#which tbh is already what i do so

[harvestmoth]

sorry. couple more scribbles of it

[tsunosagun]

i flew too high, please catch my fall

[arovalentines]

all you ever need is to be nice and friendly

[akkivee]

still kinda not over ichiro taking a bite out of his hamburger in the leaders bonus hypster track and going 'it's so good!! it tastes really meaty!!' lmao

[cementcornfield]

Some of Tee and Ja'Marr's thoughts on the Tee Situation

Tee said to me 'right now I get to play with one of the, if not the, best quarterbacks in the game, I get to play with one of, if not the, best wide receivers in the game, that opens up so much more for me.' And then he said 'this offense is designed for so many different players to be spotlighted, the way that I am used in this offense so plays to my strengths.' And then he said to me, 'can you guarantee I can have that exact situation anywhere else?'

....

So do I think he's taking a home discount? No. But I do think that he is very very smart, he sees the whole picture out there...

....

It's very easy to compare this situation to what Ja'Marr had at LSU with Joe Burrow and Justin Jefferson. And Ja'Marr has said Tee is very different than Justin Jefferson. That every single minute with Justin Jefferson was a competition. That everything was who makes the more dynamic catch, who has more catches in practice, who runs faster? Everything was that way. Ja'Marr had to speak up and demand the ball a lot at LSU, because so was Justin. Ja'Marr told me that he doesn't have to do that in Cincinnati because Tee, and this is a quote from Ja'Marr, is one of the most unselfish humans you'll ever meet.

[lokh]

mom avoids dead anime mom curse because he transitions. he’s always had a complicated relationship with pregnancy because of how woefully little people are told about potential complications and aftercare, and also because of how gendered it is, so after the birth of his second child he’s finally had it and decides to transition

he joins a local community group for mothers and at first it’s played for laughs how often they fall to the dead mom curse, but soon we find out more about how society has failed mothers and people who give birth, from information being withheld, procedures being carried out without consent, lack of accommodations and maternal and paternal leave, racism…

it also turns out that becoming a man doesn’t help with this, not really, because being a pregnant trans man brings its own problems. follow along as he learns more about being a parent and a mother, and maybe even… finding love???

coming to you never because I can’t write!

[xxplastic-cubexx]

Had to explain to a friend today that No Really I Swear Magneto And Professor X Are Friends And Like Each Other Thats Canon And Real

[nomattertheoceans]

This little exchange lives in my head rent free btw

Because what does it mean?

What does he mean by "You... don't remember me"?

Like, at first glance you might think he's just taunting Sol about them meeting in the apothecary shop, but it doesn't make sense, really. Because why would Qimir bring attention to that first meeting since he's trying to hide his identity?

No, I think Sol has seen him before in a similar outfit, maybe even this very one, a long time ago. Or as Qimir says it, "a really long time ago."

We know that Vernestra was Qimir's master when he was a padawan, and she struck him down in a rather violent manner, and believed him to be dead because of it.

We know that Vernestra was already a master when Sol was a youngling. And yet Sol doesn't recognize Qimir's face in the beginning, so that basically rules out them being younglings/padawans together. My guess is that whatever happened between Qimir and Vernestra, it happened when Sol was just a small boy, a youngling fresh at the Jedi Temple. Maybe Qimir had already deflected and came back, maybe he tried to hurt the younglings (although his reluctance to strike down Jecki makes me think this is unlikely), I don't know. But whatever he did probably led Vernestra to try and kill him, and I think maybe Sol saw it happen.

Qimir certainly seems to think he should remember him. Maybe Vernestra erased Sol's memories of the event, and that's why he seems to sense something but can't quite place it.

I don't know, but yeah this is one of those little nuggets of backstory that drive me insane with the possibilities!!!

[mcytegg]

btw mapicc's everything today reminded me so violently of s4 ro and s4 dualities in general but if i think abt it too hard i will Actually Cry as i always do when it comes to dualities so im just gonna joke abt mawn and ignore it for my own sake ^-^

[todayisafridaynight]

everyone wanna talk bout rgg until rgg start postin bout 'yakuza wars' girl what the HELL is this

[statementlou]

why do you talk about Louis using blue and green signalling as if it isn't about Harry, that what the blue and green are- do you not believe in larrie?

