#which is as good as magically binding

[huginsmemory]

Even with TBOB and thisisnotawebsite.com there's... Still so much we don't know about Bill. Like ok yeah he's given a tragic background, we know a bit more about his henchmaniacs, but we really don't know a lot. Like, what happened directly after he accidentally destroyed his dimension? It isn't said. Sure time baby KNOWS about Bill's destruction of his dimension, but it seems like he didn't show up after Bill's dimension was destroyed to apprehend him because he only knows about Bill after Bill tries to make a deal with him, causing Bill's wanted poster. And how did Bill become basically the overlord of the nightmare realm, and gather all his henchmaniacs? Like there's a good period where we just don't know. And it's implied he's shocked and horrified (likely even dissociates, since he does that) after he destroys his dimension. But his characterization doesn't seem by that point to be one that immediately goes into a self-destructive, violent god-becoming maniacal spiral of self hatred; it's more one to be overwhelmed with grief and spend a good long time in the midst of his grief, then necessarily he's about to DO anything. And generally speaking trope wise, there's steps missing; typically in this sort of scenario, the usual progression is this:

characterized as monster due to being different in some way

tries to prove their not

ends up hurting someone anyways

gets further villainized, and antagonized by others

Acceptance of being a monster, and goes okay? You wanted a monster? I'll be a monster.

Now this fits Bill's early life, up to number 4, but we don't know what happens immediately after. It's possible he just went into his spiral immediately after, but it feels wrong, because it is missing the part of someone further villainizing him beyond himself which causes him to lash out due to the expectation (and internalized) idea that he would cause harm. I'd assume maybe some kind of interdimensional authority showed up and accused him of purposely trying to kill his dimension, which triggered his "okay, then I'll be a monster", or even a situation where his 'monstrosity' through the badge of killing his dimension is garners him respect. Considering that his henchmaniacs are chosen out of monstrosity and violence as a badge of honor, it feels very much like this would make sense, except none of them really know about Bill's dimension. He doesn't brag about the violence of it; he only calls it a liberation, contrary to the idea that Bill ever used it to gain clout. Instead, it's more likely that an interdimensional authority showed up and accused Bill, except from circumstances, it doesn't seem like it was Time Baby, so not sure who it would be... but at the same time, that expectation is often required for the character to truly embrace their 'monstrosity' and become truly violent. Or perhaps it was delayed after the destruction of his dimension, later when he begins to run with his henchmaniacs and disregards the law, but that also doesn't feel satisfactory for character development. Or perhaps I'm just overthinking this trope...

Also, how did he have his powers? Some is clearly stuff he's always had; pyrokinesis from that one rhyme, the ability to see into 3d, and he was somehow able to destroy his dimension by whatever he did to let Euclydians see the stars (telekinesis?), but beyond that? Was he always all-seeing? How did he become a 'dream demon'? Are his deals actually binding or does he lie? Are these things that he acquired later, because Euclydians seem to be written about as if they usually don't have any of these abilities, nor the abilities Bill is known to have when young, nor did Bill seem to be able to be all seeing when he was younger. Plus, how was Bill able to survive the destruction of his dimension, if he's technically made of the same stuff as everyone else, who all seems to have a physical form? Why then does he seems to be characterized as a being made of pure energy and thought; is that just in Earth's dimension, or does he have a physical form within the nightmare realm? There's multiple things that are contradictory about his body (mouth-eye, yet talked about removing his exoskeleton to feed--not sure exactly when this was mentioned--plus his mouth located under his bricks and bowtie in his exoskeleton in journal 3). But he seems so thrilled by his physical form though on earth, and we know that physical forms exist within the Nightmare realm as Ford was in it... yet it seems like hes characterized to have no physical form, so did he perhaps lose his physical form when his dimension died? Did he technically die with them too, but with his powers was able to survive essentially as a ghost like he tells Dipper you become without a body?

[gothamghostwhispers]

You already have a place with us if you need one

HOLY SHITF??>@?!?!?!?@!

[legolasghosty]

🐑 Alternate Universe- Magic, Mutual Pining, Demonic possession, Furbies

Oh dear...

Alex is attending one of the most prestigious magic academies in the country, on the orders of his parents of course. Even though Laiz Fier Academy reviles even the name of the only type of magic he's ever been good at. His parents swore he'd find another specialty here, and he'd let himself believe them, like the idiot he is. He's scraping by in classes. Barely. At least he's managed to make a couple of friends and figure out how to sneak into the library stacks to find books that will actually help him hone his skills.

However, Alex realizes now there's a reason why it's not recommended to do your first summoning alone. Because, while he does manage to summon a demon, it doesn't exactly end up in the silvery urn he'd laid in the center of the pentagram.

So now he has a talking, demonic Furby to hide. One that, despite its too-wide eyes and disconcertingly smooth voice, Alex thinks he might be developing feelings for.

(Fake fic ask game!)

[hwitzr]

general themes and ideas for my portrayal of katsuk.i:

a broken prototype: "then turn selfishness into a weapon. make things yours, make other lives and dreams hopes yours." / "it feels like i'm sad for an infinite number of my selves." / "it has to be perfect. to make up for it, to make for the fact that it's me."

butterflies:  re: metamorphosis, "you listen and you know you could live a better life than you do, be softer, kinder. and maybe this year you will be able to do it." / "i act and react, and suddenly i wonder 'where is the boy that i was last year?'... what would he think of me now?" / "mostly, i want to be kind."

fear of insignificance: "i want to try and be terrific, even for an hour, i feel like a time traveller: summer dissolves in my mouth and i can’t remember what it tasted like" / "it terrifies you. that you missed out on something."

without body and mind: "could i just ... let my molecules separate while you keep an eye on the burner? the flame's fickle. here's hoping it doesn't go out." / "i feared a wound not of the body but the soul, an irreconcilable division between myself and the rest of humankind."

guilt as an open wound: "i want to tell you this story without having to confess anything, i want to tell you this story without having to be in it." / "the enormity of my desire disgusts me." / "the strength of my desire, the speed with which it flowers, shocks me; i flinch and startle."

anger as someone else: "i began to realise that although the violence was over, i still carried it with me." / "let the current carry the body away. let it sink. let yourself grieve and learn from this: learn to love." / "violence does not always take physical forms."

and anger as all you are: "aside from luck, what has driven your career? rage. i'm fucking angry, man. about everything." / "i know if i had not discovered art, i would have become a criminal." / "he plays very badly, but it stops him from destroying things."

sometimes people can understand you better than yourself: "to be a monster is to be a hybrid signal, a lighthouse: both shelter and warning." / "i was taught to desire nothing, to swallow other people's misery, and to eat my own bitterness."

a study in shame: "mother please believe me, ... i'm ashamed of the things i've been put through, i'm ashamed of the person i am." / "another morning and i wake with the thirst for the goodness i do not have." / "the horror of myself, and the meanness of myself.” / "isn't all that rage so ugly? and isn't it mine, still? good god, isn't it mine?"

you don't look to the past but drown through it: "when you leave your home and wander really far, you always think, ‘i want to go home.’ but then you come home, and of course it’s not the same." / "time passes, memory fades, adujusts, conforms to what we think we remember." / "it eats and tears away at me."

mother and son and the complexities that brings: "mother, i have pasts inside me i did not bury properly." / "i am a reflection of my mother's secret poetry as well as her hidden angers." / "i am my mother's child, and it terrifies me."

the ghost of who you were: "you are twenty-one and you know there are too many things out here. you're so afraid of becoming a ghost, but you are more afrai of what will happen if you don't." / "yes, i believe in ghosts, but we create them. we haunt ourselves."

[shhhhimwatchingthis]

Sort of bums me out that so many people didn't seem to Get the Cat King so here are my thoughts:

So let's start with Edwin's crime. He uses something the cat desires (a sardine) to lure the cat to him and then uses an enchanted string to trap the cat with magic. He demands the answer to a question in exchange for its release. Edwin knows it is dangerous to use magic on a cat, that it violates Rules but he does it anyway.

