#which. was also probably a bad choice

[kipperlillyforpresident]

https://www.reddit.com/r/Dimension20/s/w3Hs9AWn5d to y'all

this is THE funniest anon hate i could ever receive. you can't even be bothered to write your own message...? you're just linking a reddit post...? one has to laugh.

[lazylittledragon]

so uhhhhhhhh. not to be cryptic and bitchy on main but congratulations to everyone in my messages for like 5 months on being right i guess

[broareweabouttoviberightnow]

ok. I'm about halfway through my first watch of the boot (MY ANGEL GODSENDS FOR THE FOLKS THAT SENT SOME ALONG THANK YOU) n I have some soda related thoughts. I know I've seen a couple posts unhappy with sodas portrayal in the musical n I can definitely. see that. I ain't done yet so I'll probably be circlin back round to this. but I think there's somethin real interestin with the fact that. often. it feels like soda is intentionally choosin the dumbest thing to say. not the actor. the character. leanin into what everyone expects from him. it always feels like there's a brief moment. a pause. a big sloppy grin. n then the intention to live exactly up to his expectations. he's the easy brother. the stupid one. the one no one has to worry about. God the scene where him n pony are layin in bed? there's a brief moment where pony incidentally runs across a deeper part of his brother. 'poor boy in love with a rich girl? poor sonofabitch' 'you know you sometimes say her name in your sleep?' n Soda gets this. deer in the headlights look. like he's said the wrong thing. let on somethin actually gets to him. n he's gotta redirect by reenforcin the 'naw I'm just stupid shtick' (544 fuckin pages!) n he does it so effectively even we as the audience fall for it. ough. anyways.

[revvethasmythh]

So I went and watched all the possible endings, and it confirmed something I had been thinking, which is that the redemption ending choice is, perhaps, the most immediately regretful one--but that they all come with some form of regret. In the redemption ending, Rook has to knowingly deny themselves the catharsis of retribution (should they desire it, which, at least for me it felt difficult not to) in order to offer Solas one last, painful chance to do the right thing. That willful denial of your own catharsis feels like an immediate regret. Giving Solas the opportunity to pursue atonement might very well be the best choice all around, but it is also incredibly painful to offer that to someone who has done so many terrible things (not a small amount to you personally). Why does he deserve another chance? Especially when so many dead (including a beloved mentor) lie in his wake? Which, I suppose, is the point: he doesn't. But you offer it anyway and it SUCKS ASS, because how could it not?

I don't know how this plays with other story choices (a sacrificed Davrin or a Harding who embraced her anger, for example), but within the context of my own choices, I can imagine an immediate satisfaction to either tricking or fighting him--especially the trick ending, where you can actively name drop Varric--but it feels like the sort of thing that would feel worse as more time passes. Once you've calmed down and are able to ask yourself if that's what the people you've lost really wanted. Varric, in Regret Superhell, didn't want vengeance. He just wanted his friend to walk a better path. And Harding always believed there was another chance for anyone, so long as you kept reaching a hand out for them--even when it sucked ass. So the redemption ending feels like a sort of indignance, an instant regret for not doing worse, for not getting comeuppance, for being forced to eschew satisfaction (related: I wonder if the Inquisitor feels those things as well coming out of this ending, considering how long they've lived under the shadow of Solas' actions). Conversely, the other two endings feel like an immediate satisfaction, because you got to trick the trickster with all the wits Varric taught you, or because you finally got to punch him in the face and it felt really good. But I feel like those endings would come with a creeping regret, something that sneaks up on you later, especially when remembering the fallen and what they would have wanted you to do. Ultimately, because of that, it feels like no ending is devoid of regret. Which I suppose, is rather thematic.

[skrunksthatwunk]

did my first ever used car browsing online and there's a car that's like really good on basically every aspect but the color is fucking NASTY. but ive been evolving a bit around it. and so now im like thinking "okay the bit's funny now but would it be funny in like seven years" kinda stuff

[princema-k]

i would actually love to hear your thoughts on when layton would emote the ways you've drawn him! if you want! no pressure if not!

