#acting is not good best one is zuko

[ansiedead]

soulless, unfortunately

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[empyrangel]

How are people really acting like the general consensus is that the Netflix atla series is decent or even good??

Zuko’s backstory and desire for familial love is brought in way too early so he doesn’t have time to actually be a ruthless and cruel villain. Y’know, the thing that’s essential to his killer redemption arc? Because god forbid characters be unlikable.

One of Sokka’s main flaws was completely removed because god forbid characters be unlikable. And he’s not funny!

Katara is watered down to being just a little girl, her mature and nurturing side is gone. Her anger at injustice is also gone because god forbid characters have flaws.

Aang doesn’t act like a kid. He doesn’t try to run from his responsibilities while simultaneously feeling guilty about running from his responsibilities. Because god forbid characters have flaws.

You know, I’m seeing pattern.

“Yeah all the characters are completely different from how they are in the original, and the acting is flat, and the writing is shit, and the world feels dead, and the pacing is terrible because they insist on smashing like 4 important episodes together at the same time, and some of the best moments were completely cut out, and those that were adapted got butchered, and Aang doesn’t really even learn waterbending during the water season, but it’s still pretty good. I mean the cgi looks nice and it’s not the Shyamalan movie.”

Oh wow they say his name right five out of five stars 🙄. Cmon are our standards really this low?

[melzula]

Okay I have an request

So like we are azula and zuko sister and we adored by both but like in the catacombs we choose gaang over azula and zuko of this and please can y/n x sokka and now zuko now wants to join gaang and yeah I am not good with words I hope u understand what I said😁

Y/n can be a firebender or non bender its ur choice anyway

a/n: okay so there’s a lot to tackle in this request which is why i chose to do it as headcanons so i hope you don’t mind !

summary: being the middle child isn’t easy, especially when your siblings are Zuko and Azula

As the only non-bender and middle child of the royal family, you never felt like you mattered

You were the Black Swan of the palace, a disgrace to your father and his image

You kept to yourself, staying in the shadows and out of his way while your siblings took the spotlight

However, just because your father looked down upon you didn’t mean your siblings shared his sentiment

In fact, they adored you

Zuko was an attentive older brother. He let you follow him everywhere, defended you against anyone who dared speak badly about you, and was your shoulder to cry on whenever your father was feeling particularly cruel

He saw you for who you were, and who you were was an intelligent, kind, talented young woman meant to do great things in her lifetime

Azula, while being particularly mean to Zuko at times, never once treated you the way she saw her brother

Despite you being a nonbender, she surprisingly never speaks down to you or makes you feel less than

It could be because she doesn’t see you as competition as she does Zuko, or maybe she truly does just feel genuine sisterly love for you

Maybe it’s because whenever she felt your mother was unfairly favoring your brother over her, you were always there to assure her that she was a wonderful bender and just as important

Maybe it’s because sometimes she wished you could be her mother instead

Whatever her reasoning, Azula sees you as a comforting presence in her life. She seeks your validation constantly almost as much as your father’s, and she’d do anything to protect you and your honor

Things became worse for you when Ursa left. She could no longer intervene when your father felt like tormenting you, and your siblings knew better than to say anything in your defense. Shortly after her banishment, Ozai deems it best to send you away to the academy since he has no other use for you

Your departure is hard for both siblings. Zuko is gutted that he can no longer be there to protect you or look after you. Though she acts as if she couldn’t care less, Azula is devastated at your leaving. Her source of comfort is being ripped away from her, and she has no one to look out for her

At the academy you learn various forms of physical combat and weaponry wielding. You’re especially fond of using tanto swords in battle and they’ve become your weapon of choice when in a fight

Zuko and Azula send you letters during your stay at school behind your father’s back updating you about your home, their lives, and their annoyance of each other. You keep every single one they send, and it eases the ache of your home sickness

It’s also at the school that you learn of the Agni Kai and Zuko’s banishment. Your heart breaks for your older brother, and you’re devastated at the fact that you never got the chance to say goodbye and you may never see him again. He still sends letter for a time, but as the years pass they become less frequent and almost nonexistent. Azula’s letters follow the same path

Years pass and your father deems it time for you to come home. Now that you’ve made a decent fighter out of yourself he finds your worthy of being his daughter again

However, your stay is short lived. Azula recruits you to be part of her little team to capture the Avatar and your brother, and you don’t really have any other choice but to agree

You downplay how skilled you are in fighting so that she doesn’t expect much from you and force you to do too much of the work. You don’t want to go against her, but you also don’t want to have to fight your brother and your uncle

You also don’t exactly feel good about destroying the world’s last hope for peace

And that’s why, when the time comes, you choose the Avatar over your siblings

You’re tired of being pulled back and forth, of always being stuck between your siblings with no real purpose, of not being able to do anything for yourself

Zuko is astonished by your choice and conflicted. Just when he finally had found his way back into the family you chose to leave it. Why were you doing this? Why were you ruining everything?

Azula is furious. Your betrayal hurts worse than mother’s. You’d always taken her side, always comforted her and supported her, you’d always been there, and now you were leaving. How dare you leave her?

