#while the other half are like 'finally someone depicts my experiences which i sometimes feel crazy bc no one gets it'
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sofipitch · 23 days ago
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The most accurate diagnostic tool for depression is actually asking people what they think about books like The Bell Jar, Catcher in the Rye, etc. You know they don't have depression if they say "boring and whiney"
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northwest-cryptid · 8 months ago
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My Fem Presenting Aki model is honestly so good right now, I'm so happy with it. I'm gonna just kinda Go Off about it so I'm sorry but...
LOOK HOW CUTE THEY ARE!
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Some things I love about this model right out the gate:
They finally have actual high entia wings, which has been a design point of Aki for literally MULTIPLE YEARS now.
I've put in a ton of references to shit I enjoy, like how the Four Directions tattoo I usually wear on my cheek is now the tattoo from XC3 or how one of their eyes literally has the Ouroboros while the other has Aki's original constellations.
Aki now has a mechanical arm, a gift from an old friend.
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It also bears the insignia of Aki's old colleague and other half (literally), Cryptid. along with a decal of The Zohar (can you tell I like the entire Xeno-Series?)
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As an avid pin collector I also jumped at the chance to throw these on them:
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I currently have two main outfits for them. The first being inspired greatly by the look I first drew them in, just very heavily revised.
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I still love the original look don't get me wrong, but I've been wanting to experiment with merging Aki's two (masc/fem) on screen appearances with my real life appearance, or at least things I enjoy about it. So I wanted to give Aki something closer to my own hair for once with the darker center part. I'll absolutely give them at least one outfit with a cute messy bob cut though, and yea I'll absolutely bring back their brown hair because brown/black hair goes underappreciated. I also wanted to add in the head wings because I feel like that's the single most glaring aspect of Aki that no one has ever got right and it's one of the main things I love about Aki's design. However I'm really happy with this look as simple as it is.
A minor detail I actually like a lot and could easily "fix" with some quick bone work but kinda refuse to because I think it adds a lot; is that their mechanical hand doesn't articulate in the fingers.
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While I could easily just move some bones around in the hands I honestly really like this more as a feature than a bug. Just because I figure someone out there is gonna go "okay but is this just because you don't know how to fix it"
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No. It's an intentional feature. I might "fix" it later, but I think it adds a lot of character and makes it feel like a mechanical hand and not just a reskin of an arm.
The second outfit is geared more towards my need to over-design everything I see ever, and it's where most of the stuff shown above is seen.
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I basically kit-bashed 3 outfits together and I'm absolutely in love with this absolute mess of an outfit.
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I gave them the slight smug expression because I need to be able to be a smug bastard sometimes.
The hair on this outfit is a bit of a nod to an older OC design I have that I do not have any good pictures of but here ya go:
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Funny callback haircut to my old Fem-Sona.
I find it kind of ironic that people have gone from He/Him'ing me non-stop to referring to this Aki almost exclusively as "She/Her" and I'm just sitting here like "oh my god it goes both ways" because I accidentally caught myself doing it too, but I digress.
It's very hard for me with how masc presenting I am, to often depict myself in a feminine manner at all and associate it with "me" I typically look at it and go "yea that's a Girl™." So it's been really nice/cool to see Aki like this and kinda point excitedly like "THAT'S ME FUCKER! THAT'S ME!"
I'm just having a very "HER PRONOUNS ARE THEY/THEM" moment lol.
I really do look at this avatar and go "I Think I Hauve Covid" it's so nice. They're so cute and I love existing in this digital flesh.
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fandom-imagines-stories · 3 years ago
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There With You
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Peeta Mellark x Reader
Words: 2532
Summary: A panic attack during the Victor’s tour leaves the reader gasping for breath backstage. Her fiance is able to calm her down, but now she’s afraid that what’s real and what’s pretend will blur together.
Notes: This is another kind of comfort fic based on my own experience, so I hope someone out there can connect with it. I love reading things to help calm myself down, so I hope that my comfort imagines can do that for somebody else. Plus Peeta is one of my comfort characters, so it works out. (Also, the reader has taken Katniss’ place in this scenario. Still love Katniss, but this fit the story)
Warnings: Panic attack, anxiety, the like (This is not a depiction of every kind of panic attack. This is just what I have experienced in the past)
-
None of this was supposed to happen. There wasn’t supposed to be two of you. There weren't supposed to be riots. The romance wasn’t supposed to be real.
Then why was he the only one keeping you from sprinting off that stage?
Peeta’s fingers were intertwined with yours as he spoke to the crowd, keeping you grounded. You tried to focus on the sound of his voice instead of the hundreds of eyes staring up at you. You looked up at the screens and saw her looking back at you. Her. The first person you’d ever killed and you couldn’t even bring yourself to think of her name.
Your breathing hitched and you could feel the squeezing, twisting grip around your throat. No no no not now. Not in front of the entire crowd. What would President Snow do to you if you broke down in front of an entire district? What would he do to Peeta?
“Thank you.” Peeta finished up his speech and a few people in the crowd reluctantly applauded. His eyes locked on your face, seeing a single tear fall down your cheek and he quickly led you off the stage.
He knew that District 9 would be the hardest for you. He still remembered the knife and the blood and the gore. You had killed her to save him. And now you had to live with that for the rest of your life.
The doors closed behind you and you immediately fell back against them, clutching your chest with your free hand. You ripped open the buttons on your high-necked dress, foolishly thinking that it would make it easier to breathe. The invisible hand had closed around your throat, knees crushing down your chest. When you closed your eyes, Clove was on top of you, choking the life out of you slowly, whispering all of the ways she was going to torment Peeta once you were gone.
“Let’s get her out of here.” Haymitch said, his expression a mix of worry and unease. He knew the image of a weak Victor would mean more problems that you weren’t ready to deal with. He remembered what it was like to be under the eye of the Capitol.
“I can’t… I can’t do this. Peeta, I can’t keep-” You gasped in between shaky breaths. Your vision was blurred at the sides and you were gripping the door to keep from collapsing. “I-I-”
“Shh, it’s okay. You don’t have to talk now.” Peeta said, putting a hand on your cheek. “Can you walk to the train?” You nodded, but couldn’t seem to bring your hands away from the door. Peeta looked back at Haymitch and Effie for a moment before turning back to you. “I’m going to carry you, okay?” You must have nodded because he kissed your cheek before scooping you up in his arms.
Your hands released the door and instead latched onto the lapel of his jacket. Every part of you was shaking and the weight on your chest was only getting heavier.
“P-Peeta.” You cried, feeling the tears welling up in your eyes.
“I’ve got you. We’re almost there.” He tried to hide the crack in his voice, trying to be the strong one for you, but seeing you like this split his heart in half. Haymitch and Effie huddled around you, trying to block the two of you from any prying eyes or cameras.
You didn’t notice when they finally got you onto the train. In your head, you were still on that stage, staring out at the little brothers of the girl you murdered. You thought for sure you were suffocating. Every breath was becoming harder and more painful than the last and the blackness at the edge of your vision was growing.
Peeta sat down, holding you in his lap and gently stroking his fingers through your hair.
“It’s okay. It’s okay. I’ve got you. You’re safe. You aren’t in the arena. You’re here with me.” He buried his face in your neck, gently pressing a kiss to the place between your shoulder and your spine. “You’re with me.”
“I’ll never leave that arena.” You whispered, your voice so quiet you weren’t sure if he even heard you.
This was far from the first attack you’d had since winning the games, but it was certainly the worst.
Haymitch and Effie just watched you with sympathetic eyes for a moment before leaving the two of you alone. Peeta held you tight until your breathing started to return to a steady pace. While your vision cleared, your body couldn't stop shaking and you couldn’t seem to pry your hands away from his jacket.
“I’m sorry.” You sniffed, trying to wipe panicked tears away on your sleeve.
“You have nothing to be sorry for. I shouldn’t have made you go out there with me. I knew what it was going to be like for you and I should have-”
“They wouldn’t have let you go out there alone.” You shook your head. “There’s no hiding from them, Peeta.” You repeated your words like an echo, over and over again. “I’ll never leave that arena.”
“Then I’m right there with you.” He pressed a gentle kiss to your forehead and stood up, keeping you pressed against his chest. “Come on, we should try and get some sleep before we reach the next District.”
He carried you to your compartment and tucked you under the covers. He crawled up beside you without you having to ask. It had become an unsaid thing between the two of you. You kept the nightmares away as best as you could and when one of you woke up afraid, you weren’t alone.
-
Peeta had proposed for the cameras the day you left for the Victor’s tour, but it was all for show. The Capitol ate it up. When you really said yes, it was a week prior, just the two of you in the calming quiet in a meadow outside of the fence. It meant more that way.
Of course, Effie had picked out an extravagant ring for you to wear on stage and everything. It was gaudy and heavy and enough jewels to feed three districts for a month. But like the faked proposal, it wasn’t what was real.
You twisted the small bronze band around your finger, examining it in the faint light coming through the train windows. You had been awake for about an hour now, but Peeta’s peaceful sleep kept you from stirring. You rested in the warmth of his embrace and listened carefully to the slow, comforting sound of his heart beat.
You wanted to stay in this moment forever.
“Rise and shine you two.” Effie burst through the door and Peeta instantly went rigid beneath you, jolting up and pushing you behind him. You couldn’t see his face, but his expression frightened Effie. “I’m sorry, I didn’t think, I-”
“No, Effie, it’s okay. Really.” He said apologetically, his expression softening. “We’ll be out for breakfast in a second.”
“Alright. Don’t be long. I know they want to do a feature on engaged life. A little romance might be just what you two need.” She gave you both a small smile before walking out, the door sliding shut behind her. Peeta laid back on his elbows, blowing out a low sigh.
“I didn’t mean to scare her. I just heard the door open and all I could think was that someone was here to take you away.” He pulled you back down to him and gently pressed his lips to yours. Truthfully, he’d been in the middle of a nightmare when he heard Effie enter. He thought that the images in his head were becoming real.
“She’ll be okay.” You concluded, drawing circles on his chest . “Effie is tougher than she seems. And she knows what we’ve been through.” Despite her bright and sometimes obnoxiously optimistic attitude, you knew that Effie wasn’t a mindless pawn from the Capitol. She saw what the games did to you. She saw the children behind the victors.
Breakfast was mostly had in a settled quiet. While neither of you said anything, Haymitch glanced over at you and you nodded to let him know that you were okay. It was that silent understanding that was the foundation of your relationship with your former mentor.
“They’re doing an update interview to see how the Capitol’s darling lovebirds have been enjoying their tour.” Haymitch said gruffly. “Which means lots of blushing and doe-eyes from you two.”
“That won’t be hard.” Peeta noted, looking over at you. He meant it sweetly, but something about it sent a shiver of dread down your spine. You ignored it, giving him a small smile.
“It’s comforting to know we won’t need to convince anybody of the whole hopeless romantic thing.” Haymitch made a face. “You two do a wonderful job of making me nauseous all on your own.” Effie smacked him with her rolled up napkin.
“I think it’s wonderful.” She mused dreamily. “How something like that could bring you together.”
You stiffened, keeping your eyes on your plate, pushing your eggs around mindlessly with your fork. Sometimes you forgot that this was still all a TV show for people to gawk at. You would be the star crossed lovers from District 12 for the rest of your lives. No amount of real emotion you felt for Peeta was going to erase that.
The other three seemed to notice your shift and finished their meal in silence. Haymitch excused himself to the dining car for likely the rest of the day and Effie left to work on the speeches you’d have to read in front of District 8. You hadn’t eaten a bite, opting to sip slowly at your coffee instead.
“Just a few more days and we’ll get to go home.” Peeta said, noticing your empty stare and untouched meal. You just nodded, not really hearing him.
-
“So tell us, Peeta, when did you know that you wanted to propose?” Caesar grinned into the camera.
“Honestly, I knew the moment we stepped out of the arena that I wanted to spend the rest of my life with her.” Peeta gave your hand a squeeze and looked at you with complete and utter adoration. Caesar gasped in awe, eating up the fluffy romance that Peeta was perfect at portraying.
Is that all this is? The thought penetrated your mind before you could stop it. A performance? Is everything he says for the sake of the camera?
“I’m not sure if I’ll ever forgive you for not including me in the moment, Peeta.” Caesar pouted. “But it was just so sweet I can’t stay mad at you!” The two laughed and you forced a loving smile. “Really, proposing in front of the bakery just before you left for the tour- why, it’s probably the most romantic thing I have ever seen.”
“I’m glad it came off that way, because I was a nervous wreck!” Peeta exclaimed and they laughed again. You had to admire his acting ability. Maybe that’s what scared you so much.
He’s just performing. Is he performing with you?
“I think we all want to know,” Caesar beamed, turning his attention to you, “what was going through your head, Y/N? When Peeta got down on one knee?”
You pushed any doubt from your head and just focused on everything you knew was real. “Honestly, Caesar, I can’t think of a happier moment in my life. I never knew what I was missing until we found each other.”
“Don’t these two just make you believe in love, Claudius?” He gushed to his costar. “We’ll let the two of you get back to your tour, but I can’t say how excited we are to have you all to ourselves here in the Capitol.”
“We can’t wait.” Peeta grinned. You both smiled broadly, waiting for the little red recording light to turn off. As soon as the cameras were gone, Peeta lifted your hand up to his lips. “That went well.” He muttered against the skin of your palm.
“Yeah. I think they definitely believe that we’re the perfect couple.” You hadn’t meant to say it so bitterly, but as soon as the words left your mouth, Peeta’s expression changed.
“What’s wrong?” His eyes were different, the charisma that was there with Caesar was gone. His worry seemed to stem from something real, but you just couldn’t convince yourself that it was.
“Nothing.” None of this is real. It’s all just the games. What if you’re still in the arena? What if this is all in your head? You broke away from him, trying to hide the panic growing and growing inside you until it was all you could feel. You could hear him saying your name, but it sounded garbled and far away, like he was whispering in the rain.
What seized you now was unlike you’d ever felt before. Not only was it the dark panic that blurred your vision and tightened your throat until you couldn’t breathe- it was a complete disconnect from reality. It was like you were trapped inside one of their screens and you were banging on the glass, trying to get out.
-
You didn’t realize you had fainted until you woke up in Peeta’s arms. His was sitting up, cradling you in his lap like he had before, only now you were in your room and you had a blanket draped around your shoulders. You jerked away, your mind still terrified that even this wasn’t real.
“Woah, hey it’s okay. I’m right here.”
“This isn’t real. None of this is real.” You whispered in a panic, still trying to push away from him. This was the Capitol. They were in your head. “You aren’t real.” As hard as you shoved against him, his strong arms were locked around you. He pressed a kiss to your temple, holding you closer.
“I’m right here. I’m real. Just breathe. Come on, stay with me.” While his voice was soothing, your vision was still blurred with hot tears.
“We can never escape this. Every second of our lives belongs to them. Nothing is real. It’s all theirs.”
Peeta pulled away, taking your hand in his. He slid the bronze ring off your finger and held it up.
“This is ours. It’s not Snow’s, it’s not the Capitol’s, it’s ours. It’s real and it’s ours.” He put the ring back on and moved your hand to his chest. You could feel his heart beating beneath your fingertips. “I’m real,” He looked at you with a gentle and yet intense love, “and I am completely yours.”
You wiped away your tears and laid a hand on his cheek. “Peeta-”
“And no matter the nightmare, no matter the fear, or when your mind takes you back to the games, just remember I will always be there with you.”
He pulled you back to him and the two of you remained- away from the cameras and away from the Capitol. At least for now, you weren’t victors. You were a boy and a girl who had saved each other.
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revenge-of-the-shit · 4 years ago
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Writing Chinese characters set within Western worlds
If you don’t want to read it on tumblr, go check this out on medium or go follow me on instagram at @annessarose_writes!
Alright. You know what. I’ve seen plenty of stereotypes in fiction (and in social media) that are so incredibly pervasive I’ve seen many Chinese people within the western world internalize it themselves. So here’s a rough guide on writing Chinese characters in an English-speaking Western setting, written by me, a Chinese Canadian woman.
If you’re here to say something racist fuck off. Otherwise, welcome! This is not a comprehensive guide by any means. This is merely a brief overview based on my own experiences. My experience (as someone in North America) will differ from someone living in, say, Europe or South America. I’m not representative of every Chinese person because everyone’s experience is unique. So here were are.
1. Our names
Chinese names are usually written as follows: [family name] [name]. Let’s take a Canadian historical figure as an example: 黃寬先. In Chinese, it’s pronounced “Wong Foon Sien.” On Canadian documents — which are written [First name] [Last name], he’d be called “Foon Sien Wong.” He went by “Foon Sien” for most of his life. That’s his full “first name.” Nobody would call him Foon because that’s just half of his name (unless given permission). It’d be like meeting a stranger called Alex and calling them “Al” right off the bat. Sure, they could go by Al, but you don’t know that.
For those of us living in the Western world, some of us have both a Chinese name and an English name. In these cases, our Chinese name becomes our middle name in English (e.g. a character could be called John Heen-Gwong Lee).
For some people who immigrated to the Western world but were born in China, their legal name would be their Chinese name. Some choose to keep that name. Some choose an English name as their “preferred” name but keep their Chinese name on legal documents. It varies.
2. Parents & Stereotypes
There’s two stereotypes which are so pervasive I see it being used over and over in jokes even within Chinese (and, to a larger extent, asian) communities:
The [abusive] tiger mom and the meek/absent dad
Both parents are unreasonably strict/abusive and they suck
I have yet to see any fiction stories with Chinese parents where they’re depicted as kind/loving/supportive/understanding (if you have recommendations — please do send them my way). Not all Chinese parents are tiger parents. Chinese parents — like all parents — are human. Good god. YES, they’re human! YES, they have flaws! YES, they are influenced by the culture they grew up in!
That isn’t to say there aren’t parents like those tropes. There are. I know this because I grew up in a predominantly Chinese community where I had many a friend’s parent who was like this. Parents who compare their kids to the best kid in class. Parents who force kids into private lessons and competitions that the kid despises because the parents think it’s for the best. Parents who have literally called their kid a disappointment because they didn’t get 100%.
But please, also consider: there’s parents who support their child’s goals and who listen. Not all parents force their kid into the stereotypical trifecta of lawyer/doctor/engineer — I know of a good number who support their child in choosing the path they want. There’s parents who make mistakes and learn and try their best to support their child. So please, for the love of god, if you write a Chinese character, don’t reduce their parents to stereotypes.
3. Language & Learning
When I first read The Son of Neptune by Rick Riordan, I was so excited to see a Chinese Canadian character in Frank Zhang. Finally, there was someone like me. Finally, there was representation in well-known western media.
While I do appreciate that RR added in Frank Zhang, it’s pretty obvious that he didn’t really know how to write a Chinese Canadian character. One of the most glaring examples: in The Son of Neptune, Frank reveals he can’t really read Chinese. In like, the next book (I think — it’s been a while since I read it), Frank is suddenly able to read Chinese because he “learned” it in two week’s time.
Nope. Nuh-uh. Learning Chinese is a pain, let me tell you. There’s thousands of different characters and it is something you need to devote a lot of time to learning (especially if you’re progressed past the best childhood years for learning a language). So if you’re writing about a Chinese character living in the western world, here’s what you need to know:
A character who was born and raised in the western world does not necessarily know how to read/write in Chinese.
If they were raised by their own family, the character would very likely know how to speak their own dialect. They’d be able to understand the language used in movies/TV and they sound like a native speaker, but they may not know how to use language outside of certain contexts (the term for this is heritage speaker).
They probably went to Chinese school. They probably hated it. Chinese school is usually universally hated and does not teach you jack shit other than a hatred for the place and a vague memory of learning how to read the language without actually retaining knowledge of what you learned.
Most of my friends who know how to read/write in Chinese learned from tutors, parents, or were born in China.
There’s two main types of written Chinese: Traditional (used by Cantonese speakers) and Simplified (used by Mandarin speakers).
There are MANY other dialects (which I don’t know much about). The most common ones are Mandarin (usually spoken by people from the mainland), then Cantonese (usually spoken by people from Hong Kong).
4. Fitting into the community
Usually, the story is one of two things: they’re the only Asian kid in the entire school, or they grew up in a predominantly East Asian community. Things to consider for both of these when you’re writing:
Growing up the only Asian kid
They’re “that Asian kid.” They’re different. They walk into a class and feel weird and out of place.
They bring food from home (usually ethnic cuisine) to school. Other classmates stare at it, make fun of it, demand what that strange food is.
“Where are you from?” “Here.” “No, like, where are you really from?”
“Your name is funny.”
People literally never getting the character’s name right.
And that horrible, horrible feeling: wishing that they were white so they could avoid all of this.
Growing up in a predominantly East Asian community
It’s not uncommon for Chinese cuisine to mix with other east Asian cuisines. For special occasions (or just for a casual night out), your character could very well go out to get some sushi, or go for some KBBQ, or get some Vietnamese noodles.
Screaming “AIYAA” at/with their friends unironically if they’re annoyed (I’ve done this a lot with Cantonese friends. Less so with Mandarin friends).
Slipping into Chinese for like, two words, during a mostly-English conversation to talk about food or some other topic that can’t be adequately conveyed in English.
Reading books by white authors and learning about white history and growing up thinking white names, white books, and white history is the norm and standard even though the community is surrounded by East Asian people.
When the character leaves this community, there’s a brief culture shock when they realize how sheltered they’ve been.
Things in common for both of these:
The character has grown up on ethnic cuisine. Yes, Chinese people do eat rice with many of our meals. Yes, boba (bubble) tea is extremely popular. No, rice isn’t the only thing we eat. No, not all Chinese people love boba (though as a Chinese person I admit this sounds sacrilegious to say…)
The character likely grew up watching film/TVthat originates from East Asia. It’s not uncommon to watch Studio Ghibli films. It’s not uncommon to watch Japanese or Korean shows with canto/mando dub (examples: Ultraman, Kamen Rider). If you want to see a classic Chinese film from Hong Kong that’s fucking hilarious, watch Kung Fu Hustle.
The character has felt or been told that they’re “too westernized to be Chinese, but too Chinese to fit into the western world.” They’re torn between the two.
