#which is why I’m not finishing it

[firbolgfriend]

Scrapped stylized discord

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[short666bread]

nighttime routine in an au where the marauder’s map has pinch zoom

[puppetmaster13u]

Prompt 291

You know what? I’m feelin’ a Prompt with the whole halfa family, all the clones and everything. 

See, Danny? He’s grown up, he’s moved out, started looking at colleges himself after spending a few years travelling and learning about himself without the threat of a ghost attack. 

He’s kept in touch with his friends, both living and dead, and ignores Vlad for the most part now that they’ve reached a truce of sorts, and honestly? He’s just living his life. 

But see, it’s kind of hard to figure out what college to pick, with his admittedly not-great choices. Look, he might have a new-ish ID but he’s still visibly not exactly human (though thankfully doesn’t have to worry about the GIW after a… summer activity that ended with several missing buildings) 

And most people he goes to? Finds him ‘too unsettling’ which excuse him?? How is he unsettling? He’s a twenty-five year old with six kids ranging from one to six! How is that “scary” huh? Ancients, and all this is making him use the cash he’s saved up over time. 

And then- as though all of this isn’t stressful enough and he’s not genuinely worried that he won’t have enough money to feed the kids if he goes to school- a hero nearly trips over Jordan and starts freaking out. He is so fucking done. 

[stinkrat-aleks]

soccer dad divorce AU (Erik is upset he saw Charles at the competition weekend and he’s calling his best friend to whine about it)

bonus doodles:

[aleelewisharlot]

I know I only just dipped my toes in arthuriana and there are huge holes in my knowledge of it. But I do find it interesting that in modern retellings of the myths that purposely are sympathetic to Mordred (the ones I’ve read) they either don’t show the battle of camelot or they make it happened almost accidentally in terms of whether Mordred actually intends to kill Arthur.

In The Idylls of the Queen, it’s hinted at that Mordred will kill Arthur. Him struggling with the nature of his birth, the killing of the babies, and his own fate is part of his character. It’s why he acts and says what he does. But it’s not shown or really dealt with in the book (not a flaw since the plot is not about that).

In I am Mordred, his fate and the nature of his birth is known to everyone. People fear him and already judge him for what he is going to do. This is the main conflict for Mordred because he does not want to be this. He hasn’t done anything but he suffers anyway because everyone has decided he will do it. He is conflicted about his feelings for his father because he in one sense loved him and in another hated him because he does nothing. He doesn’t acknowledge Mordred as his son until the end after they both die. The only reason Mordred does fulfill the prophecy and his fate is because his soul is stolen which turns him evil. Mordred is not born evil or has no intentions to harm his father. He does consider it or thinks about it but it is the anger of a confused child who wants to be acknowledged and loved. He never actually harms Arthur. He threatens to kill himself more often and ultimately loves his father and trusts him enough to give him his soul.

In The Winter Prince, Medraut/Mordred only fulfills it accidentally and it's briefly summarized. Medraut mercy kills Artos and that is it (I haven’t read the rest of the books).

I just find it kind of interesting that when authors want to portray Mordred sympathetically they don’t have him actually fulfill the prophecy. It’s by accident, a circumstance beyond his control, or simply hinted at but not shown. Which I do think is weird and maybe I just haven’t found a retelling that does a balance or complex Mordred who does intentionally kill his own father and who is sympathetic and is meant to be read like that. I know two of my examples are YA in a sense so I get why they don’t do this. I just think it could be done and done very interestingly! But nonetheless…

[m1d-45]

dancing soldiers

summary: meka are infallible. meka do not stray from their path.. except when they do.

word count: ~2k

-> warnings: spoilers for fontaine (name and mechanics of open world boss)

-> gn reader (you/yours) and aether as traveller

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @ryuryuryuyurboat || @undrxtxd

< masterlist >

fontaine was known for a wide variety of things, from their ornate fountains to the elaborate clothing it seemed nobody was without. any visitors from other nations were greeted by sweeping architecture and the sound of bubbling fonta, and swimming was a must. but even through the shine of the great lake, their fantastical clockwork meka was definitely the star of the show. every traveller was quickly starstruck by the machines roaming the streets, fitted uniforms not masking the clunking of gears within their chests. even underwater, scanning for raiders and filtering the water, keeping the water clear and cool. faceless, cold, employed both privately and for government work, the perfect tool for their job. they had one job, and they did it well.

meka were designed to protect. to guard. to defend their charge, whether that presented as patrolling a barge of merchants or leading the blind through the winding streets of the city. powered by indemnitium and equipped with efficient charging ports, every meka is intended to outlast their creators. few actually do, whether weakened by arkhe or attacked by those opposing their duty, but it remains a fact that they stick to their orders until the last spark fades from their circuits.

they are perfect workers. they do not disobey, they do not stray from their task. their actions are calculated in a split second, every movement taken to further their given goal.

lead.

support.

shield.

