#why Sokka serious :(

[valiah-posts]

Me watching the avatar live action was full of:

“He wouldn’t do that— huh?? HE WOULDNT SAY THAT”

“Why did they start like that? Though, it’s pretty to see more of the Air Nomads :3”

“Why is Sokka so SERIOUS, he’s literally supposed to be the comic relief with lore :((“

*tense moment that’s actually good* “:OOOO”

*frustrated that Zuko didn’t talk about honor yet*

“I miss Sokka shdhbshd”

“Aang’s voice is actually so similar to the original!! :D”

[ansiedead]

soulless, unfortunately

[iminaworldofpureimagination]

clickbait: aang will be serious/boring

Trailers... showing no he's still a happy fun loving kid

[discordiansamba]

actually also obsessed with the idea that aang and zuko knew each other. his father had sent him away to receive special firebending lessons, since his own bending was lacking in comparison to his older brother's. zuko would frequently escape from his tutor's home and pretend to be a normal kid- this is how he meets aang and kuzon.

he never tells them he's the second prince of the fire nation. why would he?

he's never met an airbender before. he knows his father says a lot of things about them- but aang's nothing like what he describes. and the way he talks about the air nomads doesn't match up with his father says about their people either. it plants a seed in the back of his mind. he spends half a year there befriending kuzon- and aang, when the latter visits, which is often, until his father calls him back to the palace.

zuko learns that his father plans to assault the air temples when the comet comes. he's horrified. he says as much. it turns out burning your children's faces is a trait that runs in the family. he leaves zuko behind at the palace to recover and to rethink his loyalties as he leads the assault against the air temples.

zuko is not there when he returns.

a hundred years later, zuko watches as his friend aang is guided into the south pole village by kanna's grandchildren. his brain does a record scratch, because it doesn't make any sense. aang should be dead- along with all the other airbenders.

aang doesn't recognize him when he wakes.

(he's had a century to get used to the burn. he's kind of forgotten it's there, but that... really brings it home to him.)

aang is the avatar. he's the avatar- and it's his disappearance that caused the spirits to yank him away from his mortal life. he wants to be angry at him. but he can't. because it's been a century, but zuko is so, so happy to see his friend is alive.

he wishes he could say the same for the rest of his people.

that said the idea of Zuko being the spirits go to guy for problem solving is so funny to me. something something AU in which Zuko was born a hundred years ago and when Aang vanishes the spirits are just like. gee. we need a temporary bridge between worlds until he gets back so they just make a beeline for zuko. yeah you'll do. we're going to slap you with immortality. go forth and problem solve for us.

zuko: do I have the option to unsubscribe.

spirits: no.

local immortal firebender doomed to wander the earth doing whatever the spirits want of him. they promise they'll release him if the Avatar ever returns. Zuko is increasingly suspicious that won't happen. he doesn't have any cool spirit powers- he just doesn't die. or grow. he would have appreciated not being perpetually sixteen actually.

he can't prevent the war from happening. that's not what the spirits want from him. but he watches it all unfold- and he tries to help whenever he gets the chance. he somehow still manages to forge vague connections to the rest of the world. it's not why he's there, but he helps a young woman from the northern water tribe escape her unwanted marriage by fleeing to the south. he hates going to omashu because that bumi kid won't leave him alone- what do you mean he's king now.

he watches the war get worse. he watches the dai li grow increasingly corrupt. there's so much he wants to do, but the spirits usually won't let him intervene in mortal affairs. he belongs to them. just when he starts to believe that he'll never be free, the spirits tell him he has only one last task left. go to the south pole. escort the three children there to the north pole.

it's a weird request, but zuko literally cannot refuse, so he goes. kanna greets him. she's gotten older again since the last time he saw her. her son is off to war. her oldest grandchild is almost his physical age. they went out fishing and haven't returned. when they do, they arrive on a sky bison- and there's an airbender with them.

it's the fucking avatar.

after a hundred years, the avatar has returned... and instead of instantly releasing him from his contract, the spirits want him to be his babysitter. what did he do to deserve this.

(well. his father being fire lord sozin probably didn't help.)

[omorisunflower]

Um, this is my first post ever, so if this looks... not right, you know why xD

Saw this meme a while back and I immediately thought of Sokka, because, let's be serious, that's a pretty ingenious way of making money 🤣🤣🤣

[ravenna-reid]

Zuko & Hanahaki

Hanahaki: a disease in which the victim coughs up flower petals when they suffer from unrequited love.

There you sat. Adorned in apple red robes, carefully feeding and playing with the turtle ducks. Zuko stood concealed by the shadows of his opulent home and continued watching you. Continued watching the girl he'd first became infatuated with all those years ago before his scar. Before his banishment. And now that he was back and the new Fire Lord, you two were both able to rekindle your friendship.

Friendship. Zuko hated the word, especially when you used it. Because being back home and spending time with you once again, and not having his banishment or father or the Avatar consume his thoughts, he suddenly realised how deeply he felt for you.

Your laugh suddenly filled the air like sweet perfume, pulling Zuko's lips into a smile. Something got caught in his throat, and he figured it was another symptom of being in love. But his brows furrowed once he realised something was really stuck in his throat. He let out a small cough, and watched three pink petals from his mouth float down to the ground. He looked down in disbelief and horror.

"What do you mean you coughed up petals?"

"I don't know how else to put it Aang. I just, they came out of my mouth. I coughed them up!"

The hum of a simple tune caught Zuko's attention. Swinging his head in the direction it was coming from he watched as you walked past, accompanied by others. Aang and Katara followed his eyes to see you.

"Hi y/n!" They both called out, and you turned to wave back before you caught sight of Zuko. "Hi Zuko." You said warmly.

He awkwardly waved back and you continued down the path through the gardens with your peers. Another cough became lodged at the back of his throat and he couldn't help but let it out. Hands clamped over his mouth, Zuko coughed a little harder than before, and he kept his hands there, afraid to look. Aang and Katara simply stared back at him with a frown.

"Zuko, did you cough up flowers again?"

Zuko shook his head.

Unconvinced, Katara folded her arms. "Zuko."

He pulled his hands away, revealing the bundle of petals in the palm of his hands.

"Oh Zuko, you know what this is? You're sick with Hanahaki." Katara exclaimed.

"I think I heard Gyatso mention it once...I didn't think he was being serious though." Aang responded, scratching his head.

"Well, what is it and how do I get rid of it?" Zuko snapped, throwing the petals out of the window.

"It's a lovelorn disease. You're sick with flower petals because y/n isn't returning the love you feel for her!"

Zuko shook it off, stating it was the craziest thing he'd ever heard and declared he had Firelord duties to attend to. So with a giggle to themselves, Katara and Aang let Zuko be.

It only got worse. And soon, Zuko found that he had to distance himself from you so that you wouldn't find out. There were times when Zuko, the gaang and yourself would all spend time together and Zuko could feel the stir in his chest. The odd sensation in his throat and he'd quickly hurry away.

"Ha! He's coughing up those petals again-"

Katara swiftly elbowed Sokka to shut him up.

"Ow.." Sokka said, rubbing his side.

But you were too focused on Zuko's figure becoming smaller and smaller as he headed down the hall. Curiosity and concern itched at the back of your brain. Why was Zuko acting as though he couldn't stand to be around you anymore. What had changed? What did you do?

Aang came up beside you, watching on with you as Zuko disappeared around the corner. "Maybe you should talk to him."

Of course you could imagine Zuko's dread when one of his officials and trusted advisors interrupted his quick escape. He quickly slipped his hands under the sleeves of his robe, holding onto the petals in his fist. And as they spoke to him, you can imagine his frustration when they told Zuko that he ought to organise an event at the palace in honour of him slowly bringing peace between the nations.

So the throne room was filled with generals and lady's dressed in their most expensive clothes, along with music and servants serving the most exquisite meals. Everyone was having a splendid time.

Zuko, however, was a mess. He had anticipated your arrival the entire night, but he was also worried about seeing you, given his odd disease. And so when you finally walked through those doors you instantly stole the breath from his lungs. Crimson silk robe draped over your body. A beautiful golden headpiece with red petals in your hair.