5. General portrayal
It’s quite simple, really. We’re human. We’re regular people. We have regular hobbies like all people do. We’re good at some subjects and bad at others. We have likes and dislikes like all people do. So here’s a list of stereotypes you can avoid.
STEREOTYPES TO AVOID BECAUSE WE’RE REGULAR HUMANS AND WE DON’T FIT INTO A SINGLE COOKIE CUTTER SHAPE, DAMMIT.
The character is a maths whiz and perfect at all things STEM.
The character is a straight-A+ gifted/IB/AP student.
The character is the next coming of Mozart and is amazing at piano/violin.
The character’s free time is spent only studying.
The character is insanely good at martial arts.
The character is either meek and submissive or an explosive, dangerous force.
I’m not going to mention the other stereotypes. You know, those ones. The really obvious ones that make fun of and demonize (sometimes through multiple untruths) how we look and how we live our lives. You should know.
Of course, there are people who fit into one or more of these. That’s not the point. The point is: molding all Chinese characters to these stereotypes (which white media tends to do) is harmful and reductionist. We’re more than stereotypes.
6. Conclusion
We need more diversity in portrayal of Chinese characters. Reducing us into one-dimensional caricatures has done nothing but harm us — look at what’s happening now. This guide is by no means comprehensive, but I hope it has helped you by providing a quick overview.
If you want to accurately portray Chinese characters, do your research. Read Chinese fiction. Watch Chinese films/TV. Initiate a conversation with the community. Portray us accurately. Quit turning us into caricatures.
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qslovebot · 4 years ago
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Nobody: Spencer Reid
Summary: After an accident on a case, the reader is left with trauma and anxiety. A miscommunication between her and the person she needs most (Spencer Reid) begins to eat her alive and he just so happens to be the only one there when she breaks again.
Pairing: Spencer Reid x Fem!Reader
Warnings/Includes: mentions of kissing, mentions of traumatizing events (not specified), depictions of anxiety, fluff, miscommunication, angst to fluff
A/N: The song is Nobody by Mitski. Read with this for the ultimate experience.
Sometimes things felt too literal. Words start to sound weird and feel weird when you say them, clothes feel too much like clothes against your skin, the texture of any food in your mouth becomes too prevalent while eating.
These things started happening after you witnessed and endured something awful on a case. You wouldn't dare bring up the full memory in case it took over and killed you all over again. It wasn't PTSD, but it was the cause of your anxiety attacks most of the time when they occurred.
After that case, you spent a week in the hospital where they happened nearly every day and the doctors weren't much help, to be frank. The only people who really ever helped were your friends and the person you were so close to dating, Spencer Reid.
It was a long story. To dumb it down, the case event happened and you and Spencer thought you were about to die so he confessed his feelings for you and of course they were reciprocated. He asked, then and there through stuttering words, 'If we make it out of here please go out with me?" As his last bit of hope, and he kissed you before you were taken away by the unsub. He didn't endure nearly as much as you did which was why he wasn't as affected. But you had said 'yes' to that question and three weeks later, you still hadn't talked about it.
When the anxiety attacks happened, you often felt like you couldn't breathe, like the walls were pressing in on you. Sometimes you'd be with JJ when it happened. She would immediately ask you what you needed and often that would just be a hug.
Emily witnessed one at your house when she came over to check on you. She rushed over, caring voice and soft hands and told you to put your head between your knees, stroking your hair until you felt better.
Penelope made the 30-minute drive from her house every Friday night she wasn't working on a case to bring you dinner she had made and chat with you about anything you wanted.
Your friends cared for you, it was so prevalent. It was almost always that fact that was getting you through this as you continued to get better. You would return to work in two weeks because now the anxiety attacks were only once in a while and better controlled by you and Spencer still hadn't spoken to you since.
It was now nearly two weeks later. You would go back to work on Monday.
"He did come to visit you in the hospital before you woke up," Penelope said, stirring her cup of ramen. It was just another Friday and she sat across from you in your chair, cross-legged. "I don't know what's up with him if he isn't speaking to you, he seems fine at work."
You sighed, swallowing your bite. "I'm just scared that he regrets what he said and did before I was dragged away. It was those words and that kiss that got me through what the unsub did and I keep thinking about it and him..."
"It was romantic," she noted, waving her chopstick in the air. "I think you should call him, rather than just text him. It'll catch him off-guard and in-the-moment."
"Now?"
"Yes, so I can listen!"
You smiled a little, pulling out your phone as your heart began to race. What if he did pick up? What if it was awkward? What if he somehow didn't remember?
You pressed on his name, then pressed call. It began to hum quietly with pending rings. One ring, two, then five, then seven, then there was a small beep.
'You've reached Dr. Spencer Reid, uh, leave a message,' his voice said through the machine, still as sweet and youthfully scratchy. You bit your lip and nodded.
"I should have known that he didn't want to talk. Penelope, I can't stop thinking about him and he keeps ignoring my calls and I'm... frankly I'm afraid that nothing will ever happen and he'll ignore me forever."
Penelope cringed, "(Y/N), uh... there's... it's gone to voicemail and you're recording."
"Shit!" You panicked, looking at your phone. "How do I stop it?!"
"The red button!"
"That's the end call button I-" you pressed it by accident. Oh my god, the message went through. You just sat there with Penelope, both of you frozen in shock. That did not just happen... did it really just happen? Your one moment of self-pity and worry was one moment that Spencer would hear if he touched his phone on a Friday night.
The rest of the night was spent with you fighting off panic, pacing your room. Penelope agreed to stay overnight, but you could not handle the fact Spencer would hear what you said. It was humiliating to think about him hearing you stress over something like that.
This is what nagged at you all weekend, threatening the impending anxiety that was building up. Every second was agony, spent pacing and overthinking. Sleep was hard to get, so you took melatonin and your dreams taunted you with it all over again.
Monday morning you rushed to get dressed. You needed to see Spencer, no matter how hard it was to face him. You pulled on dress pants and a navy blue cotton v-neck shirt with bell sleeves. Laundry was forgotten through two days of panic, so this was pretty much the only shirt you had.
You brushed through your hair and applied your regular makeup and there, you were presentable and didn't look like you'd lost your mind over the weekend. You were going back, finally. It was somewhat refreshing if you dismissed the Spencer ordeal.
The drive there was fine. Music helped to calm you down and you listened as long as you could. Stepping into the BAU was different, it felt like you were being crushed the moment you stepped in.
"There's my girl!" Derek Morgan was the first to notice you walk in and he greeted you with open arms and a crushing hug. You smiled, letting him. It had been a while since you last saw him. He let you go after a few seconds, but his hands stayed on your shoulders. "We missed you here, things weren't as fun without you."
"I bet," you grinned, heading to your desk. You could hide your freakout well. "I missed the smell of coffee and paper in the morning."
"(Y/N), glad to have you back," Hotch said, walking down the steps. He did seem honestly glad to see you as there was a small twitch of his mouth when he approached you and Derek. "You're sure you're alright to work again? I assume today is a file day, but we'll be back out there soon."
You nodded, smiling back. "Getting there, but it's controllable now," He narrowed his eyebrows. "I'll be fine for the field and if I'm not, I can always stay at the precinct to work things out there."
Hotch looked to Derek, then back at you. "Sounds good. Again, glad to have you back, agent." Hotch shook your hand and passed you, heading into JJ's office.
"Morgan..." You started, fiddling with your fingers. "Have you seen Spencer?"
"Yeah, he just went to the washroom, why?"
"I need to talk to him..."
The day went on and of course, you saw Spencer, but he paid you no mind. Not even a 'welcome back' or anything. You were just there and it was like you never left, except Spencer didn't even look at you. He was busy with his work and you constantly found yourself watching him. Maybe he'd heard your voice mail, maybe not, but either way, he didn't seem to care anymore.
That month and a half you spent recovering- was it possible that he used that time away from you to get over you? The idea was haunting and tugged at your heart. To be the only one all-in was such an incredibly painful idea. What he said before you were dragged away into the depths of hell meant something to you and it kept you alive... and to think he probably didn't mean it...
You needed to stop thinking about it before it made you burst into a million pieces. To be surrounded by everyone who you loved and loved you back wasn't enough if you couldn't have Spencer, too. Selfish, it sounded so selfish, but it shook you to the core that he wasn't amongst them.
The day continued and more pain was endured. More overthinking, more fear, more insecurity. The day was nearing its end.
Everybody seemed like nobody when Spencer was out of the picture. You had spent so much time thinking about him in the hospital and at home in recovery, who were you without wondering you could make it work? Nobody. Without the fantasy you could be his, you stranded on some sort of island. You were nobody if not Spencer's.
So you were nobody.
It was that thought that keeled you over the edge in the parking lot of the BAU. So much fear, so much pent-up emotion, it was too much to contain and just... spilled over onto everything as your hands began to shake, followed by that godawful feeling in the pit of your stomach. Your knees gave out and you fell conveniently onto the curb next to your car.
There was nobody there, either. You were alone on the concrete curb, face in your shaking hand and the other shaking hand gripping the curb so hard your knuckles turned white. Too much, too little, everything was wrong and you couldn't face Spencer.
You looked up for a brief moment and there was a brief look at someone in a beige cardigan and khaki pants and your heart fell to the pit of your stomach- as if you were humiliated enough. Footsteps, closer.
"A-are you okay?" His voice was a little panicked, definitely not as bad as yours, though. Overall, you were just glad he was within six feet of you.
Of course, you were pretty much unable to reply. Your face stayed in your hands and you felt light fingers on your shoulder, his, and they were somewhat grounding. God, he was here and you couldn't even talk to him, you couldn't even raise your head.
"What do you need, I- what happened?" He cared. But to what extent? His hands felt frantic- they shook a little (again, not nearly as bad as yours) and they moved from your shoulder, to upper arm, to near your neck, to the side of your head. "If this is my fault, I-"
He stopped himself. How could he possibly know that it was the thought of him that sent this into motion? The voicemail didn't entail much other than he was on your mind. You hardly even noticed that you were crying from the anxiety attack until you felt how wet your hands were. Your words kept piling on your tongue and the panic rose again in an entirely new wave.
"Do you- do you need help? I can get Hotch or... Derek, Derek knows, I know, but I don't- I don't think you like me very much and I won't be of help-I-I-I-" His voice continued to ramble and you were flooded with new thoughts. How could he possibly think that you didn't like him? In those moments before you were taken, you had said yes to going out with him if you both made it out. You kissed him back then before the arms grabbed you and dragged you off. Where did the idea of you not liking him come from? It was you who was afraid he didn't like you back.
You wanted to speak, you wanted to say something but you were stuck in your own mind, desperately trying to fight this off, trying hard to calm your breathing. The most you could do was take your hand off of the curb and frantically grab his. You took his hand and you held it tight, trying to slow the sharp intakes of breath. That's when Spencer squeezed your hand and you began to feel better.
And when you did start to feel better and your breathing was still harsh, but better and you could finally move a little more, you did what you had wanted to do every day in the hospital. You leaned forward and wrapped your arms around Spencer, your arms resting around his shoulders. You needed it and apparently so did he, because he squeezed you back the same. Either it was that or he knew pressure helped. All you could do was hope it wasn't the latter.
Spencer of course buried his face in the crook of your neck like he had before and you knew now that this feeling was coming to an end. The tide was washing out and there was calm after the storm. No words, just your breathing becoming more natural and the wind over your ears. This was all that you needed.
He stayed like this with you for a good five more minutes before you could finally release him, pulling apart and your hand coming up to wipe under your eyes. He didn't speak then, either- he just watched, his face furrowed in concern.
So you spoke, "Spencer wh-" your voice cut out from still being in that state of anxiety. You coughed into your arm, tried again. "Why would you think I don't like you?"
"I-I- don't think that's the question, I- are you okay?" His hands went back to your shoulders bracingly.
You smiled a small smile, "I'm better, it's passed, but Spencer...' You slid into a whisper with the crying coming back. Had it really passed?
"Yes?" His reply was wary. As if afraid to break you, he tiptoed.
"Answer me, please."
He bit his lower lip into his mouth, sighing. "I don't know if I should, you're- you're upset."
You looked at him, dead-on, determined. "Please."
"You didn't call. Not once and I-I-I was worried and then I started to think about it and everything t-that happened before you were taken and that you probably only said and did that because you were about to-to-uh, die." He rambled, words spilling out. "So I thought maybe you didn't really like me and-"
"I was waiting for you to call, too," you actually let out a laugh. He smiled in realization. "Because I was afraid of the exact same thing. I was afraid you didn't mean it and I worked myself up- I called Friday night, though-"
"I didn't- I didn't know that-" he fumbled to bring his phone out of his pocket and he must have seen that he had a voicemail from you and nodded, a little smile appearing on his worried face. "So you did mean to say yes?"
"And you did mean to ask?" You inquired, head tilted.
"Y-yes, of course."
"Then yes," you replied, smile widening to a grin. "How is Saturday night? I think I'll be better by then."
He was positively beaming as he helped you back to your feet. "Saturday is... great. Are you sure you're alright?"
"Much better.... truthfully." You nodded excessively and Spencer began walking back to his car, but then came back quickly to kiss your cheek.
He was like a child excited to go run and tell friends, "Goodnight!"
"Night, Spence." You stood there, basking in the glory that was solved miscommunication. You weren't nobody, you were in fact, somebody. And you were soon to be Spencer's.
Tags: @ellyhotchner, @softhairedhotch, @laurakirsten0502
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aminiatureworld · 3 years ago
Text
Melusine
Characters: Albedo, gn!reader
Word Count: 2,221
Warnings: Brief depiction of pseudo-drowning
Premise: In which the reader’s somewhat inexplicable fear of water prompts questioning
Author’s Note: This prompt reminded me of the book (and series) The Tail of Emily Windsnap, which, if you haven’t read at least the first book, you totally should read as it’s just really a wonderful read. The descriptions of the ocean are especially atmospheric. Anyways, as for the prompt, I had a lot of fun. I tried to write a mermaid story in middle school and while it didn’t go that well I have a lot of nostalgia for the mermaid genre. Though this was more about the discovery than actually being a mermaid.
Also the title is a pseudo-historical reference.
Albedo
The first time it had happened Albedo had brushed off the whole incident as completely explainable. After all, it wasn’t as if you hadn’t explained what had happened.
You two had been sitting on one of the craggy hills of the Whispering Woods, you sprawled on the grass, Albedo attempting to paint a landscape of Mondstadt, one of the more ambitious paintings in his current portfolio. Especially since he had traded his more opaque oils for the gentler tones of watercolors. At one point he must have made some sort of noise of frustration, for you lifted yourself out of the shade and made your way over to the canvas.
“That looks absolutely lovely Albedo!” Your smile had always had a calming affect on the alchemist, and this time was no different. Albedo could feel the tension slowly leeching away from his shoulders.
“Do you think so? I’m afraid that I still can’t handle all the odd shadows the buildings cast.”
“The buildings look perfect to me! Though if you feel that way, maybe you could lighten the side facing the sun a little more instead of darkening the area over here? So the shade doesn’t become too muddy.”
“You have a wonderful eye, you know,” Albedo replied, smiling at the way your mind had immediately jumped to the conclusion that he had drawn as well. Reaching for the bowl of water next to him Albedo went to water his brush a little more before trying again.
Unfortunately that’s when things appeared to have taken a turn for the wrong. Instead of reaching over the bowl Albedo’s elbow collided with the glass. Though the grass was soft and close enough to prevent any damage, that didn’t stop all the muddied water from spilling out over the brim and right over you. You let out a sort of squeak, and for a moment Albedo though it was just the initial shock, but then the expression on your face came into view and Albedo could immediately sense you were seconds away from panic.
“Is something wrong?”
“I, I don’t like water very much,” you let out a strained laugh. “I just, I don’t know. I really, really don’t like water.”
“I’m so sorry,” Albedo immediately replied.
Taking off his coat he did his best to dry you off, wiping off your arms and attempting a valiant effort with your now sopping clothes. Though you assured him that it would be alright the alchemist could sense those were only platitudes, and it wasn’t until you seemed significantly calmer that Albedo turned to pick up the bowl and refill it in Cider Lake. And though a part of his mind wished to delve deeper into what had happened he pulled himself back, figuring it wouldn’t help you if he was suddenly enquiring over something you were afraid of.
Now perhaps that should have been the long and the short of it, but the revelation had begun to make Albedo see water everywhere and, more importantly, see how much it appeared to affect you every time you appeared to come in close contact with it.
Thankfully you didn’t seem to have trouble with water in glasses, at least as long as someone was actively drinking it. If not however you would glance at the glass every so often, as if it were your mortal enemy, waiting to catch you off guard to it might tip its contents all over your clothes. Other things, like obsessively drying your wands after washing them and draping layers of towels over your shoulders when you washed your hair, also became apparent. Suddenly Albedo couldn’t stop noticing your discomfort, and the more he noticed the more he wished he could do something about it.
“Exposure therapy?”
“Yes.”
You were sitting on Albedo’s desk, leaning slightly over your partner, a slightly bemused look on your face. It had been about three weeks since the incident, and finally Albedo thought he might have found some sort of solution to your problem. Now he eagerly pressed forward, figuring you’d understand once he’d explained everything fully.
“I know that it might seem counterproductive to subject you to what gets a frightened reaction out of you, but if you subject a person to something they’re afraid of in very small doses over a long period of time, usually they begin to feel a little less afraid of the thing in question. It’s sort of like how you can sometimes make allergies less serious by slowly exposing the patient to more and more of the allergen.”
“I understand where your line of thought is coming from Albedo, but I’m really not sure if this is the best idea for me.”
“I know that it might seem daunting at first. I would not bring up the topic if you didn’t seem so miserable sometimes. I worry that you might become so unhappy by your fear that it will become debilitating eventually. That is why I decided to bring up the option.”
“I really appreciate you going out of your way to think about me Albedo. I really do. I think what you’re trying to do is very kind and noble of you. But in all honesty I don’t think that’s going to work. You see, the way my fear works, I just don’t think that exposure is going to make it go away.”
“Are you sure?” Albedo pressed on, still hoping that you might see the benefit in what he was suggesting. “It won’t start with something drastic I promise. And at the end of the day, I think that it will help a lot.”
“I understand that, I really do, but like I said my fear doesn’t work that way.” You paused, as if sensing the sinking of your partner’s heart, before smiling slightly. “If it makes you feel any better I promise to give it some more thought. Alright?”
“Thank you,” Albedo replied, though in his mind he knew that you thinking about it probably wouldn’t change anything.
Thus the cycle continued, with Albedo growing more and more uneasy. He didn’t bring it up with you again, sensing it would be walking over some invisible line, but still his mind whirled in trying to understand what you meant. If your fear wasn’t simply irrational, then surely something must have happened once. Though the alchemist didn’t pry, surely if you wanted him to know you would tell him in your own time, he had to admit that sometimes his brain went off on various daydreams, as if trying to decide for itself what might have happened.
As it turned out, Albedo didn’t have to speculate for long. Nor did the truth come out the way that he had expected.
You two were on the very small dock at Cider Lake, checking the rafts were tied down properly before the beginning of the stormy season that wreaked havoc through Mondstadt once every year. Though normally you probably would have never done such a thing the Guild was spread thin, preparing for storms, though not nearly as fierce as Dvalin’s winds, that would blow shingles off roofs and destabilize the occasional out of place rock on the wall. As of such the task of shielding the boats used to carry supplies from the City to the larger Mondstadt region had fallen to you. Albedo had tagged along, knowing how uncomfortable the experience might make you feel, and unwilling to leave you alone in a state of anxiety.
“These remaining boats are the ones we need to tie down. They’re too big to be stored in the sheds inside the City.”
“I see,��� Albedo replied, already moving to nail the tarp down on one of them as you secured the roping. Already the air seemed alive with the fresh smell of impending rain.
“It’s too bad really, we can’t guarantee these boats’ safety the way we can the others. Thankfully these ones are mostly insured by the Knights. Though really maybe we should build a larger shed,” you mused to yourself, keeping up the tell-tale stream of conversation that Albedo knew you used to distract yourself.
“Perhaps you can make a query via the Guild?”
“Perhaps,” you mused. “Or I might be able to ask Amber.”
Albedo replied that would be a good idea, turning to put another temporary nail onto the top of the longboat. All seemed alright for a moment, then there was a shriek and a terrific splashing sound. Whirling around Albedo had just enough time to find your head in the water before you seemed to seize up and your head dipped below the still crystal-clear waves.
Immediately Albedo stripped himself of his coat and dove in. Though no amazing swimmer himself the alchemist was hardly the worst at staying afloat, and even if he only knew a select few amount of swim strokes that paled in comparison to the idea of you drowning. Making his way over to you he fought the panic rising up inside of him, the part of his brain that said it would be much more difficult to rescue someone terrified of water.
However almost as soon as Albedo approached you he noticed that something was distinctly off. Firstly you didn’t seem like you were drowning, in fact you appeared quite graceful in the water, swishing softly back and forth. Secondly the reason for said grace quickly became apparent to Albedo. For in the spot where your legs should have been, indeed in the spot where your legs had been mere moment ago was something long and slightly shimmery and distinctly fish-like.
Letting his mouth fall open Albedo immediately hoisted himself up above the water, choking on the gasp of breath he had found himself taking. What was that, what in all of Teyvat was that? You were half fish. How were you half fish? Did such a thing even exist, for Albedo had certainly never heard of it! Though the alchemist later admitted that in the moment such fantasy creatures as merfolk had completely fallen out of his head, there was something distinctly different than reading about something in a book and seeing it in real life.
Dragging himself onto the shores of Cider Lake, Albedo waited for you to emerge, still breathing heavily from what had just passed. His brain seemed to shut off them, for he found himself with no questions to ask. You were a mermaid, you were simply a mermaid. There was nothing more to do or say about it.
Eventually you joined him on the beach. Albedo watched in an odd sort of fascination as your legs emerged from the scaley fin which your lower body was now made up of. For a moment individual spots of iridescent seemed to remain, but soon your limbs were back to normal, ignoring the fact that you were soaking wet.
“So now you know why I said exposure therapy wouldn’t work out,” you said, letting a grim sort of laugh escape your lips.
