#(which is my personal favourite)

[tadbitsilly]

THEY'RE GONNA BE THE DEATH OF ME

No more angst, let them be happy for once please.

Stan you married a statue—

(full body McGucket below)

He's up to some tomfoolery

[blaithnne]

Local big sister experiences emotions, more at 6

Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.

The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!

She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.

These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!

This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.

ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos

[s0fter-sin]

prince!ghost and lord in waiting!soap

ghost is a warrior prince, next in line after king price and it’s always been accepted he would be the lone ruler; never one for entertaining the courts or indulging foreign rulers trying to consolidate their power. he hardly acts like a prince at all, in name only when he spends more time as a pseudo captain of the guard. price has never begrudged him that, not when he himself has been a lone king since his inauguration

though he’s a warrior prince, he’s never lost the favour of the people; many see him as a guardian even if he doesn’t interact with the people as much as benevolent and stalwart king price. who he does interact with is the kingdom’s children; always ready to bend a knee and listen to bright voices, to praise stick swords and shields or hear the plight of a struggling family. it was a common belief that if he wasn’t out protecting, then he was with the protected; face covered, blonde curls shining in the sun

soap’s always loved ghost. as his lord in waiting, it’s been his job to attend him since they were young and even as a child, he’d idolised him; his skills in battle, his surety. he thought his life would be nothing but service, clothing a brat prince and making sure his shoes shined. but ghost has proven more than that; he treats him as an equal, consults him on strategy and court politics and over time that idolisation turned into love

and ghost has always felt the same. he’d begrudged the idea of a lord in waiting, not wanting someone always in his business but then came this spitfire who never missed an opportunity to push back on him; to make him dig deeper. johnny is more than some mere servant; he’s his confidant, his best friend, his… everything. he could be simon with him, not prince ghost

but simon figures that out too late

king price gets word from king shepherd, a kingdom they’ve only recently stopped feuding with and he’s offering up his son, prince graves, as a way to bond their kingdoms together and firmly put war behind them. price is ready to deny him, he doesn’t fear war from shepherd, when he sends some ancient laws that leave him unable to refuse. he hates it, hates that he’s ruining ghost’s happiness and feels like he’s betraying his adopted son but there’s nothing he can do

graves comes to their kingdom within the month and it’s clear from the moment he walks through their gates that he’s the opposite of ghost; arrogant and conceited, his ceremonial armour glossy and untouched by battle. he’s dismissive of their servants, of their ways, of their people and ghost hates him

graves insists that the wedding happen as soon as possible, pushing the craftsmen and cooks beyond their limits to prepare and every moment ghost spends with him, the more he dreads his wedding day. every evening he retreats to his room, exhausted, and it’s all johnny can do to keep him afloat; trying to keep him positive as ghost falls away and simon breaks in his arms. he wants to whisk him away like the old tales, the pain his oldest friend and love is in making his heart ache but all he can do is promise to be there with him

but it seems graves wants to take even him away

“soap’s been my lord in waiting since we were children,” ghost protests, voice barely clinging to civility. “i wouldn’t want to lose such a valuable worker.”

“there are plenty of decent servants in our kingdom; you’ll forget this one soon enough,” graves waves away, carding a possessive hand over his curls and it’s only bc he’s looking for it that soap sees ghost’s jaw twitch beneath his neck gaiter. “it’s custom for one marrying into our kingdom to embrace all that it has to offer, leaving who they were behind to become someone better. you’re entering a new life with me; you don’t need the baggage of this dreary place.”

soap feels sick as he walks behind them, his blank expression hiding all sign of his breaking heart.

“soap is beholden to me,” ghost declares. “we were sworn together by the old laws. i’m afraid a custom isn’t enough for me to break a vow to the gods.”

graves lets out a disgruntled noise, tugging harshly at one of ghost’s curls with only a thin veil of fondness; his conceding smile not reaching his eyes.

