#who’s last name I used for one of my main characters
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moxiepower2 · 2 days ago
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Nevermore theory based on RnF’s latest post!
I think the eyeball in the center is both a reference to both the Old Man with the pale blue eye from “The Tell-Tale” Heart AND Ligeia’s eyes from “Ligeia”
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(1/3) First of all: Ligeia’s Eyes
The coloring of the eyes doesn’t quite fit with the art in the post (Ligeia’s has black eyes) BUT I find it hard to ignore the star and dream imagery used when it’s VERY present in “Ligeia”.
The narrator (the husband) studies astrology and is DEEPLY in love with the darkly beautiful and intelligent Ligeia. She is described almost like a vampire with long raven hair, ivory skin, and a wild appearance. He is especially fascinated by her unusual large black eyes which he compares to the “twin stars of Leda” and describes them as “luminous orbs” (this last part also reminds me of the “orbs” from the 1st episode btw).
Ligeia later dies of illness, telling the narrator of her deeply love and reciting a poem about the unfairness of mortality on her deathbed. In his grief, the narrator becomes addicted to opium and later remarries Lady Rowena whom he doesn’t love. He ignores her, preferring to find comfort in “opium dreams” during which he has vivid visions of Ligeia.
Two months into his new marriage Lady Rowena also falls ill and is rendered into a state of half-slumber. Rowena also often has fits and starts crying out in her sleep leading the narrator to believe that some “phantasmagoric influence” is haunting Rowena in their bedchamber.
The narrator’s sanity/accuracy is honestly questionable before the “haunting”. He has a bad memory and doesn’t even remember MEETING LIGEIA OR HER LAST NAME?? The narration given is honestly pretty dreamlike itself as it’s hard tell what’s real or not between the husband’s opium addiction, bad memory, and debatable sanity.
At the end of the story, Lady Rowena dies and according to the narrator, her dead body turns into Ligeia. The corpse awakens the next day as newly risen and alive Ligeia who has seemingly defeated death.
“Here then, at least," I shrieked aloud, "can I never --can I never be mistaken --these are the full, and the black, and the wild eyes --of my lost love --of the lady --of the LADY LIGEIA."
(What a very sane human being as per usual in Pow stories. Also, this went on a bit long sorry)
(2/3) The Old Man
Hang in there with me, this part is much much quicker to explain!
So, Tell-Tale Heart. I think this is a Poe story everyone pretty much knows. Guy is seemingly driven to madness out of fear of his old neighbor’s pale blue eye. He secretly watches the Old Man while he’s sleeping and later murders him and stuffs the body parts under his floor. When the police later arrive at the house, our narrator believes he hears the sounds of the Old Man’s heart and confessed his guilt.
Some imagery: Not much star imagery but definitely some of dreams/sleep. Much like Ligeia, the narration is definitely dreamlike. The Narrator is unreliable/insane so it’s hard to tell what observations he makes are actually real. The Old Man and the Narrator struggle with nightmares. A good chunk of this story is spent with narrator as he watches the Old Man sleep every night for a week.
Also, the eye in RnF’s post is a SINGLE PALE BLUE EYE. (Yeah, this last one is definitely surface-level evidence but I don’t think it’s without merit)
That’s pretty much it.
(3/3) How does this all connect?
The main reason I think that this new art piece connects to Ligeia AND The Tell-Tale heart is largely due to THESE GUYS
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That’s right, Deans Merry and Mourn.
The Tell-Tale Heart
Awhile back I made a post theorizing that Annabel is connected to The Tell-Tale Heart due to the heart imagery surrounding her character (such as her spectre design). In the reblogs, me and @muzetrigger discussed more detailed theories (off-topic but @muzetrigger made a VERY convincing argument that Annabel Lee might play the role of the Narrator)
One of the topics that came up was the possibility of the Deans representing the character of the Old Man. @blacknedsoul-blog made a post a while back “I Think the Deans Are Fucking Lovecraftian Gods” (highly recommend) which pointed out that the Deans’ white/black heterochromia could be a reference to the Old Man’s cataract-ridden eye. Upon a closer look, it’s even possible that their white eyes are actually a very very pale blue.
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I would also like to add on to this theory by pointing out that much like the Old Man’s Eye drove the Narrator to murder and madness (though unwittingly), the Deans are driving the students to those very same things by forcing a bunch of already traumatized people to participate in a death game.
Ligeia
Earlier in this post, I mentioned that the husband from Ligeia compared her eyes to “the twin stars of Leda”
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These TWIN stars, Castor and Pollux named after a pair of TWINS from greek mythology are widely known as the “Heavenly TWINS” and form part of the constellation Gemini. Hmmmm….
A few more similarities to Ligeia:
The Deans also have the ability to get in people’s heads and MESS WITH THEIR MEMORIES. In Ligeia, the Husband is completely consumed with thoughts/visions of Ligeia for most of his waking and sleeping hours. He is seemingly unable to focus on anything else and this continues even when his new wife Lady Rowena is dying. As mentioned before, the Husband also has a memory problems and can’t remember meeting Ligeia or even her full name, just that he loved her. This is not unlike the memory loss of all the students at Nevermore Academy, particularly Lenore & Annabel Lee.
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By the way, have a mentioned how interesting this panel from the Bell Arc is? It’s very suspicious the we glimpses of the eldritch forms of the Deans and their Pale Blue Eyes right before Annabel Lee experiences a flashback of hearing the news of Lenore’s death. Not to mention they are physically lowering Annabel INTO THE MEMORY. Its almost like the Deans are the ones took the memories in first place and are just “returning” them or part of their job is being responsible for guiding students to their memories. HMMMM……
Not to mention they spend most of their time in DREAMLAND, a special dimension where you can relive past memories and even reach those whom you unable to speak with. Like say… a certain French man who’s UNCONSCIOUS in a brick wall.
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Also, I seem to recall there’s definitely some night sky related imagery with these two. Especially when we are getting glimpses of their spectrey/eldritchy side.
Lastly, let’s go back to the Deans’s heterochromia. They both each have one BLACK EYE and together that makes a pair.
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Also, I might be reading into this WAY too much but, take a good close look at the black eyes. In each, you’ll notice there’s a small white pupil. Kind of like a a single bright star in the black night sky. Two twin stars.
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thedaughterofkings · 1 day ago
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Sooooooo what is this cool german (?) show I'm seeing on my dash? 👀
This turned out long, so please click to read more!
Oooooooookay, soooooooo:
There is this long-running crime show on German television called Tatort (crime scene) - and I do mean long-running, the first episode was broadcast in 1970! The first broadcast of a new episode is almost always on a Sunday at a quarter past eight (prime time). In total there are almost 1300 episodes! The good thing is though, that you don't have to watch every single episode because it's not one continuous story.
Rather, there are different teams which investigate crime in different cities, and while there are some teams/characters which have been around for a very long time, we do get new teams regularly.
In 2020 a new series with a new team of police officers started in Saarbrücken (capital of the smallest federal state, disregarding the city states). AND BOY DID IT START!
The structure is almost always the same - there's a crime of the day which gets solved within 90 minutes. As the main characters are recurring, you usually also get some personal info about them and their relationships in every episode, but truly overarching B-plots are somewhat rare, especially as it's typically at least a few months until a new episode for a team is released (there are currently 18 teams in the rotation, which all get one to three new episodes per year).
With our current team for Tatort Saarbrücken we do get a larger focus on the characters and an actual B-plot over several episodes - which is especially surprising as it's produced by the smallest of the federal/regional public broadcasters and only gets one (ONE!!!!!) episode per year. Which we just had. And it ended on a massive cliffhanger. And now we have to wait. A YEAR!!! Anyways:
Our four main characters are a team of police inspectors investigating homicides.
I present to you:
Adam Schürk:
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Our wet little meow meow, loves wearing double denim, police inspector that used to work in Berlin but recently returned to his hometown of Saarbrücken because he could become the partner of his former best friend -
Leo Hölzer:
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the team lead, and, it turns out, the one who as a teenager put Adam's abusive (and criminal) dick of a father into a coma by hitting him with a spade to stop him beating Adam to death (hence the nickname "Spatort", a portmonteau of "Spaten" (spade) and "Tatort" (crime scene), which combined make a sort of "spade scene").
When Adam turns up, Leo is struggling to keep his team together, especially butting heads with
Esther Baumann:
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the only competent one, initially very much questions Leo's authority and capability as team lead, still very much annoyed (and rightfully so) at the questionable methods that especially Adam uses to investigate their homicides ("Adam style" - which means dangerous, and probably illegal), speaks French (Saarbrücken is very close to France) and flirts with pretty fellow female French police officers, and calls the last member of the team pet names
Pia Heinrich:
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why yes, almost every gif tumblr suggested for her shows her eating! In the first episodes I'd call her the laid back one, not as high strung as Esther, not as utterly insanely codependent as Adam and Leo, but oh how the turn tables! In the latest episode she's shown to be taking adhd medicine to be able to stay awake longer and investigate a cold case of a missing person that's probably going to fuel the B-plot for the next set of episodes.
When I watched their first episode, I was sitting there like - is anyone else seeing this??? I can't be the only one seeing this???? And the only place I could think of to check was tumblr - and lo, and behold, I was not the only one seeing it!
What we were seeing was:
Leo and Adam, childhood best friends (in contrast to what I've written above, in the following gif it's actually Leo, not Adam, who's double denim-ing)
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it's revealed that Adam protected Leo from bullies at school, while he himself was being trained/abused/shut into wardrobes by his father, a criminal (to put it mildly). When they are discovered by Adam's father in the tree house, he beats Adam so much that Leo fears for his life and takes a spade and hits Adam's father with it, who ends up in a coma because of that. The boys hide the spade attack by feigning an accident and setting a fire to destroy evidence.
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At some point after this, Adam leaves Saarbrücken/runs away, and has apparently no contact to Leo until he suddenly appears in Leo's office as his new partner!
They are of course immediately called away to a homicide and we get our first hug:
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At this point I was biting back screams, kicking my feet in excitement and heading to tumblr. They've been reunited for like half an hour or so at this point!!!!!
Throughout the in total now seven episodes we also get scenes like these:
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(this is Leo arresting Adam because Adam's father committed suicide in a way that made it seem as though Adam killed him - no I am not kidding and yes it involves frogs) Of course Leo works hard to clear his name and get him released form prison - which is actually when the above hug happens.
AND OF COURSE:
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Are we being queerbaited? I honestly don't know - it could just be an accidental queerbait where we do most of the work ourselves, who knows, they might actually make them canon (in like five to fifteen years) - as it is, the last episode didn't have such a major focus on them and their relationship which my shipping heart of course doesn't like, but it did leave more room for the girls and for developing the relationships between the different constellations within the team and I did like that a lot!
Annnnnnd, we did end with something of a hug between the two (spoiler alert I guess^^°):
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this is Leo's head on Adam's lap - unfortunately post explosion and of course the cliffhanger left us hanging before we could tell whether Leo's still alive or not! (guess why we are screaming)
Anyways, getting into Tatort Saarbrücken is both not a huge commitment (there's only six episodes of 90 minutes each so far) and a huge commitment because after each episode you'll have to wait A YEAR, but I think it's totally worth it!
Currently all episodes should be available in the ARD Mediathek, for anyone who can access it and speaks German (German subtitles available too). I do believe there are versions with English subtitles floating around as well, I can try and find them, if there's any interest!
I can go into (WAY) more detail on the different episodes or crimes or characters or relationships, if you're interested, but this is probably already way longer than you expected so I'll stop here!
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noisyghost · 23 hours ago
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GOD I absolutely agree re:werewolf tropes, especially in romance. I want to read so many werewolf books, but So Many play into pack dynamics/violent werewolf bf/etc etc tropes that it feels nigh impossible to find something that will Hit for me specifically. Do you (or anyone who stumbles upon this) have any recs for werewolf media? Particularly that which is outside of romance as the main plot/genre? (Nothing against romance as a whole, I just don't tend to enjoy it when it's the main focus of a story)
god yeah im the exact same, its why i usually end up gravitating more towards horror werewolves cause at least then i dont normally have to worry about weird alpha boyfriend tropes lol. But that means i dont really have too many media recommendations! I'll put a couple thoughts under the read more, but if anyone has any recs, feel free to reply below 🙏
i don't have any book recommendations bc i havent read a real book in years so most of this will be movies/shows/comics
Being Human (US) is really good in a lot of places (one of my absolute favorite werewolf designs), but the last season really falls into a bunch of those werewolf bullshit tropes so i pretend it doesnt exist lol. i think the good bits outweigh the stupid though! I have also watched the UK version and its. not bad. i just didnt really get into it idk.
The Order 1886 barely feels like a werewolf game even though it is for sure a werewolf game lol. i would recommend just watching a playthru tho cause the gameplay is pretty much nothing but the plot and characters are very cool!!!!
Uhhhh everyone knows van helsing which is an objectively just an ok movie but the werewolves and vampires go so hard i have to like it. Dog Soldiers is also a fun campy flick, and i enjoyed werewolves within but thats more of a mystery than a genuine werewolf movie. Annndddd i did actually like the wolf man 2025 like. its gonna piss a lot of werewolf fans off i think and i know why people dont like it but i think the ideas and themes it presents are really interesting to me specifically! so idk if the individual werewolf enjoyer will like it in the same way i did but i will recommend it if u like werewolves that really lean into the disease/virus aspect of it.
Wilde Life is a webcomic that i really enjoy that is.... werewolf adjacent. I wouldnt really call Cliff a werewolf, more of a shapeshifter, but they sometimes call him a werewolf so its close enough for me to mention it and theres lots of other cool critters and scary bits to make the comic worth recommending.
I dont think Prague Race (webcomic) is officially available anymore but that also had some fun werewolves in it. You can probably find an archive of it if you google the name (the artist's new comic, 'tiger, tiger' is also very good but has nothing to do with werewolves lol)
How to be a werewolf is another webcomic that does do a bunch of the pack dynamic trope but the characters are charming and has some romance but it isn't the primary plot, its more about family than anything. and a female werewolf main character is always a plus!
uhhhh im sure theres more im forgetting these are just some of the ones from the top of my head
...
ok literally this is so niche and i probably shouldnt even bother mentioning it but i have sat on this fic for literally 8 years now and it makes me so sad the author never finished it but. one of the only werewolf fanfics ive ever read that i really clicked with was an overwatch hanzo/cassidy fic called 'spurs don't pair with scare chords' and i need to put it here bc its the platonic ideal of a werewolf fic with a well paced romance that isn't the major intrigue point. its my white whale of a fanfic and it being unfinished haunts me. i wish overwatch was good
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theblackqueen-ofmyheart · 5 months ago
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The worst part of using the names of people you know for your characters is if you have a falling out with one of them and now you can’t change the character’s name because it’s theirs now. And you can’t change their personality because that just doesn’t work for the story. Pain in the ass.
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killjoy-prince · 11 months ago
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House M.D. but it's when a character says the name of the episode
#house md#prince's talk tag#flashing#repitition#so as i was watching this show i noticed they'd say the episode title in the episode#so i wanted to see how many times they did it#the people on livejournal who made transcripts of the episodes are my saviors and without them this would of been so much harder to do#thank you all for your service and i hope wherever you all are you're having a great day#sometimes they would use a variation of the word like in the episode poison they would say 'poisoned' or 'poisoning'#i did not include those instances#there was an instance in 'merry little christmas' where they do play the song in the show#but since ella fitzgerald was not a character in the show i did not include it#where as in the episode 'joy to the world' the students are singing it in the concert so i did include that#i apologize for the tonal whiplash when you get to that part but it did make me laugh#one of the times kutner says 'locked in' is overshadowed by the POTW's voice over but i assure you he says it and thats why its in there#out of the main characters from the one who said the title the most to least are#House > Foreman > Wilson > Chase > Cuddy > Adams > Cameron and Taub > Kutner > Thirteen and Park#this took a bit to do lolol its probably been done already but i wanted my own#there is a chance im missing some on technicalities but idc. im fine with this#there are two more i wanna do but with a character saying another character's name but ill do that some other time#EDIT: When I was making this video I was unaware that the Pilot episode went by two names: 'Pilot' and 'Everybody Lies'#Basically everywhere I looked the first episode was only referred to by 'Pilot'#which I found weird bc i remember seeing somewhere that the last episode was paired with the first episode in terms of title#but i couldn't find hard proof so I decided to leave it out at the time#well i checked again last night and yea the pilot IS also called Everybody Lies so I updated the video#I also think it goes well with the fact that House does say 'Everybody Dies' in the finale so another reason to fix it#AND he says it without Wilson while he and Wilson say the title of the pilot sooooo yea hehehehehe
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gl1tchxr · 1 year ago
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i didn't realize until recently how little fantasy stuff is in my world. sure they're all animals or dragons and they've got magic but there's no actual gods and i didn't even think about including magical artifacts or beings made of magic until a month or so ago. everything could've been so much cooler this whole time lol
#ghost post#well i can fix it now#i only have one idea for a magic being so far and its that one of the gods (not technically gods but thats how people see them) had so much#magic that part of it flaked off and gained sentience#the god's name is october and they founded a prosperous city but they eventually turned into a tyrant#and the people of the city fought them to gain control and won#and october was driven away and left severely weakened#but during the conflict that's when part of their magic broke off and became its own person#it took the same form as october (just smaller) and terrorized the city for a while but then it discovered Free Will(tm)#and now its much happier doing whatever it wants instead of what october wanted#and since its made from shapeshifting magic and its original form was mimicing october after it denounced them it has no set form and just#is whatever it wants to be in the moment#it doesn't even have a name and i'm attached lol#anyway my ideas for magical artifacts are much more boring lol#the dragon who rules over elemental magic made a set of staffs that let anyone use magic (one for each element)#that was a long time ago and none of the dragons are very involved with mortals anymore#but the staffs are still very powerful and floating around the world possibly getting into the wrong hands#:) i'm sure none of the main characters will ever have to deal with that :))))#another one is a set of two books and when you write in one the text appears in the other (like sunset shimmer's book in mlp)#and my last idea is a mask that can absorb people's appearances then if you put it on you look exactly like them down to every detail#truly an imposter amogus moment#anyway if anyone has reached the bottom of these tags tysm for reading and please let me know if you have ideas for more anything
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elftwink · 2 years ago
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been reading fanfiction at the front counter at work as of late because our fiction selection that's available to read online is sparse, there's only so much academic non-fiction a man can read especially when he's just blindly in the catalogue looking up random keywords in the hope of finding something even mildly interesting, and i haven't been able to get out to my local library to fix my library card that doesn't let me log in and possibly has no associated email to access their ebook collections. and i can't do anything at the front desk that doesn't look work-related so i've been downloading pdfs of fics and emailing them to myself to pass the yawning void of hours between the 3 whole patrons who are there during the semester break.
anyway im telling you all this because i sent a few to myself and all but one (1) fic i was like oh my GOD he Would Not Fucking Say That. but i had nothing else to do not even work related tasks so i read them anyway. woe is me. i will learn nothing from this and do the exact same thing tomorrow probably
#good idea generator#they werent even bad in fact one in particular was infuriatingly well written#i just didnt like the characterization choices. and they committed one of my pet peeves#which is so unreasonable but it's using a shortened form a characters name (usually in dialogue)#and spelling it differently than the character's actual name. like adding or changing letters#this is such a non-issue but it INFURIATES me especially when the character doesn't even get referred to by a shorter name in canon#i know this sounds like nonsense im trying to think of an example#ok like. some c/r fic authors will shorten 'jester' to 'jess' and i HATE that#it should OBVIOUSLY be 'jes'. where did the second 's' come from. who the fuck is 'jess#when i read pjo fic i used to like straight up leave fics if they spelled a shortened version of 'percy' i didnt like#and once i read a fic where someone referred to nico as 'nick' and it made me so fucking furious#fucked up that you made someone call him that at all but the LEAST you could do is spell it 'nic'#and before you say anything i do NOT care if the other letters are necessary for the name to follow pronunciation rules#names do not have to do that and this is a written medium. i already know how to pronounce it#its the normal way you'd say the first or last part only of the character's name which i already know#this also annoys me in original fiction but fanfic is also usually adding the nickname which makes it feel more unnatural#like its weird if characters refer to each other formally in the source material and inexplicably much more casually or closer in fic#but the spelling is the main thing. i have Problems
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arolesbianism · 29 days ago
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I have been playing beastieball and first of all very good game second of all smth smth Olivia Broussard
#rat rambles#oni posting#the second I heard the basic concept I knew I had to make my player character olivia#Ive also been ofc doing an oni naming theme but thats a given#important context in my hcs olivia was a pretty sportsy teenager#but yeah Im also enjoying the endless sense of dread I get anytime I make story progress in this game#I need that guy dead NOW#also I forget their name but yeah rpedictably the nonbinary scientist is my favorite npc currently#but yeah I feel like Im at a weird point game progression wise where Im strong enough to take every fight I know of but I don't know how to#access most of the side content I want to do first so Ive mostly just been further training#dont get me wrong I was still underleveled for the last star coach match I did but they were like level 50 so y'know#I won btw because Im a hashtag gamer (I got my ass kicked the first time but the second time I barely scraped by)#ok I say barely but Im pretty sure I only lost one round most of my party was just on deaths door the whole time#I recently decided to rework my team since I wasn't having a lot of fun with my old one#I might end up mixing and matching my old and new teams a bit eventually but I rly like my current team#Im definitely still learning how to use it well tho and I can definitely feel that offensively it could be better#well actually more like it needs better defense to be more offensive#all my guys have good bulk in at least one damage type but only two are all around capable of taking hits#the other three are incredibly fragile in different stats and as such a lot of my gameplay at higher levels involved baiting and switching#which has been working out well enough so far but it definitely means my battles run slower than Id like#in particular because I only have one beastie capable of healing itself so its easy to back myself into a corner if I take too long#I also definitely need to look into redoing the stats for my dragonfly beastie as while shes fairly bulky she rly needs a bit more bulk#I also super need to look into getting some friendship skills for her since she just doesn't have the tools she needs rn to truly flourish#I believe in her tho she was the main inspiration for my current team and how I wanted it to play#which unfortunately we aren't quite able to do yet due to the fragility of everyone#again they Are quite bulky in certain areas but extremely fragile in others#the exception is my boy joshua who can tank most hits but is noy particularly helpful outside of that rn#which I also want to remedy#now the main question for me rn is if I considered switching out one of my more offensive units for someone with more utility#because a certain nikola may be a needed pivot currently but he was also supposed to be far more offensively useful than he can be atm
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undercover-bun-etc · 7 months ago
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My brain created an entire gacha game for my dream last night and honestly I'm sad it's not real.