“You fool!” She’d cried, angrily sending a blast of blue flames your way knowing you wouldn’t be able to stop it. If not for Iroh, surely her strike would have ended you. The fact that your own sister was willing to hurt you for the cause was enough proof to know you were making the right decision

You help the Avatar escape and join his group, vowing to help them in any way you can to win the war. Your fighting skills and knowledge of the Fire Nation makes you a big help and they appreciate your assistance

It doesn’t take long for you to win their trust and acclimate into their group. You become fast friends with everyone, growing especially close to Sokka who may or may not have a huge crush on you

He definitely becomes your shoulder to lean on when things get tough, because he knows it can’t be easy for you to just leave all you’ve ever known behind. you struggle constantly over having to choose the Avatar over your siblings, but he constantly assures you that you’ve made the right choice

Least to say your departure makes Zuko’s return home even more conflicting and turmoil filled. How can he enjoy being back home when you’re not there to enjoy it with him? How could he be happy knowing his sister was out there risking her life to help the Avatar?

Your decision definitely inspires his own to leave the Fire Nation and aid Aang and his friends

Your abandonment of your siblings also fuels Azula’s descent into madness, fueling her fire to continue her mission to capture the Avatar

It’s a rough position you’ve found yourself in, but it’s not like your whole life hasn’t been you stuck in a terrible spot

Being the middle child is hard, especially when your siblings are Zuko and Azula

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[woodlaflababab]

Iroh says Aang gives Zuko hope and like, 10/10, love that

But I feel like the mirror of this is overlooked alot, or at least I don't see a lot of talk abt it.

Zuko is Aang's hope.

Zuko is the representation of the enemy, but Aang knows he's also just a kid, or teenager, like Aang, and he's someone who reminds Aang of Kuzon, one of his best friends. To Aang, Zuko is everything the fire nation is to him, something familiar and dear to his heart that's been twisted almost beyond recognition.

If Aang can see good in Zuko, if Aang can bring the good out from Zuko, then there is hope for the rest of the firenation. In his day, the fire nation people were friends, and in the modern day, they are enemies. If he can be friends with Zuko, that means there's hope that he can have just a piece of his old world back, even if it looks a little different.

Aang can never go back. He can never get his old family back, he can't truely revive what was lost, only preserve it with hopes it can be revived in the future. He can't undo geological changes, he can't rewrite history, but there's one thing of his old world he hopes he can still have, and that is friendship that trancends borders and cultures.

Nobody represents that more than Zuko, the person who Aang wants to be friends with like the old days, but cannot because of the war. Being friends with Zuko, a blatent act of defiance against the war and all it has changed and damaged, is the biggest connection Aang gets to the world he once knew since he got frozen in the iceberg.

Aang gives Zuko hope, but Zuko is Aang's hope.

[lost-in-fiction-like-ur-mom]

'Fake' Feelings

Zuko x Reader

Summary- In a pinch, you have to pretend to be in a relationship with Zuko. Little do you know it was never pretend for Zuko.

A/N- HAPPY BIRTHDAY @thethreeeyed-raven!!!!! This isn't my typical fandom as y'all know. I wrote this as a birthday gift to my best best best online friend. SHE'S AWESOME. Go check her fics out <3<3! CONTAINS A SINGLE BAD WORD >:)

Word Count- 2,468

"Mai, I already told you. I can't be with you!" Zuko was getting frustrated. While he did love Mai at one point, that was a long time ago. Zuko was now the Fire Lord, their relationship seemed like ages ago.

"And why not Zuko? We've been through this a hundred times. You always come running back, you're so pathetic. May as well cut the middle part and we can act like nothing happened." She stepped closer, pressing herself on his arm. "Like we always do..."

Zuko had finally realized how Mai controlled him. When he was weaker he was naive, now he knew what he wanted. Someone who never put him down, someone who never called him 'Pathetic.'

You.

He immediately thought of you. How you were so strong, but never put others down to feel powerful. How you always spoke your mind, but only out of the kindness you hid deep down.

Your walls were built up so high, but he knew who you were. He knew how beautiful you were.

"I can't be with you because I'm dating someone else." The words left his mouth faster than he could think.

This stopped Mai in her tracks. "Excuse me?"

"Yeah, you're not the only one I am allowed to go out with. We've been broken up for awhile now." Zuko was no longer on the defense, but the attack.

"You do know that I am the only one who could love you. Who could love a traitor, a banished prince. Who else, huh?" Her arms were crossed, a smirk on her face. She knew she outwitted him.

Releasing his bit lip, Zuko exclaims your name.

Her face dropped. She knew exactly who you were. She was furious.

"We'll see about that..." With that, she left the room.

You were on your way to visit Zuko, one of your closest friends, for a 'friend reunion' Sokka had planned. You were of course excited to see him after so long. Though, the ride on Appa was miserable. About a hundred "are we there yet"s and "I'm hungry"s from Sokka.

The five of you- Sokka, Toph, Katara, and Aang made it safely to The Fire Nation shortly.

Upon landing, a man in red robes greeted everyone.

"The Fire Lord sends his deepest regards, as he could not see to you himself. You are instructed to follow me to your rooms." He had a stoic expression, but you guessed he greeted people all the time.

Oh well, Zuko must be very busy as a Fire Lord. You were sad, but couldn't blame him.

What you didn't know was that Zuko was pacing his room, definitely not busy. In reality, he cleared his schedule as much as possible for the week you were all visiting.

How was he going to tell you? He was deeply embarrassed, not to mention Mai might try and pull something with you. He knew not to underestimate her.

The thought of her trying to hurt you was enough to rack up the nerve to confess. He just needed a moment alone with you.

A grand dinner was prepared for the Avatars arrival, the rest of you reaped the rewards of being his friends.

"This is SOO good!" Sokka exclaimed, "Zuko sure has a way with food....." He slammed a fist on the table, before quickly lifting more food to his mouth,

"Sokka, you know he has chefs who make the food, right? Please tell me you know that..." You deadpanned, looking at him.

"Uh... Yeah! Yeah, definitely...." He looked down, that was until a new voice appeared.

