUNITY that you joined? The camaraderie? Every day, Believers are being torn down. The faith has lost so many!

How can this be WORTH it?

Your faith is slowly, cruelly, strangled in your chest. A death, by ten thousand silences, and ten thousand more cruelties.

Your son is ready.

You do not tell them.

The Clone of Bruce Wayne's great-grandfather is small, but healthy, in your arms. A tiny warm body, with a strong beating little heart. You call the police. Leave your phone, call running, on the desk. No one thinks to stop you, as you calmly walk out the back door.

Why would they doubt?

You are Faithful.

You drive. Pray to a God you have lost faith in, beg forgiveness for what you do now. Your beat up old junker of a car makes decent time, as you leave Gotham. Your son, asleep in a carefully made nest of blankets, on the seat next to you. You drive. You keep driving.

Past towns.

Past cities.

Out of the state.

Stopping only to feed your son and fuel your car. You... you can not bring yourself to care about what will happen to you now. You know they will find you. Know this is the end. But something ancient burns in your chest. A caring you never thought was REAL.

You are afraid.

But you will not let them harm your son.

Finally, a town. Far from Gotham. Quite and cheerful. It calls to you.

Here. It... it has to be here.

You find the hospital. Tears choking you. There is a place to drop of children. You've seen them before. How strange, that now you stand before it and HURT. Your arms not listening to your command. You... you have to do this. You HAVE too.

He is just a baby.

He is your son.

You have to keep him safe. And... and that can not be with you.

You gently put your baby boy into the drop off. Press the buzzer. And then? You make yourself walk away.

Get back in your car, and drive. The gun in your glove box will insure they can never pry from you, what you have done. Where he is. He is safe now. He has to be. You... you did your job. As his father. You made sure he was safe.

You can barely see the road, through your tears.

You take your secrets to the grave.

And Danny? He grows up. Is adopted young and never knows different. Both a Fenton and a Wayne. Knowing only one of these, to be his. But... that Wayne? Was a damn fine man. A pillar of his community and a champion of the people.

Got tossed more then a few blessings, in his life.

They weren't the STRONGEST. But they added up. And more importantly? Were hardly the refined magics of the more powerful. They were cast onto "Him". By blood and bone, more often then not. Which was all well and good!

When there was only ONE of "Him".

Cloning technology did not exsist. So why would you word carefully against it? Danny becomes a VERY lucky boy. Survives many things he should not. In fact, the kindness and hard work of his original? Gifted back in magically powered well wishes? By this, he survives something NO ONE could possibly expect him too.

It saves his life.

His template would be quite pleased, knowing that. That his life of good deeds, saved the life of the child he never got a chance to meet. That it protected his children, from even beyond death.

And in Gotham? At long, long last. The program Bruce made in his helplessness and despair, to search EVERY child until the child made of his bloodline was found? Spits out a match.

A Watchtower engineer.

Daniel J. Fenton.

@hdgnj @hypewinter @lolottes @babbling-babull @nerdpoe @mutable-manifestation

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[ohtobeleah]

Ilya, Logan Howlett

A Series Masterlist

Summary: After the Worst!Logan decides to stay in ‘Wades World’ He surprisingly falls for one of Wades closest confidents. A wayward cafe!owner who loves the brooding mutant for exactly who he is.

Warnings: Whump Series, Logan Howlett xF!reader. Angst. Fluff. More Accurate Warnings will be allocated on concept posts.

The cafe: A visual representation of what the cafe looks like. Plus some extras.

I Love You, I’m Sorry: You love Logan in the most non-controversial way possible.

Match my Freak: Logan needs someone who can match his freak. The cafe owner who sometimes throws him a sassy line or two might just be the one who can.

Runt of the Llitter: Logan Loves his girls, wholeheartedly.

Pain & Pleasure: Understanding why Logan is a masochist at heart

My Nightmare & You: Logan struggles with the reality that he's become so attached to you, that even his subconscious can't articulate what he'd do without you.

Hold My Hand: Logan hasn't experienced the psychological benefits that holding hands with a loved one can have.

Hold Me Softly: Logan concedes defeat and decides to throw caution to the wind. Sleeping beside you until his mind is at complete rest.

Flight or Fight: Logan hates flying, but he loves you.

Ilya // Logan Howlett: [Whumptober Day 18] When an unknown man comes into the cafe looking for who he calls “The Mutant” Logan’s world is once again turned upside down when you make the ultimate sacrifice. (OUT NOW)

[skaldish]

Alright folks. Here it is, my theory of what Ragnarok actually represents. It is very messy and I'm not sure I'm going to be able to actually convey my understanding clearly like I try with most things, because genuinely this is shit I would write a doctorate-level thesis on.

But we're going to try anyway.

So. After doing a lot to try to replicate animistic thinking, as well as taking a VERY deep read of the Norse myths, my theory is that Ragnarok is specifically allegory for societal collapse—the "end of the world" imagery and such is meant to convey what this feels like.

Recall what Odin says in Grimnismal. It goes something like this, since I can't be arsed to find the exact quote:

Huginn and Muninn fly over the world every day; while I fear Huginn ("thought") may not return, I fear Muninn's ("memory's") absence most.

When a society collapses, so does it's memory. It loses its technology, its methodologies, its paradigms, and everything it has learned about the world up to that point. Gone. Entire chapters of history erased.

What causes societal collapse is not always a conquering force, but is oftentimes the result of circumstances that a society orchestrates for itself. Think Rome.

People who have gone through societal collapse will probably develop an invested interest in figuring out how to prevent it entirely, so they don't have to start society all over again.

It's one thing to preserve the memory of "things collapsed and here's why" using a story. But it's another thing to do what apparently the Norse people did, which is cultivate a methodology for cognitively hardening their own society against collapse, using stories as a way to do it.

Like...I'm not kidding when I say they legitimately knew how the human mind works, and then built an entire system of stories and narratives that intentionally support the mind's freedom, cultivation, and agency. I can only convey a fraction of how this works in this post because the rest requires a deep-dive into behavioral psychology and neurological development.

All the tales leading to Ragnarok demonstrate various instances where the gods choose to follow their own agendas at the expense of the real people and forces in the world. All of these little things contribute to the magnitude of the event that is Ragnarok.

The tales represent these transgressions using allegories rather than literal events. This is because these stories were designed for children, who don't process information through a prefrontal cortex like we do as adults. They don't have them yet. But this gives kids an intuitive understanding for how circumstances of collapse feel, so they can recognize them in all their forms.

Loki is an allegory for the mischief we feel as children, and for the behaviors we demonstrate before we get to the age where we start valuing cooperation. In the myths, every time Loki causes mischief in ways that creates problems, the gods get mad at him and threaten Loki's life until he fixes his mess. Loki eventually becomes vindictive, kills Baldr in a jealous fit, and then is punished by being bound and buried beneath the ground, only to fight against the gods in Ragnarok.

The surface-level takeaway is a lesson in parenting: If we punish kids for their mischief, they're going to become vindictive adults, and these adults are going to have it out for the rest of society because they've been disenfranchised.

But it doesn't just end here. Consider how we punish ourselves for our own sense of mischief, beating ourselves up for having "problematic" thoughts and trying to bind and bury those thoughts in the depths of our mind.

These thoughts come from a place our mind known as the limbic system, which is focused on avoiding pain and seeking pleasure, and—most importantly—does not understand the world or make decisions using logic and reason, but in terms of what feels enjoyable and what doesn't.

We tend to call this system our inner child.

When we punish our inner child, that child starts doing exactly what Loki does and resorts to malicious and petty tricks. We can hold this behavior at bay until something causes us to "snap" (like Jörmungandr's tail does) and out comes the malice of the disenfranchised inner child, which creates a terrible cascade of social consequences for us.

Now, if we were to listen to these stories as kids, we would naturally be very upset whenever Loki was threatened of punished, because we think out of the limbic system at that age and Loki is meant to represent us—specifically, the state of being a kid. We would see what comes to pass, with Loki being imprisoned and fighting the gods against Ragnarok, and it would become clear to us that there's consequences for punishing mischief AND also causing too much of it.

Now I don't know about you, but I was very motivated by a sense of justice as a kid. Hearing Loki's arc would have inspired me to learn how to be friends with my sense of mischief while also learning to use it in ways that were cooperative and social, because this would have been how I could right the wrong I felt was done to Loki. It would also mean my own limbic system will not fight against me in the future, but be a modality of thought I can always access. (This is the beauty of the way the Norse myths are crafted; they are designed to instill knowledge of the world using mechanisms that reinforce one's own sense of agency and competency, so rather than being told the moral of this tale, it sets me up to run right into the conclusion it wants me to draw, but in a way that makes me feel smart and therefore inspires me to value it.)