#it was like limbus in that it was darker and les fan service-y#but some of the designs looked straight out of the popular open world gacha game#not saying the name because yeah#the game basically had three differnt storylines#each one was based on what your job in the group#it was manager member or doctor (these are the basic idea behind them)#the characters you rolled the gacha for were called animates (like animated)#they were basically constructs made from bodies magic and the corpses of fellow animates to fight off an evil group seeking world destructio#in the 3 separate jobs you basically got treated differently by the animates and they had different abilities#in the 'manager' role you are a person recruited by the group that controls the animates#you were recruited for your effective leadership ability and are assigned an ever changing team of animates#you basically go through a similar battle system as most phone gacha games#with the 'member' role you *are* an animate#you get to see the horrifying nature of the animates' creation as the first animate and get a glimpse at the doctor role#a similar battle style to the last one but you control a singular animate and are in first person#the 'doctor' role is where the darkness of the game is turned up to an eleven#you play as the current person who brings the animates to life#you of course are an animate yourself but of the one who created the animates#you can't remember anything before you became an animate yourself but it doesn't matter to you#you act as the 'doctor' putting animates back together and even creating new ones from the fallen#your relationship with the animates is bad they see you as a monster with some even refusing to speak to you#the gameplay would be repairing or putting back together the animates after battles#how well you did in the manager role is taken and used for the doctor role#basically you play a manager level then play a doctor level and repeat#the member levels are a secondary story that is slightly off and is unlocked when the main story is near completion#it reveals that the organization you work under didn't create the animates and are using them to fight the group that did#however that group isn't evil and are in fact trying to stop your organization from committing their crimes against humanity#yeah this is alot but it is part my dream and part me expanding upon the concept#i really want to either make it or make a fake version of it#undercover speaks
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batboyblog · 30 days ago
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Copy Right and Public Domain in 2025!
It's January 1st 2025 which means it's my favorite unsung holiday! Public Domain Day! This is the day once a year when, in the US, copyrights expire and things enter the public domain, meaning they belong to everyone! even you, Steve!
American copyright for books, movies, art work, and musical compositions (but not recordings, more on that later) runs for 95 years (way too long!) so today works published in 1929 join us in the public domain.
So whats free? so glad you asked.
Popeye the Sailor Man
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Many people assume Popeye originated as a cartoon character but thats not true, he comes from a comic strip. The strip was called Thimble Theatre and Popeye was something of a late addition. Thimble Theatre was first published in 1919, so Popeye's girlfriend Olive Oyl has been in the public domain since before the big 20 year copyright freeze of 1998-2019. Popeye first appeared as a minor character 10 years into the strip's run but was so popular he soon took over and the strip would be renamed Popeye less than 5 years later. Now as always whats public is only what appears in 1929, later developments, remain copyrighted. Such as, while Popeye always had super strength its not till 1932 his superpowers were tied to eating spinach, and Olive Oyl originally had a different boyfriend named Ham Gravy, who she dumped for Popeye when he became the main character. It looks like Popeye is following tradition for famous now public domain characters and getting a quicky horror movie this year.
Tintin!
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This is personally very exciting as someone who grew up with the Belgian boy detective. Like Popeye I expect a lot of people don't know that Tintin started off as a weekly comic strip. Indeed Tintin appeared as a part of a weekly youth supplement in the Catholic newspaper The Twentieth Century. Any ways, Tintin was first published in there in January 1929, and soon would start what would become the first Tintin story, Tintin in the Land of the Soviets. Now only part of Tintin in the Land of the Soviets was published in 1929, the story line wrapped up in May 1930, so only those 1929 stories and what appears in them is free and clear and Tintin was published in black and white not color. Tintin's author Hergé had no idea what he was doing and was really learning on the job so In The Land of the Soviets is generally seen as his weakest outing and the only one he never opted to redraw in later years. Even so it's nice to see the character free in the world. No word on if Tintin will star in a horror movie.
Buck Rogers (but not really)
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The original futuristic space man was published, again a comic strip, in 1929 which means he should enter the public domain today, but he won't. That's because he already is public domain! Before the Copyright Act of 1976 copyright was 28 years with the option to renew for another 28 years. The copyright on the original comic strips was not renewed so ran out at the end of 28 years, 1958. So Buck Rogers has been free and clear for close to 70 years now, whatever you hear about him today.
What else?
Famously last year Mickey Mouse entered the public domain, but all the entered public domain was one (maybe two) animated short, Steamboat Willie. Well this year a dozen Mickey Mouse animated shorts enter the public domain, including the first time Mickey has his iconic white gloves, and the first time Mickey speaks (the first thing Mickey Mouse ever says, voiced by Walt Disney himself, is "Hot dogs! Hot dogs!" in case you were wondering) This will give creators much more to work with if they want to use Mickey in their works which is exciting.
Speaking of Walt Disney, The Skeleton Dance is entering public domain, you likely don't know the title but I suspect you've seen at least part of it at some point
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so look for this showing up on TVs in the backgrounds of films and TV shows in the next year or so
Books
The iconic novels of World War I, Ernest Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front enter public domain. In fact All Quiet on the Western Front entered public domain last year, but only in the original German, the 1929 translation by Arthur Wesley Wheen is whats entered the public domain now. John Steinbeck's first novel, Cup of Gold, William Faulkner's The Sound and the Fury, Virginia Woolf's A Room of One's Own, and Agatha Christie's Seven Dials Mystery (always get an Agatha Christie novel on this list for the rest of our lives). Dashiell Hammett published both Red Harvest and The Maltese Falcon, later made into one of the greatest films of all time, in 1929. Future children's book author E. B. White (who's go on to write Charlotte's Web and Stuart Little) and future New Yorker cartoonist and humorist James Thurber teamed up to write the delightfully titled Is Sex Necessary? Or, Why You Feel the Way You Do a book of spoof essays making fun of popular books on Freudian sexual theories at the time. The Roman Hat Mystery the first of the long running Ellery Queen mysteries was published, Queen would keep publishing mysteries into the 1970s (and Ellery Queen was a pen name for two people). Richard Hughes' A High Wind in Jamaica and Oliver La Farge's Laughing Boy also came out in 1929 and are in the public domain now. There's much else but those are the highlights sorry if I missed your favorite 1929 novel.
Movies
Alfred Hitchcock and Cecil B. DeMille's first movies with sound, Blackmail and Dynamite respectively, came out in 1929. Marx Brothers' first feature film The Cocoanuts joins the public domain. Other comedy land marks are Harold Lloyd's first sound film, Welcome Danger and Buster Keaton's last silent film, Spite Marriage (which Keaton also directed). John Ford's first sound film, The Black Watch, which also is 21 year old John Wayne's first appearance in a film, as an uncredited extra, he worked in the art department. Hallelujah the first studio film to have an all black cast came out that year. Also worth noting is The Hollywood Revue of 1929 a singing and dancing review, one of the earliest and the movie that popularized the song Singin’ in the Rain, maybe the first time a movie made a song a hit.
Musical compositions
musical compositions, ie the lyrics and musical notations you might see on sheet music are governed by the 1976 Copyright Act, and music written in 1929 is public domain. Music recordings are governed by a whole different law (we'll get there). Songs written in 1929 include Singin’ in the Rain by Arthur Freed & Nacio Herb Brown, Ain’t Misbehavin’ and Black and Blue by the legendary Fats Waller, What Is This Thing Called Love? by Cole Porter, Tiptoe Through the Tulips by Alfred Dubin, You Were Meant for Me by Arthur Freed & Nacio Herb Brown, and also Happy Days Are Here Again by Jack Yellen which would become FDR's campaign theme song in 1932.
Art!
a number of pieces by Salvador Dalí including:
Illumined Pleasures
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The Accommodations of Desire
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The Great Masturbator
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are entering the public domain as is René Magritte’s The Treachery of Images.
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Art is hard because while movies and books are clearly "published" and put on sale, what counts as "published" for a piece of art? the law is not totally sure.
Musical Recordings
as I promised, we got here. Till 2017 there were no federal laws governing the copyright of music recordings before the 1970s, it was governed by a confusing patchwork of state laws and it was not totally clear what was or was not free and clear even from the very earliest recordings ever. Now the term of a music recording's copyright is set at 100 years (way too long) so music recorded in 1924 is now public domain such as. Nobody Knows the Trouble I’ve Seen by Marian Anderson, Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) by Louis Armstrong, California Here I Come by Al Jolson, Rhapsody in Blue by George Gershwin, Shreveport Stomp by Jelly Roll Morton, Mama’s Gone, Good Bye by Ray Miller, and It Had To Be You by Marion Harris. Now many recordings a lot less famous can finally be preserved and digitized to save them for the next 100 years. Many abandoned works are literally rotting away since without the copyright holder's permission digitizing a work isn't legal.
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hiddenbeks · 1 year ago
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hmmmmmm rotating idea for a new skyrem character......
#i've been itching to create a new oc lately. not vibing with most of the current ones. idk why but it'll pass im sure#anyway. last night in bed while trying to sleep off a migraine i started thinking abt isabeau#and wondering if she should be the dragonborn after all#like shes already a criminal mastermind and (in my homebrew timeline) by 4e 201 which is when the main plot takes place#she has restored the thieves guild's power and influence and expanded her criminal network across the whole province#add to that the dragonborn thing and being basically a demigod destined to save the world n all. its a bit much innit#dont get me wrong i like my silly little viddy game ocs ridiculously overpowered every now n then. its good for the soul#but still. i remembered this nord character i had ages ago for like two weeks maybe. named vigdis bear-arm#very textbook stereotypical dumb muscle heavy armor wearing greatsword wielding nord#i wanna remake her as the dragonborn... with some tweaks... she will still be a heavy armor wearing nord but also a spellsword mayhap#oc: isabeau#oc: heidrun#the original vigdis did not use magic at all but i already have isabeau who does not use magic at all#and its like a Big Part of her character so im not abt to change it#also it creates a funny contrast between beau and vigdis.#beau whose people are known for their natural magical talent doesnt understand jack shit abt magic#and vigdis whose people often mistrust magic is fine with it and a talented spellcaster 😌#i also Need to reinstall that game i miss it so much !!!#OH also i wanna try out the gore follower mod. i never had any followers with isabeau bc i just cant see her hanging with any of em#but. based on what i know of gore i think he would work well with vigdis.. hm... hmmmm
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blackandblueraven · 1 year ago
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My friend gave me for my birthday a heat changing mug... so I made him pins with his favourite character for his birthday.
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sunnami · 7 months ago
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❝watch me, don't touch me, love me, don't hurt me.❞
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[title is from ive's accendio. gif not mine.] summary. you are the fop of the wizarding society, known for your shallowness and careless display of wealth, but as hogwarts faces another threat, the marauders and lily, find themselves drawn to you and the secrets hidden under your facade. (harry just wants to know what is going on.)
pairing/s. marauders x reader. (james potter/lily evans/remus lupin/sirius black/reader.)
wc. 24.1k.
tags. enemies to lovers, angst, hurt but the comfort is later, fluff(ish), i try slow burn for the first time (it hurts.), this is highly self-indulgent idgaf, set during goblet of fire but i decide what goes, voldemort isn't the only character who can revive from the dead, BITCH. OH, LMAO I FORGOT, THIS IS FOR THE DILF AND MILF LOVERS SDKJFHSF they're married, but remus and sirius keep their name for legal and plot reasons. adult marauders and adult reader! and i was careful this time to not use any specific pronouns or gendered terms so everyone can enjoy the pain!! every1 is hurting 2nite. proofread kind of, so we die like. . . harry potter?
cws. here we go... canon-typical violence, vivid description of injuries, pain, and blood, emotional abuse, trauma, self-destructive tendencies, minor character death (non-canon), pureblood society practices, voldemort is his own warning, brief mention of war, brief scene with abducted children, panic attacks, depictions of mental illness, suic!dal thoughts, bellatrix lestrange is also her own warning, morally-grey reader.
a/n: this is inspired by my most favorite finnick odair fic EVER! obviously, i won't ever reach that level of greatness, but i've had this idea in my head ever since i read that story. sometimes, i just want to cry at night to feel something, LMFAO. halfway through writing this story, i got insecure, so thank you to this eye-opening comment on reddit that i found that will forever change how i look at reader inserts: “for me, a reader should be faceless, but not soulless.”
to my dearest friends and readers, i hope you enjoy this world that i've written for you ueueue. (the next and final part is fluffier, i promise.) will upload to ao3 soon!
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act i. dear god, please save the little man.
“RITA, DARLING, do get your wretched little quill for this one. I heard from a wee birdie that Vittoria Zabini was spotted in Rome, and not just wearing last season’s designer collection, but on her honeymoon, of all things! Can you believe it, dearest? If I remember correctly, this must be husband number five now.”
Like a wingless canary in a gilded cage, you are forced once again to sing for red-lipped witches and their grating laughter, and for wizards with their fat bellies, graying hair, and leering eyes. How kind of Narcissa Malfoy to host these decrepit creatures in her manor garden—and thrust the role of main attraction onto you. There you are, lonesome badger, dressed in the finest tulle for everyone to ogle at. A ballerina in a music box, turning, and turning, and turning.
(When will your cursed lullaby finally end?)
Isadora Bulstrode cackles. “Gold-digging wench must be at it again.”
As predicted, Rita Skeeter greedily whips out her Quick-Quotes Quill. The bloodthirsty journalist preys hungrily at your every word—and you’re more than willing to satiate the irritable, little pest. “Riveting.” She pushes her glasses upwards with a quirk of her lips. “We may have tomorrow’s front page in our hands.” 
Lavinia Nott brings the teacup to her mouth, her gaze slicing towards you. “Do tell us more. Where ever do you get your information from?”
You hide a coy smile behind the fine porcelain. “Why, Lavinia dearest, if I reveal my secret now, I might have to kill you!” The drove of ladies giggle amongst themselves as Lavinia sips her tea impassively. You play these people like a fiddle, and they’re none the wiser. But even vile women have to play their parts in the cruel world forged by mad men. Yours happens to be the most ill-fated of them all. 
“A shame you decided not to pursue the same path as your mother, but that is alright—not every one is fit to work.” The Selwyn matron raises her brow, offering you a tight-lipped smirk.
“Oh, Elinor, my love, I’m surprised you’d even suggest such a horrible thing!” Your grin grows wicked and wider. You know perfectly what the wizarding society thinks of you: the orphaned heir, the shallow socialite who only cares for gallivanting about in pureblooded extravaganzas. A status you’ve so carefully fashioned; utterly beloved and adored by these people, flowers falling at your feet with so much as a whisper from your lips. 
Your gaze drifts to a familiar crowd of people to the side. It’s the pack of lions and The-Boy-Who-Lived. There they are, the marauding bunch and their displays of loyalty and whatnot; hideously coordinated outfits, but capturing the world’s attention constantly and effortlessly. 
How repulsive.
In spite of that, you are intrigued. They are the section that plays out of tune in the orchestra you have been conducting for years.
And so you bid your goodbyes to the witches; they fawn and beg for you to stay for an hour more. You pout your lips and say with faux sympathy, hand flying to your chest.  “Oh, don’t worry, my dears! I’ll be back soon enough after greeting some of the other guests. You lovely ladies might tire of me if I stay for too long.”
Melina Traverse brushes you off. “We could never! You know you’re like family to us, pet!”
With a delighted gasp, you say, “Don’t tell Narcissa, but you’ve always been my favorite Slytherin.” The venom flows endlessly from your lips. You owe your life to only a handful of people. Narcissa Malfoy, who raised you when your mother no longer could, is one of them. Finally, you’re able to sneak away from their freshly manicured talons as they tittle-tattle amongst themselves.
Once your back is turned to the rest of them, you roll your eyes until your head begins hurting. 
What a bunch of insufferable fools. 
Still, the show curtains are wide open and the sun is yet to set. You have another audience that is awaiting your next number. 
“Oh, my, my, my! Is it truly the Chosen One in our midst?” You approach the horrid family of Gryffindors—nearly doubling over in laughter at the speed with which their faces fall at the sight of you. How refreshing, you think to yourself. It’s been so long since you’ve seen people who wore their hearts on their sleeves. “Cissa and I didn’t think you’d even respond to our invitation—but this is just brilliant! Lily, darling! How long has it been? That dress looks utterly divine! Is that Charmeuse silk? The purple simply brings out the color in your eyes! And your skin, my love! Just glowing! Tell me—have you been trying those snail facials? I hear they’re all the rage nowadays.”
Sirius grimaces, cheeks turning ashen. “Bloody hell, I’m going to need a drink for this. A strong one, too.” 
“You’re at a garden party, Sirius darling,” you remind in jest, flamboyantly motioning to the grazing table. “The elves are serving Darjeeling, jasmine, chamomile, berry blends, spiced orange, silver needle, and my personal favorite, chocolate mint!” There are strings of lights wrapped around the tree branches; floating lanterns and the hydrangeas creeping on the stone walls. You put a hand over your heart, smiling knavishly. “From the Malfoy family, to yours, we sincerely hope you enjoy your brunch.” 
Lily deeply inhales as she intertwines her fingers with James’s, a polite smile on her face—an odd pang in your heart at the show of solidarity. (She questions how sincere can a Malfoy really be.) “Y-Yes, well, it’s so good to see you, too. We’re grateful for the invitation, especially since it’s for a rather honorable cause.” 
Ah, pure-hearted creatures really do get on your nerves. Lion hearts; words dripping in honey, limitless bravado. You’ve changed your mind, you’re sick of it all. A flash of vindictive glee crosses your face as you abruptly grab her hand, wrenching it away from her husband’s. “We just knew you’d see it that way! You probably see yourself in those Muggle children, eh?”
Lily recoils, as if struck by hot iron, shoulders tensing; slowly, she peels away her hand from yours, long lashes blinking away her shock.  “You and Narcissa must be raising a lot of money, then.” She eyes the marble fountain adorned in white roses, the harmonizing gnomes nearby, self-playing harps, and the scrutinizing stares from afar. “I never knew you cared so much about Muggle children.”
“Well, I suppose it must be done for all the pudgy-cheeked brats in the world,” You callously wave away her words with a sigh. Unbeknownst to most, all the charity proceeds come from your own Gringotts account. That is the one real thing left in your miserable life.  “As staff at Hogwarts, the children must come first, wouldn’t you agree, Lily flower?”
“Quite,” replies Lily, lips firmly pursed.
James enters the fray, hand snaking around Lily’s waist; jaw taut, seeming to regret ever entering the snake den. “Have you met our son, Harry, already?” He turns to the fourteen-year-old at his left side, gently patting Harry’s back with a crooked smile. “Haz, this is an old classmate of ours.” James gestures to you, and you offer the Potter spawn an amused smile as he blinks owlishly at you. The poor thing has gone frigid from the wintry cold, despite the summer sun overhead and blooming coneflowers; and you wonder if he must have run into Draco and Lucius before coming to the garden.
So this is the child the Dark Lord failed to kill, you muse. You only wish that you could have seen that monster fall to the ground lifelessly, defeated by an infant and his courageous parents. How fitting for men like Lucius Malfoy to follow in his footsteps; the blind leading the blind. Your grin stretches from ear to ear as you take his hand in yours. Clearly, he’s never held a girl’s hand before, as he limply shakes your hand, awkwardly spluttering his greetings. “What an honor it is to finally meet the savior of the wizarding world.” 