Petals. Zuko scoffed at the irony. You were already scanning the crowd for Zuko, until your eyes locked onto each other. His dark hair was up, complimented by the Firelord headpiece. He looked so handsome, so sweet as he stared back at you. That was until he quickly averted his gaze and hurried away, and that heavy feeling was back in your chest.

Zuko could barely contain it now. As he walked out to the pond where the turtle ducks lied asleep and close to their mother, handfuls of petals kept escaping him, leaving a trail behind as he coughed.

And coughed, and coughed, and coughed.

He cursed his stupid situation. This stupid disease. These stupid petals. Arms crossed, he glared out at the pond before footsteps amongst the grass caught his attention.

"Zuko?"

It was you. He half turned to see you glancing down at the cherry blossom trail on the ground. Then, with a glint of confusion passing through your eyes, you looked back at him. Zuko wanted to crawl into a hole. He wanted to crawl into the smallest hole he could find and hide in there forever.

"Zuko, what is this?"

He instinctively turned from you. "Nothing." He said, grimacing at his harsh tone.

"It's not nothing..." You said, coming closer until you were by his side. Zuko's body tensed with you being so close to him. So close, yet so far away.

"Zuko, look at me." You held onto the sleeve of his robe and turned him to face you. Shame and embarrassment quickly flooded his expression as he struggled to look you in the eye.

"I said it's nothing. I swear."

"No..." You shook your head, your heart heavy in your chest as the realisation hit you. "The gaang were telling me about this. Just the other day. Hanahaki disease. I didn't realise you had it."

Zuko scowled. Of course they couldn't keep this to themselves and felt the need to give you hints. He shook his head and turned his body away from you again.

"There's someone? A girl that isn't returning your affections?"

Zuko was silent. You let out a sad sigh, wondering who he had such fervent feelings for.

"And she hasn't noticed that you like her? What a stupid girl." You said, arms crossed over your dress.

Zuko turned to you and the words fell from his lips before he could realise what it was he was saying. "Don't call yourself stupid."

Stunned. Both of you were stunned as you stared at each other.

"Me?" You breathed.

Zuko hesitantly grabbed your hand. "Well, who else? It's only ever been you."

But you were too surprised to respond. Both surprised and ecstatic.

"You got Hanahaki because of me?" You asked, a slight smile creeping onto your face.

Zuko bashfully rolled his eyes. "Yeah, I guess."

Then, you did something you thought you'd never do. Still holding onto his hand, you leant in and gave him a quick, tender kiss on his lips. And in that moment, Zuko had never felt more at peace and embarrassingly enough, completely obsessed with you. Only meaning it to be quick because your shyness was getting the better of you, you were about to pull back until Zuko went back in for more. His kiss deep and passionate. Both of your hearts soared, and now nothing else mattered except for you and the relationship that was beginning to blossom.

Your kisses finally came to a stop, and your arms gently wrapped around his neck, your head resting on top of his shoulder. The thrumming in Zuko's chest was so intense he was afraid you would be able to feel it. Still, Zuko did what he'd been wanting to do for so long. He wrapped his arms around your waist and buried his face in your hair, eager to never let you go.

You smiled to yourself as a soft giggle fell from your lips. "You taste like cherry blossoms."

Zuko gave a breathy laugh in return.

[dreamchasernina]

The live action writers hate Aang

I have given myself a lot of time to think about the live action, and reached the conclusion that the writers hate Aang. I dare you to read read this and tell me I'm wrong.

Let me start this by asking you a question? What's the most badass scene Aang has in the first season of the OG show? No matter what you answer is, I know for sure, that scene doesn't exist in the live action. Aang does absolutely nothing to prove the audience he is the right person to be the Avatar, he learns absolutely nothing throughout the show, he doesn't need to look into himself and change his way of thinking. Nothing. Most of the fundamental lessons Aang learns throughout the first season are gone.

The first mistake Aang does in the OG is staying at Kyoshi island too long, letting the attention go to his head, getting too comfortable. He realises he brought destruction to the island and tries to fix his mistakes by jumping onto the Unagi to help the village. That's how he learned the responsibly he holds as the Avatar and finds a unique way to help the village. Well that doesn't exist in the LA. Instead, Kyoshi takes over Aang's body to fight the whole fire nation for him. Aang, himself, does literally nothing.

The spirit world. In the OG show Aang is forced to face his Avatar duty for the first time by trying to save the village that's beeing attacked by Hei Bai. This is his first test as the Avatar and he fails. Not only that, he loses his friend. So Aang has to figure out himself how to get Sokka back from Hei Bai. He figures out who her bai is, himself, understands why Hei Bai is angry and gives him hope, the way Katara gave him hope. So we see that even though Aang failed at first, he kept trying and was smart and compassionate enough to realise what the problem is and solve it. This does not exist in the LA. Aang sees Hei bai in the spirit world, within a second realises who he is and just gives him the Acorn, without having to face him at all!

Another reason I'm convinced the writers hate Aang is the way all the avatars + Bumi treat Aang. Everyone is mad at him for disappearing for 100 years. And look, I get that, you can be mad at him if he ran away from his duties...but he never did! He went to clear his head on Appa and got caught in the storm. And if he hadn't run away he'd be dead, so why are you all so mad at him?! Bumi being mad at Aang could make sense, because in the OG show Aang did spend a significant amount on time of goofing around before he finds out about the comet. But here, it makes no sense! Bumi is mad for no reason. As soon as Aang got out go the ice he took his duty seriously, so please, make it make sense! And the show just glosses over the fact that if Aang hadn't run away he would be dead with the rest of the air benders. Instead of letting Aang feel guilty himself, which he does in the OG show, they just get these characters to hate on him, because they're incapable of making their characters have any emotional depth.

Aang doesn't learn water bending. At all. And there is no logical reason for that. I guess they thought it wasn't that important but please explain to me how you want to make Aang more serious and focused on the Avatar duties but not make him learn water bending? The literal next step Aang has to take to becoming the Avatar?? That is the only clear goal Aang has from the second episode of the show - to find a master and learn waterbending! Make it make sense!

Taking away Aang's talk with Koh. So I assume if most people didn't answer my question above with the Koi fish, they probably said Aang's journey into the spirit world and his meeting with Koh. In the OG show, Aang has to find a way to figure out how to save the water tribe. He does so by going into the spirit world and talking to Koh the face stealer. So Aang had to talk to Koh showing zero emotions so he doesn't have his face stolen. That scene is so creepy and so badass and shows that Aang is really capable, even though he is a kid, he is facing the creepy ass spirit and is doing an excellent job. So when Aang finds out who the moon and the ocean spirits are, it feels deserved, it feels like an accomplishment. In the live action he doesn't have to show zero emotions because Koh is not stealing faces, he's just stealing random people for whatever reason. Koh tells him exactly what to do, bring me a MacGuffin so I can release your friends, Aang just goes to see Roku, no problem, no obstacles to overcome, brings the Macguffin to Koh and he just releases his friends. Wow, really shows us how resourceful Aang is by making him...get an object and give it back to Koh...

And the very last point that I absolutely hated in the show. When Aang goes into the Avatar state and becomes the giant koi fish and wipes everyone out, the live action show goes out of its way to emphasise that that is not Aang in there. Aang is gone. The Koi fish is just rage. and that's that. Taking away ANY agency Aang ever had. Look, I know in the OG show Aang is not in control of the Avatar state either, but we know that's still Aang in there, that's his power he's showcasing. He might not be in control but that's him doing it all, being all powerful. But in the live action, they tell us Aang is gone, that's just his body the spirit is using. Plus Aang does no watebending himself, no gestures like the original where you can see aang in the sphere water bending, controlling the giant Koi fish, showing us how far he's come as a water bender. But in the LA he's just in the sphere...doing nothing because he never learned water bending so of course that's not him doing all this cool shit.

I am so angry over all of this. This is you MAIN PROTAGONIST. and you made him nothing but a vessel to progress the plot. You gave him no character, no growth, no struggles, no power! So no, you cannot convince me, at this point, that the writers of the live action don't hate Aang. Probably as much as they hate Katara.