Binding a creature and agreeing to set them free under a certain condition is very Classic Fairytale. its also a favourite trope of Neil Gaiman's (he did not write this show but his influence is there). In both the Sandman and his novel Stardust (and the film adaptation) trapping a creature with magic and demanding a task/favour in exchange for their freedom is an extremely important plot point. Edwin binding a cat and demanding an answer in exchange is exactly in line with this Fairytale trope

And so is the Cat Kings response. The Cat King is a trickster. What he does to Edwin is exactly what Edwin did to one of his subjects. He entices Edwin, he binds him with magic and when Edwin demands to be free he turns his own words against him "why all the fuss for one little spell?" Edwin did something wrong. He imposed his will/magic on another creature and the Cat King is punishing him for it in a way that is poetic. Its fairytale. its trickster. its classic.

I've also seen people complain that the task Edwin was given 'count all the cats' is 'impossible'...except its fucking not. Edwin does it. He does it so well he actually BEATS the Cat King ("you didn't count yourself" Are.You.Kidding.Me. Classic!Fairytale!Vibes!)

The Cat Kings choice to bind Edwin to Port Townsend is good on so many levels. From a storytelling perspective it forces characters who can travel anywhere in the world to stay in one place, and increases the stakes for these characters who are supposed to be on the run. From a genre perspective...its an excellent use of fairytale tropes using both Rules of magic, a protagonist who is unkind to a seemingly weak creature who is punished by a more powerful law, a binding, a task to complete, etc

Which just leaves the character perspective which it ALSO does really fucking well and introduces the final aspect to the Cat Kings character. He's seductive. He is responsible for Edwin, 100 years old ghost boy, finally unpacking his internalized homophpbia. he is the catalyst (cat pun not intended)

He pushes Edwin, challenges him, at times literally forces the truth out of Edwin, but he really never does violate his consent. Significantly Edwin is attracted to him, like its an important part of his character that he is. He may not like the Cat King but he is attracted to him!

The Cat King is such a great example of a trickster, a morally grey character who imposes a sense of justice on Edwin after he crosses a line, but also has his own selfish interests and meddles. Hes so important to the plot of the show, to Edwin's character arc, to the genre.

And he's just fun. Unapologetically queer, powerful, complicated. Silly little outfits. Petty cat behavior. Deep heart.

Some of you just didn't get it. And I'm sorry for you. because the Cat King is Excellent actually.

[dramaticals]

DRAMIONE FIC RECS + WHY YOU SHOULD READ THEM — 100k+ words edition

hogwarts: a home by coralcollective — reimagined horcrux hunt. draco is so down bad for hermione and the smut is crazyyy. theo/hermione friendship. pansy is the breakout character and you'll love her. there's nsfw art and inappropriate use of the malfoy signet ring. please check the tags! (it says incomplete on ao3, but it's only missing epilogues so don't be afraid of starting it)

word count: 372,978

chapters: 67/70

the commoner's guide to bedding a royal by olivieblake — god, this fic!!!! it's a modern royal au and the ensemble of characters make this whole world feel so alive. it's inspired by will/kate and harry/meghan and it's sooo cute. theo and daphne were the breakout characters and i love them dearly. if you're looking for a lighthearted romcom-esque, occasionally angsty (because duh!) fic, this is it!!! i probably read this in two days which is insane considering the word count, but that should just tell you how lovely this whole fic was. there's a second part to this if you're itching for more afterwards (and it's just as good!)

word count: 503,570

chapters: 45/45

draco malfoy and the mortifying ordeal of being in love by isthisselfcare — honestly if you haven't read this yet..... this is god tier. a CLASSIC. this should be taught in the schools. hermione's a magical researcher / healer and draco's one of the best aurors out there. he's assigned to protect hermione because she's in the midst of a big discovery. hermione's not happy about it and draco isn't either. slow burn!! idiots in LOVE!! forced proximity!!!!! EMBEDDED ART!!! honestly this is the fic that made me want to learn how to bind which is so serious and if you haven't read this yet you need to.

word count: 199,548

chapters: 36/36

the disappearances of draco malfoy by speechwriter — this is my new canon. it's a deathly hallows rewrite where draco accepts dumbledore's offer to fake his death and go into hiding with the order. enemies to friends to lovers. i honestly can't even remember what happened in canon because this is IT for me.

word count: 289,780

chapters: 33/33

this world or any other series by olivieblake — includes clean (book one) and marked (book two). anything by olivieblake should be a must-read, i swear to god. this one starts as a year 6 slow burn. draco and hermione are assigned partners for potions and it all snowballs from there. olivie writes so beautifully and her characterizations for hermione / draco are so good. slight warning for marked: this destroyed me and i pretend it doesn't exist, but it's still a must-read.

word count: 118,892 & 178,268

chapters: 31/31 & 39/39

rights and wrongs series by lovesbitca8 — you want fluffy dramione? read the first two parts of the rights and wrongs series. you want dark and heavy dramione? read the auction, an alternate universe of the fluffy dramione, where voldemort wins and they all get auctioned off to death eaters. please check the tags for the voldy wins au! all three were chef's kiss and coming from someone who isn't a fan of dark aus, reading the first two helped me get through the auction because you know where draco's coming from / what's in his head. you can just read the auction without reading the first two parts unless you like catching parallels and having more depth / context (which i very much love).

word count: 174,911 & 160,297 & 325,876

chapters: 36/36 & 24/24 & 41/41

[stormbornwitch]

When I was a child, I was often left in the care of my Nanna. It is from her that I learnt many of the pieces of what she would call "little magic".

At her side, I learned how to sew and make little finger puppets and 'dollies'. We walked through the park, and she pointed out the plants and trees and their properties. With her, I made my first lavender filled bag to help me sleep. She would spoil me with peanut butter and butter sandwiches (which my mother was staunchly against), and then showed me how to feed the house spirit (a bowl filled with crusts of bread and milk poured over the top with a bit of honey drizzled over it).

She also told me stories - so many fairytales and folktales that would horrify parents if told to their children nowadays. But it was only when I was older and in school that I realised the stories she told me were different from the ones my friends had been told... mine were darker and full of old truths and lessons I still remember to this day.

-

One of my favourite tales was of a little girl with honey blond hair and blue eyes whose name started with a V (I can't for the life of me remember her name). Her father was a merchant, and her mother was kind. Their little family of three were quite happy until the little girl's mother got sick. The merchant hired healers and priests to help his wife, but all failed to help the little girl's mother, her sickness worsening with each passing day. Soon, it was clear that her mother was dying, and the little girl's father refused to leave his wife's bedside, leaving the little girl to fetch water from the well, light the fires, cook meals for her family and care for the home.

One day, her mother called the little girl to her bedside and asked her husband to step outside of the room for a moment. The little girl approached her mother's bedside with trepedation. Reaching under the bed, the mother pulled out a strange little cloth doll with no face. The doll was made from a scrap of her mother's favourite dress, with her mother's hair ribbons binding it into the shape of a doll.

"Here, my child. She will protect you when I am gone. All you must do is feed the doll a drop of your blood and tell it your problem, and it will be fixed."

The little girl did not understand but took the doll from her mother. "But how will I feed her a drop of my blood if she has no mouth?"

The little girl's mother smiled, and for a moment, she didn't look sick anymore.

"Promise me, my beautiful daughter, that you will keep her with you, for she will act in my stead once I am gone."

The little girl did not understand her mother's words but promised again to keep the doll with her at all times.

The mother suddenly surged forward and tightly clasped her daughter’s hands in her own. "No one can know you have her, not even your father. Let no one see her. Keep her hidden on your person at all times unless you have need of her."