“You… you are a… a…”
“A merfolk, yeah,” you laughed awkwardly. “Not sure why I get stuck with the weird power that is more annoying than good but, you know, oops?”
Albedo could sense your vulnerability, but try as he might he couldn’t get the words to come out of his throat. For a moment he sat there, gasping like a fish, but finally the expression of muted misery on your face wormed its way into his brain and finally Albedo felt as if he had regained some ability to talk.
“I think it’s fascinating.”
“Of course you do.”
“No, really. And not just because this is something I’ve never experienced or seen before. Though it was really surprising, it was also wonderful. As an alchemist you study all the wonders and anomalies of nature, and in doing so you see all these differences aren’t just something to be written down, but they also beautiful. And so I think you’re really beautiful.”
“Thanks,” you replied, though you still seemed uncomfortable. “I just, yeah…”
Reaching over to find your hand in his Albedo squeezed your palm softly. For a moment you did nothing, then, slowly, you leaned your head on Albedo’s shoulder. Letting you stay there Albedo found himself wishing that he could convey all the emotions he felt in that moment to you.
“I know that it can be difficult to talk about things that you’ve kept secret, especially when you feel like they make you stand out in a bad way. But I promise, there is nothing wrong with that. And I hope if I made you feel uncomfortable in any way that I can apologize.”
“Thanks Albedo,” you murmured. “You don’t have to say sorry, but thanks anyways.”
“Always.”
“I love you, you know?”
“I love you too.”
Albedo planted a soft kiss on your forehead. As the boats sat, woefully forgotten, the two of you basked in each other’s presence. For Albedo a mystery had been solved, and explanation given that, while not necessarily scientific, was certainly satisfactory. Yet at that moment he couldn’t care less about it. All he could think about was how lonely it must have been, and how, if he could help it, you would never feel isolated in your discomfort or in your secret ever again.
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star-going-supernova · 4 years ago
Text
So. Madison Russell. Godzilla vs Kong. Welcome to my ted talk.
From a writing perspective, they totally wasted her character. She, Josh, and Bernie were almost exclusively used just as a method of showing the audience what was happening "behind the scenes" at Apex. Pouring the whiskey on the computer was about the only thing of note they did, and even that didn't do much. Mechagodzilla was only slightly hindered by it, and if they'd just written Kong and Godzilla differently in the fight scene, they could have skipped the whiskey part entirely. They could have done so much with having people "on the inside" but Monarch as a greater organization barely had any presence at all, which negated the need to have people on the inside. 
Maddie's steadfast insistence that Godzilla wasn't a bad guy at the beginning had so much potential, but it became the conspiracy thing instead. It felt less like she wanted to prove Godzilla wasn't turning against humans, and more like she and her new conspiracy friend wanted to crack open a shady organization, which was frustrating. If they wanted to depict her as someone who was forced to become competent at a young age, which was part of the serious, intense vibe I got from her, instead of the inexplicable personality shift, they should have showed her doing something to help. Getting in contact with her dad/Monarch, giving them evidence to begin a city wide evacuation outside the Apex Hong Kong HQ, messing something up or making it harder for the Apex people to get Mechagodzilla up and running—just, anything. 
The fact is, we had Maddie being very proactive in KotM. Stealing the ORCA was the game changer. Instead of taking that to the next level in GvK and giving her an opportunity to continue that aspect of her character—that is, being someone who refuses to sit by when she can do something to help, even if it’s dangerous—they rendered her obsolete. 
The movie wouldn't have significantly changed if you took her character out. If Bernie went by himself and ended up in Hong Kong, nothing would have changed, because Maddie didn't do anything of personal importance. She went from being an active character in KotM to being a passive one here, which are a pet peeve of mine. If you saw my post about what I liked and didn’t like about Godzilla (2014), that might sound very familiar.
It would also have made so much more sense if she developed a love for studying Titans instead of focusing on conspiracy theories. Plot-wise, it would have given her claim to her dad that Godzilla was being provoked more credence, and could’ve opened an interesting dialogue between them to reinforce that she knows what she’s talking about. Monarch was obviously still a big part of their lives, given that Mark had rejoined, so it would’ve been the perfect opportunity for Maddie to pursue a Titan-related future. 
Now, don’t get me wrong. I loved Jia, and wouldn’t want to take her out of the movie or even diminish her presence in it. In fact, I think they should have focused on Jia, and only on Jia. 
Hear me out: Godzilla vs Kong should’ve been split in two. A Part 1 and Part 2 situation. 
For Part 1, we keep a lot of the GvK canon, especially the Kong-centric stuff. Include even more scenes showing us that he’s protective of Jia, don’t just have Dr. Andrews say that he is. Have him defend her from something dangerous, maybe even from some humans. Include their backstory, how he saved her during the storm. And start it even earlier, before Godzilla attacks Apex the first time. Keep the whole Hollow Earth plot, keep the fight scene in the ocean, keep the discovery of the temple and the axe.
And on the Godzilla side of things, start earlier on that as well. Keep the other Titans in, have humanity tentatively believing that a time of great peace is upon them. Their mere presence is restoring the planet. There was an emphasis of nature, particularly in relation to the Titans, in KotM that I really think they should have included more of in GvK to better tie the two movies together, if only they hadn’t swept all the other Titans under the rug. They wanted a movie about a fight, not about the Titans. So, undo that. Show us a little of what Mark does, do a sweep of the other KotM cast (cameos at the very least) to show how they and Monarch are working to uphold that peace post-Boston. I’d also have loved to see Boston itself, too, five years later. 
Instead of giving us a Generic High School scene, show Maddie learning about the Titans alongside the experts. Bring back the wonder and amazement she had when she saw Mothra for the first time, when she reached out and touched her. She’s second generation Monarch, make that mean something. When Maddie took the ORCA to Boston, she had a conviction. She couldn’t not have. She was there in part to lure Ghidorah in, but I can’t even pretend to believe her plan ended with that. She knew Godzilla would come. 
That sort of belief is hard to kill, and if death via Ghidorah wasn’t enough to scare her off, no way anything else in those five years afterwards did. Her belief that Godzilla is good survived to GvK, and should’ve been a main focal point of her character. Godzilla attacks Apex—she and every other Monarch person who has spent years studying the Titans knows something is up. 
Keep Mark’s character development regarding his opinions on Godzilla. He believes Maddie when she says something has to be wrong, not just because he trusts his daughter, but because he looked into Godzilla’s eyes and saw more than just an animal. 
They’re in Part 1 only minimally, just to establish their presence and how they feel about Godzilla destroying Apex. The focus is clearly on Jia and Kong’s side of events. 
Sorry, but I’m leaving Josh out and seriously dialing back Bernie’s role. Instead, the character we follow inside Apex is Ren Serizawa. We see his motivations, his ambitions, and he becomes a character with more than just a few lines. Does he resent Godzilla? Or does he resent his father, too? Serizawa’s sacrifice was willing, after all. He was no accidental casualty. 
Part 1 ends in the Hollow Earth, with Ghidorah taking control of Mechagodzilla on the surface. Alter the timeline just enough so that Godzilla has only just arrived to Hong Kong, and Kong’s still in the Hollow Earth. The final scene is Mechagodzilla emerging into the city as the sun rises. The post-credits scene is our KotM cast in the Argo, location unknown, watching a screen with Mechagodzilla on it. 
Part 2 begins with a reveal: Ren Serizawa isn’t dead. 
Backtrack. This part focuses more on the Godzilla side, and Monarch. It’ll have flashback scenes from the five years between KotM and now, showing exactly why Monarch as a whole firmly believes Godzilla is reacting to something instead of being anti-human all of a sudden. The Titans are not inherently malicious; destruction is a side effect of their size, no more, no less. He earned his title of King in KotM—make it mean more than just trying to make Kong “bow.” Make him a protector, a guardian. He’s nature’s balance. By definition, he must protect humans as well. 
What Monarch needs to figure out is this: what is he trying to protect them from? 
They investigate Apex in search of the answer, but knowing from past experience the sort of things Godzilla gets proactive about—the MUTOs, Ghidorah—Monarch mobilizes. They prepare for another fight, at Mark’s instructions. He witnessed both San Francisco and Boston firsthand, even if the former was from a civilian standpoint. 
Godzilla has more hunt scenes. He targets a second Apex lab after his ocean fight with Kong, telling Monarch that they’re on the right track. 
Maddie, being a minor and not dragged into the thick of things (yet), has to stay home. Remembering the podcast she sometimes listened to, when the topic was focused on the Titans, she tracks Bernie down, and he tells her about what he saw: the eye. 
The two of them go to the ruined Apex building and discover the eye is gone before getting caught. With Monarch currently breathing down their necks, they recognize Maddie to be Mark’s daughter and take her to Hong Kong. Sorry, Bernie, but that’s mostly as far as you’re involved. Timeline-wise, this is roughly when Kong puts the axe in the temple floor and Godzilla blasts a hole to the center of the earth. Monarch is following Godzilla, but they’re behind a bit thanks to the tunnel shortcuts. They’re still unaware that Maddie has been kidnapped and is en route to Hong Kong.
This is also when Mechagodzilla gains a life of its own. Walter Simmons is killed and Ren Serizawa becomes trapped in the link to Mechagodzilla, serving as the bridge between the robot and Ghidorah’s mind. Ghidorah is essentially controlling MG by controlling Ren, who is controlling MG. Make sense? He’s the puppeteer’s puppeteer. 
We reverse some things. Godzilla fights MG first, gets beat around but not as much as in GvK because he isn’t fresh out of a different fight. Kong returns to the surface through the tunnel Godzilla created, having carried the one remaining HEAV out himself, because Nathan Lind has never flown one before and doesn’t know how they work. Kong wants to protect Jia, and Ilene Andrews and Nathan Lind are very lucky that Jia likes them. 
Mechagodzilla sees Kong and takes off, and Kong decides now would be a great time to fight Godzilla, who’s having a pretty bad day. Monarch arrives, and half of them split off to follow MG while the rest stay to try and deescalate the situation. Other than Godzilla faring slightly less well, the fight goes mostly the same as in the movie, except for one big difference: one of the Monarch crafts pick up Jia and Co, and she’s able to get Kong’s attention from the back of an Osprey well enough to tell him to stop fighting. There’s a bigger threat out there, and Godzilla definitely needs to be okay enough to fight it. Either they work together, or they reschedule. 
She’s very stern about it, and though no one’s really sure what the two Titans decide on, they stop fighting. They leave together to go after Mechagodzilla, who is currently being slowed down by Mothra, because she deserves to be in this movie. The other Titans basically hinder Mechagodzilla as much as possible as it rampages, telling Godzilla where it is. Monarch finally figures out that it’s heading for the nearest entrance to the Hollow Earth, right around when they also figure out that Ghidorah is involved. With Dr. Andrews and Nathan Lind’s input, they theorize it intends to take more of the power source down there to further strengthen it. 
They do their best to clear the cities in its path, evacuating as many people as possible. It’s all they can do. As in the past, they must trust Godzilla to do the heavy lifting. Around the same time, an assistant tells Mark that some guy named Bernie called and is asking for him. This is how he finds out Maddie was taken to Apex’s Hong Kong location.
Meanwhile, the Apex guards and Maddie finally arrive to find the facility abandoned and damaged, MG gone, and Simmons dead. The guards more or less split, leaving her there alone. Maddie, being Maddie, goes deeper until she finally discovers Ghidorah’s skull and Ren Serizawa inside, trapped in his own head with Ghidorah. It’s killing him. 
He’s aware enough to have a conversation with her. They argue about the Titans. He wants Godzilla destroyed out of anger over his father’s preference for Titans, rather than his own son. 
(“You’re not the only one with ghosts!” she yells at him. “You’re not the only one who resents a parent for putting Titans ahead of you when you needed them!” He chokes out, “I do not resent my father—” “Coulda fooled me. Why else would you be spitting on his sacrifice like this? Who are you trying to help, huh? All the other kids out there who are losing their moms and dads because you let Ghidorah out? Sorry, mister, but the last time someone did that, your dad paid the price.”) 
Ren is getting worse. He’s going to die if he stays in the link much longer, but he can’t disconnect. Maddie, looking around, gets to work on something. The camera slowly pans around to show that there’s a second pilot seat, back-to-back with Ren’s. It would allow for seamless switching between pilots without MG ever not having someone at the controls. 
Even with the other Titans’ help, Godzilla and Kong are unable to stop MG from going through the tunnel and into the Hollow Earth. Monarch is unable to follow, because of the gravity issue. They’re both tired from the journey and their fight, especially Godzilla. This is their last chance. If Mechagodzilla reaches the power source, it’s all over. 
The fight doesn’t go in their favor. They’re both bad at working together, so their attacks are uncoordinated at best, actively hindering each other at worst. Kong gets flung off a mountain and MG pins Godzilla. Even thought he caught himself, Kong isn’t going to make it up in time to help him. 
Maddie puts on an identical pilot setup, and with Ren’s instructions, switches the link over to herself, freeing Ren. He collapses forward, immediately falling unconscious from the release of the strain. Fighting past the pain and overwhelming presence suddenly in her head, Maddie does what she does best: she causes Ghidorah problems. 
She screams, and it echoes like a roar through his skull. 
In the Hollow Earth, Mechagodzilla stumbles. 
It’s the beginning of the end. She can’t control it or even really stop Ghidorah, but she gets in his way as much as possible, giving Godzilla and Kong the edge they need to finally get their act together and use some teamwork to take Mechagodzilla down. They destroy it and return to the surface before parting on amicable terms. 
After too long, Mark arrives at Apex with a whole team of people. Ren Serizawa is found comatose but alive, and he’s quickly removed for medical attention. Though Maddie’s also alive, there’s something else clearly wrong. She’s still wired into the piloting gear, stiff and unseeing, as if she’s frozen. Her eyes are open but distant, pupils virtually gone from how constricted they are, and her jaw hangs open slightly. Despite how tense her body is, she’s limp. Nothing they do wakes her up, even after getting her out of the skull. 
They wheel her out on a gurney to where a handful of Ospreys landed, but as they leave the building and step out onto the roof, they find Godzilla has returned. He watches them, and he’s exactly as aware as Mark remembers. 
(“She tried to help you,” Mark calls out to him. No one knows exactly what happened in the Hollow Earth, during the fight, but the scene in Ghidorah’s skull was telling. “No, she—she did help you!” For the second time in her life, Maddie put herself in Ghidorah’s path and, ultimately, won. Only this time, her victory came with a price.) 
Godzilla snorts before leaning over the roof’s railing, moving toward the gurney. The humans all back away, even Mark, though he doesn’t go far. Spines humming, eyes flaring blue, Godzilla rumbles deeply. 
On the gurney, Maddie stirs. 
Later, much later, after Maddie and Jia have met—heaven help everyone else, honestly—they sit together on the edge of a pier over the ocean, Jia leaning comfortably against Maddie. It’s quiet. They’re alone, watching the sunset. A heavy footfall behind them, the feel of the vibration trembling through the wood, makes them turn around. Half concealed in the brush at the edge of the island’s foliage, Kong stands, facing them. 
They both wave before standing. They sign goodbye to each other, then part ways. As Maddie walks away to a waiting Osprey, we see behind her as Kong crouches to allow Jia to climb into his palm before vanishing into the forest. 
The Osprey takes off over the calm ocean. It has a different design than most, with a large door set in the side instead of at the back, more like an ordinary helicopter. It’s open as they go, Maddie secure inside as she stares out. A smile spreads across her face as jagged spines slowly breach the ocean’s surface, easily keeping pace with the Osprey, which lowers to be closer to the water.
For just a moment, in the fading light, Maddie’s eyes almost shine blue. The screen goes black to the sound of Godzilla’s roar.
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littlefreya · 4 years ago
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August’s NSFW Alphabet
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Warnings: Explicit Smut, graphic depictions of rough sex, daddy kink, creampies, bondage and mentions of bodily fluids and August being August.
** I give no permission to copy my work, translate it and repost it **
N/A: He’s dirty, he’s hot, he’ll fuck you till you drop (that doesn’t really rhyme). I got a request to do the NSFW Alphabet and the dudette abides! This was really fun, I think Walter is up next!
August Walker’s NSFW Alphabet
A = Aftercare (what they’re like after sex)
August takes aftercare seriously. Being a rough Dom he doesn’t want his princess to slip into depression. A warm bubble bath is due, with him lathering your hair and massaging your aching limbs. He invests in buying luscious bath bombs and fancy props he gathers you’d enjoy. After the bath, he wraps you in a fresh towel and carries you to bed where he begins to take care of each part of your body he hurt. Small butterfly kisses crisp your supple skin, his moustache tickles lightly, lulling you into a deep slumber.
B = Body part (their favourite body part of theirs and also their partner’s)
Obviously, August loves his cock and thinks it’s nature’s gift to women. When it comes to you, he’s obsessed with your ass, loves to grab it in public to assert ownership, he squeeze it firmly and grind his aching bulge at the cleft of your ass, always letting you know he is ready to go
He calls your ass a piece of heaven on earth and oh, of course, you’re going to feel a spank or two when he’s pounding into you from behind. 
C = Cum (anything to do with cum, basically)
A huge fan of creampies. He loves to come inside, he ain’t doing rubber so you better be strict with your birth controls. Nothing makes him sicker with pride than watching his thick cum drip down your wobbly legs. It can easily get him hard all over again and you blush with horror as you hear the camera’s click as he snaps a shot of your knees up and thighs spread open, showing your cunt full of his jizz.  
D = Dirty secret (pretty self-explanatory, a dirty secret of theirs)
You mean aside from the fact that he is an anarchist? Well, August might have a collection of homemade porn videos. He loves to tape himself having sex with random girls. Has a whole drawer of them. Loves to watch them every now and then to get himself off. Even after he began dating you he kept them and yes, he is trying to convince you into doing all sort of stuff for him on cam.
E = Experience (how experienced are they? do they know what they’re doing?)
August is basically the king. He fucked more women than he can remember. Lost his virginity with an older woman who taught him quite a lot.
He’s a Dom by nature, mastering different tricks and ever-exploring his darkest sexual fantasies. He definitely knows what he is doing and he has heaps of patience. It’s his greatest virtue, knowing how to torture you just enough till you’re practically begging him to fuck you.  
F = Favorite position (this goes without saying)
Doggy-style. He has full access to spanking your ass and squeezing it hard enough to leave bruises. Loves to watch his thick cock entering your body while his hand fists your hair. He ruts into your body back and forth, tugging you back against him, preferably in front of the mirror, so he can look into your eyes.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Dead serious. If he smiles it’s definitely patronizing or sinister, to scare you and let you know he will always have the upper hand. He enjoys cooing at you while you’re a whimpering mess, making fun of how weak and desperate you are. 
H = Hair (how well-groomed are they? does the carpet match the drapes? etc.)
Fuck no, he ain’t trimming, he is all hair in general. Which is pretty rude considering he loves your pussy completely waxed.
I = Intimacy (how are they during the moment? the romantic aspect)
On one hand, he is never going to say he loves you. not even if once in every full moon he’ll make love to you through a whole night till you’re both crashing into one another. 
August is a man of actions and touch, and he’ll touch you in ways that make you feel completely stripped down to your soul while his eyes pierce deeply, letting you know you’re his baby.
J = Jack off (masturbation headcanon)
As a Dom he says you are not allowed to touch yourself without his permission and if you do and he catches you, you are in for some punishment. He’s going to tie you up and watch you as he masturbates in front of you, slow and languid, groaning your name and then coming all over your torso. His finger dips into his own cum, collecting the pearly drops and slipping it into your mouth. 
He is a fan of mutual masturbation though, on facetime when he is gone on a mission, so always be ready for daddy’s call. 
K = Kink (one or more of their kinks)
One? This man is almost everything goes. His biggest kink is the purity one. His woman has to be “pure” and gentle, he gets off from the thought he is defiling you, unloading all his darkness into your sweet little cunny. Or maybe tonight he’ll just dress you in pink ribbons and enjaculate all over your face, just to mess you up. Among other kinks: Spanking, orgasm denial, knife play, bondage, choking, exhibition, size kink (loves it that you’re small, it makes him feel big and strong) praising and some really dirty words that he loves to whispers while deep inside you.
L = Location (favourite places to do the do)
Anywhere you might get caught. Especially where you work, to make a statement, he doesn’t care if you’re loud, on the contrary, he might go extra hard on you. For some reason he fantasizes about fucking you in front of his boss quite often. This one time you nearly did, but he settled for fucking you over her desk, and left some bodily fluids all over that carpet.
M = Motivation (what turns them on, gets them going)
When you’re being a brat, yes he loves his princess, but when you’re a little stubborn bitch that’s when the fun begins. You know he is going to punish you for that and when punishment time comes, he gets creative. One time you wouldn’t let him work so he tied you to a bed and pushed a toy inside you, he left in on for hours while he was working, controlling the power with a tiny remote while remaining indifferent to your screams. 
Oh yeah, your screams, the second thing that makes him hard.
But generally speaking, he is so caught up with you that everything you do turns him on. He loves to ogle you when you’re just sitting by the window, reading a book or writing something. You’re his little angel. 
N = No (something they wouldn’t do, turn offs)
He’s not into sharing. You’re his pure angel and no one is going to touch you but him. Doesn’t like stuff involving defecation/piss. He is grossed out by it.
Less into anal but willing to try if you’d be open for it.  
O = Oral (preference in giving or receiving, skill, etc.)
He loves to fuck your face, make you tear as you choke on his cock and come down your pretty little throat. He is also into eating you out. His moustache and those thick stubbles leave you red and raw and it’s that mixture of rough and the slow slithering of his tongue inside you that gives you the hardest orgasms. You’re half convinced he is keeping that stach for that.  
P = Pace (are they fast and rough? slow and sensual? etc.)
August fucks your like a high paid pornstar; rough and fast but not without style, he’s dominating, knowing how to move inside you just right, slowing down to increase the depth and then picking up a harder rhyme where his balls slap against your pussy. 
He does go slower sometimes but it’s still rough and forceful, leaving bruises all over your body. You love it...
Q = Quickie (their opinions on quickies, how often, etc.)