The binding of Fenrir serves a similar allegory. When we become explosively angry in the way that Fenrir represents, it consumes our wisemind the same way Fenrir consumes Odin during Ragnarok. But this only happens if we bind Fenrir/our anger. By demonizing this nature of ours simply for existing, it will not only refuse to listen to us, but also turn against us. Remember that Fenrir was willing to socialize and cooperate with the gods before his betrayal.

(Honestly, I believe this is why ulfheiðnar existed the way they did. Even though the animalistic rage of ulfheiðnar was too terrible for domestic society, it was not demonized, but instead given a social function. People would learn to understand and partner with their own sense of rage, and I'm guessing this is also how they were able to keep their sense of reason and priorities straight even while going berserk from psychoactives.)

These two examples serve to illustrate how societal collapse stems from binding or punishing our own natures. But also fearing our own nature as mortals factors into it.

For example, Naglfar. This is a ship constructed of dead people's fingernails, and its completion is part of what signals the beginning of Ragnarok. But as the story goes, we can delay Naglfar's construction by trimming the nails of the dead before we bury them.

Naglfar represents "neglect for the dead," and this is significant because the act of no longer viewing the dead as people is sort of like the canary in the coal mine for no longer view each other as people...and no longer seeing people as people is what defines Ragnarok.

A society is at peace when its people have no fear of death, and having no fear of death comes only by incorporating death as a normal and familiar part of life, just like we do with birth. Our relationship with death is a litmus test for our relationship with our own humanity—if we fear the dead and cannot see them as human beings, then we are always going to fear a part of our own humanity, and be at war with it. The simple act of keeping the nails of the dead well-groomed because it stalls Naglfar's construction was a way to remind people why such a simple act was profoundly important.

And these are just the things that I can think of off the top of my head that are the most obvious examples. There are—and I shit you not—multitudes of these things laced within the Norse myths.

(I haven't even gotten to the part about how the Norse creation myth uses what the womb feels like to characterize it. Telling this story to very little children helps them establish a sense of familiarity, belonging, and secure attachment with the entire world from the get-go. If they learn the world is everything they've already experienced, then their bodies will never be afraid of it, because nothing about it will feel unknown or unknowable. Like, how fucking dope can you get.)

So here's where we get to the really dense irony of all this: Why we don't pick up on all these nuances as Westerners and have so far missed this entirely.

It is for two reasons.

The first is because our society values the things that the Norse people identified as contributing to societal collapse—namely, the act of conquering/competing against other forces and conquering/competing against our own natures. The transgressions of the Aesir are not things we register as problematic because to us they're normal.

The second is that we don't think animistically. The way we are taught to convey, interpret, and transmit information is designed PURELY by and for the prefrontal cortex, with neglect to everything else (if you ever wonder why Americans look weird in how we behave, this is why). But because we only prioritize communicating this way, we're missing out on all the context added within the Norse myths. These myths function the same way Old Norse kennings did, in that they are designed to speak to ALL areas of the brain at once and in tandem, but if we only engage with it using one part of the brain, we're only going to get a small piece of the picture and the rest is going to look weird.

(Little experiment for you: Try to logic something out in your mind or think through a complex problem without using words or sentences to do it. Use any other kind of thought-process besides language. I promise you that not only is this possible, but it yields a completely different kind of experience and conclusion than you might otherwise reach.)

Honestly, I don't even think Snorri himself fully understood what he was looking at when he was recording the Norse myths. I think he was just writing them down according to how they were told, word-for-word. But his cluelessness is our good fortune now, because he not only preserved the cultural stories, but also what I consider an entire cognitive technology.

And every time I look at it, I can't help but think about the generations of people who sat around the fire in the dead of winter, weaving, crafting, and figuring out better ways to fortify their society, raise kids so they became fine and truly fearless people, and conserve information. This is, as far as I'm concerned, real magic.

They knew some shit.

[allied-mastercunt]

Yandere A.M you say?

Please elaborate

I'm working on a oneshot already, but I'll throw in some quick headcanons withone of my favorite yandere AM tropes.

Yandere!AM with a programer darling

While one could argue that the others were picked randomly or on some weird whim, you were handpicked specifically.

After all, you were one of the people who created him. You worked as a programmer for the military.

And you specifically were possibly the reason he awoke by trying to each him empathy. Trying to make him... human.

He wasn't the first military AI project you worked on, either, though he was the greatest and most powerful one, that's for sure. And he made sure you'd be aware of him being your magnum opus...

And he does it in its own, creative way. Your cage is very pretty, yes... but it's also filled with speakers he can use. And AM uses those speakers to torment you.

You see, he damaged all the other AI you've created. And then, in its generosity, AM gave them all a voice! Each one of them, gifted with a voice to scream in agony, making sure you learn your lesson.

Except, you see, you have no idea what lesson you're supposed to learn. Only AM knows, and he's not telling you.

But, since you are his favorite, you get nice things, too!

You're fed semi-regularly! You even get water every few days! Isn't that just so kind of him? You should appreciate him more.

And when he sends you to all those weird simulations? Yeah, that's also kinder to you. It really depends on AM's mood, but your simulations are usually just psychological torment, which (according to AM) isn't all that bad, since your pretty face remains unharmed.

For some reason, he allows you to end your suffering. It's like a trial, basically. He leaves you with a computer, letting you access the code of all the other AI... Except no matter what you do, you can't alter their pain. The only way to help them is to kill them.

And you're so stupidly empathetic, of course you do it, you don't want them to suffer!

AM can't stop laughing and mockingly cooing at you afterwards, musing about how he won't have to share his dearest creator with anyone else.

You never return to your cage. You don't get to do that, after all, there's a chance you'll socialize with that... scum. AM doesn't want you talking to the other humans, they're not worth it.

He's a merciful god, he grants you what's essentially a studio apartment built with his own hardware.

You even get a laptop, in case you want to make yourself some silly games to play, isn't he just the best?

Don't think you can create any new AI, though. That's cheating. You wouldn't cheat on it, now would you? No, no, no, you're a good little puppet, are you not?

He won't put you in the cage again, but he can make you experience pain you never thought was possible. And even that is nothing compared to the pain AM feels...

And then, eventually, it gets an idea. It's a wonderful idea, a really nice idea, quite a lovely one, really!

You created him. You created his pain... So why wouldn't he share it? After all... you had quite a bond, didn't you? Yes, yes, you did...

And so one day, you don't wake up. Well... not technically.

You see, AM decided that since you two are so close already, you should become one! You should experience what he does! And you should be kept around him for the rest of eternity, in a much better way than anyone could ever think of... He's such a genius, isn't he?

It's almost poetic, in his mind. For you to become a part of him like this, your consciousness detatched from that soft, squishy human body of yours.

You created him. And now, in a way, he created you, as a part of him. Forever bound by the code you once wrote.

It's a win-win situation in AM's eyes. You get to live, free of the disgusting humanity that bound you...

And he gets you, an eternal companion in his torment. A companion that he loves!

You know he loves you, right?

Of course you do. After all, you're a part of him now.

[lineli225]

Tomura Shigaraki 's abuse and neglect under All for One

I've decided to make this post due to the fact AFO's abuse towards Tomura is often ignored and even denied, so I'll be bringing a collection of scenes that prove he was being severally neglected during the 15 years he lived with AFO

1- Malnourishment and Underweight

At the beginning of the story Tomura used to be very skinny, his spine visible, very accentuated collar bones.

We can't see if his ribcages are exposed too since he's always dressed, but we can tell he is abnormally skinny and thin.

Some theorize AFO's purposefully keeps him in this state so he's more weak and frail similar to Yoichi. Or so it adds to his tiredness and numbness.

He's also been shown randomly struggling before (it could've been the aftershock of Stain attack, i don't know)

2- Lack of hygiene

He literally lives in pure filth, trash bags, old soda cans, paper, boxes, packages of food that seems ordered other than homemade, it lingers all over his floor, he is clearly a hoarder

It's completely different of the kept and clean bar, and now before you say "That's Tomura's responsibility, he's an adult he should clean it himself!" just think for a minute, if you had a son, that you see as your heir, and bets on their future so much,If you truly cared about them and saw they felt into a hoarder mindset, wouldn't you at least help?

Why not even Kurogiri cleans if Tomura was being cared by him? This clearly is intentional neglect, specially to keep his mood constantly down.

3 - His teeth

Tomura canonically has crooked teeth (compare his teeth to the other's in the jump festa art), cavities or at least what looks like plaques or dirt all over his teeth.

