#who just kinda murder for no reason

[hallow-nest]

thinking about pk and radi. these two bitches are two examples of how people act when they’re desperate.

radi realised she was in danger of being forgotten and potentially deleted from existence since most of the moths had forgotten her. so she lashed out in an attempt to be remembered.

pk realised Oh Shit I Just Invoked A Goddess’s Wrath and was put in a situation where he was doomed to lose his kingdom. while usually people don’t super go and have hundreds of kids to prevent the sun from destroying their kingdom, he also didn’t really have much of a choice. he thought void creatures were completely empty and without mind or will—even if we know they aren’t, even the kingsmould—so obviously they would be the only thing that could contain the radiance. but to contain something, you need to put it inside something, which.. the kingsmoulds aren’t exactly a good way to contain it, considering it’s all just exposed void with some armor thrown on. pk had a solution and was desperate to save his kingdom.

[lgbtlunaverse]

Thinking of the Nie disciple that told Nie Mingjue it was Meng Yao who stayed behind to clean up corpses on the battlefield today.

Nie Mingjue didn't just randomly stumble upon poor lil meowyao eating bread in the novel, he was already looking for him to thank and reward him for his work.

That's what makes it so fun that nieyao's first conflict will end up being about someone else taking credit for Meng Yao's work.

And I'm sure that Nie Mingjue's actual opinions on plagiarism are a lot more nuanced, all we really get from him in this scene is "well you shouldn't kill someone over it!" which leaves a lot of room for what punishments he thinks are appropiate. But I bet that it isn't occuring to him in this moment that the only reason he knows Meng Yao at all, the only reason he got such a capable deputy, is that he noticed someone was taking care of the dead and cared enough to want to know their name. And then the Nie disciples didn't lie to him. The disciple he asked could have said "it was me, Zongzhu" to rise in the ranks himself, but he didn't. He went and asked others, who all also could have taken the credit, but they didn't. Someone saw Meng Yao working and decided to be honest about it and that simple decision is the catalyst for Meng Yao becoming Nie Mingjue's deputy.

Meng Yao can't just work hard to get results, others have to acknowledge that work. If they don't, it's as if he didn't do anything at all.

[elizakai]

i love the MTTRIO because they are all judgy hypocritical little shits living off of spite and appy juice

[triglycercule]

killer being like "yeah i know every single little thing about horror and dust" (because he watches them as a part time hobby (freak) (find something better to do)) and then he acts surprised when they do something that he wouldnt expect them to do in his little predetermined absolutely perfect concept of them

like what do you MEAN horror licks spoons clean when he's using them so he doesn't have to get a completely different one for the main course and the dessert. what do you MEAN dust has a lisp even though he speaks fluently and uses even more complex words than killer himself. horror knows how to sew and he often patches up their things without either of them noticing?? dust always wears oversized and clothes that cover him up just because he finds it comfy?? what??? out ra geous???? these guys have small little quirks to them that killer doesn't already know about???? killer immediately wants to know more. so he can expand his internal profile of them of course. not for any other more endearing and sweet reason. not at all,,,,,,,, (:3)

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[dykedvonte]

A Defense of Benny Gecko

Benny is more of a capable leader and person than people give him credit for.

Seeing as no one challenged his position as head Chairmen for 7 years and even then he only loses the position if he’s caught, killed or forced to leave. Yes, it’s also likely House wouldn’t have allowed him to be killed but he sure as hell would of found a way to remove him if he was causing too much unrest within The Tops power structure. Even Swank and Tommy don’t outright dislike him and more so are concerned with his recent secretive and shady behavior, emphasis on recent.

Taking all we know into consideration, Benny likely knew the future direction that he wanted to take Vegas but was so caught up in the plans to acquire Vegas that he didn’t think of how to make his dream a reality. Something he admits to in canon. I see this being used as the main argument that Benny doesn’t know what he’s doing at all but I see it more in the same vein as you can’t really plan something from nothing. The transformation of Vegas is a sensitive thing that he can’t really work on until he has it. The only reason he ran to the Fort prematurely is the Courier who was causing so much of a stir he would’ve likely been found out much faster, making all that planning for nothing if he didn’t take that chance.