“i never made a vow to the gods,” johnny points out later. “price gave me to you because he was sick of me setting fire to the kitchens.”

simon hums and sets his freshly cleaned armour aside, turning to him with a twinkle in his eyes he’s barely seen since sheperd’s missive. “you pinkie swore that you would never leave me; that’s more powerful than any promise to the gods,” he says and soap’s thrown back fifteen years, to a willow tree big enough to touch the sky; to two boys from different stations who didn’t care that one was dressed in silk and the other in scraps.

johnny feels a lightness he hasn’t in a month as simon winks at him. “besides, do you really think graves is smart enough to figure it out?”

the days pass quickly, graves’ veneer of affection growing ever thinner, and before either of them are ready, it’s the eve of ghost’s wedding.

he’s said nothing, done nothing but stare at the wedding robes graves had tailored for him in the fashion of his kingdom and johnny doesn’t know how to break the silence. he draws out each second as he fusses with the cape piece and ensures the shoes shine in the fire light until he has no more excuses.

he sighs as he straightens up, brushing off polish onto his pants. “i suppose this is where i leave you,” he says with a weak smile but it quickly dies when simon still doesn’t look at him. “i’ll be here in the morning to help you get ready… good night, simon.”

johnny bows and makes for the door, trying to convince himself he didn’t just say goodbye.

but he’s stopped by simon’s hand loosely wrapping around his wrist.

he looks back as simon finally tears his eyes away from the robes, looking at him with such clear longing it almost brings him to his knees.

“i don’t want graves to be the first man to touch me, johnny,” he confesses and johnny’s breath hitches. “i don’t want to be married to another… not when the one i’m set to wed isn’t you. but if i have to do this… please let me feel loved one final time.”

simon’s thumb brushes the back of his hand; their kingdom’s greatest warrior caressing him with a touch light as silk. he doesn’t pull johnny in, doesn’t need to; johnny’s already sinking into his touch.

desperation and love tinge every movement; johnny dancing his fingers over simon’s neck gaiter until he all too happily removes it, baring his scarred cheeks and lips. johnny kisses each one, willing his love and his touch to linger above all others as they move together; sharing breath, sharing body, sharing soul the way they wish they always have.

when ghost makes his way down the aisle, it’s not in the fine embroidered robes graves had laid out for him. he’s in his battle armour; dark and weathered, the sign of the ghost, the warrior prince, going to battle. the only thing missing is his helm, tucked under his arm.

showing his hair; curls gone and shaved tight to his skin.

a thing done only in a time of great mourning.

graves looks irate and it’s the only spark of joy ghost feels as he stops before the altar; set beneath the willow tree where johnny promised himself to him. one final insult.

ghost is silent throughout the ceremony and in spirit and in grief, so is the entire gathered kingdom until the priestess reaches the final vows and suddenly, a great roar rises above the crowd as seemingly every child in the kingdom swarms the altar.

ghost is too shocked to do anything but let them push him away from graves, bullying their way between them like they’re preparing to protect him just as he’s always protected them.

graves is furious but the children stand firm in the face of his threats until he moves to strike one-

and freezes as soap’s blade finds his throat.

“you would dare hurt these children?” he growls, sword following graves as he stumbles back. “you’ve kept up your charade the entire time and here is where you show your true colours. i think it’s time i show mine.”

graves splutters as johnny turns to the priestess and king price, falling to one knee and offering up his blade. “your grace, i wish to challenge prince graves for the hand of prince simon!”

his voice rings clear and he feels the eyes of every person in the kingdom.

but he only cares for one man.

who is watching him with more love than he’s ever felt.

“who are you to challenge me?” graves sneers. “you’re nothing more than a servant; no better than the dirt on my boots.”

johnny doesn’t bother to look at him, too caught in the love in simon’s eyes and the grateful look on king price’s face. “then you should have nothing to worry about. you’ve been crowing your accolades from the rooftops since you got here; let’s see if you live up to the hype.”

because simon only ever introduced him as his lord in waiting.

never as sir soap- his second in command and one of the greatest swordsmen their kingdom has ever seen.

[tainebot01]

I would like to officially welcome Eustace Winner to the "My Name Is A Cruel Joke My Paternal Figure Played On Me" club

[Image Description: A digital drawing of Eustace Winner from Ace Attorney and Hunter from The Owl House in a handshake, against a purple background. Both are looking towards the camera as if they are taking a picture and both have a look of concern on their faces. Eustace’s expression is significantly more distressed than Hunter’s. End Description]

[freckleslikestars]

“...we developed, shortly after, I think, the battle pony, which became famous apparently in playgrounds. Ian Watson, one of our directors, was saying that his daughter had taken the expression to school and everyone would go out and play in their battle ponies. À la Aeryn. Little Aeryn Suns running around everywhere.” ~ Claudia Black

FARSCAPE | 1x09 DNA Mad Scientist Audio Commentary

or Aeryn Sun's Battle Pony Appreciation Post

[lets-go-hurt-someone]

I should probably let my thoughts coalesce on this more before posting, but what the hell.

