#which is actually more than i needed to write because i need an intro and conclusion | Explore Tumblr posts and blogs

bucketbueckers · 30 days ago

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LAYUPS & LAYOVERS

pairing: paige bueckers x fem!reader wc: 2.9k content warnings: language, fluff, author is southern and doesn't understand how snow or marketing works, plot where there doesn’t need to be plot synopsis: It’s Christmas Eve and you’re in Connecticut, exhausted and just trying to get to Minnesota for a work conference. You could cry when it’s announced that all flights are being halted due to the incoming blizzard. Irritated, tired, and overworked, you pray for a miracle, although it takes an unnatural shape in the form of a six foot blonde athlete who’s just trying to make it home, too. Late night airport conversations lead to something more. notes: merry christmas eve from my delusions to yours! the last chapter of irp was super heavy so here's my apology and christmas gift (do i drop another one tmr...i really dont wanna write chapter 8 😩). i hope you all enjoy this short n sweet lil ramble i threw together and happy holidays 🫶

This can not be your life right now.

It’s actually kind of impressive how all of the stars aligned on this one particular night to fuck you over. You’re not a terrible person. You hold the doors for everyone, give up your seat on the bus for sweet old ladies, and you always allocate a portion of your paychecks to donate to Wikipedia. By all accounts, you should be overwhelmed with good karma, although it seems your luck has depleted on this night and this night alone.

It all started on the 20th when you flew out to Connecticut. You work a cushy job as a marketing consultant for the WNBA, which means you spend a lot of time in the air and across the country trying to unfuck – sorry, trying to optimize and rejuvenate – the state of the league and its teams. It’s a task easier said than done. Nobody seems to want to listen to you until they realize that your master’s degrees in marketing and business analytics actually mean something and aren’t just really expensive pieces of paper that you hang in your office. You spend a couple of days in Uncasville talking strategies to boost ticket sales and to gain more traction; they’re the only professional team the state has – it should not be hard to get people to show up if you can market it right, but here you are.

Connecticut is nearly a bust. It’s cold and you spend two full days in meetings getting talked over by men who think they understand numbers and branding. Then, on the third day, the front office suddenly realizes what you’ve been talking about (this shit was covered in your sophomore year intro to marketing class, but hey, the less people know, the more you get paid, so who’s really complaining?) and the trajectory of your trip makes a sudden turnaround. On the 23rd and early on the 24th, you help the Sun roll out the new optimizations, and what do you know? Ticket sales surge by 17%, including some season tickets, all is well in the world and it’s a goddamn Christmas miracle.

Then, all is suddenly not well and you remember that Christmas miracles are for people not surrounded by idiots. Your boss emails you just before you leave for the airport: The Lynx need your help. I’ve sent you tickets for the first flight out of Connecticut. Meet with them on the 26th. Said “flight” departs from Connecticut at 8:30pm on Christmas Eve, which means you’re not even in Minnesota until 12am if you’re lucky, which means you have to figure out hotel arrangements so you can take a nap because you’ve barely slept in five days, which means you have to figure out how to be nice to people again because the Sun front office has you pissed all the way the fuck off.

So, you’re tired, overworked, extremely irritated, and hungry, although that last problem is solved by airport Subway. You just hope that doesn’t come back to bite you in the ass, either – you firmly believed that you were better off betting all of your money on black rather than taking the chance on airport food, but you didn’t have much of a choice and your stomach was growling. You eat, settling in a chair at your gate, and patiently await for your plane to arrive.

Then, the overhead PA clicks on with some static noise, announcing, “Flight 932 to Minneapolis and all other flights exiting Hartford will be delayed due to inclement weather. I repeat–”

The blood rushes to your head. Your eye twitches. There’s a crying baby somewhere in the airport and you can’t take it anymore. Honestly, what’s stopping you? Flying a plane cannot be that difficult. You’re pretty persuasive. You can tell TSA you’re just young for a pilot and you’re not wearing a pilot’s uniform because it’s Christmas Eve and what are you, the feds? All you’re really asking for at this point is a nap but there’s no way in hell you’re making it to a hotel in these conditions and the chances of you sleeping in an airport with all of your belongings out for someone to grab are even lower.

A commotion towards the check in counter commands your attention. You turn, dreading the eventual crash out of an airport Karen, but it’s better than the crying baby who still hasn’t shut the fuck up.

“Please, there’s gotta be something else you can do,” a tall, broad-shouldered blonde is begging, her hair pulled into a loose ponytail. “It’s Christmas Eve, I have to get home.”

The lady at the check in counter sounds sympathetic when she responds. “I’m sorry, ma’am, but our hands are tied. We can’t send our planes out in this weather, but if it eases up, the next flight out should have you arriving in Minneapolis by tomorrow afternoon.”

You hear the blonde groan, her tone sounding something like, I can’t fucking believe this is my life, which is a sentiment you whole-heartedly agree with. “Can you please lemme know if there’s anything earlier?” she pleads. “Like, if by the grace of God this weather clears and we can leave sooner.”

“Of course, ma’am. All updates will be announced.”

The response is almost robotical, but you can tell the receptionist is trying her best, too, and the last place she wants to be is hanging out at the airport on Christmas Eve. The blonde sighs, thanking her, and from the corner of your eye, you watch her hike her bag up over her shoulder and she moves to sit directly in front of you. That’s when you truly get a good look at her, at the dejected blue of her eyes, the chisel of her jaw, the logo on her hoodie. Paige Bueckers is no stranger to you. You grew up watching ball, so obviously you’re familiar with her game – any self-respecting basketball fan is. But by virtue of your job, Paige Bueckers is a name that makes your marketing heart beat just a little faster. Ever since Dallas won the lottery, you’ve been all over their marketing team. Paige’s entire existence and the chance she gets drafted to Dallas is the sole reason the Wings’ tickets are flying off the shelves. She’s the most marketable college athlete there is right now, one of the top rookie prospects for the league, but one look at her face in person and you’re forgetting all about your job. Her jaw is tight with a simmering anger, and honestly, you feel terrible for her – she already spends so much time away from her family and here she is trying to get out of Bumfuck, Connecticut, so she can be home in time for Christmas.

You find a little bit of bravery when you raise your voice slightly to ask her, “No luck?”

She looks up, glancing at you and taking in your features, and laughing slightly when she realizes you’re genuinely just trying to make conversation and not trying to get a soundbite out of her. “You heard that?” she asks sheepishly, sinking a little in her seat to get comfortable. You pretend to not notice her manspread.

“Well,” you begin, glancing over at the receptionist. “The desk is like, ten feet away.” She laughs again and nods, murmuring touche under her breath. “932 Minneapolis?” you ask, referring to your flight.

Paige nods again, quirking a smile. “You stalking me or sum’?”

You shrug your shoulders, a coy smile on your face. “Just observant,” you quip.

Paige grins fully. “What about you?” she asks. “You work for the league?”

At that, you can’t help your surprise, raising a brow. “How’d you know that?”

“Just observant,” she throws your words back at you. You laugh. “Kidding. I see your ID pokin’ out of your bag. You from here, or they got you workin’ on the holidays?”

“Work,” you respond. Paige whistles lowly. “I’m a marketing consultant. Been up here for a few days working with the Sun, then I’m heading to Minnesota to fix the Lynx’s bullshit.” You blink, registering your words, blushing as Paige laughs. “You did not hear that. I’m usually nicer to my employers.”

“They got you workin’ and flyin’ out on Christmas Eve,” Paige points out. “You should be meaner.”

You incline your head in a nod, huffing. “All of this for office potlucks and dental coverage,” you joke. “Don’t quit basketball.” Paige grins again and you’re suddenly reminded of your manners. “Sorry, I didn’t even introduce myself.” You do as such, only mildly surprised when she stands to shake your hand and introduces herself, too, which is honestly kind of endearing. Then, she plops into the empty seat next to yours, smiling widely.

“So, marketing consultant,” she says, her tone nonchalant as she gets comfortable next to you, extending her long legs across her suitcase. “How often will I get to see you?”

You glance at her, raising a wry eyebrow. “Are you flirting with me?” you ask.

Paige shrugs a shoulder, smirking. “A little. Is it working?”

“Maybe a little,” you admit. You can see the pride that shines in her eyes. You roll your eyes in amusement, still in slight disbelief, but you redirect back to her question. “Honestly, probably a lot. The league is super messy from a business perspective and their actual marketing sphere isn’t that great, either. As soon as you get drafted I’ll probably have to fly down to whichever poverty team you land at and teach them how to market you.”

“Yeah?” she asks, and despite the tease in her tone, she does seem interested. “How would you market me?”

“How much time do you have?”

“Well…” Paige glances down to her watch, then out the windows where snow falls in heavy sheets. “Looks like a lot.”

You snicker. “Alright. Bear with me, okay?” Paige nods in earnest, her attention fully on you as you begin to ramble. Truthfully, you did like your job when you were able to do it. The issue is and always will be the idiots you have to work with who overlook your credentials. “So, I’m not thinking about your personal brand at all. Like, that one’s already incredible. Your PR team did their big one with you. But the issue with athletes like you, wide-eyed and fresh out of college with an insane resume of endorsements, followers, deals, whatever – the issue is that whatever team you get drafted to is gonna want to rebuild their entire image around you. Think Clark, Brink, Reese, Jackson, Cardoso. It’s textbook – you advertise the person who’s gonna get you the most clicks, the most sales. So, how can we use that to actually grow the game, the league? I’m talking about longevity. There’s so many people tuning in for you that don’t know shit about basketball, and honestly, they’re gonna be scared to ask questions.

“So we push something corny. Social media segments with a catchy name like Ball With Bueckers or some shit where you break down basketball plays, rules, the stuff you’re gonna see and hear when you watch a game. What’s a pick and roll? A screen? Why is she getting fouled for blocking that shot, isn’t that what she’s supposed to do? Education, interest, loyalty, and competition sells. Stories sell, too, which is why the league is still trying to push the Clark/Reese rivalry. That’s old news, though. A more compelling story would have been the Fever/Sun rivalry, especially after the Sun beat the Fever and the Fever hired their coach. Or Fever/Wings, for reasons I’m not gonna ruin your night with.” Paige laughs at that, and you smile, clearing your throat and trying to find your train of thought. “So, when I’m undoubtedly called in to fix your team’s mess, that’s what I’d be suggesting. People already love you. Using that connection to get them to love ball, too, is my goal.”

“You’re really passionate about this,” Paige comments, her lips quirking into a slight smile. You can’t help but preen a little, flushing. “Like, about basketball. You really care about the sport. Feels like that’s harder to find lately.”

“Well, I was too short to play it, so gotta settle for something, right?” you joke.

Paige looks you up and down. You’re wearing sweatpants and a baggy sweatshirt from college, but her gaze is shameless, appreciative despite your casual airport wear. She chuckles, a disbelieving noise building in the back of her throat. “Nah. You’re what, 6’5?”

You laugh, rolling your eyes. “Try a foot less. But I appreciate you for believing in me.”

Paige smiles, nudging you a little. “I was serious, though. You’re super passionate. I like that.”

“Still flirting?”

“S’not everyday you get snowed in at the airport with a pretty girl,” Paige says, her gaze warm, and you can’t help but blush again. “Gotta shoot my shot, you know?” She mimes throwing a ball, her wrist bent, and you shake your head fondly. Admittedly, she did have you – hook, line, and sinker. You enjoyed the conversation, her company. There were certainly worse people to be stuck with, but you’re glad it was with her.

You shrug your shoulders. “Shoot away,” you say. Her subsequent grin is wide and you find yourself drawn in just a little further.

She asks you virtually everything under the sun – where you grew up, where you went to college, the team you were rooting for, and you answer. You tell her you’re an Atlanta native, born and raised, although you moved up north to study at Columbia. You were 8 when the Dream was founded and that was your team, no ifs, ands, or buts about it. At 10, you watched them win the eastern conference finals on your birthday and that was easily the moment your life changed. Basketball was your future and that much was certain. She asks how you landed the league job (connections, a thick resume, and lots of persuading), how you adjusted to the constant traveling (lots of caffeine and really good concealer), and the hard-hitting question of, are you satisfied?

For that, you really had no answer. Sure, you’re always busy, and that’s better than the alternative of sitting in your office and watching the seconds tick by. You’re good at what you do and your job makes a positive impact on the league. Your colleagues will be who they are; your work speaks for itself and that’s what you pride yourself on. But there’s always going to be a small part of you that yearns for something more, like someone else to share your life with. Someone who sits, and listens, and engages with you; someone who loves basketball just as much as you do (even if it’s a different type of love), someone who’s steady and spontaneous and adaptable.

Then Paige is smiling at you, her gaze warm and soft despite the below freezing temperatures outside; she’s listening, and engaging, steady, spontaneous, adaptable, and probably the only person in the world whose love for basketball could rival your own. You’ve known Paige for all of three hours and it’s nearing midnight in an airport in Connecticut, but it’s Christmas Eve and she feels so right. You would really like to see where this goes, and judging by the way her fingertips brush your knuckles, you think she might like to see that, too.

The two of you talk all through the night, waiting for the weather to ease up. The conversation never slows and you’re certain you’ve never smiled or laughed this much in a long time. It takes you twelve hours of delirious conversation to realize that your luck never depleted. Paige was your overwhelming karma, sent by some sort of Christmas miracle to answer all of the wishes you’d kept to yourself for years. The stars aligned not to fuck you over, but to trap you in an airport with Paige Bueckers, and you find that she’s possibly the best Christmas gift you could have ever gotten.

When the weather finally clears and your plane arrives, you find that your seats are right next to each other – and, well, fate works in funny ways, doesn’t it? You’re both exhausted, but when she lowers the armrest and wraps her arm around your shoulders, pulling you into your side, you can’t help your relieved sigh, leaning into her chest. You and Paige sleep through the entire flight. You dream of soft blue eyes, the lingering scent of her cologne, the promise of how this could last.