The little girl, now afraid at her mother's vehement pleas, nodded frantically to show she acquiesced and would do as she was bid.

Her mother, seeing the little girl's compliance, collapsed back into her bed and dismissed the little girl, bidding she tell her father he could return.

Her mother died that night; her father distraught at the loss of his beloved wife.

Though it was not long after the little girl's mother was buried, that her father remarried once more.

The little girl's new mother was a widow with no children of her own, and the little girl's father told her "She will make a good mother for you, my child" But she was not a good mother.

For you see, any time the little girl's father was home, the woman would treat the little girl kindly, but as soon as her father was gone, her stepmother would turn cruel and demand the little girl do all of the housework and chores. If little girl refused, her stepmother threatened to beat her, and told the little girl she would go to bed without supper if the work was not done. Since her father was away, and there was nothing the little girl could do, she did as she was bid; completing the work until her hands were cracked and bleeding with sores. However, despite the little girl's efforts, her stepmother was still unsatisfied with the little girl's work, locking her outside the house overnight.

Cold and exhausted, the little girl crept into the storeroom and laid down on the floor.

It was then that the little girl remembered her promise and the little doll she had kept secret in a pocket inside her dress. Carefully, pulling out the strange little doll, the little girl remembered her mother's words.

"Though you have no face, I will feed you a drop of my blood." And so the little girl dabbed one of her bleeding fingers against where the dolls mouth would be if it had one. "Please help me, little doll, for my stepmother is a cruel woman, and I can not possibly do all that she has bid of me."

It was then the little girl heard a voice inside her head, "Sleep, my child, and I will complete all that has been asked of you."

With a small smile of relief, the little girl went to sleep, and when she awoke, it was to find all of the chores her stepmother had requested, completed.

Surely, with all of the work done, her stepmother would let the little girl inside. So she tucked the doll back into the inner pocket of her dress and left the storeroom. But upon seeing the jobs miraculously done overnight, the stepmother's face turned ugly.

"I suppose since you've done all that was asked, you can come inside to break your fast."

The little girl meekly entered the home and ate the cold porridge she was given without comment. But as soon as she was done eating, her stepmother gave her another list of jobs to do, even more than the day before.

And so the little girl worked all day until her feet were sore and her hands were cracked and bleeding. But her stepmother remained unsatisfied, as all of the chores were not completed. Resigned, the little girl crept back into the storeroom for the night.

With bloodied hands, the little girl pulled out the doll from her hiding place and dabbed a drop of her blood where the doll's mouth would be.

"Please, little doll, I need your help once more. I can not do all that is asked of me, and my hands are blistered and sore."

Again, the little girl heard the doll's voice inside her head, "Sleep little one and all will be well, I will show you where the healing herbs dwell."

With a smile, the little girl went to sleep on the storeroom floor, and when she awoke, she found that once again, all of the jobs her stepmother had told her to complete were done.

Again, when the little girl went up to the house and knocked on the door, her stepmother seemed furious the jobs were done. With gritted teeth, she bid, "I suppose since you've done all that was asked, you can come inside to break your fast."

And so the little girl ate the cold porridge placed afore her as her stepmother once more listed more outlandish jobs for the young girl to complete.

And so the years went by, the little girl growing into a beautiful and capable young woman. Her hands and body were strong from all of the work she would complete each day, and thanks to her mother's blessing, she knew and harvested all manner of healing herbs and edible plants from the nearby forest.

But every time her father was home from his business trips, he would always comment "You are becoming so beautiful my darling daughter, just like your mother" These comments would make her stepmother scowl and her face turn ugly with rage. So, as each year passed, V became more beautiful, and her stepmother became more hideous in her hatred.

In her hatred, V's stepmother began sending her into the forest for ridiculous errands. V knew that her stepmother probably intended for her to get eaten by wolves, or worse, by the witch that supposedly lived in the wood. But thanks to her mother's blessing and a sharp thorn kept in the pocket of her dress, V was always able to fetch whatever her stepmother requested from the wood and return home safely.

One night, V's stepmother came to the storeroom door where V was sleeping on the floor. "Get up at once. Your lazyness has allowed the hearth to go out, and not even coals remain to light a fire. You must go to the witch of the wood and ask her for a coal"

"But stepmother," V cried out in vain. "The witch if the wood eats people! Surely she will not give me a coal!"

V's stepmother sneared down her long nose at her. "Go afore it is too dark to see the way."

And so V set off into the forest until not even the light of the moon could guide her steps. It was then that the quiet whispers of her mother's doll began to give directions through the dark wood.

Soon, V emerged into a strange clearing. In its centre, a wooden hut sat on top of tall wooden posts that looked almost like chickens feet. At the base of the hut was a small garden with all manner of plants growing. And surrounding the garden was a fence that seemed to be made of bones. Thankfully, as V approached the hut, she could see a warm light coming from within. This must be the home of the witch of the wood.

Following the fence of bone, V reached the garden gate. On either side of the gate were skulls set atop large bones. Small candles inside the skulls seemed to light as if by magic as soon as V touched the gate.

"Why are you here, child?" A voice called out from the hut. There in the doorway stood an old woman, her back bent from many years of hard work and her long grey hair gleaming in the moonlight.

V plucked up her courage and called out, "My stepmother sent me to find the witch of the wood to ask for a coal."

At her response, the old woman barked out a laugh that sounded more like the cawing of a crow than a human laugh. "And what will I get in return? I will not give you a coal for free."

Again, V plucked up her courage and responded, "I will work for it. I promise I'm a hard worker, you can see from my hands." At this V raised her hands for the old woman to inspect.

Seeing the calloses from many years of hard work, the old woman nodded. "Very well, you will work for me for a day and a night, and you will receive a coal from my hearth that will never go out."

With that, the old woman turned around and began to walk up to the hut. As she walked, she began to list the chores she wanted V to perform. "You will clean the house and yard, wash the laundry, and cook us two meals; breakfast and supper. You will go into the storeroom and separate rotten grains from sound grains and gather and store seeds from the garden."

After years of dealing with her stepmother's ever expanding list of demands, this old woman's jobs seemed almost easy by comparison.

"First, let's see your skills as a cook. Go to the garden and fetch us something for supper"

And so into the witch's garden, V went, gathering edible and medicinal plants until she had enough to make a hearty soup, which would helpfully ease some of the old woman's pain.

The old woman nodded at V's selection and led her up the ladder into the hut. On one side of the hut was a large stone hearth, and at its heart, five large coals gleamed as they cradled the base of a large iron pot.

"Take the pot to the stream and fill it halfway with water. Then return to make your soup." The old woman bid.

It took all of V's strength to lift the large iron pot from the hearth and carry it carefully down the ladder so as not to scorch the wood. Down the garden path, V carried the pot past the bone gate and back into the forest. Thankfully, her mother's blessing whispered directions, and V was able to quickly locate the nearby stream and fill the pot halfway.

Returning to the hut, V began chopping herbs and vegetables and throwing them in the pot. Soon the hearty supper was bubbling away in the pot and ready to be served.

The old woman passed V two wooden bowls and a large wooden ladle.

"You want two bowls of soup?" V asked the old woman.

"No, the other is for you, child." The old woman barked before hitting V with the large spoon. Doing quickly as she was bid, V ladled out two portions of the soup; one for her and one for the old witch.

With the soup placed in front of her, the old woman quickly ate her supper seemingly ravenous. V ate her portion much slower, not used to having supper anymore, though she was happy to refill the old woman's bowl with more soup when she was bid to.

With supper eaten, V gathered their bowls, spoons, and knife into the now empty iron pot and carried it down the ladder, through the garden gate and down to the stream to wash.

Upon her return, she found a pallet bed had been made up.

"That is for you," the old woman muttered as she walked over to her own bed tucked into the wall of the hut.

"But how will I get all of the jobs done if I sleep here?" V asked.