I’m calling death of the author a little bit on Welch regarding Ascended Astarion. I’m sorry, but embracing his nature as a vampire does not make him inherently sexualised. That’s just so gross and I don’t accept it.

The main vampire trope in fiction does indeed seem to be that vampire=sex. If you’ve been alive in the past, oh, entire history of humanity, you may also have noticed that some people think woman=sex. Just the very act of existing as a woman makes you a sex object in some people’s eyes, and it’s an uphill battle fighting tooth and nail to claw back any agency. And then, the moment a woman does anything sexual, dares to declare openly that she does have a sexuality, she is told “See! We were right! You are an object! You want to be an object!”

I don’t know who needs to hear this, but there is nothing inherent about anyone that makes them a sex object. Not big boobs, not a nice ass, not your chromosomes, not your weight, your skin colour, nothing.

Embracing anything about yourself cannot make you an object because you are not an object.

So saying that ascending Astarion — the ending where he embraces his vampiric nature, which he did not choose and cannot change — is accepting that vampire=sex and forcing him to eternally be a sex object is just so fucking boring and uninteresting and in my humble and very articulate opinion, gives me the ick.

His relationship to sex may be unhealthy. It might not. (I’d argue it is, but that’s me.) Spawn might be a healthier ending for him. It might not. (It’s a debate we will never settle because nothing is so black and white.)

But what I will argue vehemently is that from the moment he’s tadpoled, Astarion ceases to be an object. His story is about reclaiming lost agency. It’s about a messy path to healing or redemption or not (or some other mix of it all). But it is not about becoming a slave again. It’s not about him continuing to live for what he can do for other people.

He gets his autonomy back. What is the fucking point otherwise?

[shorthaltsjester]

free my complex female character, she did the same thing as complex male characters but the fandom takes Any analysis of her actions/choices/motivations that doesn’t strip her of all of her agency in bad faith and claims that only misogynists would dare to critique the things that they’ve noticed in her character because she’s a woman, completely ignoring the over-presence of discourse about similarly traited male characters in their fandom.

[red-might-be-dead]

hello hi here to force strange thoughts into your brain once again, this time about jrwi (wow who could’ve guessed)

been thinking about this for a little but it’s basically what i think some campaigns would be if not podcasts, i haven’t listened to some of the older ones so i’m sorry they’re not on here :(( if you have any ideas feel free to add them btw :DD

RIPTIDE!!!!! - really long animated series

not an anime though, no matter how much grizzly wants it, it would be an animation style where the characters could have very clearly different nose, face and body shapes, really pushing my riptide nose agenda here sorry, each episode would be like 20-40 minutes long and instead of coming out in seasons there would be massive gaps in between episodes, from 2-6 months long, to leave time for writers and animators to get stuff done (massive team of animators btw, i feel like it would be pretty successful)

PRIME DEFENDERS!! - comics

literally nothing else they could be, just really well made, well performing comics (i’ve already talked about this before you can stalk my talk tag if you really want to find it lmao), the comic company making them would be keeping well away from movies n shit btw

APOTHEOSIS!!! - i wasn’t really sure about this one to be honest

i had to ask my friend and she said anime which i don’t agree with but i can see it, i think maybe a short book series where each book is 150 - 300 pages and is about a different god they have to kill/a different episode, i think that works but if anyone has any better ideas please tell me :D!!

BLOOD IN THE BAYOU!!! - i hate to say it, i really do…

bitb would be a really long really good 80s horror book with strong homoerotic undertones, a satisfied fanbase and lots of active members in the community making fan comics, films, writing, theories and art ect… until well after the book came out……….. and then it would be made into the most egregious and awful live action movie you have ever seen, the most awful casting (like chris pratt as officer dudes….. throws up) and even worse sfx, oh yeah and the characters would be ruined and the story would become so butchered it wouldn’t make sense, they would do some shit like cut out becky so kian just kisses some random lady (removing both a really good and well written character and a layer of kian’s character that i think is super important) and make rolan really be an evil bug spy the whole time so rand has to kill him to save the town also add in a whole new sub plot that never existed like the rand family is secretly a long line of bug alien hunters or something fucking stupid like that and the entire fanbase would murder whoever thought re-writing the story was a good idea (ahaha can you tell ive been through something like this before ahahaha, character morals and motives being removed and whatnot ahahahhahahaha.)

