#which is probably a good thing all things considered bc we were in a bit of a pickle mentally there for a hot minute

[heymacy]

okay fINE i'll just say it!! i miss fandom!!

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[nereidprinc3ss]

make me late

in which spencer finds a few minutes to spare with fem!reader in the morning

18+ (smut) warnings/tags: softdom!spence, sub reader, technically dubcon bc he doesn’t ask and she jokingly says stop but it’s not like that I promise, fingering (here we go again), 'slutty' is used to describe an action but not by spencer, spencer slaps r's ass one (1) time, (hot), mild overstimulation a/n: apparently need to post at least one fingering fic per week or i'll fucking die. very short and sweet but as always let me know if you like it, i have a crush on all of you!

You’re used to Spencer’s alarm going off early in the morning—typically you tune it out or sleep right through it. Today, however, it rouses you more than usual. You roll over, blinking your eyes open. 

“Sorry,” Spencer mutters, finally turning it off and leaning over to kiss your head. “Go back to sleep, angel.”

You wrap your arms around his torso, pulling him down again when he tries to get out of bed.

“Don’t go,” you beg into his shirt, slinging a leg over him. His hand slips under your (also his) shirt, rubbing the bare skin of your back.

“I have to. You know that.” 

“I just want you to stay for a little bit,” you insist. 

“No you don’t,” he drawls, voice still gravelly with sleep, “You want to make me late.”

“I don’t know what you’re talking about,” you say innocently, burying your face further into his shirt as if you could extinguish the heat in your cheeks. 

His hand drops from your back to reach under your thigh, pushing your underwear to the side. You gasp when his fingers make contact with your soaked core, involuntarily pressing your hips closer. 

“You’re a terrible liar.”

“Stop it! That’s not fair!” You squeal, attempting to wriggle away once you regain your senses. But the bastard wraps his arm around your waist like a vice, forcing you to stay in place as he sinks a finger into you with no preamble. Instead of satisfying him with a vocal response, you keep your face hidden in the crook of his shoulder and remain obstinately silent. When he begins to slowly pump his finger, you’re forced to bite the fabric of his shirt to shut yourself up. 

“If you’re not enjoying yourself, I’ll stop,” he says plainly, but obviously he knows that’s the last thing you want. His ring finger joins the other and your mouth falls open, a tiny, choked breath against his skin. “Do you want me to stop?”

Don’t give in, you say to yourself. Wait. What are you not giving in to? Fuck, that feels good. You hum quietly—an excellent display of self-control considering the noises you’re actively holding back. 

“Are we already getting whiny?”

“‘m not whining,” you bite. 

“You’re always whining.” There’s nothing to do but prove him right when he begins massaging that spot inside you with a practiced stroke of his fingers—the one that makes you arch your back further and spread your legs a little wider—makes you oh-so compliant and all together, a bit slutty. But Spencer has told you that by definition, you’re not a slut if it’s just him who you lose all self-respect around. “My pretty girl feels so good, huh?”

You agree with a mindless mumble, forgetting that you were ever going to try and fight the pleasure. 

“It feels so good.”

“I can tell, baby. Listen to the mess you're making.”

Soft, wet sounds emanate from where you’re probably dripping around his fingers. A moan is muffled by his shoulder as your own fingers twist in the fabric of his shirt and sink into the flesh of his waist—though you doubt he minds. 

“Please don’t stop, please please please—" It’s quiet, almost demure as you plead. 

“You’re so sweet when you get like this,” Spencer coos. “I wish you were always so well-behaved.”

No, he doesn’t. Both of you know he loves fucking the attitude out of you, and at times, back into you. But you’re not in any place to correct him right now, as his fingers slip in and out of you so quickly, exactly where you want to be touched. 

“Oh, right—right there, that’s—oh, god,” you squeak. 

Your face is still nuzzled in his shirt, your voice is still so delicate and weak with sleep, rising in pitch with your pleasure until it breaks. 

“Right here? This is where you need it?”

“Yes,” you practically cry, “I’m gonna come, Spence—” your hips rock back and forth to meet each stroke of his fingers inside you, vision going white with with pleasure. 

“Yeah? My pretty girl is gonna come all over my fingers?”

“Mhm!” You speed up the motion of your hips. He chuckles, which might offend you if you were in your right mind, but it’s early, and you’re tired, and your soul is trying to untether itself from your body. 

“Let me feel it, baby. I wanna feel you coming, can you do that for me?”

A breathy keen rushes from your throat as your orgasm begins to suck you out to sea like a riptide, flooding your lungs and blood and everything with so much easy pleasure you’re barely awake and you don’t care one bit. 

“Uh-huh, good girl,” Spencer murmurs, not letting up with his fingers as you fall through your orgasm. Another choked moan takes you by surprise when his free hand falls with a heavy clap to your ass, before rubbing the stinging flesh. “Let go a little bit longer, baby, I’m right here.”

You’re barely breathing, still seeing stars as he continues to fuck you leisurely with his fingers, more out of pure affection than anything else. Eventually he slips them out, teasing gently over your clit as your stomach tenses. But you let him keep going. You’ll do anything to keep him in bed for a few minutes longer. To that end, you gather enough breath to speak. 

“Can you please fuck me?” 

He hums pityingly, moving his hand from between your legs to lovingly soothe the tender skin he’d slapped just a moment ago. 

“You know I can’t, baby. I shouldn’t have even done this. I really have to get a move on.”

“But you did do this,” you say, eager to point out the fallacies in his argument, “which means you could also have sex with me and we could be really fast and you could just take less time getting ready for work.”

Your chin is now resting on his shoulder as you look up at him with wide, imploring eyes, and he leans down to kiss your nose. 

“The answer is going to stay no, sweet thing. I don’t care how much you beg.”

He’s already gently sliding you off of him and getting out of bed as you pout. A few moments pass, and you can’t think of a good retort as he moves about the room, gathering a towel for his shower and digging through the dresser. 

“You’re mean.”

“Aw, poor baby. You only got to come once. Nobody has ever had a harder life than you.” Spencer dodges the pillow you throw and laughs, coming back to lean over the bed as you glower at him. “I’m sorry I woke you up. If you can’t fall back asleep in the time it takes me to shower, I’ll make you fancy coffee.”

“Fine.”

“And I’ll be extra nice to you when I get home.” He kisses your head and then your lips, and then disappears into the bathroom. 

In a completely predictable turn of events, you’re dead to the world by the time he gets out of the shower. He makes you the fancy coffee anyway, leaving it in a thermos on your nightstand. 

He’s late to work. He can't pretend to be sorry.

[notsodailycake]

Part 3 for the fitclet I did for @keferon 's mecha pilot jazz au! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

For those who missed it:

Part 1 || Part 2

This is probably the longest out of all the 3 parts, dear god, I went all in. It came out bigger than I ever expected it to be. I was not expecting it to go this far honestly, but the parasites in me, they begged for more. So here we are! :D

Again tho, idk how in character they will be here, but I tried my best ＼(*T▽T*)／. Also, kinda bullshitted my way through in worldbuilding bc idk how things work exactly- and I had to come up with stuff on my own, even tho I'm not that good in mecha world stuff, so I'm sorry for any inaccuracies ^^;;

Now, to give credit to those who so desperately deserve it:

My sister @saltynsassy31 for helping me when I couldn't write out some of my ideas and doing it herself (so consider this as a bit of a frankenstein monster of both our writing styles, mainly during intense scenes. If there is any fancy words in this, it's cuz of her) and being my beta reader for this part. Seriously yall, this wouldn't have been as coherent and well written without her help!

Also huge thanks to my online sister @yayadrawsthingz for helping out when I hit a few road blocks during this!

And finally, a huge huge thanks to my honorary online uncle @hexyz09 for helping me finish off the final fight scene when I got stuck during some plot holes and road blocks, or generally just writing myself into a corner and having to help me leave it, despite not knowing jackshit about the au, let alone the ship and characters themselves, but was still willing to help me through in working on the plot, in this crazy obsession of mine XD

Yall have no idea how much help these guys were. Probably wouldn't be able to finish without either of their help ᕦ(òωóˇ)ᕤ

Oh and an honourable shoutout to the song "Headlock" by Imogen Heap! Kept listening to this on loop as it kept my drive up to write this.

Now onto the fic!

---

Prowl ignored Jazz's various attemps to push out his servo from the cockpit. Despite the mech being weak himself, the human was still no match against thousands of pounds of metal, especially in his own weakened state.

Which was a matter of its own at the moment. Prowl knew he had very little time to be able to run ahead before the other humans caught on to them, having noticed the alarm bells ringing through the facility.

So he ran towards the exit Jazz had initially pointed out, the only plan they had at the moment.

...

"Prowl! Prowler, hey! I know you can hear me! Prowl!" Jazz shouted as he slammed yet another fist in a failed attempt to nudge the bot's servo out of the way. He hasn't said a word since picking Jazz up, and he wasn't sure how long that was, maybe not that much, but it felt too long yet too little at the same time (what a headache).

Sliding down, he gently hit his forehead over the protective servo and let out a sigh of defeat. No way he could get him to move like this.

Why was he trying to anyways? Didn't he want to be with Prowl? He certainly did, but somehow, something in him made him feel like he shouldn't just be accepting this.

And maybe Prowl also knew this, which is why he took off and hasn’t said a word since. Both held conflicted feelings about the whole thing. If only things didn't feel so blurry right now!

Suddenly, a hard shift made Jazz stumble a bit, grasping at whatever he could so he didn't fall back, loud noises of metal scrapping metal could be heard as something got kicked open on the outside. Jazz scrambled over to the small crevice that opened between Prowl's digits, not enough for him to fit anything over other than his hand, but enough to get a glimpse of what was happening outside.

Prowl had kicked down the exit door to the lab ('not like he had the hands available to properly open the damn thing anyways' Jazz thought to himself). It was meant for mechas to exit the room after they finish off whatever it is they do in here, that Jazz knew, and if he was right, just down the hall there will be another exit leading to the backroom where they stockpiled the mech suits. No one but the technicians were usually supposed be there, it would be an easy fight to get to the big gate that lead to the outside training grounds, which is why Jazz had pointed for the mech to go down there in the first place.

There shouldn't have been a problem besides giving him time to leave unscathed. Which Jazz assumed would not be the case as he was currently inside Prowl and not buying him time to escape. But, to Jazz's surprise, nothing had come close to attacking them, yet.

The pilot did not have much time to contemplate it as suddenly he heard Prowl rumble an annoyed grunt.

"Don't move."

In shock, Jazz stumbled back as Prowl removed his hand and reached for the end of the overhead gate, seemingly alot harder to kick down than a two way door. The only thing it would really do would be to bend the metal a bit but it wouldn't give an open entrance. Jazz didn't dare leave, not like he could from this hight, but even if he could, Prowl would probably just pick him up again; it be a waste of energy really (just admit it, you don't want to leave him). But something about this felt wrong, so far they haven't had a single guard come down the hall, just this small pause would give them enough time to catch up to the two runaways, Jazz was sure that guards had been on his tail when he was under his rampage.

Unless...

Wait.

"Prowl! Wait don't open that gate!" But he was too late, the moment he uttered those words the mech had already been in motion and pushed the gate up with all his might and as quickly as he opened it a gun shot came through the otherside. They had been waiting for them, they knew where they were heading. The bastard he kicked down prior to this probably saw them and reported it, dammit.

Prowl let out a strangled cry of pain as the shot landed right on his left shoulder (like it wasn't damaged enough by the lack of arm), Jazz fell backwards with the harsh motions, hitting the back of the pilot's seat, the impact leaving his vision to go dark for a few seconds before he collected himself as quickly as he could. In an instant though, just as he tried to get back up to see what was outside, Prowl had put his hand back over the open cockpit.

No...he wouldn't be able to fight like this, protecting him as he is would only hinder the bot to more damage. And that's exactly what Jazz intended to express to the other. "Prowl! You won't be able to fight with your hand over me! Forget about holding me inside, I won't leave, I promise!"

"That's not the point!" Prowl growled, letting out another hiss of pain as more shots were loaded, someone shouting out for them to stand down.

Prowl couldn't risk leaving Jazz exposed. Unlike the human, Prowl could take a few shots, their weapons not being strong enough to inflict any serious damage to his plating (though perhaps a bit to his exposed protoform, though he could handle it for a little while longer). But it would take one lucky shot on Jazz to have him dead in an instant, and Prowl couldn't take that chance.

It seemed like Jazz got the message, not spitting back any sort of remark about Prowl's lack of explanation.

But the mech couldn't linger too much on those thoughts, he had to get out, and fast. He was losing too much energon, and his vision was starting to get blurry, which wasn't a good sign. It didn't help that his thoughts were a hazy mess, his usual ability to think logically overthrown by the panic of needing to get out of this place while ensuring Jazz's survival.

It's not like he had much to do, though. Any possible escape hindered by the fact he couldn't use his weapons unless he risks Jazz's life to one lucky shot. Perhaps he could make a run for it, knock through the mechas in front of him and let them tumble over as he reached the final exit; it wasn’t the best plan perhaps, with at least a 19% rate of success, given he isn't in the best physical state at the moment, he probably wouldn't be strong enough to knock them over. Added to the fact the exit wasn't shut by a gate he could simply knock over easily either, like the previous one. He'd have to push it open from the bottom, and there wasn’t enough time for him to act on it.

But he'd have his back turned to the shots, reassuring Jazz's own safety, so he could perhaps risk removing his servo to push the gate open once more.

With a quick warning from his HUD telling him his energon levels were getting dangerously low, Prowl decided to take the risk, with little time left, he took a step forward making a run for it.

The mechas seemed to ready themselves for his attack, quickly positioning their weapons to target him, closing any narrow space they had between each other.

What they didn't expect was for the mech to charge his whole body weight onto them. Despite not feeling any pain, they certainly could not fight against gravity itself. They all stumbled against each other as Prowl made a mad dash to the gate. He slid on his knees and made a quick reach for the bottom of the gate, anxiously removing his hand from over the cockpit, bending over protectively as to not have anything be able to aim inside.

He could feel his spark beating fast from anxiety, they were so close, they'll be able to leave soon enough. Jazz was most certainly having a good feel to Prowl's anxious beat, the loud thruming reaching the bot's own audials was most certainly deafening to the human sitting near it.

Then, a shot.

A pop.

A blinding light.

And the beat stops.

Jazz was curling in on himself as an instinct to protect himself from the sudden burst behind him. It only took a few seconds for him to realise what that was once he couldn't hear a single beat of a spark, or the burning sensation it left, feeling his own heart stop and drop to his gut.

It felt like the world around him suddenly stopped, everything going into slow motion, with no sounds to accompany the dread. Feeling as Prowl's body leaned foward to crash on the ground.

But just as quickly as the silance came, it left. Prowl catching himself from hitting the ground with a grunt, a slam could be heard as his arm and elbow made contact with the concrete floor. His spark beating, weakly, but beating nonetheless. What felt like hours of silance was only a quick few seconds of deafening dread.

"Prowl!" Jazz called out in desperation, reaching out to hold the edges of the cockpit, so not to fall out, but to also try and comfort his anxiousness as he tried to look up at the mech's face. The mech made a sound of acknowledgement, which came out more like broken static, but didn't make much effort to move, his face scrunched up in pain, optics shut. They shot him on his back, too close to where his spark would be, causing him to skip a beat, and busting a bit of his left doorwing, but it still seemed to function somewhat.

Suddenly, both of them picked up on the sound of something opening, giving no time for either to fully process what had just occurred. Prowl made a quick move to get his hand over the cockpit once more (with slight struggle as he stumbled and fell on his aft) as a thick metal slab emerged from above and beneath, right in front of the gate, shutting it close with a protective layer of metal. Guessing by the red alarm ringing around them, an emergency protocol to keep anyone from leaving. Slag.

The mechas surrounded them, guns all aimed to shoot at the alien mech if he didn't comply.

It was silent for a brief moment, in exception to Prowl's anxious beating spark (which wasn't a problem for Jazz at the moment, the burning warmth being somewhat comforting) and Jazz's own heart beating over his ears. Both catching their breaths.

"There's no point in fighting. So make this easy for all of us and surrender yourselves." A nobody pilot finally spoke out, weapon leaning a tad closer than the others.

The atmosphere felt heavy, they were pinned down. Really, the only thing they could do was surrender, but Jazz would sure as hell be reprimanded for his actions and Prowl.....he didn’t want to think about that. No, he wouldn't even allow that thought to become any sort of reality.

"Prowl" he whispered, knowing only the mech would hear him, leaning a gentle souch to his servo as if to beg, "I know you might not have alot of trust 'n me, but this might be our best shot." There was a tense shift, not too noticeble unless you could see the mechanisms from the inside, Prowl knew what he was about to suggest. "You need to let me pilot you." He cringed as he felt the other's servo stiffen, he wasn't pleased with the idea, and neither was Jazz, but he knew this place alot better than Prowl did, and knew how to properly defeat the mechas, knowing their weak spots. And Prowl was all too aware of that too, Jazz knew it. They both were very aware of it all.

"Please," he begged, leaning his forehead on the mech's servo yet again, "I can't lose you again." There was slight shift, Jazz looked up, though he obviously couldn't see the mech's face, the sigh he let out was loud and clear. The controls on the pilot's seat shifted, Jazz got the message:

'Alright'

He couldn't help but let a small smirk creep over his face, making way to sit down and start piloting.

"Under one condition though," Prowl suddenly whispered to him, though it was alot louder to Jazz on the inside.