OH B OY HERE WE GO!!!!! again take everything with a grain of salt bc i Forgor bits of the series

BLANKET SPOILER FOR UNWOUND FUTURE/MIRACLE MASK MAYBE??/AZRAN LEGACY

(for reference we are talking abt this post)

SURPRISE: As we know in the PL series, it's very very hard to catch the professor off-guard in any way. Most of the things you would think would surprise him, he's already known for a long time and was just keeping quiet about it so that he could use that information at the right time.

With that being said, the times where he does seem to get somewhat surprised (or taken aback. he's so goddamn emotionally constipated) seem to be when the shocker in question has personal relation to him. Though in the series proper, none of the shocking personal factoids are ever presented in a way to make him jump. So theoretically, if any twists like Claire or Descole's reveal were presented much more aggressively, he might emote like how I've drawn him (though I kinda doubt it). Or just jumpscare him lmao

SADNESS: Obviously we know that Layton can feel sadness and cry, though even at the end of Unwound Future it's clear that he's still holding back with his crying. I'd wager that it's because he's out in public and around an impressionable individual (Luke) that he's not letting himself fully express his grief. After all, a true gentleman never makes a scene in public.

I'd say, if he were to cry like the way I've drawn him (that is, bawling his eyes out), it'd probably be at the end of UF when Luke leaves for America, and he'd have to be alone. And I mean completely alone. He'd be very careful about having anyone even remotely near him before he breaks down sobbing; he'd wait for Luke to go home, and wait a while to make sure that he hears no other footsteps around who could potentially walk in on him, before crying. And even then, he'd still repress it - trying to choke back sobs to make sure he isn't heard, pulling the brim of his hat over his eyes and covering his eyes with his hand, the works. Because sadness/crying is weakness to him, and a true gentleman can never show weakness.

ANGER: Frankly, I feel like this is one of the emotions I've drawn that I actually could see him showing in the series proper. We've seen him in Unwound Future just barely holding back his anger at Clive when he endangered Flora/started wrecking havoc on London (obviously still restrained- yadda yadda yadda "true gentleman" blah blah blah).

To get him to unrestrain it, I'd say you would have to put a lot of people he cares about (particularly his wards - Luke and Flora would likely be excellent choices) in direct danger, as well as taunt him to a personal degree enough times. Because even the Professor has limits to how much mental strain he can take, and all limits can be broken. It's just a matter of pushing the right (or wrong!) buttons on him.

FEAR: This one's tough I think. As an adult who's seen a lot (including his own death), it's pretty hard to find something that would really scare him to that degree. Throughout the series the most he seems to show in terms of fear is either: a) surprise that he quickly recovers from, or b) the end of Unwound Future when he realizes that Claire can't stay with him.

I say that theoretically (and REALLY emphasize on the "theoretically"), you might be able to get him to emote the way I've drawn him... if you subject him to anything akin to his recently unrepressed memories of his childhood, and he's rendered helpless to do anything to help but watch. But like I said, only theoretically. I'd wager that he'd probably just be angry too.

LAUGHTER: ...I honestly have no good clue to how or when he'd emote like this. For him to laugh so heartily, he'd have to be in a state of extreme emotional vulnerability, which isn't often.

I'd say it'd be at a time where he's feeling very relieved, or elated (and they'd both have to be situations that connect to him personally too; outside events won't phase him). How he'd laugh to such an extent I'm not actually sure, BUT I could paint a bit of a scenario: It's the end of UF, but Claire could actually stay without dying, and she makes a sort of lighthearted joke in light of the events. Would he laugh wholeheartedly? I dunno. But judging on what we've seen of him, it's a maybe.

It's a shame we never get to see him emote so colourfully in the hexalogy proper, but as I've stated before in another long-winded half-legible ramble character analysis, he's SEVERELY repressing his emotions due to Claire's last words/"gentleman" values/positive reinforcements from his peers and environments for successfully hiding his emotions. Poor guy.