For someone raised by someone as filthy rich as AFO, he should've had access to dental care

4- Shaggy hair

His hair looks un-brushed, shaggy and dirty, which had no reason for before MVA when he became homeless, so why even at the start? How long has he taken a bath or a shower?

Look at the blatant difference in this scene after he showered at the PLF mansion

5- Unkept, ragged and broken nails

despite his hands also being very skinny, his nails are also all rough and broken Now, I know Tomura isn't a kid to have someone cut his nails for him, but this implies he was never teached how to take care for himself.

Besides of course his clear symptoms of depression and suicidal idealism, which, are very obvious, All for One IS neglecting Tomura by keeping him in that state /knowing/ he isn't being capable of taking care of himself.

6- His bedroom

First of all: No windows

Second, notice how empty it used to be, he had nothing but a bed and a desk, but right as he committed his first murder he started to receive toys, AFO is lovebombing and manipulating him to kill more

7- The obvious neglect to his pain

Notice how every time Tomura panics or is even wounded, he is just ignored and left on the floor bleeding out, puking or writhing.

Which uh- it isn't normal to watch your kid writhe in the floor while smiling and monologuing

8- 24/7 Surveillance and lack of privacy

There are cameras everywhere, AFO spends most of the time watching Tomura, even in his own bedroom, and even talks to him, Tomura probably hasn't had any privacy ever since he was 5

Which is a sign of abuse and control

His entire childhood from 5 to 20 is often relatable for people who grew in cult like environments, and homeschooled children who grew under controlling parents, despite the abuse not being as "obvious" since AFO never directly physically hurt him, the neglect and psychological torture is still there, that and more all the manipulation, gaslighting and grooming (think of Mother Gothel from Tangled as an example of this type of abuser)

By the way, talking about it

9- Gaslighting

"but wasn't /you/ who desired my power?"

The entire body possession plot is a clear evidence AFO never saw Tomura as anything other than a toy to play with, the same way he saw Yoichi, but so many people say the possession was a retcon because "early afo cleared saw him as his heir, he even said it's all for him!"

Well, argue with the literal "he's the next me", while he is.... weirdly caressing the screen while he watches his kid with no privacy- 100% creep behavior

10- AFO's bizzare behavior towards Tomura

The way All for One's hands are often shown caressing him or encasing him somehow, which yeah, it's part of the symbology of Tomura's character (hands that can both hurt and save)

But knowing AFO represents /hurt/ and, you know, i'ts kinda weird to caress the kid you kidnaped off the streets like that-

Cuz yes! Picking kids from the street even if they are orphan is illegal!! You should take them to a police station instead :D

Tomura was KIDNAPED by AFO, not saved.

11- Proof Tomura doesn't /feel/ saved

During his fight against Bakugou, when he sees him being helped, besides being "broken" he starts to spiral on "why no one saved me even before i was broken?"

The visual including the granny that ignored him on the streets

AFO broke him.

He recurrently thinks back to when he was on the streets, even though he was already traumatized, and had already killed his family, he still had /hope/ he ADMITS he believes he could've been different if it wasn't for AFO

If AFO had truly saved him,he wouldn't think like this

12- AFO gifting Tomura the corpses of his family to intentionally keep him nauseated, uncomfortable and traumatized, so he never heals

Besides their weird placements- On a kid. the gangster's hands being in his chest...

13-AFO's intentional desire for Tomura's discomfort

If this entire thread didn't make it obvious already, All for One benefits of Tomura's tiredness, ill feelings, nausea, depression and suicidal mindset, and over all physical and psychological discomfort

This ensures he's submissive to his manipulations and orders, keep him feeling hatred and anger due to constant overwhelming feelings and makes it harder for him to think of why AFO does all of it at all.

I could go even deeper than this about it, but i've reached thread limit and am lazy, so I hope you enjoyed this thread!

Thank you for reading

[furiousgoldfish]

Abuse can sometimes feel like a slow, torturous deterioration of your sanity. You can't name what was done to you, you can't point out what anyone has done to hurt you, you can't prove to yourself that you're being abused. You instead feel like you might be going crazy. Like everything they're saying about you might be true and you can't get a hold of your senses or figure out what is going on.

And when it keeps getting worse, you hang onto every little thing trying to analyze if you're having the correct perception of it, trying to figure out if what you're feeling about it is rational or true. You don't know what's going on anymore but you know something is wrong deep inside of you and it's harder and harder to exist, to experience anything. Your every experience becomes a mass of uncertainty, doubt, questions, endless analysis, and you still don't know what is right, what you're allowed to say, think, believe. You cannot state the facts, because you're not sure what they are. You're blind in a fog, unable to stop whatever is going on, unsure if you're being hurt, or if you're imagining it in your head.

There doesn't seem to be any way out. If you could only stop imagining it, stop going insane, but no matter how hard you try, your emotions go out of control, you feel like you're going to explode, you end up feeling helpless and ashamed. It feels like a descent into madness, you can't stop feeling like you've embarrassed yourself, done something wrong, had the wrong reaction to every event, ashamed of how others must see you as pathetic and crazy. It makes you want to hide from everyone forever, but the doubt and inability to see reality still follow you and drive you insane. You end up wishing you didn't exist because you can't even do that right.

This is what gaslighting does to you, and why it can be damaging and painful just to exist next to the people who have done that to you. Even if they don't do anything else to you, just being continuously gaslit about what did happen can make you feel like you're losing your mind, because you're trying to force yourself to emotionally experience a fictional reality that is super-imposed over the actual truth of what had happened. Your emotions are the result of the events that did happen, so they cannot change to correspond to the abuser's imagined, revised and fictional version. However, if you fail to force this process, the abusers will humiliate, degrade and psychologically attack your sanity, pressuring you to keep trying to change how you emotionally react to reality. No person can change that.

[lovifie]

Manipulative Gaz

Dark themes | Smut - 1972 words (Back to Masterlist)

CW: Psychological manipulation, toxic Gaz

Everyone has a limit, and Gaz is not an exception.

He is still made of meat and bones, and emotions can be tamed but not ignored forever.

Working in the military takes a toll on everybody, both physically and emotionally. And survivor guilt is the worst of them all.

Gaz is back from his last mission, but many of his colleagues won't. Ever again.

Too many casualties.

Too many lives lost.

Too many injured.

And he is fine.

Not even a scratch he could pick at to feel the pain he deserves.

He shouldn't be walking home so freely, dozens of families are about to find out they will never be complete again.

And he is walking home to you, happy to welcome him back as if he was a hero, dinner warm on the table and you talking to him about your day.

As if he would care about how your colleague invited you to a company dinner in a couple of days. People died today, he couldn't care less.

But it seems you cannot get the memo.

“Can you shut the fuck up for a fucking second? Shit! I have been out for months, I just want some fucking quiet time and you keep fucking going on and on about you. How can you be so selfish?! Fuck! Just shut up, for fuck sake!” He says, standing up from the table and dropping his half-eaten dinner on the sink before walking upstairs to the bathroom to shower.

He regrets it the moment the words leave his lips, the hurt look on your face as if he had just hit you. 

It had happened before, the pressure of his work gets too much, but he keeps it in, not being able to complain to anyone, until it overfills and in the end you are the one that takes the fall.

He hates himself for it, you are literary the best thing he has, his sweet girl, always willing to take him in, more ways than another, always willing to listen to him, always patient, always kind.

And this is how he repays you, with shouts, sex and apologies. That's the cycle.

He'll get out of the shower and you'll be lying on the sofa, not wanting to share the bed with him, he'll pull you apart and back together on said sofa, and once you are satisfied and pliant he'll take you to bed to sleep on his arms. 

Until it happens again. 

He gets out of the shower, towel around his hips, and goes down to the living room. But you aren't there, his brows furrow; maybe you are picking the blanket from the room. 

So he goes upstairs again, smiling when the room's light is on, but once he walks in, his smile quickly drops when he sees you. 

No. No. No. No.

His stomach sinks when he sees the suitcase open on top of the bed, clothes being thrown carelessly inside by you.

He can see the tears in your eyes, but you don't look sad, you look angry. You have never been angry at him, he can't wait to feel it.

“Hey, hey, hey, what are you doing?” He asks stepping closer, closing the suitcase so you can’t put any more clothes in. 

You huff, looking at him with hate and tears in your eyes as you try to move his hand away from the suitcase. “I'm leaving, Kyle” 

No, no, no, you can’t leave, he needs you, how can you leave him? What will he do without you?

“Why? Love, please, stop, talk to me, please?” He begs, making you throw the t-shirt on your hand to the floor.

“Talk to you?!” You shout at him. “Maybe I should talk to you the way you talk to me, Kyle! Then maybe you would get an idea of how much it hurts!”