"And what would that be, partner?" The title flew out too fast for Jazz to stop himself, feeling so natural to call Prowl partner once more. The mech didn't seem against it though.

"No removing my hand."

Jazz was left stunned for a quick second, though it felt like a minute for Prowl as he waited for a reply eagerly.

"I can work with that." Prowl let out a sigh of relief at that, allowing the human, his partner, to take control of him again.

It took a moment for Jazz to adjust himself, in the meantime, the people waited outside anxiously for the other to make a move. When Prowl finally started to shift around to stand up with a small grunt, everyone raised their guns and loaded them up, but didn't shoot just yet. The mech looked up at them with a deadly glare, but made no move to attack, his remaining arm not leaving the open cockpit for a second, he simply stood up with a slight slump to his posture, doorwings drooping down slightly. In all possible ways, he looked weak and defeated, no signs of fighting back.

One of the mechas walked closer, gun still aiming at Prowl, but it was lowered slightly. They reached a hand out expectantly.

"The pilot, hand him over." They demanded, no sympathy whatsoever.

Prowl clutched his chasis, anger pooling over in his spark, doorwings twitching up slightly, but he made no move to attack. Not yet. He heard Jazz speak to him in a low tone so only he could hear it, with a sigh, he relaxed. He slowly, very slowly, drew out his hand from the cockpit, the action in itself having the other mecha have their body relax slightly as they approached the mech, weapon being put down slightly enough, and so did the others around them. Jackpot.

Before he fully removed his servo, the mech made move to crouch down and in a swift motion swung a peed over to the mechas own, catching them off balance and knocking them down. Jazz let out a small hiss to the action, forgetting his own injured leg, but pushed on regardless.

Using the thrusters of his doorwings, they were able to balance themselves back up, Prowl's servo going back into fully protecting it's pilot once more. With most weapons being aimed up and not down, it took a delayed second to aim correctly, but it was enough time for the human and cybertronian duo to twist themselves out of harms way.

Before the fallen pilot could attempt to get up, Jazz made move to aim over the weak spot of their mecha's knee and stepped hard enough to break its mechanisms so they couldn't stand back up easily. But the glory was short lived as more shots were fired their way.

Jazz's hand twitched to move and use its weapons, but he resisted the urge with a slight huff, "Man, 's hard to fight without an arm!"

"This is none negotiable, Jazz." Prowl hissed as they made move to avoid more shots.

"I know, I know! Don't mean it makes it easier!" Jazz tried to analyse their surroundings, though it was made difficult with the many HUD warnings from all the injuries (the pilot couldn't help but mutter a broken "I'm so sorry" to his partner, whether the mech heard him or not he wasn't sure), but pushing through it, he took note of a few key details. There was a metal catwalk grate near above the mechas' heads, running with a few on ground troops, the bastard of a boss being one of the few amongst them. Near a corner stood an elevator to go up and down the area.

How that could help, Jazz wasn't sure yet.

A shot hit Prowl's arm, pain flowed through the mech as he moved out of the way once more. Jazz looked around in a frenzy to find a place to shield themselves....the mechas! Making a run for to the lifeless husks, he swivelled around between them and hid behind the many rows of mechas knowing full well that they would not risk such precious resource and money just to reach them. At least he hoped not, because he just needed a little bit of time to figure something out.

Hearing the big man call out to hold their fire was good enough indication that his idea worked.

"Ok, now we just need somethin' to distract them long enough for us to make a jump to the ceiling." Jazz explained

"The ceiling?" Prowl inquired, not so certain about his partner's ability to properly think at the moment.

Jazz rolled his eyes, but didn't make mention of the mech's tone. "It's the weakest point here, plus" he made way for Prowl to look up to where he remembered the area to be at, "there's a trap door for flying mechas and emergencies. One quick press of a button will open it up, even under "safety protocols."" Prowl let out a hum in thought, seeming to analyse the situation.

"Possible, but where is this said button?"

"Behind the elevator, by the catwalk grating on top. There's a control panel, and one big red button, can't miss it."

"Would smashing it still get it to work?"

"Yes."

"Then I don't have any complaints."

"Good, now," Jazz went back to scanning the area, "how to cause a distraction?"

"Would that broken pipe be of any use?" Prowl made an effort to twitch his head over to the direction of what he wanted Jazz to see. And just as the mech stated, there, by the first floor of the elevator, stood a broken pipe, steam coming out of it.

Jazz smirked "it would actually. If we can get somethin' to shoot at it, we might cause an explosion, giving us time to jump up without being the target anymore."

"Sounds like a plan." Prowl shrugged.

"Don't have anything to add?" Jazz asked a bit surprised.

"No, I don't." The pilot didn't push.

"Okay. Well, let's get these bastards shootin." In quick motion, they made way to the elevator, already hearing the commands to shoot fire, 'but watch for the machines!' Weapons were loaded from above as well, shooting down at the two runaways once again.

Jazz made sure to move swiftly behind the mechas, making sure they were shielded properly. Any gaps they had to cross was a small risk they needed to take, scrapes and scratches being left in its wake, but tried not to do it too often, just enough that they could follow them. They eventually reached where the pipes were, Jazz took a deep breath.

"Ready, big guy?"

"Ready."

They stepped foward, making sure to call the attention towards where they were, but quickly retrieting back behind the mechas suits as they shot directly where they wanted to hit. "Bingo."

Quickly, activating Prowl's thrusters, they leaped over to the metal grates that stood above them as the pipes behind them burst, causing a huge commotion as empty mechas fell down and whatever machine near the crossfire tumbled down. Prowl let out a gasp as he felt the world around him spin, the grating beneath them not being of any help as it shook with his weight. Jazz was quick to hold on, helping the mech stablise himself before aiming with his left foot to kick the big red button with their ticket out of here, the motion causing his vision to flash in pain, but he bit his toung until he could taste iron and pushed forward.

Hearing the metal door above them open up, Jazz readied himself, but hesitated with the warning he'd received from Prowl's HUD from his low energon levels. He didn’t even get the chance to fully check on it though, Prowl quickly pushing them out of the way himself.

"I'll live, just one more push." The mech hastily reassured the human. Jazz wasn't inclined to belive it though, feeling the other's spark beat anxiously (and for some reason that made him feel slightly dizzy. Though he chalked it up to it being his possible concussion).

It took one shot to slip an inch away from Prowl's face for them to finally snap out of it and jump. One more push from his thrusters as they flew up through the trap door and landed on top of the roof with a grunt, the mech's left wing finally giving out.

But they weren’t in the clear yet. Looking out, a wasteland of a forest awaited them, with dense trees at the bottom.

"We'll have to make a jump for it. If we're lucky enough the trees will be big enough to hide us." Jazz supplied.

"45% of that happening. But we don't have much of another option at the moment." Prowl added

With all that being said, Jazz moved into action. With so much at stake, he had to, he couldn't waste another second in debating. Hefting Prowl up, he used all remaining strength to jump where they needed to go, but as the training grounds began to get closer than anticipated, Prowl knew they didn’t make the jump and that made the mech almost freeze.

Though Jazz had other plans, because as their impending flat doom approached in rapid speed, Prowl's remaining thruster burst to life and gave that final impusle they needed to reach the slope. They both braced themselves as they were thrown up and over to their intended destination, Prowl having half a mind to tighten his hold over his chest so none of the debris and impact could reach the fragile human still in his care.

They rolled down the slope, Prowl just barely being able to shift himself so that he was sliding on his back instead. The aggresive motion of going down a not so smooth path causing bigger cuts and slashes against his already damaged frame. But the only thing he could think of at the moment was that they made it.

Jazz was quick to let go of his control over Prowl, who in turn made an effort to sit properly. Though the sudden slamming to his servo made him look down worriedly, moving it slightly to see Jazz leaning on it desperately.

"Prowl-" he heaved, "Prowl put me down I'm feeling sick."

The mech panicked and quickly made move to help the human down, gently placing him on the grass below. Jazz made no effort in being graceful as he hurled over and puked his guts out, luckily avoiding Prowl in all of this.

Clutching his stomach in pain, his heaving and coughs agitating the injuries on his abdomen. Everything around him felt blurry and muffled as his body made sure to get everything he had eaten in the past day out of him.

What made him panic was the sudden taste of iron in his mouth as he coughed up whatever he had left inside. That's not good. And that definitely didn't escape the giant mech's notice, who kept a hovering servo near him.

"Jazz! Is that blood?!" His voice sounded so broken, static lacing over his words.

"Uh- Yeah. Yeah it is." He wasn't sure how to deny that really, and he felt too light-headed to try. But his attention diverted to the sudden pink glow that landed at the side of his vision.

Energon.

Quickly looking up, he finally got a glance at his partner's battered condition. Energon leaked from many different parts of his body, but the main source being from his missing arm. Jazz couldn't help but cringe at that.

But what hurt him the most to see was the weak light from the mech's optics, which still held visible concern on them. Despite being close to going into offline, he still looked at Jazz as if he's about the crumble into dust and leave him. Which he honestly, maybe, felt like. But seeing Prowl's optics flicker as they fought to stay online, Jazz panicked

"What 'bout you?!" He called back, catching the bot off guard. "You're losing too much energon! You look like you're about to go offline!"

Prowl cringed a little, not having anything to counter that. "Well that's because I-"

"No! I'm only a little bit dizzy, but I'll live. We need to patch you up right now!"

"I can help with that."

The new voice catches the duo off guard, Prowl immediately reaching out to Jazz, hand shielding the human from whoever that might be. Jazz looked down from where he was looking at Prowl and turned to see who it was that the voice came from.

There standing in front of them was a human carrying a simple tool box and a huge backpack strapped over one shoulder, filled with questionable things.

---

BEFORE YOU LEAVE, a little something I would like to point out for the fic, that some of yall with either like or not, during the process of writing this, I've seen a few posts keferon made about the spark being radioactive and such, and it sorta made me think a bit while developing Jazz's condition. So well, take Jazz's health in this as you will with this info :)

But anyways, yippie!! That's all for today folks! I hope yall enjoyed this one bc I definitely had a heck of a time writing this one XD

It got alot bigger than I anticipated and took much longer to finish than I originally planned (was supposed to be done 2 days ago).

Now, I know I keep saying "not sure if I'll make another part to this" but then proceed to do so anyways. But I mainly do so because everytime I shared it someone said something that added to the story somehow and gave me ideas to continue foward.

So like, if yall liked this and wanna see more, don't be shy to suggest/add anything to this as it may help inspire me to add more onto this, cuz honestly idk what the fuck I'm doing rn, I'm just going with the flow ᕕ( ᐛ )ᕗ

Also, a bit of note for the doodle, holy shit I did not expect it to look this good!! Tho I suffered with Jazz's suit, plz ignore any inaccuracies tee-hee. Prowl's knee and hands were hell too, especially his knee, but i could like, hide most of it lmao. Actually mainly struggled to not have his hand cover Jazz too much bc it kept covering the parts I actually wanted to show off lmao.

Oh and the guy at the end? Yall can take a good guess as to who it is :)

But since he doesn't have any official design, I kinda went with whatever felt right lol.

I also really wanted to draw out more scenes to add to the fic, but then it would take me a lot more time to actually post the fic as I figure out how to draw robots :'). But maybe I can try and doodle them out another time if I can, no promises tho-

[sahkuna]

SUMMER FLING — GETO SUGURU

synopsis: [request] geto and reader meet each other while in vacation while in italy in a meet cute kind of scenario <3

content warning(s): fem! reader, 18+ content mdni, dry humping, very suggestive, no explicit smut but it's hinted bc i was already a few words over the maximum wc for the event good GOD

a/n: my dear @ariivyocean !!! i need a shot. final time repostin' cuz tumblr is hiding the posts from the tags... also ur ask DISAPPEARED?!?! ANYway tysm for sending something in and hugs&tickles for you <333 i hope i captured ur envisioned plot !!!

Rome, the city of love.

… Or was that Paris? Man, how’d that phrase go again?

Geto watches you meander around his neat and spacious hotel room from the comfort of his bed. You poke your head in and out of each room, careful eyes sweeping over his meticulously organized belongings scattered across the area.

He could feel his mind blanking as his eyes slowly trail down your figure that was still clad in the summer outfit when picked you up from your place earlier that morning. The orange hue of the setting sun filters through the curtains and across the dimly lit room.

“Didn’t peg you as being quite the neat freak…” you comment, moseying on up to the bed toward Geto. Resolutely, you press your knee down onto the mattress in between his spread legs. With a playful smile dancing across your lips, you wrap your arms around his neck and seek his mouth with your own. 

Yeah… Rome. He thinks to himself. The city definitely had to have been Rome.

If Gojo were here— and thank God he wasn’t, otherwise he would’ve cockblocked this moment for him big time— he would’ve chided him on how fast things may have been moving between you two.

“Easier to find stuff that way,” he all but says in response against your soft lips.

His hands snake down to squeeze at your waist, eliciting a faint giggle from you. You swing your other leg across his lap and straddle him, the pads of your fingertips lovingly stroke the back of his nape.

It had been a week since Geto accidentally bumped into you at a local cafe in Rome, Italy while he was on a forced 2-week trip with Gojo and Shoko. Some may coin how you two ran into each other as a “meet cute”, but having your sugary, ice-cold drink trickle down the fabric of his dark blue collared button-up was anything but that. 

Had it not been for the way you babbled out your apologies a mile a second, your hands futilely patting at the ruined material, even going as far as to offer to pay for his clothing— which would’ve been impossible because that shirt alone cost about ¥150,000— Geto would’ve moved on with his day.

Would’ve.

But alas, here you are a week later, canoodling and kissing in the privacy of his hotel room. 

“When are your friends supposed to be back?” The sound of your voice is sweet and light in his ear. It lulls him to slide his eyes closed for a moment, humming temporarily as he considers your question the best he can as you rock back and forth against his lap.

He bites back a harsh hiss when you particularly brush up against his clothed dick in a manner that’s all too titillating for him to handle.

“Dunno… They— Hah.” A dazed smirk tugs at his lips when the weight of you presses down on him a little harder, a little meaner so that the friction of you grinding against his growing erection could be felt more.

Your hands graze Geto’s chest, slipping underneath his unbuttoned top. Your nails gently brush against his nipple, and you relish in the way he instinctively jerks away from your touch, smiling at his clipped “Hey”. He must be sensitive there, you deduct. 

“They…?” You drawl, urging him to continue with his sentence

“They probably went to some dessert cafe… pretty sure.”

“Ah!” Your movements falter a bit before you stop altogether. “Like the one we met at?”

Had Geto been in the right headspace, he would’ve been a bit more abashed with how quickly his hips jerk up against you, prompting any form of contact with you so that it could relieve the intense blood flow shooting straight to his dick.

God, he wants you to keep going. 

An unsteady breath shudders out of Geto as he answers with a distant, “Probably.”

A small smile plays at the corners of your lips and a slow warmth curls in his stomach as he watches your hips rub languid, dizzying circles against his tented pants. Geto was willing to give you whatever answer you wanted to hear if it meant that you kept moving against him like that until it led to something more.

“I’m asking this so we don’t get walked in on, Suguru,” you murmur, nudging your nose against his, engaging in brief eye contact with the man before his eyes slide shut, brows pinched tightly together. “You said they have the key cards to this room!”

Ahhh, can’t you guys talk about his friends later?

Geto's breathing becomes more laboured, each inhale headier than the last.“Did I say that?” he asks, disbelieving that he would ever say such a thing. Especially since his own words momentarily stopped you from getting into his pants. 

Geto's hands cup the back of your knees, hiking you a bit higher onto his lap as his fingers inch their way up to the bottom of your ass, pinching the skin there and smiling to himself at the noise you make.

Adorable.

“Suguru…” you murmur when you feel him pop the button of your shorts with a versed hand. Anticipation and want licks at the pits of your lower belly.

“We’ll be done before they even come back. I’m sure of it,” he promises, peppering several warm kisses against your neck, toward your cheek, before he presses them on your lips. “Satoru’s stunted when it comes to directions anyway.”

But the universe seems to have other ideas and decides hey, maybe this one time, Satoru does manage to find his way around. Because 20 minutes later, it’s the sound of a squeaking mattress and one too many whimpers and groans that keep Gojo from slapping his key card against the door’s reader.

“You know what, maybe one more wrap around the streets of Rome wouldn’t hurt,” he mutters, his face paled in the slightest as he trots down the hallway with a snickering Shoko in tow.

tumblr you will rue the day . ANYWAY: there are 3 spaces left for reqs

[xerith-42]

Some things we may have forgotten

I've been rewatching MCD and taking extensive notes on it in hopes that I'll never have to watch it again and this is just a list of things that I don't see mentioned or brought up very often/ever that we should talk about and think about more

In the first episode Garroth tries to attack Vylad (angst potential) and Vylad literally just combat locks him by logging out of the game. This is objectively funny and should not be rewritten in any capacity. This should be canon as it is in every universe.

Aphmau's cat Meowki gets randomly killed in Episode 12 by a skeleton while Kiki is right upstairs. Just saying, there's some angst potential there.

In episode 11 Garroth reveals that he knows some medicine. Pretty sure this is never brought up again, but we could always bring it up.

Logan is apparently good with a bow while Zenix is trash at it despite being a self proclaimed "expert archer" which I think is very funny (I know this is part of Zenix's cover but what if we took it seriously it would be so funny)

Zoey is originally from the river village, as is Donna. Pretty sure they retcon that for Zoey, but I like to think the two of them could have been friends before Phoenix Drop.