Every now and then when he’s angry at the world, he uses you like a fucktoy. Coming home, he spins and bends you over the table. Not bothering with your clothes. Your panties are wrapped around your thighs and his hand is plasters your cheek to the wooden surface as he spits on his cocks and enters you with zero foreplay. 
Your scream is his favorite music.
Being so angry, he doesn’t care if you come, but you do anyway. You always do.
R = Risk (are they game to experiment? do they take risks? etc.)
August is all about experimenting but he has the meticulousness of a special agent and a man who loves to be in control. Breathplay? Sure, he might even get you to blackout, he doesn’t mind, but he’ll take precautions to not cause any damage, same with knife play and bondage. 
S = Stamina (how many rounds can they go for? how long do they last?)
He lasts long, he is patient and taught himself to hold back because he gets off from making you weak. August can easily take an entire night to mess you up, to a point you’d beg him to stop. You’re sore, you can’t take it anymore. He leaves you feeble, boneless but always makes sure to give you proper aftercare.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
He owns a box of toys that he bought especially for you. As a part of very long foreplay he’d sometimes tie you up and begin stimulating and teasing you, fucking you with a vibrator while looking deep into your eyes and praising you.
You’re not allowed to touch the box without daddy’s permission but... can you help it when he’s gone all the time and you miss him?
U = Unfair (how much they like to tease)
Way too much. August loves to see you beg, he’ll take his time, bringing you to your knees, getting you close and denying your orgasm to the point of tears. 
V = Volume (how loud they are, what sounds they make, etc.)
Very loud, he doesn’t give a fuck who hears him, he is not ashamed and damn you love that voice he makes when he finally puts himself inside you. That guttural groan that just signifies how sweet you feel.
W = Wild card (a random headcanon for the character)
Violence gets him hard. Whether it’s hand to hand combat or killing someone. It’s a bit embarrassing, but not for him, for his colleague, seeing him get all worked up after beating some guy to a pulp. If he’s on a mission, well, tough, he’ll have to call you and masturbate while seeing you pose for him. If you’re at the same country as he is, expect him to come home and unload that pant up aggression into you. 
X = X-ray (let’s see what’s going on under those clothes)
There is a reason why August is cocky and arrogant. He is not just BDE, he is huge and thick and he knows it. It hurts when he goes in, no matter how wet you are, but you live for that pain, it brings much pleasure.  
Y = Yearning (how high is their sex drive?)
Extreme, he is a sexual person, he loves to touch, he loves to be desired and he loves to desire you.
Z = Zzz (how quickly they fall asleep afterwards)
Not right away, as rough as he is, he makes sure you are properly taken care of after an ordeal. Your aftercare always comes first. 
________________________
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scarletarosa · 4 years ago
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Pluto
Greek god of death; King of the Underworld
Pluto (also Pluton or Hades) is the king of the Greek Underworld (which is called Hades) and is the lord of death. He presides over funeral rites and defends the right of the dead to their due burial. Pluto is also the god of the hidden wealth of the earth, from the fertile soil which nourishes the seed-grain, to the mined wealth of gold, silver, and other metals. One of the gods who works alongside him is Thanatos, who holds power over gentle deaths (while Pluto is death in general). In one myth, Pluto was said to have brought a plague to inflict Thebes after the king refused to give proper burials to warriors, which depicts Pluto’s harsher aspect of delivering death and justice. Pluto was also usually regarded as an infertile god, for a god of death should, by his very nature, be incapable of siring any children.
Pluto was depicted as a dark-bearded, regal god. He was depicted as either enthroned in Hades, holding a bird-tipped sceptre, or as the giver of wealth, pouring fertility from a cornucopia. The Romans named him Dis, or Pluto, the Latin form of his Greek title Plouton, "the Lord of Riches."
Myths: According to Hesiod, Pluto’s parentage is said to be of Kronos (god of time) and Rhea (goddess of earth and motherhood). He was said to have been devoured by Kronos along with four of his siblings while the infant Zeus was secretly hidden away by Rhea after his birth. When Zeus later returned and fought Kronos, his siblings were spat out and together they drove the titan gods from the heavens and locked them away in the pit of Tartaros. When the three victorious brothers then drew lots for the division of the cosmos, Hades received the third portion, the dark gloomy realm of the Underworld, as his domain. However, in another version of Pluto’s parentage, it is said by the Orphics that he is actually the son of Nyx (goddess of night) and Olethros (god of doom). In my workings with Pluto and Nyx, they have said the latter myth to be the true version, which makes Pluto the half-brother of deities such as Eris (strife), Philotes (unity), Hemera (daylight), Aether (god of the aether and upper light), etc.
In another myth, Pluto had desired a bride and petitioned Zeus to grant him one of his daughters. The god offered him the young Persephone, the daughter of Demeter. However, knowing that Persephone would resist the marriage, he assented to the forceful abduction of the girl and carried her away on his chariot as she cried out for help. When Demeter learned of this, she was furious and in great despair, causing a great dearth to fall upon the Earth until her daughter was safely returned. Zeus was eventually forced to concede lest mankind perish, and the girl was fetched forth from the Underworld. However, since she had eaten the pomegranate seed after being deceived by Pluto, she was forced to return to him for a portion of each year.
Apollodorus in the following passage summarizes the contents of the Homeric Hymn to Demeter (quoted here in the following section). Pseudo-Apollodorus, Bibliotheca 1. 29-33 (trans. Aldrich) (Greek mythographer C2nd A.D.):  
“Plouton [Haides] fell in love with Persephone, and with Zeus' help secretly kidnapped her. I begin to sing of rich-haired Demeter Semne Thea (Reverend goddess) - of her and her trim-ankled daughter [Persephone] whom Aidoneus rapt away, given to him by all-seeing Zeus the loud-thunderer. Apart from Demeter Lady of the golden sword (khrysaoros), Giver of glorious fruits (aglaokarpos), she was playing with the deep-bosomed daughters of Okeanos and gathering flowers over a soft meadow, roses and crocuses and beautiful violets, irises also and hyacinths and the narcissus, which Ge (Earth) made to grow at the will of Zeus and to please the Host of Many [Haides], to be a snare for the bloom-like girl...The girl was amazed and reached out with both hands to take the lovely toy; but the wide-pathed earth yawned there in the Nysion plain, and the lord, Host of Many, with his immortal horses sprang out upon her...
He caught her up reluctant on his golden car and bare her away lamenting. Then she cried out shrilly with her voice, calling upon her father, the Son of Kronos [Zeus], who is most high and excellent. But no one, either of the deathless gods or of mortal men, heard her voice, nor yet the olive-trees bearing rich fruit: only tender-hearted Hekate, bright-coiffed, the daughter of Persaios, heard the girl from her cave, and the lord Helios (the Sun), Hyperion's bright son, as she cried to her father, the Son of Kronos [Zeus]. But he was sitting aloof, apart from the gods, in his temple where many pray, and receiving sweet offerings from mortal men. So he, that Son of Kronos [Haides], of many names...was bearing her away by leave of Zeus on his immortal chariot--his own brother's child and all unwilling. And so long as she, the goddess, yet beheld earth and starry heaven and the strong flowing sea, and still hoped to see her dear mother [Demeter] and the tribes of the eternal gods, so long hope calmed her great heart for all her trouble; and the heights of the mountains and the depths of the sea rang with her immortal voice: and her queenly mother heard her.”
Appearance: A man in his 40’s with tanned skin, black hair, a short black beard, and black eyes (only the irises). He wears a black toga and often has a solemn expression.  
Personality: Pluto is very solitary, withdrawn, just, fair, serious, aloof, brooding, and compassionate. He requires his followers to respect the resting places of the dead, to show humility, and to overcome their toxic ways. He is one who understands that we all must go through the depths of suffering if we wish to gain wisdom and become better people. Yet this is something very difficult to do, so he is glad to assist along this path if one politely requests him to do so. Pluto is also a healer, but only in regards to mental sufferings due to loss and regrets; other things are not specialties of his. Pluto is a highly respectable deity and will be the guardian of many of us once we die (unless we enter a different kingdom). One should not speak cruelly of him or disrespect him due to his role as a divine king, lest they seek to invoke his wrath.  
Personal experiences: Pluto embodies a feeling of immense loneliness, and had even bound himself to the Underworld as he felt that he could belong nowhere else. But in doing this, he is unable to leave this realm for very long and has made it very difficult for him to find a companion. So, in an act of desperation, he kidnapped Persephone when he saw her in a meadow one day and carried her off to his realm as she raged against him. He pleaded with her to listen and be understanding, but of course, someone who has been kidnapped does not respond well to this. So Pluto kept her locked up in his palace hoping that she would eventually calm down and come to want to understand him, but instead, Persephone became angrier and even more desperate to escape. This soon led Pluto to force himself upon her, and he continued this for ages. After a very long time of being kept prisoner, Persephone finally managed to be rescued by other deities, but she was not the same and had lost her connection to flowers due to her stay in the Underworld. She has been traumatized ever since and harbours great anger towards Pluto and any who change the myths about what had occurred. Pluto, however, is not the same as he was before and is repenting for his actions.  
Nowadays, Pluto is a better version of his old self but still pains over his solitude. However, he does receive some company from some visiting family members such as Nyx and a few of his siblings, like Philotes. However, one is not advised to enter the Underworld through astral travel unless they are highly experienced and are granted permission to enter since this realm is not a pleasant place and some areas can even cause insanity. Despite this dark, abysmal domain, Pluto is a very understanding and patient god who is not quick to judge others and helps us to overcome our past evils in order to be reborn. Pluto also has a very strong understanding of pain and solitude, and what these emotions can turn a person into, so he can assist in healing these burdening emotions from our hearts.  
He has explained that Pluto is his true name while Hades is simply the name of the portion of the Underworld which he rules over (as the Underworld is immensely vast and has multiple kingdoms such as Kur, Duat, Helheim, etc). His role as king of Hades is to watch over the spirits of the dead who enter his domain; where they are then tormented in order to overcome their wrong-doings, negative habits/emotions, and harmful obsessions. It is not like Hell, since only evil spirits go there and they are tortured for eternity in far worse ways; the Underworld is moreso a place of harsh lessons and rebirth before one is allowed entrance to Elysium. The torments of the Underworld are also all symbolic and assist the spirit in realizing what they must change about themselves before they can become anew, yet this process usually takes many years (sometimes decades or centuries). Pluto also has power over death itself (since he embodies it) and has explained that the god Thanatos is an aspect of himself, representing a small portion of his own power. Pluto also has the power of illusion, which makes him able to cause spirits and humans alike to see whatever he wants them to see (even able to manipulate one’s astral senses).  
Some of Pluto’s Epithets:
Adámastos (Unconquerable)  
Adesius (The Grave)
Agelastus (Melancholic)
Aidis (The Unseen)
Amænthis (The One who Gives and Receives)
Ánax (King)
Eubulius (The Consoler of Sorrow)
Feralis Deus (The Dismal God)
Larthy Tytiral (Sovereign of Tartaros)
Moiragetes (Guide of the Fates)
Nekrôn Sôtêr (Saviour of the Dead)
Opertus (The Concealed)
Polydegmôn (Host of Many)
Pluton (Lord of Riches)
Offerings: ginger ale, spiced rum, well water, ginger root, plums, mushrooms, eggplant, beetroot, parsnips, black peppercorns, bones, ash, scorpions, vipers, clay pots, black candles, styrax incense, chalk powder, black or grey rags, sceptres, scythes, black or dark purple cloaks, ebony wood, black leather moccasins, moleskin, old silver coins, bronze, silver, ivory, rust, obsidian, onyx, jet, charcoal
The Underworld
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sheepfulsheepyardinspace · 4 years ago
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Do you have any Star Wars fanfic recommendations, or have a link to someone else's list? I really wanna veg out.
oh my god, DO I. this may have been the best ask in the world. i’m not really sure what u want a feel for, so i threw together some of my favorite longfics for maximum veg time from the ot/pt and links for swr and swtcw recs. they’re pretty much all luke-anakin/vader centric, since that’s kinda my bread and butter.
let’s start with frodogenic, who wrote the first longfic i ever read in sw and might be one of the funniest authors ever. they once reviewed my fanfic & i nearly cried from joy. anyway. 
The Father, 284k+, complete. “Ten years after ROTS, tormenting nightmares of his unborn child drive Darth Vader to extraordinary measures with unexpectedly drastic consequences. Clearly, experience has taught Darth Vader nothing...” 
this is my og star wars fic and boy oh boy is it amazing. i will never get over this. i don’t want to spoil anything but when i say the final chapters are great? i mean they’re legendary. sometimes i still think about them & wish upon a star that i could be such a great writer. vader’s amazing, han is spectacular, and the ocs are fantastic.
Far More Than Rubies, 70k+, complete. “Nine years after AOTC, tragedy revisits the Lars Homestead. Little Luke Skywalker is suddenly plunged into chaos as the rebel movements discover a secret military project that may make a crucial difference in the war with the Empire.”
the spiritual twin of The Father, FMTR takes a look at padmé’s character and relationship with both luke and anakin/vader that’s hard to beat. it’s darker and heavier than The Father, but it hits those same sweet, sweet emotional beats while raising the age-old question: if padmé had lived, what would she have done?
The Family Tree, 12k, complete. “In which Luke Skywalker is stranded in a tree waiting for a flash flood to recede. Too bad he's got company...”
okay, i admit, this isn’t a longfic, but it is a longshot, and it’s amazing. the imagery and description always blow me away, and the interaction (canon-compliant) between luke and vader just [chef’s kiss] get me. vader’s in full, glorious form, and it makes it all the harder when luke wrestles with the knowledge that vader is his father.
Sibling Revelry, 25k, complete. “After Bespin and before Endor, Darth Vader is shocked to discover that Luke and Leia are twins. He's even more shocked when Imperial Intelligence reports that Organa and Skywalker are, erm, a tad closer than previously suspected.”
this is complete crack and humor in the best way possible. it’s crack treated entirely seriously, and you will be in stitches, i promise. no matter how many times i’ve read this i break down.
KittandChips (@kittandchips) writes what i can only describe as food for the soul. the luke-vader interaction is insanely amazing, the world building of daily imperial life and imperial governance is amazing, and vader just has a special je ne sais quoi that u must read to understand––tragic, funny, and so, so fatherly. they’re currently rewriting the Force Bond Series to fit in with newer canon, so i will joyously binge reread the entire again (including the new Force Bond: Mustafar Weekend).
Force Bond 1: Orphan, 47k, complete. “After Owen and Beru are killed by a mysterious stranger, young Luke ends up as an orphan on Coruscant. It's a race against time as Obi-Wan struggles to find Luke before Vader realizes the boy is his son.”
Orphan kicks off the series, which tracks vader and luke’s relationship through the perils of luke’s teenagerhood while growing up under the eye of the emperor and imperial court. it’s filled with slow growth, struggle and misunderstandings as darth vader tries to single parent, and pay off in every installment. the entire series clocks in around 777k+ and is the most joyful, fulfilling reading you’ll ever have. promise.
darth-nickels (@darth--nickels) writes darker, twistier, and terribly, terribly heartwrenching aus. they’ve got a whole host, but let me introduce to my two favorites. also, check out their faux-academia on vader. it’s amazing and i love it, but i admit i am an academia hoe.
Dooku Captured, Pt 2, 16k, complete. “Dooku is taken alive onboard the Invisible Hand, and Sidious' web is torn. The Sith Lord wonders if death might have been preferable to clumsy interrogation by Anakin Skywalker.”
Dooku Captured is a longshot au told from Dooku’s pov which takes the beginning of ROTS and throws it on its head. it’s a fascinating outside perspective of anakin and obi-wan’s relationship and such and interesting examination of dooku’s psyche and especially his complex relationship with the jedi order, qui-gon, yoda, and palpatine. i cannot rec this one enough.
Black Mirror, 90k, incomplete. “The Ghost crew returns to the Lothal when they hear the Empire is investigating the Jedi Temple there. They learn Vader is alone and decide to take him out-- but what they find could change the course of Galactic history.”
Black Mirror diverges into swr territory, but make no mistake: this is entirely an examination of vader and, later, obi-wan as well as ahsoka. luke makes his appearance later in the game, and boy oh boy will you love luke’s portrayal is a microcosm of luke and vader’s relationship within canon. heed the tags, though.
jerseydevious ( @jerseydevious ) is, first and foremost, one of my favorite people on earth. secondly, though, she’s an amazing writer with a deep understanding of vader’s character and psyche, a flair for beautiful depictions, and the true ability to wring every emotion out of your body.
Two and a Half Men (with a baby), 13k, incomplete. “After a long day of bargaining with Hutts and attempting to ignore his past, Darth Vader is nearing the end of his rope. When he discovers his two-year-old son, it's the straw that breaks the semi-rational Sith Lord's back; in a rash act worthy of the Skywalker name, he scoops his son into his arms, steals a shuttle from his own fleet, and punches in random hyperspace coordinates to a destination on the other side of the galaxy. Unfortunately, father and son are not the only ones on the ship.”
Two and a Half Men will stick with you, dude. like no other. i promise. it’s a whirlwind ride with obi-wan, vader, and piett and as funny as it is heartbreaking. it touches on some heavy issues and doesn’t shy away from looking at the damage done to vader––again, heed the tags.
Helioseismology, 4k, complete. “Luke gets shot down on a supply run and caught in an ice storm. It's extremely lucky that his father followed him there.“
i’ll admit. im completely biased about this one because it was a birthday gift to me and i am sucker for litcherally anything when jd puts pen to paper, but believe me when i say you will be awed by the depth and tangled relationships between these luke and vader that jersey can illustrate in a stroke of the paintbrush. im love. always.
izzythehutt ( @izzythehutt ) i am blown away by the intricate dialogue and characterization, always. and the latin puns? im sold. im also a sucker for latin puns, but that’s a story for a different time.
In Loco Pirates, 34k, complete. “A down-on-his-luck Hondo Ohnaka manages to capture the unicorn of all bounties--Luke Skywalker, which sends Darth Vader, Lord of the Sith, on a painfully familiar trip to the planet Florrum to collect his prize. The failed negotiations leave Vader in the awkward position of being stuck in a besieged pirate bunker, trying to balance keeping his wayward child safe (and in his custody) with controlling the tongue of a loose-lipped pirate who--to the surprise of no one--has a bad habit of telling 'amusing' anecdotes from the Clone Wars.”
hondo, aka the best character of swtcw, is brought to life just as vividly on paper as on screen. his entire personality brings luke and vader’s difficulties in a sort of incredulous light, which makes it as funny as it is vulnerable and tragic. the sequel, Palpatine Ad Portas, brings piett into the spotlight, and oh man do his interactions with palpatine and vader bring u all the uncomfortable vibes. relish in it.
sparklight ( @littlesparklight ) man. lemme introduce u to an amazing prolific and detailed writer. i will never get over the series they’ve written & neither will u.
Where Our Intrepid Hero Doesn’t Get Away, 122k, incomplete. “One-shots surrounding either AU situations of canon/legends works where Luke would normally have gotten away (or Vader is simply inserted into the action to come pick his child up) but in these instances doesn't, or completely new scenarios of the same. There are no deep ruminations on consequences of the situations here, just our awful Sith dad picking his son up when he'd rather not be.”
exactly what it says on the tin. u know those glorious moments of fanfic where luke’s gotten captured and ur on pins and needles, waiting for vader to show up in a moment of dark glory? here’s the moment. here’s all the moments.
Space Race, 122k, incomplete. “Owen gives in to Luke's wish to attend the Imperial Academy and Obi-Wan is too late to avert it, though he's not too late to make sure Luke leaves Arkanis before Vader can gets his hands on him. Luke spends over a month running around the galaxy before his father gets him, and from there...”
this story relishes in chase and boy is it fun. it will keep you on the edge of your seat and it’s an amazing ride.
The Suns of Tatooine, 85k, complete. “Luke ends up on a moon swamped in dark side energy after a mission goes wrong, then his father appears... and then they go on a bit of a learning experience. This could've been the only thing that would come of getting through a Sith complex with his father, but thanks to going to free Han earlier than the gang did otherwise, more revelations are had. Will that change anything?”
this series is a thoughtful, contemplative piece examining the nature of the force and the relationship the skywalkers have with tatooine. the descriptions are beautiful, the inventiveness is amazing, and you’ll be thinking about it for long afterwards.
an additional few…
Between Flight and Longing; 34k, complete. “Luke Skywalker and Han Solo journey to the planet Balen'ar on a desperate mission and find more than they'd bargained for.”
a classic and it is for a reason. the interaction between han, luke, and vader is so spectacular and the slow trudge of going through the forest with your greatest enemy and best friend is something hilarious. the end is bittersweet and fantastic.
The Sith Who Brought Life Day, 13k, complete. “An Imperial officer loses a bet and has to get Darth Vader a present for Life Day.”
somewhere between terrifying and dull, this fic presents a canon-compliant look at the hunt for luke and the grinding wheels of the empire. the oc is amazing and it echoes in true star wars spirit: sometimes it’s just some dude who can change the galaxy.
Quintessence, 5k, complete. ‘“Well, Master, I think I’ve found the one positive aspect of this situation.” “Which is?” “The Temple won’t have to pay the costs for our funeral pyres.”’
pure hilarity and shenanigans abound in pre-aotc obi-wan and anakin hijink goodness. lemme tell u––u will deeply sympathize with mace windu afterwards. additionally, check out the rest of the author’s oneshots! they’re deeply thoughtful and the interactions the author writes between obi-wan and anakin are always gold.
some extras & shameless self-promotion
here’s a full list of recommendations for star wars rebels fanfic in case this is what you’re looking for (remember when this used to be a swr blog, lmao)
i’ve also written sw fanfic, both swr and luke-vader centric. drop by and tell me if it’s any good!
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x0401x · 4 years ago
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Given Movie: MantanWeb Interview #5
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“Given the Movie” (directed by Yamaguchi Hikaru), the theatrical adaptation of the TV anime “Given”, originally a popular BL (Boys Love) comic, was released on August 22. Yano Shougo-san played Satou Mafuyu, vocalist of the band Given and series protagonist. Yano-san, who is also in charge of singing for the scenes where Given performs, states that he values “singing by putting Mafuyu’s feelings into it” and that “just as Mafuyu came to live music, so did I”. We asked him about his feelings for the series and his particularities regarding the scenes where he sings.