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[hadesisqueer]

i dont follow you for rwby but im curious who is nora and why would it be fun to see azula shoot lightning at her??

Good question indeed.

Okay so this is Nora. Nora Valkyrie.

Nora is a character from RWBY, and part of the main cast. She is like 5 feet tall, 18 or 19 years old, cute, playful, happy-go-lucky and often a menace (she'd get along with Toph or Sokka if you understand me), though she's gone through many things and can actually get pretty serious too, and is very loyal and brave. Physically speaking she's strong. Like, really strong. Ridiculously strong. And her weapon as you can see is a huge hammer (its also a grenade launcher but we're leaving guns out of this). She is part of team JNPR. Team JNPR's members are based of legends and myths. Nora is based off Thor (hence the hammer). Her semblance —a superpower, let's say— is also as a reference to Thor as well. Its name is High Voltage, and it allows her to *checks* absorb electricity into her body and enhancing her strength.

This is an example of Nora using her semblance:

This is Nora at her limit btw, overusing her semblance too much on an energy field, which is why she collapses and gets scars (which look sick on her later tbh). Normally, while being electrocuted can still be painful for her, she can withstand it with relative ease and get moving fast (usually with a smirk). And that includes actual lightning. She actually explained once that she found out what her semblance was because she got struck by lightning one day and she was fine and didn't die.

So, yeah, if Azula, or any other lightningbender, hit her with lightning, Nora would probably fall and feel the pain. Then two seconds later she'd proceed to get up with a smirk because the bender just powered her up.

[prying-pandora666]

“Zuko Never Wanted To Kill Anyone”

Zuko tried to kill Suki. He fired a shot that would’ve fried her to a crisp when she was down on the ground. The only reason she lived was because Sokka deflected it.

Zuko drove his ship into the ice in the SWT, nearly running over several children. One child almost fell between the cracked ice and had to be rescued. That would’ve been a death sentence. Zuko didn’t care.

Zuko repeatedly burns down or causes serious damage to villages with people living inside them. Including children.

He tells his own crew members that their lives done matter, only his goals, and forces them to steer into a dangerous storm that could’ve gotten them all killed.

He violently robs civilians when he is on the streets. And not only out of desperation, but also for luxury items he feels entitled to.

Even as a small child, he laughed at his uncle’s joke about burning the largest civilian city in the world to the ground. While he’s actively seizing it and no one can get out.

Zuko betrays his own uncle to his nation, knowing he has been branded a traitor and may well be executed if not imprisoned for life in horrible conditions that will surely lead to premature death. In one of the comics Zuko is told that Iroh may not even survive the trip home. He still goes through with it.

He hired an assassin, behind everyone’s backs so it wasn’t even being done in service as a soldier for his nation, to murder Aang just to protect his own social status and his father’s approval.

He goaded Aang on to kill his father and mocked Aang for wanting a non-homicidal solution.

He crashed his sister’s coronation—not aware that she has banished everyone, mind you, so he could be walking into a highly protected fortress and potentially have to kill his way through soldiers and servants—and challenges his sister to an honor duel. He does this precisely because he recognizes she is mentally unwell and that he can exploit this.

He goaded his sister into shooting lightning at him. Lightning which is lethal. While she’s comet boosted. Just so he can risk his life because a small mistake could fry his heart. So he can redirect it… nowhere? Potentially multiple times as she can possibly chain lightning while comet boosted. Why? What possible reason could he have to put himself in such a dangerous and fruitless scenario?

He was trying to kill her. Zuko has never been against killing.

He just changed sides.

And before you say “but he redeemed! He changed!” Yes.

I do know he changed. It’s what makes his arc so powerful. The fact that he was so willing to kill and invested in the war.

But he is still learning and he clearly didn’t realize that trying to kill his sister was wrong until she was chained up and sobbing. Only then did he finally see through Ozai’s manipulation pitting them against each other. She was never a monster. She wasn’t just the embodiment of everything he had failed to do, not just a living obstacle to overcome. She was also dad’s victim.

And in doing so, Zuko finally breaks the cycle of “brother killing brother” in their family that Iroh warned about.

It’s an incredible redemption story.

It only works if we admit Zuko was once a villain who did bad things and had selfish and sometimes cruel intent.

[longing-for-rain]

Ember Island Players…Racist Caricatures or Meta Commentary?

This episode was supposed to be a fun filler episode to recap the events of the show in a silly way before the series finale, but it’s managed to become arguably one of the most controversial episodes in the fandom. Over the years, Aang’s possessive behavior towards Katara has been rightfully criticized, but there are always people who attempt to justify everything Aang does.

Apparently, the latest iteration of this is the claim that—wait for it—we should be sympathetic towards Aang and give him a pass in The Ember Island Players because he felt “emasculated” due to the supposed “feminization” of his culture.

I’ve been called racist for saying this is a reach, but it’s more than a reach. It’s an entire acrobatics routine; a level of media illiteracy that shows a lack of understanding of the point of that episode.

Yes, Aang’s character is portrayed in a silly, mocking way. So are all of the other characters. That’s the point; the episode was a filler, a gimmick, and the underlying comedy is the fact that all of the characters are reacting to exaggerated, one-dimensional versions of their own personalities.

For example:

Katara is portrayed as an “overemotional crybaby” in her own words, and is constantly giving motivational speeches and crying

Sokka’s “comedic relief” archetype is played up to the point his lines are just corny one-liners

Zuko is portrayed as an angsty, whiny pretty-boy who acts like a bratty asshole at all times

Toph is a huge buff guy (although in this case, it’s a play on how her character was originally going to be a “jock” type male character)

As for Aang? He’s portrayed as unserious, goofy, and childish. Which—just like all the others—is a jokey exaggeration of his childish demeanor and nature. He’s not even alone in taking offense to his portrayal. All of the characters aside from Toph hate their characters for largely the same reason. They’re being confronted with aspects of themselves that make them insecure. For Aang, it’s his immaturity—and specifically his fears that he’ll be rejected by Katara.

As for why Aang is played by a woman? Well, we don’t actually have to wonder about that, because the creators themselves answer this question in the episode commentary.

Bryan: “It's sort of a self-referential joke. Whenever you do a animated show, they usually want to cast, uh, women...who are, like, in their thirties to play boys, because you never know how long the show is gonna go on, and, you know, as Jack mentioned earlier, boys' voices start cracking.” (source)

Wow, imagine that! An inside joke about the cartoon industry in a show’s meta-episode dedicated to making fun of itself? Impossible!

I’m serious though. The episode transcript is right here. Point me to where exactly there is even the slightest hint of anyone bringing up Aang’s culture and tying his childish behavior to it.

That’s right; it isn’t there. Because that wasn’t the point. Aang’s anger did stem from feeling emasculated, but it had nothing to do with culture and everything to do with his own misogynistic attitudes. He was offended at his portrayal on an individual level. I’m not denying that the issue of oppressive nations using femininity as an insult against men of colonized nations is a very real issue, but that was never a theme present in this episode. We don’t see Aang expressing anger towards the Fire Nation, nor do we see him mention anything about culture. What we see is Aang, individually, feeling insulting that his actor is female and Aang being angry at Katara, individually, because the play suggested she felt more attracted to Zuko than him.

Trying to downplay Aang’s behavior and suggest we coddle him despite his atrocious treatment of Katara is a disingenuous reading of the episode.

Why are you reaching to make an excuse for Aang when if you’re really taking the “the point of the episode is that the play is racially demeaning the characters” angle…and why are you not bringing up Sokka? He’s portrayed as a dumb oaf who is always talking about eating meat. There is a much stronger argument to be made there about caricatures, but Sokka isn’t threatening anyone’s ship so apparently nobody cares.

And while we’re talking about caricatures, how about this crap?

Sorry, Aang stans, but this show and Aang’s character aren’t the enlightened portrayals of anti-colonialism and groundbreaking activism you think they are. It’s pretty clear from the context and the episode itself what the intention here was. It is poorly aged comedy from the early 2000s written by white Americans. And we will continue to critique that, thanks.