Garroth actually almost dies in episode 15. Like Dr. Doctor says he will probably die soon at the start of the episode. And he doesn't get healed until episode 20. He literally spends 5 episodes laid up in bed dying.

Brendan's at his side probably angsting the entire time I'm just saying if you want sad gay fanfics, it's sitting right there!

Azura and Garroth were friends as kids??? Hello???? I think this is just a massive plot hole considering what Garroth's actual backstory ends up being asjfgshjdfgjk

Okay but if we twist it a little bit, they were friends as kids as in like at the guard academy??? Bc they're like vaguely teenage/young adult so maybe that's what she means? In which case I wanna think about that more because childhood friends to lovers is one of my favorite romance arcs ever. But is it really childhood friends if you met when you were like... 18?? And you're in your like mid to late twenties probably, I wouldn't really classify that as childhood friends.

WAIT IT GETS WORSE!

I don't... I don't even have a joke here, this is just a massive plot hole. Like all of this is just not true to Garroth's backstory as we know it. Grew up in the same village? You mean O'Khasis?? Where Garroth also FAKED HIS DEATH????

I literally don't know what to say to this I was just trying to find silly little facts to try and incorporate into my rewrite and instead I found a massive gaping plot hole

Moving on, in episode 19 when Aphmau confronts Zenix and they fight, he actually apologizes to her. As if he regrets having to hurt her for the sake of his/the Shadow King's goals.

The Lord of Brightport says the Shadow King "used to be a lord". Which like... Okay, I can bend backwards a few ways to say that he could be referring to how Shad started Falcon Claw, but how the fuck does this dude know that??? I feel like Laurance constantly just stumbling into plot holes by complete accident

Dale is apparently a Garmau shipper, going as far as to ask Aphmau if she plans on hooking up with Garroth. I like to think that he and Molly have a bet going for how long it takes for one of the two of them to finally fess up.

Raven's mom tried to eat him??

Okay then.

[purpledisastertwin900]

For all of the “Raph raised himself AND his brothers” fans out there I bring this train wreck of a thought (I’m a lil sleepy so sorry if it doesn’t make sense or if I repeat myself a lot-)

We do not in fact have any actual evidence that splinter was neglectful to the boys when they were little. In fact, we have the opposite.

All of these flashbacks indicate that Splinter acc spent a LOT of time with his boys-

With Mikey, he was obviously coached in his art, a smol child can’t paint like that no matter how talented they are so we can see that splinter put in the time/effort to get Mikey the supplies and teach him how to do it well. Which probably means he researched and learned it himself first, idk I just can’t really see Yoshi knowing how to paint/draw that well but that’s just a theory.

With raph and Leo, their lemonade stand is structurally sound: obviously not put together by an 8 year old, and there’s a lotta lemons lyin around that were probably a bit difficult to find, and just LOOK at their faces here they are definitely familiar with this kind of father/son shenaniganizing-also just LOOK at raph. That’s a happy child, one full of excitement and happiness, not a kid who had to grow up too fast. Also his dad is literally right there in the picture

And then with Donnie, I can’t really tell what he’s doing in the background (it’s a bomb) but what i take from that screenshot is that Donnie feels safe/loved enough to come to Splinter when he gets hurt. And Splinters taking care of him!! And, Donnie is wearing clothes, which shows that he went out and got clothes for them but also didn’t force the boys to wear them if they didn’t want to (see other screenshots lol) which also goes to show that he lets his boys choose who they wanna be and what they wanna do. At any point he could’ve forced all of them to train as ninja, at any point he could’ve made clothes mandatory, and at any point he could’ve forced them to drop things that made them happy like skating or science or art but nah. He was supportive every step of the way.

Now am I saying he was perfect? No. Am I saying he couldn’t have done anything better? No. What I’m saying is that Raph acc did not have to raise himself and his brothers. Splinter acc gave them a pretty good childhood, all things considered and it kinda makes me sad when ppl bash Rise Splinter or continue the neglectful parent trope. Again, I’m not saying he did everything right, he def could have spent more time with his kids on an individual basis and he should’ve been more present, but let’s cut him some slack bc he did a really good job at raising the boys. And he got so much better as the show progressed! But that’s another post lol. I’m also not trying to take away Raphs oldest sibling syndrome, he still def has that from being the leader and watching his bros while splinter was away-I’m just saying he didn’t have to do it ALL alone.

Look in the end he’s doing his best and his best was really good for what they had. He’s a good dad, he’s not neglectful.

[fanfics-and-love]

Reclaiming a Legacy

Ghostface!Amber Freeman x reader

Not my gif

Warning(s): canon typical violence, mentions of death, mentions of blood

Word count: 4k words

Summary: You knew someone was behind the new ghostface kills, but you could have never guessed it was your girlfriend, and that the reason behind everything was you, and your past

Request: Can you write something with ghost face amber x reader. ask

A/N: I wanted to give my girl Amber a better motive bc she deserves it✨

masterlist

You knew your girlfriend was a bit of a bitch sometimes, but never a murderer. Sure, she was rude and probably lacked common decency, but when you two were alone, she was kind and sweet.

There was no way she could be ghostface.

And that was what you told Mindy, after the third time that day in which she had questioned you about Amber.

“Mindy,” you said, exasperated. “I love you. I really do, but if you keep insinuating my girlfriend is a killer I’m going to kick your ass.”

“I’m not,” Mindy said, in a tone that told you she was actually aiming at that, toeing the question but not saying it out loud. “I’m just saying, out of all of us…”

“It can also be the nerd obsessed with horror movies who’s related to one of the legacies,” you shot back. “Or the big sister that has suddenly come back after years of no contact. It can be anyone.”

“Sure thing,” Mindy said, rolling her eyes. “But if anyone would want to kill Wes…”

“No one would want to kill Wes,” you said, slamming shut your locker. “He was a good kid. No one held grudges against him. He was chosen because life isn’t fucking fair.”

You cleared your throat when you noticed kids around the hall staring at you. Great, you were going around school screaming about the unfairness of life; as if you needed people to suspect you and your group of friends more.

“Okay. Sorry,” Mindy said, putting a hand on your shoulder. You almost shook it off, still pissed off at her, but with everything that was going on you weren’t sure who could be the next victim, so instead you hugged her.

“I’m sorry too,” you said, pulling away. “It’s just— everything is too stressful. I can’t stand it.”

“I get it,” she said. “I’m sorry. I just want to discover who the fucker is so we can all be safe.”

“It’s okay,” you said. “I’m gonna hang out with Amber and help her with the party, so I’ll see you later. ‘Kay?”

“Okay,” she kissed your cheek. “Be safe.”

“You too.”

━━━ • 𖥸 • ━━━

“Stop fucking in my couch, horny fuckers,” Amber said, pushing two kids away from said couch.

The party was in full swing, almost everyone from school within Amber’s house walls. You thought of Wes, and how he’d take people remembering him with a party. He would have probably hated it, but it had been Amber’s idea, and it was hard to convince her not to do something once she had put her mind to it.

“Hey,” you said, glad you had finally found your girlfriend. It was hard to miss her, considering her attitude filled every room she was in, but parties like the ones she threw were so overwhelming even she could easily disappear in the crowd.

“There you are,” Amber smiled, shortening the distance between the two of you. She rested the red cup in her hand on the coffee table and wrapped her arms around you, nose caressing your neck. “Mm… I’ve missed you,” she said, pulling away to give you a kiss.

“You just saw me,” you giggled, standing on your tiptoes to give her another kiss. She smiled, pulling you even closer to kiss your cheek.

“What? Can’t I miss my girlfriend?” She raised an eyebrow, looking deeply into your eyes.

“Of course you can,” you said, wrapping your arms around her neck. She rested her head on your neck, kissing it softly. “What got you so happy?”

“I’m throwing a party and I have you in my arms,” Amber said, pulling away. There was a glee in her eyes that made your bones chill. “What else could I want?”

“A lot, actually,” you said. Despite how close you two were, it was still somewhat hard to hear her over the music coming from the kitchen. “A million dollars, three hundred puppies, world peace…”

“Nah,” she said, smirking. “I still prefer you.”

You blushed at that, kissing her again. “You dork.”

“A dork you love making out with.”

“That I do,” you smiled, tangling your hands into Amber’s hair as she put her lips on yours.

“You’re so hot,” she said, kissing your jaw. You moaned, tilting your head to the side to give her more space. “Fuck. I love you, baby,” she said. Her voice was sweet and velvety, just like how it was when she talked with you on the phone. You loved these moments where she was vulnerable; it made your heart skip a beat.

“I love you too,” you said. Amber was kissing your neck again, and you tightened your hold on her hair when she began to suck on your neck.

“You do?” She asked, pulling away. You were a little taken back by the sudden movement. “You love me?”

“Wha— of course I do,” you said, looking into her eyes. There was something there, swimming with the glee in the brown waves of her irises, something that made you want to run away from her arms. Instead, you pulled her closer. “I love you.”

“Even if I was the killer?” You tensed, trying to step away from her. She shook her head, dragging your body into hers. “Would you?”

“What the fuck, Amber?” You asked. Mindy’s voice came into the front of your mind; Do you think your girlfriend is capable of killing someone? “Are you for real?”

“Of course not,” Amber said, kissing your forehead. She sighed in anger when she noticed you were still tense. “Relax, babe. I’m just fucking with you.”

“Don’t joke about things like that, Am,” you said, resting your head on her shoulder. “It’s not funny.”

“Jesus,” she said, stroking your back. “Don’t be such a bitch. I was just playing.”

“Let’s just drop the subject, alright?”

“You haven’t answered my question,” Amber said. She was swaying you softly, and the motion was helping lower your frantic heartbeat. “Would you?”

“Uh?” You raised your head.

“Would you still love me if I was the killer?”

“Fucking hell, Amber.”

“Would you?” She repeated. You remembered those random questions she would sometimes ask, out of the blue— would you still love me if I was a worm? Would you still love me if I took shits the size of cars? Would you stay with me if I lost all my teeth?

But that question… it felt different somehow. Like a test you weren’t even aware you were taking.

Would you still love her if she was ghostface?

“Of course I would still love you,” you said, hoping it was all just one of those times she would ask stupid questions.

She smiled, all perfectly lined white teeth popping out in glee. You were taken aback by her happiness, and even more when she pulled you into a passionate kiss. It left you breathless. When she moved away, you could still see the happiness dancing in her face. She looked like a kid that had gotten away with stealing a cookie from the kitchen while their parents weren’t watching.

“Oh, look,” she said, moving away from you. You were momentarily confused at the loss of her warmth. “Tara is here.”

━━━ • 𖥸 • ━━━

The phrase “Welcome to act three” changed your life. It wasn’t supposed to be like this, you thought as you hid from your girlfriend, Liv’s blood still fresh in your face. You had plans for the future, in which you moved into the city with Amber, and graduated college, and then got a nice job and got married. You couldn’t have planned for this. Who would?

Amber was ghostface. And you had been too blind to see the truth. If you made it out alive, you knew Mindy would never shut up about it.

How could you have been so goddamn stupid?

“Y/N.”

You turned to your side, seeing Sam kneeling beside the sofa, hiding away from Amber as she dragged someone into the kitchen. Sam raised her hand and gestured for you to go with her, and you did without even thinking. When you reached the older girl, you grabbed her arm, looking into her eyes.

“Fucking hell,” you said. You couldn’t even blink; it felt like your eyelashes had been glued to your face.

“Sh,” Sam whispered, moving closer. You could see her hands were shaking as she looked around. A gunshot was heard, followed by a ringing so deafening you closed your eyes as you covered your ears, cradling your face in your hands. “Fuck.”

“She killed someone else,” you said, still trying to wrap your mind around how she meant ghostface and also Amber.

“Ri—” Sam took a deep breath. “Richie. I— I heard his voice right before— before she—”

“Fuck,” you said. “Sam…”

“Y/N,” Amber called from the kitchen in a singsong voice. “Baby, where are you?”

Sam put her hand over your lips, pulling you closer into the sofa, as if it would magically cover the two of you. You saw Amber enter the living room, wearing the infamous ghostface robe. A chill went down your body at the sight of the blood on her face.

“Baby—”

Tara appeared then, hitting Amber with one of her crutches. Sam went quick into action, getting up and kicking away the gun that had fallen on the ground.

“Bitch,” Amber said, grabbing a handful of Tara’s jacket and pushing her away. You ran towards the girl, helping her sit up. Tara had fallen face first, and it looked like she had broken her nose, judging by the blood running down her chin.

“Fuck you,” Sam said, grabbing Amber and throwing her to the ground. She eyed the gun the same time Amber did, but you knew Sam was cursed; she had pushed Amber right into where the gun was.

“Not so fast, bitch,” Amber said, gun in hand. Sam moved to stand in front of Tara, and all you could do was stare at your girlfriend. “Baby,” she said, turning to look at you. “Come here.”

“Am—”

“Come here,” she repeated, voice sweet. You could see her finger, pressing harder onto the gun’s trigger. If you didn’t move fast, she was going to shoot Sam.

“Okay,” you said, raising your hands. You walked towards Amber, allowing her to grab your arm and turn you around, pushing you into her body.

���Ah. Much better,” she smiled, kissing your cheek. “Now we just have to wait for the bitch to show up. I’m guessing she’s close, right, Samantha?”

You saw Sam’s hand hold tighter on her phone. “How do you know about Sidney?”

“Oh, honey,” she laughed. “If Sidney is anything, it is predictable. I’m guessing she has already figured out whose house is this, and is coming with Gale to save the day, as always.”

“You’re sick in the head,” Tara said. Blood was still dripping from her face, and you were thankful when Sam held her; she looked like she was going to pass out.

“Haven’t you heard, Tara?” Amber asked. She was pushing you away from them and towards the stairs, her grip on your shoulders so hard you knew it would bruise. “We all go a little mad sometimes.”

“Fuck you,” Tara said. You admired her— she could barely stand still yet she was facing off a killer with a gun in hand; you, instead, did nothing as she manhandled you around the house. If only you could do something to stop her…

“Fuck me?” Amber laughed. “You little shit. I kept you alive and this is how you repay me?”

“Should’ve killed me,” Tara said. The girl looked terrifying, with a bloody mouth and eyes opened wide.

“Okay,” Amber said, aiming the gun towards Tara. You watched as her finger pulled the trigger, and didn’t think twice before slamming your body against her, pushing her into the ground. The bullet hit the ceiling instead of Tara’s forehead. “What the fuck?”

“Run!” Sam said, rushing towards your side to pull you up. With your help, she carried Tara upstairs, where you hid in one of the guest rooms.

“Holy shit,” you whispered. You were leaning against the door, breathing fast. “I can’t believe— fuck.”

“How are you?” Sam asked, always the protector.

“How am I? Look at Tara. I think she’s got a concussion.” Sam turned around to see her sister lying on the bed. She was resting on the side, and even though her nose had stopped bleeding, she still looked too out of it. “We should hide her,” you said.

“What?”

“We can’t stay here,” you said. You could hear the front door opening, and Amber screaming. What the hell was she doing? “She’s going to come looking for us. Tara can barely move. She needs to stay somewhere hidden.”

“She needs a fucking hospital,” Sam said, harshly.

“Yeah, but she can’t really get help until we stop Amber. She might kill the people in the ambulance.”

“Okay,” Sam nodded, swallowing hard as she looked at her sister. Running a hand through her hair, she looked around. Soon enough, your eyes met. “The closet,” you said at the same time.

You heard gunshots, followed by a door being slammed shut. You looked at Sam, and took a deep breath. “Take care of Tara.” You ran downstairs, closing the guest room’s door behind you. You hoped Sidney and Gale were okay, and that everything was over. Instead, someone dressed in a ghostface costume greeted you on the last step, making you almost fall.

“Hello, Y/N,” ghostface said. He was using a voice changer. “Fancy seeing you here.” Ghostface pushed at your legs, making you trip. When the person grabbed you by the waist and pushed into their chest, you knew immediately who it was.

“Amber,” you said. You felt tears in your eyes as you walked into the kitchen. Richie —holy shit, Richie was the other ghostface— was holding down Sidney. When he saw her, he threw her another piece of rope.

“Tie her up and go find Samantha,” Amber said. Without even looking at you, she tied your hands together.

“I’m fucking trying,” Richie said. The rope in his hand was being wrapped around Sidney’s hands. What the fuck were they doing?

“Jesus, you’re useless,” Amber said, taking off her mask. “I’ll fucking do it. Go find that bitch before she ruins everything.” Richie nodded, but still stayed until Sidney’s hands were tied. Only then did he leave, pushing the woman into Gale’s body. You followed shortly after, falling into the two injured girls.

“You won’t win,” Sidney said. You were momentarily surprised by her calmness, but of course, she was Sidney Prescott; she had probably gone through worse at the hands of ghostface and survived to tell the tale; this was probably a normal Tuesday night for her.

“Shut the fuck up,” Amber said, raising her gun.

“You never win,” she went on. “You think you do, then you make some mistake and it all goes to shit. I’ve seen it happen before, four times. It’s better if you just untie us and let us call the police.”

“I’m gonna win,” Amber said, moving closer to her. “I’m going to fucking win, okay?”

“Don’t do this to yourself,” Gale spoke. It petrified you how scared she sounded. Was this really the way you died? “You could be the first ghostface that doesn’t die. I could write about you.”

“And what? Call me the bitch that killed your ex-husband while I rot in prison?” Amber laughed. “No, I don’t think so.”

“You really want your girlfriend to see you die?” Gale asked. You were taken aback by her words. Of course she would go for manipulation, she was a writer after all. It surprised you when you saw Amber hesitate, lowering her gun slightly as she looked at you with dark brown eyes.