“dance!”

maillardet threw aside the screwdriver in his hand in frustration, kicking at the frost gathering in the arena. behind him, unmoving, were his magnum opus… though they refused to move.

“dance, dance. what’s the point of you?”

they did not dance. they did not move. they stood, hand in hand, one beside the other. coppelius and coppelia, the only signs of life being the frosty wind that would occasionally sweep by. they were in standby, with deflated skirts and unmoving hydraulics. normally, them being still would make maintenance easier, but their plates did not move as they should. he couldn’t even remove coppelius’ hat.

it was convenient, just not for him.

“looks to paimon like might just be the fault of poor design.” you watched from between the hairline gap in coppelia’s skirt, seeing paimon cross her arms. your traveller was stumped as well, merely shrugging.

“theyre infused with opposite arkhe,” aether said simply. “maybe they finally reacted with each other?”

“that’s impossible! the arkhe is held within them, far from where the other could react with it, and only one of them are externally charged at any one time.”

“so… why not reset them? paimon remembers one of the melusines saying that most meka around the city just need to be reset from time to time.”

“in those cases, the meka are given conflicting orders, typically by children. all these two need to do is dance, and-“ his voice choked, aether and paimon moving out of your field of vision to presumable comfort him. you try to shift and see, but coppelia’s skirt twitches inward, keeping you where you are.

you’re sheltered between the two meka, coppelius’ cape-thing making up for the gaps in coppelia’s skirt. you were lucky you hadn’t been seen yet, truthfully… but you didn’t want to stress out maillardet.

“what am i supposed to do?” he asked, words shaky. “i promised the chief justice i’d keep them functional for the divine one, and now- you know what they’re like, and they’re both broken-“

“h-hey, it’s okay! paimon’s certain you’ll get them working again! besides, they still seem to be functional, right?” she flies up, and you flinch at the knock of her hand on metal. it echoes around you, much louder than it should be in your hiding space. “oof, still as cold as ever…

“you should just restart it.”

“are you sure? what if something goes wrong? i can’t even perform maintenance, what if i can’t turn them back on after? you know how they acted last time—if lady furina wasn’t there, then..”

“..it’s better than nothing. besides-“ metal skidded over ice, and you see the flicker of aether’s boot as he kicks the discarded screwdriver back near maillardet’s bag of tools. “-you could always just not put them in stand-by. if they’re broken like this, just leave them dancing. i doubt they’ll notice, and it’ll buy you time until they want to visit again.”

”yeah! you only have a handful of hours until they arrive in fontaine, and it’s not like anything worse can happen!”

“i..” he sighed, and a long moment passed. “i guess trying is worse than doing nothing..”

“that’s the spirit!”

your hands twitch into fists, only partly from the cold. the ‘god’ they spoke of so highly, the one that got you into this mess… who were they, anyway? even you didn’t blame maillardet for needing maintenance between fights, but from his fear it sounded like they’d kill him for a malfunction.

you put those thoughts aside, pressing close to coppelia’s core as the meka were powered down. both of them slumped forward, a shift in their plating allowing a cold wind in. you shivered, and briefly considered praying before deciding against it—what god would answer?

gears clicked and switches flipped, both meka making various hisses. the elemental power seeping from both of them slowly ceased, and your heart picked up. how would this end? after a reset, would they remember to hide you? or would you get crushed beneath their skates as they danced?

“…you two should leave the arena.”

“why?”

“is something wrong?”

“no, but if they begin to dance again, i don’t want you to get hurt.”

“what about you? let me do it, i’m more experienced with combat.”

