#who needs an ending

[neon-kazoo]

For the Greater Good

(Hero POV)

I walked into the warehouse alone. No weapons, no mask, no backup.

Every rise of my feet felt like a climb up a mountain, every fall feeling like a step off a cliff. I could have sworn I didn’t take a single breath as I walked into the wide open space, crates and barrels scattered around in a typical warehouse fashion. The lights that remained on buzzed from the corner of what appeared to be a break room and from various machinery peppered by the garage-like doors.

I didn’t know exactly where I was going, just that I was supposed to be here, at this exact time.

I arrived on the block two hours early, and spent every last second before 2 o’clock alternating between pacing and curling up into a ball and rocking myself on the empty sidewalk. I finally stepped into what I estimated to be the middle of the space, virtually incapable of taking another step. My muscles quaked and I considered if I should just give in to the exhaustion and lie right here until someone came and got me. My pride suggested I stay upright, so I settled for a comprise of leaning heavily against the nearest weighted crate. I crossed my arms in what should have been a nonchalant appearance, but it was really just to keep my hands from shaking by my sides.

I took a few deep breaths and checked my watch.

2:02

God, I wanted to laugh. If there was any humor left in this situation I would have. I tried to keep my mind blank, waiting. But as the minutes ticked on, my determination waned.

I couldn’t leave.

Wouldn’t.

Lightheadedness swam through my brain, and I relented and lowered myself to the floor as black creeped in around my vision. I laid flat on the concrete ground, kicking my feet up onto the slats of the crate I was previously leaning against. The lights above me were dim, but I still closed my eyes in aversion to the brightness. I needed dark, calm. I needed to be anywhere else but here.

I checked my watch again, then pillowed my hands behind my head. Tears welled up in my eyes against my will.

2:05

Screw pride. Pride went out the window a long, long time ago.

I let the thin little salty rivers run freely down the sides of my face to pool uncomfortably at my ears. I was surrendering to my enemies, why not surrender to the tears too?

An eternity passed before footsteps finally echoed around the building. I didn’t bother to get up, not even to move. I didn’t bother to stop crying either, in fact the tears may have only gotten stronger as I stayed rooted in place.

“Sorry for the delay, we had to make sure you weren’t followed,” a voice announced itself. I didn’t turn towards it.

“You doing alright down there?” It asked, sounding infuriatingly genuine.

“Perfect. Never better,” I choked. There was no hiding the crack in my voice now.

“Shit dude, I didn’t think this would get to you that bad.”

What did you think was gonna happen? I was just gonna skip to your door with a couple of flowers and some handcuffs all gift wrapped for you with a wide ass smile on my face?

“Do you…need a minute?”

“Yeah.”

“Okay.”

A minute or two passed before I gathered what was left of my composure. The tears stopped flowing and my head stopped swimming. I removed one boot after the other from the ledge they rested on and started the slow journey back to my feet.

“Ready?” The voice I finally matched with a sight asked. Henchman.

I sniffed, wiping my nose on my sleeve before nodding solemnly. This was by far the most courteous capture I’ve ever had the pleasure of falling victim to, hilarious given the circumstances.

“I’m gonna pat you down,” he warned, and I nodded my acknowledgment. Gentle hands brushed my body and found nothing, as promised. A light touch gripped my arm and pushed towards a path between the crates.

“Let’s go.”

We walked in silence for a while, I was too close to the emotional edge to break it. Henchman had no such reservations though.

“I could tell the guys the extra time was from a fight,” he suggested lightheartedly.

I merely shook my head.

“Yeah you’re right, probably a bad idea.”

Despite myself, a small smile crept past my lips. His words brought the only comfort I’d felt all day.

With every step I could feel my clarity returning.

I was going to be fine.

We walked out a side door and outside into the gravel, where it appeared a caravan awaited. I might have been flattered if I didn’t feel so damn helpless.

“One Hero, clean as promised,” I was presented to the arc of people gathered in various states of masked.

“You were supposed to secure them, Henchman,” Villain looked me up and down, then shot at annoyed look at the man at my side.

Henchman did not reply, only looking from me to the crowd closing in around us, then back to me and returning to Villain knowingly. So I definitely looked as bad as I felt; it was nice to know my face was making its debut red-blotched and tear stained no doubt with the edition of heavy bags under the eyes.

Villain simply shook his head, then stepped forward to grab me.