anyways………

THE SUCKENING!!! - live action series

it would be well made though, unlike the bitb movie it would be its own original thing, have great makeup and effects also be well casted and well shot, well written, ect ect, it would bloody and gory and not suitable for people who can’t handle showing bones and organs all over everywhere, lots of shitty rip off merch would be made though and the fandom would be 99% gay little freaks (normal suckening enjoyers) and 1% homophobic straight white men who get mad whenever they see soda and emizel having gay sex on screen or whatever fag shit that biting thing was

again feel free to add your thoughts and ideas and shit in the reblogs it would be nice to read them :DD!!

[princeloww]

rivals plot summary (including content warnings)

What to expect from the new DT show, basically. Vague spoiler warning.

Tony Baddingham, DT's character, runs a British television company in the Cotswold area. He is a lord and, as you might guess, extremely rich. He tends to manipulate people and spend their money instead of his, so that when his ventures go wrong, other people are left scrambling to pick up their losses, while he's completely fine.

He has a long-lasting rivalry with the tory minister for sport, Rupert Campbell-Black. Rupert is extremely charming and athletic, and has a new mistress every week. He is divorced and does not see his two children very often. He's an athlete at heart, and adores his horses more than people --- but politics are a lot more stable than that.

The plot follows a very large cast of characters, which can be quite confusing at first. I had to go back and work out who Beattie Johnson was, for example, because I'd completely forgotten who she was and who she was involved with. There are lots of wives and husbands and mistresses and children, so it gets a bit complicated. Most of the characters are somehow linked to Corinium, Lord B (Tony Baddingham)'s TV company.

Tony hooks up with and employs an American director/writer, Cameron Cook. She moves to England to work at Corinium. Her arrival and bad attitude forms tension in the Coriunium workspace, and the tension furthers when Declan O'Hara, an Irish TV presenter and author, arrives at Corinium. He is a leftist (in contrast to the conservatives around him) and often discriminated against for being Irish. At times he is accused of having IRA links, mostly just to make him look bad. He and Tony's personalities clash, leading to a fall out at Corinium. Declan, in a drunken rage, quits his job and falls into a bit of a bad state.

Recovering from the publicity of his departure, Declan groups up with Rupert Campbell-Black and a few others (including Tony's brother, Basil Baddingham) to create a rival television company, Venturer, to challenge Corinium and Tony for the franchise.

There is a lot of romance and a LOT of subplots. Declan's daughter, Taggie O'Hara, is a dyslexic cook who struggles to find work due to her inability to read and write. She develops a crush on Rupert, who is considerably older. If I start talking about how much I despise their relationship, I will never stop. Taggie will probably be quite a main character in the show, I'm guessing. Declan also has a wife, Maud, who is a failed actress and spends all of his money.

Tony's wife, Monica, is very charitable and employs Taggie despite Declan and Tony's rivalry. She is aware that Tony is having an affair with Cameron Cook. An affair which, while Cameron is under his employment, becomes extremely toxic and abusive.

I'm sure the show will be rounded out a bit for modern audiences, but warnings wise (at least in the book), Rivals includes themes of sexual assault (particularly groping), misogyny, domestic abuse and much more. A big majority of the characters are rich and extremely corrupt. Tony, the baddie of the story, has some of the worst moments. There is a scene where he hits and throws a woman until she is bleeding, because she's 'betrayed' him. He also threatens to kill somebody. On a separate occasion, he tells a distraught SA victim not to tell anybody, because the attacker is somebody who he needs on his side, for money. There is also, obviously, given the kind of characters we follow, a lot of classism. Valerie Jones, for example, exists as a punching bag for a middle-class Northern woman who wants to be like the rich Southerners.

Tony might be the bad guy, but Rupert, who we're supposed to like, is also awful. He's Jilly Cooper's little golden boy, despite being horrible. I hate him so much but Jilly clearly loves him. He gropes eighteen-year-old girls and objectifies every single woman he speaks to.

Again, I'm sure a lot of this will be toned down, but watch with caution. The story has light moments and lots of romance, comedy and drama --- it just occasionally dips into dark themes. There will probably be lots of dinner parties, as every other scene is a giant social gathering. As much as I have issue with Jilly Cooper, she is absolutely excellent at writing large social scenes with dozens of different subplots combining.