“it’s alright. in the early stages of their development, they didn’t even have a standby mode, so i’m used to repairing them while they’re dancing. don’t worry, i can get the memory you need unharmed.”

memory?

their memory? when aether had first approached, you’d assumed the ‘sabotage’ maillardet was talking about was the fact that neither of the meka would move. it made sense to want the memory to show which direction the saboteur left in, but that memory would show you, the most hated person in all of teyvat, and the melusine that had helped you hide from the gardes. veleda… you couldn’t let her take the fall for whatever crime you’d committed. she didn’t deserve that.

you take a breath, preparing to make a run over it, when you hear a small click. all at once, coppelia’s skirt snaps back to it’s normal formation, and you catch a glimpse of the traveller’s shocked expression before you’re pulled up and away. coppelius pulls you into his arms, coppelia smoothy following, spinning circles around the two of you like a top. when the two you skid to a stop near the edge of the arena, you quickly get your bearings, only mildly motion sick from the ordeal. maillardet is sitting in the middle of the arena, knocked off his feet beside his tools, and aether and paimon stand on the pathway leading back to the fountain. nobody says anything for a good few moments, the silence tense.

“…at least we know where they went?” paimon asks nervously, and aether draws his sword. coppelia sweeps in front of you and coppelius as he begins to walk towards you, and maillardet quickly gets up. he briefly slips on the icy floor, but quickly intercepts him, his words barely audible.

“traveller, the meka-”

“was tampered with.” his voice is cold, and you shiver at the weight of his glare. “don’t worry, i got it.”

“listen to me, please. coppelius and coppelia follow all the standard guidelines for meka-”

“this isn’t about you!” he shouts, “this is about something much more important then your meka!” his sword points at you, a shining blade despite the name. “this is about a crime too large for your opera house to handle.”

coppelius holds you tighter. the sound of his anger- of his hate makes your heart burn as it sinks, leaving an empty pit. you knew fontaine wasn’t the best at justice, but…

“traveller, have you ever read the machining requirements for battle meka?”

“why is this relevant? why am i talking to you?” he pushes off his hand and begins to walk, leaving paimon behind. after a moment, she gasps loudly, rushing forward to pull on his braid.

“wait! freminet lent paimon his copy of those guidelines once! she knows what maillardet means!”

“so what?”

your twin meka begin to slowly skate away from aether as he nears, ignoring paimon. maillardet is looking through his bag, searching for something, but all you can see are the traveller’s eyes. your traveller’s eyes, all your months of gameplay boiling into his rage.

maybe if the circumstances were different you’d forgive him for being so angry, but as it stands you’re barely convinced you’ll live through the hour.

“one of the clauses was about a special line of code that all the battle-capable mekas had to have- stop walking and listen!”

“how does that connect to this? don’t you care for our god? why are you stopping me?”

“because it’s about our god! don’t you remember? navia told you when we stayed with the spina de rosula!”

he does stop, then, staring paimon down instead. “fine. what is it?”

she lets go of his braid, waving a hand between the icewind suite and maillardet as she talks. “mekas have a special override wired into them in the case that the abyss got ahold of them which shuts down their combat functions when faced with the creator! it’s weaker when triggered through their vessels—which is why their attacks are limited instead of stopped—but is mandatory for every meka that’s combat ready, including coppelia and coppelius!”

aether turns to you, conflicted. you still carried in coppelius’ arms, you hidden under the plating of coppelia’s skirt, you who made the meka disobey their creator. you, the creator of those that made them.

“…maillardet?”

“it’s true, cease your fire.” he lifts a plain notebook from his bag, not that aether turns to see it. “i have my maintenance notes here. that override was the first thing i added, even before i gave them their weaponry. let’s bring our findings to the iudex and let our lord relax. please.”

aether’s sword dissolves into dust, a mix of shock and confusion still lingering on his face as he’s pulled away by paimon’s hand on his shoulder. maillardet packs his things and follows, taking some time to pick his way through the frosted floor. once the arena is cleared, coppelius skates to the center, setting you down carefully. then, he takes coppelia’s hand in his, leading her away. they begin their dance around you, gears clicking with elaborate pirouettes, leaving you in the middle of it all to wonder what just happened.

[paimonial-rage]

cocky bastard vibes - zhongli

ship: zhongli x reader

synopsis: in which reader shares their free thoughts on the liyue statue of seven

notes: standalone snippet part of the bookkeeping!verse

It was a beautiful day in Liyue. The grass was a luscious green and the birds were singing a beautiful song. After a nice stay at the Emerald Maple Inn, you and Mr. Zhongli decided to have a cup of tea next to the Statue of the Seven before heading on your way to Qingce Village. You were to accompany him to pick up supplies for the next funeral rite, and with the way the morning was going, you knew nothing would ruin this peaceful day.

"So how much do you want to bet that Rex Lapis was hot and knew it?”