“I’m doing this for her,” she smiled then, all doubt cleared from her face.

“Ah, so that’s your motive,” Sidney said, sounding annoyed. “Love. I think that’s a new one.”

“You shut your fucking mouth,” Amber said, aiming the gun back at Sidney.

“Here she is,” Richie said in a singing voice. You heard struggles, and then he entered the kitchen, dragging Sam with him.

“Perfect,” Amber said. “What about Tara?”

“Passed out in the bed,” Richie said. Sam groaned in pain as she was pushed to the floor in front of you. “Tied her up and locked the door. Caught this one,” he kicked Sam on the stomach “trying to hide her.”

“Aw,” Amber said, in a mocking soft voice. “Aren’t you the perfect sister?” Richie laughed at her words, stepping away from Sam.

“Time for the big finale,” Richie said.

“Tara is tied up, then, right?” Amber asked. Richie nodded, a gleeful look on his face. “And Chad is gone too?”

“A bullet between the eyes,” Richie laughed gleefully.

“Good,” Amber said. The next second, she shot Richie in the head. All four of you stared in shock. Your ears ringed, and you weren’t sure if it was because of the loud gunshot or the sight in front of you. Richie fell to the ground, blood seeping out of his head and mouth. You almost threw up at the sight of his gray matter laying on the ground. “Now, the real finale,” Amber smiled, turning back to you. “Who wants to die first? Uh?”

“Me,” you said, sitting up straighter. It was about time you were the brave one.

“Oh, baby,” Amber said, chuckling softly. “No. No, you’re not going to die. You and I are going to survive, and we’re gonna be the final girls.”

“Jesus,” Gale said. “Are you out of your mind? All of this for… for what? To be the new Romeo and Juliet?”

“Romeo and Juliet die at the end, you dumb bitch,” Amber said. “No. This is about Samantha.”

“My father,” Sam said. Even though you couldn’t fully see her, the sadness was clear in her eyes. It wasn’t fair, all the guilt she would carry with her if she made it out alive.

“Yes,” Amber nodded. “Your father, your grandma… you have a pretty crazy family, Samantha. Once this is over, all we have to tell the cops is that you wanted to live up your father’s legacy. Once they took a look at your pills and therapist notes, there’ll be no questions about who’s the killer.”

“There’s always two ghostfaces,” Gale said.

“And the other one is right there,” Amber pointed at Richie’s body. “You convinced your boyfriend to kill those people as an act of love, and he did. Good thing I was there to stop you before you killed Y/N.”

Sidney laughed, looking at Amber with almost pity in her face. “And why would Y/N be Sam’s target? Just because? For this to work, it’d have to be Tara.”

“No, no,” Amber said, shaking her head. “You’re not taking everything into consideration.”

“We’ve been through this before,” Gale said. “You think you can outsmart us?”

“I’ve already done it,” Amber said. “Because I know something you don’t. Something that explains everything,” she shook her head, smiling. She looked crazed.

“Jesus,” Sidney said. “You’re even worse than Jill. Stop with the dramatics.”

“Y/N is Stu Macher’s daughter.”

“What?” Gale asked, looking at you. You felt as confused as she did.

“Amber, what the fuck are you talking about?” You asked.

“Stu is—”

“In an asylum,” Amber said. Something shifted in Sidney’s face, something that told you she already knew. “Locked up for years. I know what you’re gonna say,” she chuckled. “How could he have a daughter?” Amber kneeled down beside Sidney. “That’s what I told myself for months when I saw the papers. I thought, “but how? It’s not possible”, until I realized that it could be pretty easy to explain since Y/N’s mom is a psychologist.”

“What is with people in this town and leaving important documents just laying around?” You murmured.

“You can’t be serious,” Sidney said, interrupting you. “How…?”

“Why do you think she got fired?” Amber looked at you. “For sleeping with a patient. With Stu. C’mon, Sidney, I thought by now you were used to secret family members appearing out of nowhere.”

“So that’s it?” Gale asked. “You find some papers and you decide to start killing people?”

“No!” Amber said. You flinched at the scream. “No. Of course not. I had to check everything. This was too big to just say unless I knew for sure. So I investigated, and once I was sure, I searched for a partner online. Someone who would appreciate this plot. Someone who would know how important Stu Macher being alive truly was,” she eyed Richie, on the ground with blood slowly escaping his body.

“Plot? This isn’t a fucking movie!” Gale said.

“It will be, one day. The two daughters of the first Woodsboro massacre killers, facing off each other. Isn’t it perfect?” Amber turned to look at Sam. “Spoiler alert, you lose.”

“You’re sick in the head,” Sidney said. “You know the danger you’re putting her in? People are going to chase her like they will with Sam.”

“But Sam doesn’t have me,” Amber said. “I’m always going to be there to protect Y/N. Always.”

“Not if I kill you,” Gale said. Within a second, she was up, taking advantage of the surprise movement to throw Amber to the ground. Sidney got up next, grabbing a knife to cut the rope, and Sam, to your surprise, ran out of the kitchen and upstairs. You watched everything unfold before your eyes landed on the gun that had once again fallen.

“Stop!” You screamed, gun in hand as you pointed it at the three women. 

Amber had Gale by the hair and Sidney had the knife in her hand, raised to stab Amber in the chest.

“Baby,” Amber said, pushing Gale into Sidney’s body. “Lower the gun.”

“Y/N,” it was Sidney this time, looking at you hesitantly. As if you were going to shoot her. Were you? “Don’t listen to Amber. You can’t be sure.”

“I would never lie to her,” Amber said. She turned her face to look at you. “You know I wouldn’t. You know it, baby. I’ve told you nothing but the truth.”

Your hands shook, but you didn’t lower the gun.

“I love you,” Amber said, in that soft voice you only heard late at night, head pressed on her neck while she ran her hands through your hair. “I’ve done this for you, so you could be the new Sidney— so you wouldn’t have to live under the shadow of Samantha.”

“Am…”

“She’s lying,” Gale said. “Once this is over, the moment you do something she doesn’t like you’ll be next.”

“I’d never hurt her,” Amber said through gritted teeth, grabbing Gale by the shirt. “I’ve done nothing but take care of her.”

You knew your time was running out. Sam had probably opened the guest room upstairs already, and once she was done checking in on Tara, she would come back, more than likely with a weapon. She would be ready to kill Amber, and Sidney and Gale will help her.

Did you want them to kill her? Was it an honor reserved just for you?

Were you going to kill everyone but Amber, and save her?

You weren’t sure, not as you closed your eyes and took a deep breath, getting ready for your next move. Still, you pulled the trigger and hoped to god you had made the right choice.

[lynn-tged-posting]

tged webtoon ep 171 spoilers and thoughts but i'm mostly just going "YAY I LIKED THIS MOMENT" and more below the cut

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DEMON KING LLOYD HELLO. HELLO?? WHAT. WHY?? BUT WOW. HOLY SHIT. I REALLY REALLY LIKE THIS

I LOVE WHEN CHARACTERS GAIN WINGS AND HORNS AND . GHGHHGHGHHG AAAHHH ITS MY FAVORITE THING if you didn't already know dragon lloyd was like one of my favorite all-time panels so this is VERY AWESOME FOR ME YAYYY YAAAAYYY HAHAHA

LIKE SERIOUSLY LOOK HE GOT FANGS N SHIT AND. OH MY GODD THE SMOKE SLIPPING PAST HIS LIPS IM SO??? THAT'S SO COOL. I LOVE WHEN THEY DO THAT WITH SMOKE AND MONSTROUS FORMS OF CHARACTERS

genuinely i need to draw this asap. pacing issues aside i am obsessed with how sick this is. i love this a LOT

ok ok back to the top bc theres some stuff i wanna touch on from before demon king lloyd got revealed! because...

"master lloyd taught us". "master lloyd taught us". "master lloyd taught us". "master lloyd taught us".

EXCUSE ME WHAT

YOU'RE TELLING ME THAT OFF SCREEN, LLOYD TOOK TIME OUT OF HIS BUSY ASS DAY. TO TEACH THE KIDS HOW TO PLAY SOCCER. AND THEY HAVE PLAYED ENOUGH TO BE FAMILIAR ENOUGH TO PLAY ON THEIR OWN. WHICH MEANS THAT LLOYD . PLAYED SOCCER WITH THEM . AND WE FIND THIS OUT. NOW?? I. GGHH. THATS SO. CUTE. IM GOING TO BITE HIM. THE FUCKER. WHY WOULD YOU DO THIS TO ME

the fact that they go up to ask him im going to EXPLODE?!?!?

he looks so nonchalant abt it here im cryinf

AND LOOK AT THEM GO THIS IS SO SO SWEET IM VERY GLAD LYRA GOT TO PLAY WITH THEM I LIKE THIS A LOT

this scene, and the beginning scene where the adults were just so casual with her and treating her as a living person with feelings and someone that they can talk to was so so heartwarming i oooghhh my heart

AND THEN THERE HE IS. SMILING IN THE BACK. YOU ASS.

I SEE YOU BEING KIND AND EMPATHETIC AND SELFLESS LLOYD. YOU LOST THE NONCHALANT WAR. YOU CAN'T ESCAPE

christ. i fucking HATE him /j /aff

it is also VERY silly that they're so casual abt. destruction like that HELPPP they got it from someone sob sob, though i imagine since most of the estate consists of people who have done construction it probably isnt that big of a deal when things get destroyed every now n then

and lyra looks so damn happy,,, god im so glad she had a good experience, she really needed one :')

also i completely LOST it when the kid got mad at lyra for not responding with a yes or no HELPPP JESUS CHRIST

again they,,, got it from someone HAHA though honestly i think it tracks. kids can be straightforwardly brutal in their language, especially when they don't really have biases or cares for who they are speaking to. as crazy as this instance looks (LMFAO) i think this fits well with the context of the straightforwardness of children and considering the person who they look up to at the estate. i think it was good for lyra to meet a human child her age who can speak straightforwardly and not skirt past things, if that makes sense? i hope it does!

AND THE DEMON KING TRANSFORMATION i already talked abt it above but i wanna point out this blue system box here

a power outside of the system?!?? what does this mean for the protagonist of the new prequel bk_moon is writing?? is the weather forecasting included in this???

my first assumption right now is that the demon king power is just an in-world power system while everything else (ie the weather forecasting) is external, blue-textbox system. maybe? so lloyd got the demon king power which comes with skills separate from the ones that the system can provide? that would explain why there's no indication of lloyd trying to use the weather forecasting, he probably can't use it,,,? except i dont know why artanis can use it in that case. most likely i am overthinking it LMFAO

semi-related, i am a little confused as to why artanis did this? i guess she really, really trusted him w this power? or maybe her weather forecasting noted that this would be something good to do i have no idea,,, it Does feel a bit sudden i won't lie, i'm not sure how earned this is

also javier and everyone else not reacting that much to the demon king status. SENT ME HAHA "... nothing's changed." LOL

deadpan humor never fails to make me giggle ily javier

also loved the moment where the two of them were bein serious for a sec,,, they've got a job to do they've got people to protect. lloyd will stop fate and javier will be right besides him...

i think showing them at emily's wedding really cements how much they really, REALLY need to fight fate now. the novel events happening is very very bad, but it feels like now that so many people, emily especially, have found THIS much happiness in their lives,,, failing to stop fate will hit even harder. i really like the analogy of a taut bow that the dragon king used when he first described it, bc it's really REALLY showing how much the repercussions will hit if they fail. im praying they succeed,,, please,,, i need a happy ending or i will curl up and turn into an actual shrimp irl.

and now the demons have to build the pantara railroad,,, artanis's expression omfg

she really didn't,,, know,,, she trusted him that much,,,, girl,,,

but it's ok. it'll be a net positive trust! that's how lloyd does things!!! and then soon we'll get the happy ending where we can get the eye of summer and beat up fate and then silly fun times YAYY <- probably copium

some other thoughts of note that i had with a dear mutual (hi sprout :3) about this ep:

we were talking about how the plot seems to be paced right now, and honestly i'm of the opinion that while yes its Technically moving, the way they're ending each ep in this current arc makes it feel like it's going both very slow and very fast, that is to say it feels like it's not moving at all

bc they're like "okay NOW we're gonna do the build project" and it's been like that for several episodes now. pieces are moving but we're going past the point of it all too fast (especially the whole demon king thing. mentioned this before but while cool, doesn't feel as earned simply bc we're both tackling each point and yet blowing past all the points, so it's a lot less satisfying than it should be (despite how awesome it is,,, oh lloyd you give me so much internal conflict </3))

it does make me a lil worried that they're gonna timeskip the hell out of the pantara railroad build. however this episode, although it still has a weird pacing/movement issue, does feel a little bit better than the last two imo, so i have hope that it'll turn out okay, that it'll start heading up! i'm actually really excited to see where they go with this and i'm sure that even if the pacing is still goofy i'll have some kind of fun with it (seriously the panels this ep were wonderful HAHA)

anyway that's all for this week! extremely excited for the next ep,,, ill see yall then,,, lets go pantara railroad arc!!!

[wherebettertoescape]

Thoughts on The Outsiders Album

Okay, as I said yesterday, I have a LOT of thoughts on the album and I decided to revive this page so I stop bothering everyone IRL with my thoughts about it 😂 I figure there must be a good amount of people on tumblr who are down to listen to my rants about the album, so here goes.

I'll put it under a cut so there aren't any spoilers for anyone who hasn't listened yet, and I know there's one or two things which I've heard about the prouction via other posts and such. But I will stress that I haven't actually seen it, I've only listened to the album and obsessed over it 😂

It's also below the cut because it's fucking LOOOOONG

Please reply to this or send in your own thoughts - I have so much I want to talk about to do with this album and I'm like... shaking with the need to talk about it with people who actually want to listen 😂

(sad times living in the UK 🥲)

I'm gonna go through the album sequentially, like track by track, because that feels like the thing to do, even though I will say right off that I definitely have more thoughts about some tracks than others. And I will also give my favourite line from each song. But for a just, like, general overview to begin with - I love the album so much?

I will fully admit that I was kinda preparing myself for it to be bad - it's a book that I love and I wasn't the biggest fan of the movie adaptation for a few key reasons, but I was so pleasantly surprised by the musical soundtrack.

I'm in love with the style of music, I love the entire cast (all of them have such different singing voices and styles and I think that they merge together so beautifully), and it has most of the things that I love in a musical - for me, it's got the right balance of the talking sections included with the singing, as well, which I know some people aren't huge fans of, but I might be biased because Soda is and always has been my favourite character and most of the talking is by him 😂 (I love Jason Schmidt, but we'll talk about that later), and as well as that the style of music and singing like gives me a good picture of what the actual choreography might look like, which I'm obsessed with, since I probably won't get to see it unless it somehow gets to the West End (🤞🏻)

Tulsa '67

Okay so this song is just like ✨exposition ✨ but it's done in a fun way, and I've decided it's worth it just for the finale reprise

I was also like stupidly emotional the first time I heard it and it opened with the opening line of the book

I was wary because of the immediate characterisation of Sodapop as being the brother "with a broken heart" (side note - does this mean Sandy broke his heart before the show rather than after it? I've goes QUESTIONS) - I'll go into it again when we get into Grease Got a Hold for obvious reasons, but I was worried that Soda was gonna be reduced into just being a womaniser again, which is something that bothered me about the movie adaptation

Favourite line: "all the girls are pretty there, and all the guys are mean"

Grease Got a Hold

right so it has no right to be as much of a bop as it is, it's been stuck in my head for the past week since it came out and I can't even be mad about it 😂

It's essentially just a typical "gang" song to introduce and characterise all the different members

Dally always saying "Little brother" got me so emotional like immediately

And I know I just said that I was upset with Soda's characterisation as a womaniser, but considering later songs, I will say I do find it really funny that he basically just goes "yeah I'm a greaser bc I love women 😊"

I LOVE TWO-BIT MATTHEWS - I would die for Daryl Tofa, just something soooooo good about the line he gives after Soda's verse

I have to admit, I was a little worried that they were gonna be pushing some anti-Darry propaganda, but I had no cause to worry, as he's an actual angel. Also it's so funny how fucking Done he is the moment he starts speaking

Something really funny about Steve not getting a verse, but something really sad about Johnny not getting one, but I don't have fully fleshed out thoughts yet so I'm gonna leave that there

But also there's just something about all of them trying to act tough, but all of them just have the voices of angels

Favourite line: "I'm a latch-key kid but they keep changing the locks" and also "you wanna be a fighter? then know just what you're fighting for"

Runs in the Family

I'm upset because this song has been such an ear-worm for me, but it's actually just so sad? There are a couple of these, but this is one of the main ones for me

It immediately makes Darry just such a sympathetic character - it's well documented that Ponyboy doesn't feel like he's enough of a greaser, but I don't think we talk enough about Darry is a reluctant greaser

Side note: but I'm really glad that they included Darry having dropped out of school to look after Soda and Pony, because that was kinda glossed over in the movie, which I felt did Darry a disservice

I just want to hug Brent Comer and tell Darry that he's doing a good job and everything will be okay 🥲

Favourite line: "I don't know what them boys would ever do without me - and what would I do on my own?"