Benny is careful (well a lot more careful than he is regularly depicted in fanon), the Courier being able to trace him was dumb luck on their part and his hair being noticed at the Fort is a realistically small oversight that even Caesar is disappointed in because he admits Benny got farther than he should’ve been allowed by his legionaries. The fact he can plan an ambush on the Courier or tries to quickly and concisely clean up lose ends that don’t lead back to him shows he’s not just acting on impulses or in the moment decisions. Or rather he’s quite good at thinking them out, whether they work depends on how you play really. This is all to say it’s 100% believable that Benny could lead an independent Vegas (house was basically setting him up to do that). If he had known explicitly that House was setting him up to replace him, he likely would’ve bought more time by getting in closer, learning more of the system to then flip House’s edge to his favor. Again something he was doing already but likely without the knowledge of House’s feelings on him personally.

No matter what, Vegas’ future was tied to Benny; House’s plans for him, having to get the chip and if he had somehow succeeded. It’s also interesting that of all the people vying for control of the dam/Vegas, Benny’s plans are the only ones actually oriented towards a new future, not a recreation of something long past.

[just-an-enby-lemon]

The thing about Palamedes is that based on his overall being genuinally a good person vibe I do think he only endangered Telemachus because he was pretty sure Odysseus was lying. After all he knew Odysseus well enough to draw this conclusion.

Wich does open the idea for my man being completly heartbroken and lowkey hated in a reality where he was actually wrong and Odysseus had fully went mad for reals. No one has a good time at all. Also whatever revenge plan Penelope would have in mind would be worse than Odysseus for sure (although I do think Palamedes would fully be "no I do deserve that one actually" after killing her son in front of her and ending Odysseus whole disnasty to prove a point he didn't even prove).

Bonus points if Ody went mad the only way he would via angering a god and the curse is lifted after he kills his son and Agamemnon fully not reading the room is like "cool that was fixed, let's go to war" while everyone else is in shock.

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[facetsofthecloset]

i'm sure it's been said but i feel like both Raxtus and Ronodin can be argued as "the only gay kid in the family and consequently shunned/rejected" and it's like. so weird bc Mull is so Mormon he'd probably rather eat his shorts than even acknowledge the possible existence of gays but

i mean. Raxtus literally has a fairy form. he's a fairy dragon.

Ronodin was just emo lol

and they both get so thoroughly rejected and sidelined by their families their whole lives and it turns Raxtus into an awkward but basically decent guy who runs back to the approval of his family once he's performed masculinity/violence enough to be accepted, only to then realize that he's basically just being used and still not fully trusted/accepted and having to betray them to save his real friends

(who sadly are probably actually homophobic but that's ok bc they're not dragon-phobic so that works out for him)

while Ronodin's like "fuck it. chaos and murder then!" and can you really blame him? he spent his entire life trying to conform to the "right" (in this case, Light) way of life, started spending time with the outgroup and learned to question things, then was told he was "too corrupt" to remain in his home

like. the symbolism is right there.

it's so funny, because sure Raxtus isn't a bad guy, but Ronodin definitely is and he pretty much gets sent to a type of hell at the end of Dragonwatch

and while Raxtus gets kind of a happy ending, like, him becoming an effective killer in a war and being accepted by his dad for being Good At Murder in the first Fablehaven series is presented as a happy ending. if Celebrant didn't wind up being the main villain for Dragonwatch, that probably would've been the end of it! gay kid learns how to soldier and is finally accepted by his homophobic family bc he's finally aggressive enough for them to love him

(i mean i have MANY issues with Celebrant being the main villain later and the reasons he's framed as bad but like. that's a separate rant lol)

the queer reading is right there. but also it's very bad and you can tell completely unintentional. or at the very least highly repressed. idk man i don't look into Mull as a personal individual bc i doubt i'll like what i see and i don't care that much but Dragonwatch was SO MUCH MORE MORMON than Fablehaven already was and it's so weird, seeing the fingerprints of it all over.