“Why, you look just like James when he was younger, always strutting around the corridors.” Your eyes drift to the lightning scar on his forehead, a testament to his and Lily’s survival against the killing curse. “And such clear-cut emerald eyes; truly your mother’s son. Tell me, Harry dearest, you must be quite the heartbreaker at Hogwarts.”
His doe-eyes harden, and your brow quirks in curiosity. (So the littlest lion can growl, after all.) “Oh. . . not really.” His hand hangs back at his side, fists coiling. The robins chirp merrily as they fly by, his parents carefully watching the scene unfold; water endlessly splashing in the fountain. Harry’s voice deepens as he continues, “I couldn’t be. My friends and I barely have time for anything else. There always seems to be something going on at the castle, apparently.”  
“How interesting—Elsie!” You bark at the quivering house elf as Harry stumbles on his words. “Get Mister Potter and his company a plate of macarons—serve them our finest tea, as well.” 
Harry winces as the elf apparates at once. “There’s r-really no need for—”
Your gaze, sharp as a knife, slices to him, as the corners of your painted lips bend contemptuously. “Have you heard the news, dearheart?”
Harry looks to his father before shrugging. “I don’t think so.”
“If Mister Lupin here has so graciously informed you,” you begin tantalizingly, eyes cutting to the rugged werewolf at Lily’s side; his back stiffening at the mention of his name, “Otherwise, keep this between you and me, Harry darling. Hogwarts will be hosting a rather important event this year—and I do love a good party—so you must have noticed the rise in appearances from the Ministry.” You gesture to the top Aurors at the DMLE towering over Harry, Sirius and James. “More than that,” you continue with a sly cant to your voice. “There will be a few new additions to Hogwarts’ staff. Among them, of course—is yours truly!”
“And to do what, exactly?” Sirius blurts out incredulously.
“Be a teacher, of course!” you feign ignorance, bashfully furrowing your brows. “Why else?”
“Brilliant!” Sirius chuckles scornfully. “So, the children will be learning about French designers and frilly dresses then, I presume?
“Is that truly all you think of me?” you ask, gasping melodramatically as you circle the rim of your empty teacup. 
“You want to know what I think? Or what everyone thought behind your back at Hogwarts?” Sirius scoffs with a cock of his head. “You’ve always been the belle of the ball, no bloody doubt about that. But I’ve always wondered if there was anything more to your head than just air.” 
He runs a hand through his dark curls, lips twisting into a sneer. “But I reckon nothing has changed since then. You’re just the same insufferable, vapid wench as you’ve always been.”
“Sirius. . .” Remus quietly calls. “That’s enough.” 
Your expression falters—but your mask cannot afford even a moment of rest. A jarring note in the lullaby plays as the ceramic ballerina stops turning. You let the minutes pass by fleetingly; it seems the self-playing chordophones have changed their tune, as well. You watch as the canary diamonds in your bracelet glint against the sunlight. (You are growing tired of the blinding show lights, unrelenting crowd, and never-ending play. Where is the reprieve, you wonder, for the tormented primadonna and her aching soul?)
The strings are now dipped in blood as your tears polish the stage. Your joints have twisted, bent, and danced. You wonder, how long must it be until you are rid of the starring role?
You muster a coy smile, fluttering your lashes at the heir of the most noble and ancient House. “Such crude language, Mister Black,” you say, albeit your voice has gone mellow; nails drumming against the table surface as the guests mingle with one another. The unbearably dull conversations buzz in your ear. You notice Draco and Astoria Greengrass heading for the glasshouse. You consider stealing her lace parasol and whacking Sirius with it, and the thought fills you with immense joy. 
Unfortunately, they are your guests, and you are nothing if not the most polite host. “Perhaps, I am not the only one who hasn’t grown out of their immature habits,” you say, eyeing his shoulder-length hair, spiky ear piercings, and leather jacket. That damned leather jacket of his. It irks you that he and his kind can show insolence freely without bearing any repercussions. (But you’d die before you ever feel envy for a man like Sirius Black.) The sun fades behind the clouds, and your mask slips perfectly into place once more.
“What is it that happened again? Between you and Severus Snape in sixth-year?” You tap your chin pensively, taking cruel satisfaction in the stutter in Sirius’s breath and Remus’s parted lips, ever stupefied. You gaze fiendishly at Remus. “Oh, silly me, I’ve gone off topic. Well, anyhow, I just wanted to say, I believe the students are in rather good hands this year. I just hope Dumbledore doesn’t accidentally let an infected beast roam the halls of Hogwarts.” 
Your eyes flash impishly. “Wouldn’t you agree, Mister Lupin?”
Lily curls her lip viciously. “Just what exactly—?”
“Elsie has returned, master.” The house elf bows her head just as the antique bistro table is circled with macarons, cucumber sandwiches, miniature cocktail buns, and slices of pound cake. Lily retracts her hand, grinding her jaw as she swallows the words in her throat.
“You may go, Elsie, thank you.” With a guileful smirk, you levitate the teapot towards James and Harry, dutifully filling their cups; steam soon arising from the Chinese porcelain. You nod at the group. “It’s jasmine pearl,” you explain haughtily. “Carefully handcrafted tea from harvested leaves and flowers. Such exquisiteness that you won’t be able to find anywhere else.”
“Do enjoy your tea; Cissa and I made sure to spare no expense for our guests.” The teapot carefully lands back on the table. The sinfonietta ends, and so does your time with this particular audience. What misfortune, that you won’t receive your flowers for today’s performance. You pivot on your heels, flinging them a lukewarm goodbye. “Do excuse me, for I must tend to the new arrivals. I believe I see Missus Parkinson over there by the koi pond. Cissa might have my head if I neglect my responsibilities.”
You turn your head, tossing a wink at Lily. “Today, after all, is for the children.”
Alas, it is not Persephone Parkinson you head towards. 
You briefly exchange tepid pleasantries with Lavinia Greengrass before walking past the koi pond to the edges of the garden, far beyond prying eyes and ears. There, like a brooding Dementor drifting through a frozen lake, waits your true target. Sadly, it is only a dour-faced professor, a long time confrère of yours, to be precise. There are only a handful of people to whom you are indebted. Severus Tobias Snape is one of those few. 
With a flick of your wand, you covertly cast the silencing charm upon the elusive spot Severus had chosen. There is no need for these edacious vultures to prey on your conversation. They are better off with their tête-à-têtes and syrupy pikelets. You drown out the chamber orchestra’s symphony, the clinking of champagne glasses, the rustling leaves and ringing wind chimes. “Severus darling,” you say liltingly, feet shuffling to his side as you playfully ghost your palm against his nape. He barely spares you a glance as a breeze courses through the rippling lake water. “You’re missing out on the festivities, you know.”
“Have you finally finished tormenting Narcissa’s visitors?” he drawls, at long last acknowledging your presence and sharply raising a brow at your saccharine-sweet smile.
“Why, I’d never dare to do such a thing,” you reply with a theatrical sway of your head. “I simply conversed with the ladies and had a delightful run-in with your old flame, Lily. Do you remember her, my sweet? Ghastly red hair, pale skin, and, oh, those green eyes. It must be infuriating to look like that,” you rattle away to the only entity willing to listen to you in his company: the wind.
“Spare me,” he drones, lips curved impatiently.
You moue. “Ever the bore, you are, Severus. Shall I fetch you a platter of brandy snaps?”
“Shall I sit around while I wait?” Snape’s lips contort into a sour grimace, eyes rolling to the back of his head. “The Dark Lord himself might even find time to rise from his grave.”
“Severus dear, if I didn’t know any better, I’d say you were trying to tell me something.” You eye him slyly, mouth tipping into a smirk as a dragonfly hovers by the waterline, avidly stalked by the dwarf frog on a lily pad. “So,” you pry, “did you have something important to tell me? I promised Mister Goyle I’d have a drink with him.”
The frog splashes into the lake, and the dragonfly flutters away without a care. Severus clandestinely slips a piece of paper into your palm as he swivels around, dark cloak billowing. “Ensure that nothing traces back to you,” he snarls. “Clearly I do know better, Severus.” You toy with the paper between your fingers, a sense of exhilaration running up your spine. “Not to worry,” you say with a clipped smile, a serpentine glare in your eyes, “I always do as I am told.”
(Severus, not for the first time in his life, wonders if the Sorting Hat made a mistake when it sorted you into Hufflepuff.) 
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act ii. tonight, let’s start the masquerade.
THE NIGHT GROWS weary, and so do the alleys of Knockturn; neglected as your hooded figure navigates through the brick road, only the caged owls and flickering stars to notice your presence. You fainly traipse amongst the shadows, a moment of surrender from the spotlight and malignant eyes; a brief interlude in the performance. Past the hanging doll heads in the windows of Borgin & Burkes, you find a lonely shop. Inside the locket of your ring, lies a slip of paper that had been given to you earlier this afternoon. Well, Severus, you think to yourself, idly twisting the ring on your finger, let’s see where you sent me to this time.
And so, the stage actor calls for a costume change. “Alohomora.”
With one last glance at the dimly-lit passage, you enter the boutique. The brass shop bell accompanies your entrance, but no owner appears to greet you—and if there was, well, you have quite a unique way of saying hello. Your fingers feather across the dusty bookshelves, eyes raking through the broken staircase, the faint scent of ginger, rosemary, and mugwort pervades the room; a shattered crystal ball sits in the center of the shop desk, ripped paintings on the wall. A grimace pulls at your lips as you come across a familiar ivory mask. A Death Eater mask—it’s warm to touch; recently worn, perchance. You bury the strong urge to set it on fire. 
There’s a shift in the air, a creak in the floorboards—in an instant, you whip your wand out from its leather holster. 
“Reveal yourself,” you whisper curtly.
To the naked eye, there is only one intruder in the dingy parlor. To you, however, there is an obscure silhouette of a stranger covered by a glimmering veil. You hold onto your wand resolutely. If it was an enemy, you’d be blown into the walls by now. “This isn’t an ensemble stage, you know,” you chuff impatiently, “I’m not fond of sharing the spotlight with lineless extras.” 
The disillusionment charm slowly unveils, and you wait unblinking, until you see a familiar face standing before you. Mid-length curly hair that falls over gray, dagger-like eyes, the irksome scent of tobacco, and a frightening similarity to his elder brother. 
There are exactly five people you’d risk your life for, and right now, you’re digging the tip of your wand into their neck.
“Mister Regulus Black,” you greet with a playful edge to your voice, eyes narrowing. “Severus didn’t mention we’d be running into each other tonight.” 
“That’s because I didn’t tell Sev I’d be here,” says Regulus, dimples poking out as he swats your wand away from his throat. “I might go mad if I have to stay inside for another bloody week, there’s only so many times I can re-read Good Omens—and by the way, did anyone ever tell you how dramatic you are? Lineless extras, really?” 
You hide a fond smile with a roll of your eyes, whirling around to browse the glass cabinets and leather journals on the table, returning to the task at hand. “And so you thought going outside and risking someone seeing you in the open was a good idea? Reggie darling, I often think about the possibility of Walburga dropping you on the head as an infant.” 
Regulus shoves his hands inside his trouser pockets as he hovers over your shoulders like a lost, overgrown duckling. “Wasn’t it Cissa’s soirée today? Did you jinx the statues like I told you to?” 
“Who do you think I am?” you say haughtily, pausing in your search to half-heartedly glare at him. And after a moment’s pause, you jerk your shoulder and coyly respond with a side-smirk, “Of course I did. The young Mister Flint nearly screamed his head off.” You hum reminiscently, “truthfully, it’s been quite a while since I heard Draco laugh like that these days. For breakfast, I hear about the Granger girl, and then for lunch, I hear about the Weasley children, and for dinner, it’s an hour-long spiel on the famed Harry Potter.” 
Regulus chortles in amusement as he hops onto the shop counter, kicking back his chunky boots. “And, then? Did you see my brother?” 
“Oh, darling, I did more than that,” you mutter offhandedly, leafing through the paraphernalias and foul-smelling potion flasks. 
“How was he? Is he doing well? Merlin, I think it’s been so long since I saw his face.” There’s a lapse of silence between you and Regulus. A lizard scurries across the room, chasing after a line of ants. The younger wizard taints the quietude with a long, frustrated sigh. “Sorry, I just. . .” He slumps his shoulders in resignation. “I wouldn’t have to ask so many questions if. . . if I could just. . .”
“I don’t understand why I have to hide from my own family.” With a jagged whisper, he says, “I feel like I’m losing my mind. Like I can’t believe that I’m really here, I don’t even know if I exist sometimes.” 
You grimace as you turn to look at him, hand flinching as if wanting to reach out to him. Instead, you avert your gaze and continue scouring the room. “It’s for—”
“My own good, I know,” Regulus blows a strand of hair away from his forehead. He jumps off the counter with a hardened stare. You glance at his back as he bends to pick at the marks on the floor. At times like this, you remember how small and young Regulus had been when you found him moribund from lake inferis. What a cruel price to pay in exchange for his survival, you think. 
For Regulus Black has to remain dead to the wizarding world, stuck in an interminable masquerade, waiting until the hour is up for his performance. 
All the world’s a stage, and for the best of the actors and actresses, it seems the production never ends. 
“How long do you think it’s going to stay like this? For you, me, Sev? For Cissa?” As he stands on his toes to inspect the top of a dusty cupboard, Regulus veers his head to peek at your expression, frowning when he finds none. (You’ve no answers for him, after all; the entirety of your life was spent wondering that exact same question. All you know is that the show must go on until the audience tires of the starving artist.) “Never mind, let’s just focus on finding whatever you were trying to find here.” He walks past his reflection in the vintage carved mirror. “What are we looking for, anyway?” 
You wish to offer solace to a cherished friend, but duties are meant to be fulfilled. For now, to do what is right must come first. Your fingers slither up the side of a bookcase, a wooden ladder resting against the shelves. The mahogany is freshly varnished, the stench of glue is prominent, and deep scratches indent the floor. It’s an empty treasure cove, barely anything displayed on the racks. You grit your teeth as you realize it’s been well-maintained compared to the obsolete state of the room. “Here,” you rasp, abruptly snapping your head to look back at him.
He furrows his brow. “What?” 
You beckon him to the corner of the room from where you stand, wooden planks creaking as you push at the bookcase. “Help me with this, Regulus. There could be something behind it.” You clench your jaw as you lean your weight onto the cabinet frame.
“Why don’t we just, I don’t know,” Regulus cocks his head as he waves his wand in the air. “Use magic?” he offers discreetly, as though divulging a century-old secret. “I suggest Bombarda for maximum efficiency.” 
You stare at him vacantly. “Regulus dearheart, I hold a stupendous amount of tolerance for you, but there is absolutely no way we are drawing attention to ourselves via explosion spells in the dead of the night.” 
He grins boyishly before ushering you away. “Alright, alright, I was only taking the mickey out of you.” Soon after, Regulus deftly mutters a levitation charm, his wand steadfast as the bookcase slowly detaches from the floor. You take a couple of steps backward, lips pursed as you observe Regulus concentrate on his work. 
You note to yourself to have a conversation about Regulus’s restlessness with Severus. It could pose a liability and pull the curtains on the entire pasquinade. “Careful,” you keep a tight watch on Regulus’s pinched brows, his hovering wand, and the steadily moving bookshelf. 
“Like taking jelly slugs from a first-year,” he says flippantly, beaming at you as his dark curls sweep over his eyes. 
You give him an exasperated scowl before side-stepping his quip as you descry a faint outline of a door in the plastered wall. You feel a rumble in the ground, muffled noises behind the shrouded entrance.  “Ready your wand, Regulus,” you say grimly, hand reaching for the doorknob, looking back in time to catch his smirk fade into a distant expression, “I believe what awaits won’t be as simple as that.” 
A grave tenor disquiets the room, your free hand already grasping for your wand. Regulus stands at your side, nodding as you take a sharp breath. He offers his back to you, in spite of the looming danger. (A sadistic part of you finds comfort in his presence tonight, but neither of you can truly share the burdens of your harrowing façades. Tomorrow, you play the lone star once more; and he, the dead brother and son. But today, you must simply share the stage.) 
You twist the knob until a click pierces the heavy silence.
You wait with a bated breath, expecting creatures and spells to come hurling in your direction. The room ahead is enshrouded with darkness. You share a terse nod with Regulus as a ball of light appears at the tip of your wands. Regulus moves to take a step forward, but you block him with your arm. “I’ll go first,” you say breathily, curtly glancing at the Death Eater Mask. “It could be cursed the moment we step inside.” Regulus presses his lips into a white line, clearly unhappy with your decision, but relents nonetheless. 
Rough, travertine flooring begins where the woodwork ends; a gust of wind howls into the dark chamber. Wordlessly, you call for your patronus to investigate inside; thin, silvery wisps floating in the air, its light hauntingly beautiful against the unilluminated dungeon. You hear heavy chains dragging across the ground and the harmony of timid footfalls. A drop of water falls onto the cracked stone. Regulus grinds down on his jaw as he readies his wand. 
After an eternity of waiting, you snap your wand to set the torches alight. 
A pronounced chill runs up your spine; a stutter in your breath. You nearly stagger at the sight unveiled before you. If you had been a weaker wizard, you’d have dropped your wand already. “This. . .” you say hoarsely, eyes wide, blood simmering in your veins. 
Children.
Little ones as young as ten-years-old, barely coming up to your stomach, staring up at you with bloodshot eyes. Their skinny arms are covered in grime and wear pathetic rags for clothes. Moss grows in every corner of the room. Emaciated mattresses on metal beds. “Bloody hell,” Regulus growls, chest heaving. “What the fuck?” 
“It’s a prison,” you whisper, horrified. There must be more than twelve children standing before you. Bile rises to your throat. You worry about your wand breaking in half, but the overwhelming sense of dread traps you in position. 
“Are. . . are you with the bad men?” A brave, young girl with owlish eyes protectively steps forward in front of her companions. “No,” you answer gently, bending down on one knee to meet her eyes. You were neither good, or bad, but there is no magic on earth that would make you harm these children. 
Regulus calls your name. “They’re Muggles,” he hisses angrily. “I don’t sense any magic from any of them.” He exhales in frustration. “What the hell are they doing with Muggle children?” 
You grind down on your teeth, nearly dizzy with anger. You forgo a response to Regulus in favor of clasping your cloak around the trembling child. Soon after, you blanket the room in a warming charm. “Tend to their wounds,” you say sharply. “I’ll see what I can do about the chains.” And you will do something about those shackles, if it’s the last thing you do. “We’re going to get you out of here, I promise,” you tell the girl, stolid as you pat her head.
Except, the brass bell rings once more and everyone stiffens in alert. The children begin whimpering amongst themselves. Slow, deliberate footsteps reverberate from the shop into the icy-cold room. The hairs on the back of your neck rise.
“Move out of the way!” you yell, veins straining against your neck, just as you’re blown into the stone walls. 
Regulus screams out your name, but you barely hear anything over the ringing in your ears; through blurring vision, you see the children and Regulus unharmed. Relief floods through you as you sluggishly rise from the floor. There’s a large crater in the wall from the impact; luckily, the tethers to the chains were demolished, as well. “Get them to the safehouse,” you order, blood trickling from your lips. You hardly feel your arms and legs; there’s an ache in the back of your head, your spine feels as though it’s been snapped in half. You’re definitely going to feel this tomorrow. Regulus hesitates to leave, hands laid on the shoulders of the children as he glowers at the newcomer. “Now!” you bellow gutturally. 
A muscle ticks in Regulus’s jaw, but as he finally apparates with as many children as he can, you finally stop holding your breath. “It’s okay,” you reassure the wee boys clinging onto each other for comfort, limping to their side. “I’m rather strong, you know. Stronger than any of the bad men.”
In every duel, you allow yourself to be hit only once—driven by your inhuman desire to feel something other than the  emptiness of your unbroken charade. 
(And for years, you have waited for anyone to say these two specific words: Avada Kedavra.) 
“Go,” you instruct gently, brushing away the tendrils of hair from the little boy’s forehead. “Hide and wait until my companion comes for you.”
“And as for the ill-mannered invader,” you crane your head towards the entrance of the chamber, eyes raking over the tall figure’s bloodthirsty stance and flittering cloak. There’s a lack of silver mask, but you know well the stench of foreboding decay and malignity. At the speed of light, you aim your wand, “Confringo!”
You watch with a spiteful grin as the stranger is blasted across the room. The walls and ceilings threaten to crumble, and you can only hope that Severus won’t be too cross with you in the morning. You point your wand at the uninvited guest’s heart. Nothing will trace back to you, that much you are certain of.
After all, no one would suspect a vapid, insufferable boulevardier to be the greatest spy of the wizarding world.
A firebird caws in the distance.
And, scene.
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act iii. where’s your soul? where’s your dream? do you think you’re alive?