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◇ “I want to voice Mafuyu no matter what.” His dearest wish was to play the role of main character.
“Given” is a comic by Kizu Natsuki, currently being serialized in Chéri+ (Shinshokan). It portrays the drama of young bandmates coming into their own. The TV series started on 09/07/2019 in the late-night anime section of Noitamina, broadcasted on Fuji Television and other channels, depicting a romance between the band members and high schoolers Satou Mafuyu and Uenoyama Ritsuka. “Given the Movie” is about the bitter and passionate love between Akihiko and Ugetsu, who live together despite being ex-boyfriends and maintain a half-hearted relatioship with each other, as well as Haruki, who has been in love with Akihiko for a long time.
Mafuyu had been living life dragging along his past, where he lost his childhood friend and former boyfriend, Yoshida Yuki, but through meeting Ritsuka in high school, he began to change. The TV series depicted the process of Mafuyu and Ritsuka communicating their emotions to each other.
For Yano-san, Mafuyu was a much-desired leading role, and he says that he “wanted to voice the character named Mafuyu” after reading the source material.
“I look for things in him that can understand and that resemble myself, so I quickly relate with him. Mafuyu is very delicate; he lost his significant other, Yuki, in the past, and wasn’t able to move even one step forward due to carrying a heavy baggage. He got pulled out of the darkness by Ritsuka. I also have experienced times when I was truly in so much pain that I couldn’t move or breathe - it’s something that everyone goes through, but I thought there were more parts of him that resembled me than otherwise. That’s why I thought I was the only one who could do this; I wanted to do it.”
Mafuyu and Ritsuka appear in “Given the Movie” after having become boyfriends, and the situation of the romance between Haruki, Akihiko and Ugetsu is portrayed as main.
“When I first read the script, I wondered who I should empathize with... It felt like the feelings of all the characters entered me at once. Everyone is skillful yet inept, and though they could be honest, they aren’t. It’s very vexing, so I embraced the sensation of my chest squeezing until the very end.”
◇ Being conscious of “growth” and his particularities regarding the recordings of “Given the Movie”.
In the TV series, Mafuyu performed his original song, “Fuyu no Hanashi”, during what was Given’s first live concert ever since he had joined the band, making the concert into a success. In “Given the Movie”, Mafuyu tackles the making of a new song. Yano-san says he was conscious of “growth” when voicing him.
“When singing ‘Fuyu no Hanashi’ in the TV series, Mafuyu was thinking of Yuki, so it was also a shout out of wanting his feelings to be understood. This time, he begins making music from yet another viewpoint, as he wants to create a song aimed at someone else. I had the impression that Mafuyu’s core itself was molded enough for him to absorb himself in music and that he had become strong, so I had his growth in mind when voicing him. As always, he’s bad at expressing his emotions, but I sensed that he became capable of conveying his feelings and reacting more naturally.”
For this work, Yano-san recorded separately from Uchida Yuuma-san, who voices Ritsuka, but Yano-san says that he “performed while feeling Yuuma-kun’s voice” inside him.
“There’s a scene where Mafuyu is fretting over the making of the song and Ritsuka says, ‘You write lyrics through being influenced by the people around you, right?’, which portrays that he understands Mafuyu. It’s exactly because the TV series happened that I was able to sense the growth of the two as I performed.”
He reveals that, during the recordings, “the roles and acting are left to the actors’ discretion, the TV series included”.
“This series dearly values the mood of a daily life, so in order to bring out a sense of daily life, the microphones are positioned so that we all can see everyone’s faces. They also do the sort of shooting where each of the mics and actors are at a broader distance from one another than for other works, and by letting our voices pass through the atmosphere created in that meantime, we can bring out an even more daily-life-like air. Since the mood in the foundation of ‘Given’ was entrusted to us, I believe that’s evident in this work too.”
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◇ “I put the things that Mafuyu wanted to convey into the song.” On singing while shouldering his role.
One highlight of “Given the Movie” is that the story depicting the adult trio’s romance links up with the song that Mafuyu creates, connecting with the final stage, which is the live concert scene. Yano-san talks about his particularities when singing as Mafuyu, “I sing while shouldering the role. There’s a sort of approach that I can do for the song exactly because I’m an actor”.
“Of course, I was expected to do voice training for the singing scene, but I valued putting Mafuyu’s feelings into the song, even if they were harsh. On top of learning the technical parts of it, in order to convey Mafuyu’s feelings even better, I learned and adopted a technique named portamento. I hit a wall sometimes, but gets fun when I think about how much I want to study more in order to put the things that Mafuyu wishes to say and transmit into the songs. It was a new discovery for me that I grew to like music just as Mafuyu came to like it.”
Yano-san states that “Given” was his first time working as the lead and “Given the Movie” had nothing but challenges for him. We asked him about his future goals.
“To continue this job in the frontlines even as I get older. For that, I want to be able to make people think, ‘I’m glad I entrusted this role to Yano’ and to have all sorts of experiences with many forms of acting. Having experienced a starring role this time, I thought I would like to continue playing ‘roles that move the plot’. I also hope to challenge myself with new things from now on, such as dubbing and narrating Western movies, and I want to keep on creating and presenting my own way of acting.”
“Given the Movie” was packed with challenges for Yano-san. We would like everyone to pay attention to his future activities.
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pluviophile-bookworm · 3 years ago
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High School Musical: The Musical: The Series: The Rewatch pt. 4
I really need a pick-me-up after 2x11, and I feel like 1x7 might be what I'm looking for, so here I am again with another HSMTMTS rewatch. I'm genuinely so excited for both of these episodes, so without further ado, let's jump right into
1x6: She stands for... lies, pressure and very inappropriate suggestions (coming here after 2x11 might have been a mistake, actually)
I honestly don't get why Nini's reaction to seeing Ricky in full Troy costume was so big — he actually looked pretty ok to me. Sure, the wig is a bit too much, but so what, it's cute.
Ahhh my boy Reddy is so adorable in that talking head... 'click!' Gosh, I love seeing him so cheerful! Guess he's embracing his role as part of the crew. As he should.
'I'm home'. Yes, Sebby, and you look so good, too! Gosh, I love this scene so much. I can't believe I'd forgotten about it.
Gina looks beautiful, though — I mean, she looks beautiful in anything, but I really like the Taylor look on her.
Ok, I fully understand everyone's frustration about this picture — it's genuinely so hard to get a good picture of someone jumping up in the air, and I can only imagine what it would be like with six people. A bunch of my classmates tried to do something like that ages ago and, needless to say, it didn't go very well. No good pictures were taken that day.
Ah, Portwell: the early days. Ok, but wanting something and feeling like you have to get it is far from the same thing, EJ. Honestly, these two in their early days as accomplices... this is not the first time they've been like 'X is the same thing as Y' when it's obviously not. I mean, of course, that time they became accomplices because 'we want the same thing' — which, at that point, they didn't.
Ok, but they were in such unison with that 'Not now!'... couple goals! You know, even before either of them had considered the possibility of them being a couple for real.
That's a lot of pressure that Miss Jenn is putting on dear Carlito over there. I mean, he's one of the youngest at the drama club and he has to essentially do her job for her, all while she's not even sure if she'll be able to return to her job. I just... keep reminding myself that these kids are closer in age to my little brother than they are to me (except for EJ, who is precisely in the middle), and then the pressure they're under takes on completely new proportions in my mind. None of them should have to deal with all of this. And no amount of 'trust the process' is making it better.
'Should I just live vicariously through someone else?' Oh Reddy, you should just live for yourself. I mean, the truth is I don't practice what I preach most of the time, but I really do mean this. Just go out there and live your best life. You're not Ricky's therapy dog or anything (that being said, Ricky's getting a therapy dog when?).
What part of 'a forest of boys' does Nini not get? It's simple enough. Just help Carlos do his job, how about that? I mean, he shouldn't have to do everything himself anyway.
See? He cracked. That's what happens when you put all this responsibility on a teen's shoulders and be like 'deal with it'. He was just trying his best, you guys. He did not deserve all the clapback.
Ricky's forced optimism about Miss Jenn and the show is too much even for me. Sure, I know everything turns out mostly alright at the end, but this just sounds like Ricky's on the verge of a breakdown. You know, every time someone's been too unrealistically positive on this show, it has ended in a breakdown. And that's the last thing I want.
I do agree about the simple acoustic version of the song, though. Sometimes simple is the best option.
Major props to Carlos for going up to Mr. Mazzara like that. If someone had bullied me, and especially if that someone was a teacher, I'd never have dared to call them 'Benjamin Mazarra!' to their face. Even when he's on the verge of despair, this boy is still the boldest. And we love him for that.
Is this where the 'Carlos Surname' joke started, though? I had forgotten. It was funny while it lasted.
Ricky doesn't know it yet, but he's seriously playing with Gina's feelings there. And I don't blame him because, again, he doesn't know yet, but I still feel bad for her.
'Despite the 4.3 GPA, I'm actually an idiot.' — EJ is high intelligence, low wisdom, confirmed. Not that this is news, but I really don't remember much about this season, so I'm pointing this out now.
Now forgive me if I'm not feeling for Miss Jenn after 2x11... she did some really unforgivable things there. Still, as much as I want to say a real qualified teacher would not do any of that, my personal experience suggests otherwise, quite unfortunately. Miss Jenn might not be very emotionally mature, but not having legal teaching credentials is not her biggest issue, really. It is precisely her lack of emotional maturity.
OMG, Big Red accidentally invited the entire drama club over! And that, I guess, is half of how Redlyn established themselves as the hosts of every out-of-school drama club gathering. Thanksgiving is, of course, the other half. Gosh, those two were the parents of the drama club even before they were a couple. Guess they're soulmates in that way, too.
Ok, so I didn't comment on this after 2x8 when Big Red did it to Ricky, but now that I finally notice that Seb did it to Carlos, too (I took my time, thanks), I need to talk about the knee touch thing. See, this is exactly the amount of touch I used to be comfortable with (since I'm very touch-averse) — both on the giving and on the receiving end — and it can mean so much when you feel bad. It's a subtle 'hey, I'm here, it's going to be fine', a sort of hug-without-the-hugging... I feel like this is a gesture we don't see enough of in media and it can feel just as intimate as, say, holding hands or cuddling. I don't want to talk about kissing because I don't know anything about it. But I just love how we've got the knee touch depicted by both a romantic pairing and a platonic pairing in the show. Ok, rant over. But I just really wanted to talk about this because, well, I saw myself in it.
'Her past is a little bit sketchy'... I see, Ash has already started writing Truth, Justice and Songs in Our Key, even if she doesn't know it quite yet.
Miss Jenn finding out Mike is Ricky's dad is just as awkward as it should be. Whatever they had going on should have ended right then and there.
'... people in the dramatic arts are insane' — 'Thank you.' — Umm, Miss Jenn, you are not really helping your case there. Quite frankly, you're lucky you've got the allegiance of the entire drama club. I don't think they'd have your back as much after 2x11, though.
Ok, but... Big Red wearing a longcoat just to take it off for the dramatic flair of it all? An icon if I've ever seen one. Also, mad props to Larry for apparently learning this number in record time after Dara got injured.
Oh, and... mad props to all the kids in-universe for writing, rehearsing, and learning this entire number in one night.
So both Seb and Natalie have solo lines in the song... and Seb was promoted to main in s2. So does this mean Natalie will get the same treatment in s3? I mean, that will probably mean they'll try to stick her in some sort of romantic plot, and I really don't need that, but I really, really want her to be a main character.
Also, let's not forget we had our first Redlyn moment in this number... seeing them dance together makes my heart jump with joy!
I won't lie, though, the entire dance number and everything was just a little bit uncomfortable to watch after 2x11... these kids do so much for Miss Jenn, and what does she do? Put insane amounts of pressure on some of them, shuts others down at every attempt to put in a word, favours yet others despite their abysmal performance at the audition, and then has the audacity to tell that same person to jump off of something high, with all the implications attached? Not that I'm naming any names, of course. Ok, this has taken a sudden and uncalled for turn for the dark, so I guess I'll just move right along to the next episode now.
1x7: A world where 'That was terrible!' and 'I'm so happy!' can both be true at the same time
My girl Ash is doing the recap! And she's a pun queen, too. 'Miss Jenn was in hot water, Carlos was a hot mess...' — not pleasant, but so true. But wbk. Ashlyn is the best.
And... Ricky and Nini's on and off chemistry is back on. Good for them, because after season 2, I really needed to see a good rehearsal. But I'm thinking EJ's joy at the end-of-school bell had little to do with Thanksgiving...
That look Reddy gave Ashlyn as she was walking out... might be me digging for breadcrumbs, but I think I just saw the exact moment my boy fell, and he fell hard. Ok, I realise now after I've said this that 'fall' probably isn't the best choice of words, but you know what I mean. Fell for Ashlyn. Not like... oh, never mind.
'So meek, so mild, sword!' I can't really explain it, but I love this line. And I feel like it describes Ash so perfectly: like, she might be meek and mild, but if you cross her, she's armed. Gosh, I love her!
Not the Caswell parents leaving their children alone over two holiday breaks! No wonder these two are the way they are. But they're about to get a beautiful Thanksgiving celebration. [Fun personal fact: the year I was born, my birthday fell on Thanksgiving day. That doesn't mean much in Bulgaria, but my dad works with a lot of Americans so my parents knew about it and I've known this and that about this holiday I've never celebrated since I was very young. I have no idea why I'm telling you this, but Thanksgiving has always reminded me of my birthday for this reason, so... ok, moving on.]
So I know she kind of suggested it, but... why does Carlos think it's his place to invite people over to Ashlyn's? I mean, this was part 2 of Redlyn establishing themselves as the hosts for any out-of-school gathering, but... oh well, it led to a beautiful party with everyone, so... I'll allow it.
I really liked Nini's talk with her grandma. It was really nice, and a very fitting way to remind everyone what Thanksgiving is originally about. I feel like people often forget that when it comes to... literally every major commercialised holiday.
Wow, EJ really is that person where once the tap is open, it can't stop spilling. And I kind of like that look on him. It's a transitional stage between EJ 1.0 and EJ 2.0, and I appreciate it for what it is.
Ahhhh it's Redlyn's first proper 1-on-1 conversation! I mean, it got kind of really awkward really quickly because of — surprise, surprise — Nini and Ricky (and EJ), but those two are so adorable! No more breadcrumbs — we're about to get an entire five-course meal here! Which goes really well with the Thanksgiving setting, now that I think of it.
Gosh, they've never really talked and my boy whips out the 'the only thing I'd ever throw at your face is a brighter spotlight' line right off the bat? Boy is whipped! But like, he is the master of grand gestures where Ashlyn is concerned. Still, in this first moment they shared, he really was like, go big or go home, and home isn't really an option here. But I should have known, it's in his name after all. Gosh, I love both of those two so much! Especially when they're together.
Ok, so... this is a really bad way to meet your mother's new boyfriend. Poor Ricky. As if ringing his mum wasn't hard enough already.
See, when I rewatch season 1, I get where the Rina stans are coming from, but then again, remember when I used to say I wanted Gina and EJ to just be friends? Yeah, that's changed too. Not that I ever shipped Rina romantically — I rarely ever ship a pairing unless they're explicitly stated to have something going on, just because I can't see that sort of stuff very clearly — but I really, really want them (Ricky and Gina, I mean) to be really good friends. Once they get past the awkwardness of their sort of history, I mean.
I miss the good old days when Nini was a nice person... I mean, we kind of (really) had a glimpse of that in 2x11 (I'm guessing she was making up for Miss Jenn's very inappropriate slip-up), but I miss the days before she was this big internet-famous songwriter and actually had to be convinced by Ashlyn that she should write songs for herself... wait, now that I think of it... Ashlyn might have helped create a monster there. Oh well. Still love her so much!
You know, I love the Choosical, but it's all a bit sad, if you stop to think about it for a sec. Just picture little single-digit-aged Carlito making this whole thing up in an attempt to participate in his favourite thing... only to not have anyone to play with for the next ten years. Great, I just made myself cry. The thing is, I relate to that story a bit too much. I remember in preschool, when the rest of the children would play together, I'd sit in a corner by myself and read the only book that was there... over and over, day after day. I don't even remember a single thing about that little book right now, but back then I clung to it like it was everything. And I couldn't very much share the experience with any of my peers, seeing as I was the only kid there who could actually read (my grandma used to be a preschool teacher and she taught me to read when I was 4). So yeah. I went off on a rather personal tangent there. Thing is, I know how little Carlos felt and I'm so happy that he finally gets to share this thing he made with a loving and supportive group of friends. Everything has its time and place, I guess.
'Look, I'm not following Big Red just because he paid me a compliment' — of course not, dear, you know your own worth and we love that for you — but see, when he said that thing that you're referring to as a compliment, he did not lie! You really are the brightest star and deserve the brightest spotlight. See, the thing I love most about Redlyn's compliments to each other is that they're so sincere and state nothing but the absolute truth. Those two just see each other for what they are, and love each other as they are. And I think that is beautiful.
It's so funny to me every time someone gets something wrong and Carlos just walks past them out of nowhere and corrects them without missing a beat. I kind of relate to that side of him, too. Except it's usually about grammar and language in my case, not HSM trivia.
If I were Nini in this scene, and was suddenly put face to face with Emily on the spot like that, I would not have been able to handle it. So props to Nini for handling it.
Yeah, sorry to break it to you, Emily dear, but whatever you're doing is not a Cockney accent. I don't claim to be an accent expert, but I know first-hand what Cockney sounds like and... that's just not it. Even Dick Van Dyke was closer to a Cockney accent in Mary Poppins, and that's saying something. (See, I feel bad criticising any aspect of Emily because her actress is no longer with us, but... I have no idea who let them get away with passing this off as Cockney).
Is this the beginning of Jennzara there? I am loving this.
Of course Carlos was obsessed with Glee as a kid... but wasn't he a bit too young for it when it aired? I know I was, and I'm older than those kids. I mean, I waited until I was emotionally mature enough to watch Glee, and that wasn't until 3 years ago, when I was 18 going on 19. Ok, I'm thinking too much into this. Moving on.
Ahhhhh, Redlyn! Just... all of their moments. But screaming the lyrics of What I've Been Looking For on top of their lungs while looking right at each other... was so beautiful to watch. Give me more of that!
EJ: 'That was terrible.' Seb: 'I'm so happy!' — Moods, both of them. Those two are real-life emojis, aren't they? And we love them for that.
'... without laughing... or killing each other.' — I feel like that last specification was needed given that it's Ricky and EJ we're talking about, and especially what happened last time they had to do a one-on-one exercise during rehearsal. The ensuing scene, however, is the most hilarious thing!
Root beer, huh? Is that the HSMTMTS code for 'awkward' now? I mean, Nini and Gina had a nice talk there, all things considered. I really want the two of them to put the Ricky thing past them and be friends... but we'll see.
Gina is trying to make the sleepover thing look like 'it's not a big deal' despite how big of a deal it obviously is to her... to which I say, good for you, girl, but I wouldn't know. The only sleepovers I've ever had have been with my little cousin who is 9 years younger than me and also insists on sleeping with a very bright nightlight on, which means I can't sleep at all. So yeah, I wouldn't know. But I'm happy that Gina is feeling included.
So this is the exact moment when it becomes clear that Big Red is not telling us the complete truth when it comes to his HSM knowledge... '14 and 10'? Even I didn't know that. I knew 14, but... for someone who allegedly 'hates musicals', my boy has very detailed knowledge of one certain musical movie... I love how it got him a certain girl's attention, though. Not that she wasn't already paying attention to him, if you catch my drift.
Ok, but this hits even harder now than it did the first time — just when Gina has finally managed to make friends, to feel included in their group, her mum has to move her away again. This is straight-up tragic. I'll say it now, and I'll probably say it again when it comes up in the rewatch �� Ashlyn is an absolute queen for taking Gina in for the next semester.
'That's sort of what you always do, huh? Take care of everyone else' — yeah, Ash, and you do the same. You two just need someone to do for you what you do for other people. See, guys, this is what I mean. This is why they're soulmates. Because in a world that has more or less forced both of them to put others first, they put each other first. They each get to be the most important person to each other after they've been stepping back for others all the time. And if that isn't beautiful, I don't know what is. I know I'm repeating myself over and over saying this, but... they own my heart and soul and I'm not for sale.
Ok, but Ashlyn's little run after Big Red left was so cute! Girl is... I don't know why I keep using that word, but... falling.
Unpopular opinion: Out of the Old is the best Nini solo to come out of this series to date. Maybe I feel that way just because I relate to it most, but hey, that is a valid reason to like something.
Oof, EJ's losing followers. Oh well, if they're unfollowing him for being too honest, they didn't like the real him to begin with. So good riddance to them.
Yikes... Jennzara fell asleep with flammable stuff left unattended... we all know how that ended, but just the fact that they felt comfortable enough to fall asleep in each other's presence... speaks volumes. So I guess... well, I don't know what exactly I'm saying regarding the fire they caused, but I loved this big little moment they had.
So this is it. That was 1x6 and 7 and, well, they were beautiful, but there are some parts I can't look at in the same way anymore after 2x11. Guess that's the risk of a rewatch. The Redlyn scenes, though — still the best part of both of these episodes. That and a couple of other things for which I don't need to pretend like I haven't seen season 2.
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dwellordream · 3 years ago
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“In theory, Victorians concerned with troublesome issues on the margins of respectable fiction for girls could deal with them within the family reading circle. Reading aloud was perhaps the most common domestic entertainment within the Victorian family, used as reward, improvement, or therapy for life’s challenges. The sisters taking turns reading to accompany their needlework, the matron at the sickbed, the daughter reading to her father at the end of a business day—there were myriad arenas in which families used reading to ease, amuse, and instruct.
At its most basic, reading aloud enabled the sharing of resources (a book, or a fresh installment of a periodical) among many. But beyond that, it was a profoundly social way of responding to the lessons of history, current fiction, or poetry. The critic Andrew Blake suggests that the novel, in particular, was ‘‘a most important point of contact between the public and the private’’ because ‘‘it gave people a chance to discuss domestic ideology in public without touching on domestic secrets.’’ The semipublic sphere that was the family circle provided an important venue for the discussion of reading. Within this context, instruction in morality could be accomplished informally, gently, impersonally, with reference to fictional characters rather than through direct criticism and rebuttal.
