#which i've rambled about in-depth before

[mortalscience]

been talking and thinking a lot lately about how penelope ends up in relationships with terrible men and she lets herself be treated poorly and it just always makes me think about how the biggest and most significant of these types of relationships was actually derek morgan

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[elvisqueso]

"Our warriors fought with courage, but none as bravely as Kocoum."

Pocahontas (1995)

long, rambling meta under the cut:

you know i've taken some light dips into the tags looking for content on kocoum and i never see anyone going into depth about him as a character. sure you see the posts that are all "omg he was so hot pocahontas should have picked him instead :p" but that has little to do with his character or his place in the narrative or anything. in fact, it's a further objectification of a guy who is already dehumanized in-narrative, which is so very sad to me. kocoum is a lot more than his looks, which is why they're the first thing about him you're meant to notice. he's handsome, and he doesn't smile. he's a warrior and a stoic kinda guy. but that's all surface-level stuff. he's a very complex person with an intense internal turmoil that circumstances aren't allowing him to deal with properly.

like, you really can't come to an understanding about his character and go on to say "and he should have been with pocahontas" bc the fundamental aspect of their relationship as characters is that they would have been terrible for each other. you could feasibly make an argument that, on some level, kocoum would have been good for pocahontas (the "handsome, sturdy husband" who could ground her), but there is no way in any universe that pocahontas would have been good for him, bc the one who actually needed and wanted a steady, reliable partner is kocoum and pocahontas is the opposite of that (which is one of the reasons she and john smith kind of deserved each other but that's a whole other post).

see, kocoum is like a hemingway protagonist. remember, at the start of the movie, everyone is returning from war; it's important to note how much emphasis the movie places on family as a representation of "the ordinary world." the same is done with the virginia company members at the top of the film. there, they say goodbye to their normal lives and start an adventure. here, the powhatan warriors are returning to theirs. but who does kocoum, the celebrated warrior, have to return to?

kocoum doesn't have a normal life yet. he still belongs to the battle. there's a lot to be said about PTSD as a character motif in this film: it affects a lot of the major characters in different ways. for kocoum, it means he's not allowed to depart from his wartime mindset until and unless he can start a family of his own, and for that he pins his hopes on pocahontas. why exactly he likes her goes unsaid; it's implied they aren't particularly close, but may be familiar with each other. pocahontas being the chief's daughter may be an element, but it may also be that he's harbored an admiration for her from afar for some time. whatever the reason, kocoum has a misplaced idea that being with pocahontas will bring him peace. like a hemingway protagonist, he's taken up with the notion that being with a woman, an angel, will fix him; but the woman he wants is neither interested in doing so nor able to do so, whether or not she cares for him.

and this is why his outburst of emotion when he finds pocahontas and john in the glade is so understandable. he's watching his hopes for the future being ripped apart before his eyes. he'll never get peace, and that breaks him and then kills him.

and when i say he's dehumanized, i'm talking about the way characters talk about him and then how he dies. he's fierce, like a bear. he's handsome, but doesn't smile. he's a tool, an obstacle, and ultimately fodder for both pocahontas's and thomas's character development (mostly thomas's). there's something to be said about how both kocoum and his foil john smith are objectified so differently. where john is the subject of pocahontas's female gaze, kocoum is also objectified through a masculine one (the tension-filled lens that marries fear and admiration for athletic, warrior men and rivals). and then, again, he gets 'fridged for plot reasons because he's also the paris to pocahontas's juliet.

basically what i'm saying is kocoum really needed someone to take care of him, and no one did nor could. and that's why he's so tragic and tbh deserves better treatment by the fans, too.

[harbingersecho]

RVB OC Week Day 1; Introduction AGENT ARIZONA _ "Guess you got me, Counselor. I peaked a decade ago and now I'm wasting my time running a daycare for miserable 20-somethings who're gonna get killed, crippled, or institutionalized in a year. [...] I've heard. But I'm forty-two, not twenty-two, and I don't need to be sold on a daydream. So... What, exactly, do you have to offer me?"

anyway, here's a more in-depth look at Ari for the rvb oc week ft. an old stuff from 2023 that I used for her on artfight and some new outfit/armor things for him. random thoughts/rambles + info under the cut for those interested --

Ari was born around 46-47 years before Blood Gulch and she was with Project Freelancer for around three years until it fell apart - originally he died in the MOI crash, but since Temple later on apparently 'imprisoned' her in the living armor room (and then THAT got retconned last year), I've kept his alive status more vague, Schödinger's cat style lol. (Timeline taken from the rvb guide book)

Anyway, small facts about him I guess; she was made Major/Battalion XO in her early thirties, she has a sister and 3 nieces/nephews that he sees once in a while, he's an inconsistent smoker, and she has a more southern(? if that's what it'd be called, I'm not American and it's not really like that Texan type so...) accent that she hides for several reasons. Also one of the few poor souls who finds Wyoming's knock knock jokes funny even if he pretends otherwise ...

Originally she was a LCDR but idk if PFL has navicom freelancers + tbh I based that position off of Mass Effect lol, so now he's an eq rank of O-4 but in the Marine Corps which I think PFL falls mostly under? Idk man. I think the background storyline still works tho so it's fine

In Project Freelancer, as one of the older and more experienced agents, he was often working as a team leader or a strategist of sorts which also aligns with her previous position - though now he's actually much more involved in the ops which she likes. His skillset is somewhat crowd control-esque (which includes tracking obv), combined with eliminating targets. (I have like a "guide" on how she should be played if he was in a hero shooter/moba/whatever but this is waaay too long already, you get the concept)

The armor design (halo5 ver) is largery taken from the Freelancer presumed to be Arizona in Battlescars - a Tracer helmet with an Achilles armor. Since rvb doesn't exactly follow Halo lore, I'm imagining this to mean it's largely "functions" as a Tracer armor, i.e. tactical and tracking focused, though maybe she was considered for Omega before Tex got him (since Achilles apparently comes with an aggressive AI in Halo lore but PFL only had Alpha + the fragments and Ari never received an AI). As a Major/XO, she wore the Halo Reach Commando helmet

I didn't draw them here but I do also have other 'versions' for her armor dependant on the game (like 'realistically' he couldn't wear this armor in Halo 3 etc) but idk if it's like. That important or whatever and I'm not like an expert on Halo armor lol (tho if you have opinions on if the H3 helmet should be Security, 'basic' or ODST etc or if you have info/ideas abt Halo armor in RVB in general do LMK <3)

[fairytales-and-folklore]

Hey Dad, Derek Hale Is In My Room. Bring Your Gun.

Teen Wolf » Sterek

Title: Hey Dad, Derek Hale Is In My Room. Bring Your Gun.

Author: fairytalesandfolklore

Fandom: Teen Wolf (Masterlist)

Relationship: Derek Hale x Stiles Stilinski

AO3 Rating: Teen & Up (a complete collection of author's notes, inspiration credits, content warnings and tags can be found on AO3)

Summary: Being the Sheriff's kid is hard enough. Having a seemingly over-protective father who's more concerned about your bad influence than your ex-murder-suspect werewolf boyfriend is so much worse.