You land in Minneapolis and you eventually have to go your separate ways. The two of you exchange numbers, saying your goodbyes, although Paige doesn’t let you get anymore than three feet away from her before she’s catching you by the wrist and pulling you into her. Her hands are cold against your cheeks as she kisses you gently, something deep and lingering and a confirmation that tastes like ‘you and I aren’t done here.’ The falling snow lands gently on your cheeks, melting under the heat of your blush, and you can’t help your smile, interrupting your kiss as the both of you dissolve into laughter. Paige kisses you again, something softer that leaves you feeling warm all over despite the chill, and you thank your Christmas miracle for leading you here.

#paige bueckers #paige bueckers x reader #paige x reader #uconn wbb #uconn #ncaa wbb

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starkwlkr · 2 years ago

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annoying little brothers | f1

female driver x f1 drivers (platonic) (same age as daniel so 33)

part 2 part 3

Y/N L/N BEING THE FUNNIEST DRIVER ON THE GRID

The video starts of with a press conference from the United States Grand Prix. Y/n was seated with Charles, Pierre, Daniel and Sebastian her being in the middle of all the men who she considered her brothers.

She was listening to all the questions the men were receiving from how they thought they were going to do, how’s the team doing, etc. But when a reported finally asked her a question, she completely blanked.

“Sorry, I was just thinking about my son. We were supposed to get breakfast together and he hasn’t texted me back. I haven’t seen Lando all day.” Y/‘ said making the drivers and reporters laugh.

“When did you adopt Lando? I wasn’t aware.” Daniel played along.

“2019. He was actually lost when I met him. It was during the Australian Grand Prix, his first f1 race. I found him and we did the Melbourne walk together and I’ve just kind of adopted ever since. So if any of you bully my son, I’m coming after you.” Y/n explained.

“He’s probably texting you right now saying ‘stop embarrassing me, mom!’” Sebastian went on.

“Wait, he’s over there!” Pierre spotted the Brit rushing towards their direction.

“He’s alive!” Charles cheered.

Finally, Lando arrived to their interview area with a box from a a bakery in his hand. “Sorry, I have to drop this off. We’ll get breakfast tomorrow. I got you pastries.” Lando gave Y/n the box and a hug then he was off since he was late for his interview.

“You’ve raised your son well.” The reporter joked.

“That was all me, I needed no help.”

The next clip was a fan video from 2021. Y/n had just finished her date with a guy and now she was signing autographs and taking photos with a group of girls. The girls had just finished their meals at a restaurant when they spotted the f1 driver leaving with a guy. The politely asked for a photo, which y/n was more than glad to take. Her date stepped aside to give them a moment.

“Sorry to interrupt your date.” A girl apologized for her and all her friends.

“Nothing to be sorry about, honey. I’m actually nervous because I don’t know how the date went. I’m horrible at first dates so this is kinda making me less stressed.” Y/n admitted. The girls laughed as y/n signed a girls phone case.

“Has he met Lando?” Another girl asked knowing how close y/n and lando are.

“Not yet. I’m afraid that Lando might scare him off. Everyone on the grid might, especially seb. He will definitely give him one of those ‘treat her right or I will run you over’ speeches.” Y/n signed another phone case.

“Does he knows you’re famous?”

“Oh god, no! I told him I was unemployed and that a sugar daddy was giving me money. I’m surprised he still agreed to come on this date with me.” Y/n chuckled.

Months later, the guy ended up being y/n’s boyfriend. He even attended the British Grand Prix where he finally met Lando, who was actually the one to tell him to treat y/n right or he would run him over.

The next clip started off with the intro to grill the grid. The challenge was to guess the driver’s numbers, something that y/n was semi confident about.

“So we start off with my man, Danny, number three.” She wrote down on her clipboard. “Four, my son, Lando. Also ever since I met Lando I’ve been seeing the number four quite often. It’s scary actually. Can’t decide if Lando put a curse on me or not.”

“Would he do that?”

“He shouldn’t,” y/n raised her voice slightly. “Anyways, next is … oh! Seb! I don’t know why I couldn’t think of him right away. Then we have latifi at number six then kimi at seven.” She continued writing down the names.

“Nine ….Mazepin.” She fought the urge to roll her eyes since her and the driver were never on good terms.

“Ten, my favorite frenchie well one of, we treat everyone nice here, gasly.” Y/n winked at the camera. “Eleven, the mexican minister of defense, Perez. And then we have me! Thirteen!”

“Do you think Lando got your number right?”

“I don’t doubt him ever.”

“Thirteen, my mother! Everyone better get that right.” Lando pointed at the camera menacingly.

“Fourteen, Alonzo. Sixteen, Leclerc Charles. Eighteen, stroll and twenty two!” Y/n sang the number in the tune of taylor swift’s song. “Yuki! Thirty one, Esteban, my other frenchie. Thirty three, max does he have a middle name verstappen.”

“Have you noticed that you haven’t gotten any wrong yet?”

“I’m just the best, that’s why.” Y/n laughed. “Forty four, the seven time world champion, sir lewis hamilton. Fourty seven, mick mick mick. I love to say his name.”

Y/n had completely forgotten she had to be writing the names down. She was having too much fun.

“Fifty five, carlos smooth operator sainz jr. sixty three, the man with two first names, russell george.” Y/n said as she looked down at the numbers on the paper.

“Do you know his middle name?”

Y/n gasped. “Is it another first name?”

“I believe it’s William.”

“Three names!? It sounds so british.” Y/n chuckled. “Um, seventy seven valtteri, right?” Y/n saw the interviewer nod. “I was getting worried my streak would be broken. And ninety nine, antonio!”

“You got all of them!” Everyone in the room cheered.

“Did anyone else get them all?” Y/n asked.

“Daniel did.”

“Of course. He’s good with numbers.”

The next clip was from the same grill the grid video but it was a blooper. Lando had arrived right as y/n finished filming and handed her a water bottle.

“Did you get my number?” Lando asked curiously.

“Yeah, ninety five, right? Cause you’re a McQueen fan.” Y/n teased as she grabbed the bottle from lando’s hand.

“Yeah, you remembered!” Lando played along “how did she really do?” He asked.

“She got them all right.”

“Really? I’ve got a smart mother!” Lando high fived the woman.

“It’s because I’ve got a photographic memory.” Y/n nodded with the most serious face on.

“Do you really?” Lando asked. He was surprised to hear that.

“No, I just love to lie.”

The next clip started with Daniel and Lando standing next to boards with their 2022 rankings. As predicted, Daniel and Lando’s part of the interview was mostly filled with them drawing over each other’s pictures.

Daniel them knocked over Lando’s rankings to the ground. “That’s how I feel.”

“That was the worst timing ever. Y/n is walking this way.” Lando told Daniel, who immediately picked up the board.

“Are those your rankings?” Y/n asked as she approached the duo. She then noticed that the setup and quickly apologized to the camera man. “Sorry, I’m just curious now.”

“Are you proud of me?” Lando asked, standing next to her and throwing his arm over her shoulder.

“When am I not? Wait, except that time you pushed me into my birthday cake.” Y/n pinched his side. “Can I see the pen?” She asked the guys, Lando gave her his.

“She’s adding to our masterpieces. This piece will be worth millions years from now.” Daniel said.

Y/n then scribbled little stars around Lando’s head and then signed it at the top. “Actually you both look great in your pictures. Did they use photoshop?”

“Excuse me, this is all natural.”

“Y/n! Hi, hello. What’s going on here?” Martin brundle asked the woman as she walked with her mom and pr manager, Lucy.

“Martin! It’s been a while, nothing much. How are you?” Y/n hugged the former racing driver. “This is my mom, she’s been wanting to meet you.”

“Mrs. l/n, hello. Welcome, how are you?” Martin greeted the older woman.

“Great. I’m here supporting my girl. It’s been a wonderful weekend.” Y/n’s mom smiled.

“Are you aware that you have a grandson that drives for McLaren?” Martin asked making all three ladies laugh.

“Yes, Lando is a very lovely young man.”

“How does it feel to have a daughter and grandson in f1?” Martin asked in a serious tone.

“Amazing. I’m super proud of both of them.”

“Thank you ladies for your time. Have a wonderful day.” Martin smiled at them, but before he could leave, y/n gave him a hug goodbye.

“Take care, Martin!” Y/n waved to the man and left with her mom and Lucy.

“She wins everything. Give her all the trophies. Everything is hers.” Martin said to the camera.

The final clip was consisted of y/n after a race getting interviewed.

“Do you often see your father?” Someone asked from the back.

“No, actually we’re just good friends.”

“What’s your opinion on the president of the United States?” Asked the same person.

“I don’t think about him.”

“What’s going on between max verstappen and lewis hamilton?”

“I don’t know, I just work here.”

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godsandmonsters505 · 2 years ago

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Roll Like Thunder | Negan Smith

dbf!Negan Smith (The Walking Dead) x younger fem!reader

(AU where the apocalypse never happened)

Summary: Negan is your dad's best friend and the two of you settle some tension while on your family vacation.

Warnings (18+): age gap (reader is college age, maybe 20-ish, and Negan's age is not specified but I'm feeling early 50s), smut (fem receiving oral, unprotected p in v), possibility of getting caught, edging

Notes: this actually kinda turned out sweet in a way I think, which is surprising because that's not often an outcome when I write for Negan lmao. not proofread yet because I just wanted to get it out to you all asap, but will edit if needed when I get the chance. hope you enjoy!! (also the intro is kinda long oops)

Grabbing your glass of wine you take another much needed swig, cringing at your dad and uncle. They always find some way to turn every conversation into a political argument while the rest of your family eat their meals and exchange knowing glances

Family holidays were always like this. The one time a year when everyone was together: your parents, aunt, uncle and cousins. Only this year, there was a new addition.

Negan had grown up being a close friends with both your father and uncle and they are still best friends to this day. He recently went through a messy divorce and this is his first Christmas without his wife in a long time. Your dad never was good with showing kindness or friendship, but your uncle had convinced him it would be a good idea to invite him to his cabin for your annual Christmas getaway.

And that's how you got here.

You'd always had a little bit of a crush on Negan, for as long as you could remember. Though you never saw much of him as a kid. It wasn't until you got older - old enough to be able to drink in front of your parents - that you got to spend more time with him. Drinking was a big part of their social life, so once you could join in, you got to know him better. You got on well with your parents so you'd have barbeques with them and their friends, join in with conversations in the kitchen when they'd have people over, go out to dinner. But then you went off to college and started spending less and less time with them. So now it's Christmas time, you're happy to be able to spend time with your family. And Negan, more than you'd care to admit.

"Okay fellas," your mom chimes in. "Enough of that."

Negan makes eye contact with you from across the other side of the table and you smirk at each other. You're both all too familiar with watching this from an outside perspective.

"The food's delicious, Negan," she adds, turning to Negan, who had cooked this meal for you all. Sort of as a thank you for letting him tag along. For the first few days in the cabin he felt a little out of place, like he was intruding on your family's time together. But eventually he began to find himself settling. You were lucky to have a very fun, non-judgmental family so everyone was happy to have him there.

You nodded in agreement with your mother's statement. "I'd have more if there was any left." You motion to your empty plate.

"I'm glad it's got your approval, ladies," he grins.

The meal comes to an end and alcohol starts flowing. Your cousins are all younger than you so they head off to their bedrooms to do whatever it is kids their age do.

"I'd better get these dishes cleaned," Negan declares, standing up from his seat.

"No," you say, protesting. "You cooked. I'll clean."

"It's fine, you don't have to," he says kindly.

"I want to," you smile. "Really I'm happy to."

"We'll do them together?" He suggests, coming to a compromise and you nod in agreement.

"You raised a stubborn one," he mumbles teasingly to your dad, patting his shoulder as he walks past him.

"She gets that from me," your mom chirps as the two of you pick the plates up from the table and carry them into the kitchen.

Putting the plates on the kitchen top, you head to the fridge and look inside.

"Beer?" you ask, peeking around the door to look at Negan's response. Though you already have two cans in your hand, knowing he won't turn down the offer.

He nods. "Can't do anything without a drink in hand in this family, huh?"

You close the fridge door and pass him his beer, cracking open his own.

"You should be more than aware of that," you tease. "I've heard what you and my dad used to get up to."

"I'm sure you've not even heard the most of it," he teases back.

You laugh softly under your breath at his response.

"I'll wash, you dry?" You suggest as the sink begins to fill with soapy water.

The two of you get the dishes done relatively quickly as Negan tells you a story from his college days. You have to keep yourself composed and remember who he is. Remember that these stories he's telling of him at your age took place before you were even born. A decade before, at least. But, every so often, as you pass him the plates to dry, your fingers touch his and such a small motion has you weak. You can't look him directly in the eyes as he stands so close to you. That signature grin of his spread across his face.

The two of your finish and you take a large swig of your beer, but it's no surprise that the flush of alcohol doesn't help your body heat. You can only hope and pray that your cheeks aren't beetroot red right now.

"I'm sure you've got plenty of stories, though, right?" He asks. "Being in college and all. And with your dad's genes...God."

A playful smile spreads on your face. "Sure. I'm absolutely not telling you though. My dad would have a heart attack."

"Ahh," he smiles back. "So this whole 'good girl' thing is just an act, then?"

Holy shit. Good girl? He has no clue what he is doing to you calling you things like that.

"I can be good when it suits me." You say, almost flirtatiously, and immediately kick yourself. Why the hell would you say something like that to him?

Your off-the-cuff reply has him grinning. He swipes his tongue over his teeth as he contemplates your words and you almost drop to your knees.

"Let's go see what political debate has become the talking point now," you say, changing the topic to hide your complete embarrassment. You leave the kitchen and head to the living room, Negan following.

Somehow, in the time it took you to wash the dishes, your mom and aunt have gone through a bottle and a half of wine, and they're sat on the floor with your dad and uncle playing some sort of drinking game.

You sit down on the couch and Negan sits next to you. Why? Why could he not just sit away from you? Give you some space to compose yourself? But the action is completely innocent. There is just less than a foot between the two of you, yet it still feels like he is on top of you. Like you're breathing the same air.

"What was I just saying?" Negan says, nudging your arm with his elbow. "Alcohol."

You shake your head in playful disagreement with your relatives' actions.

"Hey, mom," you say and her head whips around, as laughter escapes her lips. "Think you've had enough for tonight?"

"Oh, you're so boring," she waves her hand at you dismissively.

