#who built the pyramids

[lehoodcollector]

Anunnaki AI concept video.

[seshrat]

pagans are every bit as annoying as evangelicals, if not more so, specifically because their entire belief system is the religious equivalent of "actually, the real saying is 'the blood of the covenant is thicker than the water of the womb'"

[downtofragglerock]

I know Scaroth claims he manipulated all of human history, but I'm more inclined to believe he just happened to be present for major moments in human history and later took claim to them because he’s a pompous arrogant piece of shit

[sepostscreencaps]

Headturning panels from Soul Eater post chapter 42

[canichangemyblogname]

"yOu lOoK LikE a GirL!"

Okay? So? And no one's ever smiled when you walked into a room.

[reasoningdaily]

Who Really Built The Pyramids? - Anthony T. Browder

[ausetkmt]

Who Really Built The Pyramids? - Anthony T. Browder

Watch and Learn because Dr Browder is Teaching the FACTS Today

[slime-enby]

Girl help... My mom is a pyramid truther

[the-dragon-violist]

Anyone need a microwave?

[mothforest]

Lmao I hate living in the south sm

[panthere-bleu]

Have you ever noticed that there's no alien conspiracy theories about who built the pyramids in Mexico and Central America?

Pyramids in Egypt: Aliens!

Pyramids in Asia: Aliens!

Pyramids (orthe equivalwnt) in South America: Aliens!

Pyramids from Mexico to Nicaragua: Nah, fam, they built them.

[fuckyeahgoodomens]

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

���We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

[anthropologist-on-the-loose]

Egyptology tumblr. Help. One of my coworkers at a construction site knows I'm an archaeologist and asked if I knew of Graham Hancock. We had an... interesting discussion. He seems reasonable and open to considering different ideas, but he is *convinced* there are no records of the Giza Pyramids being built and thinks that their construction is still a mystery. I told him otherwise, and he seemed legitimately interested if I could find sources and challenged me to do so. @somecunttookmyurl @thatlittleegyptologist @rudjedet and anyone else who might be able to help, if you happen to have sources or resources about construction of the pyramids. Please share if you're able/have the time. I can probably find some stuff on my own but if anyone has sources on hand that would be amazing.

[emmkayyy03]

✨ How Your Dominant Planet Secretly Shapes Your Teenage Brain ✨

Have you ever looked back at your late teens and wondered why you were so obsessed with certain things? Like, one friend was glued to their guitar and poetry journals, another was training for their fifth marathon, and you? You were probably neck-deep in your thing. Here’s the deal: your dominant planet was pulling the strings behind the scenes, shaping how your mind worked and what you gravitated toward without you even realizing it.

Let’s break it down:

🌞 SUN Dominant: "I need to shine—what’s the point otherwise?" Late teens for Sun-kissed folks are like a personal hero’s journey. You’re obsessed with figuring out who you are. Your brain’s constantly asking, Am I good enough? Do people see my worth? You might’ve been the captain of the debate team, the drama club star, or just that person who somehow made walking to the cafeteria look like a runway. How your mind works: Everything feels like a stage, and you want to perform your best—even in front of yourself. You seek validation, yes, but deep down, it’s about finding your inner confidence.

🌙 MOON Dominant: "I feel… everything. Is that normal?" For Moon folks, the late teens are an emotional hurricane. You’re all about understanding feelings, whether it’s yours or everyone else’s. You probably overthink texts (why’d they only reply with “k”?), cry over movies you’ve seen a million times, and have deep, borderline-therapeutic convos with your bestie. How your mind works: You process the world emotionally first, logically second. You’re learning how to handle your empathy without drowning in it.

🔥 MARS Dominant: "Let’s go! But… where are we going?" Mars kids are powered by action and passion, and your late teens are when you’re learning to channel that fire. Your brain thrives on challenges, so you probably signed up for every sport, pushed yourself in the gym, or got way too into proving someone wrong in an argument. Impulse control? We’ll work on that later. How your mind works: You process through doing. Sitting around theorizing makes you twitchy. You need action, even if it’s messy. Picking fights on the basketball court because the ref made a bad call, then realizing you’re actually just mad your crush didn’t text you back.