“APPEARANCES ARE OF utmost importance.” You stand in the front of the Great Hall, sun rays streaming through the large, stained windows, wooden tables pushed to the walls; accoutered in a black velvet capelet with gold trimmings and vintage dragonhide boots.  The sleeves of your blouse are lined with handwoven, gothic lace; trousers made of the finest yellow satin. It is a testament to your House—the cete of badgers. (You seize everyone’s attention—whether the two Aurors in the corner like it or not.)
After a descanting introduction, you are given center stage before the students of Gryffindor and Slytherin. With a swing in your step and a wrest in your voice, you continue, “That is why the Headmaster, Dumbledore himself, invited me to personally facilitate this year’s Tri-Wizard Tournament. As hosts of the event, excellence is expected of us. Professor McGonagall has graciously allowed me to take charge of your lessons, particularly in the art of dancing.” Your eyes gleam as you offer the young fourth-years a graceful reverence. “And our first lesson begins straight away.”
The crowd of students transfigure into a sea of curious eyes and flabbergasted whispers. You derisively watch the chaos unfold with an amused grin. Yet, you’re not the least bit worried. You’ve charmed even a flock of Dementors before, the creatures having been drawn to your voice, ostentatious stature, and the dark depths of your soul; like a bee to a field of flowers. A class full of awkward teenagers should be more than easy for you. 
“Now, now, children,” you clap your hands as you make your way to the heart of the room, leaving a trail of softening murmurs. “The Yule Ball is a revered tradition, an exhibit of togetherness that has lasted for hundreds years.” You lift your nose up in the air as the girls look at one another, barely able to hide their giddy smiles and discreet glances across the hall. “As such, it is my venerable duty to oversee your etiquette in and out of the ballroom.”
(Sirius rolls his eyes from where he sits besides James.)
“Mister Filch, if you please.” With a flutter of your lashes and a poised smile, you beckon for the school caretaker who flounders to the gramophone. You wink at the young miss Pansy Parkinson who stares up at you in awe. Soon thereafter, you hear the soft melody of Léo Delibes’s Valse. Coppélia, you simper to yourself—a story close to your heart. (You’ve always found a winsome irony in a marionette like you dancing to the enamel-eyed girl’s song.)
“A dance, while enjoyable by one’s lonesome, is best savored with a partner,” you begin vivaciously, eyeing the gentlemen in particular. “Your date for the night must be aware that you’ve chosen them out of your own volition and undue necessity.” Your stare drifts to the coterie of young Gryffindors, tittering mischievously. “Shall we have a demonstration from the House of courage and splendor?”
“No one?” You raise a brow curiously when you’re met with silence and averted gazes. You then utter the scariest phrase a professor could say to their students: “I’ll choose the lucky student myself.” 
You survey the pack of lion cubs, drifting through the tuffs of flashing red hair; gangly boys raucously kicking and pushing at each other to volunteer for your teach-in on ballroom dancing. You flash the students a vexatious grin. “Mister Harry Potter?” you call out to the ashen-faced boy with your hand outstretched. “Why don’t we let the Chosen One set an example to his peers?” 
Hollers and cheers break out across the hall; not withholding the mirthful giggles of the doves on the other side of the room, wonderstruck by his green eyes and lightning scar. You motion for Harry to join you on the pseudo dance floor. The Weasley twins take delight in clapping and wisecracking into his ears until Harry reluctantly rises to his feet, a blooming shade of red on his neck and cheeks. 
“As you approach your partner with the grace of a majestic stag,” you acclaim to the class whilst Harry approaches you with a wry grin and hands shoved inside his robe pockets, “And not a newborn foal.” You place your hand in his, “You may now invite your lady to dance.”
“Or your beau,” you add spiritedly, eyes gleaming as Harry chokes on his saliva.
You pat his back as the music comes to a sweet-sounding crescendo. “Dancing is about connection,” you turn to the students with a stern gaze. “If your posture crumbles, there goes your confidence, as well. At all times, you must maintain eye contact,” you say sharply as you tilt Harry’s chin and correct the arch of his arms. “Remember, it’s not ballroom if there’s no trust. Lean onto one another, and then. . .” You lay your palm onto his shoulder. “The feet should follow the music.”
Unfortunately, Harry runs on two left feet and both persistently evade the music. On the umpteenth time he stumbles on your shoes, he’s appraised by snickers and low whistles from either side of the  hall. The Weasley twins in particular seem thrilled by Harry’s flailing arms and bewildered expression. Along with the two Aurors who’ve skipped their aurorly duties to patrol the castle in favor of heckling their ward. “You’re doing it wrong, James!” shouts Sirius through cupped hands, shoulders shaking in laughter. 
“Why don’t you try it, Padfoot?” Harry retorts back to him; thick hair flopping over his eyes as he grates his teeth. You’re given no warning as Harry extracts himself from your grip and stalks over to where Sirius and James sit comfortably. 
You blink, dumbfounded. “Harry dearest, I don’t believe that is necessary—!”
“Go on then,” says Harry, jerking his head. “Show us all how to do it.” 
To the side, Ron guffaws into his fist, brought nearly to tears. (Earlier he was apprehensive about the class. “We’ve got a whole new professor just for twirling around and all that girlish stuff?” he had asked in disbelief before entering the Great Hall.
“Shut your mouth, Weasley,” growls Draco Malfoy as he shoves past Harry and Hermione to head inside the hall.)
Sirius grins roguishly, having the gall to bat his eyes in confusion. “Who? Me?” He chuckles before forcibly slapping James’s back with the flat of his palm. “No, no. The honor should go to the debonair of his time.” Trenchant eyes flicker with mischief. “Have at it, James. How will the children ever learn without a proper demonstration?” 
“Go on, Sir Prongs!” exclaims one of the red-headed twins. “Show us how it’s done!” 
Alarmingly, the bespectacled man resigns to his fate, a deafening ovation as he shrugs his robes off, generously revealing his broad shoulders in a tight, black turtleneck; a leather wand holster across his chest; long legs framed by pleated trousers. You bite down on your tongue as James draws closer to you, a hint of a smirk on his lips. With an unerring arch of his back, he holds out his hand for you to take, “May I have this dance?” 
Your breath stutters—if only for a moment. One cannot deny that James Potter is deviously more appealing to the eye than the dance partners you’ve had during Narcissa’s galas. Perfectly-carved cheekbones and golden hoops dangling from his ears; bright, hazel eyes girdled by rectangular glasses. “Well,” you say, pursing your lips as you slip your palm into his. “If you must.” 
In contrast to his son, James needs little-to-no guidance from you. You’d have assumed that much, considering that both James and Sirius grew up in pure-blood customs. The warmth of his hand on your back is scalding. He spins you along to the song’s aria; the two of you gliding effortlessly through the soapstone floors. Any more closer to him and you’d be able to hear his heartbeat. “There will be lifts, turns, and dips during a waltz,” you inform the class as you demonstrate a twirl vine. “You will rise and you will fall together with your partner. Understand?” 
James chuckles at the wistful sighs and horrified groans that erupt through the Great Hall. “You’re good with the children, you know,” he remarks cheekily as he gently lowers you to the ground, hand steadfast on your waist. You hear his unsaid words clearly: Sirius thought you’d be downright rubbish at it. 
“Well, Mister Potter,” you say breathlessly, clasping your arms around his neck once more. “To some of the students here, frilly dresses and French designers are their entire world.” Your chin all but perched atop James’s shoulders; the scent of his famed Sleekeazy potion and vetiver—dew on fresh grass on a warm sunny day—fills your senses. You cast a sniffy glare in Sirius’s way, to which he responds with a raised brow. 
“Bit shallow, isn’t it?” he murmurs, chest rumbling and his breath hot on your ear. 
You scoff. “One could argue the same for a young Seeker who’s been given their first ever broom.” 
James Potter has the nerve to smile at you. And as you move to extricate yourself from his hold, James mindlessly lets his hand fall from your waist to your hip—incidentally, where you’ve been nursing a heavy fracture. Sore bruises from chasing vampires the night prior as you were out hunting allies of the Dark Lord from the first wizarding war. Although you had drowned yourself in pain relief elixirs, it seems you’re more sensitive and hurt than you thought. 
Even statues of white gold chip and fade over time—you’re reminded of this fact quite painfully. You roughly push James away from you, hissing in pain as you cradle the left side of your hip. Memories of crimson-stained teeth and rotten, pale skin flash before your eyes. You remember the stench of blood, and the feel of their nails slashing into your thighs. But most of all, you remember their ear-piercing shrieks just before you drive the stake into their chests, one by one, until you have left a graveyard of vampires in the outskirts of an abandoned mansion. 
James furrows his brow immediately as you cave in on yourself. (Even Sirius surges to his feet.) “What’s wrong?”
Occlude! Occlude—you must occlude immediately! 
With a sharp inhale, you close off your emotions for anyone else to see. “It is nothing of your concern, Mister Potter,” you respond blankly, as though your soul is locked far away. “I do believe we’re done here.” You step further away from him. Your attention shifts to the students as you fold your hands behind your back, lips curling into a virulent smile. The weight of your mask is comforting; you’ve forgotten how to breathe without it. “Now, let’s have the students pair up and practice what they’ve learned so far. I’ll have no patience for dilly-dallying and nescience on my watch. You’ll dance until I tell you to stop. You’ll practice until the soles of your feet are sore and raw.”
That, after all, is how you learned.
The class goes by accordingly; you maintain a distance from Sirius and James, turning a blind eye to their burdensome sympathy. (Gryffindors and their bleeding hearts—it always unnerves you how easily the avowed Marauders get deep under your skin.) You nip at the students’ heels, righting their poor footwork; looping the music until you are certain they’d hear it in their nightmares. To your surprise, the round-cheeked Neville Longbottom takes all your instructions in stride. From the moment that you allow Filch to lift the tonearm, the students practically fall to the floor, heaving; some forsaking their long robes and tying their hair in flimsy ponytails. 
As the students retreat from the Great Hall, you slink away into the crowd of Slytherins, desperate to avoid a particular duo of Aurors—no doubt ready to probe you with questions. A numbing panic claws at your chest; black spots swallowing your vision. Emotions—how putrid. The students’ discordant chatter overwhelms your hearing, more than the ringing in your ears. The unyielding, outré stone walls feel like they’re closing in on you. Still, you keep your head above the water, enduring every staggered breath. You must. 
What’s wrong? 
The question echoes in your head. 
Ha! 
You scream inwardly, if they only knew! 
While you had been expecting either James or Sirius to ambush you, you do not expect to see Draco Malfoy shouting your name as you flee down an empty corridor. 
The miniature Lucius Malfoy stands before you, grimacing as he clenches his fists tightly. “Are. . .” Draco’s expression contorts morosely. “Are you alright? Theo and I were worried that the blood traitor upset you.” he spits his concern as if it were acid. Little snakes and their keen eyes. 
“Mind your language, Draco,” you reply cuttingly, eyes flashing as you lift your chin. And for his question, one that you’ve been asked numerous times over the years, you have only ever had one answer. Despite the scars on your back, the tremors in your hands, the aching of your heart, and the endless bruises on your limbs, you tell him: “And do not ask what is not needed to be.” 
“You’re hurt, aren’t you?” he presses further, mouth pinched. “Don’t treat me like a dim-witted child because I’m not!” 
A hand lays on his shoulder, and to your chagrin, Severus makes his appearance, lips downturned and his gaze filled with subdued apathy. Your day is about to get worse. “Perhaps, it is best if you leave this discussion to the adults, Draco.” Snape drones, leaving no room for debate. He tightens his grip on the younger wizard. “I will not be inconvenienced to explain to Minerva as to why you were dawdling in the corridors.” 
In true Malfoy fashion, Draco sneers in disdain. He rips himself out of Snape’s grasp with a scoff. As he storms past you, you sigh and pat his side. 
When Draco disappears into the corner, you release a deep breath as you prepare for the onslaught to come. “Just get it over with, Severus,” you pinch the bridge of your nose, the pounding in your head growing more unbearable by the second. 
You see his nostrils flare as Severus turns to glare at you. “I wonder,” he says through gritted teeth. “If you are actually capable of following direct orders—of using that near-empty brain of yours!” His upper lip curls back into a snarl, as he scours the empty hallway for any prowling ears. “Your stunt made it to the Daily Prophet. You were asked to proceed tactfully, were you not?” 
You lean against the wall, rubbing at the temples of your head. “And I’ve done my part. Every last one of them—dead by my hands. A problem you failed to deal with for the last two months. That I settled last night. Remind me why you’re still chittering into my ear, Severus darling?”
“Do not play coy with me,” he replies brusquely. “I’ve heard the students tattling about it as though it were the most interesting event in their pathetic, insolent lives. The Embris Mansion burnt down to the ground. There are talks of a vigilante, a good-for-nothing do-gooder. You got sloppy!”
“And if I did—so what?” You retaliate, chest heaving as you step into his face. Truthfully, this isn’t the first time you’ve had this conversation with him. Over the years you have left some sort of mark on your work. Not a phoenix, but a firecrest. Wings outstretched in flames. All eyes are on the ungovernable hero, the Firebird—and never on you, the foppy socialite. “Would it be so perverse to want even a slither of recognition, Severus?” 
“Do not forget your duty,” he taunts venomously, the cords in his neck going rigid. “To the greater good you so earnestly fight for. Your duty to your mother.” 
“Do not talk about her!” you all but shout, magic sizzling in the air around you. 
“Then see to it that there are no more mistakes going forward!” Severus juts his chin, baring his teeth in contempt. 
After a few long moments, he continues with a resigned exhale, dragging his palm down his face—as though you are the perplexing one. “This. . . Moody has developed a habit of emptying my cupboards.” 
“And why, pray tell,” you retort gruffly, “should I care for this oh-so special cupboard of yours?” 
“It contains ingredients for Polyjuice potions!” he proclaims angrily. “Get to the bottom of this. I’ll not have a blithering fool like Pettigrew get to the students again. Do what you must, I have no interest in understanding the workings of your mind—as long as you do not draw unnecessary attention to yourself.” 
The sound of footfalls break you apart as Severus nimbly lifts the Notice-Me-Not charm he had cast earlier. Within seconds, you find Remus Lupin rounding the corner. He’s dressed in his usual baggy, gray jumper; jaw clean-shaved, and pinkish scars against his skin. A well-loved quilted coat over his shoulders—handmade by Lily, you presume. You notice the mismatched otter socks peeking from his loafers. Remus saunters down the hallway with tired eyes and a feeble smile as he stops right in front of you and Severus. He has a rather tall frame, slender even, despite his hunched shoulders. 
“Snape,” Remus nods to him, gaze flickering back and forth as he attempts to discern what had transpired—well, you’re certainly in no rush to tattle and cry into his arms. 
“Professor,” he says to you, an ever curious smile on his face. “You’re looking quite peaky. Is something the matter?”
“I am most certainly sound and fine, Mister Lupin,” you respond, irritated, as you wobble on your feet. You are at your wit’s end—how bothersome of it all. “Should you not be on your way to your next class, Professor?” you bite tiredly. 
Remus shrugs, hazel-eyes crinkling in amusement. “Mad-Eye is taking over my next class. I thought it would be good for the students to learn from a veteran Auror. I’m sure he has much more experience to offer than me.” 
You scowl, his humility smothering you painfully. “Well, I’ve no interest in dragging my feet around. If you’ll excuse me, gentlemen, I have a prior engagement with my cat and I’m afraid I’ve left her alone for too long.” 
And as fate would have it, when you make haste for your quarters, you falter in your steps; lurching as your vision goes blurry. Your breath snags in your throat as Remus catches you by the waist. “Perhaps, we should get you to Lily,” offers Remus as he sets you upright, brows pinched worriedly, ignoring Snape’s eye roll in the background. 
“I said I was fine!” You blurt out, cradling the front of your head as you sway backwards; now seeing two Lupins and two Snapes. “Merlin, are all Gryffindors this bloody meddlesome? Must I repeat myself? I am fine—!” 
Turns out, you are not fine. 
The last thing you see before losing consciousness is a pair of brown eyes with flecks of gold, more beautiful than any full moon you’ve ever seen. 
 —
You wake up to a dry, sore throat; the bitter scent of infirmary disinfectant—a Muggle’s touch, no doubt—and concoctions of various healing potions. Your head is still pounding, but somewhat bearable. The room is small, privy to only teachers, you conclude—although, it is the very first time you have ended up in the infirmary. Remus Lupin would feel your wrath, you’d make sure of it. Your back stings as though it were doused in Dittany recently. As you nearly break the flower vase in an attempt to reach for the empty glass, the door creaks open—and in comes Lily Potter with her husbands.
“Am I in hell?” you eye them bitterly. 
“No,” says the youngest matron, dressed in her own version of the nurse’s uniform. Red vest over her white blouse, and a long, plaid skirt with pockets. Soft red hair tied back with a pink ribbon. Albeit, her expression is anything but sweet and delicate. “But you’re in my office, which means you are now under my care—therefore I’d like you to explain why you have vampire toxins in your blood.” 
“And I would like to return to my quarters now, please,” you respond haughtily, referring to the private bedroom professors were offered in the castle. “I’ve nothing to explain to someone who administers the diagnostic charm on my person without explicit permission to do so!” you exclaim, releasing a shuddery breath as your head throbs agonizingly. 
“You will listen to me—seven hours ago you were this close to paralysis!” Lily shouts right back, eyes glaring defiantly—she may have adhered to you in Malfoy’s territory, but no power holds more authority than an acclaimed healer over a patient. “If you had been a Muggle, you’d be dead ten times over.”
“Well, now that we’ve established that I’m alive and well, I suppose we have no more pleasantries to exchange, Lily darling.” You tear the flimsy blanket from your legs, grimacing at the bandages covering your skin. 
“Not before you tell us where those bruises came from,” Sirius demands, voice low and knife-like eyes on you. 
“Must have been the Nargles,” you reply sarcastically. No one would care for a bonny doll ripping apart at the seams and gathering dust on a child’s shelf. “They’re quite frisky this time of the year, didn’t you know? My good friend Xenophilius wrote about those creatures a long time ago. Good read, I’d say.” 
“Are you capable of taking anything seriously?” cuts Sirius with a snarl, tendrils of hair curling around his face; hints of tattoos peeking out from his leather jacket. Vermillion satin shirt clashing against his pale skin. The lingering smell of lit cigars only reminds you of Regulus, and so you tear your gaze away from Sirius. 
“Sirius, let’s not scare her off now, love,” Remus admonishes, softly resting his palm at the back of Sirius’s neck, before he stares at you with honey-dripping eyes. You have a desperate need to run away. They’re an uncharted danger that you aren’t familiar with navigating—and you figure young Harry wouldn’t appreciate you treating his parents like a rabid vampire. “We just want to know what happened, you looked worse for wear when we brought you to Lily and Madam Pomfrey,” Remus placates, treating you like a crow with its wing snapped in half. 
You sneer. “If I am not dead, then these wounds hardly matter to me.” 
Lily gasps, a sound so soft only the wind could have possibly heard it. “How could you say that?” she asks, hand flying to her lips. “Of course it matters, you had lost so much blood while we tried to get the toxins flushed from your system.” She stares at the puncture mark on your arm, before peering over at Sirius. “We nearly couldn’t find a match to your blood type. Sirius. . . Well, he’s a universal donor and he didn’t even hesitate in giving you his—”
“Giving me what?” you echo lowly. “What did Sirius give me, Lily?”
“Blood,” Lily says firmly. “He gave you his blood so you could live.”
“How dare you?” you seethe, chest rapidly rising; digging your nails firmly into your palms as you stare furiously at Lily. “You had no right!” You scream until your throat is sore; your magic overflowing until it shatters the nearby vase of butterfly weeds. 
Rage tunnels your vision; heart hammering against your ribcage as you move to carelessly rip at the bandages over your wounds. “You had no right! You had no fucking right! I would have never done the same for you! Get out! Get out!” 
“Get out!” You hurl the glass at the wall across from you, narrowly avoiding Sirius’s head; anguish tears itself from your voice and you barely notice James flinch from the intensely flickering lights. 
“You think I’d be grateful?” you scoff, a burning heat spreading across your chest. “You think I’d be indebted to any of you after this? Is that what you wanted? What a fucking joke!” You laugh irately as you gasp for air. “I’d rather die!” 
When you run out of items to throw at them—pillows, shards of glass, and crumpled flower stems—you sit on the bed, shoulders violently shaking as you cough yourself sick. 
“I. . .” Lily begins, swallowing the lump wedged in her throat. “I understand. . . But I am the castle’s nurse, as long as you are under Hogwarts’ protection, I am keeping you alive no matter what.” 
“I don’t bloody care,” you snide.
Her eyes flash to James. “We’ll leave you to rest, then.” 
You stay silent, vacantly staring at the reddened welts on your hands. It’s not until you feel James’s arms around you and his chin hovering above your head that you realize you’ve stopped shivering. “I’m sorry,” is all that James whispers into your ear as he lays you to sleep with an inaudible charm. The chill of his magic is the last thing you feel before your eyes flutter to a close. 