"The point is, I'm an adult," he amends, heaving a weary sigh as he attempts to salvage whatever is left of his dignity. "I can make my own decisions, and I choose Derek. He makes me happy. He's a good guy. He treats me well. He looks out for me, keeps me safe. He's responsible and respectful and a complete gentleman, and I really think that if you just got to know him a little better, you'd really—" The Sheriff holds up a hand, effectively cutting Stiles off mid-ramble. "I like Derek just fine," he says, and the smile that spreads across his face is warm and genuine. "You do?" Stiles falters, completely thrown. "Wait, so then why—" The Sheriff's fond smile turns to one of wry amusement. "It's you I don't trust, Stiles," he says around a hearty chuckle. "I've raised you for 18 years, I know exactly what kind of mischief you're capable of. Wouldn't want you dragging that nice, respectable boy into any trouble."

Read On AO3 | Read On Tumblr:

After years of what Lydia affectionately refers to as a will-they-won't-they arc worse than Ross and Rachel, Derek and Stiles finally get together. 

It starts a few weeks after Stiles's 18th birthday, in the aftermath of a particularly deadly encounter with a siren, with a shouting match that ends with one of them bellowing just fucking kiss me already and a press of flailing limbs against the wall of Derek's loft. 

And then the Sheriff walks in on the two of them making out on Stiles's bed one night, and sits them down a respectable distance apart on the living room couch so that they can have the talk, during which Stiles's dad hands them a box of condoms and a bottle of lube with a narrow-eyed warning of I'd better not see any bite marks on your neck, werewolf or otherwise, Derek nods politely and says things like, yes, sir and I understand, sir as the Sheriff grills them about safe sex practices, and Stiles sinks into the depths of the couch in the hope that it'll open up a portal to Narnia and swallow him whole before he dies of embarrassment and first-degree facial burns from the heat of his own blood.

And it doesn't end there.

In the weeks that follow, Stiles can't seem to escape the Sheriff's watchful eyes, pointed glances, and vaguely threatening commentary (jokes? Stiles hopes they're just jokes) about enlisting the help of his fellow officers to chaperone their dates, calling after them as they walk out the door to meet up with Scott and the rest of the pack for a movie night with warnings like you boys behave yourselves and make sure he's home by curfew.

By the time their relationship hits the three month mark, Stiles finally reaches his breaking point, dropping an armful of snacks on the living room floor with an exasperated sigh, and whirling around on his father.

"Look," he says, raking a hand through his hair and accidentally kicking a bag of doritos even further out of reach. "I know the whole werewolf thing was a big adjustment, and yeah, there's kind of an age difference here, but honestly, dad, Derek is so immature sometimes that it's kind of like we're operating on the same level. In fact, if anything, I'm the cougar in this situation."

Stiles freezes, eyes growing wide as he watches the Sheriff's eyebrows hike up to his hairline.

"No, wait— that didn't come out right," Stiles groans, slapping a hand over his forehead. 

"The point is, I'm an adult," he amends, heaving a weary sigh as he attempts to salvage whatever is left of his dignity. "I can make my own decisions, and I choose Derek. He makes me happy. He's a good guy. He treats me well. He looks out for me, keeps me safe. He's responsible and respectful and a complete gentleman, and I really think that if you just got to know him a little better, you'd really—"

The Sheriff holds up a hand, effectively cutting Stiles off mid-ramble.

"I like Derek just fine," he says, and the smile that spreads across his face is warm and genuine.

"You do?" Stiles falters, completely thrown. "Wait, so then why—"

The Sheriff's fond smile turns to one of wry amusement.

"It's you I don't trust, Stiles," he says around a hearty chuckle. "I've raised you for 18 years, I know exactly what kind of mischief you're capable of. Wouldn't want you dragging that nice, respectable boy into any trouble."

The Sheriff strolls into the kitchen, head thrown back in laughter at the look on Stiles's face. Stiles stares after him, open-mouthed, his only response a high-pitched squawk of indignation.

All this time, and he thought he was the king of sarcasm. 

There's an unmistakable bark of laughter from the floor above. Stiles scowls and vows to make the stupid smug sourwolf come downstairs and get his own snacks. 

With a huff, Stiles collects his scattered snacks off the floor and begins trudging his way back upstairs.

"Say hi to Derek for me," the Sheriff says with a knowing smile as he rounds the corner with a steaming mug of coffee and a stack of paperwork clutched in his hands. "Oh, and tell him to use the front door next time. I'm tired of finding bootprints on our shingles."

Stiles splutters and nearly face-plants into the banister, and by the time he wrenches his bedroom door open and tackles his boyfriend, pelting him with bags of pretzels and doritos, he's not sure which one of them is laughing harder.

[novantinuum]

mmmmmmm. messy ass ramble thoughts ahead. this is not coherent, it is 1am, you have been warned.

so i've been thinking about that "i can fix anything! i can just keep messing up and fixing things forever, and you'll never have to know or think about any of it!" line during steven's lil manic panic moment in the ep everything's fine in the context of like... og SU episodes

this whole lil manic slip is one that's like... it seems a little extreme for him as a character at first, when one looks at the situation on surface.

but i think it really does shed a LOT of light onto one of his deepest fear. the same fear he's harbored for a good damn deal of the show.

"i didn't wanna hurt anyone!"

this moment comes just a few eps after the S3 finale 'reveal' of rose shattering pink diamond. in that final scene of the season, steven gets 'confirmation' from garnet that this happened, and seems to accept it for what it was- a difficult decision made amidst a treacherous war.

but also, he Doesn't.

because he's the legacy rose left behind. because each and every day he's growing more into his power. because now, with this reveal of rose's decision to shatter on the table, he's putting each and every decision he makes under a microscope.

he had no choice, he claims. she wouldn't let him help her.

he had no choice. it was self defense.

but is that true?

isn't that the same thing his mom probably told herself before ending a gem's life forever?

even though she poofed bismuth and holed her away for suggesting the very same idea??

rose became a hypocrite... so what if HE becomes the hypocrite, too?

see, with steven... i think it's really easy in the main show to sorta... observe all his actions on the mere surface without considering the deeper tickings of his psyche. like... take lars being brought back to life. from audience POV, that's a good deed. steven just saved someone with his magic! positive moment.

but genuinely... i think this was one of the worst moments of his entire life. i think he's still haunted by it- by the fact that he can just "fix" people in that way. and i think fixing jasper's shattered gem only made the specter of that day worse.

steven believes his role is to be the Shield.

the protector.

the one who is willing to do whatever it takes- even up to turning himself in for a crime he didn't commit- to protect his family and his friends.

and like, we all know that it's not steven's FAULT that lars died. BUT- he still died while under steven's protection.

and so the same way steven blames himself for "hurting" bismuth, jasper, and eyeball, he blames himself for killing lars. mentally, he Takes Responsibility for his death. yet another tick mark in the box of horrible "mistakes" he's made, yet another tick mark landing him just a little closer to the rose he's desperately trying not to become.

and worst of all... it's a mistake he "covers up."

because his tears are able to bring him back from the dead entirely.