“Wait,” called another voice, and I struggled to identify its origin until a blue and gray clad person stepped forward. “How do we know it’s them?”

He stared at me in blatant disbelief, and I found the energy to be a little offended.

Like anyone else would do this. Like I would take the risk to let them.

Various people exchanged looks, and I struggled to believe that no one had actually thought this part through. Several looks pinned me down expectantly, and I also found the power to be a little bit annoyed.

Of course their lack of foresight would become my responsibility.

Nonetheless, my eyes roamed the crowd, before pinning down an unsuspecting figure in a suit with red chrome outlines. I pointed to them, before pulling down the collar of my shirt to reveal a thick pink scar stretching horizontally about an inch below my collarbone. Chrome stepped closer through the crowd to see, then nodded his approval. Villain stepped forward to grab me once more, but he was stopped by someone decked out in forest green.

“Your hand,” they indicated, and I brought up my arm to reveal the back of my right hand and yanked down my sleeve so they could trace the jagged scar carved down to middle of my forearm.

“That enough? Are y’all convinced?” I spun around, pinning several people right back with their own gazes. I seemed nothing like the person on the warehouse floor.

No, with every passing second, I was feeling more and more like a hero.

I guess they were in fact convinced, because I was finally escorted into an SUV and placed in the middle of a bench seat sandwiched between Villain and a larger man I barely recognized. The whole process was pretty ego-inflating honestly.

Unfortunately, Villain did finally get his wish of restraining me after the car had rolled to a stop and I was transferred into a building via an underground garage.

I didn’t think.

Couldn’t.

My fate was in the hands of my enemies, and I had just handed it over.

[kensatou]

i'll let phie-san say it:

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[feymaid]

⚡️DEATH IS ONLY TEMPORARY I’LL LOVE YOU FOREVER!!!⚡️

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[biggest-gaudiest-patronuses]

not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)

[ash-and-starlight]

humble contribution

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[sad-littletalker]

If Bruce is covering as Nightwing right now, who's acting as Batman in Gotham?

Tim: ok so any takers for the cowl?

*everyone looks at Jason as he is the second oldest*

Jason: oh no way. Absolutely not. Tim?

Tim: after evil gun Batman? ha. Nope. Plus DC doesn't pay much attention to me to make a good story about that.

Damian: may I-

Everyone: no.

Stephanie: OH I COULD BE PURPLE BATMAN!

Cassandra: I want to be Batman if Steph is my Robin

*everyone considers it*

Tim: that... isn't a bad idea actually. I like it.

[snake-with-scallions]

PSA (because I know we’re all so excited for Nico but this needs to be said): YOU CANNOT PUT NICO’S IDENTITY ONTO THE SMOL BOY WHOS GOING TO PLAY HIM.

IF THE ACTOR TURNS OUT NOT TO BE GAY AS THE YEARS GO BY WE ARE GOING TO LOVE AND RESPECT HIM REGARDLESS!!

IF ANYONE IN THIS FANDOM KIT CONNORS A FRIGGIN TEN YEAR OLD I WILL FIND YOU AND RIP OUT YOUR SPINE!!!!

EVERYONE’S EXCITED FOR OUR GAY DISNEY PRINCE BUT PLEASE REMEMBER THAT THE ACTOR ISN’T NICO, AND WILL HAVE HIS OWN IDENTITY THAT HE NEEDS TO FIND OUT FOR HIMSELF AND NOT SHOVED ON HIM BY A BUNCH OF RANDOM FANS THAT DON’T EVEN KNOW HIM!!!

Please I know everyone is excited but I am so scared for this kid

[suddenly-frankenstein]

uhmhmhmmm just occasional thoughts about Daniel's interaction with Marius

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[guardian-of-soho]

The more I think about the last minutes the more I’m sure Crowley was saying goodbye from the minute Aziraphale told him he’d said yes to Heaven. He doesn’t confess his love like he’s hopeful, he confesses it like a eulogy. He doesn’t kiss him to make a beginning, he kisses him to seal the end. He watches him go like it’s the last time.

Crowley knows Heaven. He knows they’ll want to either make Aziraphale just like them, or destroy him. Either way I think he believes he’s seen his angel for the last time.

[satsuha]

everything will be fine

[somerandomdudelmao]

I made some colored refs for my comic ~ And also some sketches because can you guess who is my favorite haha

[noornight]

Long distance besties. This definitely happened after the third movie (source: trust me bro)

Based on this