The four of them continue for about half an hour as you and Negan observe and laugh. The game finally comes to an end when your aunt and uncle discreetly head off to their bedroom for a reason you don't even want to think about. Your parents follow shortly after, your dad having to carry your drunk mom up the stairs.

You come back from the kitchen where you were getting another lager for you and Negan. As you do so, you look for the TV controller and find a blanket that was lying around. You sit down again next to Negan and look down at your phone to check the time.

"God, it's not even 10 o'clock yet." You laugh.

"Amateurs," he says sarcastically.

You pass him his beer which he thanks you for, then get under you blanket.

"Want some?" You ask, holding out some excess blanket towards him.

"Sure," he accepts, getting comfortable himself.

The whole situation you're in is completely innocent, but it dawns on you that you're currently alone with Negan, tucked under the same blanket. Given that fact, you make a conscious effort not to touch him at all and try to remain composed.

"Put a movie on?" You ask him, passing the TV remote to him.

He takes it from your hand, brushing his fingertips across yours.

You watch him carefully as he selects a film to put on, making sure not to get caught admiring him. He just looks so good. The salt and pepper sprinkled throughout his hair and beard. The tattoos that cover his arms. The way his white t-shirt hugs his body just right. You're brought out of your thoughts when he speaks.

"You seen Batman Returns?" He asks, looking down at you.

"Of course," you smile. "It's a classic."

"Feel like watching it again?"

You nod. You'll watch whatever he wants. Do whatever he wants.

"Absolutely," you answer. "I didn't peg you as a Batman kind of guy, to be honest."

"Like you say, it's a classic," he says. "Plus there's always Michelle Pfeiffer."

You laugh at him. "I feel you."

You polish off another beer as you watch the film. You try your best to pay attention, to keep your eyes open, but you grow increasingly tired. It must have only been fifteen minutes into the film when you finally drift off, reality slipping away.

When you wake up again, it takes a while to fully gain consciousness, You feel something under you head, under your arm, but you don't pay much attention to it.

You feel warm. Comfortable. You don't want to wake up, you could stay here forever. The smell of men's shampoo and cologne comforts you, a soft material under the touch of your hand.

All of a sudden reality dawns on you. You realise that your head is leaning on a shoulder. That your hand is draped across a torso. You shoot up, sitting upright and see Negan smiling at you softly through slightly hooded eyes.

"Oh God," you say, feeling incredibly humiliated. "I'm sorry." But he just chuckles.

You look over to the television and see a black screen.

"Did the movie finish?" You ask groggily and he nods. Fuck. You slept for the entire duration of the film and who knows how much of that time you spent laying on Negan's shoulder.

What you're only just realising now, though, is how close you're still sat to him. How even though you're sat up, Negan's shoulder is casually draped across the back of the sofa, dangerously close to your shoulder blades.

"Why didn't you just wake me up?" You ask, feeling flushed.

"You looked peaceful." He answers, honestly. "Didn't want to disrupt you."

"I'm sorry," you apologize again. "You should've woken me up."

"I didn't mind, sweetheart." He insists. "Honestly."

The pet name drives you utterly insane. As if this whole thing wasn't already enough. Your body feels so hot. What with the blanket, his body heat, your arousal.

"I will say though, you do talk quite a bit in your sleep," he smiles coyly and dread shoots through your entire body.

"Wh-what-" you can't even get a full sentence out. "What did I-"

A flash of a dream comes back to you in that moment. Oh God. Oh God, no. You can't remember the details, but you remember the feeling. Negan on top of you. His body weight on you. The ecstasy you felt. His hands on your body. His name slipping from your lips.

You had a sex dream about Negan while you were laying on his Goddamn shoulder. You're lost for words, but Negan is enjoying watching this play out. He bites his lip, trying to suppress his smug grin as he watches you realise the possibilities of what you might have said.

His arm slowly slips off the back of the sofa and creeps around to touch you, the movement making you flinch a little. What is he doing?

He takes his other hand and places two fingers just under your chin, forcing you to look up at him. The two of you make eye contact and you can't even contemplate what is happening - still a little groggy from your nap - before his lips are coming down gently on yours.

You kiss him back almost immediately. It's a surprising delicate and intimate kiss, and you daringly bring your hand up to his neck to pull him in deeper, but he pulls back.

You worry that he is having second thoughts, but the look in his eyes says the complete opposite. He just wants to get a good look at you before he tears you apart. You feel vulnerable under his hungry eyes but you love how it makes you feel.

The two of you take a moment to catch your breath before your lips join again, this time the kiss rougher. More passionate. His arms wrap around your back to pull your body snug to his and you intwine your fingers into his hair, tugging ever so slightly. His large hands snake further down and grab your hips, pulling you onto his lap. As you get comfortable you shift along his length and gasp, feeling that he is already hard.

"You were practically fucking dry humping me in your sleep," he chuckles. "You can't blame me."

"So that's why you didn't want to wake me up, then?" You're barely able to mumble, teasing him.

"Hmm, maybe." You can feel him smile into the kiss and it makes you want him more. Everything about him is so endearing. He just radiates this warmth, this aura, and it's radiating.

Even now, however, you're nervous to move things along. You know what you want but this is still so surreal, and it would be an understatement to say you feel a little intimidated in this moment. You have enough sexual experience, but this is Negan. This is different. So you're glad when he takes control and begins to lift up your top, pulling it over your head to expose your bra.

His mouth makes contact with the flesh of your chest, sucking and nipping while he reaches around to unhook your bra. He feels his cock twitch when he sees your bare breasts, taking a nipple into his mouth immediately as his warm hands roam and caress your back, travelling over your smooth skin.

As you start to subconsciously grind into his bulge, Negan continues to explore your breasts. You're looking for any kind of relief and you begin to find some as he presses up into you, but both of your pants are restricting you.

You feel yourself crumbling further and further as Negan's hands come around to aid him with his attention to your breasts, squeezing and practically groaning as he does so. The noise changes something inside you, and makes you realise that you need him stripped of his clothes right this second.

You grasp the bottom of his shirt and he briefly pulls away from you to allow you to move it, but the second you're done, his lips are back on your skin, leaving marks on your collarbone and neck. Next, you move onto the buckle of his belt but he swats your hand away.

Pulling back from the kiss, you look to him with wide eyes full of confusion. That look alone is nearly enough to cause him to fold and fuck you right then and there. But he has other plans.

"Be patient for me, honey," he says sweetly, and as badly as you want him, you trust him.

He pulls your body flush to his, so that your breasts are pressed entirely against the heat of his chest. Then he grips your lower back and stands up, holding you tightly.

"We can't do this here," he says, carrying you towards the stairs. You grind up against him playfully as he does so and he stops momentarily half way up the stairs, clearly affected by the action. In retaliation he gently swats your ass and you giggle at his response.

"Shh," he hushes, but he can't hide the grin that spreads across his face as you bury your face in his shoulder to muffle the sound.

Being as quiet as possible, he takes you into his bedroom which - awkwardly - is across the hall from your parents' room.

He puts you down on the bed, barely allowing himself to be away from you for a second, climbing on top of you hastily. He goes back to kissing you, the taste of him intoxicating. The way he kisses are gentle yet so hot and passionate at the same time, becoming increasingly sloppy as they shift from your lips to your jaw, neck, chest, abdomen, until you're a writhing mess beneath him.

Once he has kissed so far that he reaches the waist line of your trousers, he unbuttons them and pulls them all the way down. He throws them onto the floor, leaving you just in your lace black panties. He nudges your legs open and moves his kisses to your thigh. He's slowly breaking you and you're not sure how much more you can take. Painstakingly slow, he trails his tongue up your inner thigh until he reaches the edge of your panties.

Eventually he slips your panties off and you tremble as you feel the cool air of his room against your hot, aching core. He places his hands on your inner thighs to push them open further, mouth watering at the sight of you. The delicate touch of his fingers send shivers up your spine and you're in desperate need of more.

"Please, Negan," you say, barely a croak.

"Shh, let me take care of you," he soothes, his voice low and gravelly as he tries his best to stay quiet. "Wanted to taste this sweet pussy for so long."

As if to affirm his words, he lowers his head and licks a stripe straight through your folds, groaning as he feels how wet you are.

He then moves his mouth to make contact with your clit, your hips raising at the action. He starts off by sucking gently, leaving you aching for more as you reach down to grab his hair, not knowing what else to do. He chuckles as you do so and sends vibrations straight through your core. Unable to control yourself, a moan escapes you lips and he squeezes your thighs warningly, wordlessly telling you to be quiet.

He takes his time to precisely pull you apart, but then his motions begins to get harsher, faster. You feel that rising feeling in the pit of your stomach begin to spread after waiting for what feels like so long. He alternates between kissing, sucking, licking, nipping until you're desperate for more. Sensing this, he teases one finger at your entrance.

"Please," you whimper, legs trembling. He answers your pleading by pushing his single digit inside you in one long push, as deep as he can go, and keeping it there momentarily. As he continues to eat you out, he begins moving his finger, fucking you gently. When he adds a second finger you have to clasp your hand over your own mouth to stop yourself from calling out his name. Your legs wrap around his head, wanting to pull him closer to you in any way possible.

Closing your eyes, you feel that white hot feeling flooding through your veins, but right as you're about to reach your peak, he pulls his fingers out and his mouth away from you.

You let out a guttural sound, one of desperation which causes Negan to laugh under his breath.

"Negan, God, please," you whine, putting both your hands on his head and pushing him back down.

"So bossy," he mumbles with a smile on his face, but he obliges.

He doesn't use his fingers on you again, but it makes no difference. You're already pent up enough as it is that it won't take a lot to make you reach your peak. Plus, you don't doubt that Negan's skillful mouth is more than enough for you.

He circles his tongue around your clit, going back to sucking while using his free fingers to absentmindedly trace little patterns into your thighs. The only noises are your heavy pants and the wetness of his mouth against you, and it fills the otherwise deadly silent bedroom.

He's starting to become more familiar with your body and your reactions and he can tell you're getting close again. To which he stops and pulls away yet again.

"Negan," you almost cry. Tears prick in the corners of your eyes as you throb for him. "Please, I need to-"

"I got you baby," he assures you, stroking the flesh of your thighs comfortingly.

You can't bare it. You almost despise him for doing this to you, but you can't. It's all so surreal: having this man between your thighs. So often you have fantasized of it and though it's so wrong, it's now happening.

Before you can beg again, his lips make contact with you. This time he's a man on a mission. His tongue flicks against your clit as two of his fingers slip back inside you. You're so wet that it's an easy motion, but you still feel the tight, delicious stretch. He allows you to get used to it, building you up until he adds a third finger and you have to use all your power not to yell out his name. You try your hardest not to hurt Negan by squeezing your thighs too much or pulling his hair too hard, but he loves it. He loves driving you crazy, seeing you unwind for him. The noises you make. The taste of you.

Relentlessly, he penetrates you with his fingers, pushing and curling his fingers deep inside you, hitting a spot that eventually brings you your release. One last push, one last flick of his tongue and you're falling over the edge. You squeeze your eyes shut and you can't help the animalistic sound that leaves you as white flashes behind your eyelids. He continues eating you out through your orgasm and it hits you that you think you're doing something you never have before.

Once you manage to come around again, you let your legs relax and look down to Negan who looks up at you. He smiles smugly, your wetness remaining in his beard and it causes you to go weak in the knees.

"Did I just-?" Squirt, you want to say. But somehow it doesn't seem like the nicest word to describe what just happened between of the two.

He nods with a glimmer in his eyes as he makes his way up the bed, his body above yours.

"I've never-" you croak. "I've never done that before."

"You just needed a man, that's all," he gloats and you roll your eyes. "It was hot as fuck, for what it's worth."

He leans down and places a soft kiss on your lips. You can taste yourself on him.

You're still shaking a little, but you manage to pull back a little to look him in his eyes.

"Are we really doing this?" You ask, bordering on timid.

"Do you want to?" He counters.

"Yes," you say, quickly, not wanting him to think you're having doubts. Because there is absolutely no doubt in your mind that you want the man above him. Hell, you need him. But somehow you find yourself feeling a little insecure and needing reassurance. "Do you?"

"Darling," he laughs. "Not to be crude, but you just came all over my face. I want this more than you know."

You nod and smile, feeling more confident. "I'm sorry, I just-"

He interrupts your babbling with a long kiss to your lips, silencing you.

"You need to worry less," he says, bringing his hand to stroke your cheek sweetly.

"Make me." You propose flirtingly, smiling up at him.

"That I can do." His lips crash down on yours and his tongue intertwines with yours.

Reaching down to his pants you fumble with his zip, which he helps your shaky hands undo. He shifts both his pants and boxers down off his ankles, and though you can't see his length fully from this angle, you can feel its hardness press against your lower stomach and he feels big.

"You ready, baby?" He raises his brow at you as he grips his member and teases it through your folds.

"Yes, please Negan," you pant, even after having the best orgasm of your life, you still need more. "Need you inside me."

He groans as he slips inside of you and the way you practically beg for him drives him crazy.

"So fucking tight, holy shit," he mumbles into your ear, his head dropping down to bite and suck on the crook of your neck. "Oh, baby, fuck."

Hearing him say such obscene things affects you in an indescribable way. His voice has always been massively attractive to you, but now...you're done for. The deep rumble, smooth like honey, even lower in an attempt to remain quiet to your family in the surrounding bedrooms. It's like dark magic. It has you hooked. He could say the right thing to you with that voice and you'd cum right there and then.

His movements are slow, savoring the sensation of you around him. He wants to take his time with you. He never wants it to be over.

Instinctively, you wrap your legs around his back and lift your hips up wanting more from you. He maintains his pace, but does start pushing deeper inside you like you wanted.

"I've wanted you for so long," you say, not even in control of your words anymore. It's like he's fucking them right out of you. He moans into your neck at your admission and starts thrusting a little faster, as if in response to your statement.

"Do you know-" he stops speaking for a moment to breathe and compose himself, clearly enjoying this as much as you, "how often I get myself off thinking about you?" He punctuates his point with a particularly hard thrust and that - in combination with the idea of him masturbating to the thought of you - causes you to cry out. You thought he would shush you, but he seems too far gone at this point.

