#which messes with my sense of time

[ridiculed-baker]

my attention span went 'poof' aaa-

[littlebitofdnd]

Sandra-Lynn and Sklonda are having a "What Do We Do About Kristen" phone call as we speak

[jellydragons]

tetra is having a Day

[concerningwolves]

I think the most miserable writer experience is when I've written something in a haze of hyperfixation but then the fixation juice runs out before I finish the thing. this is however turned into the most delightful writer experience when some point later, maybe weeks, months or years down the line, I finally come back to the thing and manage to finish it, seeing where I've grown as a writer in the process <3

[raggydollsscreenshots]

Posting screenshots from The Raggy Dolls every day until ITV puts it on ITVX: Day 76:

[coquelicoq]

this relationship between the emperor and his favorite concubine is something else. because apparently she was his DAD'S concubine and she reminds him of his mom...he's like you're the only connection i have to my mother (presumably because she was friends with his mom, because they were concubines of the same guy, and because after his mom died she used to take care of him and make him the food his mom used to make him because she "loves children") and i'm sitting there like 😬 ok where are we going with this. then i get to the end of the show and discover they weren't going anywhere with it in particular. they were just like, we want this guy to have a mommy complex and we want you to know about it. okay. thanks i guess...

[torgawl]

i was a reading a bit more on purgatory and purgatorius ignis (cleansing fire), which is a concept that existed even before the notion that purgatory itself was a third other-world domain, similar to heaven and hell, when i suddenly remembered dante's la divina commedia and decided to revisit the story a little. and i found something interesting as i was scrolling through the wikipedia page.

so, purgatory is the second part of la divina commedia, following inferno, and is an allegory telling of the climb of dante up the mount of purgatory, guided by the roman poet virgil. alegorically, purgatorio represents the penitent christian life (and christianity, as we know, is one of the core themes of fontaine's archon quests that arlecchino was a part of). while describing the climb dante focuses a lot on the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the church. what's interesting, though, is that the poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.

why is this interesting, you ask? let me add here a few quotes before i contextualise it:

"she is a god with no love left for her people, nor do they have any left for her" - dainsleif about the cryo archon, the tsaritsa

"her royal highness the tsaritsa is actually a gentle soul. too gentle, in fact, and that's why she had to harden herself. likewise, she declared war against the whole world only because she dreams of peace. and because she made an enemy of the world, i now have a friend in you." - childe about the tsaritsa

"everyone praises her for her kindness and benevolence, but they forget that love is also a form of sin. what if she's just trying to compensate for something?" - wanderer about the tsaritsa

the tsaritsa, the cryo archon and the person arlecchino is devoted to, is theorised and hinted multiples times to be the god of love. yes, the love that is said to be the origin of sin in la divina commedia. we can also draw parallels between the idea of perverted love talked about in the poem and the relationship between arlecchino and others, for instance the kids of the house of the hearth.

arlecchino's drip marketing including an excerpt where the scene goes from a gentle warm environment, seemingly mistaken as a loving family home full of innocent looking children, that quickly shifts into a somber and dark atmosphere under her authority - the children answering instantly, without hesitation and completely obedient -, is the perfect illustration of the duality within her character. there's an obvious exploitative and manipulative system making use of the house of the hearth and the orphans under its roof, where arlecchino (as the one running the orphanage) is the provider and the kids are brought up to be dependable and further dispatched as fatui soldiers when "potential" is recognised. and we can deduce that there's ways that their education is done from a very young age so it prevents or punishes any sort of dissent, something not hard to imagine when we know from freminet that arlecchino doesn't like when the kids cry or show emotional vulnerability, something she sees as weakness, for example. but if there's this dark side to her, there's also certain attitudes that demonstrate her care for the children or even her care for the world around her. arlecchino helping freminet get closure on his mother's death, the reformation of the house of the hearth (which we know used to have a much more punishitive and strict leader before arlecchino took over) or even her devotion and deep respect towards the tsaritsa are some examples of the way she shows care for other people. now, we can theorise that these good deeds directed towards the orphans under her care are very much purposeful to better manipulate them, but i think that's exactly what the notion of perverted love in la divina commedia tries to hint at.

besides this concept, there's something else that peaked my interest in dante's poem. dante pictures purgatory as an island at the antipodes of jerusalem, pushed up, in an otherwise empty sea, by the displacement caused by the fall of satan, which left him fixed at the central point of the earth. it's a cone-shaped island that has seven terraces on which souls are cleansed from the seven deadly sins or capital vices as they ascend. at the summit is the garden of eden, from where the souls, cleansed of evil tendencies and made perfect, are taken to heaven.