and years later he realizes this is true for gems as well ;-;;;

so yeah, i absolutely think lars' death was also at the back of his mind when he said that line at the beginning

what steven saw in the depths of his mind as he was panicking there was him slipping down a slippery slope of violence that he couldn't escape from

first, causing harm to other gems and calling it self defense...

then, letting your friend die protecting YOU when you're the one who should be protecting him and facing NO consequence for this misgiving because you bring him back to life

then, expressing anger so visceral it can shatter floors, destroy whole rooms, flip vans. out of control. inexcusable.

then... outright shattering a gem in a duel while training to hone that anger. once again, facing NO consequence because you bring her right back.

then, that sudden, terrifying thought of "what if i shattered white diamond"

like, steven has absolutely no framework by which to separate his actions from genuine desire or just plain abstract thought.

he has no framework by which to understand the beautiful tool of adding a "man would it be fucked up or what-" to the beginning of those sorts of intimidating, dark musings.

he has no framework by which to understand the complexities of his trauma, and the way in which genuinely fighting back against someone he once called an enemy might feel empowering- instead, it would seem he's disgusted in retrospect with how deep he pressed into that fight, how much a part of him ENJOYED it, all because of the horrid destination it led to.

anyways at this point steven thinks he has now become the Hypocrite like his mom, and that he's just destined to hurt everyone around him forever but never be punished for it and Ouch

this post has no end, these were just ramble thoughts, the end. goodnight. i am sleepy and need to prepare to make Wig tomorrow bc OH boy i am con crunch.

yeehaw .

[lking-creation-hub]

So I'm replaying Slay the Princess now that the Pristine Cut is out, starting with a quick run of the game mostly to get the Stranger's ending in the heart of the Princess. Somehow that was the first Ending I found in my first playthrough of the original game, and I wanted to recreate it in this new 'universe' and keep a save file with her there right next to the original save file, before I go back and comb through for new content, so I was playing through a first run pretty quickly (and still somehow got to the new Damsel content, those who have seen it will know).

I'll admit I cried a lot of times in my first playthough, and I know I would probably cry again in this one. Maybe not at the same places, but probably the new content.

But even in my first playthrough, when I cried, I kept going. But just now I've come up on one line that made me have to fully stop for a few minutes (which is what I'm doing now, processing by posting this). I don't know if this line was in the original version, I think I would have remembered it, but...

(Spoilers below)

In response to the Princess saying 'It took courage for you to make your way down here, away from the paths others would have had you walk. We find that courage beautiful,' The Contrarian says this:

And something about that line damn near broke me just now. I could (and maybe will) go on a huge ramble about how heartbreaking it is for the seemingly-confident and seemingly-lighthearted Contrarian to so casually describe himself as 'the worst part of us', as if that's a fact. I'm genuinely sobbing at that thought, partly because I do relate to it. He has such a factual tone when he describes himself as just completely bad, the 'worst part of us' in his entirety, and god I know how much it hurts to think of yourself like that, to believe that every part of yourself is awful and makes things worse. This was the last character I'd expect to relate on that, but it adds so much depth to him.

And past that, the complete compassion in the Princess calling that part of them beautiful. The idea that these things we look at in ourselves and hate can be held with such compassion by someone else. I just can't describe how light and kind of overwhelmed it feels. Like I'm still typing mostly because I don't think I'm ready to go back into the game and see the next line. The game is still sitting on the screen I have screenshot above, because this scene is just so overwhelmingly beautiful to me that I actually need a break to process it (in the MOST complimentary way, of course).

@blacktabbygames You nailed it the first time around and from what little I've played of the Pristine Cut you've somehow improved on what I had previously considered a perfect game. I can't wait to explore all of the rest of it (and probably pick up Scarlet Hollow after I've fully explored Slay the Princess).

[galaxy-fleur]

Revisited RER recently, and I genuinely love Chris' and Rebecca's relationship so much... Gonna ramble about them for a bit here.

Despite also being totally out of his depths here, Chris is incredibly tactile and comforting with her. He has always cared for those around him, but I can't help but think that he does his best to be calm and reassuring around Becca because she's the youngest and the least experienced of them all. And yet she's stuck in this nightmare, too. The way he puts a hand on her shoulder and encourages her attempts at healing Richard with a simple but meaningful: 'Richard needs you now.'

Those words are merely an acknowledgement of her skills, no iron pressure behind them. I like to think that he expresses his belief in her here, hopefully to help her feel less scared and anxious. It's the least he can do, really. And sometimes all you need is someone to just show that they believe in you so you can keep going with no shaky hands. It also reflects on his trust in reliance on her in future installments, too. I think it's kinda sweet how Chris believed in her and encouraged her from the moment she was this fresh recruit, stuck in an unforseen situation. No wonder they are so close and soft with each other in Vendetta.

Him immediately blaming himself for Richard's death, obviously having no idea how to process it quite yet, and then Rebecca being just as lost on how to answer, because what can you even say in this situation? It really rings home how they are both so out of their element here. They are not seasoned operatives we are used to seeing, they are just two people who are forced to deal with something they've never encountered before and try to process all the loss they are hopeless to stop.

I think it's incredibly telling that Rebecca's initial response is to focus on what she should do next, whereas Chris's is to blame himself. Both are obviously shaken by Richard's death: Chris because he couldn't do anything stop it, and Rebecca because all her efforts on healing him were in vain. But they express it differently in the moment. It's also painful how Chris can't even look at her, until he switches into 'It's my fault' line of thinking. Poor guy has been shouldering this kinds of losses since day 1. I do think it also falls in line with how they respond to loss in future installments, too. Very neat to think about.

And then Rebecca just breaking down in tears after that short attempt at laughing it off, and Chris just putting a hesitant gentle hand on her shoulder as he lets her cry it out with no words being said. While it made super sad, it's also a nice contrast to them not looking at each other in previous instance vs standing face to face this time around.

Funnily enough, I don't think he's being aloof or insensitive here, as I've seen some say—quite the contrary. As I said above, what could you even possibly say in this kind of circumstance that wouldn't be, at most, a flat-out lie? But what he can do is just be there for her. Which is what he does. And that: 'be strong, Rebecca' is simple but genuine nonetheless. They must remain strong, at least until they are safe and out of there. Still, he doesn't try to stop her from crying, he only says this once she quiets down. It's really touching of him, honestly. He lets her express her distress and then encourages her when she's done.

And this lil' pat on her shoulders and 'Just stay with me, kid' is so cute! Not to mention the thumbs up afterwards :3

It's a sort of small but comforting gesture that probably goes a long way to someone in Rebecca's position. I can't help but think if that's Chris' big brother instincts at work, which is ever cuter to think about. He's a great superior to be around.

Also, it's kinda neat how the way he touches her shoulder changes throughout the game. First soft, gentle touches, and then more assured and encouraging pats by the end there. Both are good, but I still love that tiny detail.

As a bonus, the fact that Chris is the only one awake between the three of them during the helicopter ride also strikes me as kind of interesting. Both Jill and Rebecca are resting and allowing themselves to doze off, but he just stays staring off in silence, obviously having a lot on his mind. Whether he stays up to watch over the two or because he can't bring himself to relax, it's sort of a cool detail.