"Sokka, did you really think I cooked all this?" Zuko walked to the seat at the head of the table. You noticed you were sat to his right.

It was a Fire Nation tradition that the Lady of the house would sit to the right of the Lord... You brushed the thought off quickly, writing it all off as a coincidence.

"W-well I don't know! You've been working ALL DAY!" Sokka squawked.

The dinner went on smoothly, well as smoothly a dinner can go with this group. You could feel the servants and servers rolling their eyes at all the unprofessional comments, jokes, and laughter.

You didn't care, you were just happy Zuko was able to be himself.

Hours later, when everyone was worn out and had their stomachs filled, they started to head to bed.

You were one of the last to leave, having been helping tidy up as much as you could.

You thanked and farewelled the servers, trying your best to remember where your room was.

The Palace was much bigger than you remembered. The halls upon halls blurred together. You were soon lost.

Every direction you turned looked the same, you started to breathe heavy.

You could already see it, 'cause of death, starvation in the Fire Nation Palace.' Or maybe dehydration would take you quicker?

A man passed by, you were saved! Though, the closer you got the bigger his scowl grew.

"Excuse me, I think I'm lost. Can you help me?" You were nervous asking, it was so 'common' for someone to get lost in a palace. You were sure your cheeks were red.

His face was dark, his eyes covered by his demeanor. For some reason he seemed annoyed at you.

"Sir?"

A hand rested on your shoulder from behind. It started you, putting you into a 'fight mode.'

Turning around swiftly calmed your nerves as quickly as they came. It was Zuko.

"Can I help you?" Zuko was talking to the strange man, who was no longer so 'big and bad.'

"No Fire Lord Zuko, my apologies." He barred his head in a bow and left.

You had a small smile on your lips, "Thanks, he was starting to scare me." While you were positive you could have taken the man, you were tired and didn't really feel like fighting.

"Of course, I can show you to your room." He held his arm out, you took it.

The gesture was friendly, you told yourself. Nothing more.

You must have been lost for awhile, as it took a few minutes to get to your room. The small talk exchanged was nice, but something told you Zuko was hiding something.

At your door, he stopped. "Zuko, do you want to come in? You seem restless."

"Actually, I do have something to tell you..." The tone of his voice scared you.

"Oh, then please sit." He joined you on the edge of your end. The door shut behind you two.

You pushed a strand of hair back, nervously sitting. "What's wrong?"

"I'm not really sure how to tell you this... I really am ashamed to have to ask you for a really big favor..." You had seen him on edge a lot, he was quite the stressor. Nothing like this, though.

"Zuko, anything. What do you need me to do?" You questioned.

He looked down at his hands, "You can tell me. I'm in no position to judge you, you know that."

"I uh," He rubbed the back of his neck, "I told Mai that we were dating so she would stop trying to get with me." He spit out so fast you almost missed what he said.

"Oh."

Well that's not what you thought he would say...

"That's not the worst part." He lowered his face to his hands, "The ball in four days, well I told her you were going with me... She's got Ty Lee lining up suitors for her. Trying to make me mad. Also she uh, she's probably told everyone now..."

"Oh." You were at a loss for words.

"I... I don't know... I'm sorry. This is stupid, at the ball I'll tell everyone what happened. I am so, so sorry. I didn't mean for this to happen! It just slipped out an-"

"Zuko."

"Yes?"

"What if you don't have to tell everyone?"

You hadn't looked at him since he started talking. Honestly, a night with Zuko at a ball? It sounded like a dream. Zuko was handsome, kind, generous, and you'd had a crush on him for months. You knew he wouldn't ever really date you... So you might as well seize the opportunity, right? What could go wrong!

The two of you decided it would be wise to not tell anyone else it was fake, as Sokka, Toph, and Aang had big mouths. They'd slip up sooner or later. As for Katara, she wouldn't have kept that big of a secret from Aang.

So, for the next few days you and Zuko spent every second together. At first, it was coming up with plans for the ball. It turned into getting more physically comfortable with each other. That eventually escalated to spilling each other's deepest secrets, ya know... just in case...

Even in four days, you found yourself going from a crush to madly in love. You found out his quirks, what made him tick, his hidden likes and dislikes. Not a second was spent apart.

The afternoon before the ball you were stressed. It had been easy up until the ball. You just had to be yourself around Zuko, now you had to pretend in front of hundreds...

Katara helped you pick out a beautiful red and black dress. To match Zuko's of course.

A big scene was planned out between the two of you, Zuko would introduce you to everyone in an announcement and you'd walk don't the grand starts arm in arm with him.

It was fun to imagine and talk about, but now the 'what ifs' were running wild.

You somehow made your way to Zuko's room, knocking hesitantly. He begrudgingly opened, but became excited when he saw you.

"Zuko, I'm terrified." He quickly guided you into his room.

"What happened?"

"What if I fall? What if no one likes me? It's a lot of steps it-" He cut you off.

"Hey, it's okay... We can throw everything out the window. Just saw the words."

You swallowed thick. "No, no just... Just promise you'll be there? For me?"

Your name was a whisper on his lips, "Ill always be here for you... Just imagines its only us up there... Just normal day."

You nodded, more relaxed knowing he'd be by your side through I tall. It also gave you a wicked feeling of comfort to know he was still willing to do whatever you preferred. He would have ended the lie immediately if you asked, but you wanted to be there for him as well. To make sure Mai would leave him alone.

The Palace was bustling with people, waiters, food, activities, and entertainment. It all came to an abrupt stop when Lord Zuko appeared.

It was comical, trumpets blared and all head turned.