[strohller27]

Yes Hello to all my fellow Miss Lemon fans out there:

If you love her as much as I do, then 6.2 Hickory Dickory Dock is the episode for you

Now let us all just take a moment out of our busy day to bask in her glory:

That coat with those hats?? ICONIC she has such a flawless style

and this little scene where she's like 'this is just a quirk of Mr. Poirot's, don't worry about it' fellas help she's so cute

also HELP lads she took Poirot's comment about Inspector Japp's 'healthy appetite' way too literally!! LEMON SOLE! she's so funny aagh

Also she looks really damn good in burgundy wow

Also you know I hate the trope where guys tell ladies to take their glasses off and let their hair flow in the wind because they'd somehow be 'sexier' or whatever. That is just simply not true. Case in point: Look at how cute Miss Lemon is in her glasses!!

Just. Everyone just. Look at my favourite girl. Look at her!!! Her filing system is perfect! Her filing system could kick your ass!!!

[letmetellyouaboutmyfeels]

As someone who watched last night’s episode, you had the right idea to stop.

Why’s it so bad

Because Tim Minear is a power-drunk hack.

[wardingshout]

you have tegaki e?? there is tegaki e?!!! I'm gonna cry aaaaa I can't even remember but there are so many memories flooding back. T^T

also Lou stole my heart! :O

lately I think I'm active enough I'll be on the front page most days but hehehe hell yeah I do !!! I was never all that active on the old site but even so there are still artists here I recognize which feels so cool! ;v;

and I'm so glad you like them !!!!

not to play favs with my own kids but they're def my fav dfshudhfs

[goodluckclove]

Saw a post complaining about longform texts on Tumblr. It was sort of dunking on people who post without a read more - which I agree is handy just for like practical purposes, even if people have shorten posts on. But there was a vibe in the notes that long-form texts on Tumblr inherently went against the point of the website.

And I think it's interesting from a social media and branding standpoint. Tumblr has, for as long as I can remember (so like maybe 12 years?) been pretty vague about it's intended use. It calls itself a "microblogging" platform at times, which I agree with since it clearly doesn't lean towards longform text.

At the same time, most other outlets will call it a social media and blogging platform. Since 2019 it's been owned by the same company that owns WordPress, a content management system more commonly associated with longform text, so in my mind it isn't shocking that some people would assume Tumblr can be used for the same purposes.

I know it usually isn't, but I do it anyway. A website like this is a big network that really has no one culture if you think of it objectively. Whumplr interacts with each other very differently from aesthetic lifestyle blogs, or people who use their Tumblr as a way to just reblog and comment vaguely on softcore porn. It's just kind of fascinating to think about.

[aroaessidhe]

2025 reads / storygraph

The Subtweet

contemporary novella

two South Asian Canadian musicians begin a complicated friendship when one covers one of the other’s songs

while her career skyrockets due to the cover and an uncovered album she made in uni, the other’s career stagnates and her jealousy and insecurity increases

when a frustrated tweet goes viral, their friendship implodes and they become the centre of an out of control viral discussion about colourism and racism in the music industry

[corellianhounds]

Idk why everyone thinks Crosshair was the chaotic misbehaving brother as a cadet. Mr. “Good soldiers follow orders” even without the chip? Mr. “Loyal to the Empire” even after they destroyed all Kaminoan cities and facilities and didn’t care enough to come back and see if there were any survivors? Mr. “Not immediately swayed by emotional convictions” even when they belong to those closest to him who he should trust above unseen authorities?

Even if you think obedience and compliance was hammered into him by those in charge and he had to learn to keep his head down or face the consequences, that doesn’t explain why it takes him so long to eventually accept the truth, despite the mounting empirical evidence he receives after the most dire possible circumstances that should show him that those in charge are wrong. It isn’t until Mayday’s death that Crosshair finally accepts the truth because it’s then that he’s being directly told by the people in charge that he and everyone like him is expendable and unnecessary.

Somebody with a rebellious youth is much more critical of authority figures even if they’re presently obeying them, and they’re much more ready to drop said authorities the second it’s a viable option and they physically can. Crosshair doesn’t behave like a dog that’s been beaten its whole life, he’s constantly making active decisions not only to follow the Empire but to enforce what the Empire dictates, even when he’s the one reaping the direct consequences of pushback on the ground for it. Because that’s what good soldiers do.

This guy was the kid following the rules by choice and getting mad at the others for finding loopholes or accomplishing things the ‘wrong’ way, especially if and when it got all of them in trouble (because they were kids and wouldn’t have always been right). Rules and structure are there for a reason. We’ve been here less than ten years, what on earth makes you think we know more than the people in charge? Why do I have to be punished because you guys couldn’t do as you were told?