Great Expectations

honestly this song deserves a post all of it's own, and maybe one day I'll do a full analysis of it

but in the meantime, it's fucking GORGEOUS, like Brody Grant has NO RIGHT to sound like this I'm so mad

THE FUCKING HARMONIES I WANNA SCREAM THEY'RE SO GOOD

One of the things I've loved about the soundtrack in general is how Pony in particular draws parallels and comparrisons between Johnny and the other greasers - here it's between Darry and Johnny, and I love it because Pony references in the book that he feels like he and Johnny are the outsiders in the greasers, he feels like neither of them really belong there, and they convey that so well in the musical with these constant comparisons in the songs and music

The continual return back to this idea of a self-fulfilling prophechy - trying to prove that they're not all the same just because they're greasers (like with the different verses in Grease Got a Hold), and this striving for individuality despite the overarching label they've been given

Favourite line: "It's hard to write this story, when this story's writing me"

Friday at the Drive-in

they all just sound so young - that's my main take-away from this song

I love songs in musicals like this where you're forced to be reminded how young the characters are and you have to humanise them a bit more - a bit like with "Drink with Me" in Les Mis

Also anytime that a soundtrack includes the dance-break it makes me so happy 🥲

Favourite Line: "Got no more stress, nothing to worry me - no more teacher's pet or trigonometry"

I Could Talk to You All Night

I need to say that I love this song, but the opening from Cherry is so fucking savage - like fucking hell there's no need to do that to Pony 😂

Again obsessed with Pony not feeling like enough of a Greaser

I'm a sucker for two people who feel lost in their own worlds finding each other and bonding because they can be themselves in a way that they can never be around their other friends

It's just such a pretty duet, and I want more of Brody Grant and Emma Pittman singing - we could have a million songs of the two of them and it wouldn't be enough

Favourite line: "I'd rather read then fight a rumble, but Greasers have to go along"

Runs in the Family (Reprise)

Dude it's such a serious song, and I'm obsessed that despite that there's just Soda being a little shit in the background

"I'll fold your laundry - I'LL FOLD ALL OF IT"

I love that even in this song it's like you can tell he's just so worried about Pony but it's coming out so angry and frustrated

So full of grief for the life he almost had

He's just so angry at Pony for still being able to dream, and it's like he feels like he needs to prepare Pony for real life, because he feels like he can't dream or wish for things anymore

And then just the screeching violin at the end of the song followed by DEAD FUCKING SILENCE, and then it switches to the next song where Pony starts singing acapella it's just herugighadlsiughukdhjsak, y'know?

Favourite line: "Whats the use in dreaming, about a life I'll never know? That ship sailed long ago"

Far Away from Tulsa

okay so I've already said that I'm obsessed with it beginning with Brody Grant acapella, and I know that the songs probably don't flow straight from one to the other in the actual production, but for the sake of the cast recording the effect is incredible

But also, there was absolutely no need to make this song so gay 😂 - Ponyboy, the bisexual icon we all need

It's very reminiscent of Santa Fe, with just kids dreaming for a life that they could have outside of their big city. Especially with the line "this place is real, it's not just in my head", which is VERY similar to "just be real is all I'm asking, not some painting in my head", but I'm okay with it because Brody Grant is incredible

But that line, as well as the one "'Ponyboy you're just a dreamer', that's what both my brothers say" are also really great links back to the previous song with the references of him being a dreamer, and that being what sets him apart from the other Greasers

I also just wanna say that I think it's criminal that there weren't more Pony/Johnny duets. Sky Lakota-Lynch and Brody Grant own my soul

Also catch me being emotional over Johnny's dream being wanting a family - he doesn't realise that he's already got one in the gang 🥺 (I could write an essay about this and Dally's continued use of 'little brother')

OKAY ALSO OBSESSED WITH THE CIRCLE BACK TO GREAT EXPECTATIONS, AND WE NEED TO TALK ABOUT HOW THE LYRICS CHANGE FROM

"Torn between what is and what could be. It's hard to write this story when this story's writing me"

TO

"It's all becoming clear, there's no way we're gonna find that here"

GOTTA ESCAPE TULSA TO ESCAPE THEIR FATE, SOMETHING AGAIN ABOUT SELF-FULFILLING PROPHECIES, I JUST CAN'T

Favourite line: "I'm tired of blindly watching as we're inching towards the ground"

Run Run Brother

There's so much to say about this song, but I literally can't formulate the words, so it's probably gonna be one that I come back to and properly analyse later. so in the meantime, here are my key take-aways

right from the beginning, it gives just an "oh-shit" feeling, just so much urgency and desperation

All three of them have such different singing voices and styles and the combination of the three just makes me so happy and I don't even know how to like express what I'm feeling

Back to the thing about Dally always calling Johnny (and Pony, but we're emotional about Johnny here) "brother"

the music is just so fitting - I feel like I need to be up and moving every time I hear it, like if I ran ever this would be on the playlist 😂

And I'm going insane over the echoes of what has been previously been said - the "grease isn't given it's something you earn", and "let's leave this behind, let's just get up and go" like you're FORCED to face that they are being given what they want but in a really terrible way

Favourite line: "I hate to make you go, but there ain't no other way"

Justice for Tulsa

okay so I know that this is a really important song and everything, but I will admit this is the one I tend to skip most

I will say I think this song would hit harder if they kept with the themes of police brutality that there are in the novel and movie with regards to Dally's death (going off what I've heard about the script changes from people who have seen it, I can't verify myself)

The song feels very claustrophobic, with everyone just trying to blame everyone else, which I think is really well done. Especially with the multiple voices coming in with "you know just what you did"

And it does show the bias of the world trying to blame the Greasers just by reputation alone, which is thematically nice

and also just the kinda mob mentality of the whole thing, especially at the end, with a declaration of war

Favourite line: "or we could send them back a message, take an eye for an eye"

Death's at My Door

I think I've seen somewhere that this is the opening song for the second act and I just - fucking hell, what an opener 😂 they really just wanna destroy all of us, huh?

EDIT: I've been corrected, and it's Justice for Tulsa that starts act 2 - my bad guys, I don't know where I saw otherwise. JfT starting act 2 makes soo much more sense 😂

I wanted to like reach through my headphones somehow and hug Brody Grant, like holy shit

The first time I heard it all I could think about was how much he's going to blame himself when Johnny (and Dally) do die - especially with Johnny having comforted Pony about it

And I'm just emotional about the exploration of Pony thinking of himself as a burden on everyone he loves, especially going back to what Darry says to him in Runs in the Family reprise, just confirming everything that Pony already worries about himself

Favourite line: "I don't believe in the death that you're bringing - the reason I'm living is you"

Throwing in the Towel

I just love brothers okay? This song made me want to like message all my siblings and tell them I love them

I loved that we see Pony's inner thoughts and fears about being a burden on his brothers, immediately followed by seeing Darry's own thoughts and feelings - the two of them being so similar in how they blame themselves for everything

All three of the Curtis brothers being terrified of losing anyone else

AND THIS IS THE SODA CHARACTER REDEPTION I NEEDED - he becomes more than just the womaniser, you can see him having like actual thought and feelings, and the amount of emotion in Jason Schmidt's voice as he's trying to reassure Darry, like this song and Soda's letter gets across everything that makes Soda my favourite character

And there's something to be said about how they're finally like communicating their emotions 😂

Favourite line: "I know your head is full of doubt, but brother that's what love is all about"

Soda's Letter

Musical letters my beloved ❤️

I love songs like these - they're always just so vulnerable

It links to Tulsa '67 Reprise with the reference to how Soda kinda keeps the family all together. This song you can like see the strain that it has on him, trying to keep the brothers who he loves so much together, by trying to tell Pony that Darry does love him even though he shows it in a very different way

also anyone who has seen it and made it this far in the post can you tell me whether they keep in the bit about Pony reading this really heartfelt letter only to go "Soda's so dumb he can't fucking spell" because it's all I could think about when I listened to it for the first time

Favourite line: "Your brother needs you just as much as you need him, and brother we ain't doing to good alone"

Hoods Turned Heroes

The triumphant return of my beloved Two-Bit, and he's doing some king shit

I love him, okay?

This is another song where I know it's really important, but I actually don't have much to say about it, other than I do really enjoy it

Favourite line: "It's time to celebrate Greasers, take pride in the Greaser name"

Hopeless War

I love that it's just Cherry begging Pony not to change, and hoping that he's still an outsider of the Greasers like she is for the Socs, a hope that the two of them are still kindred spirits even after everything that happened

She knows that the rumble is gonna be where Pony loses that last bit of dreamer in him because he's holding just so much anger at the world - I dunno, there's something there I'm sure 😂

it's such a smooth transition into "Trouble" and I wanna SCREAM it's so good

Favourite line: "even if you win, it doesn't change a thing"

Trouble

It feels like a war chant or something

The music is just so agitated

It's like Run Run Brother where I feel the need to be up and moving

Favourite line: "Do it for Johnny, even the scores, time to rally the crew"

Little Brother

I get chills every time I listen to it

Something about Joshua Boone's voice guys, I don't even know like how someone goes about beginning to talk about it, but whoever takes over as Dally has got some big shoes to fill

It's a lament to Johnny, and I feel like I listen to it and I feel the same anger and indignation that Dally feels

It's a song where I listen to it and I know, even without having seen the production, how I'd stage it and that always makes me excited

The longer the song goes on, the more uneasy you feel listening to it

It links him and Darry together again, with how he blames himself for everything that happened to his little brother, he feels like he should have been able to protect Johnny, the way that Darry always tries to protect Ponyboy

The final tempo increase and the discordant violin at the end, and it feels like even just listening to it you're watching him fall into a grief-led madness, and his certainty that there's only one way that his story can end

Favourite line: "They can't take anymore from me - if I ain't got you, then I ain't got nothing else"

Stay Gold

It feels somehow criminal to put these songs next to each other, but I mean obviously they have to be - that's how they want you to feel, but it doesn't mean that I'm not mad about it

I've listened to it like a million times and it still brings me to tears every now and then

There's something about having the hopelessness of "Little Brother", with Dally bring so apologetic at having failed Johny, followed by Johnny asking Pony to tell him that there's still good in the world

Just how much everyone in this story needs each other and they don't realise that the others need them too, yknow?

Johnny being Dally's "gold" - a lot to say about that but yknow, this is already long as fuck

The simplicity of the music itself (same as with Soda's letter - makes them thematically the same blah blah blah with them both being letters and all that), but it makes the song much more vulnerable than some of the others - nothing for Sky Lakota-Lynch to hide behind

Also that line: "I have looked into a thankful father's eyes, telling me I've saved his daughters life", and how that links to what Johnny says in the book about the little girl's life being worth more than his - I dunno, it just got me emotional, okay?

Favourite line: "I hold on to the good 'cause I've made my peace with all the bad" and also "It's easy to forget when you're trying just to make it through"

Tulsa '67 Reprise

WE MADE IT BOYS (seriously though, for real, if you made it this far, thanks for reading through my descent into madness 😂 and please send your own thoughts and such, bc I'm desperate to hear other people's thoughts)

I said it at the beginning, but I think the reprise of this song makes the exposition at the beginning worth it

At the beginning we hear Ponyboy as a dreamer, and at the end he still has that, but rather than idolising and making everything spectacular, he sees beauty in the mundane - he sees it in his brothers, his friends, all of that

The call backs to the original song as well, which allow us to go back to the theme of looking at individuality - the Greasers wanting to be seen as more than just characatures, and by the end they are like fully-fleshed out people rather than just the basic stock figures we initially get them introduced as in Grease Got a Hold

The clearest examples are, of course, Darry and Soda

Darry goes from being "could have been a football star, people say he had a ticket out" to instead being "the toughest guy I've ever known"

Soda goes from "suffers from a broken heart" to "this family's life and soul"

and then it goes from "got no parents, we fend for ourselves" to "can you imagine how proud mum and dad would be"

just something so beautiful about that, I dunno

There's more I could say about the themes of brotherhood and individuality ("grease as their disguise", for example), but I'll spare it for now

Favourite line: "Just too damn good for growing old, and in his memory I stay gold"

(finally - if you've stuck around to the end, I've also recently set up an instagram account, just for me, so please also check that out if you wanna hear more about my thoughts about random musicals and stuff!)

Freddie 🐸 (Instagram)

[buckevantommy]

did you dislike the ep in general, or just the lack of tommy and bucktommy?

i have a headache and i should probably rewatch the ep again once I'm feeling physically better before i answer this but having an achy head means my inhibitions are lowered and my brain to mouth filter is taking a nap, so i'ma let loose..

on the one hand: yes of course i'm annoyed there was no hot pilot in the planemergency. i honestly wasn't even expecting any bucktommy scenes, but i thought tommy would be at the airport staging area, or giving updates from his chopper in the air, etc. i am baffled that tim didn't include their resident pilot in this emergency at all; the repelling into the cockpit might be a little bit too insane even for this show, but i really think they could've utilised him in the air traffic control tower from the start - can you imagine tommy telling jem over the radio that he's doing a good job? i can, and my heart melts. 🫠

on the other hand: i get it. it sucks, but i get it. lou is a guest star, this emergency was centred around bathena, there was barely any room in the plot for the 118 let alone other characters. tommy could have been included more easily in the plot imho, but i have to remind myself it probably all comes down to budget and call lists and not wanting to split focus. this is the downside of tv shows unfortunately - it all comes down to money and time limits and star power; were this a book series there would be no excuse not to include tommy, and thus i will henceforth bury myself in fics that do just that. 📚

as for the whole of the ep: ...eh? here's the thing: i really love bathena in the cruise ship disaster so i think having them be the focus of the next disaster is difficult because they can't measure up to that epic chaos and emotional weight in my eyes. i also find it strange that they got the focus of two disasters two seasons in a row, but again: the star power of angela bassett is totally understandable, she really brings it in those disaster scenes and i would love to see her in more roles that balance heavy action and strong emotion bc she is a powerhouse in that dynamic. 💥

BUT - and maybe this comes down to the direction and editing in part - to me, there was a lack of urgency in the plane stuff this ep, which was strange considering all that was going on. i think they ended it too soon and the addition of the fire on the ground didn't really add anything except a fun little scene where buck tried to use a prop hose. it felt kind of.. anticlimactic? i loved the insane shot of bobby standing on the engine meeting the plane nose, but.. *sigh* yeah, i just wasn't on the edge of my seat. i actually prefer the tension and plane plot happenings in 8x02, and when i watched 8x02 live i was a little disappointed, but now i prefer it to this ep. 🛬

i really would've liked to see more of the 118 lending a hand in this emergency. i'm so glad we got as much of buck as we did, and seeing maddie and josh was good too, but.. yeah. that staging video we saw weeks ago of all the engines leaving the hanger just ending up feeling pointless? i was so looking forward to more of the ensemble cast and other firefighter extras helping on the scene, and it seems those potential scenes were traded in for more bathena focus and to me it just wasn't worth the trade. i love their love, but i think tim could've included more characters in the entirety of the planemergency. 🚒

as for athena's ending: returning to the aiport to get a real little black book was odd imho; they could've gone anywhere, and honestly i was kinda hoping for location change, but they were sticking with the theme so i get it. but i really liked the return to the mystery and the impending danger of the case, and the way they tied things up for athena's past was really nicely done, she deserves to have peace and closure and to know it wasn't all for naught. 💝

as for the gerrard stuff: unexpected! wonderful! distrubing af! many of us called it, that gerrard would take buck under his wing (re: golf date) and he'd be faced with this new dilemma of no longer being gerrard's target but of being his chosen one; i foresee angst and conflict in buck's future, specifically in his relationship with tommy - who will likely try to warn him against letting gerrard get too close and worrying over him - but also with the rest of the 118 as he reaps rewards he didn't want while they have to continue bearing the weight of gerrard's captaincy and even moreso now that buck is no longer his main target. 🫂

the gerrard stuff is the only real setup we got for upcoming episodes, but i'm curious to see how the planemergency affects brad and moreover his friendship(?)/dynamic with bobby and the hotshots job. we obviously are going to get more henren drama with ortiz and the kids, which will be interesting - i'm really looking forward to getting more ortiz in the plot. eddie and his moustache will feature, looking forward to seeing how he's coping with chris' absence and how that changes. 👀 lots of good stuff to come and i'm looking forward to all of it and to putting this planemergency behind me (however: the beenado will live on in my heart forever 🐝🌪️).

[biconickyoshi]

Okay y’all… I was very critical of eps 3 & 4 (especially 4) of NAtLA. Then all of a sudden eps 5 & 6 kinda slapped me in the face with how much better the show suddenly got.

Spoiler-free thoughts first:

Zuko, Iroh, and Aang have cemented themselves as the best parts about this adaptation - which is really funny considering I’m currently writing a longfic AU where Zuko and Iroh discover Aang in the iceberg right after Zuko is banished at age 13 and end up becoming the first members of the Gaang (albeit reluctantly at first lol). Episode 6: “Masks” (the Blue Spirit adaptation) was so good, I’d venture to say that it actually improved and fleshed out some things from the original series.

Episode 5: “Spirited Away”, while not as good as E6, was not as bad as I heard people say it was going to be. I think that the changes they did make didn’t bother me nearly as much as the changes they made in the last episode, and it was actually entertaining.

There were several scenes that made me cry in both of these episodes (moreso in episode 6, which I’ll get into further down in the spoiler section). These are the scenes that I feel like really tapped into the heart of the original show rather than feeling like a soulless remake.

Now for my in-depth thoughts (INCLUDES SPOILERS):

EP 5: “Spirited Away”

- Staring out, I was bummed because I had just rewatched the first two eps of the original animated series lol.

- It was an interesting choice to have all three members of the Gaang get stuck in the Spirit World, but I think it worked.