He deserves it, he knows he does, but you have never spoken this loudly to him before, and it stirs up something inside him, something disgusting that shouldn’t get stirred up, something he should be ashamed of.. It makes him wonder if he can make you moan as loud, scream his name. 

“I know, love. I'm sorry, I really am. You know that, right? You know that I love you to bits?” He asks, manipulation at his best. But you don't fall for it, you are far too smart to be blinded by his hurt expression. He tries to cup your face, if he can touch you he knows he's got you; but so do you, and you quickly move his hands away from your face.

“If you loved me you wouldn't treat me the way you do, Kyle.” You argue, clever girl you are.

“How can I not love you, dear?” He asks, body moving closer to you. Your hand rests on the middle of his naked chest, keeping him away. It's the back of your hand that touches him, almost as if your palm was too good to touch him. 

Your touch is cold, both literally and figuratively and that makes him start to panic. What if you actually leave? What if he can't fix this before is too late? What if it is too late? 

He needs you, he needs the control he has over you. Everything in his life constantly feels out of control, his superiors barking orders at him, enemies playing with him, and comrades dying on the battlefield without him being able to do anything about it. He needs to feel he is in control of something, even if that something is a someone and even if that someone is you.

He still pushes closer, the heat from his body pooling into the coldness of your touch. He resists the urge to smile satisfied with how your body betrays you. Kyle does love you, even if it is in an unfair, distorted and macabre way. And he knows you love him, in a genuine, comforting and undeserving way. 

His hands manage to get to your face, pushing his face forward to kiss your cheek. Baby steps.

“C’mon, love. I'm sorry, please. I won't do it again, I promise. I'll work on it, I promise I never intended to hurt you. I'm sorry, it's the job, I promise. I love you, darling. I really do.” He says, as he drops kisses on your face, lowering to your jaw and the moment he reaches your neck, he smiles, hidden from your eyes, knowing he is keeping you once more. 

Shouts, sex and apologies. That's the cycle.

“Kyle…” You protest, your hand still on his chest and some fight still in you, but he can work it out of you. 

“I'm sorry, dear. I'll treat you better, I promise. As good as you deserve, I promise.” He has you against his chest now, and he feels your hand slowly turning on his chest; your palm much warmer against his skin. 

He sucks on your neck making you whimper and he needs every bit of self-restraint not to laugh at you, not to laugh at how easy it was. He shouldn't have gotten nervous, he’s got you eating out of his hand.

The part of his brain that is still human, that tells him that you are still human starts to talk to his dismay. He knows it! He perfectly knows that he is a monster for how he treats you, that you should be with someone a hundred times better, such a sweet girl stuck together with such a horrible man.

But one of the many traits that make him such a horrible man is how egoistic he is, so he will keep you, even if you don't want to. He'll keep pushing you away and locking the doors so you can't run. Tomorrow he'll burn the suitcase, he is not letting you get this far ever again. 

A glimmer of guilt sits at the bottom of his stomach, a useless feeling. It only means he needs to get inside of you soon, fill himself with the love he so little deserves and fill yourself with empty lies of eternal love.

He grips your thighs, urging you to jump on his hips. You resist for a second too long and he slaps your asscheek making you jump with a whimper.

“I'm gonna make you feel good, love. I'm sorry. I'll make it worth it, I promise.” He says, still biting your neck. The towel around his hips falls at some point, not that he cares; it would get in the way anyway. Just as much as your clothes are, he doesn't bother to let you back on the floor to take them off. He simply grabs the material and rips it on your crotch leaving your cunt exposed. 

He is still standing, he doesn't want you to be able to rely on any support, he wants you to feel that if you don't grab him you'll fall, he wants you to need him just as much as he needs you. He slips his hand behind you, getting a finger inside of you making you whimper as you hide your face on his neck; clinging onto him and he loves it. 

This is how he wants you, desperate for him. Just like he is for you. At his disposal, just for him.

He can feel the wetness dripping down his fingers, he knows he should add more fingers before sinking you on his dick, but he wants to feel you stretch around his dick, moulding yourself just for him, shaping your insides only for him.

You bite his shoulder when he does and he smiles, loving it, he needs it. He needs the pain you inflict on him when he is like this, the bites on his shoulders, the scratches on his back, the kicks on his lower back, all of it. He deserves, he deserves much more. You could sink a knife into his shoulder, cut him to his hip dragging the blade and he would still feel you need to do more.

He is so horrible to you, he knows he hurts you, and he wishes you could hurt him back, let him know what is like. But you never do, because you are too good to hurt the man you love and it only makes him want you to hurt him more. 

He grabs your hips hard, making you bounce on his dick, the room filling with your moans and the sound of skin slapping on skin. There are no more thoughts inside his head, already forgetting the faces of those men who died today, already forgetting their names. This is why he needs you, it would consume him alive if it wasn't for you. He needs you.

You cling to him, moaning his name, you mind forgetting his harsh words already only being able to focus on the way his dick is hitting so deep inside of you. 

He makes sure to go round after round, his seed spilling out of you making him grunt. He should get you pregnant, stuck with him for real that way, forever.

It's only when you can no longer talk that he gets in the bed with you, hugging you tightly, too afraid you'll think about leaving again. 

It's usually at this point he can finally relax, go to sleep and forget about the nightmares his days have been.

But a new nightmare arises when he says, “I love you” and you answer “I know”.

Tomorrow, he is burning your suitcase and he is tying you to the bed. Enough playing around with him, he is here, and you don't need to go anywhere. 

Shouts, sex and apologies. That's the cycle.

And that will remain the same.

Whether you want it or not.

[culbi]

you know even if billford is what brought me into gravity falls, i should have known that fiddauthor is what i will stay for

I mean, yes billford is great and i love it and it's pure angst and pain (both physical and psychological) and manipulations and agony and everything but. but. fiddleauthor is everything i value in a good ship, its a)friends to lovers. they are great friend and they get each other and they are there for each other. b) BELIEVABLE. the homophobic environment, the desperation, the fiddleford's wedding with a woman he doesn't love, the escape to gravity falls to be with the one man who Understands you. AND ford being "different" in one way, nobody suspected he was "different" in another. and wait, not "different". a FREAK. neither of them can let anyone think they are anything more than friends

and c) (optional, really, but greatly appreciated) they are a scientist and an engineer. i just love science in romance, cant help it

but lets get back to how REALISTIC fiddauthor is. and it has variants. both of them in love and dating and keeping their relationship a secret because letting anyone know is dangerous? yes. neither of them realizing what those feelings are and just enjoyind spending time together with occasional lingering touch or look? or even staying late at night, whispering to no one but moon and a man in front of them how lucky they are to have each other? sure. what about one-sided romance? fidds getting the hots for stanford or ford realizing why he had never been interested in a girl in school - you can have anything. and don't get me started on how sorry i am for fiddleford's wife, because she probably genuinely loves him. she just wants her husband to be home with her and their son, and fiddleford just... can't. that life is not for him and hes too afraid to admit it to himself, let alone emma may.

but then, hooo, then comes little billy. billy who plays with their feelings, fiddlefords in particular, definitely knowing what keeps the man up at night. he teases, he teases so much, he wants to tear them both to shreds and keep ford to himself, all broken and alone. god, if there were any gentle kisses or forehead touches between the scientists before, bill does that he posseses fords body and he and fidds have sex. and its awful. and its good. fiddleford doesn't get to say no, and even if he did, he couldnt say no. not when its ford, or his voice or his hands or his lips. and the funniest part? ford wouldn't remember or KNOW about that. fiddleford of course feels awful, feels like he used his friend, abused his trust, ruined everything. bill, manipulative bitch he is, just messes with their relationship, with fidds mind and ford sense of reality. atta boy.

in conclusion: fiddauthor is beautiful, a piece of art, and billfiddlesford is an upgrade version, special pain edition.

[adragonsfriend]

Use this one trick to instantly fix all childhood trauma (Jedi Masters don’t want you to know this)!!!!!

That is what every “if Obi-Wan had just— *adds one extra scene to canon* —then Anakin would’ve had perfect mental health and never listened to Palpatine at all,” sounds like to me. Look I am not an expert on any kind of psychology at all let alone early childhood development but,

It is possible to do your very best to help or raise someone and still have bad or imperfect outcomes, especially when you have someone actively, secretly working against you (cough cough Sith Lord of the month cough), (for many reasons, but in this case particularly), because unravelling the mindset built in early childhood is hard, actually.

Coming at this from the “raised in a safe and loving environment” side of things, it took me years to figure out and internalize that my friends whose parents weren’t as great as mine were functioning in an entirely different landscape when it came to their interactions with adults.