To me the four of them (and Echo later) are a sliding scale when it comes to decision-making based on head vs heart. Crosshair and Tech are on one side, using logic and reason over emotion as their basis for decision-making and how they see the world, and Echo and Wrecker are more on the heart/instinct side of reasoning, putting people and ideals ahead of simply accomplishing objectives despite what the odds might be against them. Hunter’s the balance in the middle, being able to see both sides and weigh what the best option is based on the evidence and the context within which it’s being given. All of them have different fluctuating percentages of what’s going to motivate or drive them day by day, just based on the context of their circumstances, but that’s the general scale.

I think Hunter as a kid probably realized if he could get all of them to learn the rules as quickly as they could, then they’d know how to break them effectively with the least amount of repercussions and collateral damage. They were an experimental group for a reason and were likely given a modicum of wiggle room when it came to problem-solving, the Kaminoans not just allowing but pushing them to be more creative, flexible, and adaptable. They all know the hard rules of structure, chain of command, and behavioral compliance, but after that they’re given more freedom of choice. Their personal convictions inform both the why and how of following orders.

Wrecker is easier to figure out because he wears every thought and emotion on his sleeve and sees no reason not to. He’s more of a follower— Thinking is for other people, he’s a busy guy and man of action, give him something concrete with actionable directions and he’ll accomplish it with aplomb.

Tech, as a kid, likely knew both the spirit and letter of the law, which means he could see problems and solutions objectively regardless of his personal feelings/opinions and knew that rules are there to be guidelines: No structure is perfect and always following rules exactly was never going to always be the right decision. He would choose whichever seemed like the most logical, obvious route to success, finding loopholes and workarounds where he could as a means of balancing the consequences or fallout of said decision.

Hunter also knew both the spirit and letter of the law, but he was able to read situations and people better than Tech was, relying more on his gut instinct to tell him what the best course of action would be, even if that choice wasn’t the most logical. He’s a mediator and the best choice of leader because of his ability to get people working together by knowing how to convince each of them in their own way that this plan will accomplish their objective AND lead to the most amount of people being satisfied/happy in the end, them included. Despite the fact Hunter’s more reserved, he’s still a people person. It just happens to come from empathy, observation, and instinct, the latter two being qualities he was designed to specialize in.

Crosshair obeyed the letter of the law because structure exists for a reason and if that structure has yielded the best results and most success for the longest amount of time, then it’s obvious it must be the right one in place. Loopholes can be taken advantage of, but only when there isn’t an explicit wording against it or there is clear and mounting evidence that the rule doesn’t apply to him. To deviate from the majority in matters of how something is achieved is acceptable; to do so in matters of why is not.

[twentyfivemiceinatrenchcoat]

i still haven’t written out my 261 metapost but i can’t stop thinking about the stsg subtext in that chapter . the parallels between geto slaughtering the village and gojo slaughtering the higher ups…. the fact that gojo does it right after declaring that he has to “catch up” to geto

[b-blushes]

thursday quest - no physical therapy today - make and eat lunch sooooo early but i can do it!!!!! - get ready for wedding - attend wedding! yay! (: - decompress well when i get home <3

[kuiinncedes]

damn

[sarcasticsparkles]

My favorite source of crack AUs is taking a piece of media and then putting characters from a different piece of media on a wheel to decide who is in which role, starting with 3-5 key characters and watching the chaos unfold.

Behold the worst Hunger Games AU, featuring the cast of Death Note.

Our current casting includes:

Ballad of Songbirds and Snakes: Soichiro Yagami (Lucy Gray Baird) and Ryuk (Coriolanus Snow) have a situationship that ends so horrendous Ryuk makes it everyone's problem for decades to come.

Sunrise on the Reaping: Shuichi Aizawa (Haymitch Abernathy) is not allowed to be happy, brutally murdered loved ones and descent into alcoholism edition.

Hunger Games: Light Yagami (Katniss Everdeen) somehow becomes the main character again, and because Ohba possessed the wheel to hate women, Touta Matsuda (Peeta Mellark) got dragged along for the ride. District 12 has no female victors.