[cosmikazie]

A theory about some certain background elements in the Watcher

Spoilers ahead. I hope this title is vague enough to not arouse suspicion in anyone who hasn't played yet because I'm about to post the real title under the cut here!!!!

The Watcher and the World Cycle Theory

theres more to it obviously but like. as far as concise titles go that hook you this is as good as it's gonna get

So, I think I've rambled about this incoherently enough times during my playthrough of this campaign that I think maybe, just maybe, it's time to actually lay my ideas out in an understandable manner.

The Watcher's campaign centers around hopping through rifts that are found (or that you create) that lead to different regions at different points in time. You end up traveling across the ENTIRETY of the world, getting little sneak peeks at other points in the past, present, and future of the world as we know it, and you get peeks at new regions and places we've never even seen before, as well as hints of what the ultimate fate of the world is. And it's that aspect I would like to discuss.

The regions we see in Rain World: The Watcher do indeed take place across space and time, but the regions we see aren't necessarily from the same world as what we know, because everything is in a constant cycle of death and rebirth. We end up seeing multiple different worlds in the Watcher's campaign, some from potentially before, and some from after the bulk of the game takes place.

My first piece of evidence to support this theory:

The Cycle of Dust

If you take the teal colored pearl to Moon in the base game, she will read it to you, and give you the following context about the Void Sea:

"If you leave a stone on the ground, and come back some time later, it's covered in dust. This happens everywhere, and over several lifetimes of creatures such as you, the ground slowly builds upwards.

So why doesn't the ground collide with the sky? Because far down, under the very very old layers of the earth, the rock is being dissolved or removed. The entity which does this is known as the Void Sea.

If you drill far enough into the earth you begin encountering a substance called Void Fluid. The deeper you go, the less rock and more Void Fluid. It's believed that there is a point where the rock completely gives way - below that would be the Void Sea.

When that stone you placed on the ground has finally done its time in the sediments, it meets the Void Fluid and is dissolved, leaving the physical world."

The point of this being that the world is in a constant state of renewing itself. The world is slowing getting eaten away from the bottom up, lowering down into the Void Sea. Meanwhile, dust builds up from the ground, keeping the world in this strange state of equilibrium, preventing it from raising too high into the sky but also not letting the world just dissolve into the Void Sea.

While not exactly relevant to the Watcher's campaign, Saint's story in the Downpour DLC does kind of demonstrate this principle, when you head to the Depths to be ascended, only to find a total abyss. The plausibility of what happens during and after this sequence and whether or not it can be considered reality can be debated all day, but regardless, it demonstrates at least part of this principle in action.

So why exactly is this relevant to this theory?

Here is my second piece of evidence:

Outer Rim and Signal Spires

From the moment I first entered it, Outer Rim absolutely fascinated me as a region. It was so intriguing to me because despite all of the regions in the game being unique in their own right, Outer Rim was very different from the others. Its architecture was very unique and different from anything else I had ever seen before, and its overall structure was even more interesting. Aside from the Prince being a key focus of this region, there were also a few breadcrumbs that pointed to the above not only being true, but actively taking place.

It's hard to make out what the Ancients are saying in their text and whether or not it's true, as anything could be hyperbole or a common saying. However, if this specific excerpt from the pink pearl in Farm Arrays is anything to go off of, it could explain a detail of Outer Rim:

"On regards of the (by spiritual splendor eternally graced) people of the Congregation of Never Dwindling Righteousness, we Wish to congratulate (o so thankfully) this Facility on its Loyal and Relished services, and to Offer our Hopes and Aspirations that the Fruitful and Mutually Satisfactory Cooperation may continue, for as long as the Stars stay fixed on their Celestial Spheres and/or the Cooperation continues to be Fruitful and Mutually Satisfactory."

I'm well aware humans have spoken of stars in the past as if they're meant to be dots in the sky, or people, and that very well could be the case. But the stars we see in Rain World are interesting because, well, they DO remain fixed. And they're not the only thing that remains fixed in the sky.

So does the moon.

Same phase, same place in the sky, all the time, every campaign it's visible in. Always static. Never changing its position. And the stars never move either.

I could go on and on about my knowledge of astronomy, but pretty much all you need to know is that if these stars were real, we would see at least SOME positional differences over all the campaigns. We don't have exact placements in the timeline for a lot of these campaigns--it's mostly A comes before B comes before C guesswork--but given how time constantly moving forwards and eras constantly starting and ending is a major theme of Rain World, it's likely that it all takes place over thousands of our world's years, even without Saint's campaign in the mix.

The point is, these are not normal stars, and that is no normal moon. "For as long as the stars stay fixed on their Celestial Spheres" implies some interesting cosmology, which only gets stranger once you encounter this:

This is from the desert area of Outer Rim. And it's not easy to see, but there are strange, moving flecks of green light in the cloud of dust blowing by. The same green as the stars in the sky. It's also worth specifying that this is dust, and not snow. It may look similar, given that we do encounter snow and blizzards in other regions, but this is not a region which requires you to conserve warmth. This is dust, and it's coming down from the sky.

Dust falling from the sky with the stars coming down with them. Hm.

If what is happening here is paired with the above concepts, this could easily be construed as a sort of world-ending, or world-beginning event. But what really makes this theory are the structures populating the background of this area, and Signal Spires:

Iterator-like Structures

(Outer Rim structures on the left, Signal Spires structures on the right)

Of course, the instant first thought given to these structures is the functional resemblance they bear to Iterators. They're both gigantic, geometrical structures that have spires coming out of the top, with legs (or a leg) and technological innards.

I did some research and investigation, and the structure on the left is apparently called a Starcatcher, which adds to the thoughts about stars above. And despite its appearance as an Iterator-like structure, it doesn't really have any of the conventional makings of an Iterator. In fact, it's almost completely hollow.

This is known because you jump around inside one. But I wouldn't entirely count this out for being some form of an Iterator, because we still never see that lower area in use. It's debatable, but there's a case to be made.

Secondly, there is a case to be made for the structures in Signal Spires that has some fairly solid ground to it.

These large, technological pyramids the spires sit on are not just a throwaway design. It's not a coincidence that they look like Iterators.

This was the ORIGINAL DESIGN FOR THE ITERATOR SUPERSTRUCTURE. And it's worth noting that the possibility of this being some form of Iterator can't be properly and definitely debunked, as we only ever see the Signal Spire part of the structure.

The main idea at play here is that it's highly unlikely these structures resemble Iterator cans without reason. This is likely not a coincidence.

So, how does this all fit together?

This theory suggests that these structures are all Iterators, but they come from iterations of the world with minor differences. There was always going to be a race of "Ancients" that came about and made Iterators, or structures that serve a similar purpose, but their designs were always going to be different from world iteration to world iteration. I think this is a fair assumption to make, since every look we get at these structures is pretty consistent in presentation. We're supposed to think that these are located all over the world in the base game, and I doubt the intention is any different with these regions.

Outer Rim furthers this idea of iteration and change by showing it in action, with dust falling from the sky, and the stars blustering on by. We're witnessing a pretty heavily implicit time of change and rebirth for the world, Rot Prince or not, and it's not out of the question that the end for this world was the beginning of the other two or more that we see.