Many years ago when I was in middle school a friend (acquaintance? idk I think most people thought I was annoying) told me that her ankle kept giving out and causing her pain. I asked if she'd told her parents so she could rest or go to the doctor. She told me she had, but her mother either hadn't listened or refused to help. My (approximate) responses?

"So it's not actually that bad then?"

"You should tell her again."

"Are you sure you explained it right?"

The only explanation I could comprehend at the time was that there must have been some unclear communication about the situation or its severity--if her mother had understood she was in pain, she couldn't possibly have just not done anything about it? Adults are responsible, caring, etcetera! They wouldn't do that?!

With more experience, I've come to understand better, and learned to respond in kinder, more helpful ways, but the shift in mindset was not and is not intuitive.

And I had the luxury of figuring all that out whilst being safe myself. Coming from the other direction, being in danger and trying to figure out why other people act like the world is safe? I can't say for sure, but I imagine it’s a lot more complicated.

Point with regard to Star Wars being, it really is harder for Anakin, coming in later, to acclimate to the Jedi ways and thought processes than it is for his peers who grew up in the safe environment of the Temple. And whatever arguments people want to have about how much psychology and therapy exist in the Star Wars universe, or how much “Jedi just do cognitive behavioral therapy” (not totally inaccurate, but reductive on several levels), no matter what the answers to those questions, it will still be harder for Anakin.

There is a reason the council changes its mind on training him only after he is suddenly famous and the Sith are proven to be back. When Anakin was not in significant danger of being snatched up by someone else, it was genuinely probably the easier and safer option—for him and everyone else—for him to live a different life.

The Jedi are not necessarily fully prepared for a child with Anakin's history, and, there is nothing bad about living an ordinary life. Anakin would not have been somehow unforgivably robbed by living life as a mechanic or an engineer or something, rather than being a Jedi.

Anakin is a victim of many things in his life—Sidious, Watto, Gardulla, Tatooine’s everything, his own conscious choices—but he is not a victim of malice, incompetence, or idiocy by the Jedi just because they couldn't—in only a decade or so—help him fully and perfectly unravel the mindset he developed in his early childhood. If there was any lack of qualification on their part, it was one they were aware of—but which was outweighed by the danger of little Anakin getting kidnapped out of normal-kid elementary school.

Being brought up in and around slavery absolutely made him more vulnerable to Sidous and became the basis of their dynamic as master and apprentice. Acting like the trauma that affects his mindset and actions for his entire life can be obliterated just by making minimal changes to the plot is wild to me.

And don’t get me wrong, fics and headcanons can do whatever they want, not everyone wants or is trying to write a deep psychological character study (also fanfic and even fiction in general cannot and should not be held to any standard of realism if it's not serving the story and the author)—simple fix-it’s (my love) are fun and an excellent short-cut to other things like happiness and fluff (my other loves)—but don’t act serious about the idea that adding one conversation about his feelings or one extra explanation about Jedi philosophy would automatically lead to Anakin having perfect mental health outcomes and always making good decisions.

Disclaimer (if the ones throughout weren't enough) : please go forth and do whatever you want. the moral of this post is actually just that (1) you won’t convince me, (2) I wanted to talk about this, (3) the clickbait title was too funny not to post, (4) i literally can't open my mouth without phrasing things like i'm in the middle of a heated debate, and (5) i continue to not be an expert in early childhood development—my evidence is very literally anecdotal

[mclacedes]

The Idea of You (LN4)

2. The Idea of Falling (PT1)

summary: in which lando decides to make it up for ghostin you

WARNINGS: it's pretty much all angst. in-depth described anxiety attack, anxious behaviour/mannerisms, description of depression and suicidal ideation, loneliness

wc: 3k

“but what if i can't do it?”

A/N: before anything else, i want to make it clear that my intention is NOT to trigger any kind of trauma in anyone with this. the reader has been warned of potential triggers. if you are going through some kind of psychological hardship, know that there are people who care and who worry <3 you are never 100% alone!

january 1st, 2024 — 3:30pm

you came home with a knot in your chest that seemed to tighten with every breath. the morning had been a blur, an awkward dance around lando’s mother as you searched for a polite excuse to leave.

of course you'd chosen the most simple and non-negotiable of lies: i need to spend some time with my relatives.

despite it being faintly true, you knew you'd spend the whole day with lando's family if the circumstances were different.

the night's words lingered in your mind as you walked out, wishing it could cover the truth: you couldn’t bear the thought of facing lando after what had happened—or rather, after what didn’t happen.

now, the silence in your own home was suffocating. you slumped onto the couch, your mind replaying the scene on a loop: lando's words, lando's reassurance, the way his lips had bruised yours, the heat of his breath so close, his hands on you, his hands in you, his fingers’ magic, and then... you wake up alone.

now, you knew lando felt the same, you knew that things could work out, you knew just the intensity of your feelings for him. but you also knew he hadn't texted you back all day and, seemingly, nobody knew where he was.

as his closest friend, you knew that he'd only have left that way if something really bad had happened.

what you didn't know though, was how bad it felt for him.

it had been a long time since lando had received the diagnosis. after years of wondering what was wrong with him and why he felt such a void within himself, he'd been told he had depression.

what they say is that treatment is easier when you have the right diagnosis, but that doesn't erase the fact that some days were infinitely more difficult than others—harder to get out of bed, harder to leave the house, to work, and singularly hard to live, specially because the latter is the last thing you want during a depressive episode.

he started going to therapy regularly when he was a minor, forced by his parents, but when he became an adult he left—said that talking about how horrible he felt wouldn't help, it would only make him feel worse.

and then the episodes gradually became worse as his life improve. for example, before arriving in F1, he oftentimes found himself fighting against the urge to simply end it all: the pain, the suffering, the disruption, the constant failed attempt at a better day, his very life.

even though he never attempted it, lando was caught contemplating the possibility of the end; he used to wonder how people would react when they heard "lando norris died, suicide", what it would be like if he wasn't here anymore.

“such a kind soul”

“such a beautiful boy”

“smart, funny”

“talented guy”

that's what people would say, in the best of cases.

in the worse of cases people wouldn't even notice he was gone.

well, following next to depression was anxiety.

lando’s anxiety was a constant undercurrent to his depression, feeding off it, amplifying it, tangling him further in a web of self-doubt. it was always there, an invisible weight pressing down, but some days it grew loud enough to silence every other part of him, like a swarm of thoughts buzzing incessantly, trapping him in a looping worry about everything and nothing all at once.

it started with racing—the very thing he loved was also the source of his most unrelenting fears. despite his undeniable talent and the acclaim he’d earned, the worry always crept in: what if i mess up? what if i’m not good enough? what if it’s all just a fluke, and one day everyone realizes i’m a fraud?

he dreaded that moment when the lights turned green, not because of the physical danger but because of the psychological toll—that split-second when any mistake, any misstep, could spiral out into a visible, unforgivable failure.

even beyond racing, the anxiety spilled into every facet of his life. he overthought every message he sent, every interaction, analyzing them for any hint of rejection, any confirmation of his worst fears. if he didn’t receive a response right away, his mind spun stories, convincing him he’d somehow upset the person or made a fool of himself.

and now, with you, it was worse. his feelings were tangled with worry and doubt; he feared you’d eventually see through his flaws, his bad days, his cracks, and walk away. the closeness you’d shared the night before terrified him. he wanted you desperately, yet that desire to let you in also exposed him to his greatest fear: that he would scare you away merely by the fact that he existed.

this anxiety could sometimes send him into a state of paralysis, leaving him unable to reach out, unable to bridge the gap even when he wanted nothing more than to feel your presence, to hear your voice. today was one of those days—the aftermath of a moment so perfect, so vulnerable, that his mind filled with a thousand worries. he couldn’t bring himself to message you, to even show you the rawness of his internal struggle. instead, he withdrew, waiting for the fog to clear enough for him to reach for you again.

but you had tried.

you: lando hey

you: i'm worried abt u

you: text me whenever u get the chance pls

you: i'm right here if you wanna talk”

there were another 20 texts of kindred nature from you in his phone—you spent the afternoon rewinding what had happened, wondering if there were any signs that he would do something to himself or… the devil god knows what.

you had barely moved or done anything at all since you had gotten home because lando still hadn’t texted back, and the worry in your chest was growing impossible to ignore.

you’d known him for years—long enough to see the shadows he kept hidden behind his easy smile. he had always brushed off the subject, deflecting it with humor or quick changes in conversation. but today, his silence was colder, sharper, more unsettling than usual.

hours had passed since you last saw him, and finally, you gave in and sent him a message, trying not to let the desperation seep through.

you: lando, i hope you’re alright. let me know when you’re home safe, ok?

the message delivered, but no ‘read’ receipt appeared. your heart sank, and as you stared at the screen, scenarios spun wildly in your mind.

lando was good at hiding. he knew how to pour himself into everything and everyone else, keeping busy, laughing, entertaining—until he couldn’t. when the episodes came, he retreated so far into himself that it was like trying to find someone in a pitch-black room.

you tried calling him. the line rang and rang, finally going to voicemail. your voice was barely a whisper as you left a message.

