#which is theoretically more accurate

[gemsalive]

they won’t let you reach out to hover a hand forever just shy of your companion’s shoulders, all the while oblivious to how screamingly desperate they really are for a touch that will never come anymore. because of Joke

[wyfy-meltdown]

It's mentioned that in every timeline Sayaka contracts and becomes a magical girl, she becomes Oktavia.

I think this says a lot about Sayaka's mental state. Even if Hitomi doesn't confess to Kyousuke, even if Sayaka and Kyousuke were to date, Sayaka would still become Oktavia.

Maybe it's a case of regretting what she wished for, or falling out of love with Kyousuke, or that her relationship with Kyousuke didn't work out how she had wanted it to. Regardless, something always goes wrong when she makes her wish; and I find that very fascinating.

UPDATE: Sincerely unhappy with how this original post came out (too much focus on Kyousuke which reduces Sayaka's character in a way I don't like); please go to the reblog version.

[hellofastudysession]

i love the stanley figs so much

[arthropooda]

My dad is so "bitcoin is the future" even though it's becoming government regulated. I just thought since the appeal was that it's not the dollar and the government can't control what you do with it, regulation would mean that people who actually cared about anonymity would just start using something else and then bitcoin would be nothing special anymore. I don't really know what I'm talking about but maybe neither does he?

[starcurtain]

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

[apas-95]

genuine question: i read it a while ago but it seems to me that engels’ principles of communism is sort of divorced from modern communist practice in terms of some policy outlined? for example, the modern communist position would be to not compensate former owners of the means of production but to just expropriate the enterprise after having seized state power

in general, all the specific policies proposed by marx and engels with regards to socialism are outdated - writing, as they were, before the proper development of imperialism as a capitalist world system, their vision of how socialism would come about was eschewed. while the theoretical basis, the understanding that capitalism and its inherent contradictions work towards its own abolition, and that the thing to replace it must be proletarian rule, remains correct, and is an immanent and self-evident truth, the specific ways this would occur were not predicted accurately. marx and engels also envisioned - as made sense! - that the establishment of socialism would first occur in the most advanced countries with the most developed relations and means of production. the basis of marxist thought as expounded by marx and engels is entirely valid, the specific applications proposed not so (marxism is not a dogma!). hence the development of marxism-leninism, which, more than just an iteration on marx's work, is an adaptation and reapplication of marxist thought to the new world-historical context of imperialism.

principles of communist thought can be learned from engels, however communist policies generally cannot.

[mylight-png]

The reality of being a Jewish student right now, a moment from my life:

I was walking through campus, as one does, when I came across a flyer for some sort of pro-Palestine (although pro-Hamas is more accurate, I'll elaborate later) teach-in for tomorrow. I take a photo and sent it to a Jewish group chat I'm in, asking if anyone knows what was going on with that.

After a bit of research, I found the promotional material on the Instagram page of a student organization on my campus. In that material they explain that the teach-in is a result of their dissatisfaction with another student organization being suspended by administration. Why was that organization suspended, you may wonder?

Well, they made a post a few months back in which they proudly refused to condemn Hamas and Oct 7th. (Hence why I said pro-Hamas would be more appropriate terminology for them.) In addition, they called for the death of Zionists in that post.

As I continued to look through the promotional material I came across the same call to action.

Taking all of this information into account, I asked the aforementioned group chat which areas of campus to avoid.

The answer?

Basically most of campus.

It's an all-day event.

Jewish students will have to feel unsafe and be on high alert for an entire school day because their peers are throwing a tantrum over not being allowed to celebrate terrorist groups and murder.

This isn't a fictional dystopia or a theoretical situation. This is the reality of being a Jewish college student.

Campus security has been made aware and I hope the event is cancelled, but I have doubts. Plus, if it's cancelled, there will only be further backlash and rage to deal with.

[raven-at-the-writing-desk]

I feel like my biggest fear would be twst shutting down after the book 8. Like. Please no. If that were to happen I'm praying that the book 8 would last at least 7 more years/j

As I have previously stated (I believe most recently in this post):

“Gacha games DON'T terminate service as soon as they finish their main story. Live service games will generally only shut down if they have insufficient interest or revenue to keep it going, and that is most likely not the case for Twst seeing as how it has tons of merch, as well as several ongoing adaptations (anime, manga, light novel, etc.). Like, I'm pretty certain Twst regularly brings in several million yen a MONTH. One way or another, there will almost certainly be a follow-up to this first ‘arc’ of the main story.”

Don’t believe the doomposting and fearmongering going around. As a long-time gacha player and someone who follows banner sales and other stats (out of curiosity), there’s little reason for me to believe Twst will terminate service. The only exception would be if the fandom or sales significantly dwindles in however long it takes for book 8 to be completed (which we cannot accurately predict right now). At that point, the companies involved would likely cut their losses and end the game rather than conclude the story—right NOW, Twst is still popular and profitable, with plenty hype for a main story continuation.

I’m just praying that the theoretical book 8 is more of an “epilogue” and therefore closer to the prologue length, not progressively longer OTL Book 7 took over 2 years, almost 3 if you count the wait time between the end of book 6 and the start of 7… and 7 was almost 2.5-4 times the length of 6 (depending on how you count the multi-chapter installments). If 8 holds that pattern, it very well could take 7 years to release and be 10 times the length of book 7 😭

[tanadrin]

I know this is in reply to an post from a few reeks ago, but "All around you are arrayed enemies, even if you don't know it" literally is just the reality for the minority groups those reactionaries are waging a war against. When almost all of mainstream society thinks you're a violent terrorist for being Palestinian, or a threat to Women And Decency just for being a trans woman, what other option do these oppressed groups have but to join amongst their group and survive against a world that's united in our extermination?

hoo boy. look anon, i am a trans woman. you know what makes up a solid, i dunno, like 15-25% of my social media feed these days? cis people (evenly split between men and women, mostly straight) pissed off about transphobia. yes, there are a lot of enemies out there in the world. there are also a lot of friends. the haters are loud, but the friends are more numerous. cultivating a siege mentality, especially as a response to trauma, makes sense from a certain kind of psychological game-theoretical perspective, but it's not accurate, and if that's the image you have of the world as you move through it, if you are focusing only on information which confirms your priors that everyone hates you and ignoring all the evidence of people who like you (or simply are sort of benignly neutral toward you) you will develop a deeply distorted worldview and also give yourself horrible turbo-depression

[lousycapy]

How statistics can easily be manipulated to fit a certain agenda in Formula 1

Hello! I’ve seen a lot of f1 fans or media sources bring up statistics incorrectly to prove their points recently, which is really getting on my nerves. So here is a comprehensive guide, with examples, of how statistics work and why they are not the be-all and end-all some people might think them to be. This is a pretty long post, so the explanations are all below the cut. With that, I hope you find this useful!

Multiple factors come into play when analyzing a statistic, so I’ve separated them in different categories: what data set is used to make the stat, how the stat can be interpreted and how being factually correct doesn’t equate a valid argument :

THE DATA SET

To make a statistic, you first need values which correspond to a data set. What said data set is made of is very relevant to the exactitude of the stat and how much regard should be given to it.