This could also explain the significant difference in style and structure we see in the other regions this DLC presents.

Creatures with analogs across all of these iterations likely wouldn't differ much in appearance or change much between worlds on account of them simply being different iterations of the same creatures, so there wouldn't be much change there. It is worth noting that you can find lizards in this DLC with the ridges they have in Saint's campaign, however, so there is a case to be made for variation.

Conclusion

Rain World's world is in a constant cycle of being born, forming a dominant species capable of building megastructures, dying, and then starting all over again. The Cycle is the one true constant of the world, and encompasses far more than just the life that populates it. The entire world is stuck in this cycle, never to escape. This is something we see in the Watcher's campaign, as we see hints of different versions of the same civilization which have come and gone. It's just our job to explore these places, and the possibilities they present for the world.

[ghostmoon1]

You know what, to start the year off, Imma make this lil appreciation post.

Now it's only been like, less than a year since I joined Tumblr about, I've been writing and drawing for years before this point, but the community here, especially the CoD community which I am mainly apart of just made me feel amazing. Everyone I've met here are some of the nicest people.

I have gotten my old hobbies back, giving me reason to write and draw again which have majorly helped with my own mental health, and now I just wanted to give the amazing people a shout out to start the year off, to hopefully make peoples days, and to just let them know that I appreciate yall!

In no specific order :3 and if you don't wanna be pinged again by me, please let me know and I won't!! No harm done, I hope this is okay :) and this is prob gonna be cringe or smt.. all sappy but like.Yeah here yall are lmao-

Putting them under the cut as there are a few :3

@gomzdrawfr - You've been a massive influence since I joined the CoD community, I adored your art from the very start, and your just such a sweet and kind person, one that I'm so thankful to have met, and so proud to be able to call you my friend. You're the first proper friend I've made here, and I can't tell you how much our talks make me smile every single time. And I'm also so thankful for the community you have sorta helped me get into, you've helped me feel comfortable interacting with more people here :3

@shadeops21 - You were honestly the person that got me to join Tumblr! I was looking for something to try and make my own Konig cosplay (that's been given up on bc motivation and Tik Tok just. yeahhh) and I found you, and all your amazing work! I basically made my account to see if you'd make any more, cause I just love what you do so much, it's got to be so helpful for so many people!!

@sleepyconfusedpotato - After Shadeops, you were the very second person I found here! And oh my gosh how much I obsessed (and still do) over your art, especially Jade. You inspired me to write my first ever fic on here, actually, where I made my first CoD oc ship with Soap, your art and what you do honestly helped me feel comfortable making something like that for myself, cause some of the toxic people on Tik Tok made me uneasy and unsure about that lol- And now, I finally have an OC I'm working in depth on, and you're my biggest reason to thank for that.

@soaps-mohawk - Your writing has inspired me so much, and I couldn't thank you enough for making your wonderful fic. I may not be like, a OG, but I've been there since around chapter 20 I think? I could be wrong, but half way through sorta. You are the biggest reason I started writing again here, you just create masterpieces. And this is the first time I've ever been hooked into a fic so much, and what got me into liking the Omegaverse (you hooked me and I can't let go of it now...) Thank you for taking your time with your writing, and thank you for all the inspiration you have given me.

@on-a-lucky-tide - Oh my gosh how much you have yanked me into the Nikprice community. I adore every single one of your writing pieces, and honestly, you are another who has helped inspire me to write more. All your writing is so filled with emotion and love, I want to be able to do that as well. Your a wonderful person, I've seen you interact with this community and everyone, and I just adore you as a person and all the hard work you put time and effort into creating.

@rainyrambles-overcod - I adore your oc's and rambles so much!! And I couldn't tell you how happy it makes me to have a friend that is okay with the tag games, I never know who to tag for those sorta things, but I actually feel okay tagging you and they are so fun and always brighten my mood :3 Keep creating, I can't wait to see what else you come up with. Thank you for all the tag games and fun!!

@nekrosmos - Yet another that has helped drag me into the Nikprice community or cult ig that too. Your art is absolutely amazing, I truly want to be able to draw like you do. Just everything about your art has me in awe, the emotion, the style, the love everything. Seeing your art brings me so much happiness! Oh and your writing is BEAUTIFUL. That also brings me joy to take a little time out of my day to sit and read the time and effort you put into everything, and how kind of a person you are. I always hope you'll keep creating, and always remember how much joy you bring both myself and others.

@daredaredoodles - I know we don't interact a whole lot, but you honestly mean a lot to me still. You were my first ever mutual on this site, and I will be forever grateful for this. Personally its anxiety that stops me from barging into peoples Dm's and talking, but yeah. Thank you for that, even if it is only a small thing.

@cricricorner - you were my first follower, and I still see you in my notifications from time to time, which always brings me joy! It's wonderful to see your followers still interact with your content, and I couldn't say how grateful I am. I couldn't tell you how happy I was to gain my first follower here, so thank you for taking your time to read my writing and see my art.

@daydreamsareallineed - You were pretty much the first person to show so much interest in my main fic!! And oh my gosh I couldn't ever tell you how much joy it brought me to read your comments, to have someone so interested in my writing, that personally I didn't even think was that good. I haven't given up completely on the fic dw, I'll hopefully update it soon! Motivation just go brrr. Thank you so much for all your support, it means the world to me.

And another shoutout to everyone who supports me, who follows me, and to every single one of you that like and reblog my content. I look through every single note I receive, I assure you none of you are left out.

And my final shoutout to everyone that creates on this site. The community here is like nothing I've ever experienced before. I adore scrolling through everyone's art, it all makes my day. I've never felt so comfortable and unjudged before. Thank you to everyone who contributes to this, you all make my day <3

This turned out a lot longer than I meant it to be- but I just wanted to share how I felt with this new year. I'm sorry if you'd rather not be pinged-

But have a lovely day :3 I love you all!!

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART ONE: Rambling First Impressions & Overview

[ 2 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(no, this screenshot isn't a spoiler, I just like it.)

Welcome Back for Round Two. >:)

Stating right off the bat: I have only played Dragon Age: the Veilguard 1.5 times and so this collection is very, very incomplete. There's no way for me to learn every codex before they're even all on the wiki. If I've missed something, let me know!!

I don't know how many parts this is going to have. This has been a very fun, but very sleep-deprived week. Expect no sensible organization here; we're letting the ADHD reign!

That said, here's what I'm going to attempt to do:

A Recap of My Grand Theory: Solas was the Blight's Beginning, and Mythal was Responsible

How I Made My Predictions: A Study in Context and Pattern Recognition

What Did I Actually Get Right? (An Overview, Anyway)

Early Signs Veilguard Added to My Theories

A Recap of My Grand Theory: Solas was the Blight's Beginning, and Mythal was Responsible

I really don't have space to go in depth on what amounted to 30,000 words of theorycrafting (which still boggles my mind, how did I do that and still find time to sleep). Instead, I'll link every post and make a bullet point list of what big guesses I made in each.