You wake up in the infirmary once more. This time, you lay stiff on the mattress, absentmindedly gazing at the plain ceiling; your chest falling and rising ever-so slowly. The stink of a Calming Draught is painstakingly familiar. A low humming sound tells you that you aren’t alone—but you barely flinch from their presence, too tired to do anything but close your eyes. “Some boys kiss me, some boys hug me. . . . something. . . they’re okay,” murmurs one Sirius Black, tapping on his thigh as he rests his back on the rustic chair. 
If Sirius wants an encore, he’d have to drag the fight out of you. You’re utterly drained from your emotional palaver earlier. “Didn’t know you were into Muggle songs, Black,” you chortle bemusedly.  
Sirius halts in his singing as a forceful silence falls over the room—you distinctly hear the moment Sirius’s hand drops to his thigh, most likely taken aback by the sound of your hoarse voice. You feel the weight of his eyes on your bandaged arms and legs. A few seconds pass before he responds, his words but a faint breath. “After today, I believe that there is much to be uncovered for the both of us.” 
You don’t bother replying—you’d have Obliviated them instantly if it wasn’t illegal to use on Aurors. 
“We know it was you,” says Sirius out of the blue—your blood turns icy-cold on command, wondering if he’s figured out about the wizard behind the Firebird. “On the first day of term, someone had left a basket of freshly-brewed Wolfsbane potions enough to last him for the entire year,” he explains further, leaning his elbows on his knees as he stares at you unwaveringly. “I almost didn’t believe it, but a Marauder has his ways.” 
(His son with an invisibility cloak and a handy, enchanted parchment.) 
“Thank you,” he says, guttural with emotions. “It means more to Remus than you think.”
“Your gratitude is misplaced, unfortunately,” you rasp, coiling your fists tightly, stubbornly intent on avoiding his eyes—not wanting to get caught in the storm within. You exhale with a ragged sigh. Severus was right, you had been sloppy. And this is what carelessness leads to. “Don’t delude yourself, Mister Black, I couldn’t care less what happens to you or your family.”
Sirius chuckles, like he’d expected such a response from you. “Well, do what you’d like with my gratitude, I don’t care, just know that you have it,” he says, rising from his seat. “It’s past midnight, by the way. Lily’s left you some dinner in case you woke up hungry.” 
Your eyes drift to the nightstand. There’s a steaming bowl of spinach rice with mushrooms, and a plate of honey cinnamon bars. But your gaze lingers on the bouquet of snapdragons and orchids placed in a ceramic vase. 
“She believes home-cooked meals help the patients heal faster,” Sirius tells you, carefully observing your reaction—but there’s none to be found. He purses his lips into a thin, white line.
As he makes his way to leave, Sirius pauses, hand resting on the doorframe. “You know,” he begins quietly. “The thing about magic—it can fool the best of us into thinking we’re indestructible. But, you’re not as inhumane as you’d like us to think.” Sirius veers his head to look back at you. “Take that mask of yours off sometimes, yeah? You’d see the rest of the world clearly if you did.” 
That is all you hear from him before the door clicks shut, and you’re left alone with your thoughts.
How arrogant.
How very Gryffindor of him. 
You push the flower vase closer to the edge of the bedside table, indignantly eyeing the watercolor art. The room reeks of Lily’s kindness. Lions and their constant need to see the goodness in everyone. Take off your mask? You’d give your entire Gringotts account to wear the kind of rose-colored lenses they have—they’re more pestilent than you realized. No matter, it’s high-time you reintroduced yourself to the Marauders, anyway. 
If you take off your mask, they would find nothing but a barren soul.
It seems your newfound parasites have forgotten who you truly are—but you have no qualms in reminding them why exactly you’re called the pureblood society’s darling. 
For the week or so, the Daily Prophet features you out in luxurious restaurants, a new partner each night hanging off your arm. International Quidditch players, foreign models, esteemed opera singers, and even Muggle celebrities. Men and women are captured in moving photographs, avidly fawning over you. 
You’ve missed three classes in favor of shopping in France; Flooing back to Hogwarts, stinking of bordeaux and rosa centifolia. Painite gems nestled around your neck, glittery sapphires lining your wrists. On more than one occasion, you’ve seen McGonagall lift her chin in distaste at your behavior. 
“Well, that’s certainly a speedy recovery,” says Lily one afternoon as the owls take the Great Hall by storm. Rita Skeeter’s new article about you is plastered on the front page, apparently you’ve gotten into a catfight with an Italian seamstress. She risks a glimpse of you from the other side of the long table, laughing away with Professor Sinistra. The sound is scraping against her ears, yet Lily can’t help but feel disappointed.
Your desk is littered with mails from admirers, invitations to galas and fundraisers. The students can’t help but notice this fact as they’re brought to the dance floor each morning. (Each day, you rewind Coppélia’s song—her wishes, and her pain—but you plan to ignore the ballad until blood trickles from your ears.)
“Mumma’s just about ready to send her a Howler,” you hear Ginevra Weasley saying in passing after class. The young red-haired girl nearly bumps into Hermione’s shoulder as Ginny dips her head low, prattling excitedly, “Called the Professor a tart, even.”
Hermione stops walking, scrunching her nose. “Really?”
“Yes, yes,” Ginny nods. “But enough about all that—have you seen the news this morning?” 
Hermione looks up, lips wrinkled in thought. “The one about the Professor being seen in Muggle London? I thought that was rather stale for a headline.”
“Not that one,” Ginny says exasperatedly, rolling her eyes. “The article about the Firebird. Remember what happened during the World Cup? When You-Know-Who’s followers came and raided the entire campsite?”
“That would be pretty hard to forget, Gin,” Hermione replies softly. 
“Well, the Firebird’s gone and hunted a few of them,” Ginny tells her, eyes brimming with awe. “Found their hideout and left them half-dead for the Ministry to find. No Malfoy, though, which is a bloody shame.”
At your desk, you sip your jasmine pearl tea with a knowing smirk.
On the first of October, your previous Head of House invites you to the greenhouse for an overdue get-together. Naturally, you greet Pomona Sprout with gift baskets overflowing with glacé treats, packets of tea, scented candles, and dried berries. She huffs in fond exasperation before instructing you to grab a pair of cotton earmuffs and gardening gloves. And, well, you don’t mind playing the part of a slap happy third-year under her gentle care. It’s a role you enjoy more so than others. 
“You’ve been worrying me these days, dear,” Professor Sprout tells you earnestly as she wrestles with the Flitterblooms. Hoo-hoo chicks flutter around in their cage while the uprooted baby Mandragoras screech nearby. You feel the weight of her gaze, much like a knitted blanket draped over your shoulders on a cold, autumn noon. “The other staff have been expressing their. . . concern,  as well.” 
You busy yourself with planting the Wiggentree in its pot, allowing only a moment to raise your walls of Occlumency. You know that she couldn’t possibly be a threat, but you would not allow someone else to expose you bare for others to see. (You loathe the thought of Sirius’s blood flowing through your veins.)
You know that concern is shallow at best, forged from fear of the students being influenced by your frivolous escapades. 
At your silence, Sprout continues on, “We always tell the children that their Houses will be like their second family during their time at Hogwarts.” You hear her draw in a long breath, gingerly placing the flitter tentacles on the ground. “I hope you understand that the same is true for the professors. We take care of each other, substitute teacher or not.” Pomona’s hand is leaden on your shoulder. “After all, you were our student before anything else. The Sorting Hat gave you to me, and what a darling blessing you have been, even until today. When I look at you now, I see the same young first-year student who was afraid of everything and afraid to come out of their shell—but do not forget, I will always be on my children’s side no matter what.”
How poignant that the first person who truly welcomed you to Hogwarts, is one of the only people who can see through you despite your protective barriers.
And so, the puppet show begins—like a lifeless ragdoll, you peel the deer-leather gloves off your hands, blinking away any hints of emotion. You stand tall before Pomona, dusting flecks of soil off your dovetail skirt. “No one has been on my side. Not then, not now,” you say as you snobbishly arrange the brim of your sunhat. “But do not be mistaken, Pomona. I have been fine on my own and a change still remains to be seen.” 
In another life, you would have happily embraced her comfort and affection—but the fate of a lonely starlet is cruel. You’ve made your bed of thorns and wilted roses, and there you shall lay when there is no one left but yourself. 
“Today was lovely, Pomona, thank you.” It is one truth you’ve permitted yourself to offer—a shred of humanity in exchange for her kindness. The dirt beneath your nail beds is real; so is the ache in your back and the sweat dripping from the side of your head to your chin. But you cannot feel any more than that—you forbid yourself. The Mandrakes fall silent, and you bid your goodbyes to the professor.
The sunlight on your skin is real as you step outside, and so is the sound of clamoring students heading for the greenhouse. Sixth-year students from Hufflepuff and Ravenclaw hurry down the hill. Their unrestrained laughter and carefree smiles are real. And so is the unwashed blood on your hands; the killing curses that have fallen so easily from your lips, and the ghosts that haunt you as the moon arises. Perhaps, you could withstand it all if it means the children would live through a real future without the sins of people like you. 
(But why is it that every time you distance yourself. . . there always seems to be someone calling out to you?) 
Cedric Diggory, your godson, yells for you with a grin that stretches from ear-to-ear. You watch as his yellow scarf swings with each hasty step he takes. Cedric crosses the gap between you in under a minute, strands of wavy, brown hair sweeping over his glimmering eyes. It’s an unsolved mystery as to how you and him were sorted in the same House. 
“Your shirt is wrinkled, Cedric,” you tut, straightening his tie. “Do you go riding Hippogriffs in your spare time?” 
Cedric chuckles wholeheartedly. “Father told me to tell you that you’ve been invited this weekend for a dinner at Hogsmeade,” he says, cocking his head as a cheeky simper erupts across his face. “That is, if you aren’t busy.” 
You raise a brow—sly little badger, he was. Harrumphing uppishly, you swivel to turn your back to him and say, “Tell your father that I’m choosing the venue, lest he chooses some primitive pub in the village.” You draw out the distance between you and Cedric, tossing your parting words into the chilly breeze, “Tell him I’m paying for everything, too.” 
His hearty laughter cuts through the hillside as you make your way back to the castle. Thinking you have the last word, you don’t expect him to yell once more: 
“I’m going to enter the tournament this year!” 
You’re certainly taken by surprise, but you don’t slow your pace. An imperious smirk tugs at your lips—well, at least you know where you’re placing your bets. 
A day before the esteemed guests are set to arrive, you run into Sirius and James—much to your annoyance. It’s just your luck that the evening prior you were hunting down a known member of Greyback’s pack. You played a little cat-and-wolf deep in the depths of a forest, hungrily isolating him from the rest of its family. Though this lycan was unturned, you walk away with claw marks on your back. Still, you hope that Greyback licks his wounds and feels the burden of this particular loss. However, you feel that dealing with James and Sirius will be much more difficult than bringing a werewolf to its knees.
After all, this is the first time you come face-to-face with them, nearly a month after your incident in the infirmary. 
“Auror Black, Auror Potter,” you say liltingly, the rhinestone tassel clinking in your hair as you swirl to face them with a devious leer. “What can I do for you today?” 
Sirius scoffs in disbelief. “So it’s like that, then? Like nothing ever happened?” 
“Partying around, missing your bloody classes, parading all over the castle like you’re better than everyone else. We thought you changed. You know, I actually thought there could be something real to you under all that,” he punctuates his words with a harsh laugh, sneering at your blinding jewelry. “Guess we were the fools, eh?” 
James stares at Sirius, a grim expression flashing across his face, before he shakes his head. “It just doesn’t make sense. What we saw at the infirmary—that’s not something anyone forgets.” He gazes at you with grief in his eyes. “It’s like you’re two different people.” 
“It’s disappointing, really,” Sirius bites, his lips curling into a snarl.
They’ve made it all too easy for you. 
“What are you so frustrated for, darlings?” you say in faux sympathy, stalking towards them as you tap at your chin; a sickly-sweet pout on your lips. “What were you hoping for? For all of us to become friends? We’re not children anymore, my loves!” you exclaim histrionically. “Did you actually fall for my little trick at the infirmary? The care parcel I left your husband? Didn’t you know my mother drafted the anti-werewolf bill?”
Sirius staggers.
“The real me?” you giggle incredulously. “What you see is what you get, dearest—don’t go searching for what doesn’t exist. It’s not my fault you fall so easily for a pretty face.” You tilt your head, fluttering your eyes as you drag your nail up James’s chin. “Not every damsel is in distress, you know.”
Your eyes slice towards Sirius with a coy smile. “Maybe if you had followed your head more often than your naive, little lion hearts—you wouldn’t have driven Regulus to his death.” 
James recoils away from your touch just as Sirius flinches, eyes flashing with anger—Sirius digs his nails into his palms, chest heaving as he stares at you in disgust. You expect another stab in the chest from him, and so you lift your head up high, daring him to say another word. (You hope they stopped trying after this—that they would leave you alone to rot in your stage of lies and dutiful sacrifice.) But you don’t plan for James to step forward, shielding Sirius away from your gaze.
“You are, without a doubt, the ugliest creature I’ve ever seen,” says James, words dripping in sincere revulsion. “Can’t believe I thought anything less than that.” 
You smile widely, despite the tightening sensation in your chest. “Are we done here now, gentlemen?”
They would learn—this is who you are beneath your masks and pretenses. 
The thirtieth of October brings about a cold you’ve never felt before. As you await the arrival of the Beauxbatons and Durmstrang students, the outside corridors are teeming with students, eyes hungry with anticipation. You lean against the wall, exhausted physically and mentally, hugging your worn-out shawl closer to your shoulders. 
The skies are exceptionally gray today—you’ve had to drag yourself out of bed earlier this morning, limbs heavy as lead. The teacup in your grasp is scalding to the touch—you find that nothing hurts more than the ache in your heart. The children are particularly rowdy at the moment—each time you close your eyes, you see the hatred in James and Sirius’s eyes. 
Has loneliness ever felt so suffocating before? 
When winged horses make their way from the heavens, the clamoring grows louder—yet all you hear are their words. 
‘You are, without a doubt, the ugliest creature I’ve ever seen.’
‘I actually thought there could be something real to you under all that.’
You would not weep—not for yourself, and not certainly for them. 
Sometimes, you wondered if you were hurting too much to even be considered alive. Did your marked flesh even count as skin anymore? Worthy to be cherished with gentle touches and tender lips? How much more did you have to do until the guillotine finally fell? 
When does duty end? And when does life begin? 
Madame Maxine and her drove of Veelas descend from their carriage; awestruck gasps and intrigued murmurs echoing along the corridor. When the Beauxbatons Headmaster comes to stand before you, you instinctively sink into the role of a diplomatic host—that is, after all, why Dumbledore hired you. With a nod of your head and a pleasing smile, you greet the first of your guests to arrive. 
“What a relief that you made it safely to Hogwarts, Madame Maxime,” you tell her in a saccharine-sweet tone. “If you please, Mister Filch here will guide you to the dormitories where you’ll be staying while Hagrid will take care of your horses.” 
You want to go to sleep already. 
Finally, as a large ship emerges from the Great Lake—a sense of relief floods through you. Only one more person to greet and you’ll finally be able to return to your quarters, welcoming feast be damned—you’ve done your part for today. Igor Karkaroff and his students make their presence known; imposing statures and foreboding glares. The castle nearly crumbles from Viktor Krum’s entrance, Hogwarts’ Quidditch players eager to catch a glimpse of the prodigal Seeker—well, you could care less about such a barbaric sport. 
Karkaroff presents you a slimy leer as he presses a kiss to the back of your palm—the dig of his long nails into your skin is a pleasant feeling, to your surprise. “Dumbledore did not inform me we would be greeted by such beauty. We would have arrived earlier, otherwise.” 
You miss your cat. 
(Sirius’s eyes roll all the way to the back of his head when you giggle and melt in Karkaroff’s wretched compliments.) 
You want to die.
Chaos erupts the next day. The Goblet of Fire has chosen a fourth champion—Harry Potter himself. No one is more enraged than his mother, Lily. The Aurors on duty, James and Sirius, struggle to contain the students’ horror and verbal lashings. Some have taken to accusing James himself of putting Harry’s name in the goblet in the name of family prestige—predictably, it’s Draco and Pansy who lead that revolt. But you don’t expect for Dean Thomas and Seamus Finnegan to be swayed by the baseless gossip. So there’s a crack in the pride’s loyalty to one another, you surmise to yourself. 
Like a Niffler drawn to shiny objects, you follow the Headmasters and professors into a room, away from all the ruckus. 
“Did you put your name into the Goblet of Fire, Harry?” the wise Professor Dumbledore asks calmly.
The atmosphere is beyond wintry—you note the biting criticisms in their eyes, particular between Fleur and Madame Maxime. Lily hides Harry from their scrutiny, proud and unyielding despite being shorter than the Beauxbaton champion. Across the room, you find Severus and Remus engaged in a muted, albeit wound up argument. 
Everyone looks to the morose Bartemius Crouch Sr., awaiting his decision with a bated breath. You sympathize with the man—for a fleeting moment—for if looks could kill, Sirius’s tempestuous glare would have dragged him six feet under. 
“We must follow the rules, and the rules state clearly that those people whose names come out of the Goblet of Fire are bound to compete in the tournament.”
Your blood runs cold.
Ludo Bagman appears to be pleased with his colleague’s decision—you see no reason why he shouldn’t be, he’s only ever put his odds in the thrill of the game. “Well, Barty knows the rule book back to front!” 
Dimwitted fool.
You scoff. “In a room full of Headmasters and Ministry leaders, surely one of you can find a way to unbind young Potter’s name from the tournament.”
“Err. . .” Ludo’s gaze flickers from Dumbledore to Crouch Sr. Madame Maxime and Karkaroff nod emphatically in agreement, forcing him into a corner with a ragged chuckle. “There’s nothing to be done, the Goblet of Fire has gone out.”
“Do you or do you not have a wand, Mister Bagman?” you reply, piqued; crossing your arms over your chest. “If the rules were written by a wizard, surely it can be unwritten by a wizard. Teaching an Unforgivable to a first-year would be more difficult than that.” “It is not as simple as that, Professor!” Bagman cries. “But you are welcome to try a hand at it.”
“So we just let a child run to his death, then?” you seethe, nostrils flaring. “I never knew the Ministry was teeming with incompetent men. Shall I steal your job from under your nose, Ludo dear?”
(Harry’s brows pinch in confusion. He does not expect for you to care so much.)
“He’s got to compete. They’ve all got to compete. Binding magical contract, like Dumbledore said. Convenient, eh?” says Alastor Moody as he limps across the room, flask in his hand. You fall silent, an unnerving chill slithering down your spine. Something about this man did not sit right with you. You pull the sleeves of your blouse further down your arms. 
“Maybe someone’s hoping Potter is going to die for it,” Moody growls in response to Fleur. “Over my dead body!” James snarls, veins rigid against the column of his throat, eyes simmering in anger. 
“Yes, yes, Potter, we all know you’d die for your son,” Moody remarks offhandedly, taking a large gulp of the liquor in his flask. 
“It seems to me, however, that we have no choice but to accept it,” Dumbledore counters in an attempt to placate the tense atmosphere. Lily’s sharp sob engulfs the outraged clamors of the two other Headmasters. “Both Cedric and Harry have been chosen to compete in the Tournament. This, therefore, they will do. . . .”
The glass sculpture of a long-haired mermaid shatters into fragmented pieces as you bump into the table; just about ready to flee before you do anything rash like point your wand at Crouch Sr. himself. Before you exit the room, you catch sight of Cedric’s eyes—worry and uncertainty pooling within his gaze. You slam the door hard enough until the wood splinters. 
Harry Potter is imprisoned by his fate as the Chosen One—and it seems time has imprisoned everyone at Hogwarts, yourself included. 
The first task for the tournament arrives defiantly, without care for Harry and his loved ones. You have only been to the Quidditch field twice—today happens to be the second time. Everyone is bundled in their wooliest sweaters and warmest jackets; although, Hermione did have her portable bluebell flames. You stare at it with envy. 
“Oi! Professor, over here!” One freckled Weasley twin—Fred, you guess—beckons for you to sit by their swarm of red and gold. He pushes Ron away to make room for you beside Minerva. 
“Thank you, Mister Weasley,” you say quietly, sniffles falling from your frost-bitten nose. 
It’s quite odd—you’d have expected to be sitting with Professor Sprout and Amos, amongst your sett of badgers. But it’s not half-bad. You don’t erupt in flames when Minerva holds onto you, shrieking, as Fleur narrowly avoids her dragon, awoken from its trance. You don’t particularly mind either, when the Weasley twins bump their chests and holler into Ginerva’s ear when it’s time for Viktor Krum to face the Chinese Fireball.
“We got a traitor here!” George snickers when you flinch and yelp for Cedric as he fights shy of the Short Snout’s fire, and cheering breathlessly when he eventually captures the golden egg. You glare at George mirthfully, wondering where your fight and heat has gone. 