For example, to determine the average lap times of a driver over a stint you would need to divide the sum of all lap times by the number of laps executed. Which means that theoretically you could use a single lap as an average, e.g. 1:57:325/1 which gives an average lap time of 1:57:325s.

However, as you might imagine this stat is not representative of a driver’s stint, since the lap chosen to be analyzed could very well be an outlier. That’s why sample sizes matter, the more values make up your data set, the more representative of reality the result obtained is.

It is also important to know what the data set consists of. Let’s reuse our average lap times of a driver over a stint example, are outlaps/inlaps included? Is it based on clean air, dirty air? Are there laps excluded due to driver mistakes (e.g. going off track)? A stat being presented without any explanation of how it was calculated is absolutely worthless.

Finally, comprehension of the data set is very valuable as well.

Let’s imagine this fictional scenario where Ferrari makes Charles and Carlos compare average lap times. They both use the same car, on the same track, on the same tires, at the same time, for a stint of a total of 10 laps. Both drivers average a lap time of 80.125s over their whole stint, so is the conclusion that they have both done the exact same thing accurate? No!

Despite having the same average lap times in this scenario, the data set suggests a different conclusion, and different trends. Considering stints in a race are going to be longer than 10 laps, it can be assumed that Charles would average better lap times thanks to his consistency compared to Carlos, who would get worse lap times as time passes as can be observed thanks to the trend line in his graph.

2. INTERPRETATION OF THE DATA

Now that we can recognize the importance of the data set and its constituents, it is time to understand how the data provided can be used to make a statistic.

More than one answer can be correct based on the same sample of data. Despite using the same set, depending on how the data is used it can lead to different statistics that drive different arguments both being factually correct.

For example, I’d like to refer to the wonderful basspro24chevy World’s Destructor Chamionship from Brazil 24 on Reddit in an effort of determining who is the most destructive driver. Here is a chart I’ve made which also includes number of races each driver took part in (Ollie not included I was too lazy to recalculate how it affects the drivers he’s replaced’s damage bill) and the average cost of damage per race of each driver.

Based on these statistics, both arguments could be made to justify either Checo being the most destructive driver, since he’s the one who’s cost his team the most damage over the whole season, or Franco, since he’s the one who on average costs the most for his team per weekend.

Depending on someone’s biases, they could make some drivers look better than others despite using the same data set as another person, and depending on how their argument is justified even if they end up with a different conclusion it doesn’t mean they aren’t right as well.

3. FACTUALLY CORRECT ≠ VALID ARGUMENT

Even if you are factually correct with your statistic’s interpretation, and it is based on an acceptable data set, it doesn’t mean it has a direct link of causality with your argument and provides validation to the point you are trying to make.

For example, someone could argue that Checo is a safer pair of hands in races than Pierre, because over the course of the 2024 season he has DNFed 2 out of 21 races, meanwhile Pierre has DNFed 3 out of 21 races. However, the point being argued here is which driver is a safer pair of hands, and other variables than the drivers come into play when discussing those two’s DNFs.

Indeed, Checo drives a RedBull with a Honda engine, whilst Pierre drives an Alpine with a Renault engine. Out of Checo’s 2 DNFs, 2 were caused by driver mistakes. Out of Pierre’s 3 DNFs, 3 were caused by engine issues. The World’s Destructor Championship can also be used as a counterpoint to Checo being a safer pair of hands than Pierre by comparing damage bills.

Thus, instead of the conclusion being that Checo is a safer pair of hands than Pierre, the DNFs statistic is more appropriate to conclude that the Honda engine is more reliable than the Renault engine.

Which means that to make a valid argument, you need to be able to explain why the statistic presented is relevant and what it suggests. Alleviating circonstances also need to be taken into account to solidify the point being made.

For example, let’s imagine a scenario where Fernando is 1.235s off Lance during a qualifying run. To use this stat in an argument, you need to be able to justify why he was so far off. Was it genuine pace? Did he make a mistake which ruined the lap? Were they on the same tires? Was it track evolution? Are they on the same setup? Did Fernando come across traffic? Did Lance get a significant tow?

Contextualization matters twice as much as the actual statistic being presented, because the statistic without context can easily be manipulated in a way to drive a certain agenda.

4. CONCLUSION

All in all, what I’m trying to say is that even maths can be used to drive agendas. Statistics can not be taken at face value, because there are multiple factors that can influence their relevance. I hope you found this little guide helpful, and that it will help you analyze better the information you see online on how drivers are performing (or argue better with crazed fans, you do you 🫡)

Thanks for reading and have a good day!

[parasolyaa]

Mischa Bachinski is a completely wrong spelling of his name. Misha Bachynskyi is the correct form.

To put it simple, it just doesn’t make sense in Ukrainian language at all. Instead of the soft “sh” (ш) that is supposed to be in the name Misha (Міша), for some reason there is “sch” (щ), which not only is less appealing to the ear, but also the name Mischa (Міща) does not exist. Could it have been just made up on purpose? Theoretically yes, but I feel icky about foreigners making up a name that sounds so ridiculous and has no background whatsoever. Besides, it is pretty obvious that they were going for the name Міша, but messed up the transcript. The surname ending -ski is an outdated Russian-sounding version, -skyi is a much more accurate one for a Ukrainian surname. Ukrainian letter "и" never translates as "i", only as "y".

Talias name was completely butchered too, more here (there's actually a wholeass rabbithole from there on). The name of the city where she comes from is spelled wrong (it's supposed to be Kyiv, not Kiev), and so is Misha's (it's Odesa, not Odessa), also it’s Chornobyl, not Chernobyl. Characters frequently say "the Ukraine", even though the name of the country is supposed to be said without the adjective. Basically, not a single Ukrainian name was spelled correctly, and many things about Ukraine also were completely messed up.

And these are not just wrong spellings! These are the remnants of Russian oppression, specifically in Soviet times, when all non-Russian names had to be transcripted from Russian, all non-Russian languages were stripped of their originality, forcefully made to sound more Russian, and advocating for the use of your language could get you deported or killed (and now the same thing is happening the occupied territories of Ukraine, Sakartvelo, Chechnya etc.). Using the correct version of Ukrainian names is at least a sign of respect and recognition.

I am not saying that back in 2008 when the musical was made the authors deliberately decided on using the Russian forms of city names and, well, people names. Back at the time the voices of people advocating for correct forms were not heard, and this didn’t seem like a big deal. But in the context of the modern world it is very important, specifically because there is a literal full-scale genocidal war in Ukraine right now. As a Ukrainian, the nuance of those names and spelling matters a lot to me, and it is the same way for other Ukrainian fans I’ve met. Some didn’t want to get into the musical specifically because of these issues, plus the fact that Misha is kind of a harmful stereotype for Slavic people in general, which is yet another topic to explore at some point in the future. And he is still the BEST representation we’ve got and I love him dearly.

I believe that using a correct form of his name is a battle worth fighting

[pure]

this is a succinct comment on A.I. art from a marxist perspective. i have a couple of nitpicks, but the general conclusion is accurate. basically, marxists support automation, democratization of information, and the abolition of private property, so we are not hostile to A.I. as a technology. we are hostile to capitalism. everything below is a direct quote from reddit hell site user chayleaf:

“I find it interesting how many people say that they oppose AI art "because we don't live in communism". At the same time, some people claim that AI art is reactionary, which contradicts the former (if you want to speak against AI art, you either say that it is reactionary, or that it is progressive BUT...)