"Fire Lord Zuko, accompanied by-" Your name seemed unreal on his lips. To be announced with a Fire Lord? You felt you didn't deserve it.

You slowly walked into view of everyone, whispers erupting. To be 'accompanied by' was essentially dating for Lords and Ladys.

All eyes were on you as you took Zuko's arm, walking down the steps. You felt light, your grip tightening on Zukos.

"Almost there, I'm right here." His words were all the comfort you needed.

Music resumed and the party goers continued their fun.

That was expect for one person. Mai. She marched up to you, her questioning eyes on guard. Watching her march over sparked a fury in you, the fire started and didn't stop until you spoke.

"Hello Mai. How can I help you? Is your father well, since he lost his job as Governor and all..." You passively aggressively asked, a mock frown on your face.

"What would you know about Governor dad's and all? You grew up poor." Damn, she got you there.

"I guess the difference in poor and rich is personality. Cause you don't have one..." You shrugged your shoulders at her, biting back a laugh.

"At least Zuko loved me for who I am, not who I was pretending to be." She remarked, not really knowing why Zuko loved her or you.

"Damn Mai, you must know a lot about pretending. Seeing as you're a two faced bitch. Should I go and tell Ty Lee you called her an 'easy bed'." A gasp left her lips in shock, how did you know she said that? Well, you wouldn't tell her, but a gossiping Fire Sage spilled the beans.

Zuko, who had been temporarily called away to exchange pleasantries with a Navy Captain, had returned.

"Mai, I see you've met my girlfriend." He said, snaking a hand around your waist. Chills were sent up your spine.

She gave a scoff, "It'll never last. You're only in it because he's the Fire Lord." She pointed to you, then him, "And you, you just seemed to pick up the next girl you saw laying around. Talk about a downgrade. When you get tired of her, i'll be waiting." She walked away.

"What is her problem!" You exclaimed, face hot with anger.

"Jealousy, I think." He said.

You turned to face him completely. "What for, she doesn't even seem to like you anymore?"

"Maybe cause you're prettier than her?" He said, not realizing his own words.

Your cheeks were now flushed for a different reason. You swiped your lips with your tongue before speaking, "Thank you..."

Hours of dancing, partying, and eating went by. Everyone bought the act easily, you and Zuko were naturals at dating. The fun died down, and many were starting to go back home.

Zuko walked you back to your room, hand in hand.

"Thank you. I really cannot thank you enough, just ask. Whatever you want is yours." Zuko said, still grasping your hands at your bedroom door.

"I don't need anything. This was really fun actually, I know you were just pretending... but i've had the best time the past five days."

"Pretend?" His face screwed up, like he was in denial.

You blinked a few times, own lip curling. "Well, I mean... You made it pretty clear this was all just an act. I-I am not hurt." You were, but wouldn't let him know.

"Words cannot express how genuine these days have been... Oh gosh, I haven't felt this free since I was a child." He pressed on, serious.

"Y-you mean, none of this has been fake to you?"

"Well, I know you signed up for 'fake'." He looked over you, face uncertain.

With a step forward you spoke, "This hasn't been fake for me either..."

"Really?" He pressed his chest to your slightly, hand wavering around your waist. "Because I don't think I could live if you're lying right now."

"Will this answer your questions?" You leaned up, closing the gap and kissing him.

A/N-Thank you for reading, I haven't fully watched ATLA In a little bit sorry if Zuko is OOC!! When it's not midnight and I'm not super tired, I will edit any mistakes!

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[starlight-bread-blog]

How The Bond of Zuko and Katara Enhances the Themes of A:TLA

When a subplot is intertwined with a story’s core themes, it creates a more cohesive experience, resonating more profoundly with viewers. For this reason, a good writer must always aspire for a coherent narrative in all of its aspects. So, what are the themes of A:TLA, and how do Zuko and Katara fit into them? To answer that, I’m going to break down each theme and discuss how it relates to the pair.

On Destiny

Your destiny might be unexpected, controversial, but it’s yours. No one can take it away from you. In Lake Laogai, Zuko and Iroh shared the following exchange:

Even if people try, even if it isn’t acceptable to other people. Your identity will always be there, and you must make the choices that reflect your identity will always be there, because it’s your destiny. Near the series finale, in Sozin’s Comet Part 2, Iroh said:

“Sozin's Comet is arriving, and our destinies are upon us. Aang will face the Fire Lord.When I was a boy, I had a vision that I would one day take Ba Sing Se. Only now do I see that my destiny is to take it back from the Fire Nation,so the Earth Kingdom can be free again”.

In the end, everyone goes to their destinies. The destinies that they’re forging. Aang will spare the fire lord, Toph will use her metalbending to take down the airship, and Zuko and Katara will stand side by side against Azula. Who would have thought? Your destiny might be really surprising. No one could have guessed that Toph would invent metalbending, or that Aang would meet a lion turtle, or that Katara would stand by her former enemy’s side - by Zuko’s side.

Katara and Zuko’s closeness fulfill the show’s themes of destiny by being subversive and unexpected. They are fire and water, the daughter of the chief and the fire lord. Their friendship is rather odd, but it’s their destiny - not what was forced upon them. Moreover, their bond is subversive because it didn’t start as lovingly as it ended. Zuko and Katara were enemies, no one could have anticipated that they’ll grow close, but as I said, and the show said, destiny can come from an unexpected place.

On Diversity

Separation is an illusion as well as the four nations.