“Please excuse me for a moment,” you say, rising to your feet as the judges mull over their scores for Cedric. “Minerva,” you nod to her, and she offers you a hint of a wrinkly smile. (McGonagall thinks that if anyone can talk back in the face of a Ministry chairman in defense of her students, then perhaps she’s misjudged a professor or two.) 
Your cheeks grow numb from the cold as you cross the swarm of Beauxbatons students, past the flock of Ravenclaws. Harry’s match is underscored by the deafening cheers; the stands  rumbling from the yells for his name. You’re nearing the territory of yellow banners and black insignias, trumpets blowing into your ears, when the clamor and hurrahs turn into terrified gasps; students rushing back from the edge. You don’t understand the fuss until you look back at the arena. 
Harry’s dragon has broken free from its chains. 
You join Professor Sprout and Severus in herding the students away from danger—spotting James and Sirius across the arena, hastily reinforcing the protective barriers around the stands, uttermost precision in their wandwork. While Harry dances a life-threatening waltz, you hurriedly clear out the space closest to the banisters. Your breath hitches as the Hungarian Horntail wreaks havoc below, inducing quakes and showers of fire. 
But more frightening than any dragon, you hear the bloodcurdling scream of a student.
“Daphne!” 
The Greengrass heiress, Astoria, cries vehemently as Draco holds her back from rushing to the front of the stands. 
You scour the area frantically—there, only a few feet away from you, lies a fear-stricken Daphne Greengrass, staring right into the eyes of the Horntail. Its teeth bare, growls like thunderstorms, and the rising scent of embers and ashes. 
“Daphne, get away from there!” 
You hardly hesitate—you run to her, desperation pushing at your legs, terror holding your heart captive. As the dragon screeches in preparation to breathe fire, the nearest Aurors miles away—each gasp for air is torn from your throat. In a blink of an eye, you grab Daphne into your arms and shield her from the Horntail. The crowd bellows in fright—you close your eyes, preparing for even the most excruciating of pain. 
But there is nothing. 
Just you, Daphne, the Hungarian—and Remus who’s pointed his wand at the onslaught of flames, redirecting it up into the sky as Harry grabs the Horntail’s attention, now zipping freely on his broom. 
Remus looks back at the both of you in relief, drawing his wand back in his pocket. “Are you alright?” he asks you first, a weary tenderness in his eyes. 
You tear your gaze away from him, checking on Daphne instead; cupping her pale cheeks and wiping the tears from her eyes. “Are you alright, Daphne? What do you feel? Come, darling, let’s get you to Madam Pomfrey—can you stand? Here, put your arm around my shoulder.” 
“T–Thank you, Professor,” stammers Daphne as Astoria rushes to her, the pair of sisters blubbering and crying. The blonde-haired girl nods to you and Remus, “Both of you. I–I don’t know how I’ll repay such kindness.” 
“Don’t worry, Daphne,” says Remus, smiling as he offers her a lemon-flavored treat. 
He steps back to make way for Lily to fuss over Daphne, his eyes straying to you, oozing with sincerity as he rubs his handkerchief to your cheek. He grins at you and your heart skips a beat. “My kindness is freely given.”
Has kindness ever felt so real before?
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act iv. you wouldn’t last an hour in the asylum where they raised me. 
“THE CHILDREN ARE terrified, Missus Fawley. Just last week, we had another incident. All the windows in the kitchen—shattered! The little ones couldn’t sleep for days.” 
You hear the orphanage matron’s voice behind the bedroom door. You’re allowed but a moment of playing with your ragged, plush animals, before the matron comes barging inside. (How rude, you think to yourself. Hasn’t she ever heard of knocking before?) Although, unlike all the other times, she has a lady right on her tail. This woman is much taller than Sister Thompson, certainly more beautiful-looking, too. Not that you have anything against Sister Thompson’s wrinkly face and foul smile. 
No, this woman walks with her head held up high, dressed in a burgundy leather coat that clearly costs more than the thin rag you call a shirt. This must be Mrs. Fawley, then. Her black heels click against the rusty, wooden floor; you watch impassively as she bends down to your eye level. She takes you by surprise when she grabs ahold of your chin, slowly turning your head from side to side. 
“So this is the child,” Mrs. Fawley muses, red lips quirked. Haunting blue eyes stare back at you; hair dark as ebony falling to her waist. “You may leave, Sister Thompson. I would like to get to know my future ward.”
The matron widens her eyes. “Missus Fawley, I strongly advise against—!”
“You misunderstand me, Sister Thompson,” says Fawley, a sharp edge to her voice. “That was not a request.”
A strange sense of victory fills you when Sister Thompson bows her head in response, tossing you just one sour glare before exiting the room. The rickety door clicks shut and Mrs. Fawley returns her attention to you with a low hum, eyes raking over your form once more. You wonder what she’s thinking about; wondering if it’s the vast difference between her neatly-pressed clothing and your rumpled dress shirt. Many have visited the orphanage before, but none have spared you a second glance, not with Sister Thompson scaring them all away. (You suppose there is no appeal in adopting a child with temperamental issues who can make other girls’ noses bleed.)
“Show me,” Fawley commands, breaking the quietude; her voice stern, yet hypnotic. Much like the first notes of a pied piper’s song. For a few moments, you don’t understand what she’s asking for, until realization dawns upon you. You drop the plush toy’s limbs—seconds later, the teddy bear waves its hand as though it’s gained a soul. If this had been a wooden doll with a long nose, it would be saying: ‘I’m a real boy!’
Fawley chuckles, leaning back with a pleased look. Your head falls to the side in confusion—when you had shown this little trick to Daisy Anne and Annaliese, they’d begun to throw stones at you, screaming and saying that you were a witch. You don’t try to play with the other children anymore after that. Rather than being afraid, Missus Fawley seems to be happy with you. “My name is Agatha Fawley, special adviser to the Wizengamot, daughter of the Sacred Twenty-Eight,” she tells you, and you don’t have a lick of comprehension. “What do you know about witches and wizards, darling?” “I don’t know, maybe. . .” You scrunch your nose, making the stuffed elephant twirl the bear with just a glance—Fawley tilts your chin upwards, demanding your utmost attention. “That they aren’t real? Or if they are, they should be burnt at the stake?”
Agatha Fawley hisses, a low sound that sends shivers down your spine. You wonder if you’ve angered her. The toys fall back to the floor lifelessly. “Damned Muggles—! Is that what they teach these days?” She shakes her head. “No, never mind. What matters is what happens from now on.” “Are you going to adopt me?” you dare to ask, gaze falling to the floor, heart hammering against its confinements.
“I will,” she affirms and your eyes grow wide, breath stuttering in your throat. “But if we are to become family—there is one thing you must do for me.”
“Anything!” You all but scream in her ear, a plea for her to take you away from the orphanage; far, far away from hurtful words and a room that echoes your loneliness back to you. 
“Never lower your eyes.” She smiles, teeth bared into a snarl, reminiscent of a prowling fox. “You are magic, my darling. And I will be your mother. No one on this earth can make you kneel in surrender.”
You believe her.
You believe her with all your heart.
But, you would learn that even monsters can call themselves ‘mother’ and embrace you with open arms. 
The Fawley Manor is large—larger than the orphanage, and that was a place you couldn’t fully explore due to its largeness. There must be a thousand rooms, as far as the eyes can see. It’s like a princess castle coming to life—akin to the ones you’ve read about in storybooks. Missus Fawley’s home nearly touches the sky. There are tall trees, wide grassfields, and glimmering lakes. You gasp and cover your eyes with your hands as the chauffeur drives past the marble sculpture of naked ladies. (“Think of them as Goddesses bare to the mortal eye, dearest,” says Fawley when you yelp and sink into the leather seats.) Then, the family butler, maids, and chef come to greet you, all smiling at the new addition to the manor. 
You meet Elsie, the house elf—your first real encounter with magic. Well, besides Missus Fawley turning paper into crystalline butterflies in the car. Elsie is a tiny, wrinkly creature who wears five different-colored knitted hats atop her head. She can’t seem to stop shuddering while speaking, too, as if drenched in cold, invisible water. But you look into her big eyes and you decide to be her friend forever. 
“Get settled into your room, and then we’ll have you acquainted with the rest of the staff,” Fawley says after she ushers you into a room—a bedroom just for you, where you won’t have to listen to anyone else’s snoring or fight to the death for a blanket on a cold winter storm. The bed is bouncy and soft, not unlike the cardboard they’d given you at the orphanage. Your shelves are stocked with toys and books. 
Then, you remember that in exchange for all this, you must do your best in school. That is one thing you aren’t looking forward to. 
But, how bad could a school be if it’s filled with magic? 
You happily imagine smelly trolls, dashing unicorns, talking ghosts, and floating crayons. 
For your first week in the manor, you enjoy glazed desserts, fluffy pillows, and silken clothing—and on your second week, you are reminded of your duty to the family you’ve been brought into. Something bigger than studying in a faraway magic castle. Missus Fawley introduces you to her long line of ancestors. You stumble on your footing as the portraits shuffle around and gaze upon you with curiosity, some with a more heated glare than others. They call you a funny term as you walk past. Mudblood. But, Fawley tells you not to worry. You are now her child before anything else. 
The family crest is chiseled with gold; you squint your eyes to make sense of the inscription: Virtus in Arduis.
“Virtue in hardships,” Agatha explains in her dulcet tone. As you featherly trace the emblem with your fingers, Fawley leans down to your height, clearing her throat; her expression impossible for you to read. “I brought you to this family because I saw potential in you. I sensed great magic from your person. But we all have our duties. Magic gives, and magic will take.”
“The wizarding world is in grave danger,” she tells you firmly, gripping the curve of your jaw with an intensity that frightens you. “Will you help me fight for the greater good?”
You blink.
You just got here and now you have to fight for a world that you never even knew that existed?
“Greater good?” you echo in disbelief. “F-Fight? Fight who? I’ve never even fought in my life! Making Daisy Anne’s nose bleed w-was just an accident!” 
“I will be with you every step of the way,” she vows fiercely, the tips of her nails digging into your cheeks. “Tell me, do you understand? You will do what is right without any recognition at all. Think of it as a performance, my love. And I’m preparing you for your role in this world starting now.” 
The ingénue in this act you have to play involves studying endlessly, practicing your wand work until Fawley is satisfied, and familiarizing yourself with every shelf in the library from dawn until dusk. You don’t understand why you must memorize every charm and every incantation—but Missus Fawley reminds you that you are bound to her and your responsibilities. You don’t want to go back to the orphanage, cold and alone—so, you acquaint yourself with parchments and quills, swallowing the discomfort when the nib harshly rubs your skin raw. 
On your tenth birthday, Missus Fawley gifts you with a closet overflowing with chiffon, taffeta, and organza. Lace parasols, pretty shoes, and wide-brimmed sun hats. The chef surprises you with a three-layered cake, the constellation icing charmed to flicker like real stars in the night. It’s the best birthday you’ve ever had. For the first time, you feel like your life is actually celebrated. 
The next day, your adoptive mother says with utmost exigency, “This time next year, you shall be off to Hogwarts, but that means your debut in society is drawing near. The wizarding world will officially acknowledge you as my child.”
“When that happens, vultures will flock to you as though you were a corpse.” Her eyes flash dangerously. “And you will become one, unless you learn how to fend for yourself. The most ruthless of us all can be adorned in pearls and dressed in ball gowns. Appearance is everything in this world—do not let them see that you are afraid.” 
And so, you don’t tell her that she’s petrified you to the bone.
“As the sole heir to my fortune and properties, you must understand how to navigate, not only the wizarding world, but this treacherous domain, as well.” Missus Fawley straightens your back, harshly tapping you once more to spread your legs at a more acceptable distance. “To be envied by all—the perfect host must always be ready to receive their guests with attention and politeness.”
When you wince, or move to massage your sore muscles, she barks at you, “You must always be composed, even in near-death. If you crumble—if you let even a single person know what you’re truly feeling, all this will be for naught.”
The burden of her words is heavier than the textbooks she shoves in your hold. 
“Control them before they can control you,” Fawley explains as the seamstress measures your waist and arms. “Exert your influence in a conversation. Not only in words, but your stature. Present yourself accordingly. Jewelry and clothing can be your armor when you cannot draw your wand.”
You grumble under your breath when the seamstress accidentally pokes you with a needle for the nth time. 
“Smile when flattered, giggle when offered a dance, and curtsy when greeted.” Fawley glares daggers at you when you hiss in pain. “But most of all, do not let any of those cretins know that you are fully aware of the power you wield over them. Anyone can be a puppeteer if they want to be. You’ll just be the greatest of them all.”
(But even a master of puppets has someone pulling their strings from behind the curtains.)
Elsie stays up with you each night, carefully pouring ice-cold water over your head, and playing with the floating bubbles to distract you from the ache in your legs and arms. “Elsie will give Master her hat!” the young elf says one evening, pulling the topmost beanie from her head and laying it on yours. She tells you a bedtime story before tucking you beneath the covers of your queen-sized bed. You fall asleep to the sound of grasshoppers chirping and portraits murmuring to one another. 
Then, you get your first taste of a pureblood skirmish. Missus Fawley had taken you to Diagon Alley, months away from the first of September—a letter in your hand with all the materials a first-year would need for their classes. Safe to say, you’re more than excited. (“Oh, mother, look!” you exclaim, pointing to the various shops—and also remembering the rule of calling Agatha mother out in public. “A sweet shop! Fortescue’s ice cream parlor! Mother, can we go there? Please, please, please!”) Fawley smiles at your wide-eyed wonder, your hand in hers—today is a special one, she decides. You’re allowed a bit of fun. Especially since you’ve shown unfathomable progress in your studies. 
You get your very first wand at Ollivanders—and now this world of grumpy goblins and jumping chocolate frogs becomes even more real. You hardly let go of your wand, a tingle of exhilaration running through you each time you brush your fingers against the finely-carved wood. Even Missus Fawley is pleased with the wand that chooses you. Later, you’ll be given three hours to practice your charms again, but you find that you don’t mind—not when you’ve learned that you can now read books under the covers when Elsie turns the lights off.
As you exit the shop, breathless and flushed with a hunger to explore more of this world you’ve been given access to, you and Fawley run into one of her friends. This must be one of the scary people she’s warned you about. Sharp cheekbones, unfriendly gray eyes, and a stern demeanor. You immediately suck in a breath and school your face just as Agatha has taught you. 
“Walburga!” Fawley greets with a lovely smile, but you notice that it doesn’t reach her eyes, not like when she smiles at you for growing another inch taller. She brings her hand onto your shoulder. “What a pleasant surprise, my dear.” She peers at the two young boys hiding behind her, much like you were doing now. “Oh, my! Is it that time already? I’d forgotten young Sirius was set to go to Hogwarts this year. You must be overjoyed.” 
Walburga is a tall lady, taller than Agatha, even. She hums, lips quirked, chin held up high. “Fawley,” Walburga responds, rather displeased. “Talking my ear off, as usual.” Her trenchant eyes land on you and her smile curves into a sneer. “And who might this little one be?” 
You risk a glance at Missus Fawley before offering the other woman a sweet, half-curtsy. “Madam Black, how do you do?” you smile at her, gaily revealing your name and the gap in your front teeth—the two boys snicker and your eyes instantly narrow into a glare. 
Walburga stares you down harshly. “How adorable.” Her eyes slice to the two boys behind her. “Sirius, Regulus, introduce yourselves.” 
Missus Fawley laughs, a grating sound—much like warning bells—as her eyes flash dangerously at her, hand tightening on your collarbone. “What a relief to know that Sirius will at least have one friend already before they arrive at the castle.” 
“But—oh, dear, look at the time.” Agatha quickly casts the Tempus charm before looking at you aghast, eyes wide as saucers, mouth parted dramatically. “I promised the Daily Prophet a photoshoot today! It is my thirty-first birthday soon, after all. I’d give you tips on how to capture this look, but, Walburga, it seems you’re embodying the housewife fashion perfectly.”
“Ta-ta!” She plants two, airy kisses on Walburga’s cheeks before waving the three goodbye. 
“That,” Fawley whispers into your ear as she snuggles the side of your face. “—is exactly how to do it.”  
You collapse in your bed that night, wondering just what you’ve gotten yourself into and what kind of world you’re about to live in.
How confusing.
All this time, you thought that Missus Fawley had been preparing you for an intense entrance exam. Why else would she make you study twenty-five hours a day and eight days a week? But as it turns out, all you had to do was sit on a chair and have Professor McGonagall put a talking hat on your head.
“Hufflepuff!” the Sorting Hat proclaims, and the table of yellow and black welcomes you with open arms. You sit next to a boy named Amos Diggory. Later in the night, you’ll share a dormitory with a kind girl named Amelia Bones. 
(Hogwarts is the best!) 
The holidays arrive in the blink of an eye and you find yourself standing at the steps of the manor once more. Agatha Fawley waits for you by the door, engulfing you instantly in a hug that shields you from the falling snowflakes and biting winds. Hot cocoa with marshmallows and gingerbread cookies await you in the grand dining room; you even get a crotchety greeting from Isolde Fawley the Third’s portrait. Elsie crumples to the floor and sobs at your arrival. 
“So you were sorted there,” Fawley mutters to herself, a worried expression contorting her face. The fireplace crackles as a winter storm rages outside the manor. You lay on her lap as she absentmindedly pats your head. Stories of your first few months at Hogwarts fall from your lips without pause. “This would go smoother if you had been sorted in Slytherin, however; but no matter—it’s not what I expected, but we can make do. The Diggorys and Bones’ are purebloods, so maybe not all hope is lost. But you need to get more acquainted with the Greengrasses and the Malfoys, Druella Black’s daughters as well.”
You hide your frown against her legs. You really liked Amos and Susan, Bellatrix was just downright mean to everyone, even calling this one girl, Lily, a Mudblood, too. But if mother wanted you to try, you might, but only once. If Bellatrix didn’t want to be your friend, then there’s no helping that unhinged witch. (At least the Prewett twins’ pranks were funny. Bellatrix once snuck inside the Ravenclaw tower to leave a dead pig’s head in the girls’ dormitory just because.)
On the twenty-fifth of December, Agatha Fawley throws a gala just for you—masqued as a fundraiser for Muggle children in need. (None of the families cared about them, you would realize later on.) The ground nearly rumbles from the number of guests she’s invited. From your bedroom window, you spot a few familiar faces. Sirius Black, who stands out from the crowd like a pale bean sprout; his cousin, Bellatrix, who’s already taken to yelling at the staff; Lucius Malfoy, the Flints, and the Parkinsons. Your head goes dizzy. 
As long as you don’t trip during your entrance, everything should be fine, right? Right?
(You one-hundred percent trip in front of everyone as you descend the stairs. The sound of James Potter and Sirius Black’s laughter haunts you.)
But other than that, the Yule event goes by smoothly. You don’t fall flat on your face when greeting Cygnus Black and Druella Black née Rosier, and mother is thoroughly satisfied when you smile in the face of Walburga Black and Abraxas Malfoy. You stay in the corner after welcoming your guests, sitting in your chair like an abstract painting forbidden to touch; whilst the Prewett twins and James teased Elsie until she cried from anxiety. Sirius also goes out of his way to congratulate you for growing all your teeth in. 
You don’t understand why Mother is so scared of these people.
But you’ll understand virtue in hardships soon enough when you receive your first tutoring in ballroom dancing. Instead of sapphire earrings or a trip to France, Missus Fawley has a different gift in mind for your fifteenth birthday. She surprises you with a tutor—you’re bewildered at first, arguing that you’ve consistently been at the top of your class. (“Madam Hawthorne is not here for your academics, my darling,” Fawley explains with her red-lips stretched in a foreboding smile. “Dance is a beneficial skill for any host to have. You’ll practice until your footwork is perfect. You will dance until I say you can stop. And when your feet are aching and bleeding, you will keep dancing.”) 
Each night for your summer holiday, you go to bed, sobbing into your pillows, body trembling from Madam Hawthorne’s cane. 
Everything changes on the eve of your sixteenth birthday.
Like all the years before, Missus Fawley invites the entirety of the pureblood society to the manor. 
You stay with Narcissa and Andromeda, gently placating their concerns when they ask about your unnatural quietness—truthfully, you could no longer breathe in the flounced dress you’ve been forced to wear; the sides of your feet raw from constantly practicing with Madam Hawthorne, head aching from the lights and obnoxious perfumes; stomach gurgling. Bags under your eyes from revising endlessly for your N.E.W.T.S. 
Eyes drooping and neck craning from exhaustion, you don’t at all expect for James Potter to emerge from the crowd; wavy, brown hair sweeping over his glasses, wine-colored suit melting into his dark skin. He holds out his hand to you with a boyish grin. “May I have this dance?” 
You blink, frozen solid for a few moments until Narcissa softly nudges your side. “Y-Yes, if you must,” you splutter, placing your palm in his. 