The old woman turned back to her with a strange smile on her face. "I'm sure a hard-working young woman such as yourself can find a way."

With that, the old woman climbed into bed, leaving V to climb into the pallet bed. When she heard the snores of the old woman, V pulled out her mother's doll from the secret pocket of her dress. "Please, little doll, I need your help once more. I can not do all that is asked of me, and my hands are blistered and sore."

Again, the little girl heard the doll's voice inside her head, "Sleep little one, the jobs will be done upon the rising of the sun."

With a smile on her face, V fell asleep, assured that her mother's blessing would help her once more.

When she awoke, V saw that the old woman was already awake and was staring into the hearth as she sipped on a strong smelling tea. "I see you were quite busy while you slept." The old woman said with a crooked smile and a gesture to the iron pot full of hot porrige.

"Are there other jobs you need me to complete?"

"You will eat this porridge and carry one of these coals to your stepmother's house. Then you will return here."

Once more, V did as she was bid.

Upon finishing her porridge, the old woman gave V a fox skull. Using large iron tongs, the old woman reached into the hearth and removed one of the hold glowing coals and placed it in the jaws of the fox.

"Take this to your stepmother's house to light her hearth and then return here."

And so V carried the skull, down the ladder, through the garden, out the gate and through the forest until she reached the edge where her father's house stood.

V knocked on the door, and her stepmother quickly opened the door, a look of shock and horror gracing her features.

No sooner had her stepmother opened the door, and then the coal had begun to glow brighter and brighter. Within moments, her stepmother's dress and the doorframe of the house began to smoke, and soon, both were burning merrily until naught but ashes remained.

Once more, V did as she was bid.

She returned to the witch in the wood and learned all that she could.

-

As a kid, I loved this version of the Baba Yaga tale, and now as an adult I love how these stories were the avenues for or my Nanna to pass on examples of small magic and witchcraft.

This is also probably why I've never had an issue with blood based magic when so many other witches do have an issue with it.

[alicenpai]

my piece for the Hemisphere: a Witch Hat Atelier seasons themed zine! thank you for having me! they're having a leftovers sale until stock runs out 🖋🍀🌷🍁❄🌧 WIPs + inspiration board + symbolism under the cut! got some requests to put this on my inprnt! the site has sales very often & you can grab it as a small or big size print.

I had a pretty good idea of the composition from the get-go. I took inspiration from art nouveau (primarily Alphonse Mucha), German fairy tales, and some 1920s perfume ads. I wanted the girls to look like fairies, akin to The Root Children by Sibylle von Olfers.

Olly just didn't work out in this drawing due to time restraints. I do love him very much though.

I actually kinda stopped making illustrations like these (including the TGAA/DGS tarot card + TGAA/DGS zine pieces a while back) because they were starting to get very hard on my arm, as I had an RSI (repetitive strain injury) a few years back during school. (Not putting the onus on the zines at all ofc! I genuinely love working with zine projects! it's def a me thing WAHAHAHA. my style was getting too anime and too detailed for my liking and everything was just taking forever to finish ngl. but I didn't have time to experiment with a more simple style outside of all of my deadlines)

I think that realizing you need to stop is okay. It's something that Shirahama teaches us in her story and I want to learn to take it to heart.

---

MILD SPOILERS AHEAD (for those who havent read the story I guess)

each character's symbolism:

- Coco - spring, clovers - Coco is the quintessential spring girl, and I wanted her to symbolize new beginnings, and oh boy did Coco bring a big one. The four leaf clover in particular symbolizes luck and good fortune - to some characters, Coco may have brought fortune, to others her presence brings misfortune, take that as you will.

- Tetia - summer, gladiolus - the name "gladiolus" comes from the Latin word "gladius", meaning "sword", based on the shape of the flower. you can interpret it as "you pierce my heart", perfect for a girl like Tetia, who has a contagious energy, with a romantic and grandiose nature.

- Agott - autumn, marigold - I read somewhere marigolds symbolize strength and power, perfect for our little magical powerhouse Agott. They can also symbolize jealousy (yellow flowers in particular have this association), which reflects on her rivalry with Coco in the beginning.

- Riche - winter, snowdrop - The white color of snowdrops has a strong connotation to innocence, which reflects on Riche's wish to stay a child forever. It can also symbolize rebirth and new beginnings (like Coco's clovers), as the snowdrop is the first flower to bloom in the spring, when the snow has not yet melted. I wanted the concept of "rebirth" to associate with Riche's friendship with Euini, and of his sort of "rebirth" into a new being.

- Qifrey - he does not have a flower per se, but as the caregiver and educator of the four girls, he represents the rainy season - precipitation being the one thing that binds all of these seasons together. (Note some areas of the world do not have a rainy season like where I live). I think somewhere along the line I wanted to put hydrangeas behind him, to really bring out the "rainy" theme, but the thought probably got lost somewhere in translation...

- bg flowers - honestly I just picked whatever. white lily, daffodil, hydrangea, zinnia, tulip

[bluerosefox]

Summoning the Summoner

Another summoning/long lost family au but with twist!

So Damian and his class are at Gotham museum for a small field trip for a school project. Thing is none of them knew until it was too late that the new museum curator was part of a cult that had plans to kidnap and sacrifice this class of kids for some ancient god/deity/spirit.

Damian barely manages to send a message to one of his brothers and to the cave before being knocked out when he sees his classmates dropping from knocknout gas.

When he wakes up the preparations for the sacrifice are almost ready. Damian being the most prominent person in the class is going to be the one chosen first. He is then taken to the alter and it begins after the whole villain speech. Damian does manage to get out of his bindings and tries to fight back, does lead them on a merry little chase to get more time for his family to come, nothing to Robiny though, but is forcibly restrained again.

Just as they bring Damian back to the alter none of them notice, or rather, care that Damian was bleeding from getting hit when they recaptured him. None of them notice when the blood dropped from his chin onto the summoning circle because the Batclan (any) just dropped into the room.

They did notice however when the summoning circle started glowing beneath them however.

And none of the cultists had time to finish the summoning chant.

Meaning the summoning circle was not under their control.

And before any of them could do anything, they are all ripped away from the Mortal Realm and everyone, Damian, his class, the cultists, and the Batfam in the room are pulled into the Infinite Realms.

They are no longer in the warehouse they were about to be sacrificed in but in a throne room. Surrounded by glowing floating people and some don't even look human.

And sitting on the throne was a teenager with a shoulder wrapped cape made of stars and galaxies, a crown of ice, stars, and aurora borealis lights shifting in between them, about Damian's age, with white hair and glowing green eyes who looked rather shocked.

The reason? Both him and Damian shared the same face.

-x-x-

Danny was annoyed as heck.

Ever since his crowning it was like every magic user from legendary to mediocre got a notice that a new Infinite Realms King had been crowned and that gave them the go ahead and try to freaking Summon him!

Luckily refusing a summons was well within Danny's Ghost King rights, he's King now he does what he wants (Sam's wise words), and the only summonings Danny answered were his friends and family (Dani is such a troll with it though, butttttt it does get him out of those annoying meetings sometimes and they get to hang out wherever she decided to stop at), sometimes he'd answer the odd teenage morons just to scare them (it's always fun)

Although there were a few summonings outside of that, that he had answered. Thankfully he could sense what kind of summoner was summoning him and intent was always a huge thing. And those that didn't feel like insane fruitloops well... Danny's curiosity often took over.

So imagine his annoyance when he felt another summon happening in the middle of a meeting with his council. But also imagine his surprise when the normally tight demands on the summoning wasn't there...

That meant...

Oh Danny was going to have a lot of fun with this.

This meant they summoning but don't have control on which way the summoning was going to go. Meaning, Danny could reverse summon them to him instead.

With a wide grin he instantly waved his hand and the meeting room shifted to his throne room, might as well pull out all the stops and play the "Big Bag Ghost King"

He could see his council (and good friends and allies) raise their eyebrows at him or tilt their heads but could also sense the attempted summonings power of him and knew he had something planned.