Zuko and Katara were not only enemies, from opposite sides of the war, but they were polar opposites – the Prince of the Fire Nation and the last waterbender of the small Southern Water Tribe, fire and water. However, all of these differences didn't matter for them to form a beautiful friendship. Because they're not actually separate, they're both kind empathetic people. They have much in common. The superficial predetermined differences aren't separation. They're one in the same.

Additionally, one will gain from learning about the other nations, or as Iroh put it:

Zuko and Katara leaning into their opposites ties into the theme. In fact, Zuko himself learned to redirect lightning from a waterbending technique.

On Redemption

Many characters in A:TLA were given a chance to redeem themselves. From Mai and Ty Lee redeeming themselves by betraying Azula near the end of the show to Iroh whose redemption has long ended before the story starts. A:tla firmly tells us that while the path to redemption can be long and hard, it’s a path worth paving and it’s yours to carve. Zuko’s redemption arc specifically is praised as one of the best redemption arcs in tv history.

A part of Zuko’s journey towards redemption is his interactions with Katara. Earning her forgiveness is his final step into integrating into the Gaang, and his final act of redemption is to jump in front of a lightning bolt for her. It’s significant that it’s Katara who represents these milestones in his arc. He redeems himself to everyone, but not in the same way as Katara. The path to redemption through Katara’s eyes is longer and ends with a bang.

On Morality

Black and white notions of the world are incomplete. The Fire Nation isn’t all evil, as seen in The Headband, their citizens are simply indoctrinated. And there can be band people on the other side of the war, such as Jet. Fire isn’t just destruction, it’s also healing and life. And the opposite of fire can be just as destructive, as seen in The Puppetmaster when Hama showcases her bloodbending. In 06×03 A\ang concludes the following:

“Anyone’s capable of great good and great evil.Everyone, even the Fire Lord and the Fire Nation have to be treated like they're worth giving a chance.”

When Zuko and Katara first met each other, they thought of each other as enemies and nothing more. Katara saw Zuko as his worst self and the manifestation of her hatred of the Fire Nation. In the Crystal Catacombs Katara described him as "the face of the enemy". She saw him as all black and no white, but then he opened up. They discover they actually have shared experiences despite being on opposing sides. When he betrayed her, it seemed to confirm that they're not similar, that everything Katara thought of Zuko was correct. Of course, he came back, but Katara can only forgive him once she lets go of some of her hatred of the Fire Nation. His connection to Katara proves that they’re both seeing the world as shades of gray.

—————————

In conclusion, the profound connection between Zuko and Katara enhances the themes of the show and their connection is a perfect example of the messages it’s trying to put out. Rather it’s about destiny, morality, diversity or redemption, Zuko and Katara’s relationship is remains one of the most relevant examples of these themes in the show.

[orangepanic]

The Only Difference Between Medicine and Poison is the Dose

"Then we have an agreement," her husband had said, and the triumph in his eyes had burned with the inner fire that had consumed his spirit. Had she loved him? Was it possible not to love the father of your children in some way? No matter the origin of their union together they'd brought such joy into the world. Ursa poured the powder into the starch she'd use to set it, then added a few drops of cold water and stirred, careful not to touch a single grain. Her questions didn't matter now. Azulon had made his decision, as had Ozai. As had she. All that was left now was to act.

Slowly, oh so slowly, Ursa spooned a few drops of the mixture at a time into one of the teacups and smoothed it gently into the sides. She'd chosen a plain stoneware cup because of its lightly roughened edges. Hardly fit for a royal. After fifteen minutes of careful preparation she set the cup to dry by the fire. Then she went into the kitchen and said the Firelord had asked her to have tea with him.

By the time Ursa returned the cup was dry again. The coating on the inside had turned clear, giving it a little shine. Would he notice the difference? Unlikely. It was only an empty cup.

When Ursa called at her husband's door he was already dressed for bed. "Is it done?" he asked.

"Almost." She held out the cup. "Take this for your evening tea. Serve yourself, and take nothing offered by anyone else. Use no other cups. I want to be sure. For Zuko's sake."

Ozai took the cup. "It is good you are thorough, my wife," he said. "When you come for a dragon it is best that you do not miss. I will not protect you should you be discovered."

"I know." Ursa bowed low and retreated down the hallway.

When you come for a dragon it is best that you do not miss. But Azulon was an old man now. Anything might happen to him. A heart ailment. A fall down the stairs. Quiet death in his sleep. Ozai was the one who was young, and strong. It would be years before he surrendered his throne to either child. Years in which anything might happen. Years in which nothing might change.

Had she loved her husband? Yes, probably. But tonight, Ursa loved her son more.

Written for @urzaiweekblog prompt: poison

[pizzaboat]

I swear the only reason child/teen characters like Azula get so demonised is because people see kids as beings that are meant to be wholy good.

Any kid that fails to be perfect, acts out, or is anyway morally complex compared to an adult, they are then no longer a child and dehumanised in people's eyes. The only other word for them is "monster" because people can't understand why the image of a child in their head isn't lining up with what they're seeing, and they make hateful speciulations because of it.

And Azula (no suprise) is a "bad kid." She's violent, angry on the inside, occasionally cruel, and takes her insecurities out on other people.

She doesn't act like how people expect a child would react to seeing their brother be burned by their father, and people ignore the context of why she might react the way she did, or just don't consider that Azula might have only been smiling in Irohs POV

Kids aren't "good". They're emotional. They react to emotion, they sometimes feel empathy, and how they choose to use that empathy ultimately decides how society judges their morality.

Azula had no one bothering to teach her right from wrong, outside of Ursa, who'd just yell at Azula and send her to her room. Ursa didnt know what to do with her and didnt care if Azula heard her audibly wondering what was "wrong with that child".