[saijspellhart]

Things I liked about the Netflix ATLA and some critiques:

Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.

They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.

Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.

Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.

Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.

Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.

The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.

Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.

King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.

I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.

Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.

They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.

Emotional points in the show are now more intense and brought me to tears.

Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.

Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.

We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.

The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.

The shirshu looks fucking phemonal.

Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)

The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.

We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.

They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.

I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.

Some Critiques:

They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.

Katara starts off bland in the first episode and it takes a bit for her to grow into the character.

The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.

Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.

There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.

Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.

I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.

I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.

In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.

I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.

Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.

I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.

PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.

This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.

[sufferingsokkatash]

THAT famous zukka hug in the atla north and south comic : an essay you did not need, by me.

i was thinking about how, in writing, there should be no accidents or coincidences in how and why something is described, or the detail the writer chooses to use. for example, zuko tapping his hand on his desk would be used to show that he is impatient or anxious about something.

so THEN i decided to apply this to the zukka hug, because why not be delulu about these things idk.

first of all, here are the zukka hug pages for context:

disclaimer: i don’t really know how the fandom feels about the comics. personally i like them, so i will proceed with that bias in mind. also please take this with the humour that is intended, it’s more fun that way.

i go down a sabre tooth moose lion hole below the cut.

this whole scene to me is largely what we all love about atla - humour and good characterisation combined with serious subject matter. king kuei and bosco are the comic relief and oblivious party in the face of quite a complicated issue, as zuko himself acknowledges. this humour then extends to kuei offering zuko the chance to join in on his hug with bosco, which zuko politely refuses. obviously, there is the clear issue of zuko being afraid of being eaten by a bear, but we’ll pretend that ernest hemingway is grading our papers here, okay.

it is a very deliberate writing choice and contrast to have zuko refuse hugs from one person/animal and then immediately and happily accept one from sokka. (see also: sokka running excitedly with a big grin on his face at the bottom of page 17 to greet them, naming zuko first, but remembering that he is a good ambassador to the swt and using their proper titles despite his excitement. more silliness mixed with seriousness. see also, also: HE RAAAAAN!) zuko may be touch averse and not a huggy person, but screw that when it’s sokka who’s offering the hug.

remember there are no accidents in good writing. kuei happily says: hello friends! to which, in both that panel and the next, he is clearly ignored. sokka and zuko are so absorbed in hugging each other that sokka neglects his duties in welcoming them both properly. zuko : 2 swt ambassador role: 0. also ignored is the fact that kuei brought his bear, which would normally be subject to some kind of smartass comment from our boomerang boi, even if he knows he’s obsessed with his pet from the ba sing se episodes.

this could be an actual mistake, but sokka ran towards zuko, who was standing in front of kuei. but in the hug panel, sokka is between them. that means kuei walked all the way around them trying to get their attention, and it still didn’t work. sokka, nor zuko, say a further word to kuei. like exactly how much tunnel vision is there in this, my goddddd.

bosco is protecting kuei and sokka is protecting zuko. could be why they mirrored them and their positions in the hug panel, so not a mistake. a swt person says: protecting foreigners, sokka?! but that is exactly what he does by ignoring the protesters and telling zuko not to worry about them. despite wanting to do his duty to everyone sokka puts zuko first, basically, and doesn’t care about what they all think of him. that’s kind of huge for sokka.

yes, hakoda is injured at this time and yes he’s proud of sokka, but surely as chief he would have gone to meet the earth king and firelord? why did the writers go to so much effort making sure that sokka was there to meet zuko and have them hugging take up a third of an entire page when printing and space in the comics is such a consideration? it is clearly important, y’all.

their faces when they see each other. sokka can’t stop grinning and zuko closes his eyes in relief he’s so happy. enough said.

sokka says: thanks so much for coming! like he doesn’t already know zuko would travel the world just to make him happy or help in what’s important to him. have you forgotten boiling rock, sokka? because that dude you’re wrapped around, acting like he’s been starved of you, sure hasn’t.

this comic is all about nations coming together and traditions being upheld and shared. in other words, marry him sokka. it is in your diplomatic interests to do so.

in utterly insane conclusion:

i am always surprised at how much they made the effort in the writing for this one scene. i don’t see the comics as something that tease ships, they aren’t natla. what i do see is two guys who clearly care about each other, almost to the detriment of their roles and responsibilities, and their relationship was worth the effort taken in the writing and artwork to show that. it is super heckin sweet. does this mean i think zukka is canon or could be? no. maybe did i have fun pretending and overanalyzing every detail? yes.

ps in all seriousness, the answer is that this is about my fav boy and how far he has come in his character growth journey - exhibit a from ‘the avatar returns’ episode:

the end, i am getting blocked and going to jail but it’s okay because zukka is my bosco hug.

[system-to-the-madness]

Heart Aflame (1/3) - Zuko x Reader

Word Count: 6 738 Warnings: kidnapping, slavery, human trafficking, colonialism, mentions of: torture, physical violence, death Summary: You learn about a camp where your kidnapped sister might be held, so Zuko and you head out to find her   A/N: Part Six of the series Perfect (10 times Zuko thought you were perfect and the first time he told you)

Zuko knew his heart shouldn't beat quite as hard as it did when you turned around to him with a smile. He had called for you after all.

"What's up," you asked, waiting for him to catch up with you, where you had been strolling along the beach.

Just yesterday had he returned from his little trip with Katara to avenge her mother, and on the way there he had overheard news that he had a feeling you might want to hear, even if it would doubtlessly be hard for you. How was he even supposed to start telling you he had an idea where to search for your little sister? After your village had been destroyed and your parents killed, you had no idea what had become of her, and since there was no proof of her death, you clung to the hope that she might still be alive. He didn't have confirmation of the one or the other, but he might have a way for you to find out.

"You're from a village close to Yu Dao, right," he began hesitantly.

"I mean, I lived close to Yu Dao before the Fire Nation destroyed everything, yes. What about it?"

"When I was traveling with Katara, I overheard some people talking," he explained. "They were talking about a camp, sort of like a prison, where the children from around Yu Dao are being held prisoner." He had to watch your smile slowly melt away and be replaced by a serious, almost hurt expression. "If anyone knows what happened to your sister, it might be the people there…"

"She might be there," you corrected, your eyes not focused on him any longer and instead staring straight through him, your jaw set tightly. "This is the first time in almost two years that I have a chance of finding her. Where is that camp?"

Zuko bit his lip. "I don't know if it's a good idea to-"

"Zuko, I'm gonna ask just once. Where is the camp."

How the hell had the knife appeared in your hand? Zuko swallowed. He should know better than to underestimate the desperation of someone searching for their family.

"It’s on a small island, just a couple of kilometres to the southwest of hot spring cove," he answered. "Hey, where are you going?" Quickly he sprinted after you, catching your hand.

"I'm going to find a boat that can take there," you answered, tearing your hand out of his hold. "I'm going to find my sister and you're not going to stop me."

"I don't want to stop you," Zuko disagreed. "If I didn't want you to go, I wouldn't have told, or would I?"

“What’s going on?” Aang, Katara, Sokka and Toph poked their head past a nearby boulder, curiously taking in the sight of you and Zuko. It was unusual for you to fight; so far you had been the one who had always shown the most compassion towards the Fire Nation Prince, speaking up in his defence or listening to him when he was trying to explain himself.

“I might know where my sister is,” you explained.

“I told you not to tell her about the camp,” Katara sighed, stepping out further.

“Why not,” you asked, clearly getting more upset by the minute. “Actually, why didn’t you tell me earlier? You knew this since you came back yesterday, why didn’t you tell me?”

“There’s only a little more than a week left before the comet,” Katara explained. “We can’t afford to break up the group now just to go searching for your sister. She’ll still be there when Aang’s defeated Fire Lord Ozai.”