With a short laugh, Danny raised his hand, grasped on the invisible summoning line, and pulled.

Now he was expecting a good amount of people, the summoning felt large so that normally meant cultists but he was expecting so many! Heck some looked to be teenagers his age, and a few oddly dressed people besides the cultists! Oh boy did that mean sacrifices?! Well he'll be happy to put those cultists in their place if that was the case.

But first, find the summoner. Separate them from the group and -

Oh... why... why does he have Danny's face?!

Danny took a quick look at the normally invisible to everyone but him Summoning line and almost choked when he saw it was a sibling line, a blood sibling line.

[thisisnotthenerd]

it's such a beautiful thing that the first thing the pilot program do when they know the truth of the serpent is set it free with a ritual that involves the invocation of their names.

it's giving of themselves to bring new opportunities. it's using ancient magicks as the basis for the new. and each of their invocations was so different:

evan:

from the stone of the south, know this, serpent of the orrery by many names are myself and my companions called. the chosen ones, the program of pilots. i am he known as the big man, shaq diesel. i am called the heir of aqrabus, but also am i called by the name of my friends. i am evan kelmp! i lend my aid to your heart's desire, that freedom from this binding be yours. i lend my strength to open the door a crack for you to leave this place, and if you stay, you will know diminishment to something less than the meanest shadow.

jammer:

i am of the east! my name is whitney jammer, aka strawb, aka sandwich man. i am of the program of pilots, the chosen one! i stand here to create a crack through which you might seek your heart's desire! (am i talking, is this good?) great! i beseech you, great serpent of the orrery, go get it, dog!

k:

dear serpent! i am the scion of the north! i have gone by many names in my time. the itsy bitsy spider, k, keiko, XxBrokenDreamxX, dream, LittleDevilBitch24, ForTheLuls69, ILoveTheOnceler2525. and should it please you, you may take all of those names if they may help you in your journey home. go on! no one wants you anymore! get out of here!

sam:

i am of the west. i go by many names. my name is samantha butler. my name is sam black. my name is also sam britain. i'm the host of "britain's got talent" [transcriber's note: actually magic] thank you for coming out today. we really appreciate that you came to come visit us, but you can go ahead and skidootz now if you would like to. would you like to plug anything before you go?

[bikananjarrus]

on the topic of how infuriating it is to read 300 pages of percy calling himself stupid, of other characters calling him stupid, of even the creatures/animals implying that he's stupid, a scene that really bugged me was when hecate checked in on percy while he was on the train, and it was such an effort for him to remind himself that he can’t lie, and he can’t tell her the truth, ie: he has to trick her and talk his way out of this situation.

(this is certainly not the most egregious example of percy's apparent stupidity in this book, but it allows me to talk about one of the ways in which percy IS, in fact, very smart!)

throughout the books, one of percy’s strongest traits is how clever he is! he is extremely good at manipulation (and he’s a bit ruthless in his manipulation too). he's an excellent swordsman and he's almost better at talking through a situation in such a way that he can exploit his enemies weaknesses.

example: at age 12, still very new to the mythological world, he manipulated procrustes into climbing into one of his own enchanted beds, used his own magical bonds to keep him there, and then cut off his head (while saying “i think i'll start with the top." he's so iconic for that). procrustes unwittingly handed 12-year-old percy everything he needed to turn the trick around on crusty. percy observed how he tricked grover and annabeth to getting close to the beds, listened for the magic word (ergo) he used to bind them there, and in the very short amount of time they spent around him, percy was able to get a feel for crusty's personality/ego well enough to know exactly what to say to trick him into getting into one of the beds so he could kill him.

there are SO many more examples of percy using tricks and manipulations to defeat his enemies. but all this to say: percy is clever and smart and thinks quick on his feet and he’s damn manipulative (the trickery is such a hermes trait, too, which makes for SUCH a nice foil to luke in the og series).

so for him to be breaking such a sweat trying to make sure he doesn’t spill the beans to hecate just rubs me the wrong way.

which! this could have been used to say something about percy’s newfound anxiety post-hoo. this could have been used to say something about his trauma from all those events and how maybe, right now, he’s not quite himself and so he’s not as quick on the draw as before. but rick absolutely did not put that much thought into it. It’s not about any of that, it’s just another moment played for laughs about how dumb and stupid percy is, and how he suddenly can’t handle himself in front of a god, even though he’s been getting in their faces since the day he learned he was a demigod.

[hookedonhuge]

Coach's Special Massage

Getting your big, beefy pecs groped by your coach was not how you imagined your Tuesday night. 

You were the star player of your team. You were a natural born athlete and you had the body to match it. Every muscle in your body was huge; balloons of cements that were hard as steel and looked ready to burst. It was all thanks to your dedicated exercise routine that you followed religiously for years on end.

But one day, your coach approached you and insisted that you needed a massage therapy session. Something about trying to alleviate your stress after the scandal that came to light. Something about cheating on your girlfriend with other girls. No clue which ones they were talking about. The number ‘three’ kept coming up but your team and coach must have known it was way more than that. 

To be honest, you weren’t stressed one bit, but you weren’t going to turn down a massage, that is, until you found out that it was your coach giving you the massage and not some hot masseuse. Of course, he didn’t tell you that until you were already lying down on the massage table fully naked except for a small towel that barely covered your large package. You protested but your coach was stern, he was, after all, the only person you ever listened to (and that was only some of the time). His deep voice was commanding yet calming, just the right combination to be able to get you to give up the argument. You supposed your muscles needed a good cooldown after your killer workout that day anyway.

You had never met anyone as strong as yourself, and were certain you never would. However, coach was actually quite strong too, and it was perhaps why you showed at least a little bit of respect towards him. However, having your chest fondled by his large, calloused hands was quite the role reversal for you. He pressed deep into your muscle tissue with his thick fingers, uncovering all sorts of knots in your expansive chest. It hurt but it felt amazing. 

After coach had given your pecs a thorough rub down, he moved onto your giant tree-trunk legs. It was when he was massaging your inner thigh that coach pressed down on a particularly sensitive spot in your muscles that made you wince in pain. For the first time during the session you opened your eyes and you met coach’s firm gaze by accident. Sweat dripped from his prominent brow and he was panting from exertion. You never realised how big he was. Those veiny arms, those meaty pecs, those sculpted abs, he was just a coach but he could have passed as an olympian. It shouldn’t have been a surprise that someone as strong as coach was needed to give someone as big as you a proper massage. 

Coach continued to knead your thighs like dough. He was able to make your hard muscles soft, as if he was unlocking some hidden strength inside of them that made them expand. Like a loaf of bread rising in an oven, your muscles were becoming large and fluffy in response to coach’s special massage.

He continued working his magic on your body, as he did his hands made their way further up your inner thigh. Coach’s intensity never waned and his forceful and methodical strokes continued to cause you pain. It was a beautiful, deep, healing pain that exposed a feeling of vulnerableness that was buried within you. It was uncomfortable to feel that vulnerability yet as soon as his fingers released their tight bind a reassuring warmth flooded in to replace it. That cycle of comfort and discomfort, it was overwhelming and at the same time made you completely content. 

By this point, coach was completely in control of you. You anxiously anticipated his every touch, your entire being yearning for his return whenever his hands left your body. Your emotions were connected to his fingers, as if he were a puppet master, and he graciously continued to pull your strings instead of leaving you hanging.

As coach’s hands made their way up even further up your thigh, they reached parts of your muscles that were unbearably tender. Having those spots massaged, it made your skin glisten with sweat and it laboured your breath. You felt like you were burning; you were hot, coach was hot, it was all hot. It wasn’t just hot, it was sensual.

