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imagine anton with swan princess hair. biggest hair in the entire interstellar history department. right? right?

YESSSSSSSSSSSSSSSSSSSSSSS

I'm

S C R E A M I N G

because I look back at my early drawings and I've definitely given him longer and longer hair as time has gone!

I think at some point I may have been exposed to your pernicious Long-Hair-Raziel Propaganda and my subconscious eventually went:

I like to think that the Institute allows every operative to bring a couple of small mementos from Earth and Anton brings his entire hair routine with him. It's like the whole no bathing thing, he can't go without some luxuries even if it compromises the mission. Just gotta have the best hair in the entire arkanarian court, nay, the entire galaxy!

Uno grumbling for the 100th time about having to comb the master's hair with the devile's ointments.

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I've never seen Time Bandits but after this trailer I... Like this is almost enough why is this so good

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normal bowling movie

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bad weather friend

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most important part of the writing process actually is when you loop a single song on max volume and stare at the word document and imagine the characters doing things for 14 hours. this is known as getting in the zone

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planet earth is blue and there's nothing i can do

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sometimes a theme recurs in your work without your permission. and sometimes it reaches a threshold where you're like. well now i think this is saying something about me against my will. don't know what though

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Found at the cemetery the other day

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fuuck dude

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he thought he could overthrow the oppressive system he was once complacent in!!! he mad as hell!!!!

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addicted to line tool

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bro thinks he's free

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where hearts were entertaining june!!

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sends me into the stratosphere every time

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THE MIRROR (1975, Andrei Tarkovsky)

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An inscrutable, nightmarish, surreal dreamscape set to Modest Mussorgsky's famous composition of the same name, "A Night on Bald Mountain" is one of only a handful of short films ever created using pinscreen animation, a method in which shadows cast by miniscule steel pins positioned against a sidelit screen are manipulated to produce images of unique texture and dimension unparalleled in the field of traditional animation. Co-directors Alexandre Alexeieff (1901–1982) and his partner Claire Parker (1906–1981) built their first pinscreen device in 1931 with the assistance of Alexandre's then-wife, fellow artist Alexandra Grinevsky (1899–1976). Alexeieff and Parker then spent nearly two years animating this 8-minute film, which preceded the better-known cel-animated short "Night on Bald Mountain" from Disney's Fantasia (1940) by seven years. "A Night on Bald Mountain" represented the public debut of Alexeieff and Parker's pinscreen method.

A NIGHT ON BALD MOUNTAIN (1933) "Une nuit sur le mont chauve" Directed and animated by Alexandre Alexeieff, Claire Parker