“But you could afford to go looking for your mother’s murderer? He also would’ve still been there when everything’s over,” you shouted. “And it’s not like your mother would have minded waiting two weeks longer, right? But my sister- we know, we all know how the Fire Nation deals with their prisoners. You can’t expect me to-”

“Katara’s right,” Sokka interrupted you. “You can’t leave the group now.”

“But you could go looking for your father,” you asked. “You all pretend that just because you don’t know Xiang, she’s not as important as the people you want to see saved or avenged!”

“Hey, hey, calm down,” Toph interfered. “Nobody’s saying you shouldn’t go saving her!”

“Don’t you listen? That’s exactly what they are saying,” you cried. “They expect me to sit back, watch how they’re celebrating their little family reunion, while knowingly letting my sister rot in some kind of messed up Fire Nation children’s prison! My sister is 6 years old! I haven’t seen her in almost two! Chances are she might not even recognize me when I finally find her! And you expect me to wait? Every day, every minute, I can’t get her out of there, there’s the possibility that the Fire Nation hurts her, traumatizes her, makes her suffer! But you want me to stand by idly, watching this happen?”

“We don’t even know if she’s really in that prison,” Katara reminded you.

“Sokka wasn’t sure about his father being on Boiling Rock either and went either way, that’s no excuse,” you shouted. “I’m not asking anyone to come with me, I’m not asking for your help, and I’m not asking permission either. You might be selfless enough to save the world not for the people you love but for everyone. I’m not. I can’t imagine living in a world that has been saved but without my sister. She’s the only one I have left. Sokka, wouldn’t you give everything to save Katara if she were kidnapped? How can you ask me not to do the same?” Silence settled over the group. “If you’re standing in my way, I’ll treat you no differently than whoever else is going to try to stop me from getting to Xiang.”

“Take Appa,” Aang’s voice cut through the threatening silence and made you look up to him in surprise. “If you promise to be back within a week, you can take him. Or send him back if you don’t make it in time.”

“Aang-”

Katara and you had spoken up at the same time.

“You can’t just let her take Appa,” Katara protested.

“I can and I will,” Aang decided. “She’s right. If you or Sokka would be kidnapped, the other would turn the world upside down just to find the other. And all of us would help. Why should we try to stop her from doing the same for her sister?”

“Thank you, Aang,” you mumbled.

“You should leave as soon as possible,” he continued. “The island isn’t too far away, if you hurry, you can make it by nightfall and approach it without being seen.”

“I’m coming with you,” Zuko decided, surprising everyone. “You might need someone who knows about the Fire Nation customs.”

“Thank you,” you bowed to him slightly.

“Aang, there’s not much more I can teach you at the moment,” Zuko continued. “I don’t think showing you any more complicated forms would be of much use against my father. It would be better if you trained the ones that I’ve taught you so far until they come naturally.”

“I agree,” Aang nodded. “Just be careful out there. Both of you.”

Not even an hour later, you were ready to leave. Zuko and you had both packed whatever might come in handy: your weapons of course, some clothes with which you could disguise yourself as Fire Nation, food and a blanket.

You hugged everyone goodbye, Katara hugging you a little tighter than usually and you knew it was her way of apologizing for earlier.

The sky was clouded, making it easier to hide a flying Sky Bison in the lower hanging clouds while still being able to see the coastlines you were following from one island to the next. Aang had been right. You were making good progress, and just as it got dark, you made out the silhouette of the island you had been looking for. Its coast was harsh, filled with caves, and in the disappearing daylight it took a while until you found one big enough to hide Appa inside. He was apprehensive about hiding underground, but with the cave’s wide entrance he seemed to finally accept his fate, being able to look out over the sea instead of feeling trapped under the stone ceiling.

This was where the easy and comfortable part of your journey ended. After dressing into the Fire Nation clothes you had brought, you began your assent to the main part of the island. At first you had to climb up the cliffs, a dangerous undertaking, even if it would not have been dark. But Zuko occasionally used his Fire Bending to light up a part of the way, and together you found the safest route to climb. After than you had to make your way through thick bushes, made up of plants you had never seen before. Their leaves were thick and full of thorns, which left scraps in your skin and tore at your clothes. Luckily it didn’t take you long until the bushes were behind you, and you had found a road. Following an instinct, you turned left, until eventually a huge complex of buildings came up, surrounded by high fences. Hiding in a ditch at the side of the street, Zuko and you began closing in on whatever facility you had discovered. Even from afar you could hear the demanding voices of guards, but once you had almost reached the fence, you could see that they were not commanding around prisoners, but instead children, who seemed to be cleaning up a yard.

Zuko could tell that you tried to spot your sister, but from this distance it was impossible. He couldn’t even make out the children’s hair colour from here. You had to get closer, which meant you had to enter the facility.

While you were still watching the children and the guards, Zuko began analysing the area. The fence was pulled up between separate houses, which had windows that opened to the outside. Apart from the fact that they were pretty high up on the wall, this seemed to be the easiest way in.

“The windows,” Zuko gestured, drawing your attention away from the yard and towards the buildings instead.

“We can try to break one of them with a stone, tie Sokka’s rope to my sword and use that as an anchor through the window,” you suggested.

A few minutes later, the rope was tied to your sword and after several attempts Zuko had managed to break the glass of a window behind which it was dark. The guards in the yard seemed to announce the end of day to the children, which drove up your heartbeat. You had no idea what kind of room you were breaking in. For all that you knew, it might be the guards’ break room, and they would discover the broken window immediately. It didn’t help that it took you almost ten minutes until you managed to throw the sword through the broken window in a way that it didn’t get pulled back out when you put weight on the rope. Still Zuko sent you to go first and waited until you were sitting on the windowsill to climb up behind you.

The room before you was dark, so you could barely make out anything, which made the way down from the windowsill almost as unpleasant as the way up. Four meters separated you from the floor and your first thought was to simply use the sword again, put it outside the window this time, and climb down the rope into the room. But that meant you were leaving behind your sword and the rope which would be a save give-away that someone had broken into. In the end, you ended up using the sword, which Zuko retrieved before he jumped down from the window, cushioning his fall with a fire blast. Finally with solid ground under your feet, you began looking around the room. Along the walls, vats were lined up, reminding you of the big common laundry room in your village. But before you could explore them any further, Zuko waved you over.

“This door’s unlocked,” he told you. Drawing your weapons, you carefully creaked the door open, light falling through the growing gap into the dark.

Slowly you stepped forward, your eyes hurting in even the dim light, but you got used to it quickly.

“Is this a laundry,” Zuko asked, stepping through behind you.

His deduction made sense, considering the countless bed sheets and uniforms that were hung up on clothesline. You reached out, grabbing the fabric of one of the red shirts and nodded.

“Still damp.”

“Who’s there?”

The thin and scared voice of a girl cut through the silence, making your heart almost stop. As fast and quiet as possible Zuko and you hid behind a heavy stone collum.

“I’m not scared of you,” the child declared bravely, although her tone of voice indicated the opposite. “Listen, lovely wash-kitchen spirit,” she continued. “My name is Xin Yan, and I’m just folding the bed sheets for tomorrow, okay? Can you let me do that? I’ll be out of here in just a few minutes!”

Xin Yan? Zuko watched your forehead furrow at the mention of the name.

Hesitant steps sounded through the high room, and a shadow appeared on one of the sheets close to where you were hiding. Zuko pulled you backwards, further behind the column, and a moment later the sheet got pulled aside, revealing a little girl, around Aang’s and Toph’s age.

“Xin Yan,” you asked, stepping out of your hiding place, causing Zuko to almost get a heart attack. Had you gone mad?

The girl squeaked in surprise before clasping her hands over her mouth, effectively dropping the basket she had held, which clattered to the floor.

“Shhh, it’s me (y/n),” you whisper shouted. “Do you remember me? We used to be neighbours, back in the village.”

“(y/n),” the girl asked in disbelief. “What are you doing here?”

“I’m looking for my sister, Xiang,” you explained. “Is she here?”

“Not here, but-” the girl interrupted herself at the sound of a key turning in a lock on the other side of the room. “Put on some of these red and black uniforms,” she rushed out. “Wait until I’m gone, and in 20minutes, come find me on the second floor of this building. Nobody will question who you are if you wear the uniforms.”