I think the latter is an easier claim to debunk - AI technology does nothing fundamentally different from what humans do, it just does it imperfectly for now. Over time, we will see new AI being better and better at the tasks given to it. AI has only one limitation - it doesn't have inherent goals put into it by nature, it must be told to do something by a human. This means AI is a means to achieve a task for a human - or means of production, if you will. Objectively, AI allows humans to perform certain tasks by exerting less labor, by spending less time. This means the technology itself cannot be reactionary.

Let's focus on the claim that AI art is only desirable in a perfect society then. First, let us draw parallels from history. Capitalism caused many petty bourgeois artisans to become members of either bourgeoisie, or in most cases proletariat. This is a natural progressive process of the centralization of production that lets the society enact all new kinds of innovations. The process continued with the advent of imperialism - or monopoly capitalism. Indeed, many small business owners, artisans, craftsmen, peasants were forced into the life of a proletarian by this process.

As Lenin said: “Imperialism is as much our “mortal” enemy as is capitalism. That is so. No Marxist will forget, however, that capitalism is progressive compared with feudalism, and that imperialism is progressive compared with pre-monopoly capitalism. Hence, it is not every struggle against imperialism that we should support. We will not support a struggle of the reactionary classes against imperialism; we will not support an uprising of the reactionary classes against imperialism and capitalism.”

The only revolutionary class in modern society is the proletariat. Petty bourgeoisie may act as an ally in certain cases, but will always seek to stop the process wherever it benefits most. Technology that forces petty bourgeois artists to become ordinary workers might be sad for those artists - but from a Marxist viewpoint, that's hardly a bad thing. If more of the petty bourgeoisie becomes proletarians, their class consciousness will not tell them to stop the revolution when it happens. They will be ready to let it reach the end, to complete the democratization of society.

On the one hand, AI art hurts (to an unknown extent) the interests of the petty bourgeois artists. On the other hand, AI helps immensely to those unable to dedicate lots of time to learn to create art from scratch. You can say the same about piracy if you want. To me, this looks like yet another contradiction between the interests of individuals in capitalism and the interests of society in general, yet another sign that the world yearns for a revolution. This is not a sign that we must oppose something that is within the interests of the entire society because it hurts certain individuals.

Unfortunately, petty bourgeois influence is to be expected from purely theoretical Marxism, Marxism that is separated from practice. I, too, find it hard to shake it off at times. Only by handling the body of information available to mankind as a common can we rid ourselves of the last vestiges of petty bourgeoisie. That's why I release all of my works either into the public domain, or under a copyleft license. If you are for socializing the means of production, it's only natural you should also be for socializing information.”

[reina-petrova]

You Have My Word ・❥・ Elejah

“Elena, you don’t have to just be a doppelgänger… you have to be a virgin. So, theoretically, if you lost it to someone, the ritual wouldn’t work.” “Are you serious?” “Yes, but there’s a catch…” “Of course there is. What is it, Bonnie?” “It has to be with an Original.” ↳AU where Elena discovers that Klaus’s hybrid ritual requires a virgin doppelgänger sacrifice and Elena never lost the V-card. Now her only hope is a certain Original. Set around season 3 during ripper!stefan and pining!Damon, post Elijah!haircut and post Elena's 18th birthday.

↳Warnings: Smut, virgin kink, dirty talk, light dom/sub undertones if you squint.

↳6.7k words

↳Cross-posted to AO3 here

↳Song rec: Terrible Thing by AG

↳ New! Part Two (A/N: this is just a silly AU fic that popped into my head, it’s only a vehicle for smut so be forewarned the canon details/timeline may be off 🤪)

・❥・

[text: 2:48pm] I found something. Call me l8tr. - Bonnie

Elena let out a shaky breath at the text in front of her. She finished putting the last of her books into her locker and slung her bag over her shoulder. She could hardly look away from the text as she shut the metal door closed, typing a quick response to Bonnie in the meantime.

[text: 2:49pm] I will. Thx B. - Elena

It almost seemed too good to be true, and as Elena returned to her car, she allowed herself a brief moment to envision a happy ending where Bonnie's new plan would actually work and they'd kill Klaus. Stefan would return to her. The Originals would be gone. Her town would be safe. She'd live.

Still, after so many run-ins with the supernatural, she'd learned to keep a healthy dose of reality mixed in with her positivity. Every plan was sure to work until it wasn't, and unfortunately, the last few indeed hadn't. It wasn't her life she was so worried about saving, it was everybody else's. With Klaus gone, they would be safe. But while Bonnie searched for any answers she could find, putting in all this time and effort, Elena had to at least try.

The moment she arrived home, she called Bonnie.

"Hey Elena,"

"Hi Bonnie, you said you found something? What's going on?" Elena sat down onto her bed with a small sigh.

"Yes and no. It's more of a loophole than anything else." Bonnie seemed a bit unsure, which gave rise to uncertainty in Elena. She prepared herself. Nothing was out of the question anymore.

"Okay, I'm ready."

"Like I said before, most of my grimoires don't go back far enough for the hybrid ritual, it's way too old. But I did find something in my oldest one, a description of it that included a word I've never seen before - virgino, in Latin."

Elena paused at that. She couldn't be hearing this correctly.

"As in...?"

"Yep. Virgin." Okay, so she had heard correctly.

"So what does that mean?"

“Elena, you don’t have to just be a doppelgänger… you have to be a virgin. So, theoretically, if you lost it, the ritual wouldn’t work.”

Elena's brows furrowed in confusion. She'd never heard that part of the ritual before. She wondered how accurate this description of the ritual could possibly be.

“Are you serious?”

“Yes, but there’s a catch…” She heard Bonnie's voice grow more dim, and she knew it was nothing good.

“Of course there is. What is it, Bonnie?”

“Well... in order to ensure total loss of purity... it has to be with an Original.”

・❥・

“Thank you for meeting with me, Elijah.”

Elena’s fingers fidgeted around the coffee mug, her nails tracing over the width of it with anxiety. Elijah inclined his head politely, sitting opposite her at the Mystic Grill. It was far from a private place to speak, but Elena chose it for that very reason. Though the conversation was awkward at best, she didn’t know how she’d react if the two of them were alone. She didn’t even know how he’d react.

Despite all his wisdom, she knew he’d never guess why she’d asked to meet here.

“To what do I owe the pleasure, Elena?”

He cut a handsome figure, wearing a perfectly tailored black suit that accentuated his shoulders with a matching black collared shirt underneath. The shirt opened at his throat and exposed the smallest peek of his clavicle. His hair was shorter now, brushed back and away from his face. A gold ring encircled one of his fingers. Noticing these details certainly wasn’t helping her nervousness. She swallowed the dryness in her throat at sound of the word pleasure.

Their “relationship” was built on shifting sands and she knew that, a tentative trust that both she and he tested the boundaries of. This would certainly cross the next three boundaries.