i feel like he either has a new editor or he's been doing this for long enough and sold enough books that he has the clout to veto changes made by editors or SOMETHING, bc i feel like? he's gotten worse?? and more unfiltered?? that or something happened and he's like. even more religious than before or something idk

like fablehaven was just kinda generic/bland fantasy with some fun ideas for magic items/powers/one sentence character premises, with just a hint of sus Mormon ideology, and then Dragonwatch just went. Full Mormon.

but then there's somehow even more weirdly queer shit. like. he's repressing so hard he's approaching queer from the other side??

idk man i wish this deeply mediocre man's writing wasn't a formative piece of middle school reading, leading to me still giving more of a shit than i really should over questionable children's literature now

[footageforfriends]

Draw your boy the entity having fun murdering

when you think you're done arguing with someone but then they mumble something beneath their breath

[ratatatastic]

its finally luosty turns last but not least eh? his topic? cranky sasha 🤣🤣🤣 (whoever came up with these topics wanted to get sasha riled up oh my goddddd)

ofc the way he chooses to show off cranky sasha is through his spartan hockey huh and OF FUCKING COURSE he gets lundy to come up and help him because who else but lundy does sasha crack the good ole whip for IM DYING

he also makes sure to mime in the goal posts too so everyones on the same page that this is of course about hockey because this has turned into an improv exercise mama hes a star hes a THEATRE kid

luosty is very good at mimicing cranky sasha must have lots of time watching him get fussy with lundy huh i can imagine the only directions given to lundy here was act like yourself and somehow that makes this funnier

they absolutely both think luosty is the funniest fucker alive OH MY GOD HE GOT LUNDY TO SMILE (WHICH ISNT MUCH OF AN ACCOMPLISHMENT HES SO SMITTEN WITH HIM) BUT HE GOT MIKKSY TO GIVE A GOOD TOOTHY GRIN TOO LUOSTY WHAT POWERS DO YOU HAVE 😭😭😭😭

he has this whole couch bewitched by his antics oh my fucking god... kicking the bench...throwing the water bottle...cranky sasha indeed

THE WAGGING FINGER AT LUNDY hey man whyd you move your hand to your crotch did that incite any revelations in you do you need to cover something that had unfortunate timing huh do you understand why mikksy cant stand them do you understand now

on another episode of i genuinely dont think anyone else could do this and get sasha this giggly in the midst of it of making fun of him luosty has really charmed them all

Sasha Cup Party | 7.31.24 (x)

[autism-swagger]

Local girltwink in her boydyke era

Closeups under cut

[memry]

So like. As I'm sure some of you may know, Ghost Trick's creator, Shu Takumi, and producer Shingo Izumi have said they might think about doing a sequel if ghost trick's remaster is shown a lot of support.

Which is interesting to me because I can see a 2nd ghost trick game going in two different ways. Either a spinoff title of ace attorney vs ghost trick, which back in 2013, Shu Takumi talked about.

Or.....a direct actual sequel. And I think the majority opinion on a sequel is that it would be hard to pull off since ghost trick's story is so tight. Though I think it could be pulled off, it just wouldn't make sense for it to focus on sissel again. My ideal for a sequel would actually be for it to focus on kamila.

My justification for this is that an older kamila would be involved in a plot about the foreign nation (in the new timeline) getting info about the temsik and solving the mysteries surrounding it. And yeah, sissel and missile tag along. Missile probably dies again and gets his ghost powers back. Maybe kamila would get some too. Who knows?

I only thought about this bc even though the rest of the story is tied up pretty nicely, we don't know ANYTHING about the foreign nation. What were their goals? Why did they need a piece of the meteorite? Did they know about it before meeting yomiel?

Anyways this is just speculation lmao

[suffarustuffaru]

rating some rezero ships by um. how good they could cover up murder together

(feel free to read my tags for some explanations T^T)

[fisherrprince]

im Determined not to like akamu for very petty reasons unrelated to whether they're good or not but i have to admit. theyre funny

[gay-artificer]

I feel like I see much more complaining about innocent sad mom girlboss fandomized Artificer than i actually see innocent sad mom girlboss Artificer. Past like, jokes about them being a girlboss. Which don't count.