Part One: Solas was created from spirit and lyrium, crafted in one of Mythal's lyrium coffins that we see both in the Temple of Solasan and Trespasser. That means that some part of him was part of a Titan, once. There were hints about this across all three preceding games, and these hints re-contextualize those games and their place in the Dragon Age narrative. The Titans are likely the Forgotten Ones, because Fen'Harel walked among both the Forgotten Ones and the Evanuris in his legends.

Part Two: The Mythal lullaby in Trespasser is the story of Solas' creation, specifically. Da'durgen'lin refers to 'little stone boy.' Solas' twice-used phrase Ar dirthan'as ir elgara, ma sula e'var vhenan is him speaking to lyrium itself, which he does both with Sera (ancient elvhen? andruil memory? people go into more depth on this than I ever do) and the Eye of Kethisca. Elven phrases and pieces of writing/song from everywhere point to Solas' backstory and are all possibly written/sung by Solas. The codices in the Temple of Solasan are also referencing his backstory. There is a larger narrative at work happening in the random elven literature we find, and it suggests a lot of things about the world.

Part Three: The Titans are definitely the Forgotten Ones—at least, part of them (more on that later). They have all been sundered. One part remains in the Abyss; the other in the Fade. The Fade, in fact, is every Titan's consciousness, all sundered by Fen'Harel. This is the "leg" that the wolf chewed off to "escape the trap": Solas' connection to ir sa tel'nal, isatunoll. This is why he loves the Fade: he's reconnecting with the consciousness he broke himself apart from. This is also why he has Titan/Stone magic. This is also why lyrium grows both in the Abyss and in the Fade.

• Oh, and spirits seem like they might be the thoughts of Titans.

Part Four: The Chant of Light tells the story of the Evanuris, from their manifestation as spirits to their mining of lyrium and war with the Titans to the Makers' creation of "everyone else." The archdemons and Magisters Sidereal are also explained in its verses. The Chant also suggests the Maker is a Titan whose mind and body are sundered, and that Andraste's hearing the "voice of the Maker" is her hearing the Titan's song.

Part Five: The tragedy of the Evanuris, part 1/3: Mythal is known to have mined people from lyrium. Elgar'nan probably sundered spirits, notably Dirthamen and Falon'Din. Falon'Din seems to have wanted to attack Titans that "belonged" to other Evanuris to gain more "worshippers" (lyrium people; slaves) for himself.

Part Six: The tragedy of the Evanuris, part 2/3: Sylaise probably made the Scaled Ones. June probably is responsible for not just lots of inventions, but the invention of the geas. Dirthamen's "secrets" are "thoughts" (spirits) forced into the bodies of his worshippers... and animals... and trees (AKA, he made a lot of abominations).

Part Seven: The tragedy of the Evanuris, part 3/3: the blight seems to be the Titans' defence against repeated attacks. Crucially, all of the Evanuris made the Titans this way... but Mythal made them that way first. The reason the Titans are "forgotten" now is because Mythal tried to erase all memory of them so that none would find the blight again. (She failed. Thanks, Andruil and Ghilan'nain).

Part Eight: The story of Solas, part 1/3: Solas came from an un-sundered world where both "mage magic" and "Stone magic" were the same thing. He was created in the Temple of Solasan, where "icy terror" became the first blighted Titan. Solas' existence was significant to the Evanuris because it suggested that one can survive the blight, and his moniker (the Dread Wolf) comes from the fact that he was a wolf (elven general) that came from the terror Titan (dread).

Part Nine: Since Solas' origin story is the start of the blight, then all of Solas' story from that point is not the story of just him, but the story of the blight. This signifies his place in Dragon Age's entire narrative, and also spells out what the overarching Point™ of the series is. Backed into a proverbial corner where none of the Evanuris would stop the things that angered the Titans, Solas' only choice was to sunder the Titans from their consciousness. He misses the Stone, also.

• He also imprisoned the Evanuris in Stone, something called "gangue" in Hissing Wastes codices.

• His ultimate goal is to return consciousness to the Titans, fixing the "wound" he made when the Veil went up.

Part Ten: The Inquisitor is special because their spirit is from the same Titan as Solas. The Breach is a threat because if the Veil comes down too soon, all the Titans will come back blighted and angry. The Veil disintegrating means all the Titans are waking anyway, little by little. The Dread Wolf shape is actually an aspect of Terror that can kill people with fear. The Evanuris who've been killed before have potentially had their spirits "recycled" and might be reincarnating into mortal people now. Oh, and a bunch of predictions on the companions, Solas/Mythal, etc, that I'll go over again down below.

How I Made My Predictions: A Study in Context and Pattern Recognition

I've had a lot of people ask how I... y'know. Did that. How one person could write 30,000 words of guesses in the week and a half before Veilguard, citing so many sources, and... not be that far off, probably.

Honestly the short version of this is, "I read the Chant of Light as it appears in World of Thedas, not with the canticles out of order like they are on the wiki, has anyone else done that?"

The longer version of this sounds even shorter, at first: I started playing Dragon Age games in March 2024, and I have ADHD.

Oh, and I'm a writer who's always been interested in game development, with dreams of maybe one day working in games or on video game IP. That helps shape my understanding of what games might need to accomplish, narratively, and the mechanisms they might use to accomplish those goals.

I was able to play all three games this summer. In fact, I finished Inquisition for the first time after Veilguard's first trailers this year, on June 26. What that means is that my first real experiences learning the finer lore of Dragon Age were all this year, and had the context of Veilguard's trailers. We knew we were getting a narrative followup to Trespasser, and so where did I center my focus? Trespasser. Everything I learned about Thedas, I tried to make sense in the context of Trespasser. Every piece of lore had to fit with Trespasser. Not just the environment of the Crossroads or the companions' banter, but what Trespasser was trying to teach us.

And most of its codices are about the Evanuris warring with the Titans. The Titans, who we'd just seen in Descent. The storytelling point of Trespasser was to make us question the nature and morality of Fen'Harel by giving us context about the Evanuris and their own history, then letting us ask for Solas' perspective on it.

That's the thing about Dragon Age. Very little of it is there pointlessly. Every level, every DLC, every codex, is there to teach you something. Even the smaller codices, which don't seem to mean anything tremendous, are there to teach you how to parse the voice of all the other codices. So even beyond the games, I asked myself: what is Tevinter Nights trying to teach me about how Thedas works? What is The Masked Empire teaching me? Is it the same? And what about World of Thedas, volumes 1 and 2, written from the perspective of Thedosian historians, deliberately written to misdirect the reader with the historians' biases?

Whatever I found had to work with what was promised in Veilguard: a controversial Solas. New understanding of the Evanuris. Harding's new magic. Regions of Thedas we never explored, and why those places would all matter.

Knowing the three act structure, as a writer, and knowing that ensemble casts all need to bring a puzzle piece of the grander theme into the main plot through their own personal quests, I had a vague skeleton of what I would need to find. The shape of the information I found would have to fit the world and the relationship dynamics advertised in the Veilguard. Origins would have to matter to the Veilguard; same with DA2; same with Inquisition. Despite the series being disconnected by featuring different leads, the worldbuilding is very much connected between instalments, and so Veilguard would have to be one logical step past everything that developed in Inquisition. (Nevermind a whole host of other criteria that honestly deserves its own post).