The convention of the family reading circle generally restricted polite novels from treating illicit sexuality or immoral characters, but if any lapses occurred, the family circle could deal with them most effectively. Thus Elizabeth Gaskell said of her own novel Ruth, which features an orphan who has been seduced by an aristocrat: ‘‘Of course it is a prohibited book in this, as in many other households.’’ The one circumstance that would change its unsuitability for young people, she opined, was if it was ‘‘read with someone older,’’ perhaps with an older female relative within a family reading group.
The kind of family conversation which could improve all who participated was explained by Sarah Browne in a private diary in 1859. ‘‘Albert brings [Harriet Beecher Stowe’s] the Minister’s Wooing. We sit quietly and hear how James is brought back to the living, we calmly rejoice with Mary, plan and maneuver with Miss Pressy, call Parson Hopkins in very truth a Christian and wind up the evening by wishing to see Mrs. Stowe, knowing how she would seem and if she would talk at all, like other women.’’
Albert Browne Sr. was generally the reader in the Browne family, sometimes of ‘‘superior articles in the Atlantic Monthly.’’ In these moments of quiet, Sarah Browne most idealized her shared family life, ‘‘sitting as we do in our little western chamber, Father, Alice and I storing in the rich thoughts of others as a life element of our own.’’Reading aloud enabled a submersion of family tensions in a focus outward on the problems of others.
The idealization of the shared reading experience suggested stylized familial communion to daughters as well as parents. During the final days of the Civil War, as she anticipated her own marriage, Helen Hart thought to memorialize the evenings reading aloud together. ‘‘I think I never enjoyed evenings more in my life. First Bertie reads, then Hady, and then Mother and I; from History, Shakespeare, the Atlantic, and other miscellany. Such peaceful, happy winter evenings at home! Something for us to look back upon in after years when we are scattered. I have treasured up each one as it passed, as a sweet and sacred memory.’’ The pleasure came from the contrast between ‘‘our quiet harbor’’ and ‘‘the world with its commotions, its struggles.’’
Never did home seem so secure and safe as when implicitly contrasted with the adventures and misfortunes of fictional characters, warring nations, or past princes. Charlotte Perkins Gilman’s biographer noted that Charlotte and her destitute and emotionally distant mother were at their best when reading aloud to each other, their fraught intimacy dissolved in their shared focus on the lives and feelings of others. Those moments of community might even be resurrected by rereading books so experienced. (‘‘It seems as if we were gathered around the nursery fire again. I can almost hear Aunt Mary’s voice.’’) The pleasures of reading aloud were those of reading mediated—reading mediated by the fiction of shared purpose.
Reading aloud did not have a single simple meaning, however, nor did it model only one kind of power relationship. The Browne family’s shared reading was patriarchal, with father reading and other family members (according to the hardly impartial mother) celebrating familial harmony. Alice Stone Blackwell, in her irreverent and spritely diary, offered another example of paternal reading aloud, lightly satirizing her father, the noted reformer and women’s rights advocate Henry Blackwell:
‘‘Papa sat with his feet on the top of the stove, saturated with laziness, and rated me for enjoying stories [fiction], and formed plans to give me a taste for instructive literature, and ended by making me bring Plutarch’s Lives, and beginning to read them aloud.’’ This depiction of a well-respected father indulging in playful tyranny of his only child suggests a quite different emotional shading—if a similar actual structure—to the idealized portraits of patriarchal reading circles.
Daughters also read on their own, though, and given the risks of immoral reading and the gains from uplifting reading, good parents attempted to mon- itor what they read. The goal in choosing reading, as in all the lessons of character, was to instruct gently and surely so as to encourage daughters to make familial lessons their own. Advice to parents ranged from the relatively cut and dried—‘‘Parents should choose the books that their children read until the age of 15’’—to the more subtle: ‘‘Wise parents put so many good books in the way of their children that the taste for them is formed unconsciously, and there is never any feeling of restraint.’’ (The latter piece of advice, made in 1901, was clearly advice for the book-wealthy.)
Ellen Emerson’s correspondence with her mother while away at boarding school suggested the appropriate supervisory relationship of parents over girls’ reading. Explaining that she was reading Elizabeth Gaskell’s Cranford, which she found ‘‘a very funny book,’’ she went on, ‘‘I never read any that I am not sure you would be willing to have me,’’ and recorded her assumption that Scott, Gaskell, and several others were ‘‘not forbidden.’’ She went on to query, ‘‘May I read [Margaret Oliphant’s] ‘Head of the Family’?’’ Middle-class or elite parents who participated in genteel Victorian culture assumed an important role in controlling the reading of their daughters—its quantity, its contents, and its circumstances.
In the elite midwestern Hamilton family, a family with a strong and eclectic reading tradition, novels were doled out prudently like candies during vacations from school, so as not to interfere with schoolwork. When her daughter was fifteen, Phoebe Hamilton gave her ‘‘Ivanhoe for my holiday reading, she always gives me one of Scott every vacation.’’ The next year her mother was more liberal, providing Scott’s Quentin Durward for a Christmas book and giving permission for the reading of Dickens’s Little Dorrit and Jemima Tautphoeus’s The Initials. As January arrived, Agnes lamented, ‘‘I have finished the latter but I am afraid as I go back to school next Monday I shall have to let Little Dorrit wait till summer.’’
There was a hierarchy within Hamilton family reading, and despite her voraciousness, Agnes felt that her tastes fell short of her family’s preferences. ‘‘Oh! why haven’t I the love of learning of the family?’’ She indicated what was expected in her next breath: ‘‘Knight’s England vol. III has been read all but two chapters since last fall and during two months I have read but four books of the Odyssey.’’ She forced herself to be realistic. ‘‘During this next week [probably a school vacation] I want [to] finish half a dozen or more books which I have begun but I dare say the novels are the only ones that will be looked much in.’’
Like the Hamilton reading regimen, other family routines, too, involved matters of both quality and quantity. There were appropriate ages for the reading of different books. At fifteen, Margaret Tileston wanted to read George Macdonald’s Alec Forbes of Howglen, an homage to the dignity of Scots country life. The author was certainly approved, but Margaret’s mother didn’t want her to read the book ‘‘yet.’’
At eighteen, Margaret was still reading under adult scrutiny. Sick at home she was ‘‘allowed’’ to read Charlotte Brontë’s Jane Eyre, considered excessively charged for young girls, and polished off 340 pages on the first day. Reading was one way of being inducted into family ideology; when Margaret reread Pilgrim’s Progress in 1883, she was conscious that she was reading a book that had been important to her mother when she was young.”
- Jane H. Hunter, “Reading and the Development of Taste.” in How Young Ladies Became Girls: The Victorian Origins of American Girlhood
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novantinuum · 4 years ago
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Fandom: Steven Universe
Rating: Teen Audiences (I have upped the rating in consideration of sensitive topics I aim to depict later on.)
Words: 6.4K~
Summary: In another world, he doesn’t have his mother’s sword or shield to hide behind when Bismuth lands her strike. The bubble pops.
Steven falls apart.
Chapter summary: In which history is written on the walls.
Some of my other fics have been showing up in the tags when I use the link post option, so I’m doing an experiment this time. Fingers crossed it shows! If you read this and enjoy, I’d greatly appreciate your support through reblogs here, or kudos/comments on AO3. Thank you! <3
____
Chapter 12: Beta, Part 3
Having long since heeded Ruby’s advice to take a mental break, Steven sits criss-cross with his back pressed against the hodgepodge aquarium. If you ask him, this position is a two-in-one miracle, allowing him both an unobstructed view of the doorway, and sparing him from the deep rooted horror of the creepy dismantled plush still floating an aimless arc through the tank. He loves Peridot to death, but good golly, this latest meep morp is deeply unsettling. He shudders at the mere thought of its water-logged stuffing oozing out from the seams, and then— inhaling deep through his nose— steers his focus back to the phone clasped tightly between his fidgety fingers.
Back to the story, you doofus.
With nothing better to do for the moment and a hyperactive mind to satiate, he’s finally started to read the Unfamiliar Familiar fanfic that Connie sent him a link to a few days before. True to her words, it’s super, super good. Well written, great characterization, and best of all, the author keeps throwing in hints of future romance between Lisa and Archimicarus! Considering that, he’s almost surprised Connie likes this fic so much. She’s normally not much of a shipper. To be fair though, romance definitely isn’t the point of the story. Instead, it’s an AU focused on the mystery of the main character’s origins.
He can’t help but let out a sympathetic sigh as— in chapter 5– Lisa tries to calmly explain to her fellow Stonehearth Coven members that somehow her father, the revered founder of the coven, used to be a prince of the wicked Arcane Court. Most of her once-close friends don’t swallow the news well. As a result, Lisa is left alone to seek the truth of her father’s past, with no allies except her trusted familiar at her side. Lip quivering, he presses his thumb solid against his phone’s screen for a while, as if yearning to reach a healing hand beyond the barrier between fiction and reality and let the young witch know she’s not alone, that he sees and supports her. He makes a mental note to thank Connie profusely for sending along this really good fic, and presses on to the next chapter.
He’s halfway to the end of it when Peridot returns.
For someone who appeared super frazzled by Lapis’s terror-struck outbursts the last time she stood at his side, she sure seems fit as a fiddle now, walking with a slight bounce in her step as she crosses past the fence line and onto the property. At least, he assumes she is. He can’t help but immediately doubt this assessment when she spots him sitting against the inner wall of the barn with that piercing focus of hers and bounds through the doorway like a Gem fleeing the apocalypse.
“Steven, Steven, Steven, Steven!” she cries as she runs to his side, flapping her arms urgently.
Practically tossing his phone to the ground to free his hands for combat, he leaps to his feet so fast that his head grows woozy. His rose-thorned shield shimmers into tangible existence in front of his barred fist.
“What, what is it?” he exclaims, the pounding of his heart devolving into an untamable cacophony as all his darkest fears rear their ugly heads at once. “Is- is it Lapis? Did she leave anyways?”
“Uh, no…?”
“Or, or, or- are we under attack?!”
“Steven, I—“
“Who’s here for me this time?” he blurts, grabbing his friend’s shoulders. “Is it Homeworld? Jasper? The Diamonds? Tell meeee!” he whines, roughly shaking her.
“I- No one? It’s no one!” Peridot exclaims when her head finally stops jostling back and forth under his force, waves of confusion coloring her expression. “I’m… just happy to be back?”
His cheeks burn red as he drinks in her obvious statement and eventually catches his breath. He lets go of her. “O-oh,” he stammers, willing the shield floating before him to disappear into glimmers of light and desperately wishing he could do the same at this precise moment of existence. “Okay. Glad to see you back! Did, uh… did you find Lapis?”
She nods in confirmation, but visibly deflates a little at the reminder of her roommate. “Yeah, she’s perched in a tree in the woods. She said she wanted some ‘alone time,’” she emphasizes with air quotes.
Steven clasps his fingers together in front of him as he lets this news sink in, digits tussling without end for the most comfortable alignment. Bleeding heart that he is, he hates the idea of letting anyone be alone, especially after a revelation this jarring, but he must admit that he himself found some comfort in solitude the night his human half took for the beach, inert diamond in hand. If anything else, it was nice to retreat from all the noise, to allow himself the opportunity to form his own opinions about the situation. Perhaps it’ll be beneficial for her, too.
“That’s understandable,” he says, glancing out the barn door towards the forest his friend is taking refuge in. “She’s been through a lot.”
He squats to pick up his phone from the floorboards then, frowning as he notices a fresh crack on the glass at the corner of the screen. Knowing that— despite his desperate desires— there’s nothing he can do to fix this right now, he shoves it in his pocket and pushes against his knees to stand up. The bottom of his shirt catches on his arm as he does so, briefly exposing the unfamiliar facets of his rotated gem. Peridot’s brows nearly shoot above the upper rim of her visor.
“So,” she begins, nodding towards his stomach. “Your gem.”
With a tired sigh, he tugs his shirt back down. Boy, does he already know where this conversation is heading, and boy, is he sick of having to walk everyone through it. “Yup,” he replies, popping the ‘p’ and getting ready to deploy the exasperated eye roll.
“All this time everyone thought you were a hybrid quartz, but now you’re telling me…”
“...that I’m actually a dia—“
“...that I, Peridot, certified Kindergartener, a skilled specialist on every variety of Gem to ever exist, was wrong??”
“Hold on, what?”
She holds her hand over the diamond emblazoned on her chest as she passionately continues, wholly oblivious to Steven’s bemusement. “I was the brightest Gem of my cut back on Homeworld, and yet somehow I mistook a perfectly formed diamond for a quartz! Ah, hahahah!” Eyes glinting with what he can only describe as a borderline feral energy, she moves to clutch at the sides of her head, thick tufts of lemon yellow spilling out from between her fingers. “Oh, my stars. I’ve lost my touch!”
“Wait, who’s out of touch?” Ruby’s curious voice chimes from nearby. Overjoyed to see her again, Steven whirls to face her with a huge grin as she enters the barn and lounges against one of the support beams, propping a hand on her hip.
“I- it’s nothing important,” Peridot mutters, flushing as she smooths her hair back into place.
Immediately making note of the hint of shame dancing across her features, he nods. “Yeah, we were just chit-chatting! Hey, how’s Amethyst doing, though? You went to talk to her, right?”
Ruby huffs in frustration at the mention of the quartz Gem, grinding her boots against the floor so hard that for a second he’s genuinely concerned she might spark a fire under her very feet. “Tried to. But then she slashed her whip towards me and said I couldn’t help her, so ‘go away!’” she exclaims, throwing her arms in the air. “Can you believe it? I’m trying to provide some love and support, and she, she just- tells me to scram!”
“Aw, that’s not very nice,” he says with a frown, feeling his heart pulse in sympathy as she begins to pace back and forth across the wooden slats, grumbling under her breath.
“What’s her problem today, anyways?” Peridot asks, crossing her arms. “She’s usually much more amicable.”
Steven nibbles at the inside of his lip as he considers the concerning downward trajectory of Amethyst’s recent behavior. Sure, she can sometimes get snippy when she’s in a bad place, but this past week her outward attitude has built into a continuous problem. He himself has been on the receiving end of her acerbic words more than a few times, such as that afternoon they goaded each other into a duel at the Sky Arena, and that barbed retort she pierced him with at the fountain. Then there’s her fight with Pearl, her resulting emotional seclusion, today’s callous treatment of Peridot, Lapis, Ruby…
He desperately wishes he could pin all the blame for this on a single person, a single event, (because oh, wouldn’t that make his life so much easier), but when he tracks the evidence of her unrest it becomes blindingly clear that her problems began long before Rose’s betrayal was revealed.
“Well, beyond all the, uh… latest stuff, she’s been super insecure about Jasper,” he offers. Rocking back and forth on the balls of his feet with his flip flops rhythmically clapping against his heels, he rummages his brain for the easiest way to explain the root of the situation. “Basically, Jasper took Amethyst out in a fight a week ago, and ever since that she’s been training super hard a whole lot. I think she’s desperate for a rematch, to prove she’s good enough.”
“Wait, wait, wait—“ The green Gem holds her hands out, palms open. “You’re telling me she’s got an inferiority complex about Jasper? With where she came from?” She lets out a raucous peel of laughter, holding her sides. “Oh Amethyst! That’s ridiculous! She was made way better than that clod.”
He squints at her inquisitively, crossing his arms as he tries to make sense of the interesting new conversation thread that just flowed out of her mouth. “But what do you mean, where she came from? Isn’t she from Homeworld, like you?”
Ruby freezes in place upon hearing this question, clear worry threaded through her creased browline. Her mouth bobs open as if she’s gearing up to answer his question, but amidst her hesitation— a timidness that, the more he thinks about it, is bizarrely out of place from the bold, confident Gem Steven’s gotten to know from all the other times Garnet’s unfused— Peridot beats her to the charge.
“Pfft, are you kidding? She emerged right here from Earth, and not even from its good kindergarten!”
He slams his hands against his cheeks, internally reeling from this revelation. “There’s other kindergartens?”
“Well, sure! There was supposed to be one in every facet. Until the rebellion put a swift end to the Diamonds’ colonization efforts, that is,” she adds quickly, adjusting her visor. “There’s Amethyst’s Prime Kindergarten in Facet Five, but there’s also the Beta Kindergarten in Facet Nine. And that piece of work is where Jasper was made… poorly!” Giggling in excitement, she rapidly shuffles her feet beneath her. The glimmer of light reflected in her eyes is bright enough to rival a distant star. “You guys have to see it!”
Steven balls up his hand at his chin, deliberating. He has to admit, after the recent emotional upheaval that he now can’t help but associate with this place, he really likes the idea of spending time somewhere other than the barn.
“Huh. Might be worth asking if she wants to check it out,” he says with a shrug. “Ruby, you in?”
The Gem in question nibbles at the corner of her lip, humming low under her breath as she considers his offer. A small bead of sweat hangs above her brow. Sporting a good natured grin, he nudges her in the side with his elbow, hoping he can cheer her up a bit.
“A little more time with your favorite Steven and Peri? Eh? Come on, you know you wanna!”
“Do it, do it!” Peridot chimes in, pumping her fists up and down.
He eagerly joins in with her rallying cry, and in no time at all they’re both circling around their friend chanting those very words. Ruby stands center with her arms crossed and her back erect, desperately trying not to break her stoic facade with a smile. It’s ultimately futile, of course. After all, no one can resist the good ol’ Universe charm forever!
“All right, fine, fine, I’ll come,” she finally acquiesces, and with a smirk, plants both her hands on her hips. “After all, someone’s gotta keep an eye on all you trouble makers!”
Now that Ruby’s officially on board, the trio ventures outside to find Amethyst, Steven and Peridot giggling as they begin to skip around the perimeter of the barn side by side, arms linked together. Brushing a few flyaway curls out of his face amidst the comforting breeze, he glances over his shoulder when they reach the first corner to make sure they’re not leaving their friend in the dust. And thankfully she’s right on their tail, but he can’t help but notice her enthusiasm seems muted. He presses his lips together in concern. Does she not want to go with them? Is he only forcing her into this? His stomach twists with guilt as he ponders this quandary further. It’s not his intention to be pushy, but maybe— between coercing Amethyst to take a break and accompany him to the barn, begging Lapis to stay, and now, nudging Ruby to come to the Kindergarten— he’s only being selfish and manipulative about all this. He thought he was bringing people together, but what if he’s wrong? What if he’s only straining relationships, tainting the already tense atmosphere, making everything worse?
(What if this is the same sort of excuse his mom Rose used to make?)
With Amethyst slashing her whip at a few old rusted cans in the clearing before them, however, there’s no time to waste drowning within what-ifs. It’s like that day he learned about Garnet’s future vision for the first time: if he lets himself get tangled up in the possibilities he’ll never truly live. He sighs under his breath, lips pursed. Of course. Garnet’s right even when she isn’t here. As much as he’d love to go crazy psychoanalyzing the impact of every solitary step he makes, at this point he’s made his choices and whatever happens, happens. It’s time to live now.
Initially, the purple Gem is rather indignant at the idea that the three of them were gossiping about her behind her back— eyes clouded with hurt— but once Peridot explains that the point of their proposed Kindergarten field trip is to check out Jasper’s no-doubt lame hole, she blinks away her bitterness and seems to eagerly climb aboard.
“Sure, why not? ‘S not like there’s anything more fun than roasting your enemies.”
“I strongly agree,” Peridot says, nodding with pride.
But before the newly expanded Shorty Squad can begin their journey, there’s something Steven really needs to address. Something that’s been troubling him all day. Nervous butterflies filling his stomach, he leans up close to his sibling-in-crime and whispers so the others don’t hear:
“Amethyst, can I talk to you for a bit before we leave?”
Her expression curdles, but thankfully, unlike in Ruby’s unfortunate account, she doesn’t make a move towards her whip to push him away. Instead, she meets him with a gaze so hardened and difficult to read that his eyes can’t help but drift away, perhaps a little intimidated by the intensity of this contact.
“Yeah, I guess,” she mutters eventually. She flicks her wrist up at the other two, gesturing for them to get a move on. “Go on ahead. We’ll catch up.”
Ruby and Peridot nod, the red Gem with a good deal more sympathy drawn on her face, (but for him or Amethyst?), and promptly set off towards the warp pad. He continues to watch until they disappear beyond the curve of the grassy hillside, both conversing comfortably. The last he hears before the warp shoots its cyan stream of light into the sky is a hooting laugh from Ruby. Despite how non-ideal this visit has been so far, he can’t help the smile stretching across his cheeks, or how his chest grows all warm and fuzzy. It’s really nice to see Peridot getting along so well with the others now. She’s made such huge strides in the past few months.
Something metallic clangs behind him. Flinching, Steven whirls around. A crumpled, abused soda can lays overturned by the side of the barn. Amethyst— arms crossed tight just under her gem and her hair more spiked and untamed than usual— glares at that poor hunk of tin as if it’s solely to blame for all of this galaxy’s problems. She moves to lean against the barn’s outer wall and peers at him expectantly, like a troubled child expecting judgement from a parental figure.
“So. You wanted to talk,” she says, tone clipped.
“I… wanted to be honest,” he mutters, threading his fingers together as he grasps for how best to word this. “Amethyst… I know you’ve been going through some hard stuff lately. I know everything that’s happened in the past few days doesn’t help. But you’ve been so inconsiderate of like, everyone here.” He swings his arm in a wide gesture towards the barn. “Peridot and Lapis didn’t deserve the way you treated them earlier.”
No response.
Steven frowns, and— a glimmer of quiet frustration bubbling deep within him, the sort he’d never admit to out loud but can’t help but harbor whenever he catches wind of small injustices that he can never seem to fix— scratches an burgeoning itch at the nape of his neck. He… oh stars, he’s going about this completely wrong, isn’t he? He’s being too confrontational. Hmm. Maybe he should try a new angle. Time for take two.