"A fucking pretty little thing like you," he says, his hands groping at your tits, his touch rougher than before, "it'd be hard not to."

"Oh god," you whimper. "Harder, please."

His movements get harsher gradually, following your command and getting you closer and closer every second.

He lifts his head up and the way he looks at you makes your insides collapse. To be the sole object of his attention. How he looks at you like you're all that ever mattered.

"I'm so close, Negan," you tell him.

"Taking me so fucking well, darling," he praises, reaching one hand down to lazily play with your clit. That's all it takes and he can feel it coming as you begin to squeeze around him. He takes your lips in a long, sensual kiss as you climax, trying to muffle your moans as he fucks you through your orgasm. Your hands are wrapped around his back, squeezing into his shoulders as you try your hardest to be quiet. Pure pleasure surges through your veins as he presses his entire body weight into you: suffocating in the most beautiful way possible.

Gradually, Negan's movements come to a halt and he stops moving inside you briefly, letting go of you come down from your high.

"You're gonna be the fucking death of me," he declares and before you can reply, he suddenly starts moving inside you again, faster than the last time, placing a quick peck on the tip of your nose as he does so.

He soon reaches a pace much faster than before and you're rendered speechless.

Your attention is grabbed, however, by the open and shut of a door somewhere. You gasp and your eyes widen at the sound. The possibilities of who it could be and if they'd heard you start to race through your mind but your thoughts are cut off when Negan clasps a hand firmly over your mouth to keep you quiet. He presses you further into the mattress as he fucks you even harder than before, enjoying tormenting you.

You listen closely to the footsteps. They're quite loud - that of a man - probably your dad or uncle. The pitter patter grows closer and your heard races, both from the fear of getting caught and from the sensation of Negan deep inside you. Hitting places you're sure no other man ever has or ever could. You relax a little as you hear the footsteps pass Negan's bedroom and head into the shared bathroom, the door closing afterwards.

Negan takes his hand off your mouth and you gasp for air.

"Oh my god, please don't stop," you beg as he sets a pace and sticks with it, snaking his slender fingers back down to your clit and circling it gently.

"I don't plan on," he chimes. "You're taking me so well."

You've never felt anything like this. Your entire body is numb and slick with sweat. All you can do is grab onto his hair and try your best to lift your hips to meet his thrusts.

To help you out, he grabs your body and switches positions slightly. He lifts himself up then clutches your thighs, lifting them onto his shoulders. Then his hands grip onto your hips and he has access to you in a way that allows him to go much deeper. You know you can't take much more. You're close to crying just from how much you want to scream his name.

Your eyes keep fluttering shut but you force them opening, wanting to keep them on the man doing this to you. His tousled hair, his flexed biceps, his tattooed chest.

"Harder, please," you whisper. "I'm nearly there."

Thrusting harder, he also adds his fingers back to your clit, rubbing harshly. It's almost painful on your sensitive nerves but it feels unreal and it's enough to build you up to near-ecstasy.

Your mouth hangs open but you refrain from making any noise. In one unexpected motion, he lands a slap to your clit and it sends your orgasm rushing.

"Good girl, that's it," he guides you through as your body starts to spasm.

He continually pounds into you and turns his head to the side to place soft kisses to your inner thigh, contrasting the way he now ruthlessly moves inside of you.

You contract around him as you cum and you can tell he is trying his hardest to hold on as he visibly hesitates, not knowing where to release.

"Cum inside me, Negan," you give permission. "Want it so bad."

Those words were all he needed as he spills inside you, the warm liquid filling you.

Gradually, his movements slow down as he fucks you through the both of your orgasms, fucking his cum deeper inside you, and then pulls out and collapses next to you.

You rest your head on his shoulder and to your surprise, he pulls you closer to him, placing a kiss to your forehead.

"Holy shit," you giggle, the whole situation setting in.

Negan's about to speak but his sentence stops forming when the bathroom door opens and closes again. You'd completely forgot about that.

The two of you exchange a glance as you wait for the footsteps to disappear down the hallway. Once they're gone, you relax back into his embrace.

Absentmindedly, you place your hand on Negan's warm chest, tracing the ink of his tattoos. Its surprisingly comforting having him this close, to be held by him. You're entranced by the smell of his cologne and the way his chest heaves up and down, catching his breath. He smiles as he watches you, equally as entranced by you. He can't quite believe that the daydreams he thought were exactly that - daydreams - have come to life.

"We'll have to do this again," he grins coyly, "some place where you can scream my name as loud as you need to." His hands run over your body, cupping your breasts as if to appreciate as much of you as possible.

"I'd like that," you smile back, snuggling into his arms. You know you can't stay here all night, but you'll appreciate it for as long as possible.

#negan fic #negan x reader #negan twd #negan smut #negan smith #the walking dead fanfiction #jeffrey dean morgan smut #jeffrey dean morgan #negan smith smut

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capslocked · 1 year ago

Text

KINKVEMBER DAY: 9

[prompt: problematic relationships]

male reader x nana

10k words

"Do you have any idea how long I've thought about it?" Nana slips a finger between the buttons of your shirt. "You, me - us?"

And here, you actually, truthfully do not want to know.

So, go ahead, cue up the sound of a mental rolodex spinning out while you start to list the very real, very valid, very adult reasons you should never, ever put your hands on her. (1) She's too young for you, (2) you're kind of a community figure, or at least someone who has to appear to be one, and more pertinently (3) she was your student not long enough ago - in your ethics class, the irony of which is not lost on you - and that makes it the kind of dirty, low thing you'd feel guilty for even masturbating to. Let alone actually attempt to live through, no matter how insistent some parts of you might be to the contrary, a point emphasized by the pressure of her finger against the dip just below your sternum.

"These... oh, how should I call them." Nana hums softly just before easing a bit of distance between the two of you, head tilting like she's in a trailer for this summer's romcom, and not, you know, trying to drag you into hell. "Filthy little fantasies?"

You're a high school teacher, interdisciplinary. Sometimes history, other times philosophy, you've also taught math - and once, egregiously, home economics when the faculty member whose usual duties consisted of teaching the class was out on a very sudden and scandalous maternity leave. But it's your love of literature that finds you in a bookstore near enough to the high school to sell more used copies of intro textbooks than actual novels.

You're paging through a book you'd say you're considering buying - if any of the store staff were to push the question onto you - when she appears at the other end of the fiction aisle.

You catch the look first of her dyed hair, this perfect shade of chocolate, to the edges, the fade-to-brown, cascading over where a more formal shirt would ostensibly have shoulders.

She smiles; it's pretty.

Then, you make the mistake of glancing down and seeing the modest rise of her chest beneath a crisp-collared sleeveless top; all your typical college-age tells but for the red flannel, rolled back down around her waist. Her fingers, long and thin, dangle from where a uniform button-down would taper off around her wrist, thumb rubbing lazily at her forearm. The briefest glimpse of her nails, all done up in acrylic - perhaps the most potent way to show contempt for an old dress-code.

You have, admittedly, also noticed the length (appropriately, the lack thereof) of her pleated skirt and those frilly stockings that ride so far up the creamy curves of her thighs that it has your stomach rolling and tightening when she shuts closed the book in her hands and says -

"Isn't it weird how most of the novels in the romance section are written by women?”

- she speaks with a slow deliberateness, like she'd only ever hoped to find one of her old teachers alone and slightly vulnerable in a used bookstore -

“Like, how do you think a man would even go about writing those kinds of stories?" She grins, because maybe this isn't really a question at all - not one meant for you, certainly. And for one wild moment, the rush of relief (she's not actually talking to you), then panic (she's actually talking to you.) surges through you.

But then the girl pushes another couple books along the shelf and continues.

"Because I'll tell you what, Professor - all this stuff," a flip-flip-flip of her fingertips against a leathery dustjacket, "about just feeling it, not being able to control it. It's all women, always women." Another wave of her hand to set another row of spines a-shuddering. "Do you ever think maybe people will get tired of listening to girls talking about feelings when what they really need to see is what guys would do?"

There are so many reasons you should turn and run.

So many little flags, flickering wildly in your mind. This is one of your students. Was it this fall? Maybe the last; she had sat front-center. Never slept in, was one of your best by several measures - not simply in regards to the simple repetition of classroom work, but by her insistence on getting in the kind of heated discussion where one might dig their fingers through the innards of your lectures. Not just good - fantastic.

"Nayeon," you end up saying, flat as your suddenly paper-dry mouth can make it - with just the tiniest hint of unease. "It's been a while, hasn't it?"

And almost as if she knows that you're trying not to let your eyes dip any lower than the collar of her shirt, her shoulders do that lilting little move (hiking up and away just so), the one that your girls tend to learn a long, long time before your boys ever manage to figure out. She laughs out this pleasant sound, adds: "not that long, sir."

"Well," you're clearing your throat, looking around the bookstore like it might contain a way out, and eventually landing somewhere on her skirt, "you know how fast it all goes."

"Nana, by the way."

“I’m sorry?”

“Nana,” She gently corrects you again with this mischievous slant to her smile, and you start remembering: all the gossip and rumors, how she was being courted by these talent-scouts and labels. A prodigy, or as close to it as anyone from this town could ever get.

Your eyes are starting to sting again when she, this perfect-fit model of your worst impulses, runs her hand through her hair, tugging at the roots a little bit, a silver wristwatch falling slightly down the perfect length of her forearm. It almost hurts not to reach out and steady her. And it definitely shouldn't, but it has you breathing a bit faster. The rationalization: you are a man, and there is a perfectly ordinary part of you that might be aroused by any amount of smooth, inviting skin. That's fine. You're fine.

"Just for the record," Nana starts, still looking like she wants to put a hand forward and hook one long fingernail into the buttons of your shirt. "You were, like, absolutely one of my favorite teachers."

"I guess it's nice to hear I'm not a complete lost cause," you say.

She snorts. "Oh, definitely not." And maybe because, after all of the years you have been teaching these soon-to-be lawyers, politicians, and doctors, you've come to not look down on them for saying the wrong things so much. Though you do envy their absolute ability to say the wrongest of things - just so - just on purpose.

"Are you," you nod at the thick stack of paperback novels that she is still holding, and with which, suddenly, she's bashful and flustered - this perfect shade of pink blossoming through her cheeks. "Actually here to buy those?"

The response: a demure little shrug. A drawl. "We all have our vices, professor."

"I'm not your teacher anymore," and remembering at the last moment, "Nana, you can drop the honorifics, please."

She holds a book out, cover turned toward you, and your mind stalls - even your fingers slip a little where they are resting on the spine of your own paperback purchase. The title is an affront to literacy, and the art on the cover seems to have been produced only with stock photos, gaudy.

"Have you heard of it?"

"Can't say that I have."

"Well," she laughs and has the courtesy not to lay it at your expense, "it is so good." Then, without missing a beat, she twists her lips together, and finds the book flush against your chest. "I'm sure it beats reading textbooks and essays about the merits of Locke and Hobbes' life-after-death stuff all day, anyway. An hour if you can spare the time? I'd love to hear your thoughts on it"

And - ah, there it is. The push.

There is a zero percent chance that, after any of this, things will end neatly for either of you.

You still wonder, slightly, how long Nana will keep up the charade before breaking character - because there's no way in hell she doesn't see what she's doing: wrapping you around her pretty fingers, her shiny, manicured nails, twisting every chance you get to reject her into an excuse to linger that little bit longer.

But it's well over an hour spent at the cafe-end of the bookstore, where she orders an iced-coffee and fills you in on the details you don't really need to hear, what she's been up to these last couple semesters - playing twenty questions; questions about other faculty members, the school, if the school newspaper is still anything like it used to be (for the record: no), then coming back to if you've been seeing anyone lately. That last one slips in so naturally you can't stop yourself from taking a slow drag off of the straw in your drink and answering: "not recently."

Because no honest deed goes unpunished, or however the saying goes.

"Hey," her hands splay out over the tabletop, pushing the cold, condensing water of her glass, smudging where a finger drags a line through the pool.

Maybe she knows. How you're already caught, and there's no going back, which is to say you're perfectly free to watch, hungrily, where her throat moves, and then where her lips part.

"I’ve got the perfect thing for that," and for one unhinged, hysterical moment you picture it, Nana: lying back against a counter or maybe in the cushions of a sofa, panties thrown carelessly over her shoulder; heaving out this soft, heady gasp. You: pushing inside of her for the very first time, both of your legs bracing, the heel of her foot pressed into the small of your back - but before you can convince yourself that she can't be talking about that, and just barely before the air gets stuck in the back of your throat and you realize that you might be so thoroughly, tragically fucked -

"Read this." A snap back into the here and now. She is looking at you very pointedly, not naked - but beautiful and perfect as she leans a bit into the table and crosses those lovely, lovely legs of hers, and tilts the copy of that awful, awful filth at you.

"Nana, respectfully, this is drivel," you say, immediately and plainly, listening to Nana laugh out loud as you glean more than you need to know from the info on the inside cover. "They've crossed like five major genre boundaries for a hook-up. Why should anyone bother?"

"Come on." She waves it off with a careless gesture of her hands. "There's plenty of things to like. Maybe you should give it a chance - broaden your horizons, teach. Besides - the sex scenes?" She rolls her shoulders with the same shrug you remember watching so carefully all those times she made her way, out of the hallways and back into that front-and-center-seat she was always occupying whenever the bell rang. "So filthy. I can show you one of my favorites."

"Doesn't really seem like appropriate reading material for -"

"You said it yourself," her voice has a bright, saccharine tone, just on the right side of strained. And between sips of that straw stuck in the purse of her pert, little mouth, she draws that next sentence - the ice cracking, thinning under your feet -

"Not my teacher anymore."

Nana smiles; this brash, cock-sure thing that reminds you, as you try to clear your throat of the nerves making a bed there: you are actually so, so fucking gone on her. So far gone it hurts, when, with a flourish and a bounce and a complete, reckless lack of discretion, she starts paging through the first chapters.

"Who says you can't study these kinds of stories on an academic level? Think about it: sex sells. Whoever ends up writing, it's a whole lot easier and a hell of a lot cheaper than trying to do it all yourself." She looks up, this mischievous twinkle in her eyes, as she angles her fingertips down on the book and opens it - page after page of very obviously poorly-written sex. You look, not even consciously.