Ozai punished Zuko for the same traits that people claim Azula is evil for not displaying. Why on earth would Azula hesitate before trying to kill and or, best her enemies? Why would she show honest emotions? Why would she defy her father? Why would she make the switch over to good with no incentive to?

She's a 14 year old kid who's watched Zuko be burned and be discarded by her father when he was 13 for publicly "disrespecting him." Even if you don't think Azula cares about Zuko, that doesn't mean she isn't getting the same message that the rest of the public onlookers are getting. Ozai doesn't tolerate insubordination

She's been alone with Ozia for 3 years. Raised by him her whole life. No one else has ever given a damn about her, and she's more sheltered from the real world than regular kids in the firenation

Azula is the only one looking out for Azula, and if she has to parrot what her father says and does, and doing that keeps her safe from Ozia and the rest of the world, why would she stop? Why would she act like a regular good kid? Why would she even know how to?

[discordiansamba]

there's a boy standing in the garden.

iroh doesn't recognize him. he's probably a good ten years older than iroh. he's not dressed like one of the servants, and he certainly isn't dressed like a visiting noble. it's an unusually cold winter this year, and the boy is clad in the kind of parka he's only seen worn by the water tribes- but he's clearly not tribe. his features are too fire nation for that- even marred as they are by an ugly burn scar on the left half of his face. he's staring at the turtleduck pond, as if transfixed by it.

"...hello?"

iroh isn't sure why he calls out to him, but he does. the strange boy looks up, and blinks at the sight of him.

"hello," he says, "-are you iroh?"

iroh frowns, but slowly nods his head. he doesn't call him a prince. it's beyond rude. the boy just faintly smiles and introduces himself as zuko. iroh has heard that name before. his father had a brother who disappeared at the start of the war with that name. iroh has seen portraits of him before...

...they look like unscarred versions of the stranger.

"...who are you?" iroh asks.

"believe it or not," zuko says, "-i'm your uncle."

iroh blinks. he almost doesn't believe it. but his mother has always said he's more attuned to the spirit world than most. if he squints, he can feel something different about zuko- like he's not quite bound to the mortal world the same way everyone else is.

his uncle invites him to come feed the turtleducks with him. iroh hesitantly joins him. he tells him this used to be his favorite spot in the palace, and that he's glad it's still here. with an impish smile on his face, he tells him a story of how a mother turtleduck had chased azulon through the garden after he'd accidentally gotten carried away with firebending practice, and bent too close to the pond.

iroh laughs. he can't even imagine his stern father acting in such a way.

his uncle asks him if he's a firebender, and iroh nods. he just started bending last year, in the summer. his father said it was a very good sign- that he would be a strong bender. zuko asks if he'll show him what he's learning- away from the pond, of course. iroh nods and is happy to. he goes through his forms, only stumbling once or twice.

zuko tilts his head once he's done, and asks if he'd like to learn a thing or two from him. he says he's not nearly as strong as his father, but he's spent a lot of time with the dragons lately, so he's picked up a thing or two from them. iroh's eyes are practically glittering when he says that. of course he would!

the firebending forms his uncle shows him are like nothing iroh has seen before. he's fascinated. he imitates them the best he can, and his uncle smiles and pats him on the head as he praises him. it's far more warm than father's own praise.

eventually, his nanny comes and finds him. he starts to tell her about zuko, but when he looks back, his uncle is gone.

his father is not happy when he tells him about uncle's visit.

"you are not to speak to him again," azulon instructs, "-my brother is a traitor."

(iroh does anyways. he's always had a bit of a rebellious streak.)

[saijspellhart]

Things I liked about the Netflix ATLA and some critiques:

Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.

They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.

Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.

Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.

Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.

Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.

The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.

Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.

King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.

I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.

Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.

They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.

Emotional points in the show are now more intense and brought me to tears.

Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.

Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.

We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.

The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.

The shirshu looks fucking phemonal.

Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)

The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.

We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.

They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.

I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.

Some Critiques:

They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.

Katara starts off bland in the first episode and it takes a bit for her to grow into the character.

The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.

Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.

There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.

Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.

I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.

I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.

In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.

I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.

Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.

I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.

PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.

This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.

[blackbullet99]

Debunking The Stupidest Pro-Zutara Claims.

Howdy y’all.

If you follow me, you know I’m a Kataang truther and a Zutara hater. I always thought Kataang was cute as a kid, but I honestly didn’t appreciate how mutual and well developed their relationship more until I was older. By contrast, I didn’t think much of Zutara initially, I knew it had a huge following and I kinda got why, they have a very interesting dynamic that drastically changes and them becoming friends is heartwarming, but I never got the hype. Then I saw this…

And I was utterly baffled at the mischaracterization, media-illiteracy, Zuko dickriding and Aang demonization on this post. Let’s have a look…

See what I mean about the Zuko dickriding and Aang demonizing. You compare one scene of Zuko making tea for everyone in Book 3, to Aang showing off in Book 1. Need I mention that Aang later apologized for getting big-headed by the end, and later episodes show that Aang (and the rest of the group) all work together. Right off the bat and we get this dumb Katara/Cinderella narrative.

Not another Dadko. Momtara I kind of get, but Zuko is not a father figure. Zuko himself is still young, still growing, still capable of being immature. The first moment isn’t even a parental thing, it’s more Zuko stopping Katara from confronting Aang because he somewhat understands Aang’s frustration of being unsure and conflicting about a huge decision, because he’s been there not long ago.

Comforting someone when they’re worried or grieving isn’t parental responsibility, that’s being empathetic and good friend. Katara comforts Zuko when he’s worried about comforting Iroh and these people lap that scene up.