short answer for the reading challenged trolls to cut down on asks yes I am a larrie, not that anything is wrong with not being one. But longer (much more interesting imo) answer: We know H and L were together, but no one really knows if they are still or again- I personally mostly believe that they are, but I get why people don't think so and can't see any reason to get pressed about it. But you make a solid point- blue and green and certainly things like Louis wearing the H shirt don't potentially signify anything other than larry right? Well that's what makes it so interesting to me- I kind of don't think Louis IS using those things that way! As my recent anon pointed out (and I agree) he wants people to think he is Freddie's dad, he is not presently trying to be perceived as gay in the face of people trying to force him in the closet- he is in charge of his image and is choosing to publicly put forward that he is a guy who got someone pregnant and dates women. And I do think him and H are together, but I don't think he particularly wants to talk to us about that, if that makes sense? But I believe he does want to connect with his beloved fans on a more personal level, to revel in the acceptance and love and shared wink, I know you know I know, me and you until the end, our eyes meet, together we're the greatest- and I think he uses the larry imagery to do that, rather than to talk about his relationship. I could do this for days he gives us SO MANY examples to choose from but just to pick one: the all blue and green lighting for All This Time. Think about it- if he actually had images of a rainbow flag on the screens at his shows or waved one or something, it would make the articles and press and be a whole thing and revive every rumor ever about him in every tabloid! But if he makes the entire lighting and screens for a song blue and green (or wears a shirt with a giant H on it or any of the other one million coded things he does), well so what? No journalist would think a thing of it, nothing to see here- but the larrie majority of his fanbase hears him saying "you were right about everything and yes I am gay and I love you for seeing it" and go completely bananas! It's fucking ingenious tbh, SBB at his finest! And the fact that the song he chose for his current unhinged bluegreener fest was All This Time was for me the thing that really cemented this theory for me; I know some people disagree, but to me that song reads as being about him being closeted and his public life and the fans and choosing this lighting for that rather than for like We Made It or something really feeds my conviction that he is bluegreening on main as a way to tell us that he is gay rather than to tell us anything about his personal relationship. TLDR yeah I DO think he is signaling, a lot, but I don't think it tells us anything about the status of his relationship with Harry or anyone else and the reasons I think they are together don't have anything to do with Louis' stage lighting choices, but also that means I don't think it makes sense to say he's not signaling anything ever because you don't think they're together; both can coexist and I think it's just weird to act like he's not making pretty clear choices

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[akkivee]

AND THEIR SAUCE????????

[mars-ipan]

my fellow anxiety havers what is one of your mundane day-to-day tasks that should by no means be anything remarkable but feels like you are being hunted for sport. i’ll go first: putting all of your groceries on the conveyor belt during checkout is like a long series of quick time events to me

[beastsovrevelation]

Fem!Crowley, how she looks in my fics. 🐍

Reference: Teresa Palmer

[ywpd-translations]

Ride 756: The third Inter High!!

Pag 1

1: The Inter High starting line is impartial

2: Those aiming for victory

3: Those filled to the brim

4: Those who are scared

5: Everyone who put on their number bib

6: The line calls everyone to a new path

Pag 2 / 3

1: No2, Onoda Sakamichi's last Inter High!!

Pag 4

1: “Kyushu” was once divided into nine countries, and that's why it has that name*

(NdT.: The “kyuu” in Kyushu means nine)

(Currently is divided in seven prefectures: Fukuoka, Ooita, Saga, Nagasaki, Kumamoto, Miyazaki, Kagoshima)

2: It has a lot of active volcanoes, and people coexist with the harshness of nature while enjoying hot springs, geothermy, and tourism

3: Trade with the continent has been active since ancient times

4: Formerly, the distribution of goods by ships, which was the mainstream

5: Passed through the Kanmon Straits, separating Honshu and Kyushu

6: And transported to Osaka, Edo, the Japanese cities by the sea, and every corner of the country

Pag 5

1: Even today, the Kanmon Straits, which passes through Shimonoseki, and Kitakyushu City, and Moji, is the shortest route that connects the Inland Sea and the Sea of Japan, and is a key point for the shipping through sea

2: 1000 ships a day pass through the complex strait, which is 500m wide in its narrowest point

3: As for the land route

4: An highway crosses the Kanmon Strait with a huge bridge 1068m long

5: Ordinary national roads and railroads pass through specialized tunnels

6: As for bicycles and people... they use the “pedestrian bridge tunnel” at the bottom of the huge bridge

From Honshu to Kyushu, they can cross over the Kanmon Strait by walking

Pag 6

4: Waaa

We're at the bottom of the sea here?

That's right

5: So above us is the sea?