But of course, her fingertips drift lower and lower along the pages until it's evident: she doesn't have an exact page in mind, but only a particular passage -

"Here. Let me show you, just one."

"Alright, fine," you start - trying for an effect of exasperation, something to mitigate this god awful throbbing, "whatever - you get one, one sample paragraph and I'll, you know, whatever."

"Yeah, you'll definitely see. Just trust me. Just the one."

She drums her long, gorgeous nails against the table, then eases back with a finger highlighting the text.

You're screening and scanning the words as she tells you about the heroine in the story: a pretty girl who comes down with a bad case of infatuation for her teacher - unrequited, of course. And then, into a passionate affair, of course; all the most raucous, explicit details laid out over the table for everyone else to hear. She says it is about as nonchalantly as though she had been reading you the daily weather forecast and not an elaborate metaphor for - and here, you stop her.

"He cums on her desk?"

"Fucking hot, right?" She nearly snorts and gestures you onward, her eyebrows jumping - go on, go on.

So, you skim along: a heavy rush of nausea (alongside another) pulsing down around your gut at the thought of actually doing such a thing, your ears going hot and your legs crossing on instinct. There's not so much a breath of hesitation as Nana, cool, unfazed, and utterly unaware of the uncomfortable churning of your stomach and the simultaneous thrumming in your cock, takes another deep swig of coffee.

She hums, thoughtful. "Honestly? Kinda wished it happened to me like that. You were a good, good teacher, professor. I wouldn't have minded your hands all over me." You hear her laugh, and the entire universe collapses like the end-days. You are struck down with feverish conviction: this girl is the worst.

"Anytime you wanted," she adds, so carelessly.

There's a clunking sound, of glass on wood; a half a second where you almost lose control over yourself.

“Nayeon,” you let slip, the old name - a mistake of an invitation she grasps like a weapon. All coming to a glint in her eye that says she knows how you see it, how you can still picture her sitting with her hands folded over the skirt of her uniform, chest rising and falling beneath her cotton shirt. Studious, taking notes, acting every bit the naive sweetheart everyone believed her to be.

You shudder out some pretense of composure and settle back a few inches as she continues to coax a reaction out of you, prodding: "how many girls did you make confess back then, hm? Did it ever do them any good?"

"Dial it back, Nana."

Her expression is all feigned, gentle surprise. "But sir," she looks at you so innocently, "you said I should drop the honorific."

You want to argue that, you also want to tell her off for being such a brat - to demand that, instead, she cut the shit, sit back, and remember who you both are, but when, with a wink and a smirk, she's getting up out of her seat, Nana sets a gentle, reassuring hand on your shoulder as she pushes her chair back beneath the table. You get onto your feet, and when the two of you are stood close together like this - she's really and truly that much smaller than you remember. Waist so tiny you think you could almost, almost wrap two hands all the way around her; skirt rising all too easily when she tosses her weight between her heels.

"I hope you know what you’re doing," you tell her, sternly - the voice of a teacher whose patience is running thin.

But no matter where you look, the consequences are dire and immediate: an abject fascination, a kind of debilitating greed; the absolute fucking loss of ability to look her directly in her eyes. Not like Nana isn't staring right through you. There's no doubt some part of her relishes the feeling.

"Hey, what do I know?" This sweet, demure-like chuckle follows. "It's just porn, right?”

Eventually, Nana says to call it a night because the sun's long set into the horizon and the chill starts getting at the both of you.

She tells you while you're packing up your belongings to come by again sometime, her voice teasing as she explains that you should pick out a new novel to read for your benefit.

Which is possibly the ideal outcome, all things considered, if it wasn't for the way she found herself in your hands just a few paces into the parking lot - no one around to catch you, where you're gripping fast onto her wrist and pressing the lines of her body into door of your car, looming and ready to give a piece of your mind.

You know what you ought to say - things like don't bother, you've enjoyed her company, she's fun and sweet, and in a dozen different ways: be a good girl, and go home. You had your fun, didn't you? But she's practically begging, those huge, wide doe eyes that stare straight up into your soul.

"C'mon,” her voice lilts into a deeper, more purposeful register, “you wouldn't turn down a student on her way home, would you?

(This fucking girl.)

She speaks of propriety, like you aren't a man of your own principles - like you aren't reaching down to press a kiss to the swell of her lips like she undoubtedly deserves. To lick into her mouth and pull and kiss and bite until she's trembling, teeth caught in a delicate whimper. Or, that you aren't running your hands down her sides to find the backs of her knees and draw them upward, hooking your hips flush against hers.

She's all too breathless, watching you draw off her lips, fingers fast in your shirt, your hair - holding you close.

Then finally, a true, honest reflection of your heart. Nothing less than sheer and utter capitulation: "let me take you home."

Nana just nods before wrapping her arms around your neck and kissing you again.

It's definitely on you for expecting anything different, but Nana fucks like she talks.

Conceited. Brash. A little selfish.

The girl's sitting there on her kitchen counter with one leg hooked over your shoulder. She's stripped herself down to near nothing save for those fuck-off ridiculous panties: slick, shiny with a thick strip of satin between her lips, complete with white lace frills and all; the same ridiculous pattern as the thigh-high stockings clinging tight around the soft-gentle fat of her legs and the lace top of her garter. Her pussy - all tight and pink and soaked - has left this shimmering, shiny mess that's trailing down the insides of her thighs.

Your fingers are in the elastic of her panties, near bruising the curve in her waist where she's rocking, flushed and keening against your grip.

You tell her, "take these off."

"Off?" She repeats it back to you with the same little grin: playing dumb, the smart, charming ass she's been all night.

"I'd tell you what I really want to do to you," you start, pushing your fingers in a little harder, eliciting another pretty moan. "But I'm really, really sure you can fill in the blanks yourself.

"I hope you're not planning on being rough with me," she teases, running her hands all through your hair as she pulls herself against you - and of course, it's her audacity to insist, "no marks." She drops a chaste little kiss along the underside of your jaw. "At least, nothing that might show up on a camera."

Someone with a little less baggage might have done just that. Might have jerked her panties down a couple inches further - ripped the cloth, exposed her even more. You might have followed the waistline further along the perfect round of her ass, found those dips and dimples that, maybe, no one else has ever gotten to explore. You may have grasped at the ends of her hair and gotten your fingers in her pussy without ceremony - driven Nana to the very brink of her climax just before palming two greedy handfuls of that ass - shoving yourself right there between her lips and, lost to shame, put a fucking kid in her.

All the things she must be dying for you to do.

"Something the matter?" She pushes her mouth into yours for a kiss that has all the urgency of a lazy Sunday morning. Your tongue against hers, languid and gentle at first; wet-sloppy, kissing and sucking on her bottom lip. You can feel her smirking when she says, "don't tell me you've forgotten how."

It's a lot, the effort you're putting in not to crumble - to crack at her taunts, snap your restraint, the temptation. You just wanna grab her pretty tits in both hands, shake her, and say: "shut the fuck up." But no - even in your wildest fantasy, you want to hear her first - beg you to make a wreck of her. So you force the words between your lips, dry and cracking:

"Not a fucking chance."

A laugh. "Guess I'm in good hands, then. Have to admit," Nana slides her hands down to hook under your own, bringing them lower. She grinds your fingers in slow circles over that one, aching, perfect little bud - a shock that has her curling tight inward until she's whining, clutching at her waist. "Not the - not the situation I had in mind."

Nana shifts her weight a bit more on one hip, guiding you through rubbing along the entrance to her slit - sloppy with precum, silky and aching - and when you place just the lightest pressure over all that hot skin, she opens her mouth:

"Ah."

Her eyes, her hair, her fucking mouth - you can’t look away - she’s so gorgeous it hurts.

Even the way she pants; the perfect furrow between her brows. And then, you dip a finger inside her, just to the first knuckle. It’s enough to make her whine, all shaky and high.

"Go on then, with how you’d pictured it," you press, already easing your digit in and out; slow, slick pumps that she is growing hotter, needier around. "I'm sure you've touched yourself to it more than a few times. The details and - stuff - must have been vivid."

"You haven't the slightest clue."

A brief kiss. You coax another shy sound from her, drawing a long sigh against her mouth -

"Try me, Nayeon."

"This is a lot closer to the truth than you’d think, professor." This time, no correction, she just smiles wide and tosses her head back, asking, sweetly, as if to absolve you of the responsibility. "Do you have any idea how long I've thought about it? You, me - us?"

Nana slips a finger between the buttons of your shirt and starts to pull.

On that detail, you actually, truthfully do not want to know.

"These... oh, how should I even call them." She hums softly just before easing a bit of distance between the two of you, head tilting like she's in a trailer for this summer's romcom, and not, you know, trying to drag you into hell. "Filthy little fantasies?"

"You know," you start. And by this point, her cunt's that much tighter. You've managed two fingers now, but no further, and she's making these desperate, punched-out gasps. Her clit's a swollen pink nub, jutting out from its soft hood. "I really had you pegged all wrong."

"Not - not at all. You can fuck me just fine, trust me - ah. Please, you can fuck me anyway you want."

And here, you grab a little higher on her hips, pinching her on the outside of a thigh, and begin working your fingers fast. You've never cared much for teasing, not really, but something about the way she squirms in your grip, tries to lean up and grasp onto your shoulders with shaking hands, it gets you smiling. It gets you grinning, even, especially the way she makes these pretty noises: a long, desperate little, "ah," at each press and thrust, her breath going high and uneven.

"Listen, Nana -" She squeals out loud when you push your fingers just a little deeper, a little bit harder. "I'm not going to talk about what a slut you've been today or how badly I want to spread you wide open," you can already tell it's affecting her: the sudden change, the subtle hitch in her breathing, the tremor where her thighs press together. "Tell me about you, about your little ideas. Let me help."

"Wouldn't be fair." Her pussy's getting tighter, urgent with want. And still:

"C'mon now. Humor me a little. There was probably-" you say, sliding down that ridiculous pair of underwear along her ass, tugging them over the curves of her legs - so slow and easy, all while you're not bothering with easing off. Nana moans again; voice pitched. "Lots. Lots and lots of dirty things - and, I'm willing to bet my career that they made you a hot, mess - an awful, soaking fucking wreck. Who could've guessed? You, of all people, with just the right kind of teacher's-pet-appeal, hm?"

And you meant it to be a joke, just some ribbing. But the question has her immediately tensing, looking at you very intently, no trace of shame as she snaps back -

"Your mouth." She rocks forward. "Your fucking mouth."

You shouldn't keep touching her, you shouldn't keep staring, you shouldn't push her flat on her back and shove your face right into her cunt, you should pull away before this goes too far - it shouldn't be your fingers drawing out sopping-wet gasps out of her pussy, nor should you press your tongue to her cunt, your mouth to all that delicate flesh and, at your first taste, shiver.

Nana laughs: shaky, nervous. Then, your fingers sink back into her pussy alongside your tongue, your lips, the way even your hot breath against her aching pussy has her all stunned, breathless - and -

"Please."

- right before she breaks off into a beautiful sound that catches her hard in the chest.

(A sound like you’re all she could ever want in this life, maybe the next; it’s this wordless plea.)

"Hah, I had - ah, had so much - hah - dirt on you, used to masturbate thinking - ah," and there, she arches her spine, forcing a sigh out, "thinking about how you might punish me." She laughs - nearly choking. "How you might break down all your veneer of being a good, moral man and fuck me raw and rough and - ah - fuck. Oh god, fuck."

You twist your fingertips up just so, right against this perfect spot in her, and all the sudden the entire line of her body seizes - stiffens up, the muscles in her thighs twitch as you both moan through the moment, the spasms reverberating in your own ears, loud and unashamed, right against her wet, wet clit. Your fingers are fucking and fucking and fucking away in her cunt, harder and faster and sloppier, every word, every groan, every gasped breath only making it easier to forget. To give in. And with every heavy slap and squelch of your fingertips digging in as deep as her body allows - you're sending her that much closer.

You pull back long enough to bite out: "cum whenever you want, Nana.”

She can’t, she can’t, she can’t, is what she’s trying to say, bracing against how your tongue moves around her clit, and she knows, there’s no use fighting it.

A kiss against her swollen mound and she writhes. “There you go sweetheart, cum for me.”

Nana comes undone. Gradually at first, then vaulting over that edge all at once. She lifts and lowers her hips - pushing your fingers into the smooth, velvety muscles of her cunt; rocking up and up again. It's a torturously slow kind of grinding, and her feet find purchase on either side of you as her toes curl, one heel digging into your shoulder. An assurance; a promise; a lifeline; that she might tremble and shake through it, moaning.

“Fuck,” and, “god,” and, “you’re gonna make me-” slip past her lips alongside all the assured gasped-out cries for relief - the orgasm sweeping through her, tearing her apart.

Back pitching, shoulders narrowing, face twisting, cinching tighter and tighter -

Until she collapses.

Until it’s over.

As she lays there, chest heaving, arm draped carelessly across her forehead and half over a kitchen cutting board - her thighs splayed open, fucked and spent - she's so, so beautiful.

And it’s in that sort of fucked-up-noodly-state where she just slides right into your arms - those long, slender legs wrapping tight around your middle. "Here's the deal," you say, grabbing hold of her hips and steadying her, as best as either of you can.

"Hm." This lazy, sated look, the way her tongue's dragged out - slow and slick - across the top of her teeth and bottom of her lips. "Go ahead, sir. I'm listening."

The lip service - that coy little appeal to authority that maybe you’re actually plenty fond of - it makes you stop for the barest of moments. This girl, she's unreal. How hard could you ever be asked to resist her?

She lifts a brow. "Professor."

So you continue:

"I'm going to get out of these clothes, and we are going to see what happens after that - if you have a preference for the bed or the sofa, now's your chance to pipe up. Or else -"

"Or else-" She repeats, shifting her weight around again. You can feel how she adjusts her heels to hang higher up your ribs, rocking her weight against your abdomen, against your cock - and the instinctual twitch that runs through your spine is turgid and rough. Like a shot. If it had a smell, it'd probably remind you of gasoline.

And then, maybe just to rile you up even more: "the dining room table makes a good impression of a teacher's desk, no?"