“Aang acts like Katara’s son” is such a baseless argument. Ignoring the fact that Aang canonically has romantic feelings for Katara and vise-verse, the first moment was a one-off joke about Katara being motherly, the second was also a joke where Katara PRETENDS to be Aang’s mom and her brother’s husband, the last moment is Katara telling Toph how she TRAINS Aang because she’s his Sifu and so it Toph, does that mean Toph is also Aang’s mom?

Let’s go over this for the umpteenth time: Aang kissing Katara was wrong, it was bad, we should’ve seen him apologize, but he immediately regretted what he did, he knew he messed up, he’s not a sexual-assaulter, blah, blah blah. The problem with this is that these are both completely different situations and also Zuko had to be told to get off Katara, so not only is this point meaningless, but it doesn’t even support Zutara.

This has gotta be one of the dumbest arguments here, Aang has always seen Katara as an ally and dear friend first and foremost since day one. Admittedly Aang was somewhat possessive here, but him nodding mean he literally though Katara was his possession, more so him thinking Katara returned his feelings (which she did). But throughout the entirety of the show Aang sees Katara as not only an ally, but a friend, a fellow waterbender, Zuko only saw her as a friend and ally near the very end of the show, before that he simply saw her as a peasant in the way of his goal.

Again, both of these are completely different contexts and both Aang and Zuko were pretty adamant about how Katara feels about them. Zuko frustratingly confronts Katara about why she’s mad it him, he wants to earn to trust and sleep deprives himself so he can resolve this as soon as she wakes up. Katara asks why Aang is so crestfallen, he explains part of the reason, Aang (while being somewhat pushy) wants to know how Katara feels before he confronts Ozai in life or death.

Both are different situations and really I wouldn’t say either is better than the other.

Okay, there’s a lot wrong with these points, lemme go over them as best as I can.

Aang has put his needs over Katara’s several times, just to name three: he gave himself so the Fire Nation would spare her home, was willing to forgo his own Waterbending because Pakku wouldn’t train her, willingly put aside mastering the Avatar State because SHE WAS IN DANGER!

Aang understands the importance of Katara’s family, he leaves so as to to come between Katara and her family when she threatens to leave, he brings back her necklace knowing how much it means to her.

In both of mentioned Aang instances, he realized he was wrong and he and Katara reconciled, the first instance was out of a misguided attempt to set things right after he was killed, and the former is something Aang would never do again, in a later episode he actively takes Sokka to his father and Aang is content for he and Katara to go their separate ways for a while. I find it utterly hypocritical to be a Zuko dickrider while bashing Aang for mistakes he regrets, apologizes for and learns from, you know who else does that?

Once again, THE CONTEXT! In the first scene Katara mentions her mother’s death in a more matter of fact way to explain to Aang that the Fire Nation have killed a lot of people including his own. Aang however in a state of denial dismissed the idea of his own people being killed. In the second scene Katara lashes out at Zuko for all the trouble he caused and Zuko after going through some development prior empathizes with her in a way to get Katara to understand he means no harm.

Aang also empathized with Katara’s loss. In this same episode, he himself says he knows what it’s like to feel the pain and rage Katara feels, specifically when he found out all his people were dead and encouraged Katara to confront the person who caused said pain.

I REALLY HATE making a Katara centric episode about shipping, I really do, many people say Zuko was right Aang was wrong, or Aang was right Zuko was wrong. Neither side was entirely right or entirely wrong.

Zuko was right to take Katara to confront Yon-Rha and this was when he truly began to understand what Katara had been through and see her as an individual, while Katara comes to see Zuko as a friend and forgive him, however he had no idea what Katara was going to do and didn’t think of toll this would take on Katara if she did end up choosing violence.

Meanwhile Aang not agreeing with Katara and confronting her isn’t a bad thing, he understands just what it’s like to lose someone close to you and to feel unbridled rage and hate, he’s been there, he also knows Katara isn’t cold-hearted and she could come to regret seeking violence. He actively encourages Katara to face Yon-Rha without killing him, which she does and as Zuko says he was right about what Katara needed. But as Katara points out she didn’t forgive Yon-Rha, forgiveness wasn’t the right choice, and you know what, this is something Aang accepts.

These points in particular really highlight the stupidity and hypocrisy of the OP. For one, as we can literally see Aang ignored his training specifically because Katara was in danger and he wanted to save her, this is no different from Zuko sacrificing himself to save Katara, in fact Aang has put his life on the line for Katara multiple times. Furthermore OP gets on Aang’s case for leaving Katara to fulfill his duties in the Book 3 premiere, but then praises Zuko for leaving Mai to fulfill his duties. They’re literally praising Zuko for doing the same stuff Aang’s doing and whining about Aang whether he chose to ignore his duties to be with Katara or if he leaves Katara to fulfill his duties, you can’t win!

Okay, screw this guy, this has nothing to do with the Zuko saving Katara, OP just wanted to bitch about Aang not wanting to kill Ozai as if this supposedly makes him selfish even though Aang is literally facing Ozai to save the world and is simply trying to find a peaceful solution, it’s like the theme of this show was lost on this dude.

This was the creep who made weird comments about Katara’s appearance wasn’t it.

I really don’t get what this final point is trying to prove. The first scene is Katara happy that Zuko is alive, the second is Katara happily gazing at Aang, who never at any point tried to change Katara, at all. Point me to one scene, one moment. If this is about how Katara looks, she doesn’t look that different, at the very least, her eyes are slightly bigger in the second pic because she close to someone she loves, but even then it’s a lot of whining from this guy about nothing.