He leads you to the dance floor as the orchestra plays a song perfect for a waltz along a flower field; your eyes glued to his back. The chandelier hangs overhead as James settles your arms around his neck in one swift motion. You almost step on his feet, spluttering your gratitude when he steadies you by the waist, the heat of his hands permeating your layers of clothing. 
“Isn’t it odd that the birthday celebrant wasn’t dancing all this time?” he says, pulling you in for a twirl. 
“I assume the others were all too afraid to deal with my mother,” you reply timidly. “She’s quite overprotective, you see.” 
“Who? That tall lady over there by Missus Black who’s currently glaring at me?” James chuckles into your ear as you step closer to hear his heartbeat. “She couldn’t possibly terrify me.”
“Lily says thank you, by the way.” 
“Oh? For what?”
“Letting her copy off your Defense Against the Dark Arts essay—she’s downright shite at the subject. Don’t tell her I said that, though.”
You laugh along with him, and you find that you could rest in his arms forever.
But, as your dance with him comes to an end, so does your wistful reverie. 
When most of the guests have left the scene, and when the lights have dimmed, Mother presents to you her real gift—your debut in the wizarding society. She leads you to a room, one where you’ve never ventured before. It’s deep past the cellars, where cobwebs and dust bunnies grow. (Before you enter, Narcissa grips your hand firmly, a look of dread and urgency in her eyes. “Be brave,” is all that she says, encasing you in her arms.) 
In this dark room, you see Abraxas and his wife, Walburga, Cygnus, the Notts, the Goyles, and more people you recognize, all dressed in their finest black cloaks—as though it were a funeral instead of a birthday. In the center of it all, is your mother, Agatha, with a man kneeling in front of her. 
“What is this?” you ask in alarm, frantically searching for answers. The man struggles against his rope, binds, screams and pleas muffled by the cloth shoved in his mouth. The sight of his bruises makes you all but retch. “Mother, what is going on?” 
Walburga is the first to step forward, her lips painted blood-red against her ashen skin, curving into an edacious smile. She cradles the back of your head to her chest. “My lovely dear, it has been the utmost privilege watching you grow. Your mother is certainly proud of you, we all are. Tonight, just as our sons and daughters before you, we offer you our blessing on this very special day.” 
“You know of the Unforgivables, right, my child?” Her voice is a sweet, ruthless cadence in your ear; her touch, like worms crawling on your skin as she places your wand in your hand. You bite down on your tongue, swallowing each breath as the walls threaten to cave in on you. Your fingers forcibly shake in terror and you worry that you might snap your wand in half if you aren’t careful. “The Cruciatus, the Imperius, and—?”
“The killing curse,” you breathe out, ever-so stiff in her hold. You watch as Abraxas kicks the man to the ground; you dig your nails deep into your palm to keep from flinching. 
“That’s right, little one,” says Walburga, tracing your jaw with a morbid sense of satisfaction. She holds your chin in place as Abraxas tears the cloth from the man’s mouth. It’s worse now. You hear his desperate begging and his guttural cries for help. “Muggles,” she spits the word out like venom. “Look at them. They’re filthy. Infecting our blood with theirs.”
“Kill him,” Walburga says, a delicate whisper, as though she had asked for a cup of tea. “Kill him and you’ll have proved your worth to us.” 
“No! No, please!” The man struggles against Abraxas’s arms. “Please! I have a family! A c-child!”
You stagger backwards, nearly losing your grip on your wand. You look to your mother for help. “I—!”
“Kill him, pet!” Bellatrix cackles from across the room, teeth bared viciously, eagerly beckoning for you to come forward. “Make sure you mean it! Otherwise it won’t hurt!”
“You know the words,” says Walburga, lifting your pliable arm—a puppeteer controlling its ragdoll. “Say it.”
The man before you is real. He’s a real person with a real family anxiously waiting for him to come home. His children worried sick for their father. How can they just stand there and expect you to kill him? “Mother, please—I can’t. I w-wont.” Your breathing grows labored, hot tears pricking your eyes; the man screams and yells, and the sound echoes ceaselessly in your ears. “I don’t. . .  I don’t understand.”
Agatha Fawley closes her eyes, and you understand perfectly. 
Each sob wrecks your body and the tears endlessly flow from your ears, you hiccup and shiver; blood pooling from the bite in your tongue. “I can’t do this—please!”
“You will.”
You close your eyes just as a flash of unforgiving green shoots from your wand. “Avada Kedavra!”
The man falls limp to the floor, and so does your wand. Walburga coos and drowns you in a sea of shallow praises, the men offer their congratulations, but all you hear is the sound of a lifeless body dropping to the ground. 
A man who you just killed by your wand, in your home. 
That night, the four walls of your bedroom bear witness to your anguish—you cry until you throw up on the floor, body lurching and quivering on the freezing red oak. 
“Do you get it now?” says Agatha as she enters your room, the faintest of sunlight streaming through the windows. She bends down and cups your face in her palms. “This is your world from now on.” 
You rip her hands away from you, gritting your teeth. “I don’t want to live in your world—not anymore! I don’t care about all this! Magic, wealth, and all these things mean nothing if I have to kill innocent people! You’re a monster!” 
“Good.” Fawley’s voice is cold as she stands up, lifting her chin as her eyes glaze impassively. “That means you’re ready for your next lesson.”
“Didn’t you hear me? I said I was done!” you retort, sore from crying.
“Don’t you see?” says Fawley, pausing underneath the door frame, gaze ruthlessly slicing towards you. “We will destroy them from the inside out. Walburga, Abraxas, Tom Riddle. All of them, one by one. That is our true duty.” 
As she turns to leave, she adds coldly, “Ready yourself. I’ll be teaching you Occlumency during your summer break.” Then she slams the door shut, leaving you all alone in your room. 
When you return to school after the winter holidays, you’re forced to pretend that you hadn’t taken the life of an innocent Muggle. 
‘Do not let them see you are afraid.’ 
“Unfortunately, flaming red hair and hand-me-down robes will not complement my dress—it’s crimson taffeta, you see, handcrafted only by the finest tailors in Italy,” you say dismissively to the ragtag of Gryffindors before you, Vittoria Zabini and Isadora Bulstrode giggling at your side. The Prewett boy visibly wilts and you almost give in—almost. But everyone must play their part in this world. You know that if you show a sliver of weakness, Vittoria and Isadora will be happy enough to report to their mothers—vying for the pedestal you’ve been put on by their parents. 
For the final blow, you scrunch your nose in disgust, slamming your Divination textbook close. “Can you even afford anywhere in Hogsmeade for a date, Prewett?”
(Walburga would Avada you herself if she caught you in such a place with such a wizard. You’re more terrified of what she might ask you to do to Gideon—someone she deems as a blood traitor. You refuse to utter another Unforgivable. You just won’t.) 
“Oh, you cruel wench!” Marlene McKinnon steps forward and before anyone could take another breath, she slaps you in the face. And, finally, you feel something other than the guilt of taking someone’s life.
Your cheek stings from the impact, your ears ringing with the sound of your friends asking if you’re alright and Dorcas Meadowes roaring about how you deserved it—well, you’re not about to disagree. You move your jaw about, cradling the side of your face as you sigh impassively—oh, it’s nothing compared to the etiquette lessons of Agatha Fawley. “My mother will certainly hear about this, McKinnon.”
“You and your mother can kiss my arse!” she shrieks, eyes ablaze.
“Gideon didn’t deserve that, and you know it,” Lily argues fervidly, eyes sickle-shaped as she looks back at the Prewett twin’s dejected expression. “How could you even say that?” 
“How could I not, Lily darling?” you reply off-handedly with a roll of your eyes.
Lily flinches. In her gaze, all you see looking back at you is the Muggle father who had cried out relentlessly for one last glimpse of his children. She stares at the badger emblem on your cloak with disdain, and you with a great deal of pity. “You are, without a doubt, the ugliest creature I’ve ever seen.” 
She has the softest voice you’ve ever heard, but it hurts you all the same. 
You’ve scrubbed your skin raw in the bath, hoping that you’d wash the feel of your sins off your hands—it’s all for naught. Agatha might be a monster in your eyes, but you’re the fool that played right into her act.
You get to your feet, meeting her eye-to-eye. In a low whisper, lips close to her ear, you say, “There are far worse creatures out there, Evans. You’re lucky you’ve been born only a Muggleborn.”
Fortunate that she won’t ever have to play the role that you’ve been forced to. You feel an overwhelming envy towards her—effortless beauty, pure and untainted hands, a kind heart that draws in every one and every person. Compared to her, you must be a dirtied, black swan in a lake that’s only meant for white swans like Lily Evans. 
And she will have more charming princes and truehearted fairies on her side than you could ever hope to gain. 
“Say another word and I will tear your hair from that pretty head of yours,” Marlene snarls, pushing Lily behind her.
Oh, how easy they make it for you. 
You smile in delight. “So you think I’m pretty?”
Marlene lunges.
(You are so tired of it all.)
Every night of your summer holiday, you spend it writhing on the floor, Agatha’s lessons on Occlumency taking its toll. She grows harsher, stricter, and more apathetic than the sun beating down on the manor windows. (“Again!” Fawley demands as you collapse to the ground, drenched in sweat and your head numb from her probing. “Do you think the Dark Lord will be lenient with you? Get up! We’re going again! If you want this to end, you will endure this without error!”) 
While your peers are out swimming in lakes and racing around in Quidditch brooms, you’re stuck within the confinements of your home. But you are not that naive, you’ve seen the headlines of the Daily Prophet. A coalition known as Death Eaters have begun making their mark on the wizarding society. There are rumors of a great, sinister power rising. People go missing everyday, and you worry that this might be the world that your mother has been preparing you for all this time. 
But why you? Why must you carry this burden all alone? Who will pick up the pieces of your battered soul when the weight of your burden crushes you entirely? 
There are times when you wish you never left the orphanage at all. 
A week into your summer break, you find out that your mother is dying. Violent coughing, dizzy spells, jaundiced skin, her eyes bloodshot, and the healer frequenting her bedroom quarters. You’re not allowed inside, of course, but you can hear her feeble voice and the doctor’s stern orders. 
You also learn that she’s absolutely insane—but that is a fact you’ve come to terms with years ago. One night, during dinner, you’d let it slip that you have your suspicions of a classmate being inflicted with a lycan’s curse. Agatha Fawley reacts just about as one would expect her to. 
“A werewolf? In Hogwarts?” Fawley staggers to her office, the tower of neatly-piled documents and research reports from the Ministry now fluttering to the floor. “No, no, no. . .” she utters to herself, panic seeping within her skin. It’s the most frazzled you have ever seen the great Agatha Fawley. You stare at her unraveling from the threshold of the room, unsure of what to do. “Dumbledore has gone mad! That old loon! What was he thinking? Sheltering a beast within the castle!” 
“Don’t worry, my dear,” says Agatha as she reaches for you, a ghastly smile on her face and a near-empty look in her eyes. Your brows pinch together in confusion—you hadn’t been worried about that student at all. “I’ll have that monster out of the castle in no time. The Ministry will have no choice but to listen to me.” 
“That’s it,” she mutters, haphazardly grabbing for her feather quill and blank parchment. “Perhaps a law to forbid werewolves from ever integrating into society. School, house properties—can you imagine if they manage to infiltrate the Ministry? Everything I’ve worked so hard for!” 
“Mother?” you call out hesitantly, crossing the distance, hand outstretched as Fawley slips on her footing, a muttered profanity under her breath. The woman before you is unrecognizable, a sallow casing of a moribund soul. “Mother, please, Remus is no threat to the castle,” you plead, ripping her hand away from the quill. “You can’t do this!” 
“Do not tell me what I can or cannot do!” Agatha seethes through her teeth, chest heaving as she glowers at you. “Everything I have done, I have done for you! Yet, you still continue to fight me? I should have left you in that orphanage to rot while I had the chance!” 
“Well then, why didn’t you?” you scream, pushing her away as the words force themselves out of your throat. “Maybe that Muggle father would have still been alive if you did! Maybe I wouldn’t have to suffer so much! To hell with you and your duty!” 
Fawley laughs to herself, a weak and feeble sound. At first, you think it’s in response to you, but then you watch her drag her palm down her face, unblinking when her fingers appear to be drenched in blood. You take a step forward and there’s crimson trickling down her nose, a pallid contrast against her skin. “Ha,” she chuckles once more, keeling over to the ground as she stares up at the ceiling, blood on her flesh. “Merlin, what have I done? I–I’ve gone too far—even the Gods cannot save me.”
The despair in her voice is confounding. “Come here, my love,” she croaks from the floor, reaching out to you with bloodstained hands. Reluctantly, you sink to her side, gnawing on your lower lip as she cups your face in her palms—how many times have you been in this position before? “I’m sorry,” she sobs, shoulders trembling. “Oh, my darling, I am so sorry. I’m afraid I’ve doomed the both of us.” She traces the frame of your jaw and cheekbones. “My child, my beautiful child. What have I done? Will you forgive me?” 
You realize that this must be the consequence of living in a constant lie. To be an imitation of a human person, with no room for grief, rage, fear, hope or even a semblance of love. You stay silent, drowning in the arms of your adoptive mother. “I am to die soon,” says Agatha with utmost finality, eyes boring into yours. “But you are better than me. Braver. Far stronger than I have ever been. I know this must be the heaviest burden a child can carry, but you must understand that the fate of this world is at stake. I am so sorry, my love, but I must leave this duty to you.” 
She lets her head hang limply. “I-I am tired, as well. I’ve pushed away everyone and anyone for this. To do what is right, to endure what is hard—that is what I’ve lived by all these years.”
“And so must you.” Agatha has been mourning all this time, but not for her life. 
You hate her. 
You hate her with all your heart. 
But even monsters need a heart to breathe. 
A month passes by in a blur, and you are now set to meet the ill-famed Tom Riddle. You know that he was a student of Professor Dumbledore; that Narcissa is extremely terrified of him, and that Lucius Malfoy idolizes him to a fault. (“This is the moment I have been preparing you for all these years,” your mother tells you, shields of Occlumency glimmering in her deep blue eyes. “Do not let him in no matter what.”) Soon thereafter, Missus Fawley apparates the both of you to the Malfoy manor. 
The dining room is bleak, befitting of a Malfoy; curtains drawn, fireplace idly crackling, and hushed murmurs upon your arrival. All eyes are on you, and you’re lucky to have dressed in your Sunday best. At the head of the table, you see Tom Riddle, with Abraxas and Cyprian Nott sitting on each side. You hear something large slithering across the polished floors—your breath hitches at the sight of a monstrous serpent curling around Tom Riddle’s chair. The glass chandelier chimes overhead and you wish it would fall from where he sits on his shrewd throne. 
(You find Regulus Black sitting beside Narcissa, cheeks flushed, body quivering as his skin pales to a deathly color; holding onto his left arm for dear life. And, your heart just physically breaks. You don’t understand why this is the world you must live in.) 
“Come here, my dear,” Tom Riddle hisses, urging you forward with a serpentine leer in his eyes. You feel like a circus lion forced to perform its tricks. 
Tom Riddle is handsome—you notice begrudgingly. A menacing kind of beauty that entices the weak and preys on the vulnerable. (You would not be one of his victims, you vow, raising your own walls against him.) His gaze drills into your own—instantly, you feel his magic snaking around in your head, searching for hidden truths. The sensation is staggering, dizzying, and you’re nearly brought to your knees. You clench your jaw at his Legilimency—obstinate bastard. 
“This one is lasting longer than your son, Abraxas.” Riddle chuckles, his finger tracing the curve of your jaw, as Abraxas forces a smile. Finally, after what feels like an eternity, he leaves your mind. You release the breath you’ve been holding for the last thirty seconds. He finds none of your secrets, and you suppress a vindictive grin. Riddle glances at your mother. “How fascinating.” 
You wonder if his intrigue will keep you alive for another day or bring you closer to your death. 
“My Lord,” you greet windedly as you press a kiss to the cold signet of his ring. “What an honor to stand before you today. Although, I could have done with a more polite greeting from you.” 
Bellatrix snarls at you in warning. “Do not speak to the Dark Lord that way, you insolent brat!” 
“Enough, Bella,” Tom rasps, flicking her concern away, barely so much as sparing her a glance. “I’ve no need for a little girl to come to my defense.” She visibly wilts at his dismissive words and you almost feel pity for her—almost. Then, you remember this is the man who treats the Cruciatus curse like a treat to give away freely to children—now, you pity Bellatrix fully. The curly-haired girl twitches at the sight of him toying with his wand, Nagini’s forked tongue flicking in anticipation. 
“Tell me, my dear,” says Riddle, trailing his gaze down to your arm. “Has your mother arranged a marriage for you yet? Much like our dear Cissa here.”
You grow frigid in his hold. “Not at all, my Lord. Mother thought it best if I focused on my studies before anything else.” 
Tom hums in thought, eventually releasing you from his clutches. “I see. . . Then, have you considered other ways of pledging your allegiance to our cause?” 
Instinctively, you hide your left arm from his sight. “My Lord,” you begin, wondering how much longer you can address him as such without throwing up in his lap. “The only reason there isn’t much backlash to your. . . merciful endeavors is because Mother and I have ensured that the Daily Prophet’s eyes are elsewhere. The Ministry is blindsided, and no one expects a mondaine darling to be under your influence,” you say, desperation pouring from each word. 
You don’t want to carry his Mark. Not ever. You can endure it—you can endure it all so long as you aren’t eternally condemned to his name. 
“Take that away, and you’ll face significant repercussions,” you threaten boldly. “I promise you that. They look away because of me.” 
For every village and family terrorized, you had shifted the public’s attention to your facetious behavior. Throwing galas left and right, appearing out in public with various partners—you had done it all to bury the looming war. Rita Skeeter is at your beck and call. For every attack, your face is plastered on the front page. For every cry for help, the Ministry is busy dealing with trivial matters that your mother has proposed—such as anti-werewolf bills. 
And Voldemort would never notice that you’ve been thieving covert information from right under his nose and delivering it anonymously to a rising organization known as the Order of the Phoenix. 
(You’re also not pleased that they share similarities to your non de plume, the Firebird, but you suppose that is the least of your worries.) 
If Molly Weasley comes across a sealed letter on the steps of Grimmauld Place, with complete details and addresses of Death Eater hiding places, it is no one’s business but the Order’s—and yours. 
For every life taken, you remember that Muggle father in your mother’s cellar. It may not be today, it may not be tomorrow—but you’ll dismantle the pureblood society yourself. All of them, one by one. 
Tom Riddle smiles, and you realize that no one threatens him and gets away with it unscathed. 
A day before you’re set to return to Hogwarts for your seventh-year, the Malfoy Manor is pervaded by your gut-wrenching screams. 
There you are, little Firebird with your wings clipped, writhing on the floor of Lucius Malfoy’s guest room—the Cruciatus curse surging through your veins like molten lava threatening to burn you from the inside out. You hear Narcissa and Missus Fawley’s voices blend into a cacophony of panic. They’re shouting for various things: warm towels, bandages, essence of Dittany, and water. Regulus’s hold on you is tight, near-suffocating, even. 
But you don’t feel anything other than the mutilated flesh of your arm. 
You scream, cry, and scream again—you feel his magic over and over again. Branding you. The ink blends into your skin—but it’s not your skin anymore. A part of you now will always belong to him. 
Bile rises to your throat. 
Tears fall from your eyes. 
(How cold is the floor? You don’t even care anymore.)
And, the worst part is that no one can see it. Riddle charmed it perfectly to coalesce against your skin tone. But you see it. You see the skull and the stupid, wriggling snake. You see Tom Riddle’s monstrous glee as he drives his wand into your arm—Abraxas and Lucius holding you down as you thrash and flail. Your only reprieve was your mother was there, cradling your head to her chest, blocking out their malignant laughter. (You can’t believe you never noticed, but your mother had been branded, too.) 
“I’ll. . . kill him,” you say to yourself, blood and saliva trickling from your lips. If it is the last thing you’ll ever do, you will have Voldemort’s head on a silver platter. 
“Don’t be foolish,” Narcissa scolds, tipping your mouth upwards to swallow the drops of Dittany. “None of us have the power to do that. We just have to make do with the life that we’re given.” 
“I promise. . .  you,” you gurgle through the searing pain, gasping for air, clawing at her arms. “I’ll destroy them all.” 
You pass out in her arms. 
When you awake, you’re on a train to Hogwarts, left arm bandaged and hidden under the sleeve of your school robes. 
You don’t bother attending your classes—seeing no more purpose in Transfiguration and Herbology when you’re just a pawn in someone’s, everyone’s plans, apparently. The professors express their concern when you no longer turn in your homework or assigned projects. Once again, you barely see the need to. Your meals during breakfast, lunch, and dinner go untouched. You stay away from Narcissa, Vittoria, Isadora, Lucius, and Regulus. Your only friends, Amos and Amelia, stay away from you, too, having seen news of your promiscuity in the Daily Prophet. You scoff internally—you’ve never even had your first kiss yet. But even that seems like a distant dream. 