You ignored the choked sound that came from your side as you gazed up at the picturesque statue. Though your companion would probably consider your question quite out of the blue, you couldn’t say it was the first time you wondered such a thing. Whenever you passed by one of them in Liyue, the thought always plagued your mind for a few hours after. Judging by Mr. Zhongli’s reaction, though, it seemed he did not share your sentiments.

"Ehem… That… certainly is an interesting thought. I can’t say whether or not previous records touched on such a topic."

You hummed, gazing up at the statue. Really? That couldn’t be true. Why wouldn’t anyone talk about a statue looking like that?

“Well there are many reasons why I’d say I’m right. First off, his outfit. He has a hooded cloak on while also being shirtless. There’s absolutely no logical reason to dress like that unless they’re from the deserts of Sumeru, wouldn’t you say? It obviously was a conscious fashion decision. If you pair that with the seductive way he’s sitting, I’d be inclined to assume he’s quite clearly feeling his look.”

Silence came from your side. Hm, Mr. Zhongli still wasn’t convinced? Then you would go on.

“You do see it, right? His posture is relaxed, yet confident. Not to mention the way he’s looking at that cube in his hand with practically bedroom eyes. His knees are apart too. My friend from Sumeru told me that when a man sits like that, he’s displaying his dominance.”

Still silence.

"You can't sit in a seductive pose like that without on some level being aware you look good doing it. I mean look at him! He's shirtless and everything! I've heard even macho fishermen say that they pray to the statue for a good night before coming home to see their wives. You can’t blame them, right?"

A hesitant cough.

"I-I'm sure it was a younger time when those statues were sculpted."

You groaned.

"Maybe, but you’re not even looking! If you did, you’d agree with me that Rex Lapis is clearly exuding such massive 'cocky bastard' vibes!" You countered.

For some reason, the more you spoke, the more flustered he became.

"C'mon, Mr. Zhongli! Why are you so embarrassed? It's not like I'm slandering his good name! I mean, if Rex Lapis didn't want us talking about him like this, maybe he shouldn't have made a statue with abs clean enough to eat off of!"

Okay, maybe at this point, you were piling it on a bit thick. Could anyone blame you? His face was in his hand as if he had a headache, and were his ears tinged the slightest hint of red? It was an interesting sight. Never had you seen him look so completely flustered. Sure you were rather blunt, but you didn't think your words were that provocative. Mr. Zhongli really was practically a 65 year old man.

"I thought you respected the Geo Archon…" He muttered weakly.

You gasped in offense.

"I do! I’d even consider my words the utmost of pious behavior. In Mondstadt, the sisters of the church consider themselves married to Barbatos, the Anemo Archon. So finding the Geo Archon to be a sex god is pretty much the same thing, right?”

“No, it is not.”

[jamandjazz]

My personal headcanon is that Pony got his love for reading from Darry. When Darry was in high school he’d read the books he got in class out loud to Ponyboy and straight up just handed him some of the easier ones so they could talk about it later. In my brain the reason Ponyboy clings onto it so much is because it’s one of the things he and Darry REALLY bonded over when he was a kid and it just brings back good memories of when they got along better.

[ciderjacks]

Wip

[loopyarts]

Day 4 SuperheroxVillain IchiLaw

Law: Uh… Stealth black is that you?

Ichiji: ?!. In his mind, he can’t decide if he should be offended by this or be just outright confused and baffled at this point.

[l3viat8an]

ROUUU‼️‼️ DROP ANOTHER POLY MC FANFIC AND MY LIFE IS YOURSSS｡⁠:ﾟ⁠(⁠;⁠´⁠∩⁠`⁠;⁠)ﾟ⁠:⁠｡(my sanest reaction)

Do you have anything specific in mind? or anything you wanna read? 👀

Because I do already have a few poly!MC fics / hcs almost done!!!- I’m just trying something a little different this time where I want to have all three done at once so that I can post them together- this is new for me lolol

So they are coming! I promise, I’m just trying to balance my free time ‘n finish the last one <333

[0m3n-0f-d3ath]

help I wanna draw either otto or mj or both but ive been scrolling so long and i cant find any refs ughh please post them /gen /nf /neu

:D awww thanks for considering to draw my characters ‼️💥🐟

🐟Refs under cut🐟

⭐️ Otto ⭐️

🚬 M.J 🚬

The fish net is supposed to be on the left hand while the arm warmer is on the right. I just messed it up in the standing on

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[rawpastamoth]

Oh! You just rolled up some weird running thing! Wait… It’s second cousin Homestar. Oh, stop getting in the way!

[miwiromantics]

Back with wizard!will and demon!mike