Case in point, this is when I realized Anti-Kataang Zutara shippers have are media-illiterate morons with not a single good take, fake-fans who only care about mischaracterization for the sake of a mid middle-school ship.

Maybe I should make a counter post about what Katara gains from Kataang.

[zukosdualdao]

hakoda being a genuinely loving, supportive father to katara and never invalidating her feelings but still comforting her is something that can be so important <3333

especially, as many as have pointed out, as it contrasts with zuko’s hollow reunion with ozai, getting conditional and tenuous praise while still nervous, knowing he’s on thin, dangerous ice, and on his knees in a pose that more or less looks like he is awaiting judgment.

one of the ways this really gets highlighted is that katara spends the episode needling hakoda. just a little, just here and there—he just heard me call you dad didn’t he? and it’s sokka’s invasion plan both spring to mind—and i don’t think even she understands why she’s doing it. she seems sincere and surprised when aang suggests katara’s mad at her dad. but it’s definitely there, and it maybe was there for a while, because there was a weeks-long time skip we didn’t see.

but there is never, not for one moment, a point at which katara thinks needling hakoda in this way might put her in danger, or a point at which the audience is supposed to be worried for her on that level. it doesn’t even cross her mind (because hakoda is a good and non-abusive dad), and the only reason it crosses mine now is because of how it contrasts with the zuko and ozai scene.

there is tension between them, sure—we see hakoda reacting with some sad/confused expressions but still appeasing her—but even as hurt and confused and angry as she does feel, katara feels 100% safe to express it all to hakoda without any fear of retribution or danger.

contrastly, zuko is… you know, i said nervous before, but terrified would be a more apt word. everything from his expression, to the ominous music, to the staging as ozai looms over him is supposed to show us that. he’s terrified. and the audience absolutely is supposed to be worried that zuko is in danger here because we’ve seen why he’s terrified and know he has every reason to be and that the situation is inherently tenuous at best: zuko would never and could never poke at his father, the way katara does hers in this episode, because it wouldn’t be safe to do so.

zuko spends most of his interaction with ozai completely silent, in fact, and when he does speak up—what did you hear?—he’s walking on eggshells to navigate the lie azula’s told, and the danger he’s finding himself in anyway.

also, just to be clear, this is not katara hate, i literally love her. i love that katara gets to act this way because it’s such an honest portrayal of a teenage girl with complicated emotions, and i find her reconciliation scene with hakoda to be one of the most cathartic scenes in the entire show. and like, i’m glad that she never has reason to even consider that hakoda might harm her in some way, because that’s not a situation that any kid should ever be in. the point is the parallel with zuko, who very much does have reason to worry about what his father will do, is as fascinating as it is tragic.

[sapphic-agent]

So, a Kataang fan made a post about a week ago "asking" (rhetorically, of course) why it's a bad thing Katara acts like Aang's mom. And I just-

First of all, isn't that something that Kataang shippers have been trying to actively dispute for almost two decades at this point? That Katara doesn't treat Aang as a younger brother/son? There's literally an entire post about it from The Headband that's made its rounds on almost every single social media platform.

So which is it, besties? Does Katara act motherly towards Aang or not?

(The answer is yes of course, as The Runaway outright confirms it multiple times. The whole premise of that episode is that Katata acts as a mother to Toph, Sokka, and Aang)

Now, why is it a problem? The fact that I have to explain this is telling for how little a lot of Kataang shippers understand Katara.

Katara was parentified. She took care of Sokka (by his own admission) as well as her entire village after Hakoda left. Even before then really, as she says in the very first episode that she's been doing all the chores around the village since their mother died which was years before that. She was delivering literal babies while basically being a baby herself.

Traveling- and being- with Aang is supposed to represent her freedom and childhood, right? That's what the first episode shows us and what Kataang is built on. But if anything, it has the opposite effect.

Book 1 wasn't terrible. Katara was very free-spirited and joyful in addition to being caring and empathetic. Her and Aang could still goof off together, even if she was doing her best to support him emotionally. You could easily see that as her being a good friend.

But somewhere between Books 2 and 3, that changed. Katara went from being his supportive friend to being his emotional crutch. During The Desert, she bears the brunt of him lashing out (he does yell at Toph once, but he's the most volatile with Katara). He also gets frustrated with her during Sozin's Comet, even though Zuko and Sokka were the ones pushing him. It's always Katara who has to bring him back when he loses control of the Avatar State, risking her own safety.

(This isn't emotional, but it was Katara who healed Aang after Azula's attack. She was the one who stayed by his side, staying awake for hours to make sure he would be okay. I like to look at it as a physical representation of their relationship. Aang's wellbeing is always put on her shoulders. If she isn't there to lift him up, he'll fall. And if he falls, the world falls. No 14 year old should be responsible for that. But it's so easy for the show- and y'all- to shove it onto her because this part of her character is never addressed. It's just used as a testament to her caring nature)

Even without Katara's parentification, this causes a major imbalance in their relationship. It puts Katara in charge of managing Aang's pain and being emotionally unsupported in return. The Southern Raiders is proof that Katara can't depend on Aang emotionally the way he does her. She's been his shoulder to cry on through everything and the one time the tables turned, she couldn't even get that from him.

And the saddest thing about this? Katara says to him, "I knew you wouldn't understand." She never expected Aang to support her. She's become so accustomed to being there for others that she's never once expected anyone to do the same for her, least of all Aang.

(But Zuko does. He's the only one who recognized Katara's pain- admittedly, mostly because it was directed at him- and tried to help her. Without being prompted. I gotta give this one to the Zutara folks)

In what world is this dynamic healthy for a romantic relationship?