“Well, Bonnie was reading more into the hybrid ritual, trying to find a loophole. Trying to find our opportunity to kill Klaus.”

Elijah’s eyes searched hers but he said nothing in response, patiently waiting for her to continue. The words seem to spill out of her mouth as slowly as possible, yet her heart rammed in her rib cage. She was grateful he couldn't read her mind but doubtless he heard that at least.

What if he says no? How embarrassing would that be? And if it happened, how would she even explain to Stefan and Damon why suddenly the ritual wouldn’t work? Why it had to be Elijah?

“Yes.”

His smooth voice broke her from her reverie. She cleared her throat and tried again, taking another sip of her coffee. Matt had courteously slipped an extra something in her coffee when she’d asked, figuring even a drop of liquid courage would do her some good. It burned like a low ember in her stomach. Elijah’s tea stood in front of him, untouched.

“She found one other way that the ritual could be dismantled, apart from all the other options.” The other options being actually dying, becoming a vampire, etc. She’d gladly give her life if it meant her friends and town were safe, but killing Klaus would ensure safety forever. She had to at least try.

“Apparently, it’s not just the sacrifice of the doppelgänger… it’s the sacrifice of a virginal doppelgänger. So if the doppelgänger is no longer... you know, it won't work.”

Elijah’s brow furrowed, and she held some small victory in the fact that she was able to catch him so completely off guard. It made her feel less ridiculous in suggesting this, but also showed that not even the Originals knew all.

“But how can this be? I’ve never heard of such a requirement.”

“I guess it’s just one of the old failsafes from that era, tied in with the idea of innocence and purity in the face of…” She trailed off hesitantly.

“Evil.” He finished for her with a slow smile. She allowed herself a small smile in return.

When silence settled upon the conversation once more, Elijah took up the mantle, shifting to lean closer to her across the table. “And I assume you are a-“

“Yes.” The word was barely a whisper but she knew he heard it loud and clear.

Elijah raised his brows in some surprise, a smirk crossing his lips for the briefest of flashes. His hands quickly moved the teacup to the side of the table, the drink long forgotten. His fingers tapped slowly at the wooden table in thought, and Elena took a small breath into her lungs and held it.

“Forgive me, but with both Salvatore’s at your heels, and if I recall their history with Katerina-“ Elijah’s palm turned upwards, his eyes casting downwards for a moment.

“I am not Katherine.”

Then his gaze flickered up to hers, amusement clear in his warm brown eyes. She thought she saw a small look of admiration somewhere in those eyes.

“No. You are certainly not, Elena.”

Elena took another sip of the coffee, begging for the alcohol to provide some inspiration. As it was, her words were failing her and they hadn’t even gotten to the brunt of it. Part of her hoped he’d ascertain it himself without her even needing to say it. Though she wouldn’t be surprised if he wanted to hear he’d say it either. Elijah was a noble man, and he ensured any and all terms of a deal were clear. He was the key to their plan to kill Klaus, and innuendos would never do, not when there was so much on the line. Thankfully, he wasn’t one for vulgarity either.

“So, if I’m understanding correctly, there’s only one thing left for you to do.” The amusement still never left Elijah’s eyes and it made her squirm in her chair. His gaze was so intent and heavy on her, his presence commanding. He was a man unlike she’d ever known. “But I’m assuming there’s a reason you called me here.”

"Yes." Here goes nothing. "The only way to ensure the total-“ she cleared her throat again. “-loss of purity is for it to be with an Original.”

Realization dawned on his features in the blink of an eye. Then, ever so slowly, she watched his face darken with something else. Her eyes dropped back to her fingers, nails digging into her nail beds. She wanted to disappear, to melt right into her chair.

“And further ensure the division of the family.” Elijah murmured. “If it can only be an Original, then only Niklaus’s own family can betray him.”

A small knot of fear tied itself in Elena’s stomach. If he refused, if he changed his mind about killing Klaus, all hope was lost. She tried her best to gauge his reaction, but he was unreadable at best, a stone statue at worst. Elijah never let his hand slip, and she could no more understand him than she could an ancient language.

Suddenly, her nerves got the better of her. The caffeine outweighed the alcohol, and she felt herself standing to her feet, grabbing her bag from the back of the chair.

“I’m sorry, this was a ridiculous idea. We’ll find another way-“ She took no more than a step away from the table, prepared to flee the building when she felt his hand take hers gently.

“Elena.”

He pulled on her hand slightly, just enough that she stepped back towards him and towards the table. Even in the smallest, most delicate of gestures, she felt his strength thrumming in his fingertips. She turned to face him, and he’d stood to his full height, his broad frame dwarfing hers.

It was then that she allowed herself the opportunity to even process what she was asking. She’d been so caught up in trying to kill Klaus, prevent any more innocent lives lost, that she hadn’t thought about what this would. mean. Her and Elijah. Together.

A flash of their bodies intertwining appeared in her mind, the heat of his hand on hers suddenly feeling like a searing flame on her skin. The knot of fear began to dissolve, and something else pooled in her lower stomach.

The same feeling she saw in his eyes just then.

Four little words, and despite herself, she felt her heart flutter.

“You have my word.”

・❥・

“I can’t believe this is happening.” Bonnie repeated for the fifth time that evening. Elena shot her a half annoyed glance, to which Bonnie grinned in response.

“I know.” Elena repeated for the sixth. All too well. Though she had a feeling she had no real idea.

Elena sat down into the bed with a quiet sigh. Bonnie had brought the grimoire where she found the loophole so Elena could see it for herself. Though her Latin was nonexistent, there was no denying that word. Virgin. She'd even brought a few extras she didn't have time to go through earlier in case they had any other information to offer. So far, nothing. The books shifted slightly towards Elena in their careful piles as her weight settled into the covers.

“What about Stefan? I thought you guys were waiting.”

The reminder of Stefan struck a chord in her heart, but one that had been struck too many times lately. She believed in her and Stefan’s love, but with him firmly in Klaus’s grasp, she could hardly recognize him. As it was, she had little time to wait.

“Stefan’s lost right now, Bonnie. And if this could get him away from Klaus and save his life, I’m going to try.”

“And Damon?” Bonnie offered quietly, with some note of derision in her voice. Elena knew how she felt about him, but there was also no denying Damon's obvious feelings for her, and how protective he'd become. It was almost too much to think about. Instead, she stood up and began aimlessly tidying the room, putting things away in random drawers. What does one do to prepare for this situation?

“He doesn’t know- he can’t know. He’ll lose it. He’ll say it’s a bad plan.” Along with a few choice words for Elijah and maybe a dagger dipped in white oak ash. Then they’d have no plan.

“Well I wouldn’t say it’s a good plan.” Bonnie responded sardonically.

Elena’s mouth dropped in fake disbelief as she put her diary away.

“This was your idea!”

“You’re the one going through with it! And I mean, Elijah? He’s kind of scary.”

“As opposed to who?” Elena responded with a mirthless laugh. “And he’s not that scary. He’s just… aristocratic."

“No? Oh.” Bonnie teased coyly. “I forgot how well you’re acquainted…" She cocked a brow at Elena's pattering around the room "Are you actually cleaning right now?”

