#which is quite nice

[majestic-kestrel]

Found this little rainbow-printed strip of card at home and decided to give the Captain some ribbons he can wear with pride

[divorcedwife]

love this guy, sure hope his life doesn't take a turn for a worse after this

[unproduciblesmackdown]

Lackadaisy Enrichment

[front-facing-pokemon]

[an1muuarts]

i like alot of the ships but

they only good if theyre post canon

sorry, but i cant see any romantic scenes happening while everyone is playing funger lmao

[humming-fly]

Theatre Kid (Derogatory)

[cybertron-smash-or-pass]

Bonus! "Longarm Prime"

[kiddokori]

[quantomeno]

"After the defeat of Sidorak and the Visorak hordes, Dume chose to stay on Metru Nui rather than join the Matoran on Mata Nui. He began rebuilding the city using his Kanohi Kiril."

It always struck me as kind of funny to imagine Turaga Dume wandering around an abandoned and decrepit Metru Nui like WALL-E, slowly repairing the city bit by bit. Particularly because the noble Kiril isn't as effective as the great version, and given the Matoran had to help reuild when they got back, I imagine he didn't get all that far even in 1000 years (in his defence it is an entire city).

But yeah, Dume by himself on Metru Nui with the Rahaga and Keetongu is such a weird thing. Being stuck in an abandoned city with 6 half-animal old people and a giant orange animal thing for 1000 years and having nothing better to do than tidy things up a bit. I like to think he did a bit of soul-searching in that time.

[prismaticsaltedink]

Scoria and Sakura are best friends! It's so cute when I see the things they do together, and it makes me so beyond happy that they both came to live with me so that they could share their lives with each other. They absolutely insist on it, and does so much good for the other.

I can't imagine how else they could have found happiness if things hadn't worked out exactly as they did. Scoria has basically been Sakura's "emotional support snake" while she worked through things from her past I'll never fully know that caused her a lot of issues with panic and fear. Sakura knows this too, and looks out for her sister, the only one she truly trusts and feels completely safe with.

The moment they wake up they both want each other to snuggle and play with. Scoria loves to be affectionate with both me and her sister who seems to have not had this earlier in her life- but Scoria is showing her how nice it is not only directly but demonstrating with me and Sakura also trying, copying what she has seen her sister do.

Sometimes when one goes to check on the other they'll join in on... I'm not even sure what they were doing. But they had a good time while taking a mandated union break from digging tunnels for the isopods.

So happy I get to share in the adventures of these two best friends! It makes me so happy to see them living their best lives together, and being beyond content snuggled together with their found family.

[weepylucifer]

One reason why i fuck heavily with disco elysium is like... idek how to describe this phenomenon, but usually when i read Fantasy or Sci-Fi there always has to be this protective layer of Allegory where like, we can't possibly call a thing what it is lest it get too Real so we have like, The Empire. The Dark Lord. The Federation. The Culture. The Ministry. The Shmeebus Bleebus. YOU know. But DE is the first narrative i ever encountered that'll just straight up say "This is about communism. This is about fascism. This is about centrism. This is about nihilism." Like actually use the grownup words for it, you know?? And trust that the audience won't faint away with shock when confronted with ideologies

[that-butch-archivist]

I'm not sure if this will take off but I'd love to be indulged. I just read through an old reddit thread where butches talked about what colognes they wore and liked, and got to thinking that it'd be fun to do the same.

[sportsthoughts]

Day 156 of offseason gifs - In The Room S07E07

[balkanbitch]

Constantly thinking about how nastu could’ve been such an interesting character

Like looking back on it I feel like they could’ve done something really interesting with him feeling helpless and no control over his life

He was a kid who was left by his father, than has to adjust to a culture he’s not familiar with at all while being ridiculed, never believed about his dad and where he came from, physically and mentally put down for his abilities, almost always fighting to be seen as an equal, only to find his you life and freedom is tied to a stupid book and he truly never had an ounce of control. He was raised from the dead against his will, had to leave his father against his will and he was sent to the future against his will. He was trapped and never given true freedom

[ananke-xiii]

Talking about mommy issues... I'm not a 100% fan of Jack as the destiel son BUT it's important to me that going there means acknowleding that "archetypically" speaking Dean is The Mother while Cas is The Father*. And this isn't just because, when Sam accuses Dean of acting like their father, he replies with a Freudian slip if I've ever heard one ("I'm not his mother"), it's also why Chuck's myth-retelling doesn't work (Abraham is totally Cas and he and Jack subverted that myth) 'cause first he doesn't understand Dean and second he's not an astute storyteller and doesn't realize his story was already subverting the myth he wanted to re-enact. Therefore he should've created a situation where Jack (The Son) was forced to kill Cas (The Father) if he wanted to provoke Dean, this was Jack's original sin according to Dean, come on Chuck, it's been 14 seasons, everybody already knew Dean was not gonna kill Jack. He's totally fine with caging and entrapping his putative sons but he draws a line at killing them (insert that meme from Community). (I mean, I know Chuck wants Dean to do his bidding but after 14 years he had to get a little more creative than that. Maybe he should've listened to his editor Metatron, just saying. "maybe less about detail and more about balance") ((hello Becky and Metatron parallel)).