You hadn’t realised, but the towel that was covering your crotch was ever so slowly being lifted up by some great force underneath. It was only when it slid down and landed on your impeccably toned lower abdomen that it dawned on you the effect that coach’s massage was having. 

“It’s only natural.” Coach said to you in a hushed tone. “Nothing to be ashamed of.” It was all the reassurance you needed at that moment. Coach’s hands were so far up your thighs that they were almost brushing against your heavy balls. His massage was reaching a new level of pain, and to accompany it was an equal level of pleasure.

When coach’s knuckle grazed the underside of one of your nuts, it was as if a circuit had been completed. You were electrified. The feeling of pressure on your deep muscle tissue, the feeling of the humid air blowing across your nipples, the feeling of coach’s sweat falling from his face onto your sculpted abs; it was all too much. Your manhood pointed directly to the ceiling, now displaying the full extent of its impressive length and girth.

Coach grabbed it.

His hand, a man’s hand, grasped firmly onto the base of your shaft. It was heaven. Heaven for a sinner. That’s what made it so great. The fact that it was wrong, all wrong, but right, undoubtedly right. Boiling hot skin against boiling hot skin. The fires of hell met the fires of hell, and it was heaven.

He was so slow at first. He wanted you to feel every crease and callus on his hand. Enough time for you to understand the anatomy of his hand; understand the size, power and function of each muscle in it. You learnt how each tiny pore on his palm absorbed sweat and the amazing texture it created. You might have failed biology in the past but at this moment you understood it all.

Then it got faster. It started at the head, the head that was sensitive, swollen, and begging for release. Then down every countless inch, tracking along the thick, serpentine vein that ran its length. Finally, it slammed into the base, pummelling into the spongy balls below and sprang all the way back up. It was one step performed one after the other, and it was also all at once.

Then it got even faster. It was a whole body experience. All the training, all those years in the gym, it led up to that moment. Every muscle working in unison to stop you from exploding. Your breath stopped. Your thoughts stopped. Coach stopped.

The massage resumed. It was his other hand now, and it was your balls. Your balls that were completely filled to the brim, so much so that the skin had no ability to stretch any further. Yet, coach still massaged. He pressed, he squeezed. His thumb glided to one side and the mass displaced into the other side. He was an expert.

“Your past.” His voice. Deep, calming, instructive. His words were all you needed. “Can’t be forgiven, but we can move on from that.” He tightened his grip on your balls. “You are far too good to give up on.” He started stroking the length of your shaft again. “So let’s just put all this girl stuff behind us.” He started slowly. “Instead, focus on your team. Your team of men.” Then he picked up his pace. “Men. Strong men, like me and you.” It became faster. “Men who will support you, fill all your needs.” And faster. “All your desires.” You couldn’t hold it in much longer. “Men.” You were on the very edge of your climax. “Just men.”

For the first time in your life you moaned. You moaned loud and shamelessly. It was completely contrary to the person you were before. Luckily, the person you were before is gone. When you erupted like a volcano, like a burst pipe, like a fire hydrant; nothing was left behind. Your brain had melted into a white, creamy liquid and it was shot out of you. Then it rained back down on you like a tropical shower; hot, humid, and sticky.

You were on a better path now. A path towards becoming a bigger person, both morally and physically. It was all thanks to him. Coach. He showed you the power of men that you foolishly thought you already had. You learnt that night the power of men coming together, and what a wonderful feeling it is.

[deconstructthesoup]

I've been thinking a little bit about how the Cat King expresses his affection, and specifically, how the fandom interprets it.

There's some people who see how he interacts with Edwin and think "oh my god, he's such a simp, Edwin really has this sexy catboy wrapped around his little finger," and there's some people who see how he interacts with Edwin and think "yowza, learn to take a hint, he's not interested in you and your fuckboy fur coat," which, y'know, are both valid. I love the Cat King, but he's clearly not a fan of boundaries---outside of his own, of course.

Which... is the point, isn't it? Because here's the thing---we all like to analyze the Cat King as if he's human, but... he's not.

He's a cat. And that's how cats are.

Let's look back at his first interaction with Edwin. Our sassy Edwardian boy has used magic on one of his cats, and he's pissed, because cats are protective over what they consider "theirs---" and seeing as he's the Cat King, all of the cats in Port Townsend are his. He's bitchy and rude, cutting Edwin off when he tries to explain himself, and doesn't exactly seem like he's a merciful guy.

Then comes the moment where he whisks Edwin away, and he gets a closer look. The Cat King realizes that he's handsome, he's clearly queer, and that there is something fascinating about him. So he gets closer, he gets intimate, and it's working. Even in the throes of internalized homophobia, Edwin's getting into it, and... the Cat King self-sabotages, slapping a binding spell onto him.

A cat hisses at you when you attempt to reach out your hand and reason with it. It changes its mind, and it comes up to you, purring. And just when you're about to scratch it behind its ears, it freaks out, scratching you on the hand.

Sure, right after that, the Cat King lays out the terms---the binding spell (which, honestly, is actually a pretty fitting punishment given that Edwin used a binding spell on that cat) can be taken off, "and I'm sure we can work something out." That's a line that's probably worked before, and that's a line that probably could've worked, but the damage is done. So the Cat King gets irritated, sneering at Edwin's "old-fashioned sensibilities," and gives him your classic trickster seems-easy-but-is-a-lot-harder-than-it-looks deal. And we don't see him again for a couple episodes... at least, not until Edwin gets that little cat-scratch at the lighthouse.

When a cat scratches your hand, you give it a wide berth. Even if it immediately changes its mind and meows for attention, you don't trust it anymore. So it gets pissy, getting more and more annoyed the more you ignore it, until it gives up and bites you when you won't give it pets.

Now, the Cat King has realized that Edwin's getting close. He's counted almost all the cats, and it won't be long before he completes the task and books it out of town. So, the Cat King starts flirting even more, even going so far as to mimic Monty and Charles if that's what it'll take. When that fails, and when getting Edwin to open up fails, the Cat King lets out a nervous little laugh and tells Edwin that he's way off, when in fact he couldn't be closer.

Once a cat realizes that it likes you, it becomes incredibly needy. It trots along after you, it begs for attention and love, it sits on your laptop and jumps up on the kitchen counter and will attempt to insert itself into any and all activities you might be doing. And while that may be the cat's way of expressing love, there's no denying that it is ignoring all of your personal boundaries and generally getting in the way of you doing anything---other than, of course, paying attention to it.

And then comes the moment in the forest. The Cat King shows up with a fancy chandelier to blow Monty's cover---why now? Because Monty isn't just a romantic threat, he's trying to do something that'll take away Edwin for good. Once the cover's blown, and once Monty storms off, the Cat King uses this as an opportunity---I just saved his life, maybe he'll notice me now---and Edwin snaps, dropping one of the best lines in the whole series.

This is the first time, mind you, that Edwin has really pushed back. He's been resistant before, sure, but he's never said or done anything that indicates that he really wanted this dance to end. And I don't even think the Cat King realized that he was crossing a line, had been crossing a line since he slapped that bracelet on. But when Edwin says that he's not the Cat King's toy to yank around, that he's nothing more than an inconvenience, that's a big old wake-up call for our boy---and of course, he takes it horribly, snarling after Edwin that he'll be stuck in this town if he walks away, that he'll stop playing nice, just fucking NOTICE me already why don't you?

There always comes a time when you're fed up with how invasive your cat's being. Maybe you've just had a bad day, maybe it's genuinely messing up something important that you're doing, but you break out the spray bottle. And how does it respond? With a hiss, with a scamper away, and with a baleful glare over its shoulder. It knows it's done something wrong, but it doesn't fully understand, and it's mad at you.

Afterwards, Edwin gets dragged into hell, and that breaks the charm on the bracelet. And the Cat King's left to think.