“I don’t know what I’m supposed to do.” She admitted. “How does one seduce an Original?”

Bonnie started flipped some of the grimoires closed, and Elena looked up nervously at the clock. He would arrive in 30 minutes. Anticipation buzzed through her veins at the thought. Bonnie slid off the bed once the books allowed a path and stood in front of Elena, taking her hands in hers as a show of strength.

“I'm sorry, Elena, this is a big deal. Your first time but it comes with the caveat of saving your life and everybody else's. Not to mention it's happening with a thousand year old vampire. Just be your normal, charming self. This is a common interest of killing Klaus and nothing more.”

“Right,” Elena smiled. Nothing more. Right?

“But-“ Bonnie reached behind her and pulled one of the drawers she’d just shut open and retrieved her hair brush. With a shrug, she handed it to Elena. “Couldn’t hurt.”

Elena smirked and took the hairbrush from her hands, combing it through her locks gently.

・❥・

After Bonnie left, Elena paced for another ten minutes incessantly. She'd brushed her hair, done minimal makeup, but left herself in her usual outfit of jeans and a tank top. Anything else felt like it was trying too hard.

She sat down onto edge of the bed and glanced at her phone. A few messages from Damon and Caroline. Nothing from Stefan. She dropped the phone onto the bed and waited. With each passing minute, she felt her heart beginning to race faster and faster.

This is insane. How is this my life?

The fact that it was happening in her bedroom was even stranger. Elijah had been inside of her house before but this was something else entirely. He'd been perfectly gentlemanly in allowing her to choose the location, but there weren't many options. Elijah had no permanent domicile as of yet, and a hotel room felt too seedy, even the nicest one in town; though he'd even assured her he'd take care of the cost.

Only after she ensured Ric and Jeremy wouldn't be home did she suggest her place, a small level of familiarity in this situation. She wasn't afraid per se, but the way her body reacted to his was jarring. There was something deeply forbidden about it, and she couldn't help but be drawn to it. Being home would help ground her.

His knock came, short and sweet. Elena's heart nearly jumped out of her chest as she stood up and walked down the stairs to let him in. Her fingers curling around the knob, she took one more quiet breath. No going back now.

She opened the door to Elijah standing on her porch, clad in his usual tailored suit. The black fabric looked heavy and luxurious with the way it laid on his shoulders, accentuating his broad frame. The dark shirt he was wearing that afternoon was replaced with a crisp white one, and the tie he wore was black to match the jacket. There was stubble on his jaw, she noticed with a note of appreciation. It gave him a slightly more disheveled look than usual. Her nervousness began to melt away at the sight of his handsome face and his calm demeanour.

He was wearing the same gold ring as before, and she only noticed when she spotted the crimson red rose in his fingers. With a smile, he extended it to her. "Elena."

"Elijah." Elena reached out and took the rose from his hands, giving a slight smirk. "A flower. Very symbolic of you."

Elijah let out a quiet laugh. "I assure you, I meant no such innuendo. It didn't seem right to come without a gift."

"Well, it's beautiful. Please come in."

He stepped in as invited and she shut the door behind him. Now that they were well and truly alone, her heart picked up the pace once more, but she busied her fingers with the stem of the rose so as not to betray it. The man was a thousand years old and undoubtedly had known countless women. Her experience to his could not pale more in comparison. "I'm sorry, this is a bit... overwhelming."

"Undoubtedly."

Elijah stepped towards her slowly, closing the distance between them more than they ever had before. Elena stared upwards at him, her eyes barely at the level of his lips. His gaze was compelling but warm as it fell upon her, and she felt a breath hitch in her lungs at the nearness of him. "I want to make this experience comfortable for you, Elena. Your terms."

Elena nodded slowly, swallowing back her saliva. "Should we go upstairs?"

Elijah inclined his head with a small smile to which Elena smiled back. As intimidating as he could be, he was trying to put her at ease, and she appreciated it. She led the way up the stairs and to her bedroom, Elijah trailing behind. Once upstairs, she placed the rose delicately on the top of the dresser and then turned to face him.

Elijah looked incredibly out of place in her bedroom. Finely dressed and with an air of sophistication only a thousand years on earth could garner, he was like an ancient relic pulled straight from the history books. He looked better suited to a battlefield than a modern-day bedroom. But if he was ill at ease, he certainly never showed it.

His eyes met hers again and Elena's stomach flip-flopped. He had barely even touched her yet, and she was already reacting so viscerally to the vampire in front of her. Again, snapshots of their bodies entwining flashed in her mind like a promise of what was to come. Amusement crossed his chiseled features and he raised a hand to gently place his thumb and forefinger on her chin. "I can hear your heart beating, Elena."

Beating was an understatement. It felt like it was about to pop out of her chest. His touch on her face certainly wasn't helping that matter.

"Are you nervous?"

She thought before answering, their eyes searching each other, trying to gauge the other's feelings. But despite what she'd initially thought... she wasn't. Excitement thrummed within her, her arousal beginning to simmer at the seductive way he seemed to be looking down at her. He knew exactly what kind of power he held, and he enjoyed it. It was unnerving, but it was thrilling.

"No."

"Good. I want you to enjoy yourself, Elena. To let go and give in." To me, his eyes seemed to say. Give in to me completely. She managed a nod but found that words had escaped her completely. Was he moving in closer?

His fingers never dropped from her chin and she had nowhere to look but directly at him. Warmth bloomed from inside her stomach, her body signalling just how much she wanted to give in.

Using his other hand, he lifted a single finger to trace over the curvature of her neck, beginning from her collarbone all the way up to where her jaw began. His finger pressed just so behind her jawbone where her pulse was strongest, and she felt her blood sing in response to him.

"I meant what I said. Your terms. You're in complete control."

"I know..." Closer still. Their lips were a hairsbreadth apart.

"Yes?" She could feel the smile in his lips.

"Yes."

His lips met with hers and she felt herself crumble. His kiss was as captivating as she could've imagined, without a trace of insistence. He was telling the truth; the pace was in her hands. At first, shyness won out. Elena returned the kiss slowly at first, but as her lips deepened, so did his.

His hand had fallen from her face and instead, he pressed his palm to to her mid-back. It dipped no lower. Ever the gentleman, she thought, unable to supress the smile between their kiss.

He seemed to sense her amusement because his hand fell lower not a moment later, placing itself into the small of her back. He pressed her body closer to his, her chest landing flush with his as though he were challenging her.

Something sparked within Elena as the warmth of Elijah's hand spread through her hips. A need to know, a need to discover. She found the courage to touch him back, raising her hands to slip over his shoulders, fingers delicately tracing over the back of his neck. The fabric of his suit was soft to the touch, his skin softer still.

She'd done some things with Matt and Stefan before, but with Elijah, it felt as though she knew nothing at all. In this, she wanted him to take the lead. It seemed he intended to to some degree as both of his hands came down to her waist, the large expanse of his hands burning through her shirt. Desire began to take over, and their kisses grew deeper still. She ran her fingernails along the nape of his neck, coming down to scratch over his shoulders.

His hands pressed into her hips again before he broke the kiss. Elena felt how flushed she was, cheeks pink and lips swollen from his amorousness. She saw a muscle work in his jaw and he regarded her with half-lidded eyes. He raised a graceful hand and indicated towards the bed with a half-smirk.