💬 MERCURY Dominant: "Wait, how does that work? Tell me everything!" Mercury-dominant teens are curiosity machines. Your brain’s like a search engine that never stops running. You want to know why, how, who, and what if. You’re that kid who can’t let a fun fact go without looking it up. Debates? Bring ’em on. Trivia? Your jam. Group chats? You run them. How your mind works: You connect ideas at lightning speed. Learning isn’t just a necessity; it’s your love language. Staying up until 3 a.m. watching YouTube videos about conspiracy theories, then showing up to school explaining why aliens totally built the pyramids.

💎 VENUS Dominant: "Why settle for okay when life can be beautiful?" Your late teens are a crash course in pleasure, relationships, and aesthetics. You’re probably experimenting with your style (cue questionable fashion phases), figuring out love (hello, hopeless romantic), or diving into art and music. Life needs to feel good, or it’s just not worth it. How your mind works: You’re tuned to beauty and connection. Your decisions are emotional but driven by desire—whether it’s for love, art, or the perfect selfie.Spending an hour perfecting your eyeliner just to go to the grocery store because what if you meet someone cute?

🌍 SATURN Dominant: "I’m too busy for nonsense." While your friends are out making impulsive mistakes, you’re busy building your future. Saturn-dominant teens have an old-soul vibe. You’re focused on responsibility, probably working a part-time job while juggling school and worrying about saving for college. Fun? Sure, but only if it’s productive. How your mind works: You crave structure and long-term success. While others wing it, you plan 10 steps ahead. Skipping a party to study for finals because failing isn’t an option—not because of pressure, but because you expect better from yourself.

🚀 RAHU Dominant: "What’s the wildest thing I can do right now?" Rahu teens are like explorers charting unknown territory. You’re obsessed with breaking rules, chasing thrills, and doing the forbidden. If it’s edgy, you’re into it. You’re the one sneaking out, dyeing your hair neon green, or trying things that make adults nervous. How your mind works: You’re wired to seek more. More excitement, more knowledge, more of life’s extremes. Going on a spontaneous road trip with friends, breaking the rules, or getting into something your parents wouldn’t approve of—just because it felt like the next big adventure.

🌌 KETU Dominant: "I’m here, but also not really here." Ketu teens are all about spiritual detachment. You’re introspective, reflective, and a bit aloof. While everyone else is chasing their dreams, you’re figuring out why dreams matter at all. Meditation, tarot, or even just staring at the stars for hours—you’re vibing on a higher plane. How your mind works: You reject surface-level stuff, diving into the depths of existence. But you also need to learn to be present. Skipping out on big social events to sit at a park by yourself, journaling about the mysteries of life, or getting into spiritual practices like meditation because they felt more authentic than anything else.

🚀 JUPITER Dominant: "Knowledge is freedom, and I’m going after it!" Jupiter-dominant teens are all about growth, knowledge, and the bigger picture. Your late teens were likely filled with plans for the future, exploring new ideas, and constantly looking for ways to improve. You may have been the one always talking about your next big trip, your dream career, or the philosophies that shaped your world view. How your mind works: You crave expansion and understanding. Learning is your path to freedom. Deep-diving into a topic you just discovered, researching potential career paths, or discussing ideas about travel, culture, and self-improvement with anyone who would listen. Your teenage years were wild, weren’t they? Which planet had your brain on lock? Reblog with your planetary dominant and let’s compare chaotic late-teen stories. 🌠

[vie1seitig]

Sometimes a bad thing is the side effect of an occurrence rather than the motive and I think that is important to recognize

[violsva]

#i'd say dark academia but this is the case in normal lighting too (via @chronicwhimsy)

people who don't know anything about academics: man y'all are stuffy and boring what's up with that? actual academics: *too busy fist-fighting each other over the beryllium problem or the existence of a dentistry profession in ancient egypt to reply*