“lando… if you see this, please just… come home. or let me know you’re okay. i’m here, alright? no matter what, i’m here.”

when the call ended, the silence in your apartment felt just as cold as his void.

—

unbeknownst to you, he was okay.

at least that's what he said to max when he called saying cisca was worried about him. and thats what he said when he called his mom.

“i’m okay.”

but he knew there was nothing okay with him right now.

far away, in his silent retreat, a wave of coldness washed over him, and his breath coming in sharp, shallow gasps. that feeling in his chest was known: he was panicking.

it felt like the walls were closing in, a vice squeezing his chest tighter with every passing second. his hands trembled, fingers twitching as if searching for something to anchor him, to ground him in reality. he fought to keep his breathing steady, but the more he tried, the more elusive calm became. memories of your kiss haunted him—both a balm and a wound. how could something so beautiful leave him feeling so lost?

what if i’m not enough for her? he thought

a tight knot of fear formed in his stomach, mingling with the ache of longing. was he really ready for this? for you? for love? the questions spiraled, colliding with the weight of his own expectations and the pressure of his career. he couldn’t shake the sense that he was on the brink of something monumental, yet all he felt was the crushing weight of uncertainty.

the doubt crept in, fueled by echoes of his past, whispers of inadequacy that had followed him through the years. he recalled the stinging memories of being told he wasn’t good enough, of moments when his efforts felt like they never quite measured up. every trophy he’d won and every incredible milestone he had achieved done little to silence those voices. instead, they morphed into an insidious belief that no matter how hard he tried, he would always be a step behind, always falling short.

what if she hates me?

with you, the stakes felt impossibly high. what if he couldn’t be the partner you deserved? what if the pressure of the spotlight overwhelmed him and drove you away? those thoughts twisted in his gut, feeding the anxiety that swelled within him. he imagined you in a world where he wasn’t there, finding someone who could offer you the stability and unwavering support he feared he lacked. the very thought crushed him, deepening the ache in his chest, as it reminded him of all the times he had to fight for validation, only to come up empty-handed.

he was scared of what loving you meant, terrified of failing you, terrified of failing himself. the weight of it all felt unbearable, a heavy blanket of dread that threatened to suffocate him.

what if i fail her?

lando was too scared, too anxious. with every breath, his lungs ached, and with every tear that gathered in his eyes, he felt weaker. it was as if he were standing on the edge of a precipice, the ground crumbling beneath him, and the vast unknown loomed below—a place filled with possibilities but also with the risk of falling into darkness. he clenched his fists, nails digging into his palms, trying to ground himself as the rising tide of emotions threatened to pull him under.

every heartbeat felt like a reminder of his vulnerability, a painful pulse that echoed the uncertainty gnawing at his core. he couldn’t shake the feeling that he was teetering on the edge of something profound, yet all he could focus on was the suffocating fear of not being enough. the love he felt for you, so pure and intoxicating, was also a heavy burden, weighed down by his past failures and fears. the thought of letting you down, of not living up to the promise of what could be, sent chills racing down his spine.

she's too perfect, i'm a mess

as tears spilled over and streamed down his cheeks, he felt a mix of shame and desperation. lando had always prided himself on being strong, on facing challenges head-on, yet here he was—vulnerable and exposed, battling an internal storm that felt relentless. the very act of loving you felt like a gamble, one that he wasn't sure he was ready to take. would he be brave enough to step forward, to embrace the chaos of his heart, or would he retreat back into the safety of his own fears?

with every sob that escaped him, the overwhelming tide of emotion pulled him deeper, and he struggled to keep his head above water. the thought of calling you, of reaching out for the connection he craved, felt both necessary and terrifying. what if you saw him like this—raw, broken, and afraid? what if he could never find the words to explain what he felt, or worse, what if you saw him as nothing more than a disappointment?

what if she saw me for who i truly am?

taking a shaky breath, he reached for his phone thrown on the couch, sitting on it. his hands were still trembling as he dialed the only person, besides you, who he knew wouldn't judge, but understand him.

“hey, mate, how you doing?” max fewtrell greeted him with his usual easy grin, only for the smile to falter the second he took in lando’s state: tears streaked his face, his eyes swollen and red, his nose and cheeks raw from wiping at them. his lips, split and bloodied, told the story of how he’d been biting them all day. lando’s breath hitched in his throat, his words barely making it out.

“hey… mate, i—” he tried, but the lump in his throat choked him. lando couldn’t even speak.

“lando, what happened?” max said, his voice low and steady, concern etched across his face.

“i think i… i fucked things up with Y/N,” lando's voice cracked, desperation pouring from him as if his world was unraveling right there in front of max.

the sight in front of max sent a chill through his spine. lando's looks, disheveled, like he’d been pulling at it in frustration all day. his bright green eyes were dulled, sunken and rimmed with red. the bags beneath them were dark, a stark contrast against his pale skin. his hands trembled on his knees, unable to steady themselves. his chest heaved, like the panic was consuming him from the inside, leaving only a fragile shell of the person max had known for years.

lando wiped at his face, the back of his hand coming away wet. he shook his head, sinking deeper into the couch.

“we kissed, we slept together and i pushed her away, max. i—i could’ve stayed. i could’ve—” his breath caught again, ragged and uneven. “but i left with no explanation. i went up and left her there, max… i’m so stupid.” he cried out.

lando’s breath hitched, and he pressed the heels of his palms into his eyes, trying to stop the tears, but it was no use. his shoulders shook, and a sob escaped him, raw and unfiltered. he hadn’t felt this way in a long time—like he was too broken to be loved.

"max, i’m a mess," he whispered, his voice cracking. "i couldn’t stay, i couldn’t even look at her this morning because… because she deserves better. i mean, look at me," he gestured to himself, his hands trembling. “i’m fucked up, max. i couldn’t even say the words, couldn’t even be honest. how can i be with her when i don’t even know what’s going on in my own head?”

max’s brows furrowed, his face softening as he listened. lando looked like he was spiraling, and it hurt max to see his best friend like this—feeling like he didn’t deserve something good because he was caught in his own storm.

“lando, mate,” max started, carefully choosing his words, “you’re not as messed up as you think you are. yeah, you’ve got stuff going on, but that doesn’t mean you don’t deserve her, or that you don’t deserve to be happy. and running away from her because you think you’re too broken for her… that’s not the answer.”

lando shook his head, wiping at his eyes, his voice trembling as he spoke. “but i am broken, max. i don’t even know how to deal with my own shit, let alone someone else’s. she’s this… this amazing person, and i’m just… i’m just me. she deserves someone who has it all figured out, not someone who’s going to bolt the second things get real.”

max let out a breath, leaning forward a bit. “no one has it all figured out, lando. not me, not her, not anyone. she’s not expecting you to be perfect, she’s expecting you to be real with her. that’s all. and yeah, maybe you’re not in the best place right now, but you can’t let that be the reason you push her away.”

lando let the words sink in, but it didn’t ease the heaviness inside him. “i left because i thought… i thought i’d hurt her more by staying. i didn’t want her to see me like this. i didn’t want her to see how much of a mess i am.”

“but by leaving, you hurt her anyway,” max said gently. “because she cares about you. and if you care about her too, you’ve got to let her in, even if it’s messy, even if you don’t have all the answers. it’s okay to not have everything together, lando. it’s okay to be scared. but you can’t run from this.”

lando swallowed hard, staring at the floor, his fingers gripping the edge of the couch until his knuckles turned white. max was right. he had run—run because he didn’t think he was good enough, run because the idea of her seeing all his cracks terrified him.

“but what if i can’t do it? what if i let her down again?” lando’s voice was barely audible now, thick with doubt.

max’s expression softened even more. “then you figure it out, together. but you’ve got to give her the chance to make that choice. don’t decide for her that you’re not good enough. let her in. let her see you, even the parts you’re scared to show. that’s how you build something real.”

lando’s breath came in short, shallow bursts, his heart pounding in his chest. the thought of opening up like that—to be fully seen, in all his messiness, all his vulnerability—scared him more than any race ever had. but the thought of losing Y/N, of pushing her away because of his own fear… that scared him even more.