It's very hard to describe how the pattern recognition in some ADHD brains works. What I will say is... I noticed something. Every mistranslated elven codex where it deliberately says it has been mistranslated is an invitation for you, the player, to try and figure out what is correct. Everywhere that World of Thedas says that something must be preposterous to the historian narrating it is an invitation to ask yourself: could this be possible? How would that work?

Things like the linguistic overlaps between the elves and the dwarves are intentional. Words that are phonetically similar are far more often intentional than simple oversight. Every scrap of lore holds some significance.

Because in Thedas, every perspective is right, to some degree. Including the Chant of Light. Including ancient elvhenan. If you try and make them all reconcile with each other, and you've also done so in the context of the Veilguard, and you've also got ADHD and a near-photographic memory that is strongest with emotional memories and rules/systems? Well... You get me. You get 30,000 words of "one single picture of lyrium-spirit Solas cracked all of Thedas for me in the span of one mind-blown week while I power-read World of Thedas to check all my facts and essentially lived inside the Dragon Age wiki."

(AKA, you get Bellara in human form. Sorry, Bellara. It's rough out here. But now you, reader, know the reason that this blog was renamed nadas-dirthalen in late September—and why I, when I embraced my nonbinary identity, chose the name Lore for myself.)

And what was promised in Inquisition, as well as in Veilguard's marketing? The Evanuris, Titans, and the blight. They would all have to tie together—and they did.

What Did I Actually Get Right? (An Overview, Anyway)

I'm going to try and categorize this. Oh god. These are going to be such disorganized posts, but I want them done before much information comes out, so bear with me.

What I Got Right:

Solas and Mythal: Yep. He caused the blight; she made him do it. He created the Veil and wounded himself. They weren't romantic; they were trauma-bonded. She wasn't a paragon of good. They both tried to stop the blight anyway.

Sundered Spirits: The sweet, sweet vindication of learning that Dirthamen and Falon'Din were sundered all along. Thank you, BioWare. We also learned that this happened to the Titans (more on broader implications in the last category in this section).

Titan Stories In Elven: Bellara sang "Ir sa tel'nal Mythal las ma theneras" and my heart soared. :) My ego swelled. :) That's all the confirmation I need right now that I hit the nail on the head with the elven lullabies and Solas' backstory.

The Chant of Light Told the Story of the Evanuris: The demons that would be gods. We know now that all the Evanuris manifested physically from their original spirit forms. The Chant called it.

Mythal, Andruil, and Ghilan'nain's Roles in the Blight: Mythal created it, but wanted it sealed away; Andruil found it again; Ghilan'nain made it grow and grow.

Taash, a little? I hypothesized that fire-breathers might come from the Scaled Ones or otherwise have been engineered by an Evanuris. I know they were engineered for the purpose of war, but not by whom (I... think. Needs a replay to confirm).

Davrin: Yes! Davrin was the one who connected that Solas feels responsible for specifically the blight and conveyed that to the rest of the team. He questioned the nature of the Grey Wardens and helped to choose a path forward without any archdemons left.

Harding: Yup. Titan connection. Yup, our narrative path to finding out about angered Titans.

"Do We Win?/Do We Stop the Blight?" Well, in Solas' good ending, we do get what I thought we would: the Evanuris all gone, the Titans on a path to restoration.

What I Definitely Did Not Get Right:

VARRIC?!?! When I said, "If you know, you know. Lyrium dagger, dwarf. If you don't know, close your eyes and pretend you read nothing" — GUYS I THOUGHT VARRIC WOULD GET MAGIC HE REALLY HATED AND I CRIED LIKE A BABY WHEN I SAW WHAT HAPPENED :(

Lucanis: I really thought Spite would be a Forgotten One. However, it's stated a few times that Spite is not a run-of-the-mill demon, and Lucanis is not your average abomination. I wonder if there's banter I'm missing, or if something will happen with that in DA5. Poisoned fruit, and all that.

Emmrich: I really thought Emmrich would do world-changing "give all the spirits back to the Titans" stuff. I think my error with most of the companions is that I forgot how much information actually can feasibly fit into a game without it being 300 hours long or melting the brains of its players.

Neve: Nothin' happened with gangue mentions, or Archon mentions! I was way, way off with Neve.

The Eclipse: It did not have anything to do with the Bird Boy Evanuris™ :( But Elgar'nan moving the sun and moon was badass as hell, and I honestly loved Elgar'nan far more than even my highest expectations.

What I Haven't Gotten Right... YET:

Bellara….?????? Guys I thought there was a Dirthamen connection and they put a codex in the game that says specifically that Dirthamen held a fondness for frogs, same as Bellara. And then they gave her a brother who... ya know... was... presumed... dead... AKA, on the other side of the Veil... for a while... And then they gave that brother a sundered piece of Bellara's own vallaslin. John Epler, where are you going with this please I wanna KNOW, the Bird Boys™ occupy my mind at all hours. (But also? Surprise Forgotten One mention with Bellara, and surprise Anaris mention specifically, and I'm going to pat myself on the back for being so oddly focused on Anaris in my predictions.)

Chant of Light Confirmations: I actually have yet to see a single Chant of Light verse in Veilguard. I think they're saving that one for later, keeping it up their sleeves for the next games. The needle didn't move with confirming/denying anything in the Chant except for the Evanuris as spirits that manifested into physical shape and then sought to conquer the Titans.

Titans-as-Forgotten-Ones: For a time, I thought they disproved me on this, showing Anaris as a spirit, the "eighth" while the "sixth and seventh" roamed free. Showing Anaris craving a body to wreak his evil (?) machinations upon the world. But then I got to thinking, and I realized: they never said the Forgotten Ones are spirits, they just showed one being a spirit. What did they say about spirits in general, or the Titans' relation to the Fade in general?

Titans-and-Fade Connection: I theorized that the Titans' consciousness is the Fade, and the Veil is what keeps them all sundered. I theorized that spirits are thoughts, either floating around in the Fade or held in lyrium. For a long time in Veilguard, I thought I was being disproven. Solas' memories don't say that the Veil sundered all Titans, and they don't say that Titans' consciousness is the Fade, either. But, as I went through Veilguard, I realized... they also didn't not say it. And that's when I knew.

I have to go digging again. And after 8.5 days, here's what I think I've got. It's a start, but a promising one.

Early Signs Veilguard Has Added to My Theories

Remember how I said that there are very few in things in Thedas that are there for no reason? Well, Veilguard has given us plenty of tie-ins to previous material already, just with the stuff I remember off-hand from the past week, no wiki entries to go by yet.

(Please bear in mind that I have had this game for 8 days and this is just barely scratching the surface of its content!)

Let me re-examine some of the things I mentioned above:

Titans-as-Forgotten-Ones

The Nadas Dirthalen's very first word is Sulahn'nehn. Remember how I said many things in Thedas are there intentionally, and that World of Thedas is a book made up of invitations to solve puzzles? This is no exception. World of Thedas states that, translated literally, this common word for "rejoice" actually means "sing again."