Yeah

And we can walk to Kyushu?

That's right, it's around 400m from here

Amazing....

6: There's even people with bikes

Yeah

7: Look! There's a line!

It's the prefectural border

8: One, two-

9: Yes! I landed in Kyushu!

Pag 7

1: The entrance to Kyushu is in the northernmost town, Moji, in the prefecture of Fukuoka, Kitakyushu City

Pag 8

1: This is where this year's Inter High will start

Pag 9

3: Where do I put this baggage?

Put it in the tent for now

Thank you, senpai

4: Look, The bikes are all lined up

So pretty

Pag 10

1: I took a picture

So cool

2: Two portions of Mijiko curry, please

Yessir

3: A pressure of 6.5?

Six, please

4: Do you have an allen key?

Yes

Pag 11

1: Ohhhh

2: There's so many huge buses!!

Teh!!

3: Nara

4: That one is from Miyazaki

5: Na-Nagano!!

6: And there's so many people, too, teh....!!

7: Are they participants in the race!? All of them!?

You're kidding, they look so strong!!

8: The attendance!! Is on this scale!!

So this is....

Pag 12

1: A national competition!!

2: Teh?

3: Ohh.... suddenly my knees started trembling, teh

Ho- how do I stop it, teh, Ki....

4: Kinaka-kun!!

6: Ki.....

7: “The competition is in Kyushu, so there's no way we can bring everyone along”

8: Kinaka.... kun

Pag 13

1: I'm here!!

Ah, you're here....

2: I'll be a mechanical help for the next three days

And I was entrusted to be your lucky charm

De-he.... oho, ohoho, fuhoho!! What's that enigmatic way of laughing!!

3: Don't act like I didn't come!!

No... I just wanted to reaffirm again how grateful I am that you came, Kinaka-kun...

Ah!? That doesn't make any sense

4: It does!!

Pag 14

1: Because I really am grateful to you, Kinaka-kun!!

3: And I think this jersey is for the both of us!!

5: Don't say you're grateful so directly

It's embarrassing!!

6: Let's go to the tent!!

Yeah!!

You

7: It's your first Inter High but you're not all that nervous!!

That's somehow incredible

8: Yeah!!

After all

Pag 15

1: We have the strongest senpai!!

Pag 16

1: Ohhh

Waaa

2: It's Sohoku!!

It's Sohoku, the two-times in a row champion!!

Sohoku is in Kyushu!!

3: What a terrific aura!

Waaa

Onoda.... Naruko, Imaizumi!!

They look serious!!

Are they aiming for the championship again this year!?

Pag 17

1: They're going to get their number bibs

They're heading straight for the reception!!

Yes, all the participants are lining up in a row there

2: Oi, you're interrupting....

3: Sorry-

Ah

Soho-

Waa

Waaa-

5: -ku's...... bibs....

Pag 18

1: ….. please

2: Is he..... nervous....!? The reigning champion, Sohoku!?

Did he have a nervous aura?

Maybe the two guys behind him.... were supporting him?

3: They were supporting him, but the jersey came off

5: They're going back to their tent....

So that's Sohoku... right

7: So-so- sorry, I got nervous!!

Yeah

Right

8: La-la-la-la-la

La?

La?

Pag 19

1: I was thinking it's the last Inter High!!

3: For us

Pag 20

4: Yeah

5: That's right

6: That's right, Onoda-kun

We're third years

7: It's our third and final

8: yearly grand stage

Pag 21

1: Once this is over, we'll retire

This Inter High is our last race!!

Pag 23

1: Honestly speaking, I my heart too was pounding when we were on the ship coming here

I was really nervous

2: Naruko-kun....

3: Naruko

4: But then I thought

When we were first years and ran in the Kanagawa competition..... maybe, at the starting point in Enoshima

5: The old man, Kinjou-san, and Makishima-san, too, were as nervous as we are now

Pag 24

1: They must have been

3: But they didn't show it at all to us kouhai

4: Well, we can't afford to show it, either

5: That's why, Manager, we talked and decided to go back to our beginning!!

6: We chased and caught up with those people's back, but this time we're gonna surpass them!!

7: Huh

8: We're changing our numbers from last year!!

Pag 25

1: The old man carried number 172, so I'll take number 2!!

Hotshot will take the number Kinjou-san wore, number 1!!

Pag 26

3: And Onoda-kun....

I....

7: The number Makishima-san carried

Pag 27

1: I'll run wearing the number 3!!