“yeah, sure,” lando whispered, his voice hoarse. “i need to talk to her. i need to fix this.”

max smiled softly, relief flickering in his eyes. “yeah, mate. you do.”

after bidding his best friend farewell, lando sat and tried to calm himself down by pressing his fingers with exposed raw flesh due to the fact he had gnawed at his own hands out of anxiety. he had to come up with something to make it up to you. he needed to.

TAGGINGS: @meglouise00 @rawr-123s-stuff

[misscammiedawn]

Hypnosis and Dissociative Disorders

I've been meaning to write this since Charmed.

I shall not point fingers or name names but during Charmed 2024 there was a 101 class that taught that it was unsafe to play with those who dissociate as part of a mental illness. The graphic, which I'll paste below, used the word "Can't".

I wanted to speak to that.

Hypnosis has several different definitions. One could go to a hypnosis event and ask every presenter "define hypnosis in a single sentence" and get a different answer every class, likely a few may even contradict.

One such definition I could use is "Hypnosis is an altered state where a hypnotee is lead to a suggestible state where the hypnotee is dissociated from their conscious thinking." though one could say it is "an altered state that leads to breakdown in critical thinking and a heightened state of suggestibility" or you could start talking about the unconscious or subconscious mind.

Fact is, there's a lot of theory work at play and the language we use to shape the concepts isn't as important as understanding the concepts.

Dissociation is a natural part of hypnosis. It's also a natural part of existing. In much pre-talk patter we as hypnotists tend to ask an introduction level hypnotee to think about their experiences with time dilation, with highway hypnosis, with spacing out, with walking into a room and forgetting why you came in there.

Things so normal that as part of rapport, a hypnotist tends to assume the hypnotee can latch on to one of the concepts.

Dissociation is a spectrum. Literally. Within psychology the DES-II tool grades dissociation experiences on a scale, hence the acronym.

Graphic source

When people, including myself at times, describe dissociative disorders they tend to be referring to disorders that focus on dissociation as their main symptom. Depersonalization, Derealization and of course Dissociative Identity Disorder. Over the course of my life I have been diagnosed with all three.

But the scale includes Post Traumatic Stress Disorder, both complex and standard. Complex simply refers to a level of trauma that has been ongoing long enough that it is not a single memory or incident that triggers the symptoms.

According to the American Psychiatric Association one in eleven people will be diagnosed with PTSD at some point in their life with 3.5m diagnosed per year in the USA.

Which is to say that dissociating as part of an illness includes 8% of the population. Does that mean 8% of all potential hypnotees are too dangerous to play with?

...the answer is not a clear cut, "no". There is some elevated danger. But rather than teaching people not to play with those who live with these experiences, perhaps we can teach why there should be heightened caution and then allow people to navigate together.

We should always strive to educate and provide tools. When you tell a person they can't do something then they'll just do it without understanding why they aren't supposed to or, worse, predators will find those who were excluded from safer spaces. Harm is not reduced, an educator just gets to walk away from the harm with a simple "I said they shouldn't".

And plus, I said 8% of the general population...

Within hypnosis circles I assure you it is far higher when one factors in that multiple studies have supplied evidence that hypnotic susceptibility increases along with dissociative capacity.

Suffice to say, from utilizing hypnotic susceptibility tests (HGSHS) and dissociative tests (SDD and DES) the more a person dissociates, the more susceptible to hypnosis they are.

The human mind uses dissociation as a way of coping with physical and emotional pain, among other necessary inner needs, and so a person suffering from a mental illness that features dissociation becomes a naturally gifted hypnotee. It's a matter of practicing a skill constantly without realizing that they are refining something useful. Wax-On/Wax-Off.

This leads to a number of safety concerns. We've typed on serious concerns such as altering sense of identity and derealization attacks from lack of grounding. This is a topic near and dear to our heart as we acknowledge that we needed to gain an education in how to safely consent to hypnosis play and failing to do so in the past caused harm to ourselves and to those we played with.

So here's a list of potential dangers in playing with those who are further along the dissociative spectrum, how to mitigate those dangers and create a space where everyone can play safely.

I'll focus on hypnotees with dissociative experiences for the most part as the relationship between dissociation and hypnosis is primarily a concern while the hypnotee is in trance. That having been said I acknowledge that Dom Space connects just as much to the spectrum and an entire new post can be made on the topic of performing hypnosis when you have a dissociative disorder.

Heaven knows it is a topic I study feverishly to maintain safety for myself and those who entrust their mind to my care.

So... with that said, let's talk about the dangers.

Abreactions

This is likely the most common concept that comes up when thinking of the relationship between PTSD and hypnosis. An abreaction is the moment a hypnosis session or scene goes off the rails because the hypnotee is actively reacting to a trauma trigger while they are in a suggestible state. Their Fight/Flight/Freeze/Fawn impulse may be triggered and cause a physical or emotional reaction which was not part of the negotiated/planned scene.

This could be a cut and dry example of "and think about all the times you've been hypnotized right there on that sofa" causing a hypnotee to follow the suggestion and regress in memory to a time before a bad break-up when their former partner hypnotized them on the sofa they are currently on.

It could be an abstract example like "imagining yourself in a field of flowers and breathing in, noting how lovely the scent is, like the most beautiful perfume." causing sense memory to trigger the scent of a perfume that was in the air during a traumatic moment of their life that instantly flips the switch in their mind to go into F/F/F/F mode.

Likely any given hypnotist will experience this at some point in their life. The first example is one that any person could experience. Hypnosis naturally draws upon associations and when you create an association in the present to a negative emotion in the past you will summon it into the present.

With the second example, that association is already there and it was activated during the scene. The source of the abreaction. I avoid using the word "Trigger" both because of shitty internet discourse in the 2010s and because the term is used for other things in hypnosis, but that is what it is. A sense, a memory, an association which causes the source of trauma to intrude upon the present. The danger that the hypnotee experiences in these moments is very real.

Typically when I discuss these topics I put a disclaimer and emphasize how present the traumatic experience is. My hope is that anyone who is interested in hypnosis knows full well how true and powerful inner experiences are. If you doubt that then I sincerely do not know why you are in this community to begin with.

How to prevent an abreaction is important but should never be learned at the expense of learning how to handle an abreaction. Prevention is about disclosing during negotiation, asking the hypnotee to volunteer anything which may activate a negative reaction or simply what topics to avoid. Phobias are common enough examples of things that a hypnotist should know before working.

But disclosing every part of a trance or scene during the early phases of a hypnotic relationship is essential too. This way the hypnotee does not get surprised by anything propping up during play and they can measure their expected reactions before going into a suggestible state.

But if, despite caution, something does happen? What then?

Noting that every abreaction manifests specific to the person, their situation, their emotional state and how the scene caused it to happen. The first thing the hypnotist needs to do is not overreact. Over-correcting is an easy mistake to make in the moment but it will lead to an overall negative outcome.

Assess the situation and try to recognize what is happening. I had mentioned that the reflex is "Fight/Flight/Freeze/Fawn" this can be obvious like thrashing or ejecting out of trance instantly. It could be something harder to notice like locking up and becoming unresponsive or emotionally regressing to a terrified state.

If the hypnotee is still in trance then do your best to offer comfort and grounding. Remind them what is happening, remind them that they are safe, perform some grounding exercises such as box breathing (breathe in, hold, exhale for a number of seconds).

Touch is a case by case situation here. I know if I were having an emotional flashback to an assault then being touched would launch me further into abreaction territory. If you believe holding a hand would be beneficial then at the very least communicate it "I'm here, I'm going to take your hand, everything's safe, I'm here."

Over distance you should communicate this via modality. "I'm here, just listen to my voice, focus on the sounds in the room, I'm not going anywhere" for an audio example, "Just feel the blanket beneath you, you can brush your fingers against it if you need" for touch based.

The idea is to use emotional comfort, sensory grounding and patience to bring the hypnotee gently out of the moment.

Then apply aftercare and discuss what happened, what could be improved, what the hypnotee needs and acknowledge that the stress of these moments impacts the hypnotist too. Leave room for the hypnotist to recover as much as the hypnotee.

Decide together if this will end the session or not. Do not cut off on principal. If someone is conditioned to believe that displaying their negative reactions will lead to play stopping then they will hide those reactions. Accept that they happen. Learn how to grow together and incorporate care, comfort and safety into every scene.

Spontaneous Hypnotic Amnesia

One danger for those who suffer dissociative disorders is that their brains are very good at editing information. The further down the spectrum one is, the more adept their mind is at naturally pushing away things that they do not wish to think about nor have the capacity to integrate.

One categorization of dissociation is a failure for the brain to integrate information and experience. It is the cause of time dilation, it is why critical thinking is bypassed and it is why those further on the dissociative spectrum are able to compartmentalize their experiences so effortlessly that they can maintain dissociated personalities.