“I know you only acted that way because you’re hurting and don’t wanna think about it,” he continues, “but please, you don’t have to box your emotions away like that. I wanna help. I wanna listen.”
Slowly, gently, he moves to place a hand on her shoulder. It feels like a small victory when she doesn’t shift upon his touch.
“Believe me, you’re not alone in feeling this way.”
Again, nothing. She’s not even looking at him right now, and her jaw’s locked. Even her form feels tense under his fingers, with hard light pulsing back and forth under her illusory skin at an alarmingly unusual pace.
He sighs, gaze dropping towards the ground, towards the battered can she kicked aside earlier. “I’m worried, y’know? But... I understand if you’re not ready to talk… about Jasper, and—“
“Oh, hoh! That’s rich!” she explodes suddenly, jerking her arm away. “You seriously wanna bury your head in the sand and pretend this is just about Jasper?”
He tiptoes away from her rush of anger, eyes growing puffy. “I—“
“You wanna know how I feel, Steven? About your mom, and the whole awful mess she made? Do you really? ‘Cause I don’t have a single CLUE what I should feel anymore!”
Amethyst pauses for breath amidst her tirade, briefly locking sight with him with a glimmer of hurt reflected in her violet irises, showing that deep underneath all those twisted layers of anger and resentment she’s just another scared, abandoned Gem like him.
“Rose was everything to me, okay?” she says, throwing her palms wide for emphasis. “And all this time, I thought she was the one Crystal Gem who could be real with me. The only one who wouldn’t sugarcoat things or treat me like a baby. ‘Oh, you’re perfect the way you are, Amethyst!’” she coos in a fake, silky-sweet voice, cupping her cheeks as she openly mocks the very Gem who gave her life so he could exist. “You’re such a strong little quartz, you mean so much to me!’ Hah!”
She pauses to force a bitter laugh, clenching her hands into insufferably tight fists.
“And wasn’t that just a huge load of silt,” she spits, staring off into the rosy distance as if it were but a cruel mirage, the pain more than evident in the taut features of her face. “All along I thought she was this great, faultless person, just like you did. Except she wasn’t. She’s a liar, like everyone else. I’m worthless, just like Jasper said… and Rose knew it.”
Hesitantly, compassionately— heart breaking for the internal struggle she’s caught within, a struggle he intimately relates to—  he tries once more to reach out in comfort.
“Amethyst…”
She sniffles, wiping away the leaking fluid pooling at the corners of her eyes.
(She does not, however, brush him away this time when he wraps his arms around her torso and nestles his head against her chest.)
“Just— forget it, okay?” she says after a quiet moment’s embrace, gently stepping back from his affection. “It’s whatever. Come on, Peridot and Ruby are waiting for us. Let’s dump this joint.”
__________
Ruby quietly shuffles across the loose soil, directing her eyes as low to the ground as possible to avoid having to stare at the Beta Kindergarten’s steep cliff walls. Red sandstone, Peridot proclaims a few feet away to their newly arrived sightseers, whirling in place with her arms extended wide. We’re lucky this place hasn’t blown away. Beta, am I right?
Steven manages a soft laugh at this. Amethyst continues onward with her arms crossed, unimpressed. But Ruby herself? Well, she’s the only Gem here who can say she crossed this infamous swath of sedimentary rock at its very beginning, on the day of emergence. The others may choose to laugh about how soft and unideal the soaring sandstone cliffs are, or about the uneven exit holes and curved walls, but in her opinion it’s no laughing matter. She’s seen firsthand how deadly even a so-called ‘imperfect’ Homeworld soldier can be. Even Garnet barely escaped with her gems intact.
Nervously flexing her fingers at her side as she tries not to dwell on that tragedy, she flashes her gaze upward, daring to catch even a passing glimpse of the top of the vast canyon. In an instant her vision swims with endless pillars of rusty oranges and reds.
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Everything on this planet might as well tower over her without Sapphire. The once-welcoming arms of their temple? Monolithic. The vaulted ceilings of the beach house? Her eidetic memory can’t help but remind her of her early days spent marching through Homeworld’s diamond sized hallways with the rest of her squadron, patrolling the same route for well over five hundred cycles straight. The kicker? The Diamonds never had any reason to visit the shipment sector in person, anyways. The hallways were only constructed with such high ceilings to remind any Gem passing through of their rightful place under the Authority.
Over two hundred years, she adhered to their twisted rhetoric. Two hundred years of allowing everyone and everything around her to make her feel small, like she only existed for a singular purpose. Two hundred years of ignoring the tug of dissatisfaction at the core of her gem because of the misplaced belief that orderly subjugation under the Diamonds was simply the rightful pattern of existence. Then, in a beautiful bloom of light… she caught a glimpse of true freedom. And for the five thousand seven hundred years after that, Garnet didn’t feel quite so small anymore. She felt capable, confident, satisfied. Aided by Ruby’s physical strength and Sapphire’s future vision, she finally dared to challenge Homeworld’s rhetoric. She dared to live for herself.
Sighing under her breath, Ruby touches her fingers to the place in her right palm where her missing gem is, tracing the triangular shape of its illusory facets.
There’s no use arguing; Garnet was a better Crystal Gem than she can ever hope to be on her own. And now, because Rose just had to go and manipulate all of them, there’s a strong chance she’ll never get to be Garnet with her Sapphy ever again. Which means that until further notice, she’s stuck like this: short, stubby, and woefully insecure. Hah! Figures. All those years spent fighting against Homeworld’s warped notion that Gems had stagnant purposes and couldn’t grow beyond their stations, and now it’s as if she’s been dumped back at the beginning, like the past five millennia never happened.
It’s a cruel irony.
And yet it’s no crueler than this awful place: a cradle of birth manufactured as a tool of war, a Gem’s very existence leeching the life out of this once-fertile ground. The scars on the walls tell a mournful story, and as Ruby slowly trudges after her loved ones, fingers numb and fidgety in the wake of haunted disorientation, she can’t help but wish she wasn’t present for its prologue.
“Ruby…?”
Her sight trains on one of the tilted exit holes closest to ground level, on the messy silhouette it provides. She remembers this one, in fact, Garnet watched her emerge. She was a carnelian. By Homeworld’s standards, an imperfect one. That doesn’t matter, though. None of Homeworld’s lies matter. Running on nothing but the primary orders she was incubated with, (it wasn’t her fault, it was the Diamonds’, she reminds herself with a bitter growl), that Gem still emerged to poof three fellow rebels on sight. If Garnet hadn’t been so quick to retrieve their gemstones, they might have been shattered that day. Many of the others assigned to her squadron weren’t as lucky. Inhaling shakily, Ruby pauses to trace her fingers across a raised ridge in the rough, brittle sandstone.
“Hey, Ruby!” his energetic voice calls again, snapping her out of her intense focus like a fusion splitting in half.
“Aaaah!” she cries, swinging around and pulling both fists up in defense. Her hands uncoil rapidly once she catches a glimpse of that cheery yellow star.
Aw, scrap! she chides herself, repositioning her feet solid on the ground to regain some sense of internal balance. Damned startle reflex.
Unfazed, Steven grins boyishly, skipping a few steps away from the rest of the group to join her by the cliff wall. “Penny for your thoughts?”
Amethyst and Peridot are watching now too, she realizes, her brief but audible outburst thoroughly diverting their attention from their Beta Kindergarten roast session. Their quizzical glances pin her in place, her hard-light form heating in embarrassment as she struggles to organize the flow of her emotions in a way that might make sense to anyone beyond a fellow ruby. She scrunches up her nose and considers her next words carefully, attempting to strike the proper boundary between what is and isn’t appropriate to say in front of a half-human child. Stars knows Amethyst, Pearl, and herself haven’t had a great record with that over the past few days.
“Just thinkin’ about Sapphire, mostly,” she admits, offering him a saddened shrug. “Can’t seem to stop that, even half a world away.”
“Speaking of that... Why did you run after us?” Amethyst asks in a notably less cranky manner than earlier, lightly kicking at the dirt with the toes of her booties. “You never said.”
“Y’know, I…” She pauses, pressing her hand to her chin. “I’m not sure. I spent days waiting in front of the temple door. And eventually, I guess I figured that if she’s gonna make me wait no matter what, I might as well do something with myself until then. ‘Sides, I didn’t want to be lonely,” she adds, suddenly feeling just as small and vulnerable in front of all of them as her timid voice sounds.
She felt lonely enough when she ran away from home a few days ago, tears streaming in messy rivulets down her face, utterly spurning their attempts at comfort so she could pretend she was anything else than powerless amidst this nightmare. She never wanted to split, not at all. She begged Sapphire to give their relationship another chance, to believe in the strength of their love more than the fear of a diamond’s control, but tragically, her partner couldn’t hold up under the pressure. If one individual doesn’t wholeheartedly want to be Garnet, then Garnet cannot exist. They can’t synchronize. It’s simply the nature of fusion. And given her love’s avoidance, refusing to so much as leave her room to begin with, Ruby’s beginning to lose hope that their fusion will ever exist again. The crippling isolation that realization affords is the worst form of loneliness she can imagine.
Thus, the least she can do at the moment to mitigate these all-consuming feelings is to get off her butt, leave the temple, and ensure she’s surrounded by loved ones.
Peridot steeples her fingers together in front of her chest. “Well, what if you moved in with us?” she offers in a meek tone at first, her expression brightening as she continues to explain her idea. “The barn’s got plenty of room, and with two roommates you’d never have to feel lonely again!”
Steven’s dark irises practically sparkle. “Aww, Peridot, that’s super sweet of you to offer!”
“Wow, thanks,” she replies earnestly, puffing out her chest in a rush of personal pride. “I do try!”
“Yeah!” Ruby says with a hesitant laugh, scratching at the back of her neck. “That sounds amazing, but…”
“You should do it, Ruby!” he encourages, bouncing up and down on his sandaled feet amidst his excitement. “You should totally move in with them!”
“D’ya… d’ya really think so?”
“Yeah! It’d be like your very own vacation, but you’d only be a warp away!”
“And you’re sure you’d be fine with it? Y’know, with everything at home all…” She blows a juicy raspberry, jabbing her thumb down.
Amethyst serves her a big shrug. “I ain’t got a problem. Go crazy.”
“There’s no need to worry about me,” Steven says, smiling evenly. “I only want what’s best for you. And if you think not staying in the temple all the time would make you feel better, you should give it a try!”
Her concerned glance drops on the young half-Gem. Sure, it’s very compassionate of him, actively choosing to care so deeply for everyone’s emotional needs all the time, but home life for him hasn’t exactly been nurturing and hospitable lately. He already lost one of his pillars of stability when Garnet unfused. Pearl and Amethyst are at each other’s necks again. Sapphire hasn’t emerged from her room for days. Greg’s… doing whatever it is Greg does when he’s not hanging out with his son, probably keeping his distance from Gem business as usual. So with all that in mind, even if temporarily living apart from Sapphire is sure to be a beneficial move for her personal well-being and sanity, is now actually the proper time to consider a change in scenery? She purses her lips.
“I’ll think about it.”
Peridot lets out a sharp squeal of delight, apparently ecstatic about the prospect of possibly gaining a new roommate. Ruby can’t help but grin at this response. In truth, if she didn’t have to consider the well-being of Steven and the rest of the Crystal Gems, she’d say yes in a heartbeat. After all, she’s never gotten the opportunity to make many decisions on her own. Heck, she’s never gotten the opportunity to do much of anything on her own. Every time she’s unfused within the last five thousand years, her priorities have always been about what Sapphire would want, what Sapphire would do.
Well, what about Ruby, this time? Aren’t her desires important? What does she want?
Long term… she has no clue. But right now? She’d prefer to avoid dire reminders of old sorrows at all costs, thank you. So when Peridot declares that she’s 99.9% positive she’s found Jasper’s exit hole, Ruby declines to join them in their roast session. She never came here for sightseeing, anyways. She came here as their lookout. Just in case. She’s never trusted this awful tear in the ground one bit, and she’s not about to start now.
Running instinctively on old programming she was incubated with, she creeps deeper between the narrow mouth of the cliffs and summons her gauntlets at her side. Sure, so maybe they’re not as daunting in their size as Garnet’s, but they can still pack one heck of a punch. She’s still good at punching on her own, yeah? Hopefully? Stars, it’s been so long since she’s gone solo for more than a few measly hours.
And then, at the cliff base in front of her, she spots the most unusual exit hole she’s seen in this miserable canyon yet. For one, it’s low to the ground, like Amethyst’s. That fact alone is enough to set off alarm bells in her head. On top of that, its silhouette is almost comically wide and indistinct, not resembling any cut of Gem she’s aware of.
“Huh. That’s different,” she murmurs, pacing closer to investigate.
Maybe an off-color topaz could punch a hole as wide as this? But… no, no. That can’t be right. Hard light coursing wildly through her form, Ruby dissipates one of her gauntlets and runs the tips of her fingers across the crumbly inside surface of this hole. A few granules of sandstone break off upon her touch and clatter against the ground, and she jerks her hand away as if touching impossibly cold ice. Something about this feels... wrong. To be fair, she’s no expert kindergartener like Peridot, but she’s pretty confident the interior of exit holes should be smooth, with striated rock layers extending all the way back. Instead, this bizarre scar in the cliffs almost seems like—
“It’s dug out,” she says, eyes widening in dawning horror.
Which means they may not be alone in this rusted relic of a Kindergarten after all.
Her body suddenly feeling staticky and unbalanced amidst all this damning uncertainty, she tiptoes away from this mysterious feature, slowly at first, and then— as the fear begins to bubble up within her core like boiling water transformed under her power— transitioning into a sprint. We’re not alone, she repeats to herself in a harried mantra. Not alone. Not alone, we’re not alone, we’re—
Ruby’s foot catches on an uneven lip of stone jutting up from the ground, and she quickly plows headfirst into the coarse dirt, promptly ending her terror-stricken flight.
“Ow,” she whines as she recovers from this fall, rubbing at the side of her head. Not only is she a little dizzy, but her surroundings are made further hazy amidst the overbearing sunlight pounding indiscriminately upon the ground floor of this canyon. It’s enough disorientation to allow the jumbled code of her gem to begin to play tricks on her. For one, she swears she can hear this low, timid skittering, like thick claws rhythmically scraping against rock. Second, she’s half-convinced she can feel a surplus of physical vibrations radiating from the cliffs surrounding her. Squinting, she shields her eyes under a raised arm so she can begin to gain her bearings again. The blinding light recedes.
The red Gem gulps fearfully amidst the burning colors of the harsh sandstone landscape. “Wait, is that—“
She’s stumbled her way into a massive clearing, lined on all sides by stacked rows of holes physically dug into the sheer walls. Each opening is barred by a number of thick metal rods, stripped from the legs of the injectors that once incubated this hell in the first place. The thoughtful engineering imbued in this setup is impressive and terrifying all at once. Ignoring the tangible tug of hesitation at her core, she pushes herself back on her feet and creeps towards the closest cage to investigate further.
“Uh, you guys?” she calls loudly as she walks, the unusual curves of this canyon an undisputed blessing as they carry her message back to the others.
“Yeah?” Amethyst chimes back, her voice notably distant. Too distant.
“We’ve got, um—” her hand glides across one of the bent, rusty bars— “a bit of a problem here?”
“What?? Speak louder, we can’t hear you!”
Before she can even prepare to reply, a fur-covered monstrous creature leaps from the shadowy abyss of its prison and snaps its tusks at her. She yells, jerking her hand away from the cage and stumbling a few feet back. Her brow creases in abject confusion as she attempts to process what she’s seeing in front of her. It’s… it’s a corrupted Gem? This one’s most definitely a quartz; she recognizes the faceting, as well as the distinctive fur-covered quadrupedal shape of its corrupted form. But why on Earth is it being trapped within a cage in the middle of a defunct kindergarten instead of being placed in a bubble’s comforting stasis? The ground beneath her feet grows noticeably warmer as a rush of impassioned anger surges through her hard light form. She grinds her teeth together, flexing her fists at her side in the name of this cruel injustice. Caging isn’t part of Crystal Gem protocol for a reason!
Unfortunately, the horror show continues as her gaze passes over each and every cage in this clearing, finding scared, thrashing, corrupted Gems in almost all of them. Fluid builds up at the corner of her eyes as they scream and wail at her, riding a fresh wave of cacophony spurned by that Gem she spooked just a moment ago. How could anyone ever build such an awful place? And why?
Heavy, assured footfalls suddenly bounce across the acoustically encouraging slopes and surfaces of this ravine, magnified tenfold in their wake. Ruby gasps, wasting no time in ducking behind a tall rocky formation at the mouth of the clearing. That’s definitely not Amethyst or any of the others. It sounds too large, too bulky. She kneels low so she can still peek over the topmost layer of sandstone, a knot of dread coiling within as the footfalls continue to grow louder. Groaning, she clutches at her head. The unknown, the impenetrable shadow of the future… stars, it haunts her more than loneliness itself.
And then, the specter of her history reveals herself, making Ruby’s tangible form stutter in the sheer terror her appearance affords.
Jasper— her opponent, her nightmare, the Rebel Slayer herself— emerges from a plume of rising dust at the edge of this populous arena and enters the game.
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cosmic-navel-gazin · 4 years ago
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In which I chronicle my Legacy of Kain journey and bridge it with your boy Adam Warlock! (Part 5 of many, and MASSIVE, I MEAN, HUMOUNGOUS SPOILERS for Soul Reaver 2 and the 1970’s Warlock)
Awwwwwwwww yeah we are going there, these compositions are most definitely on purpose.
This is where I realize that my true purpose in this world is to draw and talk about obscure or forgotten works of fiction, and I embrace this destiny. 
Ladies and gents, laughing times are over (not really though), sh*t gets very real again.
I guess it’s a bit late for this but if you have even the slightest interest in checking any of these properties out, do yourself a favor and go experience them first hand. If you just want to see me lose my mind and don’t really care about spoilers then please, proceed.
You know, when I started this little crossover of sorts, I was just having a laugh you know? It was just a cute little thing, I’ll write this one post and maybe I’ll get enough material for a second one and that’s it. THIS IS THE SEVENTH POST (even though it says Part 5). 
Never, and I do mean never in my wildest dreams did I think I would be here one day, talking about having your past and your time-travelling-future selves meet and clash, of seeing your sanctimonious attitude and overall the worst about yourself personified and given free reign to go on bloodthirsty crusades showing off how much of a hypocrite you’ve bee- but wait, I am getting a bit ahead of myself. 
I’ll get there I promise, let’s go back a bit.
Where we last left off, we managed to travel back to an even more distant past than we’ve been before. To the time of the great Vampire Purge, so that Raziel can meet this infamous ancient vampire who knows all the lore and might have the answers we seek on what exactly is causing the corruption of our world.
As we step out into this era of History we notice the fields covered with the Sarafan Order banners, and the impaled corpses and chopped-off heads of vampires. No different no doubt from the kindness vampires showed mankind later when they gained the upper hand during Kain’s 1.000 year old reign. Raziel seems a bit distraught by the sight since he assumed the Sarafan to be virtuous and heroic:
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“For all the butchery of Moebius’s crusade, this massacre was somehow more chilling. The killing fields of the Sarafan betrayed a kind of orderly ruthlessness, the cold-blooded righteousness of the true believer.”
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“Here at last in the flesh, I beheld my former brothers-in-arms, the warrior-priests of the Sarafan order; their lives devoted solely to the annihilation of the vampire plague. And while I confess I felt a twinge of longing, a pang of grief for what I had believed was my lost virtue, I regarded them now with none of the reverence I formally felt. For I had seen the human face of the vampires, and now I beheld the monstrousness of these men.”
While on the topic of genocidal holy wars, my boy Adam here had a bit of a run with a similar pious little group that goes by the name of Universal Church of Truth, who were going about doing a bit of cleaning throughout the galaxy:
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Things don’t go so well:
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Interestingly enough, I’ve learned of a deleted cutscene for Soul Reaver 2 that plays out very similarly to Adam’s first encounter with this “holy” order. There was this minor female vampire character that was being hunted down and would be executed by vampire hunters right in front of Raziel.
This scene was probably removed because they knew that almost 20 years later there would be some asshole on the internet trying to compare their games to obscure marvel comics of the 70’s.
But yeah bummer for Adam here, we’re a couple of pages in and he’s already failed to save someone. However, through the power of the Soul Gem, he’s able to retain her soul for a brief moment, letting us know more about these holy inquisitors:
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Some of these methods don’t seem that far off from the Sarafan, especially on the twisting of good intentions part, but on a galactic scale:
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Aye, a great bunch o’ fellas all around, if you submit and “fit in”:
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Damn.
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Hush Adam, I’ll get back to your predicament give me a moment. I just want the good people at home to keep both this church and the Magus, the god they worship in mind for later.
Now, back to the game. In the Sarafan Stronghold during the first hour of gameplay, Raziel made comments on the vampire he’s currently seeking while looking at some stained glass depictions:
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“So this was the legendary Janos Audron - reputed to have been the most ancient and diabolical vampire to have ever existed. According to folklore, he lived high in the cliffs of Nosgoth’s northern mountains, and preyed mercilessly on the defenseless villagers below. His reign of terror ended when the Sarafan finally hunted him down and tore his throbbing heart from his still-living body. (…) But I wondered - could Janos Audron truly have been as monstrous as depicted here? Or was this merely artistic licence by the Sarafan, who sought to lionize themselves by demonizing their darkest enemy?
Keep these stained glass images in mind, they’ll also be important shortly. Neetheless to say, the hype was very real to meet this Janos Audron.
And as I kept hearing about this gentleman, I thought: “I really love this cast of pricks, where everyone speaks in half truths and is hiding something and has some hidden agenda, but you know, I kind of wish there was some slim ray of hope, of goodness and honor, just some good old plain chivalry and honesty. Maybe this Janos lad won’t be as bad as he was depicted back in the Sarafan Stronghold.” 
It took us a while but we’re finally make it to his retreat.
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I really love the entire segment, the hopelessness and feeling of dread while making your way through this place, probably my favourite puzzle area of the game.  I also really love the music and architecture here.
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When we do make it to the top, BOY OH BOY were my prayers answered!