"Please."

Elena pulled herself away from Elijah and obeyed, sitting on the side of the bed before lying down. Not once did she look away from him as he shrugged his jacket off, then loosened the knot of his tie. Desire pooled in the deepest parts of her at the sign of him so untidy. He looked like every woman's dream as he unbuttoned the cuffs of his white shirt and rolled them up slowly, exposing tanned forearms corded with lean muscle.

He returned to her, eyes appreciatively slipping from her neck downwards to her chest and her hips. "Good girl."

Slowly, he leaned down and captured her lips in a kiss again, his arms on either side of her head. The night had fallen in earnest now, the single lamp she left on providing a faint warm glow in the room. Elijah’s body swallowed her, the broadness of his shoulders and the dimness of the room entombed her in what felt like an eternity of him.

Elena reached up and twirled her fingers around his tie, giving an experimental tug to pull him down closer to her. He chuckled against her mouth and she did it again, pleased with the way his weight settling on her felt.

"Not that good." She whispered against his mouth.

"No? Show me."

Passion reignited, his mouth was suddenly everywhere. On hers, trailing kisses along her jaw, her collarbone, between the valley of her breasts. When his mouth stopped where her shirt ended, his fingers tugged upwards at the bottom of it, and she broke the kiss to pull it over her head.

With practiced ease, he unbuttoned her jeans and began to tug them down. She sat up slightly to help pull them off, then fell back in only her bra and underwear. Just before he could continue, she reached for one of his hands and tentatively placed it between her legs. Elijah raised his brows at her but acquiesced.

One arm outstretched between her thighs, the other bent as he hovered over her, he gazed down at her with darkened eyes. "I think you'll be good for me."

Elena's breathing pitched into a soft moan as she felt Elijah's fingers press against her underwear. Moving softly but with intent, his index and middle finger rubbed upwards, careful to barely brush against her covered clit, just where she needed him most. Her hips shifted at the pleasure, lips parting as another moan escaped her lips. His fingers were trained and precise.

"Won't you?" He asked, and she could hardly piece together a sentence. His voice was deep enough it reverberated in her chest. She felt herself growing wetter and she knew he could feel it too.

"Yes, Elijah."

"Mm."

She reached for his tie again to pull him down into another kiss. In the meantime, his fingers brushed the edge of her underwear aside and as his fingers slipped against her pussy, she gasped into his mouth. Finally, after a few moments, his fingers slowly came to her clit, and she felt every nerve sizzle in her body at the feeling.

He pressed another kiss to her lips as his fingers slowly slipped inside of her, and she suppressed another moan into his mouth. They moved slowly, collecting her wetness and teasing her. Her hips bucked lightly, chasing the feeling.

"So innocent... What do you want, Elena?" His fingers paused over her clit and she let out a soft whine at the cessation.

"I want you to touch me, Elijah. Please."

His touch felt like electricity as his fingers returned to run against her clit, and her body tensed as the pleasure swam through her. She already felt spent and yet he was still fully clothed.

Her hands reached for his shirt, but his hands captured hers before she could even the score. "Not yet. Not until I think you've had enough."

Her head and shoulders fell back onto the bed as his fingers picked up their pace. He alternated between slipping inside of her and pressing his thumb against her clit, until the energy building inside of her threatened to spill over. Her hands found his shoulders and her fingernails dug into his shirt at the pleasure, brow creasing as it threatened to overtake her.

Finally, with one last roll of his fingers, she felt the wave crash into her, sending ripples of sparks down to her very fingers and toes. If he were a mortal man, the grip she had on his body would've left marks. Elijah's mouth swallowed the last of the moans escaping from Elena's lips as his fingers rode out her orgasm, his thumb occasionally brushing against her sensitive clit, causing her to jump.

"I like the sight of you like this, sweet Elena. Undone, writhing. Your pleasure in my hands."

"And yours in mine." She panted.

Elena pushed up on Elijah's shoulders and he allowed it, the positions reversing until she straddled his hips. His hands came up to her waist, gripping it as she slowly rolled them over his. His desire was evident in the bulge of his pants, and it gave her immense satisfaction to know she had the same effect that he did on her.

Her fingers made quick work of his belt, unbuttoning while pressing her hand against the outline of him. He released a quiet groan at the feeling of her touch, and she wanted to hear more. His fingers came away from her hips to divest himself of his tie properly, slipping the satin from around his neck.

She slid from off his hips and stood at the foot of the bed, leaning over to tug him towards her by the loop of his trousers. He stood, his shirt half unbuttoned and creased, and his belt hanging around his hips. Elena felt herself grow wetter as she sank to her knees in front of him, and he watched with dark eyes as she began to pull his trousers and underwear down, just low enough to release his cock.

He was long and thick in her hand, and his head fell back as she leaned forward and licked a trail from shaft to tip. Slowly, she took him into her mouth, licking and sucking his heavy length until she could take him no more.

A deep growl emanated from Elijah’s chest, his hand coming up to rest against the back of her head. He let her set the pace, but his fingers knotted themselves in her hair as she swirled her tongue around his tip, tasting every last inch of him.

“You wicked little thing.” He sighed, his jaw clenching and his muscle tensing. She could see he desperately wanted to move his hips, but stayed in full control as she pressed him deeper into her mouth.

She placed her hands on his thighs, gripping the fabric of his trousers to give herself more balance, and she felt his fingers brush the hair away from her face and behind her ear before lightly collecting it into his grip. The small gesture made her heart skip as she set a quick rhythm.

He groaned again in pleasure, allowing himself a few more moments before delicately tugging on her hair to bring her back up to standing position. In a flash, the moment she stood, he had her trapped against the wall, his chest pressing into her shoulder blades. Her fingers bent and scratched against the wall, seeking purchase as her lungs seemed to give out. His scent enveloped her. His mouth was hot against her ear.

“So innocent and yet so wicked. So ready to be defiled. Will you give into me, Elena?” Give in, her mind whispered.

She found herself pushing back against the wall to be closer to him, the outline of his body providing delicious heat against hers. She felt his strength emanating from every muscle, both hands pressed on either side of her. Using one hand, he tilted her jaw until her neck was exposed to him. For a moment, she thought he would drink from her, but instead, he placed gentle half-kiss-half-bites along the slope of her neck. His hand then dipped to her back where he quickly unhooked her bra and slipped it off her shoulders. Her underwear was tugged down until it fell. Goosebumps rose all over her skin at the thought of being fully naked in front of Elijah Mikaelson.

“I want to give in, Elijah. Give me all of you.”

Her back was pressed into the mattress before she realized, her body softly settling on the bed. Elijah undid the last of the buttons on his shirt and pulled off his trousers.

“So beautiful.” He murmured, his hand coming up to cup her breast, thumb tracing over her pebbled nipple. Elena sighed at the feeling.

Elijah’s body was just as beautiful, she thought. The expanse of his chest was strong, his abdomen and arms both lean with taut muscle. A deep V-line followed into his hips, his cock erect.