There's some conflicting emotions there, of course. He's moodily playing with the bracelet when Esther shows up, showing that he probably does care, but there's still something to be said about how he immediately calls Edwin a "tease" and hates himself for being willing to wait for him if and when he ever returns from Hell (which is very noble of you, Thomas, totally way more of a meaningful gesture than actually going down there to get him back---which, as a self-described eternal being, would probably be easier for you to do than Charles. Just sayin'). But as much as I love to clown on that, the Cat King does die in that scene, and it's only after that that he spills to Esther.

This, I think, is where the Cat King stops acting like a cat, and starts acting human. Because he doesn't go and see Edwin when he gets back---he's realized that he kind of was in the wrong, and he's giving him space. And I'm sure it can't have been fun knowing that Edwin and Charles only got kidnapped by Esther because of information that he let slip.

But when the boys and Crystal (and maybe Jenny) are about to leave, the Cat King visits Edwin to pay his respects to Niko. He gives Edwin a lily, which several people have pointed out is fatal to cats. He's still flirty, sure, but he's more understated now. No more tricks, no more spells. Just him. And that's the version of him that gets that little cheek kiss goodbye.

Because even cats can learn that there's a better way to love.

[lenakluthor]

totally random question but do you read supercorp fics? and if yes, which ones are your favorites?

i absolutely read supercorp fics! i've been devouring ao3 basically since i finished the show. here are a few of my faves: people will say we're in love by AKAWWJJD - this was recommended to me by a friend and was the second ever supercorp fic i read. it's angsty, but it's BEAUTIFUL and it's one of my favorite fics from any fandom, ever. it's basically a rewrite of crisis and the aftermath of that (with a heartbreaking, post-reveal beginning), and it's just so, so good. it really set the bar for me in terms of supercorp fics and i still think about it to this day. it's heartbreaking and poignant and just. perfect.

the banks of certain rivers and ever more light by @i-am-robie - these two go together, but if you only read one, read ever more light (although i highly suggest reading both). i found this one through a gifset based on the fic, and i am SO happy i did. this is the fic that made me believe in fluff again. i'm not kidding, before i found this fic, if it wasn't tagged as angst, i was not reading it. this one? completely changed my opinion. it's so soft and sweet and it gives you the same butterflies and good feelings kara gets around lena. i actually love these so much that i am in the process of binding them into a book.

same old blues by @searidings - this one is, in my opinion, hands down the best portayal of lena i've read so far. it captures her anger and hurt and emotions so well and it just feels exactly like lena. it picks up after the end of season four and is exactly how i imagine lena's reaction to kara being supergirl. obviously it's canon divergent, but this one just really nails lena. it's angsty and emotional and just SO good. the author describes it as "horny enemies to lovers" in their note and that really sums it up pretty well.

you're in my blood, like holy wine by @jazzfordshire - this one is one of my favorite AUs. it's a loose practical magic AU with witch!lena, but much more developed and fleshed out than in the show. not only does it have really well written supercorp, but it also showcases a really well done friendship between lena and sam. i'm gonna be real i'm very picky about AUs, but this one GOT me. i definitely recommend it.

i also highly recommend checking out all four of those authors' other works. robie has an AU that i really enjoyed, searidings has a fun little competitive supercorp one shot, jazzfordshire has one of my favorite smutty one shots, and AKAWWJJD has a mxy rewrite that is just wonderful.

i've read so many more that were really worth reading, so i highly recommend scrolling through the supercorp tag on ao3 and filtering out the results to find ones you might be into. i could've mentioned a bunch more that i enjoyed, but i figured i'd keep it to my top four and the honorable mentions because the authors all happened to have multiple i love. i've also got like, more than 40 open ao3 tabs currently, so i know my favorites list will definitely be growing.

[seeker-ophelia]

Mythal, Solas, and Lavellan

So there’s lots of discussion about Mythal and Solas, and we need to talk about it.

I too, at first, was mad that Lavellan wasn’t enough for Solas.

And then I started thinking about it.

Not only was Mythal his mother, his creator, she coaxed him into being. Into changing his spirit and his purpose.

Regret Number 1.

He let her use his knowledge and wisdom to do a terrible thing, to kill (tranquil) the titans, changing a whole race of people at a molecular magical level.

Regret Number 2.

When that choice created the worst power known to Thedas (the blight) he was responsible again. And Mythal asked him to step up and fight against it, and he did. And a lot of people died.

Regret 3.

Mythal DIED. (IMO The gods blighted her because she stood against them for wanting to use the blight but that’s not important here). And Solas blames himself.

From Solas’ perspective, he is her puppy. Her Emerald Knight. Her General. Her Protector. Her Wisdom. Her servant, her SLAVE. He is BOUND TO HER. And he caused her downfall.

And you’re all like, GEAS! GEAS!

But wait.

From HIS perspective.

Rook says something somewhere along the lines of like, by abstainsing from being the good guy (oh wait maybe it was Varric in the fade…)

By choosing to be the villain instead of the hero is he absolving himself of the guilt (regret) that comes from having to have made those choices.

From Solas’ perspective, he is her slave.

LOOK AT HIS BODY LANGUAGE.

He is a worm in the dirt in front of her. He is a scolded child, a puppy with his tail between his legs.

But in the eyes of Mythal, he was always her friend. The one person who had always stood by her. She did not literally entrap him, or bind him. It was all in Solas’ own head.

He refused to take accountability for his actions, only able to survive through the crushing weight of his own guilt by blaming it on servitude to Mythal.

That’s why Rook escaped the prison. Because she faced her own choices, choices with terrible consequences, and accepted them. Took responsibility for them, and promised to do better.

Remember, after the Temple of Mythal…

Solas…

You gave yourself into the service of an ancient elvhen god!

What does that mean exactly?

You are Mythal’s creature now, everything you do whether you know it or not will be for her. *** You have given up a part of yourself.

***THIS WAS NEVER TRUE. IT WAS NOT TRUE FOR FLEMYTHAL & MORRIGAN, NOR WAS IT TRUE FOR ABELAS, NOR WAS IT TRUE FOR SOLAS. HE JUST WANTED TO BELIVE THAT IT WAS.

…I suppose it is better you have the power than Corypheus. Which leads to the next logical question… What will you do with the power of the Well once Corypheus is dead?

The war proved that we can’t go back to the way things were. I’ll try to help this world move forward. **Lavellan is talking about the mage/templar conflict, but Solas is putting her in his own shoes. Solas reached for power he could not control and fucked the whole world up.

You would risk everything you have with the hope that the future is better? What if it isn’t? What if you wake up to find that the future you shaped is worse than what was? **

**This is literally him asking her what she would do in his shoes. He woke up and the world was in chaos OF HIS MAKING. To prevent an evil HE CAUSED from spreading, he orchestrated the downfall of the people he loved and swore to protect.

I’ll take a breath, see where things went wrong, and then try again.

Just like that?

*He is in shock that she can be so cavalier about the guilt that has rocked him for (4?) millennia.

If we don’t keep trying, we’ll never get it right.

*And this is the only thing that calms him down.

You’re right. Thank You.

For what?

You have not been what I expected, Inquisitor, you have… impressed me.

You have offered hope that is one keeps trying, even if the consequences are grave… that someday, things will be better.

Then, of course, he takes this to mean that he needs to try to put The Evanuris in a different prison and take down the veil which isn’t at all what we meant sweetie but that’s okay get up and try again.

This is a classic case of a person in power not understanding the terrible, horrible consequences of unfettered power imbalances. Because Solas was always Friend to Mythal (Im not going into Freudian sex shit with you weirdos right now).

Solas was Mythals FRIEND.

Mythal was Solas’ EVERYTHING.

co·de·pend·en·cy

/ˌkōdəˈpend(ə)nsē/

noun

excessive emotional or psychological reliance on a partner,

His Mother, General, Creator, Protector, Queen, Goddess.

And he loved her so fiercely with every fiber of his new, physical being.