It would have also meant that Jack's story would've gone back to its genesis + the long tail of dead parental figures (not only Kelly and Cas but Nick/Lucifer and Mary and whoever else I'm forgetting lol).

By the end of s14 there is a short-circuits of symbols so it all had to go tits up, hence the rising of the dead etc. etc.

*This doesn't mean they are the Good Mother and the Good Father as they're clearly not but these are the primordial energies that they both channel to Jack. Also, obvs patriarchy in SPN is very much alive and well as demonstrated by the fact that the Good Mother and the Good Father are only the Dead Mother and the Dead Father and unfortunately for Jack this is what he got when he was born. He's not even born and he already lives in an ideal world with ideal figures compared to whom he'll always fall short.

Also, Jack's got the power to wake up from the Empty his putative father because his Mother (Dean) is grieving his death and he wants to please him: Jack is a total mama's boy.

[fancygremlin]

A breakdown of Arthur’s breakdown.

Part 26 is stuck in my head, so I am going to talk about it.

Arthur’s breakdown of course starts off with the reveal that Larson sacrificed his daughter for power and money.

However, what really reinforces Arthur’s self-loathing are Yellow’s words;

Yellow has no qualms in throwing cruel accusations at Arthur. His intentions were clear and simple: to hurt him in the most devastating ways and where it hurts the most. However, Yellow does all that in a voice that Arthur recognises as John’s.

Ultimately, Arthur is forced to hear the voice of his only friend confirming all his worst fears and convictions. That’s what gets to him: his best friend seeing him as Arthur truly sees himself (irredeemable, rotten, a poor excuse of a human who should have died a long time ago. Someone who is trapping John, and who is forcing John to stay and put up with him).

Arthur is ao distraught that he is almost catatonic as he is carried to the mines. He is unresponsive to Yellow's insults, he has no strength to bite back to Larson's taunts. He just lets himself be dragged by Uncle.

When John finally, miraculously comes back, Arthur is quick to latch onto him. His attempts at interacting with John are however awkward and clumsy. I think that this inability to reconnect with John is because he still cannot distinguish John’s words from Yellow.

After all, if Yellow is John without his memories and without their shared experiences… doesn’t that just mean that deep down Yellow’s opinions reflect John’s in some way? Does John really think of Arthur as a self-centred person, a selfish man, a careless and cruel monster who hides behind fake acts of kindness?

To put these doubts to rest, Arthur decides to project onto John his issues. If he can prove that John is not like Yellow, he can prove to himself that he is not like Larson.

He therefore wastes no time in praising how John has improved… by cruelly comparing him to Yellow and demonising everything about Yellow… which is not right. The things he shows reluctance over were still part of who John was, those were still parts that John had to build upon to become who he is currently.

Ultimately, Arthur is involuntarily preventing John from further forming his own identity by explicitly telling him what he should and shouldn’t do, what he should and shouldn’t be. He is suddenly removing the safety and freedom that he granted John this far to figure his own identity out and is instead setting up arbitrary expectations and rules.

He is just doing to John what he did to Yellow.

These strong attempts in differentiating John and Yellow held a lot more weight, when we consider that he was projecting his own problems onto his friend. That's why he is so explosive and irritated whenever John doesn't agree with him.

He was just trying to grapple for any excuse, any proof that there is something concrete that he can use to define what makes a person good or bad. Because otherwise, there really is no difference between himself and Larson and he cannot bear to see himself in that light. He can’t accept that despite everything he did and tried to improve, deep down he’s still a cruel, heartless monster who killed his own child and went on to live.

When John didn’t give him what he wanted (instead going as far as agreeing with Yellow at one point), Arthur grew more and more anxious and restless. So, the only thing that he had left was to carve out and purge the rotten parts of himself. In any way he could.

Only then will he be a good person. Only then will the scales even. Only then he will stop seeing himself as a murderer and a poor excuse of a human.

He resolves that the only option for him is to kill the parts of himself that he doesn’t want. He decides to kill himself Uncle and make Larson pay.

Clearly these suicidal tendencies have been accompanying with him for a long time, as shown in his emotional reactions when his parents died, when Bella died and when Faroe died. His regret is also shown when he confesses he felt extreme guilt in enjoying the life he managed to build back for himself in Arkham as he was working as a PI with Parker.

Arthur just truly cannot forgive himself and his self-loathing runs so deep it’s almost a part of himself he cannot leave behind.

I like how the doubt Arthur feelings of inaptitude, guilt and self-loathing still linger even after being comforted by John at the end of Season 3:

He is unable to truly move on from his mistakes, he still feels the need to find a piece of irrefutable evidence proving he is a good person and that he can be forgiven. He needs his worries and anxieties to be put to rest.

John's forgiveness isn't enough to move on. Daniel's forgiveness was just enough to convince him he might be a good person who is truly trying to do good.

However, in Part 36, we can see that Arthur has not abandoned his self-loathing, as he still sees no wrong in wanting to kill himself killing Uncle. After Oscar reveals what happened at the orphanage he grew up in, Arthur and John have this exchange:

Arthur is tragically forever stuck waiting for Faroe's forgiveness, which he can never really obtain. She’s dead and there is nothing he can do to get her back…