- Wan Shi Tong just showing up randomly was a bit unnecessary, but I suppose it will be kinda interesting to see him again in S2 since he’s already met the Gaang

- Hei Bai plays a much smaller role in these eps, but I strangely didn’t mind that either?

- Seeing Katara’s last memory with her mom was devastating, especially the fact that she had to witness her death and hide in the igloo with Kya’s charred body :(( she definitely has severe PTSD.

- Even Sokka’s memory made me tear up a bit

- Koh being the villain and a soul-eater or whatever was a bit of an odd choice, but I guess I can see why they did it. I do prefer him just being an asshole who steals ppl’s faces lol

- Appreciated the Fog of Lost Souls reference from the LoK lore

- Aang reuniting with Gyatso made me cry. I know some people didn’t like him being in the Spirit World, but I really liked it. Also, the fact that Gyatso was the first person to tell Aang that it wasn’t his fault the Air Nomads died, and that if he had been there he would have died too? THANK YOU! My poor boy has been berated enough for “abandoning” the world.

- We got some interesting lore about the afterlife for humans from Gyatso and Aang’s convo, which we’ve never gotten in AtLA media before. Idk if it’s just for Air Nomads, but Aang mentions that Gyatso stayed behind instead of “seeking enlightenment”. I know that the end goal in Buddhism is to reincarnate until you eventually achieve nirvana, so I wonder if that’s what they were alluding to (I’m not an expert on religions so pls correct me if I’m wrong)

- Oh yeah, I forgot June is here lmao. As a queer person I loved her (bc beautiful goth woman) but I didn’t like the weird choice to make her hit on Iroh - I guess to contrast the Iroh being creepy towards her thing in the OG series. I wish they would have just had them interact normally tbh, no weird “flirting”

EP 6: “Masks”

- Here we go y’all. The best episode in the show so far and probably the best the show is gonna get this season. I’m still pretty shocked at how good this one was.

- I think the decision to include flashbacks to Zuko’s Agni Kai was a good decision here. It felt like an appropriate episode for them and the flashbacks were very well done.

- In general, Dallas is doing a phenomenal job at portraying a Zuko who is angry and aggressive, yes, but also so very sweet and compassionate at his core. I love when little inklings of his true self shine through.

- Roku was… not what I expected. He was very much more of a lighthearted and jokey person… I didn’t hate it, it was just unexpected lol. I wonder if they did that to contrast him with Kyoshi. Which, speaking of, I’m glad Roku clarified that Aang doesn’t just need to be a merciless warrior (and that he didn’t berate Aang for “abandoning” the world like she did). But I still am annoyed about the mischaracterization of Kyoshi in general.

- RIP Shyu :/

- Thought it was kind of strange how June captures Aang at Roku’s temple lol. Like how did she get on and off the island??

- Zhao continues to feel like a completely different character to me lmao. I think this version is pretty funny, but it’s so weird to see Zhao being portrayed as so goofy and incompetent when he was such an intimidating force and the main villain of Book 1 in the OG series. Just a weird direction they went with his character.

- The Yuyan archers look cool as fuck. 10/10 no notes

- Still not sure how I feel about Azula already being this insecure and jealous of Zuko. I think it makes her feel a bit more realistically like a child, but the whole point of Azula’s character is that she is really good at maintaining this cool and calm persona on the surface, which she uses to scare and manipulate people. I can see her maybe getting to a point later on to where she hardens herself into that though. We’ll see.

- Baby Zuko asking Iroh how he looks and his little smile 😭😭😭😭 I had a physical “aww” reaction to that. THAT’S MY SON (me and Iroh shouting in unison)

- War Room scene was handled very well. No complaints. I like how Ozai tried to test Zuko with battle strategies.

- Blue Spirit break out scene was extremely close to the original, and it was really good. They adapted it almost shot for shot with all the important parts.

- Here’s probably my favorite part of the episode: Zuko and Aang’s talk inside the abandoned house after they escape from Pohuai!!!!!! Gahhhh I could gush about this scene all day. I love how they expanded it to be an actual friendly conversation between Aang and Zuko. Like we get to see Zuko’s true self coming through - the sweet, kind boy we know he is. Zuko and Aang just have such great chemistry as well, wayyy more than Aang has with either Sokka or Katara. Like I adored them bonding over painting and caligraphy!!! I think this is the best acting we’ve seen from Gordon so far, and Dallas did a phenomenal job switching back to that hurt, angry version of himself (of course a trauma response). And the fact that Aang said “sorry, I didn’t mean to hurt you” when he blocked Zuko’s firebending attack??? My sweet boy 😭

- The final flashback to the Agni Kai was really well done too. I’d already heard Zuko fights back, which I wasn’t sure I’d like, but I actually didn’t mind it. I really liked that they showed Zuko’s hesitation whenever he did actually have an opening, and that was what angered Ozai the most - Zuko showing compassion, “weakness”. Daniel Dae Kim is of course doing a phenomenal job (no surprises there), and I really liked that Iroh actually attempted to stop Ozai at one point. It also looked like young Azula had tears in her eyes, which I again actually liked because it humanizes her.

- I loved that Aang was still there when Zuko woke up on the boat 😭 he wanted to make sure he was okay!! I full on started crying when we got the “do you think we could have been friends too?” lines from him. Again, Gordon killed it. I love how you can tell that Aang knows Zuko has been hurt and that’s why he acts the way he does. He doesn’t blame him for any of it. 10/10

- the last flashback to Zuko in his bed recovering from the burn… god the tears just kept flowing. I really liked the choice to have Ozai almost give Zuko a chance to like… idk understand why he did what he did, and how compassion is “weak”?? And then Zuko’s response to give people a chance 😭😭😭 as if I couldn’t love him any more!!! And then of course Ozai gets pissed. But seeing baby Zuko just cry in his bed UGH I’m dehydrated at this point

- Of course I can’t finish this review without mentioning the 41st division. What an incredible way to expand upon the source material by making them Zuko’s crew!!! It shows just how much Zuko truly cares about others and it moved me so much (once again to tears).

I don’t have high hopes for the last two episodes, but honestly, if this is what the live action can be, it gives me a bit of hope (at least for future seasons). I really think that Dallas, Gordon, Paul, and Daniel were the stars of this ep and are a big part of what made it so good.

[steddieas-shegoes]

For the requests: traumatized steve & eddie going to a wolf sanctuary and eddie watching steve basically live with the wolves in their area. And the one wolf,the one that hated everyone, the one who meaner and didn't get along with anyone to its cruel abusive situation (perhaps it was raised from puppyhood and onwards by people who used it in dogfighting, before it was rescued, that wolf, goes right up to Steve and sits by him. Giving him comfort. When Steve has bad nightmares he goes to that wolf's pen and they sleep cuddled together bc that wolf also has nightmares. (It can also be a wolfdog)

AS ALWAYS YOU COME THROUGH WITH SOMETHING FUN AND CREATIVE AND AS ALWAYS I MAKE IT EMOTIONAL AS SHIT!!! I was feelin' some type of way yesterday and started on this at peak emotional upheaval, which is really something I don't recommend. As many things tend to do, this got away from me and I think I could've still let it keep going, but I had to cut it off. Hope you love it!!! - Mickala ❤️

-----------------------------------------------

It was Robin’s idea.

She knew therapy wasn’t working. She knew firsthand that the nightmares, especially Steve’s, were impossible to handle some nights.

She stayed with him enough after the Russians to know he was averaging four hours of restless sleep on a good night.

And now that he’d seen the horrors of the Upside Down, and Eddie almost dying, and Max almost dying, and the guilt of just existing, they were worse.

Eddie had them, but he was usually able to calm down relatively quickly, usually even fall back into a dreamless sleep after.

His problem was just seeing the bats everywhere, even when he was awake. A large bird would fly by and he was ducking for cover like a bomb would be dropped on him. He’d hear screeching, sometimes even just kids yelling at the park, and he’d have a panic attack.

Drastically different problems, but Robin said this could help with both of them.

So Steve and Eddie stood outside the wolf sanctuary, staring at the front office entrance where they were told to check in.

They glanced at each other, waiting for the other to make the first move.

It’s not that they were scared. They’d been told about the process on the phone in great detail, the sanctuary director answering all of their questions in a friendly tone.

She’d said that the wolf sanctuary had been used as a form of therapy for people for years now, though many psychiatrists didn’t consider it an appropriate treatment.

Considering Steve and Eddie had been seeing a professional psychiatrist for months now with no progress and serious weight loss and migraines from their prescriptions, they were willing to give this a fair shot.

But their fear that it wouldn’t work kept circling through their minds.

If this didn’t work, they weren’t sure what else they could possibly try.

That was terrifying.

They were supposed to stay for a month, with the option of extending the stay if they felt they needed it.

It was expensive.

But this was on the US government, and Eddie was always quick to spend their money for his benefit.

Steve was just along for the ride.

They walked in together, both nervously looking around at the chairs and desks, bookshelves, pictures of wolves and mountains on the walls, and one small, gray-haired woman at the front desk.

“Oh, aren’t you two precious! Which one’s Steve and which one’s Eddie?”

“I’m Steve,” Eddie smirked as he held out his hand.

Steve smacked his arm.

“He’s Eddie, and he’s probably gonna be this way the whole time. Sorry in advance,” Steve told the woman.

“This is wonderful! You’ll be fun to have around. I’m Fran, I run the front office. I spoke to you the other day on the phone a bit about the check in. Are you boys ready?”

They both nodded.

She clapped her hands together in excitement.

Steve could tell Eddie loved her. She was full of theatrics like he was, every word punctuated by an exaggerated movement.

“First, the boring part. We did some of the first part over the phone, but these packets need to be filled out completely and given back to me. You can have a seat anywhere to do those. When that’s done, I’ll show you where to bring your bags so you can unpack and get comfortable. We can do a tour before dinner.”

She placed the packets on the desk in front of her, then took two pens out of a mug and placed them down too.

“If you have any questions, let me know. You two are just the cutest!”

She walked through a small doorway a few feet behind her desk and they grabbed the packets to start filling them out.

The first page was basic personal information, which had been filled out already. The second page was emergency contact information and how they were referred. But the third page is where it got difficult.

It has questions like “What is your worst memory?” and “Who is the person you would most expect to protect you in a life or death situation? Why?”

And while Eddie and Steve could probably answer those easily from terrible experiences, there was a lot they weren’t allowed to say.

So they just stuck with the official government stories for any and all Upside Down related parts, which was most of them.

Fran bustled back in, two steaming mugs in her hands. She set them on her desk carefully and then walked over to where Eddie was sitting.

“How’s it going?”

“Good. Almost done,” he smiled up at her.

“And you, dear?” She asked Steve.

“Good. I’m sorry I write kind of slow.”

Steve’s face was red, like he was embarrassed. Eddie watched as he focused on the paper in front of him, his hand moving slowly across the paper.

Steve’s concussions had a lot of lasting effects; migraines and one ear that was barely working, the occasional speech delay, and an inconvenient struggle with writing, especially if it was answering questions about himself like this.

Eddie distracted Fran as he wrote his last answer, talking to her about her favorite part of the sanctuary and how long she’s been working here.

He handed the packet to her when he was done, glancing over at Steve to see he was just starting on the last page.

“Hey, Fran, would it be okay if you helped me get our bags from the car while Steve finishes up?”

Steve sent him a grateful smile as he continued answering the questions on the paper.

As he walked with Fran to the car, she touched his arm.

“He’s got a lot going on, doesn’t he?”

“Yeah. He’s been dealing with this a lot longer than I have,” Eddie smiled sadly at her, touching her hand to accept the comfort she was giving and give some in return. “I hope this works for both of us, but I’d be happy as long as it works for him.”

“You care a lot about him.”

It wasn’t a question, and her tone wasn’t judging, but Eddie could just tell. He should panic, he should tell her it wasn’t like that. And it wasn’t for Steve.

But he’d been hiding it for so long, and somehow successfully, he couldn’t lie to her.

“I love him. He doesn’t know how much. I did this for him, mostly. I mean I want it to help me too, but I know he wouldn’t have tried this if I didn’t come and he,” Eddie sighed. “He needs this. He can’t keep going like he has been.”

Fran pulled him into a hug and he did all he could not to start crying.

“He’s lucky to have you on his side no matter what, darling. And I’d bet anything he thinks the same of you,” she said softly.

“I don’t think it’s quite the same. He loves me like a friend, but he’s not…not like me.”

Gay. He wasn’t gay. Or even a little into men. Eddie was sure of that.

Fran pulled away and just smiled at him.

“Okay, then. Let’s get these bags inside.”

They managed to bring everything in in one trip, and by the time they made it back inside, Steve was done with his packet.

“Alright!” Fran clapped her hands together in excitement. “To your room!”

Eddie’s eyes widened.

“Room? Like, just one?”

“Yep! The other room we have for long-term residents is already taken for the next few weeks. Will that be okay?”

She was smiling innocently at Eddie, who knew she knew why he was suddenly panicking.

“That’s fine. We end up sharing a room all the time, right, Eds?” Steve asked as he grabbed his own bags from the floor.

“Uh. Yep. Totally fine.”

“Great!”

She led them out the back of the front office, down the sidewalk that led to a row of small buildings.

“This first building is storage. The next one is the short-term stays, usually people who donate frequently to keep us running, staying for a night or two to see where their money goes. This next building is for long-term stays. That’s you two. It’s split into a duplex, so you’ll have basically a studio apartment in there. Kitchen, bathroom, living area with a sectioned off area as the bedroom. You each will have a key, but keep in mind that the director also has a key for emergencies. The janitorial staff only goes if requested, so let me know if you feel it needs a sprucing up or you need new sheets or anything. Fridge is stocked and gets restocked every two weeks.” She paused as they made it to the steps to the building. “Oh! We don’t technically have a curfew for the guests. You’re adults and we trust you on your journey here. But we do ask that you try to be back no later than 11, as we often shut off many of the trail lights by midnight to ensure the animals have the closest replica of the wild as possible.”

Steve and Eddie nodded, eyes wide at all the information being thrown at them so quickly.

“Your room has a phone of course. You’re free to use as often as you’d like. Pressing 1 gets you in touch with the front office, 2 is for security, 3 is for the director’s office. I recommend calling the front office unless it’s an emergency so we can get in touch with the right people for you. After your tour, you’ll have free reign over the entire sanctuary except for anywhere marked employees and volunteers only. That’s for your safety, of course. We encourage you to be a part of some of the educational tours and seminars that we offer to the general public as well as enjoy time on your own with the wolves. Volunteers are here every day from 9 to 5, and the employees who help care for the wolves stay until 11. We have security here 24/7, but the director usually has a couple people on staff remain after regular hours in case of an animal emergency.”

This felt a little overwhelming, but he could already tell Steve was more relaxed here than he’d been anywhere else since he met him.

“I work when they need me, but my home number is by the phone in there for you just in case you need a chat. I retired a couple years ago so I spend a lot of my time at home with my dog. You’re never a bother, okay?”

They both nodded.

She hugged them both, handed them their keys, and started to walk away.

“Your tour will be in about an hour. James is running it today. You’ll love him!”

She was gone before they could even respond, so they looked back to each other and shrugged before heading inside.

The main door was unlocked, but the door inside marked with a “2” was locked. Steve unlocked it and pushed the door open.

The apartment was nice, but small, smaller than either of them had expected.

“Guess we’ll be getting pretty close for the next month, huh?” Steve joked.

Eddie’s heart was in his throat.

He could see the “bedroom” from where he stood. It was one queen sized bed. One.

“Um. Yep. Guess so. I can take the couch,” Eddie rushed out.

Steve clearly hadn’t seen the sleeping arrangement yet or he would have probably offered. He’s a self-sacrificing idiot, so Eddie had to rush to offer before he could.

“What? Why?”

Eddie gestured towards the bed.

“There’s plenty of room for both of us, dude. A month on the couch isn’t exactly gonna help with the nightmares.”

“It looks pretty cozy.”

Steve just stared at him, brows raised like Eddie was an idiot.

He was an idiot, but he didn’t need Steve thinking it.

“Eddie. Seriously. We can share a bed.”

Steve wouldn’t let him win, it’s just not who Steve was.

“Okay, okay! Let’s just unpack so we can go see some wolves or whatever.”

They unpacked in silence, Steve taking the spot closest to the door without Eddie having a choice.

Self-sacrificing idiot.

—--------------

James knocked on their door at exactly 4:00, like he’d been standing there waiting for the clock to change over from 3:59.

“Hello! I’m James. You’re Steve and Eddie?”

They all shook hands and James started explaining things quickly.

James was only a bit older than them, wearing a volunteer shirt that had seen better days, and had the energy of Dustin.

“So! I’m gonna show you the lay of the land, you can ask me questions, I can try to answer them, and then I can drop you off back here so you can eat. The first night can be a bit of an adjustment, so feel free to give me a call if you have trouble. My number is under Fran’s,” James spoke rapid-fire, but not so fast they couldn’t keep up. They were used to that, anyway.

“So to start, everything you guys really need is along this main trail.” He pointed the way they came earlier and then the other direction. “That way leads to our nutrition area for the wolves, which you are welcome to visit anytime during the day to help or feed some of the rehabilitated wolves in the building nextdoor which is the hospital. The hospital is only open to the guests staying here and employees from 12-5, just because much of the mornings are spent performing surgeries or checkups. You’re encouraged to spend time with any of the wolves there in recovery as it helps their spirits much like a person. But if you take the left at the fork in this trail, you’ll be led to other trails. The first one is the wolf enclosures, which I’m taking you to now.” He kept walking as he spoke, moving his hands constantly, big smile keeping Eddie and Steve enthralled.