And he hated it.

And when Lavellan fell for him, and he for her, he was afraid.

Because he would never force a spirit against her purpose, and in his eyes the only way to love is the sick and twisted way he loved Mythal.

But again, from Mythal’s perspective, it wasn’t twisted. Solas was just Solas. And once again the powerful care not for the thoughts and opinions of those beneath them.

And that sin is on Mythal.

And that’s why she comes out and talks to Solas. Both aspects of her. To release him from the bonds that never existed. Be free, friend. You always were, but if you need me to say it I will because I love you.

“I pulled you from the fade and sent you into war. I used your wisdom as a weapon… and it broke you.”

Cole: Is there a way to save more spirits, Solas?

Solas: Not until the Veil is healed. The rifts draw spirits through, and the shock makes demons of them.

Cole: Pushing through makes you be yourself. You can hold onto the you. Being pulled through means you don't have enough you. You become what batters you, bruises your being.

Be free.

“The things that I have done…”

“Are not for you to bear alone, my friend. The many wrongs we did, we did together.”

And he COWERS before her. Shaking and shuddering. FNALLY being absolved of the guilt he’s carried since his inception.

“I release you from my service.”

And he SOBBS. At the RELIEF.

And Lavellan kneels before him (wrong, IMO because they should be equals but its fine)

And he can go back to his original purpose.

Not Pride.

Not Knowledge.

Not even Wisdom.

But Protection.   

“My life force now sustains the veil. With every breath I take, I will protect the innocent from my past failures.”

The Shepherds Wolf. Protecting his flock from those who would do them harm.

And Lavellan promises it won’t be terrible, as long as they’re together.

And maybe Solas can try this different kind of love. A love built on respect, and trust, instead of fear, and obedience.

And he can be his purpose, Protection, and also be a man. And love his vhenan.

Because he is free.

[cursecuelebre]

All About Knot Magic 🪢

Knot Magic is how simple as it sounds. Knot Magic is one of the techniques whilst using the air element, "catching the wind" as it was called. Most of what we know about knot magic comes from folk traditions and lore about fisherman and sailors catching winds for their sails and tying fisherman knots. If they need extra wind in their sail, they will untie the knot letting the wind escape these traditions are still prevalent today. Fisherman knots do not unravel and tighter under stress. There are many different ways of how to go about it, you can use rope, twine, thread, string, cord, anything that can be tied in a knot. Color correspondences can be important as well.

In Witchcraft it's very much part one's craft especially if one needs to be bit more secretive and discreet in their practice. Knot magic is much involved in folk magic and what's nice about folk magic is that it's practical and not much ritual needs to go into it. Here are some ways you can integrate it in your practice:

Needle work

Looming

Weaving

Knitting

Tying a knot around something that needs to be fixed.

A witch's ladder

Poppet Work

Braiding

Rosaries

Binding

Celtic Knots

So How Do You Do It?

Well, it's easy, you want to capture the spell in the knot and there isn't any wrong way of doing it. Say you want to put reserved energy into the knots so in case you're feeling fatigue or just low on energy and need of a boost. One way is that you take the first section of the twine and chant on what is it you're capturing into the knot I will say talking and chanting is required because it needs to be air flowing and whispering is completely fine as well it doesn't need to be long just say, "I place a piece of energy within this knot." as you begin tying the knot when you're about to tighten it blow as you tighten it. It’s optional but double knots can help secure the knot and energy into place as well say if your saying is a bit too long for a singular knot double knots can be really great for this scenario.

You can also chant while knotting the twine The Witches' Ladder is good for this as well as braiding, here is a simple folk charm to use to create a ladder it's mostly for charms of anything that one would like to achieve and gain. I recommend it for beginners so that you can get the idea and play around and see what you can make out of it

Acquirements:

Yarn or Twine

Nine Feathers or anything that can easily be knotted like Hag stones which are rocks with natural formed holes

Make sure the twine/yarn is long enough to hold all nine objects then as you knot the twine chant the following incantation.

'I tie this knot for my need of____.

The next I tie in the Devil's name.

The third to fix it by my will.

The fourth one to hold it fast and firm.

The fifth one to bind it evermore.

The sixth fastens the wish herein.

The seventh brings it nearer still

The eighth makes it almost true

The ninth completes the ladder by which

I climb and reach for____.'

Make sure that you speak slow and clear even when whispering it helps putting, your energy more effectively within the twine or yarn. Imagine as you tighten it that it will never break away like a sailor at sea fasten his sail for the oncoming storm knowing it will never giveaway. You can make just knots with the twine no need of items if you don't wish to I usually don't. You can anoint them in oil or herbal water to bless it. You can write your own incantations and use many other knots.

Use poetry or chanting for me I used the Havamal as Odin speaks that he knows numerous spells I made a belt of said numbered of spells into knots around his glass candle.

I wand dress my wands and staffs, to help preserve and restore energy but also to help grounding and give me a bit more energy in my workings, for this I combining knots and braiding

In regard to braiding, needle work, weaving, though like needle work will have knots at one end and the other it's very few. Whilst doing these activities you can chant, sing, speak, or pushing your energy into each stitch and loom and connector it's mediative and really great for trance work.

Deities Associated with Knot Magic

So this will include UPGS of deity correspondences but within reason and good links that I will describe.

Loki: his name might’ve derive from “knot” and his symbol/sigil is a six looped knot of a snake that is signifies his trickster nature. Now this is my own correlation I don’t know if there is historical evidence of Loki including in Knot magic. However it’s still a good correspondence and working with him. Visualization of knots and finding clever ways to undo them or tie them for mischievous ways. Not to mention he is often associated with spiders who are natural weavers so that can be a great correspondent.

The Norns - Wavers of Fate, they spin the fate of makind. They can help with healing, protection, manifestation, and altering fate.

Frigg- Associated with Weaving as a domesticated art and link to the Norns as she also knows all people’s fates. She is very wise even more so than All father her husband, talk about power couple. She can help protection, Motherhood, healing, wisdom, knowledge, patience.

Athena: Goddess of Craftsmanship especially weaving, one of her famous stories was she cursed a hubris weaver named Archane into a spider who weaves beautiful webs this story is how spiders came to be. Athena is associated with war, wisdom, knowledge, justice, craftsmanship, and strength.

Our Lady of Knots or Mary, the Untier of Knots: This is for people who work in Saint magic or incorporates saints in their practice. Our Lady of Knots is an aspect of Holy Mary. Which she is prayed for resolution of difficult situations in life such as family discord, violence, anger, parents and children conflict like misunderstandings, addictions, lack of peace, martial problems, separation of home or god, and unemployment.

Njord - Norse God of Fisherman, fisherman knots are again a very common occurrence in folklore. Fisherman knots do not unravel and tighter under stress. Praying to Njord to help strengthen such knots and put up as a talismans or offerings for him.

Rán: is a Norse Goddess of the sea who uses a net to capture drowned sailors and live within her hall. Fisherman nets if you ever see one is full of knots again I don’t know there is historical evidence of her within knot magic but she can help with capturing dangers in her net or help soften a blow or change that can be coming without your control.

Britomartis: Goddess of Traps and Nets, often associated with Artemis a huntress and a virgin goddess. Evoke her to help trapping dangers or maybe help you get out of a tricky situation.

Wind gods that can be evoke to let their winds and energy to trap within the knot. Those within the air element.

Odin: He is considered to be the God of Wind, as he was the one to give humans breathe.

Poseidon, Zeus, and Thor as storm gods: Now these gods can cause storms and strong winds especially Poseidon who can create hurricanes. But they can also help with withstand storms (literally and metaphorically).

Hermes: Like Loki he is a trickster god and possibly can help with knot magic as well but he is often associated with the air element.

Hekate: Goddess of Magic but she has elements within air as well, because of being a goddess of magic she can help with any type of intention of use of magic within reason of course.