With that, she quickly slipped past the sheets and out of sight. Just a second later, the sound of a heavy door opening sounded through the room.

“Where are you, hm? Bedtime,” a rough, male voice boomed.

“I’m here,” Xin Yan rushed out, “the sheets are all ready and folded for tomorrow.”

“I sometimes think you’re the only one who actually does their job around here. We’ve had another group of rats who-”

The man’s voice got inaudible once he had thrown the door back into its lock. With bated breath Zuko and you waited for the sound of a turning key, but it seemed like the door stayed unlocked. Still, you waited for another few minutes before you dared making your way out from behind the column.

“Can we trust her,” Zuko asked quietly, leaning so close to you that you could feel his breath fanning over the shell of your ear.

As much as you hated admitting it, you had asked yourself the same question. Xin Yan had always been a reliable young girl, and even though you had never been close to her, you had often heard the elderly people in the village praise her for her diligent and hard work. She had always fiercely opposed the Fire Nation, but if she had been in this camp since the village had been destroyed… over a year was a long time to try and turn around someone’s opinion, especially when they were as young as Xin Yan.

“I hope we can trust her,” you mumbled. You waited another few minutes before finally slipping out from behind the column. Xin Yan had advised you to put on red and black uniforms, so Zuko and you began searching for fitting clothes. A loosely fit black trouser, a red shirt and a red and black vest.

“Bind your hair back,” Zuko recommended, already pulling his own short strands back into a small bun.

“Can you help me,” you asked, watching as he fumbled around with a band to secure his hair in place. “Katara always did my hair when we went under people…”

Zuko nodded and when he was done with his own hair, he stepped behind you. His fingers brushed over your neck as he gathered your strands in his hands, the contact of with his warm and rough skin sending a shiver down your spine.

“Sorry,” he whispered, before pulling your hair up high enough to make it look like one of the hairdos all the Fire Nation women were wearing. You could feel him fumble around with the hairband, accidently tucking a little too harshly at your hair.

“Ow,” you mumbled, more to yourself than him.

“I’m sorry, sorry. I’ve never done anyone else’s hair… at least not since Azula has been old enough to Fire Bend at me if I ended up doing it not exactly like she wanted it.”

“You did your sister’s hair?” The image of a younger Zuko doing his sister’s hair was as entertaining as it was disturbing. Somehow you had a hard time imagining the girl sitting still for long enough.

“I wanted to anyway,” Zuko admitted, and you could hear his clothes rustling behind you, indicating that he had shrugged. “As I said, she always had very specific ideas about what her hair was supposed to look like, and when I didn’t do it perfectly, she threatened to burn me. Eventually I stopped offering.”

“I used to do Xiang’s hair,” you recalled. Zuko was still playing with your hair, but you didn’t question it. The little touches and careful tucks felt nice. “Every morning before I went off to school I’d braid her hair. She always wanted me to braid daisies in her hair, but she picked them so close to the blossom, that the stem was always too short.” You trailed off, staring absentmindedly into the dimly lit room filled with drying clothes. “Zuko, what if she doesn’t recognize me? She’s still so little, the last time she saw me, she wasn’t even five years old-”

“It’s gonna be okay,” Zuko assured you, dropping his hands to your shoulder. “She’ll remember you. How could she forget an older sister like you?”

You swallowed thickly. A part of your mind wanted to disagree with him, tell him that to such a young child more than one and a half years was as long as an eternity, and that the chance actually was low that she would remember you. But you knew Zuko was trying to comfort you, something he wasn’t extremely good at and aware of. Still, you appreciated his effort, so you nodded.

“Right,” you sighed, “because I tried weaving daisies into her braids.”

“Exactly,” Zuko nodded. “A braid that probably looked better than this one.” He reached up to your head and draped a small braid over your shoulder. Bringing your hands up, you felt for the tight structure and smiled.

“Thanks, Zuko,” you mumbled. “And thank you for coming with me. It… it helps, not being alone.”

“I’m just glad if I can help,” he answered. “Come on, the twenty minutes are almost up. Let’s see if Xin Yan is going to have us arrested.”

Together you made your way towards the door, listening for any sort of footsteps outside, but when everything stayed quiet, you carefully pressed down the door handle. The door swung open with little effort, allowing you to slip into a brightly lit corridor.

“Walk proudly,” Zuko advised as you immediately stood close to the wall. “We’re Fire Nation, and these uniforms look like they don’t belong to the lowest in the rank. Walk with your back straight, chin up, shoulders down and slightly pinch your shoulder blades together.”

Quickly you imitated what Zuko had told you, watching him do the same. It was strange, seeing how the boy you recently had only seen walk almost hesitantly whenever someone from the team was around suddenly turned into someone who seemed more like the person you would usually fight, with his hair up like that, dressed in the red and black uniform.

“And walk in the middle of the corridor,” he added. “We have no reason to cower. We’re no criminals, after all.”

The last addition came with a wink, and for a moment you stared at him surprised. Had he been like that before his father had exiled him? Funny and proud, looking like… well, like a prince?

Snapping back into the moment, you followed him until you found a staircase. Xin Yan had told you to find her on the second floor, so you were about to begin climbing up the steep staircase, when suddenly someone approached from the top. Following old habits, you were already trying to turn around to hide behind the next corner when Zuko grabbed your sleeve.

“Walk proudly,” he reminded you, “and hide in plain sight.”

Biting your teeth together you nodded, and walked behind him as the steps coming from the top came closer. They sounded hurried, and then they stopped right in front of you.

“Are you some to the new tutors,” an authoritative female voice asked, making a shiver run down your spine. You knew that voice, somehow you knew it.

“Yes,” Zuko answered, sounding both unbothered and still submissive. “We arrived just today.”

“Good, I need help. The rats on the third floor have started with their smearing again, and they won’t listen to me. Come along!”

The woman began climbing up the steps again, Zuko and you following her.

“What’s your names,” she asked, although she sounded rather uninterested. Where did you know her from?

“I’m Lee,” Zuko lied skilfully. “This is Haru.”

The woman hummed in acknowledgement, before she kept speaking. “Lee, you go with me. Haru, make sure the girls on the second floor are all in their beds and not up to the same havoc as these worm rats on the third floor.”

You had a distinct feeling when the woman was talking about rats, she didn’t actually mean worm rats.

Hesitantly you glanced up to Zuko who was walking in front of you, reaching out your hand and brushing it against his. He seemed to understand your silent question of how you were supposed to find each other again, the same way you understood his short squeezing of your fingers: I’ll come and find you.

On the second floor, you turned into the corridor, while Zuko followed the woman up the stairs. Hoping she wouldn’t look back to you, you quickly lifted your head, trying to sneak a glance of her face- and froze. Yes, you knew her. She had been a teacher at your school, Miss Guo. the meanest person you had ever encountered. Maybe even worse than Azula. She was from the earth kingdom, but for as long as you could remember, she had always talked about how amazing the Fire Nation was, how powerful, how strong. She had punished each little mistake severely, every wrong step, each misbehaviour. It wasn’t hard to guess that she admired the Fire Nation’s discipline and tried to install it in her students as well, with violence if necessary. How many nights had you hid the bruises on your fingers from her ruler from your parents, scared they would scold you the same, or even worse, for doodling on your papers? How often had you lied to your mother, saying you were too cold to wear the shorter skirt to school, just to hide the bruises on your shins from the punishment for running in the school’s playground? You could only hope that Miss Guo had not recognized you, otherwise you were in deep, deep trouble.

When she had disappeared from sight, you turned to face the corridor before you. Dozens of doors lead away to the left and right. What were you supposed to do? Right, check that the children were in bed.

Carefully you approached the first door, but then hesitated. Were you supposed to knock? If the kids were already asleep, knocking would wake them, but entering without knocking was impolite. What had Zuko said? You weren’t of the lowest rank. Chances were that with your uniform you outranked whoever was behind this door. So, you simply pressed down the door handle. The room behind it was almost completely dark, only a single candle burning on a table in the middle of the room. Along the walls, beds were lined up, a total of eight, and in all of them a small body seemed to rest.