You slide your hand along the backs of her thighs until you have a good, tight, high hold on them and pick her up, leaving the panties, the stockings, all of it down where they can gather dust or whatever - she giggles, and tightens her hold around you like she doesn't need to worry about falling.

"I'd rather fuck you into a mattress to be perfectly candid."

Nana throws back her head and laughs - this real, honest-to-goodness peal of laughter, a hint of playfulness where there was usually just a practiced ease. "Oh. So forward."

(In all likelihood, you're both going to hell, and on the off chance you meet down there, you figure you'll fuck her then, too.

You've read the myths, the Greek tragedies, the ones that have these gods descending from the heavens on human women, for pleasure and nothing but, you've read those stories and plenty more - the details don't matter: it's always a bad, bad end for everybody involved.)

She takes you upstairs. And the two of you fall through the doorway to her bedroom, stumbling all the way.

Her apartment is simple and clean in the way all young adults try to emulate, all white countertops, but with pictures hanging in little, neat rows on the walls and the space void of anything with some sort of character or history.

You know because you're fumbling toward a dresser or desk or bookshelf in an attempt to orient yourselves, bumping and tussling, half-blind, on your path forward and all of a sudden there's a goddamn framed photo in your hand - not of her family, thank god. Though just about every other person in the picture is familiar to you, you remember every single one - but all you're capable of focusing on is Nana, Nayeon: not quite the same. The same glint in her eyes, the way her smile has a timeless kind of quality, the faint dimples in her cheeks.

And some wicked part of you is all too willing to ignore the whole timeline of events that has led up to you, Nana, like this: you want to pull her hair. You want to shove her around like she doesn't matter - is in any way disposable or replaceable; the most selfish parts of you wishing you could keep her pinned down by her slender neck; pressing a palm, bruising, into her collarbone as you start to work at your belt buckle and slacks with your other hand.

It's hard, getting a grip on yourself as Nana, sliding onto her bed and rolling across the sheets, pulls her stockings down the length of her legs - only stopping herself long enough to meet your eyes. Her throat bobbing.

“Of course,” she says, because your cock is hanging out by that point, straining and a little pent-up. "I fucking knew you would have a perfect cock."

"Flattery or sincerity?"

"Um, let's say both." She shifts around the pillow - that sweet little pout on her lips. Her gaze dropping from your mouth and running all along the length of your torso, lower and lower. Like her hands. And when her eyes flick up to meet yours, just when you're stroking at your cock, base and shaft, teasing yourself, well past the point of pretense, a devious smile spreads wide across her pretty, beautiful face. The implication: you aren't leaving here until you're cumming inside her.

And with a glimmer in her eyes, the sheer audacity, her fingertips ghost the underside of your cock as she draws up toward the head, "you're going to ruin me with this thing. You know that right?"

"A bit dramatic."

Nana moves to rest with the tops of her knees at the edge, her chin resting against the insides of her wrists, elbows propped up - poised, playful, everything she should be as the both of you regard each other a moment longer. "Can you blame me? It's not just that it's huge, I mean - I've barely even gotten a hold of it, and yet... god," she snorts. Her eyelids are heavy, mouth curved, almost a snarl as she drags her bottom lip through the grip of her teeth and sinks down onto the mattress.

"Say something filthy again," and this is a test, this is Nana testing you to see what exactly you'll get away with.

(Hint: it's a whole lot.)

She sighs. The image of indigence, innocence, everything pure and good you couldn't hope for. "Should I suck it or not? Or maybe, I don't know. Would you prefer me to beg for it first, ask if you'll put it in? Like, I think if you ordered me to put it in my mouth, right now, I wouldn't be able to say no."

"Really," the most sarcastic answer.

"Really," she continues. "For instance. If you came over here right now and guided me up and onto your dick and told me, specifically, that you were going to face-fuck me? I couldn't say no. No sir."

You could have her any damn way. You could have her, and you both know it.

"So tempting," you tease, mostly in earnest, "maybe another time, when my self-control isn't quite so lacking."

Nana hums a low, flippant sort of noise - like: whenever you're ready - and just how much trouble it gets you in, the mere suggestion, is what she is banking on.

"Hey," is her invitation, "I won't beg yet. You still want me to put my mouth all over it," and to emphasize, she slips her fingers between the plump pillows of her lips, smiling at how that makes you reach over the nightstand, accidentally pulling open a drawer, possibly reaching for the first aid kit, "or would you rather watch me stuff all these fingers in my wet, little hole."

A sharp inhale: it really would be fun, probably, but you can't take it.

"Nana," this voice, gravelly-ragged and harsh, "if you're planning to make me snap, you are, without question, on the right track."

"Then before that happens," she says, pulling you down into the bedsheets beside her. Your body flush against hers, the beat of her heart loud against your own; this gorgeous, pristine girl, so nakedly giving - this is an honor and a curse all rolled up together, no doubt.

And after a hot, wet kiss: "fuck me like I always thought you would."

(She was made to be like this; it's the only explanation.

Made for wanting. Made for fucking. Made to be loved and made to have her cunt fucked full - ruined by your fingers, your tongue, your cock. This absolutely perfect body, and all the delicious parts of her; this thing of desire, bashful and coy and that deserves all the world and, having none of the grace or courtesy to actually beg, orders, like she always knew she could:

"Like, right fucking now."

Or else.)

Then you're there - her hot mouth, her cunt, your fingers digging in bruising-tight all along the curve of her thighs where they meet her ass, hips, thighs, waist. She's pumping her soft palm and delicate fingers, slick with her spit and yours around the length of you and this isn't going to last long; not that there's any doubt you're going to leave her sore. But still, you drag the head of your cock across the swollen lips of her pussy, down through the plump swell of her clit until it rests where the ridge just begins and every slide, every pressure along every inch of your cock, the thought of being enveloped entirely in all that silky warmth is nearly the end of you.

A whimper, "professor."

You wrap your hands tighter around the smooth, firm muscles in her thighs; dragging your fingers back and forth across the supple skin there - just firm enough to elicit a reaction from the tension in her legs, until you have her flipped over on her stomach. Because if you're going to fuck her properly, it's going to be with her face buried deep into a pillowcase and you perched above her, holding her down against the sheets.

You watch her get her elbows underneath her, laying almost flat. Watch her trace the shape of her own jaw, her nose, her neck - the smooth expanse of her chest - as you straddle her thighs. With her ass pointed right up at you and the heel of her ankle gently grinding into the underside of your leg, you groan, placing both hands just above her ass. And once you're gripping the whole shape of her, you push your cock into her, just an inch, listening to the shift in her breathing.

She shudders, "don't tease - oh, please, sir-"

"Is this what you expected, Nana?" You grab onto her hair. Then again, when she tries to get her hands on herself. Her shoulders are high, tight. You just don't give her a chance; pushing yourself another inch, a couple. The pace, so gradual she starts making these soft, little breathless sounds as you stretch her tight pussy open. A few moments when she stops trying to bury her noises, her gasps - stops trying to angle her hips or squeeze or resist the thick shape of your cock where it is so, so hot and full inside of her - and there you stop. "What is it you had in mind, hm?"

"Ngh - oh."

Her cunt's clamping tight around just the first few inches of you. The tightness, the wet heat is staggering; how it pulls and begs with the words she seems reluctant to spill out.

So - you lift a hand, bringing it back down again onto the pale, rounded flesh of her ass with a smack, a gasp, and this wet sound from the sopping heat of her pussy, all aching and sobbing, "don't, fuck, stick it - fuck, put it - just. Just fucking get on top of me and pin me down - make it hard for me to breathe - do it, just. Like I, fuck, like I always wanted, sir, please-"

And you sink all the way in.

"Fuck." She bites into those consonants, a whole-body motion that pulls at the tension in her spine, the muscles in her legs. But her hips angle right up, and she presses her ass into the hollow of your abdomen and says, "thank you. Thank you. God."

"Don't get lazy on me," you say, grinding the tip of your cock in little circles; pulling it out and angling it down until it's prodding at all the right places to make her arch and shiver.

"Please," she says again, louder this time, almost a moan. "That. Fuck. Yes. It's."

"Yes, yes, I know. Nana, you-"

"Just use me. Whatever you like," she pants; then, once you've pulled yourself out to the tip, slowly filling her again, "use me like a fucktoy, alright. Because - fuck," Nana shivers, pushing her hips into yours. Her shoulders lower, as if by degrees, "please. Use me. Make it rough. Please, professor - use me however you want, I don't care - anything's fine with me - use me, as long and as much as you need, I. Please."

The real difference here, beyond anything else, is that this is no longer the game it was; the very instant she was sprawled across the mattress with a line of drool dripping into the sheets, all her bright, polished glory has vanished, leaving this bare edge of her exposed - the girl who lives solely to be fucked and used by your cock, her cunt leaking, begging for more. Reduced to the basics and nothing else.

"Your fucking cunt, Nana, the goddamn clench - you feel - it's-" (So fucking good, is what you can’t quite say, because she’s tight and wet and her tiny pussy is quivering like mad every time you bathe your cock in its scorching heat. Over and over.) It’s hard to think; you’re truly - truly - fucking her, but you can’t ignore the tautness in her spine either, bent below you. There are probably tears beading down her cheeks, but there's no helping the raw instinct screaming through the core of her being, pleading with you to pull yourself free, before sinking hilt-deep into her again, again, again - to a chorus of sloppy, loud, nasty, fucking whimpers and moans.

Like music.

It's easy after all, how her pussy gives way to you. How she molds around you - sleeves onto you like a glove - like there was only one cunt in the world you should ever be fucking up and fucking apart.

"It's incredible. Fuck. Just that perfect."

Nana, as best as she can, trying to stay steady, braced against her hands and knees, is raising her hips.

But it's clear with the way she's slipping all over, slicking the sweat off her palms and rocking her ass back into your thrusts, a cry falling out of her, unbidden, when she speaks and not.

"Please," she pants, through tears probably, this breathy-shivering. A renewed enthusiasm for your grip on her - where, in another place, you'd worry about leaving marks behind - for the feeling of your weight slamming down into her, driving the air from her lungs.

The sheets are a crumpled mess, pillows knocked from the mattress, where the two of you are shaking it apart.

You're pulling her apart, slowly, thrust by thrust into her sopping cunt, and in a promise of how you'll put her back together, you get your mouth on her shoulders, her neck, kisses in her hair, behind her ear - Nana just whimpers, curling her toes and ankles along the backs of your knees, her face against the pillow and gasping, "thank you - thank - thank-"

And when your palm smacks against the generous swell of her ass, again, she keens so perfectly for you.

It's a breathtaking sight, so good, so perfect: her flawless ass pitched high, round and flushed pink. The flutter of her eyelashes and the tears and drool. The outlines of her pale white cheeks sent into ripple after ripple, and then the way you can slide one hand forward between her shoulder blades and slip it into her hair, nails raking her scalp, grabbing a handful of hair in your fist and tilting her face - to the side, enough for her cheek against the pillow and the way her hips try to press against yours; try to chase the pleasure; this brash, gorgeous, slim-waisted, well-curved, exquisite young woman - like everything.

"Please," is all she says as you fit your chest up tight to her back and mouth at her neck - lick all along the sweat. "Please."

You can't take it anymore, can't keep watching this masterpiece, can't stand the molten heat wrapped around your cock every time the drag in and out of her pussy pulls sets every nerve on fire. Right in her ear: "I'm cumming, Nana, I'm cumming inside this tight, little pussy."

A short gasp, "yeah."

"Yeah. Inside, Nana. Cum inside, you -" You twist your fingers against her scalp and find purchase, an excuse - a means to yank her head around and lean into her, teeth against skin, that familiar coiling in your gut and the burning sensation that flows right alongside every slap and smack of her hips on your skin.

"Fuck me." You watch her bite down, swallow a sound, try to say: "fuck your load so deep inside me it’ll be all I think about for weeks, let me feel it, all that hot, all that sticky, fucking cum"

And you drag your hips, these final, punishing drags through her drenched cunt. Her fingers are white knuckled and fisting the sheets, until the very second you've pressed every ounce of your own body's worth into her own, when you're collapsing her spine and pushing her face into the bedspread, this wave rushes through your ears like the buzz and hum of insects and waves and things out of sync - the high, the peak -

And then:

Sobering, subjugating silence.

In fact, you're shuddering; You're cumming, spilling pools of thick cum deep inside of her. It's all in that warm, filthy sensation, a heady, hazy, desperate thrill when her own cunt seizes in its climax around you, trembling, throbbing, quivering, clenching; drawing everything out and taking your cock deeper - even while the whole of her is thrashing and bucking, all of this messy with her pleasure and her voice caught up, writhing and breathless.

"God-" is the last thing out of her mouth before you can kiss it quiet, tug on her lower lip and open her up like a present - messy and breathy, crying out, you're making this mess inside, this beautiful fucking mess - as the whisper you feel against your lips:

"Inside me, like that."

As you groan, deep and hot, "filthy fucking cumslut-"

Right on the verge, riding out every twitch of your cock and each flex of your hands at the skin around her ass, her waist, back and shoulder blades; even after you've caught your breath, you keep pumping more and more inside of her, you don't stop, won't, and even when you manage it, pulling out the head of your cock - you can feel every slick detail - just the slit and rim, resting the throbbing head of your cock at her swollen little mound, feeling the length of her fucked-out pussy spasm at the emptiness and trying to grasp around nothing - empty, tight and aching, sopping.

There's her hips, just this, right there; the line, the silhouette. Her thin waist and the curvy swell of her ass, jutting out straight - the cream-colored flesh dusted pink. The lithe, soft line of her stomach and the insides of her thighs a little farther along, sweaty and inviting.

She's so pliant in your grip, even though she's trying her best to curl herself backward - to angle your spent cock back into the ready, welcoming warmth of her slick, wet pussy - and once the afterglow has begun to wear away, that same greed and yearning takes its rightful place. A glimmer in her eyes. The unmistakable need and drive.

"One more," she says, wiggling her hips back into your stomach. "For me."

(The truth: you can't refuse her, not as she bites her lip and twists, all that soft hair splayed across her face, stuck to her tear-damp skin.

One more, because you both still want it. One more, because in the dim glow and evening air of her bedroom, everything that happens now matters just as much as anything that happened before.