There's also a weird theme of characters describing 14-year-olds (specifically 14-year-olds) in weird predatory ways. It's weird though, because a strange amount of characters do it -- to the degree where I think it's just Jilly Cooper describing them weirdly. She acts as though being a teenage girl is a woman's prime and that she is wasted after that. She has also gone on the record to state that she hates feminists. I'm not a giant fan, frankly.

On a lighter note, if you want to tell who's supposed to be a good guy, just remember that the good guys always quote poetry and like animals.

Despite its many flaws and dark themes, Rivals really is an interesting read. Jilly Cooper says the weirdest, most fucked up things ("she's like a little sister", thinks Rupert, right after staring at the 18-yo's ass) but the story really supports itself. It's interesting, gossipy, raunchy and very well written. Cooper is an expert at big scenes, and works so well with the giant ensemble cast. I disagree with a lot of things she says, but I think the show will be really good. I'm super excited and can't wait to watch it. There's a particular scene with David's character that I'm looking forward to; while in the book it was a bit scary, because we know how Jilly is with teenagers, there's a scene where Tony drives Declan(his enemy)'s daughter home, and is actually very nice to her before realising who she is. I think DT will do this scene a lot better, and it might actually be a bit endearing. Idk, I don't wanna jinx it, but I think it has potential to be a sweet scene, with the charm DT typically brings to these roles.

If anyone has any plot-related questions, or about David's character or anything, please feel free to ask! I'm more than happy to ramble about this book, because I do really like it. I see and dislike its flaws, but personally I am able to look past them and appreciate the story and characters. They're all horrible people, but let's be honest. They're politicians and rich, tory lords in the 1980s. They were always going to be horrible. You can like something that contains problematic characters without necessarily, immediately condoning and agreeing with those things. People online and especially on places like TikTok seem to struggle with this concept, but I'm a firm believer in media literacy and accepting flaws. You can like something that is bad. You can like villains. It's fine.

Declan is my favourite btw. Live laugh love Declan O'Hara

[raayllum]

Carried away

[askthekirbysquad]

Tragically, Tumblr doesn't allow enough options to include every game, so Dream Land 1 was removed </3 (and tragically I couldn't include an option for the spinoffs either </3 )

[jevilowo]

Im not really a fan of Speeding Bullet. But Running Blind is still my favourite tf2 fic. And I think it is objectively the best Scout ship. And I reblog most fanart I see of it. Truly a conundrum.

[anotheraccountonthisapp]

Best TMA ship names?

[strawbebbiesart]

every bird is a metaphor 🐦🌿

[infinstar]

In this soba eating scene, the gaga subtitles were off regarding the subject/meaning of Hiroko's thoughts.

そうそう ... 本来はこういう反応だよ ( Indeed, Normally that's how people would react )

危うく間違えるとくだった ( I almost misunderstood it )

This is important because it is essential to how Hiroko has been acting throughout this entire episode! From the moment Ayaka declared to pursure Hiroko infront of everyone, she has been gauging everyone's reaction to Ayaka's confession/actions. When the coworkers had a positive attitude towards it, it enabled Hiroko to answer positively to Ayaka's advancements and let her guard down momentarily. When confronted with a coworker?/business partner? who framed Ayaka's confession as a type of identity exploration of the youth "before they eventually settle down", Hiroko felt that familiar/what she had been expecting as the reaction to all of this from her experience in the past. This reinforced her mindset as it fed to her own biases that ultimately the world has not changed afterall and she nearly misunderstood that it was okay to be open about it and be accepted.

Ayaka on the other hand is almost blind/indifferent to everyone's reaction/opinion to her feelings as she bulldozes ahead to the detriment of Hiroko. They are both polar opposites. Hiroko cares far too much about what others think of her and subsequently of Lesbian relationships (either romanticing it through works of Yuri or not taking it seriously at all) that she has not even considered what she should do/want now that she can't avoid it anymore. Ayaka can't seem to understand why would Hiroko withdraw from acting on her feelings when she likes her and definitely needs help understanding Hiroko's worries. Even after Risa questioned her whether it was okay to say it infront of everyone after knowing what happened in the past, Ayaka did not get it.

Again, I dont think any character is particularly wrong in their actions (apart from that old man) they are all approaching it from their own insecurities or lack of it in the case of Ayaka. Not everyone will think about the major consequences of their actions before acting and some will only think of that and I love how this episode depicted it.