“We have one specifically for the ones we’ve rescued who are still healing from injuries, and that one is off limits to everyone between dusk and dawn. Many of these wolves are relearning how to be wild and part of that is using the night to hunt. Being in their cage during those times could be dangerous. They wouldn’t necessarily eat you,” he paused to laugh. “But they may take a bite. Now! The second enclosure is where we keep Herald. You can laugh at his name.” Eddie let out a small laugh.

“Herald had a rough upbringing. He was rescued about six months ago from a traveling circus that had abused him for at least a few years. We think he’s about 5 years old, but can’t be 100% certain. He’s hesitant around all people, even the director. He can be very unpredictable, so only the director, vet, and head nutritionist are allowed in there. You’re welcome to visit from the outside anytime you’d like though! He’s shy, but it can’t hurt having people talk to him.”

James was walking pretty quickly, and if Steve wasn’t so in shape, he’d be struggling. He looked over at Eddie. Eddie was struggling a little, but didn’t want to stop or slow down.

“And the last enclosure is for the rest of the wolves. These are ones that may be reintroduced to the wild soon or who may have been rescued without injuries, but just aren’t ready to go yet. This enclosure has a few areas for public access. The first being the feeding area, the second being the petting area. The petting area is only able to be accessed when employees or volunteers are present. The third area is only for guests staying long term such as yourselves.”

James walked them through a gate off to the side of the enclosure.

“This area is my favorite in the whole sanctuary. It’s their den area. It’s not recommended to come alone, and you should always go to the petting area to meet them first, but this area is nice for anyone who wants to feel like a part of the pack.”

“We can go in there?”

“Again, it’s definitely recommended to meet the wolves in the petting area first, maybe feed them a few times to show them you’re a friend, but yes.”

“Huh.”

Eddie watched Steve’s reaction.

This was much more involved than they expected to be.

“So that’s the enclosures! The next part of this trail leads to a walking and biking trail that is a great way to see some nature without having to leave the area. It’s snake season, though, so make sure you know your snake safety beforehand and bring the provided whistle with you in case of an emergency. Volunteers and employees are always within hearing distance during normal hours and can usually respond within 3-4 minutes.”

“Could we go back to Herald?”

Eddie’s head snapped to Steve, who was looking at James with a kind smile.

“Oh. Well, sure. The only other thing I needed to show you was the trail leading to the lake, but we can go back after.”

So James backtracked, Steve and Eddie close on his heels.

They got to the enclosure with Herald, but didn’t see him.

“He likes to hide. Especially if it isn’t close to meal time, he doesn’t usually come close to the fence. His den is hidden away.”

Steve kept walking up to the fence as James spoke, Eddie watching and trying to figure out what was going on.

“Herald? You there?” Steve called gently into the fence. Wolves had excellent hearing, and he’d probably already heard them approach. “You can come say hi if you want to.”

Eddie stood next to Steve, looking out at the area in the enclosure. There was a good mix of forest and empty area, with plenty of things that were probably used as toys scattered around. He watched for any sign of movement, listened for any trotting over.

Nothing.

Steve looked incredibly disappointed, but James walked closer and gave them both a smile.

“Like I said, Herald isn’t very social and it’s nothing personal. He doesn’t even seem to like the director and all the wolves love her.”

But Eddie knew Steve. He knew that he wasn’t gonna let that shit go.

“Alright! Shall we head to the trail by the lake?”

Eddie watched as Steve sighed, but nodded.

—--------------

Steve cooked them dinner that evening, said it helped him relax and that he would feel more at home if he got into a routine.

Eddie wouldn’t complain; He loved Steve’s cooking.

He made a basic spaghetti dish, even toasted some bread and sprinkled some garlic powder on it to make garlic bread.

They sat at the small table by the front door and ate in silence.

“It’s really quiet here.”

Eddie looked up to see Steve staring down at his plate, biting his lip nervously.

“It’s kind of nice though. Peaceful.”

“Yeah.”

Eddie knew what he was worried about.

He was worried the silence would make him have more nightmares instead of less, that he’d be left with nothing to help him if this failed.

“Hey,” Eddie reached over and patted Steve’s hand that rested on the table. “I’m here, alright? You won’t be alone.”

“Yeah,” Steve agreed, only slightly relaxing back into his seat.

—--------------

The next day was relaxed.

They walked along the main trail after breakfast, happy to see Fran again and meet some new people.

They stopped at Herald’s enclosure, but still didn’t see or hear him.

Steve was disappointed, but it was hidden away when they were able to feed and pet some of the other wolves before lunch.

The wolves were all beautiful, clearly well taken care of, and even the ones still in recovery were cleaned, well-fed, and cared for by the team.

Eddie quickly had a favorite: Mabel. She was an “old woman” as the employee at the feeding area said. She was 12 years old, had been brought in from the side of the road after being hit. She had had a broken leg and many broken ribs, along with cuts that needed stitches. Not the worst they’d seen, but due to her being nearly 11 at the time, they didn’t expect her to pull through. She did though, and had quickly become known as the leader of the group. All the wolves respected her, it was clear even to Eddie and Steve. She was the first to the feeding area, the first to the petting area, and would often stand guard over the others as they went into the shared spaces.

She was light brown with gray speckled throughout, her scars visible, but mostly covered with hair.

Steve loved Mabel, too, but he still had his heart set on Herald.

Eddie wasn’t stupid. He knew why Steve was so fixated on him.

Someone who was abused and hidden away and expected to perform every day for crowds of people? Yeah, Steve and Herald had quite a bit in common.

He just didn’t want him to get his hopes up for nothing.

After lunch, they decided to walk over to the nutrition center, maybe learn something new.

It was educational, and fun, and Eddie said multiple times how much he wished actual school had been like this.

The nutritionists let them help set up all the wolves’ dinners, showing them portion sizes for each of the wolves, telling them what the wolves’ favorites were. How they celebrated birthdays for them.

It was fun. Steve even cracked some smiles throughout.

—--------------

That night was rough.

Steve had fallen asleep quickly, much to Eddie’s delight, but it didn’t last long.

Eddie was woken up not long after he fell asleep by whimpering. He glanced at the alarm clock by the bed. 10:38. Barely an hour.

He knew from experience that waking Steve up would just make things worse for him, so he gently set his hand on Steve’s side, the best support he could give right now.

It physically pained Eddie to watch Steve’s face tighten in fear and sadness, whatever his nightmare was this time painting a horrifying picture he couldn’t escape.

Steve had mentioned once that his worst nightmares weren’t even about reliving anything that happened. They weren’t anyone dying, though he had those too. They weren’t even him dying.

They were everyone turning on him, finally seeing he wasn’t worth their time or effort, leaving him alone in that big empty house just like his parents did. He said the worst part was when Robin and Eddie left in the nightmare. When they looked at him with disgust and said he wasn’t good enough for the kids, and he damn sure wasn’t good enough for them.

No matter how many times they told him that would never be true, he still had them.

Ten minutes went by, agonizingly slowly, tears falling down Steve’s face. Eddie was whispering words of comfort, hoping that somehow Steve could hear him, but knowing he probably couldn’t.

But finally, Steve’s eyes opened, the whimpering stopped, and he was no longer hearing and seeing what hurt him the most.

He sat up and wiped his eyes, but the tears kept coming and his breathing was still labored.

Eddie sat up with him, hand on his arm, thumb rubbing back and forth to keep him present.

“I think I need to walk it off,” Steve said, voice wet with tears still to come.

“Okay. Do you want me to come with you?”

Steve shook his head.

“No, go back to sleep. I’ll only be out for a few minutes.”

And as much as Eddie knew that was a lie, and knew he should probably go with Steve, he had to trust him.

He’d be safe. He had to be.

—--------------

Steve walked aimlessly up and down the main trail for 10 minutes, trying to breathe in the fresh air, focus on his surroundings.

It wasn’t working as well as he’d hoped, but it was better than staying in bed and letting Eddie see him like this.

Eddie was too kind, always. He was bright, like the sun and the stars and the moon on a clear night. He was everything. And if Steve let himself be too vulnerable, too much, Eddie would take that light.

He lost track of where he was going, his breaths coming in sharper pants now as he let more tears fall.

A noise made him freeze.

Leaves rustling.

He looked up to see Herald’s enclosure in front of him. And…

Herald.

Herald was huge, much bigger than any of the other wolves they’d seen so far. He was beautiful. Scars along his legs showing that he had been abused awfully before coming here, but the rest of him glowed with health. He was standing about eight feet from the fence, trying to hide some of his body still behind the bushes along the forest line.

Steve slowly made his way to the fence, his hands up to show he wasn’t going to cause any harm.

Herald didn’t come closer, but he didn’t back or run away either.

Steve counted that as a win.

He instantly slumped to the ground at the fence, his hands and head resting against the chain links like they were the only thing keeping him upright. Maybe they were.

Steve closed his eyes.

He was so focused on staying calm, he couldn’t hear Herald approach. But he suddenly felt a cold, wet nose against his head.

He didn’t panic, he didn’t want to scare Herald, but he realized suddenly that his fingers were very much easily accessed by sharp teeth.

He let Herald sniff him, then slowly looked up.

Herald was tilting his head at him, almost as if he was asking if he was okay.

That made Steve sob.

Herald jumped slightly, but then moved so he was completely against the fence, laying down so his warm body could be against Steve’s.

Steve slowly let his hands fall, reaching through the fence slowly to let them rest in Herald’s fur.

He felt the wolf sigh, and he couldn’t help but laugh.

“Yeah, I get it. Sometimes it’s nice to have someone care, huh? You’re so soft,” Steve whispered, knowing Herald was still not completely relaxed around him.

“You tired?”

Steve felt a little silly for asking a wolf a question, but he felt even sillier when he realized Herald had just moved his head up and down. It was probably a coincidence, but the timing was crazy.

“Me too. We should get some sleep.”

Herald huffed and rolled his head back against the fence.

“Want me to stay?”

Herald huffed again.

“Okay.”

So Steve stayed.

He sat down on the ground, back against the fence, and listened to the crickets and the steady breaths of Herald.

He was woken up by Eddie shaking him and a growl coming from behind him.

“Steve! Jesus, I thought you’d got lost or died or something.”

“How long have I been out here?”

“It’s nearly two in the morning!”

Herald was growling behind him, protectively pacing behind Steve like he would find a way to get through the fence if Eddie tried to hurt him.

“Hey, Herald, it’s okay. This is Eddie. He’s here with me. He’s my friend,” Steve said calmly, holding his hand through the fence so Herald could sniff him and see he was okay.

“Steve! Get your hand out of there. He isn’t friendly, remember?”

“Oh, please. He just slept by me for hours and let me hold his fur like he was a stuffed animal. He’s plenty friendly.”

Eddie just stared, jaw slack, as he realized Steve was right.

Herald was licking Steve’s hand, leaving his scent on him like he was trying to provide as much protection as possible.

“You made friends with the only wolf here who hates people. Unbelievable.”

“Hey, be nice. He just needs some love is all.”

Eddie nodded. Yeah, him and another person with a name that started with S and rhymed with sleeve.

Eddie’s heart had been racing for the last 15 minutes since he woke up and realized Steve wasn’t in bed next to him or anywhere in the apartment.

He finally took a deep breath, balling his shaking hands into fists and stuffing them into the pocket of his hoodie.

“We should head back inside, Stevie.”

Steve seemed to notice Eddie wasn’t doing so great.

“I’m alright, Eds. Hey, look at me.” Eddie looked at Steve’s face, the way he seemed more relaxed than when he first left after his nightmare. “I’m okay. I must have fallen asleep.”

Eddie took a deep breath, resting his head against Steve’s shoulder as he let it out.

“I thought you were gone.”

“Nah, you can’t get rid of me now.”

“No?”

“Nope. Herald and I are just good friends, but you’re still-” Steve cut himself off, but Eddie wasn’t going to let that pass.

“What?”

“Nothing. Not important.”

“Yeah it is. Tell me.”

Steve seemed nervous, and Herald must have sensed it because he let out a low growl.

“It’s just that you mean a lot to me. Kind of everything, actually.”

Eddie couldn’t breathe.

What did that even mean?

Steve’s hand was suddenly in his hair, playing with the ends the way Eddie did when he was nervous.

“You’re just. I mean, how could you not mean the world to me? You dropped everything to come here with me because you knew I wouldn’t do it alone, Eds. You bring me candy at work even though I literally have access to all the candy I want at the counter. You let me find reasons not to watch the scary movies on movie nights when Dustin picks because you know I can’t handle them. You swim in the pool with me alone so no one knows how much I still hate it. I…you’re just…”

Eddie didn’t let him stutter any more, knowing what he was saying without actually saying it.

He knew what Steve was afraid of, and he wasn’t going to let him be scared anymore.

“Steve. I love you. That’s why I do all that. I love you. I’m in love with you. You deserve more than what I can give, but I can keep giving you all of the love I have, and hopefully that will be enough.”

Steve’s lips were on his before he finished speaking, teeth clacking together at the force of it.

Herald huffed, but they didn’t stop. Eddie didn’t know how he was supposed to now that he had Steve’s lips on his.

He never wanted them gone.

His hands reached up to Steve’s neck, cradling his jaw between them as if he was holding something precious. He was.

“I love you so much,” Steve said against his lips, melting against Eddie.

“I love you, Stevie,” Eddie said back. He planted another soft kiss to his lips before resting their foreheads together. “Let’s go back to bed, okay? We can come see Herald after breakfast.”

Steve nodded and turned to Herald.

“I’ll be back. Don’t hide from me, okay?”

He reached in to give Herald’s head a scratch, and Eddie shook his head in disbelief.

It took less than 48 hours for Steve to have the one wolf in this sanctuary who didn’t like people completely wrapped around his finger.

But Eddie could relate.

Steve’s charm was damn near impossible to resist and now he didn’t have to try.

[grey-and-green]

Ineffable (pre-2000's) Timeline

Before the Beginning 

We don’t know how long before The Beginning this was, or how long they may have known each other in ‘heaven’ before Eden. We don’t know if one (or both) of them had their memory of the other erased (I think there's quite a lot of speculation about this, so I can't link just one example).  

Angel!Crowley is the most adorable thing in all creation, but he asks some very innocent and appropriate questions and Aziraphale is scared for him (and maybe scared of him?) 

Crowley shelters Aziraphale with their wing. Adorable. Love it. 

4004 BC: Eden 

Aziraphale gives away his flaming sword in his first official act of doing-good-against-God’s-wishes and Crowley immediately fucking eats it up.

"You're an angel, I don't think you can do the wrong thing" is well-intentioned but probably sets up a less-than-helpful anchoring point for Aziraphale's morality (see various points below about Aziraphale's moral evolution trajectory and rationalising Heaven's actions).

Aziraphale shelters Crowley from the rain (and the best part is that Crowley moves in, closer to Aziraphale, BEFORE Aziraphale puts his wing up. Fucking lovebirds. Ridiculous) 

3004 BC: The Flood 

Crowley seeks out Aziraphale at the flood. Essentially just shows up to flirt.

Aziraphale clearly doesn’t like the flood-and-death plan but he also isn’t ready to speak negatively about God. He defends the flood as “not that bad” and goes all “no comment” about killing kids (because he can’t actually defend that bit). Not a huge fan of heaven already by this point, but either too brainwashed or too scared (or both) to actively say anything non-conforming out loud.

Crowley is appalled by the idea of killing children, has always been a rebellious little cinnamon roll.

“You still have one [unicorn]” implies that Crowley either doesn’t know the point of the Ark (unlikely, he didn’t show up here by chance) or he doesn’t know about the birds and the bees. (Is it at all possible that Bildad The Professional Cobbler/Midwife still didn’t know what sex and childbirth were? No solid evidence that he had any plan other than pulling the ribs out. He’s so stupid)

(Theory: Others have considered that this meeting was more involved than what we’ve been shown so far because 1- by the Job incident Aziraphale is real damn convinced that Crowley won’t hurt the kids and 2- “sudden rainstorm forces them together under a canopy” doesn’t actually fit with either of the times our lovebirds sheltered the other under their respective wings, because neither time was sheltering “together”. So maybe this sudden rainstorm is what Crowley is actually referencing and there’s more here we haven’t seen). (Theory 2.0 is this wildly long meta that basically is a dissertation on why the kissed during the Flood and I’m here for it).

2500 BC: The Job Incident 

Ugh, I love this episode. Nothing but endless love for our baby Bildad.  

Appears to be a chance meeting between them.

They BOTH DEFY ORDERS to save the children.  

When the bird-goats make a noise, Crowley turns around before Aziraphale says anything. He was HOPING that Aziraphale would catch on, he was baiting his Angel to see that he was going to save the kids. Which, I mean, we all already know Crowley is a softie and he’s not really tried that hard to hide it from Aziraphale in the history we’ve seen so far, so…tone down the evil demon cosplay, babe. We’re past that.

Crowley saving the kids isn’t surprising. But we actually have a big jump for Aziraphale here. When we originally only had the Flood and the Crucifixion in S1, the evolution of Aziraphale’s “defence” of Heaven seems subtle and slow between those two short scenes. But throwing this epic story in the middle? Genuinely a MASSIVE shift from rationalising Heaven’s plans for the flood to assuming he knows what God is thinking + actively collaborating with a demon and trusting a demon more than his fellow angels + willing to be literally damned to save three random kids. (Could easily argue that this seeming anachronism in Aziraphale’s arc [along with Bildad’s stupid hair] makes it all the more plausible that there is a magic trick happening here).