Suddenly a loud bang from the floor above you, followed by some screaming made you flinch.

“What’s going on,” asked a small voice from the bed closest to the door.

“Nothing, just checking in that you’re alright,” you answered gently, pulling the door closed again before moving onto the next room.

You had made your way almost all the way down the corridor, only interrupted by occasional banging and screaming from above while checking every room, and already started to doubt you would find Xin Yan, when you saw the brighter shimmer of light coming from underneath the last door.

This time you knocked before opening the door, and the scene that presented itself was quite different from the other ones so far. This room was smaller, only four beds instead of eight, and instead of only one candle burning, there were four, one on each bedside table. The children were not laying in their beds, covered by blankets either, instead they were all sitting on one mattress, staring at you with wide eyes. They already moved to scramble back to their own beds, when Xin Yan spoke up.

“It’s okay, she’s my friend.” The girl poked her head out from behind her friends, waving you over. “Come in and close the door.”

Quickly you did as she had asked, standing by the door awkwardly.

“What is this place,” you eventually asked, fully aware of the four pairs of eyes trained on you.

“A re-education school for children from the earth kingdom,” Xin Yan explained, getting up from her place on the matrass and walking over to you. “Come, sit down with us. Where’s your friend?”                   .

“With Miss Guo, checking up on the third floor,” you answered.

“Oh wow, the boys are keeping them entertained this time,” one of the girls on the bed snickered, making the others laugh with her. Her hair was bound back in a ponytail.

“Keeping them entertained,” you asked, hesitantly walking to one of the other beds and sitting down on its edge. “Actually, you know what? Start from the beginning. What happened after the village got burnt down?”

Xin Yan took a deep breath. “How much details do you want?”

“How much can you give me?”

In that moment the door got opened, and a tall figure slipped in. The girls immediately tried scurrying back to their beds, but you did not even flinch. Somehow, even in this low lighting with the unusual hair and the enemy’s uniform you still recognized Zuko instantly.

“Why are you back already,” you asked confused.

“They’re getting the guards to shut down the boys on the third floor,” Zuko answered, his eyes scanning the room.

“Uhm, everyone,” you directed your words to the girls on the bed. “This is my friend, Zuko. We’re here to find my sister, Xiang. Xin Yan was about to explain what’s going on.”

“Right,” Xin Yan answered. “So, after the Fire Nation raided the village, they gathered all of us kids up. Anyone over the age of three and under the age of ten. We were traveling for days, and we still don’t really know where we are, but we travelled over land and then by boat-”

“This is an island in the Fire Nation territory,” Zuko quickly interrupted, causing the girls’ eyes to widen, but Xin Yan quickly continued her story.

“We were brought here, into this… kind of school, along with children from other villages that have been raided. The four of us-” the pointed between the girls sitting on the bed, “are the oldest girls here. It got obvious very quickly what they were trying to do here.”

“They’re trying to make us forget our families,” another girl explained. Her hair was cut to shoulder length. “We’re not allowed to talk about them, about family, pets, our villages or anything related our past to the earth kingdom.”

“We go to school, learn about the history of the Fire Nation and how great they are, and if we break one of their rules, the punishment is hard,” the last girl, one with a scar over her cheek explained.

“They’re trying to turn us into their perfect little Fire Nation soldiers,” Xin Yan seethed. “The older ones of us saw through it pretty quickly. Most of the younger ones just missed their parents but started forgetting them pretty quickly. The others… many of them just give in. I think they’re too small to really understand what’s going on. But us and some of the boys, we started getting together, mostly at night and we try to remember and talk about our families so we don’t forget their names and we draw pictures so we can try to remember their faces and then burn the paper before sunrise, so the teachers won’t find them. The four of us decided to play the perfect student, all of us got special freedoms, like being allowed access to the library unattended, getting to do the laundry without a guard in the same room and things like that. Whenever we have something important to talk about, the boys stir up trouble to keep the teachers and tutors busy for a while so we can talk safely.”

“They did too good of a job this time,” Zuko mumbled. “The teacher seemed really serious about having the guards intervene.”

“Wouldn’t be the first time,” Xin Yan shrugged. “The boys know to quiet down when the guards come. They’re really good at looking like a bunch of uncontrollable idiots, but they’re very clever and controlled in what they’re doing.”

“You said there are tutors, and Miss Guo also called us that,” you recalled. Who exactly are these tutors?”

“They’re teenagers from the Fire Nation, or young adults,” the girl with the ponytail explained. “They were brought in to lessen the gap between the teachers and us. We believe they thought if we had younger people as role models, that we’d adapt their opinions. But some of them are just as bad as the teachers when it comes to handing out punishments.”

“And why did you come together tonight,” you asked. “You said the boys only distract the teachers when you need time to talk uninterrupted.”

Xin Yan sighed. “Recently some of the younger students have been acting up. Like us, they remember home, but they’re too small to hide it. It all started with your sister.”

“My sister?” Alarmed you sat up. At your side Zuko reached for your arm, but you shook him off. “What happened to her? Do you know?”

“She got into a fight with one of the teachers, about a month back,” Xin Yan recalled. “It was during class, so I don’t know what exactly happened, but we’ve been told she questioned the Fire Nation’s authority and claim to power.”

“Which is never a good idea,” the girl with the shoulder length hair sighed.

“She got the whole classroom to rebel,” Xin Yan continued, “and from there it spread through half the school. There was chaos for several hours, but when the guards managed to get the situation under control, they took her away.”

“Took her away- where to? Do you know?”

Xin Yan shook her head. “We have a suspicion that she’s held in one of the cells for misbehaving students. We call them the Mould, because there is mould growing everywhere. Usually, you only have to spend the rest of the day, in the worst case a night there, but none of the students who have been to the Mould since have seen her, or heard of her. One of her classmates tried asking about her and was sent for a whole day to the Mould.”

“So you think she’s still here, in the school,” you asked hopefully.

“Yes,” Xin Yan answered, “we do, but we can’t be certain.”

“Where is the Mould?”

“I have lunch duty there tomorrow, I can show you,” the girl with the ponytail offered.

“Lunch duty,” Zuko asked, “Didn’t you say students don’t stay longer than the night?”

“Trust me,” the girl with the scar said, “half a day is more than long enough for the Mould to fill up with students again.”

“What do we do until then,” you asked. “Is there a quarter where the tutors sleep?”

“You can’t go there,” Xin Yan denied, “They’d immediately notice you’re not one of them. And you wouldn’t have an assigned bed…”

“They can sleep in the laundry room,” the girl with the scar suggested. “I have first shift there tomorrow; I can let them out.”

“And after that you can go to the library. There are always some tutors there, reading up and studying.”

“You just have to come to the kitchen before lunch time, so you can claim you’re supposed to supervise me while I am on lunch duty in the Mould. Nobody will question it with the new tutors,” the girl with the ponytail finished.

“Sounds like a plan,” you agreed. “Thank you all, for helping us. I just hope we’re not getting you into any trouble.”

“You’re not, nobody knows we’re connected,” Xin Yan assured you. “You only have to make it back to the laundry room unseen. Do you remember where it is?”

“Down the stairs… third door to the right?”

“The fourth,” the girl with the scar corrected.

You nodded and got up from the bed you had been sitting on. “Fourth door to the right. Understood.” Walking back to the door, followed by Zuko, you turned around to the girls one last time. “You don’t know how much you have helped us. I promise you, the war will be over soon. I’ll come and find you after that, and we’ll put an end to this school.”

The light of the candles reflected in the girls’ eyes, and you could tell that no matter how bravely they were holding up, they were beginning to run out of strength. They were only children, battling the enemy without the enemy having noticed yet. Their strength and courage were humbling.

“See you tomorrow,” the girl with the scar said, echoed by the one with the ponytail.

“Good luck finding your sister. Make sure to get her out of here,” Xin Yan grinned. It was the same grin Toph always put on when she was about to face a fight she knew would be challenging.

“Thank you. Good night,” you nodded. “And stay safe.”