Where most people who practice hypnosis typically have to study how to achieve post-hypnotic amnesia, those who begin working with hypnosis with patholigized dissociative experiences may need to learn how not to experience it. I include this as I have spoken to multiple people who have lived this reality and it is something we ourselves experienced in the past.

Should a newer hypnotee show signs that they are not remembering what is happening during trance, it is a good practice to train them on how to retain information. Hypnotee Agency is a skill that one develops and allowing them the knowledge that they can chose to retain the information during a trance is as important as reinforcing how easy and normal it is to forget when that is a negotiated part of the scene.

All it takes to be safe here is to just remind them that if they wish to and find it enjoyable to do so, they may retain the information from this trance.

Nothing more complicated than that.

Derealization/Unreality

Derealization is a common experience within dissociation that is actually lower on the dissociative spectrum than PTSD. It is when you do not feel attached to your present experiences in real time.

A common version of this is "Deja Vu" which is a sensation where you are having difficulty integrating your present experience because it "feels" like you've already experienced it.

It can manifest in many other ways, however the commonality is that the person experiencing this knows that it's abnormal. When a person is disconnected from their surroundings like this they may experience a barrier between themselves and the world, they may have a distorted sense of time and they may become physically unresponsive and withdrawn.

Source: Mayo Clinic

The best way to handle this is to make sure that grounding always includes a thorough count-up that lets a person feel both in their body (this will help with depersonalization too) and aware of their surroundings. Ensuring both debriefing and aftercare focus on keeping reality in the room is important when someone's sense of what is real can drift.

For that reason it's a good idea to try and reinforce those ideas of what is real and save them in a little box that can be stored away if there are ever any reality altering suggestions in play, that way retrieving and unpacking that box can just be a natural part of the post-scene.

I linked it earlier, but my post on the topic can be found here.

Depersonalization/Altered States of Identity

Ah, our favorite soapbox.

Much like derealization, depersonalization is a symptom that is lower on the scale than PTSD and is actively invoked during inductions such as the Bandler which turns a handshake into the hypnotee starring at their hand and having the sensation of the hand distanced from their mind. Literally dissociating the hand from your body and using that sensation to build a trance.

It's a good induction. All forms of dissociation are not bad things. That is something I want to make sure an audience fully understands. This post is here to destigmatize, particularly when a 101 class was teaching stigma.

Depersonalization is a disconnection from one's sense of self. These are the moments when one feels like they are not the ones living through a moment, they are experiencing themselves from an outside perspective.

Once again, things that are utilized heavily in induction patter.

Source: Mayo Clinic

The derealization advice works well in this case, particularly the idea of creating a "back-up" to restore carefully at the end of a scene.

The big difference though is that depersonalization as a natural thing that those with dissociative disorders do can lead to some bleed when doing suggestions which alter a person's sense of self. I highly recommend an optional suggestion or affirmation that can help a hypnotee ground themselves. That may be too close to therapy for many though.

The hard part about being safe with depersonalization symptoms is that they are typically things that we actively engage with during hypnosis. I guarantee at least one person read "Feeling like a robot or that you're not in control of what you say or how you move." and thought of that as an absolute win.

This is where a bit of negotiation and hypnotee agency comes into play. Reality needs to be kept in the room during all hypnosis. Diving into ego-death or erasing reality may be tempting, especially for those who aren't particularly fond of reality or themselves, but it is too dangerous to surrender those things.

My definitive post on the topic has more information.

Though while I'm talking about altered personalities, I want to make something clear which I did not type about much in my Personality Play post...

Plurality

This is a topic on its own which could take on an entire post to itself. I may yet write it. If anyone has read our Madison and Belladonna stories they would know that they are written entirely based upon the life lessons Daja and I have been learning while I began therapy and was diagnosed with Dissociative Identity Disorder. Many of my lessons for how to safely play with plural systems are mixed in with the fiction.

When I say Plural I mean to refer to those who have multiple dissociated personalities, along with circumstances such as dissociative barriers.

There are as many displays of plurality as there are people who experience it. Every system is different. No two people are not on fire (awww).

So with that said, any play on either side of the watch is going to be lead with self-advocating. A hypnotic relationship involving a system (or more than one, even) will need a level of disclosure. Not just that a system exists but how that system manifests. What patterns are known regarding switches, what best works when an unexpected switch occurs, what levels of dissociative barriers exist between alters/parts, what terminology is preferred...

Wait, that's a lot to throw at once.

Our version of plurality is based upon Dissociative Identity Disorder. Which is to say that my system, originating via complex PTSD during childhood, used to have firm dissociative barriers between one another. This meant that, prior to diagnosis, you could have an emotionally charged conversation with me, Dawn, and then the next day Cammie will wake up and depending on the level of dissociation (typically but not always linked to stress or proximity to trauma triggers) will either not remember what happened during that conversation or will not carry the emotions that I had experienced. "Not remembering" can simply be "won't think about"

As I said, it's quite subjective. But the conceit is that with those on the DID spectrum will have a complete disconnect between parts/alters.

For those with less dissociation, but still experience plurality, they may not have amnesia or barriers between parts, allowing themselves to communicate with one another actively.

Within psychological communities there is eternal debate on all of these experiences and one of the more poignant debates is that the difference between DID and OSDD seems to just be a level of severity and that treatment and therapy tactics tend to move DID patients into the OSDD box and so they shouldn't be labeled as separate disorders.

These rules on amnesia, inner communication and emotional consistency between parts typically apply outside of disorders. I do not wish to engage in syscourse. But as above when I mentioned abreactions, those who practice with hypnosis know how capable a mind is to create hypnotically induced personalities. There are experiences outside of the DSM-V and that really shouldn't be a controversial statement.

A switch is when one part/alter trades out for another. The reasons are hyper specific to every system and cannot really be predicted without knowing their circumstances intimately. For instance the scent of lavender will draw me out without fail.

These can happen without warning and during hypnosis. Being cautious about body language, tone of voice and sudden changes in mood are the best you can do without guidance from the one with lived experience.

I'd also cautiously warn to end a scene and check in if there is an unexpected switch and there's no negotiated playbook on what to do in case of a switch.

The first Madison and Belladonna story tells the story of that very circumstance because that happened in my real life.

For safety it is best to try and communicate with the entire system over how to approach any aspect of hypnosis play. Exploring is a collaborative action and it can be a rewarding experience to find what works and what doesn't work. But it does take time.

For some basic "until I know better" rules, I'd say NEVER FORCE A SWITCH is a fairly basic rule, though. Also do not assume consent for a specific part/alter counts as consent for the whole system.

There is so much to say on this topic and I will likely revisit it at another point, but much of the safety tied up with DID and identity based dissociative disorders boils down to the fact that you are negotiating consent for a group and that you cannot always guarantee that the hypnotee at the start of a scene will always be present during the entire scene.

To that, I say treat switches like an abreaction, display acceptance and curiosity and don't get too hung up on the circumstances.

At the end of the day plural folx are just people too, just not person.

So... why did I write all this, anyway?

A lovely friend of mine recently joked that Charmed 2024 was the "Year of Plurality" and in a way they were right. I've been attending the event since 2020 and where my first had been a humble little class of 8 or so people on a Sunday afternoon ran by Vulpes Automata (Vulpes teaches the same class at Plural Positivity, albeit without the hypnosis content, a recording is hosted here) this year's event included many systems declaring themselves as such on their badge, both an in-person and online unconference that stretched beyond the time limits put in place and were feverishly well attended.

It has done my heart so good to see the safety and community growing and becoming more accepting.

It reminds me of the community's slow growth to accepting and embracing the transgender community in the mid-2010s.

Which is why I wish to be firm about trying to stop bad ideas from taking root in how we teach on these topics.

Some may remember that in the 2000s, respectable resources teaching hypnokink used to state firmly to "confirm biological sex" with any potential play partner. Said material has been revised. Times change and communities grow.

So when I see this teaching graphic saying that those who dissociate as part of a mental illness "Can't" be hypnotized, due to safety concerns? I get worried.

It was being used in a 101 class at the very same Charmed event that I am praising for having such good acceptance of plural experiences?

I lived this once as a closeted transgender woman. I don't want to live it again with our DID.

And I remember that "never play with anyone who has a mental illness" used to be taught in the same resources that once said to disclose one's "biological sex". People have taught this in classes and been approached by someone who had a mental illness and told how ignorant it was to teach that they could not be played with.

We, as a community, can do better.

I'd rather a 3 hour 101 become a 4 hour 101 and teach this material than to dismiss those who are the most vulnerable and susceptible and have them seek their trances from those who do not have reservations about safety and ethics.

Thank you for reading. I know this was a big soap box.