Just as their lips moved to reconnect, Elena’s eyes met his again. Suddenly, this became more than just breaking a ritual. Both were entrenched in their desire, desperate to for release in the other’s body. Nervousness bubbled up inside of her again as she realized it was time. Everything else she had done before, but not this. She knew generally what to expect of sex, but certainly not when it came to a thousand year old vampire being her first.

“I’ll be gentle.”

Elena nodded at his kind words, fingers reaching up to his shoulders again. He balanced on one arm as the other reached out to touch her slick heat, and instantly, she felt the unreleased desire come flooding back. Satisfied, Elijah slowly guided himself between her legs.

Her chest arched upwards at the feeling. Heat spread from her hips as her pussy stretched to accommodate his length. True to his word, he moved slowly as he rolled his hips towards her, sinking deeper into her with every breath. She could feel him gauging her reaction and moving only so long as she allowed it.

Elena felt as though she might burst from the feeling, her breathing devolving into moans as he settled himself to the hilt inside of her. One of her legs was bent, the other laid straight, and one of his hands gripped her thigh as he used the other to balance himself over her, watching her face.

Once the burn of the stretch passed, pleasure began to trickle in. He felt immense inside of her, overwhelming in every aspect of his body as he stilled his hips against hers.

“Are you alright?”

“Yes- yes.” Her eyes fluttered closed.

“Does it feel good, Elena?”

He slowly rolled his hips back and she let out an involuntarily moan at the feeling of him moving inside of her. When he rolled his hips forward again, pleasure erupted from within her, and her nails dug into the skin of his shoulders.

“Yes, yes!“

Elijah pressed a kiss to her lips, and obeyed. He set a slow but sensual rhythm to his hips as he moved in and out of her with deliberate care. Any discomfort long forgotten, Elena felt her own hips moving in tandem, hissing in delight at the friction their hips created.

He chuckled at her reaction. “So good for me.”

The praise was like an extra douse of kerosene to the flame.

“Please, Elijah- more.”

“More what? Hm?”

All the while, he never stopped moving, his hips picking up a faster pace. In that moment, the hand resting on her thigh slipped between their two entwined bodies. His fingers immediately located her clit, and the combination of him pumping in and out of her, and his thumb pad rolling against her clit, her moan nearly turned into a scream. She could hardly think past her own name.

“Use your words, Elena. Tell me what you want.”

But she couldn’t. Her body shook with pleasure, her nails digging crescent shaped impressions into his skin.

“I’m so close, please…”

His fingers and hips slowed down ever so slightly, and she whined at the feeling of her release slowly ebbing away.

“Do you want more?” He asked again.

“Yes.” Her voice was thick with desperation. All she could think about was the way his hips moved in between her thighs. The length of him hit all of the most inner parts, sending shockwaves of pleasure up her spine. She wanted more of anything he would give her.

He slowly pulled out of her, releasing his grip on her and flipped their positions once more. He kneeled behind her on the bed while she lay flat on her stomach, then he slowly moved until his body hovered over hers.

She pressed her thighs together, trying to gain back some friction, frustrated at the loss of him. She felt him press a kiss to her shoulder blade and in the same moment, he lifted her hips and slowly slid back into her.

She gasped at the feeling, her hips rising to meet his, and he settled back onto his knees, gripping her hips as he set a quicker pace. She felt herself dripping between her thighs, moans slipping past her lips as Elijah thrusted in and out.

She was desperate for release, and as his hips stuttered a bit, she knew he was too. He reached forward for her, pulling her back towards him until her back was pressed to his chest once more. One arm encircled her waist while the other hand reached for her clit. She nearly folded at the feeling, but his arm kept her to him, and suddenly she was right at the precipice of her release once more.

“Will you be good for me, Elena?”

She managed a nod, fingers digging into his forearm. His cock and fingers were relentless against her, and she felt like she was about to scream.

“Yes, I’ll be good for you, Elijah, I’m so- so close.”

“So good...” He murmured. “Cum for me.”

The pleasure erupted inside of her, her hips stuttering and her pussy clenching around him as she reached the brink of orgasm. Elijah groaned at the feeling of her coming undone around him, his hand falling away from her clit. He gripped her to him and thrusted inside of her a handful more times before spilling inside of her. Elena relished in the feeling of him in those last moments before he released her.

It was done.

Elena collapsed onto the bed with Elijah close by, unable to move, to think, even to breathe. He shifted himself over so as not to crush her, the pair panting deeply in the thralls of their desire.

The phrase total loss of purity echoed in her mind as she opened her eyes and looked upon Elijah. The shameless way she begged for him, the way her hips moved in search of him. She had corrupted herself entirely. Defiled by an Original.

In more ways than one, they were linked together forever.

After a minute, their breathing settled into silence.

“Do you think it’ll work?” She whispered.

Elijah looked over at her, sitting up slightly. He raised a hand to gently move one of the strands of her hair away from her face. It felt as intimate as anything they'd just done. The heat having died down between them, there was nothing left to do but face the music.

"I have long learned to keep hope at bay whenever Niklaus is involved."

Elena nodded. Of course he was right, but she tried not to look too concerned. He seemed to notice.

"I hope you don't regret this night too deeply if it does not. I recognize what a sacrifice this must've been for you."

Elena shook her head, mirroring him as she slowly sat up as well.

"I don't regret it, Elijah."

He smiled softly, and she returned it.

"Neither do I."

・❥・

The next morning after Elijah left, Damon arrived at her house. She could tell he was relieved that she was indeed alive, but simultaneously annoyed at having been ignored. He wore his usual leather jacket, black jeans and boots, with a few strands of black hair falling into his eyes. She couldn't help but compare the two men that were at her door just a few hours apart. A leather jacket and a suit.

"Oh good, you're still standing. Would've been nice to know." He raised his cellphone up as he crossed the threshold. "You know these nifty little things called cellphones? I called like three times."

She'd passed out almost immediately after Elijah had left, though she'd only been able to sleep a few hours before she couldn't ignore Damon any longer.

"Sorry, I just fell asleep. Bonnie and I were going through some old grimoires trying to find something." I hope that's convincing enough. She'd even made sure to shower and change after Elijah had left, not wanting Damon to risk sensing anything had been awry. She led him upstairs back up to her bedroom, desperate to go back to sleep.

"And? Did our witchy encyclopedia find anything?"

"She did, actually."

"Mhm. I bet."

Elena looked over at Damon with a raised brow at his suspicion and he met it with a smirk.

"You hatched a plan, didn't you?" He did the eye thing. Elena blinked and turned away, giving a noncommittal shrug.

"Not really. It was barely a plan."

"Fine, don't tell me." Damon closed the space between them with a single stride until he was looking down at Elena. He gave another smirk. "Just promise me it wasn't anything stupid."

Elena smiled. "You have my w- I mean, I promise."

Damon nodded once, then reached over her shoulder to grab something from her dresser. Elena's heart dropped when Elijah's red rose came into view. Damon twirled it between his fingers with narrowed eyes and a crooked smile.

"What's this, then?"

・❥・

Part Two

[suzukiblu]

WIP excerpt for Marina behind the cut; "but it's weird that it happened twice". (( chrono || non-chrono ))

“I mean I’m not that hard to find,” Superboy puts in with a shrug, tucking his hands into his jacket pockets. “There’s like six or seven different accounts that track me around.” 