The trip back to the washroom happened without interference, and just a few minutes later, Zuko and you had curled up on a few freshly washed sheets in the furthest and darkest corner of the room. The thin fabric did little to keep the cold of the stone tiles away, but it was better than nothing. Not wanting to be visible from the door, you had been forced to move close together, so close that you were almost laying in each other’s arms by the time you had settled down. Had the circumstances been different, you would have been unable to sleep from how nervous it made you to lay so close next to Zuko. Just a few weeks ago he had still been your enemy, and enemy who never quite had felt like one. Ever since he had saved Aang and you from Pohuai Stronghold, ever since the short exchange he and Aang had had in the forest afterwards, you had felt like maybe he wasn’t as evil as he pretended to be. This had of course turned out right, eventually. But still you had never shared these thoughts with anyone, and all this time you had fought the thoughts in your mind that tried to tell you he was worth saving, worth trusting. Until recently anyway. When he had shown up at the Western Air Temple, you had been tempted to give in easily to his request to join. But it hadn’t been just about you and him, it had been about Aang, so you had been reluctant at first. Ever since that day, seeing him almost all the time, getting to talk to him, learning about his past, his family, his journey… it made one thing very hard: ignoring the way you heart seemed to leap into your throat at even the faintest thought of him. But now, even laying so close that you could feel his body heat through the uniforms you were wearing, there was none of that nervousness left.

“How are you feeling?”

Zuko’s voice interrupted your circling thoughts and in the dim light you turned to look at him. His amber eyes were watching you attentively, as if he was assessing whether you were fit to do the job.

“I don’t know,” you admitted. “I mean… the whole time I thought they had put Xiang into some sort of prison, where she would be forced to work in a mine or screw together war machines, but… I guess on the one hand something like a school isn’t that bad. But what they’ve been teaching here, the way they’re treating the kids-”

Zuko nodded. “It’s cruel.”

“I know we can’t free all the children here,” you sighed, “not now anyway. But Zuko, when the war is over, when Aang has defeated Ozai, I’ll come back here and make sure we get all the kids out and back to their parents. As good as possible anyways.”

“I’ll help you,” Zuko promised, his eyes glimmering with determination. “The pain and suffering the Fire Nation had caused is beyond imagination. I need to find a way to put things right after my father has been taken care of.”

“You won’t be alone,” you told him. “You have all of us, we’ll work together to right as many wrongs as we can. I promise.”

“Thank you,” Zuko sighed. “But that’s still a long time away. First, we have to find your sister and make sure we get her out of the Mould and back to Ember Island with us.”

“Yes, we have to find her,” you agreed. “I just have a bad feeling that it’s not going to be as easy as we’re hoping it to be. I don’t like that Miss Guo is here.”

“We’ll make it,” Zuko assured you, reaching his hand up and gently squeezing your shoulder. “We’ll find her and make it out of here, unharmed. All three of us. I know it.”

You nodded with a sigh and closed your eyes. “I wish I had your confidence.”

“If you don’t have that confidence, you just need to trust me,” Zuko shrugged, and a smile tucked at your lips.

“You know? The weird thing is, I do. A few weeks ago, I would have tried to kill you on sight and now…”

Zuko shifted under the thin sheet you used as a blanket before answering. “I mean, this isn’t so bad, right?”

He was warm at your side, his hesitant voice having become familiar enough to lull you into safety, his small movements making the foreign darkness around you not as frightening with him next to you.

“No, it’s not,” you agreed with a yawn. “But we need to sleep now. Good night.”

Zuko nodded in the dark. “You’re right. Good night.”

And a few minutes later you had both fallen asleep.

Heart Aflame Part Two

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[captainkirkk]

I convinced myself to watch the first episode of the live action atla series. Some thoughts:

I REALLY liked that they recreated some shots from the cartoon, like the opening. I wasn't excited for this show, but that got me amped

I didn't like how brutal the Air Nomad's genocide was :(( I liked that we got to see more of the Air Nomads but I felt like that was over the time

The cgi and acting was,, really not great but tbf I was expecting that going in, especially with a show so heavy on magical fighting and child characters.

I don't mind that the show feels a bit more serious - the og atla fanbase are now all grown up and the show reflects that

Zuko's scar ..... why. It looks like a weird birth mark

I didn't love how overt Iroh was tbh. Outright telling Zuko that the task his father set him is impossible... where are his cryptic sayings and "accidental" diversions??? Iroh is smart enough to know that Zuko wouldn't be responsive to that

Sokka being the leader to his people!! I love that they showed how much responsibility he has on his shoulder

I also love Zuko's room, strung up with notes and drawings. It's very much giving pepe silva

[firelxdykatara]

Why wasn’t Katara at the trial where Unalaq accused Tonraq, Senna & co of treason? The trial happened in her home. Doesn’t she care that the Chief of her tribe is being threatened with the death sentence? You’re telling me that Asami and Bolin care more about the future of the SWT than Katara?

The fact that Katara is not so much as mentioned in either episode of the Civil Wars two-parter is so flagrantly egregious that I actually had to double check the transcripts because I was sure that it couldn't have been that bad. But oh boy was I wrong. (Katara's name is mentioned once in the summary of the episode, notably as a reference that isn't actually part of the episode's plot because she isn't fucking there, does not appear in either transcript, and there is one 'mention' in the second episode where Kya shows a photograph to her brothers, saying she got it from 'mom'. Notably, the photo is used to 'prove' that their family was a happy one despite their griping and irate reminiscing, even though all actual evidence seems to indicate the opposite lmao)

The serious and genuine answer is that it's the same reason Katara wasn't at Yakone's bloodbending trial, despite ostensibly being the person who single-handedly saw to it that bloodbending was outlawed (over which Yakone carried a serious grudge!) and being the person best equipped to subdue him if something went wrong (which it did). It's also the same reason Katara wasn't allowed to attend her own granddaughter's Air Master ceremony, despite this being the most significant milestone of every airbender's life. It's the same reason why Katara wasn't allowed to talk about her own life or achievements, even when trying to connect with and help the Avatar or her own children--no, she was always talking about Aang, what he achieved, his legacy.

It's also the same reason that Korra asked Zuko for insight, telling him that he knew Aang better than anyone, despite having been raised and trained by Aang's fucking wife!

And that reason is that Bryke just did not give two shits about her as a character. They didn't care enough to establish her in old age as anything but a sad old woman missing her husband and having sad distance from her children. Zuko and Toph got to have a few scenes to shine, and even Sokka got to be at Yakone's trial in the same flashback where Katara was conspicuously absent--not to mention all three of them got statues commemorating their achievements, and recognition from the cast as being famous and cool (but oh no, not Katara!). In fact, the only member of the gaang who had less presence in the series was Suki, and that's because she doesn't show up at all after the opening art in the very first episode. (Which, arguably, is better than what Katara got; at least this way, there's nothing in canon saying Suki had her entire personality surgically removed and replaced with Wife and Mother and Nothing Else.)

It's egregious and infuriating and I hate hate hate all the excuses that keep cropping up ("She's so old!!!" yeah, so are Toph and Zuko, they still got to kick some ass and protect their families; "LoK isn't about the Gaang!!!!" yeah well AtLA wasn't about the White Lotus either but those old ass men were able to kick ass and take names and help to set the world to rights! one of whom was OVER A CENTURY OLD SHUT UP ABOUT HOW OLD KATARA IS; "She wanted to settle down after the war!!!" ok well there's no amount of 'settling down' that will convince me Katara would sit by, at any age, and let her people tear themselves apart, or let her entire family be slaughtered, without lifting a finger, and while there's nothing wrong with healing we see very clearly in the original series that this was not Katara's passion! SHE LOVED COMBAT BENDING SHE HAD FUN WITH IT!!!!) because all they really say to me is that so many fans are happy to bend over backwards to respect Bryke's muddy fucking vision, and I simply refuse.

Where's that post where it has the screencap of Pakku telling Katara to go back to the healing huts and then cutting to LoK of Katara doing just that? Cause that's basically the essence of the beast here lmao.