One more, because you need her again.)

When she wakes in the dark, you figure her bed will be empty.

Nana will realize that you're gone. Of course you’ll be - it was never going to go differently; the sex had to end at some point. After all, if you stayed, eventually she'd start saying something you'd find a fault in or your skin would be so sensitive she couldn't stand not running a finger up your spine and maybe kissing your hip.

The reasons to go always outnumbered the reasons to stay.

The world would catch up and someone would find out and that's the sort of gossip that might leave both of your careers in shambles. Or else, you'd do something you couldn't come back from, the moment the heat of the sex left your body and her cunt, god, her perfect little cunt was spent - slackening - and the moments-after-haze, her legs locked up and her arms a bit sore, would clear up. Then you'd look at her, or else the shame would win out - the guilt and you'd call it quits. She won’t blame you. She can't.

But then again,

Her heart won't fall completely to pieces, because:

You've stayed. And it isn't an easy position, even if she is easy.

Here she is, though: sleeping on her side with her wrists crossed in front of her face - peaceful and quiet, probably tired enough to sleep without dreams. The dark has long since settled across her bedroom, save the pinpricks of stars in the sky out her window and a sliver of moonlight. You can see her, or you could reach out and run your hands all along her calves and thighs, but you don't.

Nana's shoulders slump forward in the faintest of sighs, and there it is - the slow, gentle swell and fall of her chest.

Here's how you got here:

In this scandal-in-waiting of a relationship. Here's the stupidest possible path, where a bright-eyed student with a crush fucks her older professor just once, and somehow you both find yourselves coming back for more, like maybe your very, very bodies belong together - a maddening compulsion.

Even once you've managed to work through the idea of your cum all inside of her, a seedy, twisted corner of your mind murmurs how it makes the most sense. To stick your cock inside of her again.

Where she can show you the way it can look; the mess and the texture of the slick, white spill - dribbling out of her pussy in the afterglow, onto her palm, and down the crevice in her ass and lower.

It's the phone calls probably - and not just the phone sex - late-night talking, conversation and every once in awhile, the kind of hot, hard fucking that gets you in trouble, but also a reason to be with each other again. Not just the quick fucks but the nice ones - the days, the late nights and mornings and what have you: all the casual intimacy of it. All the sweet nothings exchanged.

The after-sex cuddling, with her straddling your lap;

The sensation of her thighs sliding into place around the tops of your legs, her arms tucked around your neck;

The kisses you don't take and kisses you'd be okay with, all the promises made to love you as many times as necessary, however necessary, wherever.

That's all here too.

Again:

She is young. But, who the fuck are you to say? Who the hell can tell you she doesn't deserve the least rotten, least painful, most promising love she can find in this particularly fucked-up world?

Who else is going to keep the both of you safe and hidden?

And who else, despite everything, seems to like having a secret that they're sure only you know; every glance or accidental touch with her eyes brimming, alive, and the whole of her bent like a bow-string - all held back and wound-up tight.

To the point her spine will shiver and shake; you know how it can be.

"Are you actually going to buy those?" Nana asks one day, dangling on her toes, chin rested comfortably in the sweep of your shoulder.

When she crowds the swell of her hip and her breasts and her entire body into your back and snakes her arms around your shoulders, you think there's nothing else in the world you need.

"You called them drivel," she adds, almost pouting - which is a look you're slowly trying to inoculate yourself against because the moment it comes up, you have a knee-jerk reaction to drop anything and everything and carry her off someplace else. To have a place where she could, could, could -

"Hah," you roll your eyes, not taking the bait. There's a shelf-full of campy, smutty romance novels in the dollar bin. "It is. The story was less than complicated, but I couldn't figure out what the hell two or three characters' plotlines had to do with one another, and sometimes you just want a little guilty pleasure, you know?"

"Ooh. So," Nana smiles, the devious sort. "I guess there is some honesty in you after all."

"Come on, this one at least has an original story," and it is a shameless attempt, "plus-"

"I know, I know. Fine. And if it is so terribly bad, well, I suppose I can use your chest as a pillow to take a nap," she says, before throwing this particular glance over her shoulder.

The cashier doesn't need to ask if the two of you want your copies of 'Wild West of the Heart' or whatever-the-fuck this one is titled, scanned separately.

All of that, those paperback-cover love stories and TV drama plots, these are the sorts of things you do just for Nana; as the two of you wait in long lines, get carried along, get bumped and pushed, like every other ordinary-person thing you've done for her ever since.

("Honestly, this isn't my kind of thing either," you tell her in the aisle of a grocery store once. The fluorescent lighting only accentuates the blush high on her cheeks. "don't make me fuss over something like this."

"Have a little sympathy," she insists, nudging the handle of the shopping cart against the inside of your shins. "A girl like me isn't good for much else.")

It's not romance, really, that's such a fucked up way to go about describing any of it, but then there's Nana, bouncing on her heels and prattling on, this girl in the spring of her life who is full to the brim and bursting with the most chaotic and eclectic sorts of thoughts and passions -

So, what.

"Really," she adds - another side, another angle on an issue the two of you had an hour ago while cooking breakfast. "Just, think about it. Would you honestly put all this effort into somebody who doesn't make you laugh at least as much as they irritate you? Because like, you would never tolerate some self-obsessed jerk long enough to eat their burnt, terrible pancakes every day of the week."

"Fine. Maybe." You sit across the table. "You're right."

Nana blinks and this look of wonder crosses her face as she grins. A moment of triumph for her and that was more than the honest truth. It's still strange, admitting defeat in any argument here or there, or that the two of you make an actual decent couple - together. The kinds of things that come naturally to other people.

"Any more caveats to all of this, professor?"

"You’re gonna end up bent over that counter again if you keep pushing it, kid."

The both of you break out laughing and then you finish your coffee, or she stabs the last few pieces of cantaloupe on her plate, or you kiss her neck, and just -

Everything.

#wooah smut #nana smut #kwon nayeon smut #el7z up smut #kpop smut #male reader #capslocked kinkvember #woo ah smut #woo ah nana smut

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bonefall · 1 year ago

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⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)

#This is headcanon territory here. But one day I realized I can read Breezy-P with BPD and he became a blorbo.#Never been able to unsee it and it massively endears him to me... Breeze Pelt Disorder...#I actually REALLY hate how his arc was resolved and strongly feel that he should have progressed into a bigger problem #But I equally strongly feel that being redeemed is the ideal ending for him #so if it was between him being pure evil/redemption death or the awful halting we got at the end of oots....#I'd pick the halting over him being pure evil or a redemption death.#I think BB made me REALLY fall in love with him. He's my sweet cheese. My good time boy.#Bones when he sees an angry black cat: ''i can fix you. first i must break you. but then i can fix you''#Like. what i dislike about where he went is that even if your anger issues came from abuse. you STILL are responsible for your actions #but in the end getting that Shitty Dad Approval fixes him. Not his own growth or self-reflection.#it feels like BREEZE gets his agency stripped away for HIS ABUSIVE DAD'S character arc #It retcons in a reason why Breezepelt is not still a problem and then he faded into the background.#while Crowfeather continues to get supporting roles and every now and then Breeze now looks at him fondly #BLECH.#Crowfeather #Breezepelt #Abuse #Child Abuse #Warrior Cats Analysis #And now you know anon!!

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wisteria-lodge · 4 months ago

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Gender and Harry Potter is such a hydra that just keeps revealing more heads the more you try and chop through it. Case in point: Today I just realized Harry Potter might've been originally intended as a book for boys, which if it was *wow*, way to miss the mark Joanne. Do you think it was actually intended for a male audience? To me it kinda makes sense if it was because of the way most women and girls are portrayed in it.

Bloomsbury Publishing definitely requested that JK Rowling publish with her (gender neutral) initials instead of 'Joanne Rowling' because they were concerned boys would not buy a book with a woman's name on the cover.

My guess is that her British publishers slotted it more firmly under 'boy' than her American publishers did. Harry Potter is 100% a school story, a super established British children's book genre. Historically, there are boy school stories (set in all-male posh public schools) and girl school stories (set in all-female posh public schools.) Hogwarts is of course co-ed, but that fact that it comes out of a literary tradition in which all the characters are the same gender... might help explain why in-universe gender politics seem remarkably absent from the wizarding world.

It actually kind of bugs me, when a canon-compliant fic makes a big deal about male-only inheritance or something, because that's just not something we see. There's one line about "Black family tradition" saying that the house goes to the next oldest guy, but since Dumbledore is worried that *Bellatrix* is about to inherit, it clearly isn't that important.

JKR has made a fantasy society where gender doesn't really matter - Augusta Longbottom and Walburga Black are clearly the powerful matriarchs of their respective families, Maxime and McGonagall are headmistresses, no problem. There isn't the boys quidditch team vs girl's quidditch team, the locker rooms and the prefects bathroom seem to be co-ed, "robes" are gender neutral, there isn't a sense that a specific discipline or type of magic is gendered (we see both male and female Transfiguration, Care of Magical creatures, and Defense Against the Dark arts professors...) There is kind of a sense that the boys are supposed to ask the girls to the yule ball... but multiple girls still ask out Harry. Gender comes up a lot in these books yes, but not so much in the actual worldbuilding. We have gendered bathrooms and dorms, and the rule that the girls can go into the boy's dormitory, but not vice-versa. Ron considers lace a girly fabric. Of the top of my head, that's all of the "gendered" rules I can think of.

But, since the main character is a boy, it makes sense that her British publishers would slot it more into the category of "school story (boy)" and market accordingly. I think it's extremely likely that she was asked to lean more heavily into quidditch, an aspect of the world building that JKR is clearly not interested in. She's said multiple times that she dislikes writing quidditch games - which is why she throws in comedy with the commentary, or makes some magical thing go down, or finds ways to cancel quidditch entirely. The mechanics and tension of the game *itself* are not interesting to her. I think it's also possible this is a reason for Hermione's relatively late intro into the friend group during Book 1? Harry can be friends with a girl, but first we need to establish that Ron is his *best* friend.

But then the books hit America, and the whole "school story" thing didn't read as "boy" as much as it just read "British." There was a sense in American advertising, especially in the 90s, that girl's products were for girls, but boy's products were for everyone. Scholastic Publishing seemed less interested in gendering the book, and more interested in making sure it didn't come off as too high-brow to American children - so we get the name change from "Philosopher's Stone" to "Sorcerer's Stone," things like that.

But then right before the publication of Book 4 the series exploded, and JKR could have just self-published the thing if her publishers didn't behave. So I think that you can see the fingerprints of that marketing push on Book 1, which grandfathered in a number of worldbuilding choices that JKR maybe wouldn't have made later. But pretty quickly it just became JKR doing her thing.

#hp #jkr critical #gender stuff #gender in harry potter #worldbuilding #hp worldbuilding

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vxxcte · 13 days ago

Text

Extremely long rant on 001 & 457:

3.4k+ words

—

Intro

Yesterday I finished season 2 of Squid Game. I have so much to say about In-ho’s and Gi-hun’s dynamics and writing.

Keep in mind this is my interpretation of these characters and their dynamics, and some of that is speculation. I’m just yapping because I have a lot to say. Maybe this takes on a much more optimistic view than is actually the case, but I fear it makes sense to me.

I have seen two takes about 457 around pretty often:

“They’re in love.” or:

“In-ho feeds off of Gi-hun’s pain because he’s just an evil guy.”

These can both be true in a way, but when no one talks about the little details of the character writing and the relationship between these two guys, it feels like the incredible potential and writing that this duo has is being overlooked.

Note, I will be referring to this Youtube video throughout this post:

youtube

Now let’s start with what we know already. It’s pretty evident that In-ho is not totally emotionless like many people are trying to imply or interpret him as.

Here’s why.

—

Hwang In-Ho and The Traitor Archetype

There are two ways in which a character like 001 can be portrayed.

TYPE 1 : The undercover ‘friend’ who is working against the main character can be shown to the audience as the ordinary cast member, and then it will be a plot twist when the protagonist learns with the audience the truth of this character. Usually the demeanor of this undercover ‘ally’ is not shown too obviously because it might take away from the impact of the plot twist later.

TYPE 2 : or You can go down the route that Squid Game did go. We knew Frontman’s face, so it was no use trying to convince us he was a good guy. His personality was not exaggerated like some Type 1 characters can be. Characters like this are not particularly hidden from the audience’s suspicion/accusation because we already know. And in these cases, the writers do not often need to give these characters disguise-personalities. In Squid Game, we as an audience know where to look for the cracks in In-ho’s character, where the ways in which his real identity shows through.

There was that time he killed someone in front of Jung-bae. It would have been out of nowhere for a story where they hadn’t shown his identity before, but we knew exactly what was going on. So let’s look at the instances before it was shown directly to other characters.

Here are the instances where we know for sure that his real self is slipping through.

In-ho more than once asks people questions and engages with them in a manner that might not come across as too strange to them. But to the audience, those who know he is an outsider, and thus know to pay attention to the possible intent behind his every word, it stands out.

In-ho engages with the people who are truly inside the game as specimens to observe. That’s partly why he’s there, after all. For example, take the instance during the Mingle game where he questioned Geum-ja about her son’s character. He doesn’t need to hide his sort of objective, detached curiosity (which extends slightly outside Gi-hun), about these people and how they work, because no one is keeping an eye out for it.

Because of this, I believe he did not need to make any extra efforts to mask his natural personality, beyond the bare necessary minimum.

—

In-ho’s Humor

Another reason I think that him not faking his personality a good amount of the time is his humor. The jokes and the ideas for jokes that one comes up with is very telling of their inner processes and their ability to make connections between things. These also provide an insight as to what they themselves find funny, or what they think others around them will find funny/react to.

First the joke he made about Gi-hun’s last name, and then about Jun-hee’s child as a sixth member in the Mingle game, both display a sort of consistent sense of dad joke type of humor. It is hard to fake humor that you are not well-versed in, and even harder if you put yourself in an unfamiliar environment with little preparation, purely to observe people.

Considering the fact that In-ho is evidently still in the process of observing these people up close as people rather than players, it would have been difficult to first think of a joke that they would enjoy and then deliver it successfully.