“. . . like, they keep track of sightings of you, or . . .” Tucker trails off. 

“That too,” Superboy agrees with another shrug.

“. . . wow, I think you actually found the worst possible way to be a superhero,” Danny says, squinting doubtfully at him. Superboy looks dubious, but given Danny’s got his own experiences with being tracked and/or hunted for sport and all, Tucker figures those two can just agree to disagree there. Though he would also think that at least kinda sucked, if nothing else, because it probably makes it way too easy for supervillains to either know when Superboy’s in town or when he’s out of town, and those things both seem like potential problems? 

Like, very much so they seem like potential problems. 

“I would be so fascinated to get a look at the tech of anyone who tracked you here, though,” he says. Superboy looks puzzled for a second, then visibly remembers–

“Oh, you mean that electromagnetic field thing you were talkin’ about when we stopped for snacks and shit in ‘Frisco?” he assumes. 

“‘Ectomagnetic’, more accurately, but yeah,” Tucker confirms with a nod, tracing out the shape of an ectomagnetic sphere with both hands–or, like, miming holding a ball with both hands, he guesses, but he’s trying to go for the ectomagnetic sphere. “Amity is not really much of a tourist attraction unless you accidentally get lost after midnight on a mountain back road on a Hunter’s Moon. Cold Moon apparently works too, but not for humans. And, uh, also Hunger Moon, but we don’t talk about Hunger Moon, because it might hear us.” 

“There’s mountains around here?” Superboy asks with a skeptical frown, which is a fair question coming from a guy who came in with an aerial view and therefore should’ve seen any theoretical mountains. 

“There are not,” Tucker replies matter-of-factly. “Also, speaking of things not to talk about, if you’re ever in town during a Dyad Moon, you probably should just, like . . . not be in town during a Dyad Moon. Like, just as a thing and all.” 

“Ooo, yeah, good point,” Jazz says with a little wince. Their first post-ghost Dyad Moon went bad for Danny and Dani and the last one was only barely better, so yeah, better safe than sorry with the alien hybrid, Tucker figures. Especially since he already looked at the alien hybrid and thought “close enough” in regards to the parallels there. 

Tucker so did not think the phases of the moon were going to matter this much to his high school experience, but they really, really have. As have ley lines and government-funded ghosthunters and jealous college friends–or maybe jealous ex-throuple members? Tucker remains unclear on that one–of his best friend’s parents and vegan food and special sauce and boxes. 

They’ve gotten a way better handle on it and all, but their lives are definitely, definitely still not normal. 

Like, not even slightly.

[tempests-bards-and-birds]

i think that one of the most tragic aspects of venti's character is the fact that no matter how hard he tries, no replication that he can make of the bard will ever be perfect because for a single image or concept to be long-lasting and static goes entirely against the nature of the wind.

it has been consistently emphasised throughout the game that "seeds of stories brought by the wind" will be "cultivated" by time - in other words, they will grow, but they will never remain the same as they were when they were first told; to try to remove that element of warping and artistic interpretation that is inevitable as a story is passed on is like trying to bottle up a storm and hoping that'll stop it from damaging the surroundings - instead, no one will ever know about it, and the only thing that it will have left to destroy will be itself.

venti is basically doing exactly this by trying to preserve the bard's memory - the only way to stop it from being warped would be to remove it from any kind of environment where that could happen, which would require taking the story out of circulation, which then means that he is the only living being who knows it in its whole detail and entirety. he understands, however, the fallibility of his own memory, as can be seen in how reminders of it seem to shake him; in his story quest, he seems strangely unguarded after resolving the situation with hans (whose story is massively identical to venti's for a reason - having a mirror can be very useful for storytelling, and genshin relies on it perhaps a bit too much), describing the barbatos statue as "the usual place" despite the fact that for our traveler, it is not (this ties into another theory that i am Not going into here lol). we know that venti prizes being able to keep a certain level of anonymity, with him describing the traveler's high level of intuition as "scary", so for him to show even the slightest level of disregard for maintaining his façade suggests that being faced with the reality of the impossibility of his self-imposed purpose is something that did really bother him (which tbf makes sense now that i write it out).

comparisons have been made before between venti and zhongli wherein the irony of having a god of wind whose appearance is unchanging and a god of stone who is (supposedly, if we assume zhongli's teasing about his own past forms to be reflective of the truth) in contrast constantly shifting is often key, and in a lot of ways zhongli's situation does mirror venti's in many ways; he theoretically has the ability to accurately preserve history as one would by carving it into stone, and yet it is almost as if he lets it slip through his fingers instead - he finds humour in inaccurate historical accounts and allows himself to change, not just physically but in terms of attitude (the whole point of the liyue aq is for him to be able to do this; to live as a mortal after millenia spent overseeing as a god). in many ways venti and zhongli are polar opposites, but the theme of wanting to transcend one's physical constraints, of wanting a state of existence that the other already in theory has, is consistent throughout both.

venti, however, seems to be so much more uncomfortable with this than zhongli is, and this awareness of the issue while still being so bothered by it to the extent that he pushes it away even more, causing the pressure in that jar to by extension increase too, is where the true point of tragedy lies.

maybe, though, by deciding to share the bard's story with the traveler, he is beginning to accept the necessity for change.

[zuko-always-lies]

Historically Accurate Polyamory and ATLA?

One thing that's inexplicably on my mind right now is that East Asian royal families were generally historically polygamous, so if you wanted to have Azula or Zuko or King Kuei or some other Fire Nation or Earth Kingdom royal or noble take multiple partners, that would actually be reasonably historically accurate. It seems like the Fire Nation royalty has avoided polygamy in recent decades (or you would expect the royal family to be much, much bigger), but isn't the point at the end of the series that they are supposed to return to old ways?

Interestingly, some of this applies to the Water Tribes as well. Although I don't know nearly as much about this subject as I know about East Asian royalty and I don't want to say anything too confidentially, I know some Inuit groups sometimes practiced polygamy. I also know that some groups sometimes practiced "spouse exchanges" where two couples would temporarily exchange spouses in order to create fictive kinship between them. Although the SWT is not identical to historical Inuit groups and the NWT in particular seems very, very different with it's city and state, I think you could definitely justify polyamory being in the tradition of both Water Tribes.

While the Earth Kingdom, the Fire Nation, and the Water Tribes might have traditions of polygyny (where one man marries multiple women), the Air Nomads might have a very different traditions. They are inspired at least in part by Tibetan Buddhism, and Tibet has it's own traditions of plural marriage. Historically, the most common type was fraternal polyandry, in which two or more brothers would take the same wife. However, apparently polygyny, conjoint marriages, and of course monogamous marriages were also historically acceptable in Tibetan society. Of course, there were specific economic reasons why fraternal polyandry made sense in Tibet, which might not apply to the Air Nomads and we really don't get a sense of how their marriages and family life might look like, but it's another reminder not to force their culture into "Western marriage norms, circa 2007."

With all the various forms of plural marriage that would theoretically be culturally appropriate, I think you can culturally justify just about any form of polyamory you are interested in writing.