You are tired. 
How much longer do you have to play this part? How much more of yourself do you have to give? 
You’re only seventeen—how can you even hope to defeat Voldemort like this? 
The castle walls have dulled, and you drift through the corridors like a wearisome ghost. The once colorful world that you have been brought into now pales in the face of curses, spilt blood, and the Mark on your arm. You wonder what would happen—if you just run away now. 
Why should you be the one to bear the burdens of this duty thrust upon you? Why do people like James Potter and Sirius Black find loyalty and a real family within Hogwarts, and there is no one willing to fight for you? 
Perhaps, you have no one else to blame but yourself. 
Rita Skeeter publishes her article on the growing rift between you and Vittoria Zabini—claiming that you had stolen her beau from her.
You toss the newspaper into the fire. 
Some nights, you don’t bother returning to the Hufflepuff dormitories anymore. You know what they think. You know what they say behind your back. 
For the third time this week, you find yourself at the top of the Astronomy Tower, legs dangling from the edge of the window, eyes blankly staring at the horizon—if you run towards there, you wonder how long it will take before they find you. The cold nips at your cheeks, but you barely feel anything other than a gnawing emptiness.
Your gaze falls to the ground below, thirty, fifty meters from where you sit. 
Maybe. . . 
If you move a few inches forward. . . 
If you just fly. 
You’d be free. 
“Oh, I didn’t know this window was occupied.” You loosely turn your head to find Remus Lupin standing before you with a crooked grin, hands shoved in his pockets as he awkwardly shuffles one foot over the other. He raises his arms up in surrender. “I guess I’ll. . . find somewhere else to brood.” 
I don’t care. 
Go away. 
I want to die.
If I disappear, would you care? Would anyone? 
You rest your head back on the windowsill, hugging your legs to your chest. 
Starlings chirp and fly past you—how liberating it must be, to soar in the skies. But all you can do is watch enviously. Powerless, little songbird with no more lullabies to sing and no more wings to fly with. 
You let your weight shift over the window. 
Maybe if you fall, you could see what it’s like to fly. 
“H-Hey! Don’t—!” Remus quickly snatches your hand and pulls you into his embrace—the both of you tumbling to the floor. You feel his chest heaving, arms trembling around you, and the sound of his rapid heartbeat. His eyes are wide as he looks over your face for any injuries. “Why would you do that? Are you mad?”
You sigh. 
Maybe tomorrow, then. 
“Oi!” Remus pokes your shoulder. “Don’t just ignore me! You scared the piss out of me, you know? Bloody hell.” His shoulders slump in relief, and he takes another peek at you—just to make sure you’re still in front of him. “A-Are you okay?” he asks softly, afraid to spook you further away. “Do you want to talk about it or anything?” 
You shrug. “Nothing to talk about.”
His gaze flickers from you to the window ledge. “I think that’s a big something to talk about, honestly. B-But I get it. Really. No judgment.” 
An unwilling chortle escapes past your lips. Remus Lupin and his marauding bunch of lions would never understand the burden you have to carry each day for the rest of your life.
Remus scratches the back of his head with a wolfish grin. “Hey. . . listen. We don’t know each other all that well—so this is going to sound terribly weird. But would you like a hug?”
He opens his arms wide enough for you to fit—and you stare at him in horror. “C’mon, then. It really seems like you need it. And honestly, I kind of need it, too, especially after a scare like that.” 
You stay silent. 
He shakes his hands, beckoning you forward, golden hair flopping over his eyes. “I don’t bite. Promise. One hug and we’ll go on pretending like we don’t know each other tomorrow. Marauder’s honor.”
“I haven’t done anything to deserve your kindness,” you say with a prominent sneer—certainly not kindness from him. It must be another prank of theirs. You wait for Peter Pettigrew and Sirius to jump out and spray you with garlic juice. 
Remus smiles. “I think you’ll find that my kindness is freely given.” 
You nibble on your bruised lip. 
Could you really? 
Maybe just this once. 
You’re only human, magic as you are. 
You take one step forward. 
Then another. 
Another.
Until you fall right into his arms, and you inhale the scent of honey, milk raspberry chocolate, and cedarwood. The warmth of his arms around you is real. His voice is real. He whispers cruel words into your ear, “You’re alright, love. Let it out. I’m here.” You burrow your head deep in the crook of his neck. The sound of his heartbeat is real. He tightens his hold around you, and the ground underneath feels real. For a few moments, you don’t feel like you’re floating away into oblivion. 
Maybe you’d stay alive—for a few more days. 
To do what is right. 
To endure. 
Perhaps, tomorrow will be easier—if such kindness is real, maybe you’re allowed to seek it for yourself every now and then. 
But your nightmare doesn’t end when you’re awake—it takes you by the throat when you find yourself summoned to the Malfoy Manor on Hallow’s Eve. 
You’re not the only one caught by surprise. One by one, Tom Riddle’s followers apparate into the dining room, stumbling inside with a bewildered expression. Their Dark Lord has called for them in the dead of night—it must be for something important. You stiffen, sinking into Lucius’s shadow. You search for your mother but she doesn’t appear to be anywhere in the room. Someone brushes their hands against yours—Narcissa. She stands by your side, face impassive, her pupils frantically trying to make sense of the situation. 
Then, Tom Riddle finally apparates into the room, startling you for a fraction of a second. Not far behind is Abraxas, Cyprian, the Lestranges, Bellatrix, and finally—
Your mother. 
Fawley looks worse for wear, her skin sinking into her bones, clothes tattered, and her face littered with bruises. Bellatrix drags her across the floor, hair wrapped around her hands. 
You move to stop Bellatrix, anger blinding your vision—Narcissa tightens her grip on your wrist, subtly shaking her head. You rip your hand away from her. 
“We have found a traitor in our midst!” Bellatrix cackles, throwing your mother to the ground—your fists clench, swallowing each lump in your throat with rage blinding your vision. “I caught the bitch helping the McKinnons escape!” 
“No,” you whisper, dread knocking you backwards—it just isn’t possible. The two of you had always been careful. Bellatrix hits her again, and you have to restrain yourself from marching forward and cursing her from where she stands. 
One moment of weakness, that is all Tom Riddle needs. He finds you in the crowd with ease. The crowd of Death Eaters part like the red sea, and you steel yourself with Occlumency before you are sharply pulled forward, the mark on your left arm blistering as though a hundred needles are driving into your skin repeatedly.
“If the mother is a blood traitor, the child is sure to follow!” Bellatrix hisses, spit flying into the floor, her eyes gleaming with maniacal glee.
Voldemort cruelly holds your jaw in his hand, nails digging into your flesh, threatening to break through your bones. “Is this true?” he asks, drawing blood from your skin. “Tell me!” 
“No!” you cry out, kicking and punching to get away from his hold. “It’s not—let me go! That is my mother! You’re hurting her! She’s sick!”
“That,” Riddle’s eyes flash with hostility, breath hot on your skin, “is a betrayer to our cause.” 
“She’s not!” you scream.
“How did she find out, then?” Voldemort flings you to the ground—immediately, you rush to your mother, gathering her in your arms. Tom Riddle cocks his head and you’re blasted into the walls—you feel his Legilimency trying to force its way in, exploiting your pain and shock. But you won’t let him in. He’ll have to pry your memories from your cold, dead body.
The pain is searing—you’re being torn apart from limb to limb. Your mark is burning, head throbbing from a concussion, and still fighting against Riddle’s magic. Through your blurry haze, you see Lucius holding Narcissa back from running to you. “We’re not traitors!” you cry out desperately, crawling pathetically to your mother’s listless body. “I swear!”
Voldemort sneers just before he points his wand at your mother. “Crucio!”
“No! No! Stop it! Please! Please, stop it!” you beg on the ground as your mother helplessly writhes on the floor, the Cruciatus curse reducing the once austere Agatha Fawley to a whimpering mess. “You’re killing her!”
Tom snarls, “Good.”
Bellatrix digs her claws into your neck, her laughter resounding throughout the manor—you swallow the sobs down your throat as she drives her wand into your flesh. “Your mummy over there is done for. But you—our precious jewel, you can still prove your loyalty to our Dark Lord.” 
She puts your wand and closes your fist over the wood—your eyes grow wide as you thrash in her hold, screaming as she forces you to look at Fawley. “Kill her. And you may live.” 
“Just say it,” Bellatrix whispers in your ear. “Two little words. You’ve already done this before, pet—the second time should be easy enough!”
“No!” you knock your head back into her nose, slipping away as her hold loosens and she screams profanities at you—but to your misfortune, Voldemort captures you, like a defenseless bunny running into a starving snake. 
“Mum, wake up, please!” 
You cry out helplessly, sobbing as Voldemort forces you to watch the life gradually fade away from her blue eyes. Her magic envelops you—and you remember warm holidays spent by the fire, Muggle storybooks before bed, surprising you with breakfast in bed for your birthdays. It’s a warm feeling, a stark contrast to Tom Riddle’s invasive magic. Her voice echoes in your head one last time.
“Thank you for showing me what love feels like, if not for a moment. I am sorry I could not show it as a proper mother would.”
“Kill her!” Voldemort rages into your ear. 
You watch as Fawley’s eyes drift to a close, an act of resignation. “It’s okay, my darling,” she whispers tiredly. “I. . . can rest now.”
For the second time in your life, you point your wand at someone’s heart—this time, it’s your mother’s. 
“What are you waiting for?” Bellatrix asks, twitching menacingly. “Kill her! Before I do it myself!” 
There’s a faint smile on her face. 
“I’m. . . sorry.”
Those are Agatha Fawley’s last words before you take away her life.
The incantation falls so delicately from your lips, an act of mercy for the woman you once called your mother and your greatest tormentor. 
But your eyes are on one person and one person only.
Tom Riddle. 
“Avada Kedavra!”
He will know your pain.
Not today, not tomorrow.
But you’ll destroy them all, one by one.
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a/n: THERE IS KISSING IN THE NEXT SCENE I PROMISE.... AND TRUST MY LILY LOVERS WE WILL GET OUR REDEMPTION ARC SKDJHFGKJH and sirius lovers too,, but yall are well-fed every day so.. next part has the yule ball, likee,, there's no way THAT becomes angsty.. if you saw a plot-hole, no you didn't just CRY and enjoy sdhgsdf... come tell me what you thought!! (if you have any constructive criticisms, just come to my dms BUT PLS BE VERY GENTLE.... oh and don't hesitate to tell me if i accidentally wrote anything super specific like height, skin color, etc.!!) i promise to better in the final part!!!! (there's only two parts to this fic.) I LOVE YEW I HOPE YOU ENJOYED THIS STORY AAAAAAAAAAAA
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daytaker · 1 year ago
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The Gang React to You Falling Asleep on Them
Lucifer
*deep sigh that speaks volumes to how difficult it is for this man to get any sleep, and here you are, conked out on his shoulder...*
If you don't wake up within a few minutes, he'll have no choice but to move. He is not the sort to be so sentimental that he can't bear the thought of disturbing your precious sleeping face. Of course, he won't be an asshole about it; he'll be careful and try not to wake you up. He might even drape his jacket over you for your nap.
But only if he doesn't need it.
Mammon
"Hey, my arm's gettin' a little stiff, can I just-- ...ah."
Oh. Ah. Alright. Cool. This is happening. Hmm. Damn. Not super comfortable, and it's kinda inconvenient to be trapped here, but, pshh, what's he supposed to do, wake up a sleeping human? He's heard that can lead to...cardiac arrest, or something. He ain't gonna murder you just to move a little sooner.
You did not just start snuggling him in your sleep. Did Mammon score today or did he score today? Too bad his arm's starting to fall asleep, but, well, nothin' in life is free.
Leviathan
"What...? WHAAAAAAT?" (But only in his brain. He doesn't want to wake you up. Mammon says that can lead to cardiac arrest in humans.)
He's pretty sure he's the one who's going to keel over from heart problems at this rate. He hadn't even realized you were getting sleepy. Are you bored watching him tackle this single-player old school RPG? Did you hate it all this time and you never even mentioned it?! Why is your face so close?! Do you not have any idea the kind of mental torture you're putting him through right now?!
Deep breaths, Levi. Deep breaths. This happens in anime all the time. It's...usually a good thing! It means that the main character and their love interest are tripping all the right flags, and... and how long is this scene going to last? Those scenes almost always end with the two still on the couch, then they skip to the next day or something. How long is he going to have to just sit here... suffering...?
After about ten minutes, he's reached his limit and he gently shakes you awake. He is so embarrassed that he insists you go to bed now, and he will not take no for an answer. Good night. Goodbye. *door slams*
AAAAHHHHHHHHH.
Satan
"Hm? Have you been getting enough sleep...?"
Satan would be very pleased with the situation, though probably less intensely excited than Mammon. He'll make whatever small adjustment is necessary for his comfort, then settle in and read for as long as it takes you to wake up. He feels very warm and fuzzy. It's nice. Hopefully you do this more often. But he should really ask you about your sleep schedule. Levi must be forcing you to stay awake too often.
Asmodeus
"Aww, aren't you adorable?"
This is precious. He needs to document it. As soon as he realizes what's happening, he'll carefully pull out his D.D.D., making sure not to wake you up, and start snapping pics. A few of you, a few dozen selfies with you, a few with him pretending to be asleep too, and then a perfect shot of him kissing your forehead. Grammable as fuck.
Er... is that drool he can see in one of those photos? ...You're going to have to wake up. You can't just drool on his brand-name jacket.
Beelzebub
"Oh."
He's used to people falling asleep on him, so this doesn't really throw him for much of a loop. However, he's a bit more careful of waking you up. He knows that if he wakes Belphie, he'll just fall back asleep within a few seconds, but you're not quite so adaptable. So he'll do his best to stay quiet and not move much.
But no matter how hard he tries, he's never going to be able to turn off his stomach. You'll probably wake up with a start as his stomach roars at you about twenty inches from your face.
Belphegor
"...zzzz..."
Who are we kidding, we all know he was asleep first. Probably, he's the reason you fell asleep so easily. He's soft and warm, perfect for drifting off to dreamland...
Diavolo
"Very bold! You really are astonishingly brave."
It's not every day someone has the stones to fall asleep in his presence, let alone fall asleep and use him as some sort of glorified pillow. What a nice change of pace.
He'll continue doing whatever it is he was doing before, but he is a busy demon, running the Devildom and all. He'll slowly and carefully extricate himself when it's time to move, then have Barbatos bring you a blanket and prepare some tea for when you wake up.
Barbatos
"Humans are awfully needy creatures, aren't they."
He can't help but chuckle. You just pass out during the middle of the day? Then again, it's possible you're probably not entirely well. He'll have to disturb the young master to ask what sort of accommodations to make for you. Of course, he's sure Diavolo won't mind. But it's irresponsible to let yourself drift off like this in the castle of the king of the demons, isn't it? This isn't a resort.
Sleep well, human.
Solomon
"You're just looking cute on purpose now, aren't you?"
Oh well! Looks like he's stuck here for now. Too bad. He'll smile, put an arm around you, kick his feet up, and settle in for the long haul. Hopefully you're able to get a good, solid nap in.
Most likely, you both will. He'll pass out too within ten minutes, give or take.
Simeon
"Oh- shh. There, there."
Well, if you aren't adorable... You must be so tired. He's glad you feel so at ease with him that you let yourself fall asleep, and you certainly look cute, but he's also a little concerned that you're this tired. He'll patiently wait for you to wake up. Then he'll make you some tea and gently remind you to take better care of your health.
Luke
"Eh...?! Hey! ...WAKE UP!"
How tired are you?! You need to get better sleep! Sheesh, you need to be more careful too. You almost crushed him.
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kalims · 1 year ago
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kiss your best friend | diasomnia
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kiss your best friend and see how they react!
parts. one , two , three , four , five , six , seven
characters. malleus, lilia, sebek, silver
content. gender neutral reader as usual, mentions of murder by lilia's cooking, someone faints lol
note. finally last part after ten years /j
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malleus
goes absolutely silent but his surprise is definitely there -> eyes widen, brows raise on a miniscule scale. you'd think the guy would be all lowkey about his joy but five seconds later and there are comical sparkles surrounding his face.
I mean. you had to formally confirm that you two were friends before, and you had off-handedly linked his name and best friend in the same sentence a few months later (he was bursting for like a week.) and now all that?
thrown away, nu-uh. you two are NOT friends no more, he doesn’t have a single care in the world. he's throwing the friends label off a cliff with his foot and skipping off with joy cause you just got upgraded to the next ruler of briar valley wink wonk.
or perhaps you'd like being referred to as his consort? he can always make the people refer to you as both.
if you're wondering why he's so silent all of a sudden; malleus: already thinking of how he'd decorate the castle when you move in with him. maybe... he can break down the wall to link your two bedrooms together—wait no he'd very much like to share the same room instead..
"child of man, do you prefer violet or green?"
"uh... green...?"
"excellent choice, you have my gratitude."
the thing you should be asking is 'why' because it's either the main color theme of your wedding or the gem he'd engrave on your ring (he's very happy it's green though, since it'd be a constant reminder of him.. oh he knows! he should get his a color of your eyes too—)
someone stop him.
lilia
spiderman kisses spiderman kisses spiderman kisses spiderman kisses
more knowledgeable than malleus about the level up of relationships so he doesn't jump from best friends to newlyweds immediately. actually he doesn't even need a label, if you're going around kissing him he's just gonna act like you two are a married couple without a confirmation on your status'
"darling, could you hand me the sugar?"
"lilia, I hope you know that you're supposed to use salt for the sauce not sugar." <- *passes the right bottle*
ignoring lilia's attempts on lives he acts pretty normal.
ahem, besides the fact that your first kiss on him has made him come to the conclusion that he can now incorporate kisses in your daily routine since you've already done it, so apparently that means he can too.
kiss him once, he kisses you thrice I guess. it's either the occasional jumpscare from the ceiling since he felt like reminding you of his love through a pack or the times you blink and feel a sensation against your lips without seeing anything cause his affection can be silent as it is loud you suppose.
pov student you were speaking to who definitely saw that but you didn't midst your blink: 😨—
"lilia are we dating."
"i suppose it would make us more official like you humans like, so of course~"
he just accepts it without any complaints, just announce you're spouses and he'll accept that too probably.
#chill
silver
if we have spiderman kisses surely we can have the sleeping beauty kiss?
sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses
I reckon he would be a pretty light sleeper though the quantity of his sleep is more often than not so even though he accidentally passes out a lot he's really easy to wake. trained to be vigilant and all, courtesy of his murderous father (well, murderous through food?)
he knows the weight of certain things. a blanket draped over him, the feeling of something squirming on his shoulder—a squirrel, most likely. something on his head, a bird or some other critter. but this?
a light press on his lips, gone as quickly as it came. that, he isn't sure of. the animals don't tend to linger around his face so the unknown origin of it has curiosity opening his eyes.
and boy, he is trying to find every reason to not believe that you didn't peck him.
perhaps they touched it? he furrows his brows lightly, attempting hard at trying to avoid your gaze because he feels guilty at his first assumption, you're his best friend! you wouldn't do such a thing..
"did you touch my lips?"
"nah, is it fine that I kissed you?"
"..."
"..."
*passes out*
is he dreaming?
sebek
in what scenario will sebek even let you near him? hmmm.. I suppose being 'best friends' (he calls you self proclaimed, and that you guys aren't that close but still rages over someone and hits them with an essay why you're so much better than their insults) makes you more tolerable around to be closer.
totally not the fact that he might have a crush on you, which can't be right cause he can't be capable of having feelings for a *gasp* human!
scandalous. he knows.
raises a brow when you do anything but be discrete with your intentions of shuffling closer but he doesn't really double back, okay. he's getting a little concerned now when you continue getting closer, he takes a step back not because you're near or anything but this behavior is... just strange.
you're in his face already and before he can question (loudly) what in the seven's name you're doing before you just casually peck him on the lips?
WHAT IN TARNATION!
stiffens up immediately, his face looks like it's holding in a yell. maybe that's why it's getting so red? he's just standing there with shoulders so tense he looks like he's trying to seem big.
"..." WHAT JUST HAPPENED. DID THIS HUMAN JUST.. NO, WE ARE MERELY BEST FRIENDS—are we even friends.. NO! THIS IS THE MOST INAPPROPRIATE ACT TO COMMIT. THIS HUMAN NEEDS TO KNOW BOUNDARIES. I mean he enjoyed that and all—I mean what..
"why are you so quiet."
if only you knew.
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sammakesart · 1 month ago
Text
Castles in the Fade, or What Was the Point of the Veil Anyway
Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.
We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 
When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 
Alas, no. 
I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.
Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.
The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.
Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.
There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.
The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.
This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.
But I digress.
When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.
Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.
We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?
Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.
There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.
It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.
We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?
Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?
Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.
It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.
It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.
If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?
Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 
Instead, it all comes to nothing.
I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.
The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.
It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.
Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.
The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.
For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.
I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.
I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 
I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.
Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.
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