He could have gone without. He characterized himself in the others’ eyes well enough to go without making these jokes. It’s not like he was putting on any false performance for us, the audience (as noted above), and he was only omitting certain information from the other characters. There should be nothing ulterior that motivates him to go further and come up with a new/different sense of humor.

This leads me (personally) to read these interactions as genuine. These were jokes he thought of and spoke aloud, not to fool Gi-hun and the others, but because they naturally came to his mind and he decided to share them.

And villain-type character as he is now, he is still a person.

—

In-ho and his Family

There are other moments we saw from him that were genuine.

There was the information we got from his mother and Jun-ho, how he gave his brother his kidney and how his wife died.

Then In-ho lost his composure when Thanos told him to lecture his own kid. This was not an act—It would have been entirely unnecessary if he wanted everyone to believe he was a nice guy capable of little harm. This was genuine from him, he lost control and it was reasonable and it was real.

So when he told Gi-hun about his wife and unborn child that he is supposedly now in the games for, the things we have seen so far also point to that scene being a genuine interaction from him. His expressions did not hide it either.

And if all of that is not enough, he did not kill his brother. He sent Captain Park to find Jun-ho. In-ho put his brother, who knew exactly who Frontman is now, who now has something to work with, over his whole operation—It wouldn’t be too large a reach to say this.

Hwang In-ho is Not Without Emotion

Now we’ve subverted the whole idea of In-ho being some emotionless monster that some people online want to say he is. He may lack morals but he does not lack personality/emotion.

I didn’t even get into the way he cheered in the 5-minigame rounds or the way the first thing he did when he found Gi-hun in the Games was knowingly shit-talk him to his face, but I already have this much. This is all my evidence for In-ho being very and incredibly human, my case for him having a defined personality, fake player aside.

This is almost all sourced from lines in the show, rather than just visual acting which can be interpreted multiple ways. Thus every bit of the things I talked about is likely intentional.

Justice for my queen In-ho he is a great character and I enjoy him and his writing a LOT.

—

457 Introduction

I like to call 457 toxic yaoi as much as the next guy, but it’s so much more than just the visible tension/chemistry between them. It’s more than enmity, it’s more than friendship and it’s more than romance too. Why stick labels on it when it’s so much more complicated?

Although on that note, before I get into the deeper stuff I just want to point out that all this staring at each other’s lips and whatnot was probably not something the actors decided to throw in on their own, considering the ‘I don’t understand it but it’s not unpleasant’ comment about the ship from Lee Byung-hun. So was it scripted for them to be doing allat? Lord knows, we’ll find out in June (fitting).

I am not even getting into how In-ho spoke to Gi-hun without his mask on and let him hear his real voice when Gi-hun won his first set of Games. There is something that has the potential to be very intimate about that.

And then there’s the little storytelling bit of how Gi-hun’s stubbornness reminds In-ho of his dead wife, and then how that exact determination was what wavered in Gi-hun at the end.

—

Pre-Games 2024

Let’s start with the limo dialogues, when In-ho told Gi-hun he wished he would’ve led a happy life.

He has no reason to wish Gi-hun ill, especially after Gi-hun won the games and left. In-ho likely saw himself in Gi-hun even back when Gi-hun won, and genuinely did wish him the happy life that In-ho himself did not end up having.

And how many people like Gi-hun has In-ho seen? Ever?

What kind of person does Gi-hun have to be, how notable in In-ho’s eyes does he have to be, for the person that administrates the Games to show himself to the person who wants to end them?

Gi-hun survived the Games without directly causing anyone’s death. In this place that tries to bring out the worst in anyone, even when Gi-hun fucked up in the marble game, he regretted it and turned back. This already sets him apart from anyone else, and especially sets him apart from In-ho, who took the darker road and climbed up the system.

You could say, ‘But other people have regretted their actions in the Games.’ But how many people get 45.6 billion won over 455 people’s deaths, and then come back, not for money, but to prevent further death? And how many people come back and become the Front Man?

Gi-hun went back with all that money to find his mom dead, presumably in a similar way to how In-ho went back with all the money he won but his wife died anyway.

There is a system that crushes people under it, In-ho realizes somewhere down the line, and then there is a way to remove those people. Gi-hun sees it another way: change the system.

—

Friends

Both of these people came into the Games for the sake of their loved ones. One came out of the process corrupt, and one returned determined to root out the corruption.

This year, aside from In-ho, there are 454 other people in this year’s Games that he does not know or necessarily care about. And then there is Gi-hun.

He knows Gi-hun. In-ho is a previous winner, just like Gi-hun, he is returning to the game for Gi-hun just as Gi-hun returned for In-ho. In-ho sees Gi-hun as more worthy of his time than anyone else. And all of this comes dangerously close to seeing Gi-hun as an equal, someone he has attached his narrative to, more than anyone else around.

And I think this opens up the possibility that In-ho could have come to see Gi-hun as a friend in some moments. There were moments in the games where he was a little too enthusiastic about their own wins for someone who does not need to put on a fully fake persona (and there was the instance with the soju which I get into later).

So surely there could have been moments where In-ho genuinely considered Gi-hun a friend, however short-lived the moments were, however foreign the concept of a friend has become to him.

I don’t mean this in the sense that there are full-fledged periods of time where In-ho is seeing Gi-hun as a friend, or that In-ho was spending any amounts of time being genuinely immersed as his persona. That feels like a stretch.

But you know when you dislike someone that you’re talking to? And in the moment, the awareness of your dislike fades for a bit, and you’re about to laugh at something they said. And then that’s when you realize you’re not actually supposed to be finding anything they say funny? You’re not supposed to actually fw them? This is what I mean by ‘moments In-ho might have seen Gi-hun as a friend.’

The difference between the example scenario (closest I could get) and what I think might be the case with In-ho is that in In-ho’s case, it is not purely borne out of dislike. Rather, it likely just occurs to him who he actually is now, reminds him that it’s not 2015. It reminds him why he’s actually in the Games this round, and that automatically can serve to detach him.

It can be difficult for a genuine person to consistently have an enjoyable person around people they have to fake their personality around, for one. And for another, he is the one who’s killing almost everyone here.

This part is, of course, more speculation and yapping compared to the rest of the post, which I actually tried to support with some form of logic or evidence. But I need to yap about all my speculations (This post is not purely analysis, as I mentioned at the start), and I think this take helps make better sense of the other instances with In-ho’s character that I’ve mentioned.

And this could be what In-ho’s ‘conflicted feelings’ about Gi-hun (from the video linked up top) are all about.

—

How In-ho Sees Gi-Hun

Gi-hun refuses to remain powerless. He acts for change, refuses to give himself over to the system like In-ho has. He doesn’t shut up and take the money he’s given. He keeps fighting to end the Games, for other people who are caught in it.

And this does not make sense to In-ho. We don’t know enough about him. Maybe he tried this exact same thing that Gi-hun is trying. Or maybe he never did, and became who he is without putting up a proper fight.

This is someone who, so far, has remained unbending in his goal for change. This is someone who, in a facility designed to make people prioritize their own survival, gave a man he barely knew for 3 days a magazine, while he himself was getting shot at, while ammo was short.

In-ho lies to Gi-hun about his name, but he tells him about his wife. He bares an old part of his soul to him, the part of it that lingers from back when he was like Gi-hun. He has seen immeasurable death and has caused it, but there was a time he might have wanted to stop it too, and now there is someone like that again.

In-ho bared a part of himself to the person who came here to take him down because he saw his old self in him. And in turn that person did something In-ho never would’ve done at this point in time—Gi-hun extended this seemingly-pointless goodness to him too.

I like to think In-ho was so interested in Gi-hun because he wanted to see how he himself might've become, had he only taken a different view of life.

In-ho might deep down be expecting him to fail, yes, but he roots for him, roots for a version of himself that never made it. He’s curious. Lee Byung-hun has said In-ho is conflicted about his feelings towards Gi-hun, and secretly might even root for him (see the link at the bottom of this post).

In-ho stares at Gi-hun so intently to try and understand him as best he can. He wants to know what’s going on in Gi-hun’s head, the changes someone undergoes in short periods of time in enclosed death game facilities, a new experiment in the head of someone who is returning a second time. How will Gi-hun hold up? He wants to see his future.

—

The Breaking of Gi-hun’s Resolve (or the Changing)

Gi-hun loses the plot.

He couldn’t save everyone at first like he intended, he couldn’t get out fast because they got his tracker, and his resolve weakens, and he deems it necessary to sacrifice some people for the greater good.

When Gi-hun realizes he can’t save everyone, when he trades in an unnumbered amount of people for a shot to end the whole system, and he gives in.

Maybe In-ho sees himself in that weakening of Gi-hun’s resolve. It’s possible he doesn’t like it because he genuinely wanted Gi-hun to remain unwavering, as Lee Byung-hun said In-ho rooted for him. Or maybe In-ho does like it, because he’s satisfied for the confirmation that his view was right, that his path was inevitable all along.

This could be another point of conflict for In-ho’s feelings towards Gi-hun. Maybe that’s why he decided to fake the death of Young-il right then and put a stop to that operation: Of course, it’s partly because he’s Frontman and he can’t let the Games end. But on another hand, the coup was failing anyway, even without his betrayal and return as Frontman.

This then brings to light the possibility that he decided that, because Gi-hun gave in, In-ho decided he’s seen enough from by Gi-hun’s side. It confirmed something for him, confirmed that Gi-hun’s failure was inevitable because of human nature. And that was enough observing from up-close.

But then that confirmation, Gi-hun’s reluctant admission to the need of collateral, is thrown into question again, only a couple of hours later, when In-ho meets up with Gi-hun and Jung-bae. Gi-hun gives In-ho a magazine when ammo is short, and even when In-ho asks him, “Are you sure?” Gi-hun insists.

Sure, Gi-hun traded all those lives for this opportunity, but he is willing to risk lessening his own chance for survival for the sake of his friends, too.

—

“Are you sure?”

Then there is the question: Why did In-ho ask Gi-hun if he was sure about giving him the magazine?

Why would he provide the opportunity to think again on this? It wouldn’t benefit him at all if Gi-hun were to take the magazine back—Not that Gi-hun would. Gi-hun doesn’t say things he doesn’t mean, especially not in situations like this, and this even In-ho should know.

It could be a final test of Gi-hun’s character. Or it could be that this is one of those moments where In-ho genuinely saw Gi-hun as a friend.

Lee Byung-hun has said (from the video) that In-ho’s character was a very nuanced and detailed one that he had to be very careful portraying. That look on In-ho’s face when Gi-hun gave him that magazine was not any error on the actor’s end. It did mean something to In-ho, whatever it may have meant.

—

Jung-bae, Gi-hun, In-ho, and soju

I’m gonna get into the technicalities of exactly what In-ho’s motivations were in taking this specific bit of Gi-hun’s and Jung-bae’s conversation and using it with Gi-hun later.

I don’t entirely disagree when others call it jealousy, but it feels unfitting to arrive at that conclusion with no further thought. So here’s how I see it.

When Gi-hun and Jung-bae were talking about going out for soju, In-ho was eavesdropping. Then later, In-ho tells Gi-hun later to go out for soju together someday.

If In-ho really intended the unfulfilment of the shared plan between Gi-hun and himself to devastate, this was not an ideal or necessary move, and I’m sure he knows that. And I’ve covered earlier, to my interpretation he does not bother to act like someone he is not unnecessarily.

It would’ve been smarter if he had his own conversation about future plans with Gi-hun, instead of leeching off the soju date idea that Gi-hun already planned with Jung-bae.

In-ho probably did plan on killing Jung-bae at that point, be it eventually or through the later Games, because he probably does not really care about anyone besides Gi-hun enough to spare them, or even just as much as he might care about Gi-hun (not necessarily platonically or romantically, maybe, but in terms of overall investment). And maybe he intended to use Jung-bae’s, and Young-il’s, death as another test of Gi-hun’s character.

But In-ho/Young-il’s ‘death,’ objectively and inevitably, means less to Gi-hun than the death of his best friend. This is not to say that Gi-hun subconsciously measures the weights or grief values of these deaths, obviously. It is just to say that he has known In-ho for only a couple days and it is bound to impact him less, just like how Ali’s death did not hit him quite as hard as Sang-woo’s did.

(Admittedly, season 1 did have a lot less focus on character relationships than season 2 does, but it wasn’t so little that a lot would’ve changed in Gi-hun’s reactions either way).

This, combined with the order and intensity of events in the last episode, most likely means that Jung-bae’s death overshadows In-ho’s ‘death’ in Gi-Hun’s mind.

And this would be obvious. So what purpose does ‘You can treat me with a glass of soju when we get out’ even serve? It’s not going to affect Gi-hun in the long run as much as Jung-bae would.

Gi-hun had a much-needed conversation with his good friend and their plan to get soju was borne of reminiscence of their shared past and desire to make it out. But when In-ho brought it up, it was done in an offhand manner in a two-sentence exchange. This is impossible to happen anyway and In-ho knows it.

If he wanted Gi-hun’s full investment in a plan to go out together, maybe for the purpose of hurting/testing him with it, surely he would’ve done something more than this. He knew it wouldn’t stick as well. So then why did he say it? What purpose would this actually serve?

If, even after all this, In-ho he thought that this soju appointment would affect Gi-hun as much as Jung-bae’s might have, then I might say jealousy nurses delusion.

Or maybe it was something genuine. Maybe that moment, when Gi-hun thanked him for saving his life and In-ho said ‘You can get me a glass of soju when we get out,’ maybe that was another one of those short-lived moments in which In-ho did see Gi-hun as something like a friend.

—

Conclusion

Because of the fact that he is more genuine than one might originally guess (according to my interpretation), I would like to say that he did consider Gi-hun a friend sometimes.

And their dynamic is just so fascinating to me. Likely the first I’ve ever seen of this kind.

They’re in love, they hate each other, they’re friends, they’re opposites.

They’re the first person the other looks for upon separation, they’re trying to put a stop to the other’s plans, they’re good friends.

They’re representations of the roads the other didn’t take, they’re mirrors, they lean into each other more than necessary even when cuffed together, In-ho finds the pieces of humanity he lost in Gi-hun, they’re foils, they were friends.

I won’t be recovering for a while.

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