as we know, arlecchino is being introduced in fontaine, her homeland, and the idea of purgatory as an island in the sea leading its way to heaven caused by the fall of a sinful being sort of reminded me of remuria. remuria was the civilization in fontaine which directly preceded the previous hydro archon egeria's rule. its downfall occurred as a result of remus' attempt to avert its predicted destruction, and in particular, by his act of sharing his power and authority — reserved only for gods — with the four human harmosts he appointed to govern his cities. remuria eventually ended up being sunken into the abyss, devouring everything including the people and remus himself. we know there's still a region in fontaine's map that wasn't yet released, so how odd would it be that the last part to be revealed in fontaine might just be the land that was once sunken? after the little note about the samsara cycles near the tower of the narzissenkreuz ordo, which referenced a cycle called remuria, i would not be surprised at all. it's also particularly funny that fontaine is directly below celestia. yes, the floating island in the sky above teyvat which is the residence of the gods, the same gods that made remuria fall. as the contemporary philosophers of our time have said, that's sus!!!

i don't want to get too ahead of myself because i don't have a theory about what's going to happen or what role arlecchino will play exactly but i don't think it would be shocking if we got to know more about remuria during her release. and still in the purgatory idea, i think the angel of death (azreal) might be an interesting parallel to make with arlecchino. azrael's role is seen as benevolent, transporting souls after death. it fits perfectly well with the idea of purgatorius ignis, that signifies transformation. in different cultural and religious contexts, fire can also symbolize destruction renewal and even rebirth so i'm very very curious to see what arlecchino's story will be like.

[whumpshaped]

smth ive been thinking of.. do other countries also do the person shaped signs on the side of the road where accidents have happened that say "they also had someone waiting for them at home" (hungarian has one third person pronoun its gender neutral)

is this just us. im sure it isnt. it must be like a european thing? or is it also in america

edit: actually lemme do a poll why not. i love polls

[pixelfont52]

earthbound

[mariocki]

The Evil Dead (1981)

"Why have you disturbed our sleep, awakened us from our ancient slumber? You will die! Like the others before you, one by one, we will take you."

[heshemejoshi]

here’s more of my pmd2 team

silly comic in spanish below:

[thedvilsinthedetails]

goodnight tumblr

Fair warning the ramble in the tags is long af

[t3chborb]

I don't consider Ramattra difficult to draw, just very time consuming due to all the details.

... Excluding his ELBOWS, of all things.

Try extending your own arm and twisting your wrist and then entire arm. How in God's name do those kinds of motions (or in my case, poses) translate to a robot arm without a ball joint at the elbow???? I swear whenever I pose my arms to get a better idea on where the elbow itself points, which side of the hand has the the thumb, etc etc, then translate the information onto him, 99% of the time he ends up with dislocated elbows...

[daysincomplete]

I don't even go here much anymore but I need somewhere to throw my thoughts re: Emilie (Genshin Impact)

Yes, a lot of people have been upset or disappointed that she looks less interesting mostly in comparison to the many leaked concept arts of her, and I've definitely seen a couple colour/other edits on her which looked amazing. For me, the hair colour throws me off a bit and I have some Choice Words about her top but the green of her dress is such a deeply satisfying shade of green that reminds me of velvet, and I enjoy how her outfit, alongside Neuvilette's description and other people's voicelines, paint what feels to be a deliberately curated picture of her.

While we can't know for sure what decisions were involved that resulted in them settling on the current official design, the perception on her is so unnecessarily dampened because of that potential "what could have been" that we weren't meant to see in the first place. If anything, looking at the variety of concept arts leaked, it's at least reassuring that the artists have that skill and freedom to depict a character in so many creative ways.

honestly I'm more interested in seeing how Emilie is as a character - most of other character's voicelines about her are in regards to her business than of her (with the exception of Chevreuse) and she's a "forensic cleaner"? ESPECIALLY since she's probably going to be involved with the Burning Artifact set???There are a lot more layers here I really wish to see more people explore here instead of, well, everything else going on. I'm sitting here imagining situations involving Emilie, Chiori and Chevreuse potentially on a case, or interactions between her and Lisa/Sucrose/Albedo as a chemist (and god forbid what happens when she's put together near the Pyro Folk)

I don't know if I'll pull for her (if I do, it'll be predominantly based on her kit) but I like seeing how artists depict a character once their design is drip marketed on Twitter and it's a bit annoying seeing that the media tab there is just predominantly people talking about the concept art instead

[e77y]

The visceral and hungering loneliness is back. You know what that means! Bedtime

[stuck-in-the-ghost-zone]

ALSO WAIT SHIT. HI. gm!! i haven't been caught up on where u r in worm. u finished the s9 arcs n r on coil...... what happened to cherie came up, right? that happened? <- this isnt important or anything just curious bc it's a REALLY funny moment 2 me

THEY FUCKING PUT HER AT THE BOTTOM OF THE OCEAN DIDNT THEY!?!?!?!?!? THATS SO CRAZY . here u go let's crank up your power to a city scale and then give you body mods to survive under water so u can suffer. absolutely insane