Aziraphale says that Crowley is “technically” a demon. (I see what you’re getting at there. I see you, Aziraphale) 

Aziraphale tries human food for the first time. Odd sexual tension. I won’t elaborate.

When Aziraphale is sitting by the ocean, he’s waiting to be punished and thinks that’s why Crowley came over. But Crowley doesn’t know this. He was just coming over to spend more time with Aziraphale for totally platonic reasons.

Crowley has the chance to take Aziraphale to hell as a demon, and declines (hmmm, foreshadowing us all getting our hearts ripped out a few short episodes later???) 

Crowley’s appearance: people have speculated on why they look so different here compared to the Flood and the Crucifixion. My theory is that the other to flashbacks (seen in S1) are Crowley going about her life and just popping in to flirt with Aziraphale, whereas with Job, Crowley is showing up to work. The Bildad getup is a work outfit, demon cosplay. Long hair and no sunglasses is Crowley being himself, and silly hair silly glasses is creating a character to play while hiding his eyes because humans are around AND he’s vulnerable when hell is watching.

Bonus happy thought: when they get the kids in the cellar they start bickering like an old married couple/BLATANTLY flirting and the kids are just...so confused. Fucking delightful.  

33 AD: Crucifixion 

Crowley seeks out Aziraphale.  

Crowley has changed their name.  

By this time, when Crowley says “Heaven’s being a bit shitty” Aziraphale doesn’t actually defend Heaven? “I’m not consulted on policy decisions” is much closer to “I know they’re awful but I can’t change anything” as opposed to trying to rationalise that heaven must, by default, be good. (See note above about Aziraphale’s non-linear moral evolution).

Not much else here except Crowley looking their absolute most gorgeous in all of history.  

41 AD: Rome 

Crowley having a bad day. A lot of people have written about how after the Crucifixion and everything else that has happened so far, baby bean is fucking disillusioned as all hell.  

Crowley makes obvious ploy to get Aziraphale to ask him on a date, and it works. Delightful.  

Bonus happy thought: the little pins each of them is wearing on their togas? The fucking angel wings and the snake? Nothing but love for the Good Omens costume department.

537 AD: Wessex knights

No idea if they’ve met between Rome and now, but I’m pretty sure they have? Aziraphale recognizes Crowley’s voice immediately, I feel like they’ve talked sometime (oodles of times?) in the previous 500 years.  

Proposed Arrangement. Aziraphale very dramatically declines for corporate reasons. Not so much “working together is wrong” but that “working together is against the rules”.  

Could possibly argue that this feels like a step backwards for Aziraphale since the Job incident. But I think, no? With Job, the stakes were high and they were literally saving innocent lives. Here, The Arrangement is presented more like cheating on homework. Like, this is just a report for work, I’m not going to risk being reprimanded for something trivial like faking a sick day. Because Aziraphale still wants Heaven’s (God’s) approval quite badly: he’ll risk his life to save human lives, but not to save himself a trek to a castle.

1601: Globe Theatre 

By the now The Arrangement is well established. Aziraphale puts up a very lazy fight against it, but caves almost immediately.  

We can see already that Aziraphale is concerned that Crowley could get in trouble over their relationship, but I don’t think he has really realized how much danger Crowley is in? Like, if he genuinely thought destruction was on the line, he might have protested more. But it’s still important here that Aziraphale is concerned with Crowley’s safety above his own.  

I believe Aziraphale asked Crowley to meet up at the theatre from what Crowley says about “you said we would blend in with the crowds”.  

Bonus happy thought: I’ve seen people speculate about whether the coin toss was rigged. I choose to believe they BOTH rigged it so that Aziraphale would go to Scotland bc Crowley didn’t want to go, and Aziraphale knows that Crowley can’t ride a horse so was totally keen to save him from that ordeal.  

1650: not shown

Something happens and Aziraphale does the “I was wrong” dance 

I wrote elsewhere that this could be a promise of something we will be shown in Season 3 -OR- it could be a Clue that memories are missing (see The Magic Trick You Didn’t See)

Also, despite all the wonderful suggestions people have from actual history about what these two might have gotten mixed up in in 1650, my personal prediction is that if we see this in Season 3, the actual Thing that led to the dance will be extremely trivial, like Aziraphale knocks over Crowley's drink or something.

1793: The Bastille 

Aziraphale gets himself in a damsel-in-distress situation and Crowley “has to” save him. Obvious ploy to go on a date. Flawless.

Crowley is clearly following Aziraphale around, since he showed up at exactly the right time. Zero coincidence detected.

Aziraphale has absolutely no issue with the executioner being beheaded in his place. Bit ruthless to sacrifice a random stranger for the cause of taking your crush out to lunch.

At some point, Aziraphale does the “I was wrong” dance here. Hopefully over crepes.  

1827: Scotland 

Crowley essentially just takes Aziraphale on a date to a graveyard. Such a mood.  

Some obvious moral struggles for Aziraphale starting to realize that good and bad are not black and white and that extenuating circumstances exist.  

Whether or not you believe that this memory was tampered with, when Morag is dying, Aziraphale essentially asks for Crowley’s moral guidance. He could have just healed Morag, but he defers to Crowley for ?permission...I don’t know for sure, but it feels significant that he wants Crowley’s approval here before doing ‘good’. That has to mean something.  

“Last I saw of him for some time” is, at most, 35 years between here and St James Park, which means they are meeting up a lot more frequently now. We’re not regularly going decades/centuries between dates anymore. 

Edit: As others have noted, the wording in this diary entry is actually odd because when Aziraphale is writing this, he MUST have already seen Crowley again for that last bit to make sense. Which means we actually probably have quite a lot of “us time” between the Elsbeth flashback and St James park.

1862: St James Park 

Likely Definitely not the first time they have met up since the Scotland flashback (see edit above).

I THINK this is the first time we see Aziraphale’s personal tartan show up? He’s now officially created his own clan on Earth and is NOT wearing the official tartan of heaven. He later gives this tartan to Crowley which is Significant. 

Since our last meeting, Crowley has been dragged back to Hell and, presumably, punished, for what he did with Elsbeth/Morag. (The time spent in Hell was likely not necessarily a LONG time but still seems like it was a sobering event for Crowley where he seems to catch up with Aziraphale about how much danger they might be in).

Crowley asks for the holy water because he now realizes that he may need to protect himself (and Aziraphale?) from Hell if and when they figure out the scope of his ‘breach of the infernal code’ and retaliate.

1941: London Blitz 

Accepted by fans as likely the first time they have met up since the breakup in St James Park. As with the Bastille scene, it’s very clear that Crowley has been keeping track of Aziraphale (if not actively just following him around).

Obviously, canonically, the moment when Aziraphale realizes he is in love with Crowley.

Immediately after this realization, Aziraphale also realises how much Crowley is at risk from Hell by continuing to associate with him. This does not stop them from having a romantic glass of wine back at the bookshop.

Photograph of Crowley and Aziraphale exists, no clues as to what happens to it/who keeps it after the events of this night. I hope it’s in the photo album that I assume Aziraphale keeps with his diaries and little drawings of Crowley he’s made over the millennia.

At some point, presumably on this same night, Aziraphale does the “I was wrong” dance, but we don’t get to see that. Yet.

(Side note: I feel like by this point in their relationship, it’s really got to sting when Aziraphale assumes Crowley is the cause of whatever horrific thing humans are doing. I mean, what in the past 6,000 years would point to Crowley wanting to actually help nazis? It’s not funny anymore, Aziraphale, stop re-traumatising your boyfriend with baseless accusations.)

1967: Soho Heist 

Crowley plans the heist in the pub that is literally across the road from Aziraphale’s book shop 

Aziraphale finally gives Crowley holy water – whether this is because he’s actually worried about the danger of the heist, or if he has just come to his senses about the fact that Crowley is in mortal danger from Hell and may actually need a way to escape them if things go pear-shaped, or whether he’s just acts-of-love reaching out....could speculate for days on that.

He gives Crowley the holy water in a thermos with his personal tartan on it. 100% on their own side. Adorable.

Aziraphale isn’t wearing his bow tie in this scene. He still has his tartan, but he’s wearing it as a cravat instead, with his shirt unbuttoned at the top. I genuinely don’t know what this is supposed to mean, but the costume department is too good for it to be random. (It supposed to be flirty? Like, ooh, top button undone, basically naked? And that just necessitated losing the bow tie? Is there sartorial symbolism here about a cravat vs bow tie that I’m missing? Tell me what’s going on!?!)

“You go too fast for me” (ugh, gutted every time) 

Additional event: year unknown

In their earlier flashbacks, we see them travelling the world for their jobs.

At some point they both end up permanently stationed in London.

My assumption is - that originally it was just the two of them on earth, possibly for thousands of years. Then their territory was limited to the British Isles, and eventually, when there were too many “oodles” of humans, they both ended up just looking after London.

So, who was assigned to London first? Because it’s not a blind coincidence they’re both specifically in London - one got assigned to the London first and the other one deliberately FOLLOWED.

I am still updating this as I re-watch and read other folks’ posts.

These are mostly my observations with a few additional things thrown in that I’ve seen people discuss already here on Tumblr. I will try to link to them best I can, but my Good Omens saved posts are massive and I’m not sure I can find all the original posts who's theories I’ve mentioned here

[oh-no-its-bird]

sorry but I genuinely need to know what the outside perspective of stoner Itama is- the ultimate weed supplier of Konoha?? At what point do they draw the line with this guy 😭

A wonderful question that makes me lose my mind a little bit to even consider actually

So we've already talked about how in this verse, Itama and Tobirama were trained to fight together as a duo, so they probably have at least a battle reputation that's tied pretty closely together

Actually hmm I'm thinking and that could cause problems for Izuna specifically, bc him and tobirama are on even ground and Itama would definatley tip the scales there

Ok so rewind -> they're trained to fight together and fucking terrifying, but for Reasons(tm) Itama tends to stick close to home base as a last line of defense / resident healer and clan poison master

When they send Tobirama and Itama out together it's to get shit DONE. Maybe Hashirama, in his desire for peace, actually specifically leaves him behind bc he knows if the twins go out on the battlefield together, certain pieces he doesn't want moved will certainly be doing some goddamn moving

As such, he doesn't have much of a reputation / maybe there's some sort of rumor ab him being sickly floating around

This also means he can do fun spy things bc no one knows what he looks like!! Which is even more reason to keep him off the battlefield, yayy

Funny bit where Itama and Izuna run into eachother in the wild and Itama totally knows who this guy is but Izuna has no idea who he is. Maybe they help eachother out a bit and Itama makes a joke about how he got separated from his brother, who's "tall and grumpy and acts like a cute little kitty cat <3"

And Izuna is like, haven't seen him, sorry

Then Tobirama shows up and Izuna is screeching "THATS Bibi-chan???" As Itama uwus and goes "I told you didn't I? My bibi-chan is tall and grumpy and acts like a cute kitty cat <333"

(Izuna feels like he's having an aneurysm)

Blah blah blah Konoha is made early yayy friendship peace and ninja drugs galore what a beautiful world we live in

The consensus on Itama inside Konoha is that he's very nice and the most reasonable / easy to work with of the 3 Senju brothers (HIGHLY debatable, they are all insane in very different ways)

Anyone who meets him personally within professional bounds finds him very charming and soft spoken, with the type of personality on the surface that'd make you think he isn't fit for shinobi work (which, to any shinobi worth their salt, is a red flag in itself)

Itama is very conscious of public opinions, and he's friends with Izuna who's like got spy master vibes going on for him— they probably collaborate together sometimes in that field. So he has a good grasp on what people think of him / how to manipulate that

OUTSIDE of the village, since Itama mostly avoided public eye for so long, he doesn't have too much of a reputation. Even after he started going out with Tobirama on public missions regularly, bc of Tobirama's own big reputation, whenever they do insane shit it tends to be attributed to him— not the harmless looking guy standing innocently behind him

Konoha's secret weapon,,

Anyways !! I don't think the fact that Itama is specifically the mind behind the really good konoha weed is public knowledge. It's definitely known that it's a Senju product, and a lot of people probably assume it's Hashirama

Itama IS however known as the guy who totally always has that good ninja weed, and he's totally always on staff as one of the first faces any visiting important people see. He's so disarming, he's great at charming dignitaries

He and Izuna probably get sent to the capital whenever they need court representation actually. Konoha's pretty politics duo here to smile nicely and feed you pretty lies

What the fuck was I talking about again

RIGHT OK SO

Outside of the village people don't really know Itama has as much importance / influence as he does, due to a mix of on purpose subterfuge and just everyone around him having really big reputations that he carefully allows to overshadow his own

It benefits him :)

They never see the Itama inquisition coming

<- This also means that when he does insane shit he never fails to get "oh what the fuck" reactions from anyone new around him (he finds the process of watching people realize he's just as bad / possibly even WORSE than his brothers very, very funny)

[massivetyrantduck]

it’s time

more thoughts about outsiders musical

not being a hater I loved the show

I don’t like the mischaracterization of dally I thought about it but it took away from one of the huge points in the book: dally being the greaser version of bob. Which is important to me bc not many seem to understand how if bob cannot be redeemed than neither can dally. They both had good moments but were not very good people. Dally did horrible things and people tend to forget it simply bc the actors who play him are all hot

in the same way getting rid of randy destroyed the comparison of randy and Johnny. Which got rid of pony and Randy’s conversations and the realization that they really couldn’t change much of anything no matter how hard they tried but Randy chose to try anyway because it was right

speaking of comparison pony and cherry are obviously each others counterparts. Shipping them to me is wrong btw. Maybe in ten years but ponyboy is barely 14 and she’s like 16-17 and ponyboy never showed interest in her other than understanding her bc they are both different. I disagree with cherryboy shippers bc come on a guy and a girl can have an intellectual conversation without romantic energy. This doesn’t really have to do with the show I just have opinions

I did appreciate Paul yes bring attention to how if the curtises had more money and if their parents hadn’t died Darry could have been someone big. Someone known. Someone the world considered important. And probably to the gang he represented the idea that a greaser could make it out there but then he didn’t and it crushed them a little so they tried to joke about ‘him going soc’ as a way to cope and it just alienated him even more since he now needed a full time job and to raise his brothers and to keep the house standing

I think they fed into the johnnyboy just a little too much. I love me a gay ship but come on, there’s something so beautiful about choosing family and that is what ponyboy and Johnny have. Can we shut up about the ship for one second and admire brothers who would go anywhere for each other, who would kill for each other or die for each other. Brothers who spoke without speaking. Platonic love is amazing and I loved their songs but I know the johnnyboy shippers are gonna be annoying af whenever I try to interact with the fandom. Like just because some people are queer doesn’t mean every character you like has to be queer. I know we as a community are underrepresented but if you want queer representation write a new story with queer characters, dont ruin the kinship of the curtises and Johnny cade

I loved throwing in the towel but I did not like how ponyboy sang in it too. The whole point is he is gone, and also the literal next song is the three brothers so it would have made more sense if he wasn’t singing TITT. Also if there was a missing harmony it could have been chefs kiss

the Julie Andrews bit? Fucking iconic

who tf is blondie soc girl and greaser girl. Sure ig for harmonies but they added nothing to the story and seriously to me seemed pointless. Their characters did not have to be written and served no purpose and come on, outsiders isn’t even about girls. The only girl who was close to a main character was cherry, and the only side girls who could have added to the story were sandy and Marcia, and they already underutilized Marcia. Like if you needed another girl moment just add in the two bit Marcia stuff but blondie and greaser girl had no use other than harmonies and dancing.

dally seemed way older than he should. He’s 17 he’s not put together he’s in and out of jail he’s not a responsible older brother to the boys he’s dangerous and unstable and both twobit and Darry are older than him also

the dally vs darry brother stuff was stupid

twobit was everything I wanted him to be loved it

ITS A HOPELESS WAR WERE FIGHTING AND WE DONT EVEN KNOW WHAT FOR EVEN IN THE END EVEN IF YOU WIN IT DOESNT CHANGE A THING

I didn’t really like little brother. At first I was like YES dally only cared about Johnny so yes the devotion is eating but then he’s like ‘do it for ponyboy and Johnny’ like what? ‘I am killing myself for the sake of ponyboy and Johnny’? That accomplishes nothing. That makes no sense. He killed himself bc the only good thing in his life was gone, not for pony and johnnys benefit?? The song is a banger but the lyrics are not it

stay gold is beautiful and the message is beautiful it fit the end of johnnys story so well and hold on to the good things and make peace with the bad things bc holding on to bad things is how people become resentful and vengeful and easily tempted to do bad things and that’s how bob and dally became bob and dally anyways stay gold might lift me out of my depression bc the message is so powerful and if I just find the beauty in this world in the sky and in the kids I work with and in my pets and everywhere else and if I act with grace and mercy and kindness rather than anger and justice and a mean spirit then I think I’ll do okay

I don’t blame the writers for not putting it in bc time exists and there’s only so much of it but I wish we’d seen more of ponyboys mental struggles or maybe even a short court scene showing them labeled innocent and it could have included ponyboy getting confused like in the book but I’m not mad bc it was getting to be a long musical

I did think the idea of ponyboy choosing to share johnnys message of staying gold by writing their story was very cutesy

awwwwww the way they ate dinner together and showed him improving by him eating a little bit like yes baby steps disordered eating is no joke and family dinners are amazing especially since the first few months of family dinners were probably sad and empty and tense and angry and then Johnny happened and they were sad and empty again until he started eating and the way darry didn’t make a big deal out of it and let him go slow :,)