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Lo and behold, enter Raziel’s new daddy/mentor figure, my man JANOS AUDRON! Proabably the one decent and kind creature I’ve seen yet in these games (if you don’t count helpless human npcs who are just trying to live their lives but are caught in all these wars, slaughter and destruction).
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FINALLY an understanding, moderate, compassionate man in the midst of all the lies and deception. I love him! Oh and he has what seems to be a Romanian accent. Maybe a nod to the granddaddy of all vampires: Dracula? I think his design is cool as well, so that helps.
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Before we go into huge lore dumps and while on the topic of having a brief father/mentor figure for your protagonist when he’s utterly lost, alone and confused, I thought I’d bridge it with Adam’s own once foster parent, the High Evolutionary:
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From the few minutes you get to know these dads they’re very different characters with different backstories and motivations. Janos is this sad lonely old man, the last of the ancient vampires and one who has been keeping himself alive solely for his sense of duty. 
While the High Evolutionary was once a man called Herbert Wyndham who performed an experiment that evolved him into a godlike being. This experience proved to be such an assault on his senses and perceptions that he chose to encase himself in this armour. Like the name suggests he is obsessed with genetic manipulation and tampering of various kinds, it is his life’s ambition. 
Despite his somewhat villainous appearance, he’s never portrayed as such from what little I’ve read, he’s just…a bit creepy. Like, he takes Adam in and is super stoked about adopting him, but he also values him not so much as a person per se as you and me would, but more as one would value an impressivly carved piece of work:
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I don’t know, maybe it’s his metal face that doesn’t emote much; his sometimes questionable morality; maybe it’s the fact that Adam was 5 years old at this point, a baby boy, and this pink armoured deity is super hyped about him; there’s something a bit unsettling about this guy. Have some more dubious quotes I’ve stumbled upon:
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All in all, I think he did care about him, in his own strange way:
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Anyway, what’s important is that these adoptive dads serve a somewhat similar purpose, and that is to push/urge our ”“”“"heroes”“”“” (I say with many quotation marks) into a more benevolant role: to guide them in their messianic mission and save a corrupted world. Basically there to provide a chance for them to be good boys. Up until now their track record leaves much to be desired, and they’ve been quite lost on what they’re supposed to be and do.
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Raziel:
“So it’s all true, then - what Kain and Vorador have told me - I really am some kind of unholy vampire messiah…”
Janos:
“Unholy? -no. Messiah… perhaps.”
Raziel:
“I don’t like that word - it smells of martyrdom.”
Janos:
“Raziel, your role in this world’s destiny is more crucial - and more benevolent - than you’ve allowed yourself to believe. Your journey will not be easy - dark powers are allied against you.”
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Oh and both dads give their sons their toys (Soul Reaver and Soul Gem):
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Back to the meeting with Janos, we finally learn tons of things, both new and others that have been hinted at throughout, namely:
Janos has been living a life of a recluse, alone, on top of the Aerie;
Janos knows of Raziel (some old legend I think) and has been waiting for him to hand him over the Soul Reaver, saying it is the key to save Nosgoth;
The Pillars of Nosgoth were erected by the ancient vampires and they were the rightful guardians. Janos was called to be th 10th guardian, the Keeper of the Reaver;
Over time this ancient race started to die out, with their history slowly being forgotten;
Humanity prospered and since the Pillars choose their guardians from birth and vampires were no longer born, humans were called to be their guardians but were “wholly ignorant of their true purpose.”
The Circle of human guardians is led to believe (by whom we do not yet know) that vampires are a cancer in the world. Janos warns that “with their vampire purge, the members of the Circle have assaulted the very architects of the Pillars they are sworn to protect (…) With every vampire they kill, the humans are slitting their own throats.”
Janos being a cool level-headed guy here when Raziel says he must hate mankind for all the suffering they’ve brought to him:
“They fear what they don’t understand; and they despise what they fear. But no - I do not hate them.”
I find it funny how Raziel asks if humanity should be forgiven for trying to exterminate the vampire kind and doesn’t realize that: one, he himself was exterminating vampires just a couple of moments ago back in SR1; and two, how he is just like how Janos describes humanity to be:
“They don’t understand what they’re doing. They are simply unenlightened… and vulnerable to manipulation.”
Again, this last line, completely unlike a certain blue shambling corpse I know. Not like him AT ALL.
Then, as they head inside, we learn something odd as Janos presents Raziel with the Reaver. You see, the two times Raziel has been close to the Soul Reaver still in its physical form, reality started to bend and distort (I show it off in this previous post). 
When we met Kain and decided not to kill him, he explained that when: “two incarnations of the blade meet in time and space, a paradox is  created, a temporal distortion powerful enough to derail history”
This distortion, or sense of displacement however, is nowhere to be found now when Janos presents the blade to him. Raziel feels nothing and says that “this nothingness is somehow worse…” and to get it away from him.
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We learn the Reaver was forged by the same ancient vampire race that erected the Pillars (which we’ve seen hinted at when we explored the land and came accross all sorts of old murals).
But now THIS is when the game first impales me through the heart.
Me and Janos are interrupted by the Sarafan warriors who arrive carrying Moebius’ Staff (which disables vampires to the point of being barely able to move at all).
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And of course! OF COURSE! Of course the moment my boy Raziel finds a truly positive influence in his life to guide and enlinghten him, and that was willing to put himself in danger in order to save him… he is axed! HEART RIPPED FROM HIS CHEST!
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And by whom you ask? Who would do such a deed and kill my last ray of hope?
WHY, ME! 
TWICE!
“Me” because I was the one to open an entrance to Janos’ up until then impenetrable retreat, and literally me: human Raziel of the Sarafan that lived during this time period and was head inquisitor!
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A bit different from what was depicted back at the Sarafan Stronghold, we found several centuries later (putting the same image here again so you don’t have to scroll up to compare, am I swell or what?):
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The Sarafan escape with Janos’ heart and the Reaver, while wraith Raziel has a final moment with Janos. 
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This part destroys me:
Raziel:
“Forgive me; I’m sorry… I failed you.”
Janos: (gently)
“No, Raziel. Perhaps this was my true purpose - simply to save your life this once.”
Raziel: (distraught)
“While I have taken yours…”
That last bit is probably my favourite line-read in the entire series so far (which is the most impossible thing to choose since there are so many great ones). But I think it’s the overwhelming sadness in Raziel’s voice that makes it memorable, you’ve never seen him feel like this for another creature.
Breaks my stone hardened heart every time I listen to it. And here’s why I think it’s an effective emotional scene, even though we only get a few minutes with Janos before he is murdered - it is because of contrast. Up until now everyone you meet is some degree of a bad or manipulative person, and you don’t really have a true friend or someone to confide in, there’s no one that really brings out the best in Raziel and it sucks because there is potential there.  So when you introduce the apparently only decent and noble person in this god forsaken land and you’re so used to by now suspect and mistrust everyone, it is impactful because he was truth and honesty in a sea of deception and moral relativism. He was my light in the midst of the fog and the one who saw good in me. And right when you’re finally relaxing and getting confortable the game pulls the rug from under you.
Now, while on the topic of having your past and future meet, there was a little something about the meeting between Adam and the Universal Church of Truth that I’ve been saving up until now. If you remember, Adam was interrogating the young woman who was killed by the inquisitors about the church and the god they worship. When suddenly:
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Good news is, Adam must’ve taken a left turn somewhere and ended up on the set for “Monty Python’s Life of Brian”, where he learned some latin:
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This helped him quickly figure out the Magus’ identity:
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Learn your dead tongues kids, you never know when it might come in handy when meeting your time travelling, thousands of years old future-self:
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So as you can se, we have a similar self-discovery journey going on but reversed in a way. In Raziel’s case you play as his future self, who time travels back in time, meets his past self and sees what a hypocrite he’s been his entire life. In Adam’s case you follow his present self, who meets the Magus (his future self), who has travelled back in time 5.000 years, in which time he has built his empire. Meeting and confronting said empire/future self, leads Adam to see what a hypocrite he’s been his entire life. You see, both Adam and Raziel have always been their own worst enemy (their own shortcomings and character flaws). So it would be only natural that we get embodiments of the worst in them: Raziel, the human Sarafan Warrior and the Magus, their past and future selves respectively.
Oof, this was a long one, and I’ve reach the character limit. In the next post I’ll elaborate more on their characters and different selves; and we go through the roller-coaster of emotions that is the endgame for both these stories.
Look foward to me losing my mind even further while I go into time travelling, paradox shenanigans… oh, and look foward to happier times with COSMIC SUICIDE! See you in the near future.
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littledreamybeth · 5 years ago
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What a feeling
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PLEASE READ AUTHORS NOTE: I really tried to write a good story here, but I’m so bad at creating smut. Some things may not make much sense to you because I didn’t explain or depict them properly. I’m sorry for that- I really am. I consider to stop writing because my writing  doesn’t seem to be good anymore... at least in my eyes... It’s hard for me to describe things in a language which is not my mother tongue... I’d like to thank you for reading my stories so far, and for supporting me. I won’t be writing anything for a while, but my work is still going to be up. Just don’t steal them, and give me credits if you repost it somewhere... Thank you...
This work was inspired by “What a feeling”- One Direction, the title of this story is dedicated to my favorite song of all time. I had to think of a scenario like this at Harry’s part.
Harry observed her from the other side of the room. Leaning against the doorframe with his arms crossed over his naked torso, he just watched the half bare girl sitting on top of his bed. Her legs were bent to her chest, a thoughtful look lingering in her eyes. A few minutes ago, they were making out, resulting his shirt being pulled over his head and thrown onto the ground whilst she was completely freed from her dress. He knew what she was thinking about. She considered whether she should or should not have sex with him.
They had been dating for a few months, and never had Harry urged her to have sexual intercourse. He’d been told that she had negative experiences with her ex-boyfriends on this topic, because she was never ready for sex. And who would stay with a girl who wasn’t ready for more? Sometimes, it was even thought that she was asexual, which was not true. Harry was not like her former boyfriends- he actually gave her time as much as needed.
Tonight, however, was different. She was ready- or maybe not? Harry sighed, walking towards her and kneeling in front of her.
“Hey,” he murmured, his left hand cupping her cheek, forcing her to look at him. “You’re uncertain. I can see it in your eyes.” The other hand was placed on top of her leg, trailing up and down in comfort. He wanted to make sure this is truly what she wanted. Even though he craved to be physically interlocked with her more than anything in that moment, he’d still understood if she decided against succumbing to him. It takes a lot of courage surrendering to someone and giving yourself in to them-especially if it’s your first time. You lose your virginity only once, and one terrible experience may scar you for the rest of your life. So, he could completely comprehend her worry. Another thing, which he knew was plaguing her, was that he was already experienced while she wasn’t. She was new to all of this. For fucks sake, she didn’t even blow anyone ever in her life. She was just so pure. Pure and perfect. Harry was sure she was tormenting herself into believing that he wouldn’t like it, which is not true at all. Much more, he would love to be the one being enclosed with her body and honored because she chose him to lose her v-card, and not a prick who wouldn’t care about anything but his dick in his pants anyway. Harry would make sure she was taken care of. Thoroughly taken care of.
“I promise, there is nothing that you have to be scared of, love. We’ll do it at your pace, okay? The only thing you have to do is telling me when you feel uncomfortable, and I’ll stop instantly.” He intertwined their hands, bringing hers in front of his mouth, then plastering soft kisses on top of her knuckles. “But you have to tell me. Say something. Use your words. Otherwise I cannot tell what you want. And don’t overthink too much. This is all about you, not me.”
The curve of her lips went slightly up, forming a shy smile. “I know,” she stated. “I trust you, Harry. I entrust myself to you…”
Hearing those words out of her sweet lips was what he had been waiting for. But before he took some action, he again inquired whether she was hundred percent sure, only earning an approving nod from Y/N. He beamed a happy, toothy smile at her.
“Come here, beautiful girl.” His order was gentle, yet very firm- enough to cause goose bumps on her skin. He carefully pushed her down onto the mattress and slowly lowered himself onto her body, hovering only a few centimeters above her fragile frame. The warmth that radiated off his body was so overwhelming- it became very hard to breathe. That’s probably how others felt in his presence. Breathless, because Harry is so insanely beautiful, god really must have taken his time to carve his handsome face. Y/N’s eyes fluttered shut, her tongue wetted her lower lip while she felt her heart beating rapidly as if she was running a marathon. She gave in to the sensation that his close proximity brought along. The feeling of his fingers sliding down her right cheek and his minty breath fanning against her lips caused excitement to grow in the pit of her stomach- and a little bit down below. She tried to conceal it by pressing her legs together, but Harry noticed and slid between them, pushing his crotch intentionally against her clothed one, eliciting a short gasp out of her throat. If this short act was enough to make her legs tremble, then Y/N couldn’t envision how it was going to feel when he would thrust in and out of her.
She jumped slightly in her position when she heard his raspy voice inside her ear.  
“Look at me before I kiss you…”
That’s what she did. She opened her lids and locked gazes with his deep green eyes. They stared at her lustfully, enamored with her beauty, and Y/N could only imagine how hard it must be for him to control his patience. The more she looked at him, the more she drowned in his captivating eyes. She saw herself in them. She saw herself running through a grass field on a hot summer’s day, dressed in a stunning dress, her hair flipping with the wind while she let everything behind her- her worries, her fears, her problems- basically every negativity that consumed her. She saw herself in a forest, listening to the sounds that nature provided her. The murmurs of a stream, the chirping of birds, the rustling of leaves on the trees, the smell of fresh air; all of this gave her the feeling of safety and protection. That’s how she felt with Harry now. She knew she was in good hands. And she could confirm she was ready.
“Remember what I’ve told you, alright?” Harry reminded her. “You can even push me out of the bed for all I care. But please, don’t kick me in the knob. I want to produce children after all.”
Y/N had to laugh at his statement. She really appreciated his efforts to lighten up the mood.
“My beautiful, Y/N,” the young man whispered against her soft lips. “My beautiful, gorgeous, adorable Y/N.” Upon that, he finally kissed her.
First, it was gentle. He wanted to test her waters, looking for how much she was willing to give him. She was shy and he respected that. But on the other hand, he also wanted to help her overcoming the shyness. He knew that she had more in her than she was revealing to the world. He wanted that part of her to break through, fighting her way onto the surface.
While he used one arm to support himself on his elbow, the other hand wandered up from her bare side to her chest. He cupped one breast and gave it a gentle squeeze through her bra. The sudden jolts of pleasure caused Y/N to moan in ecstasy. Harry took this opportunity to let his tongue slip past her lips, exploring the already familiar territory. They never went further than just kissing, as embarrassing as it might sound. Tonight would be the first time they would be taking their relationship to the next level.
Harry chuckled when he poked her sides and she flinched, letting out a squeak.
He disconnected their lips, giving her time to explore his body. The young woman accepted his invitation. With her fingers, she carefully stroked his well-toned belly, tracing the outline of his butterfly tattoo. His muscles tensed under her soft touch. She even tickled his belly button which Harry found just cute. Everything about her was adorable. However, she halted over the hem of his tight jeans. One tug was indication enough to understand that she wanted it off his legs. So, he got up, unbuttoned his jeans and pushed it down his ankles, leaving him almost completely bare. The only thing that he had to get rid of was his boxers. Y/N’s irises enlarged when they saw the outline of his erection- he was, well… huge. A blush in a deep shade of red adorned the apple of her cheeks. She wasn’t even sure whether she could take in all of him, and that’s were the overthinking started again.
Harry took notice of the uncertainty plastered on her face. Joining her again on the bed, he hoisted her up and placed her on his lap. He brushed her fingers through her hair. “Listen Y/N, I want you, I really do, and I know you want me, too. But we don’t have to do this right now. We can always save it for later, there is no need to rush. Don’t feel like it’s your obligation to satisfy my needs- it is not. I’ll be waiting for you no matter how long it’ll take.”
Her heart could literally burst into flames at his words. How many men out there were just as considerate and understanding as Harry Styles, and not only thinking about themselves? Probably not too many.
Y/N lowered her head for a second, then looked at him determined. “I want to make love to you, Harry… It’s just…” she sighed. “I’m very nervous.”
“I know that, my love. Do you think I’m not nervous? I’m the one with a dick after all, and I don’t want to hurt you. I couldn’t forgive myself if I did, because I want this to be the best experience you’ve ever had. If we do this, there is no return. I don’t want you to regret anything.”
The young woman passionately crushed her lips against his. “I know I won’t, because it’s with you.”
He offered her a smile, warming her insides.
His hands found their way to her back, about to unclasp her bra, when he saw the quick panic flashing through her eyes- not because she was scared, but because it was unfamiliar and unexpected. Being undressed by someone else other than her was something she needed to get used to after tonight. Harry instantly stopped. “Relax, love. You’re safe with me.” He brought his lips to her neck, sucking and marking her skin. Y/N closed her eyes, enjoying the feeling.
After they got rid of her bra (together actually, because he thought that it would make her feel more comfortable), his big hands began to massage her bare breasts, his thumbs brushing over her sensitive nipples, which hardened immediately at the contact.  
“How does it feel?” Harry inquired while continuing to give her breasts some attention.
“’s nice,” she answered, shivering when Harry pinched her nipples.
Guiding her back onto the mattress, he climbed on top of her again.
His lips were worshipping every part of her body. There was no inch he left untouched. She was a goddess- a pure, innocent goddess. She felt so soft. He treated her like fine china- cautiously and carefully; he didn’t want to demand more than she could endure.
At one point, he grinded his clothed crotch against hers a second time to get her worked and loosened up a little bit. The sounds emitting from her mouth was like music in his ears.
“Let’s get us free from these,” he suggested, pointing at their underpants.
His fingers rimmed the waistband of his boxers, pulling it down his legs. And there it sprung free- his beast, pointing directly at his abs. Y/N didn’t exaggerate when she claimed he was huge- because it was true. The tip was swollen and slightly red, leaking a bit of precum.
Harry caught her eyes staring at his ‘best friend’.
“Do you- do you want to hold it?” he asked.
She averted her gaze and looked at him. “I…” She cleared her throat, blushing. “I can try.”
“You don’t have to, love. Really.”
“No, I want to know how it feels.”
Without his request, she wrapped her fingers around the hard, pulsating flesh. It felt heavy in her hand. Harry flinched, hissing at her touch, and a deep groan reverberated through the walls as she glided her hand up and down his shaft. He supported himself on her shoulders while Y/N played around with him. She liked how desperately he called her name, how his eyes fluttered shut and the way he licked over and sunk his teeth in his lower lip. She was about to wrap her mouth around the base as Harry stopped her abruptly.
“What are you doing there?”
A frown adorned her forehead. “I- I wanted to… y’know…”
“Not today, sweet girl,” the curly-haired man laughed. “We will have plenty of time for that later. But for now, it’s all about you.”
He asked her to stretch out her legs so he could free her from the last material that covered her body. Y/N had never felt so vulnerable in her life as in that moment, however, one loving gaze from him was enough to flush her worries away. She watched him as he opened a cupboard and grabbed a condom. He opened the foil with his teeth, pulling out the condom and wrapping it around his member.
“Are you ready?”
“I am.”
He pulled her against him for another kiss. While their tongues were busy with dominating each other, Harry sneaked his hand down to her vagina, his fingers teasing her entrance. He first inserted one digit, pumping in and out of her, then adding another one. She moaned out in pleasure, opening her legs for more.
“Harry, please!” she cried.
The young man didn’t need to be told twice. He lined his member at the entrance of her wet core, and slowly yet gently eased his way in- inch by inch. The pain that followed through his intrusion was inevitable- whilst the wetness. Y/N’s body tensed, nails digging deep into the skin of his biceps as she tried to accommodate not only to the stretch of her walls but also the burning that came along with it. She couldn’t help a few tears from running down her cheeks. A little wail was heard once Harry was fully in. Harry kissed away her tears, giving her enough time to calm down and adjust to his size. “It’s gonna be okay. I’ll take care of you… You gonna feel great, my love.”
Every cell in her body was on fire, vibrating. Despite the pain, she felt full and complete. Their bodies fitted together perfectly as if god had only created them for each other.
When the pain subsided a little bit, she allowed him to finally move. The young man complied. His thrusts were tender and slow, paying attention to not hurting her. Y/n was overwhelmed with different emotions. Everything crushed onto her at once. Her heart was beating so hard against her chest that she felt it was going to explode. Harry buried his face in the crook of her neck, and Y/N could feel his warm breath against her skin. Her name fell from his lips like a prayer.
Pain formed into pleasure, his thrusts became quicker and harder. Her legs enveloped his middle, widening for more access. He hit the right spots that let her see stars before her eyes so easily, spots that made her scream out his name. She felt beautiful and loved.
After a while, something was building up in her stomach, and she could feel her orgasm approaching. The way she already clenched around him indicated that she was very close to her high. He fastened his pace with the intention to make cum as fast as possible. He wasn’t chasing after his one- like he stressed before, it was all about her.  
A whimper left her lips, she knew she couldn’t hold back anymore. “Harry…”
“Let go, darling…” he encouraged her, “It’s okay, I’ve got you.”
Words cannot describe fully what that moment of relief felt like. She could sense it reaching every fiber of her body. Her legs trembled and her toes curled, mouth agape as tears pooled her eyes. Harry thrusted her through her peek, until his movements became sloppy.
Shortly after finding his own release, Harry collapsed on top of her, resting his head on her chest. He didn’t pull out of her yet- he wanted to linger a little bit more in her warmth. His arms engulfed her middle. Their entire bodies were covered with sweat, but they could care less about it. Y/N was still dazed from the aftershock of her orgasm. She was basically on cloud nine. Everything that happened just minutes ago seemed like a dream. She always knew how she wanted her first time to be, but Harry had given her an experience that had surpassed her wildest imagination. She couldn’t be happier in this moment. A content sigh escaped her mouth, and she wrapped her arms around Harry’s shoulders, letting her one hand glide through his long, damp, brown locks. After a while, she heard a giggle rumbling his chest. She tilted her head in confusion.
“What wrong?”
Harry, steadying himself on his elbows, brought their lips back together, kissing her feverishly. When he pulled back, he leaned his forehead against hers.
“I think I can consider myself a king now...”
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