That word might be a rallying cry for the spirits of Titans who'd, I don't know... lost their song. A promise of plot to come, made a decade ago. Why else would they include that word, instead of anything more frequently used by characters/the fandom?

I also noticed: the Nadas Dirthalen looks to be contained in a lyrium crystal, specifically. We already know that lyrium is used to store memories! It may be that the Nadas Dirthalen, the inevitability of knowledge, was Anaris storing his knowledge and memories in an attempt to pre-empt the creation of the Veil. Nadas Dirthalen might be a promise: a promise that the Forgotten Ones will return to sing again, and that their knowledge and memories will guide them to victory.

But if I was going to hazard a guess that this is the case, I couldn't base my theory on just this line of dialogue.

Titans-and-Fade-Connection

First and foremost: Neve and a couple codices say that Solas' ritual to create the Veil went wrong. We all heard Solas cry out in pain at the moment of its creation!

Second: defeating one of the revenants, whose name is something like "The Slaughtered Pillars," made my ears perk up. I noticed in the combat with the Betrayal of Felassan that the dialogue lines are supposed to be Solas' regrets, given voice.

You wanna know what it says when you fight the Slaughtered Pillars?

"Light and song, stolen."

You wanna know what the Chant of Light refers to the Fade as? Three guesses. C'mon. :)))

That's right! Light! But why would the slaughtered pillars of the earth complain about their light AND song being stolen? Well—I'm guessing that their Light is the Fade; their consciousness. And without their consciousness, their dreams, all concept of isatunoll was lost to them.

When I heard this line, I threw out what I thought I had been told about the Forgotten Ones being spirits, not Titans. Now, I have a new idea (one that still needs verifying and much codex-reading): the Forgotten Ones are those sundered spirits that Solas severed from the Titans. The entire Fade being cut off from Thedas was an unintended consequence that hurt him as badly as it did the Titans he meant to put to sleep.

(We don't even know that he was in uthenera by choice, with how often he talks about being weakened.)

Suddenly, "Sing again," makes total sense as a rallying cry for Anaris and the Titans, both. I very much look forward to digging through the minutiae of every codex to see if I can find anything else that backs this up!

Terror/Horror Mentions

I need to really examine this one, ideally with the help of a wiki that doesn't quite exist yet for this game, to get all the exact lines. But I swear that fear is mentioned almost constantly in Solas' memories, and also a lot in conjunction with Anaris and with Harding's Titan.

I'm not letting go of my "Solas was crafted from Terror/Dread" theory. Not yet. Not yet.

Bellara and the Bird Boys™

I think BioWare's favourite game, at this point, is teasing us with sneaky little mentions of Dirthamen and Falon'Din. In Veilguard, we went to Zazikel's skeleton in the Cauldron. In Arlathan, owls were just... glowing. Everywhere. Why? I don't know! Rook also doesn't seem to know! But they mention it many times over, and that is always a cue for us to pay attention and ascertain why.

I don't know what Bellara's sneaky little connection to Dirthamen and Falon'Din could mean for the two sundered Evanuris. I don't know if it means that I'm right, and that Dirthamen escaped Fade Jail when Corypheus and the Magisters Sidereal entered the Black City. I don't know if it means that, when Dirthamen and Falon'Din died, their spirits fused back together (because... Mythal's didn't?).

I just know that this has worsened how I constantly search for the Bird Boys™ in everything. Something is happening here, I just need to figure out what.

What Do I Think This Means?

I think this means that BioWare are about to make good on their promise shown in the Poisoned Fruit post-credits scene. Dragon Age 5: Something Something Something Forgotten Ones, ooohhhh, spooky, Terror Terror Malice Fear Nightmare Time, Featuring Solas (reluctantly or gladly) Helping Heal the Titans. And did we mention that the Forgotten and the Forbidden Ones have always been more closely linked than most of the fanbase thought?

But I can only guess at that for now, and I've got some serious reading to do before I say anything more specific than that.

-----

As always, if you read this far, you're one of the real ones. This has been a jumbled mess of midnight thoughts, but I promise you this: I'm only just digging into Veilguard's finer workings. I'm only just starting to put its many pieces together.

And like every Dragon Age game, I can tell that there is something big lurking between the lines of every one. I just need to read something like 135 mementos and [redacted] codices from everywhere else several times over in order to figure out what it is.

But this is just Part One. I promise: the second it clicks for me, I'll write it all in a rambling frenzy for you, too.

It's still super up in the air, but I think for the next one, I might try and tackle What Dragon Age: the Veilguard Did Narratively—and What DA5's Story Will Likely Do to Follow. We'll see what happens to me 50, 100, or 200 codices from now. :)

[artificialchaoscola]

ABOUT ME:

Been meaning to make a one of these for a hot minute, so better now than never! First off, hi! I am Arti (she/her)! This is mostly a Sonic-related blog where I post art, writing + my process, and character analysis! I tend to cover serious topics in all three categories, so please look through the blog at your discretion!

Other accounts:

Twitter

Bluesky

Ko-Fi

Anywhere else you find an account with my name not listed, its NOT me, so please let me know if people are sus

My tags:

#artiyaps : this is mostly for my ramblings!

#ficupdate : self-explanatory, but this is for when I update you guys on my writing!

#TMIDWYTS : specifically for the one ongoing fic I'm working on!

#myart : if you want to see my art specifically!

#notmyart : art from others I really loved and you should look at them too, dangit!

Fic related:

"Arti, where is your fic?"

It's on AO3! I don't feel comfortable just sharing a link since it's a mature story, but you can find it by looking up my name on AO3 (ArtificialChaosCola). PLEASE READ THE TAGS BEFORE YOU START, it's not going to be a story for everyone.

"There are playlists for your fic?"

YES! There is a general vibe, a Sonic , and a Shadow one! Sometimes people send in songs for me to add to the list + analyze, which is awesome!

"Where can I get updates on fic progress?"

For general stuff, such as how much I've written for the next chapter, will typically be updated on here! For in-depth process-related questions, I will likely be making a membership tier on my Ko-Fi for those curious about the BTS + actual snippets of the writing. Not sure yet! Will update this post in the future when I am sure though!

[tumblingxelian]

There's this ridiculous narrative that going on in both RWBY subreddit: fans and critics alike are saying that Yang's memory is flawed (or even that she was lying) when she said that she basically had to raise Ruby herself when Tai shut down after Summer died. Their main argument is "Yang was 5! She couldn't even take care of herself, much less a toddler!"

Several works of fiction have five-year-olds whose parents are neglectful, emotionally defeated, or even abusive taking care of themselves just fine, like Matilda (Matilda Wormwood), Persona 4 (Nanako Dojima), and Kotaro Lives Alone (Kotaro Satou). Why are they willing to give them a pass for doing that, while saying that it's impossible in RWBY?

Yang's conversation with Tai before her sparring match in V4 doesn't work if this was the case.

I'm actually insulted by this argument because the mother of my oldest cousin was a complete and utter bitch who divorced my uncle, and cheated him out of as many supervised visits as she could by working overtime whenever she could. Combined with the fact that she worked an 8 to 8 job, my cousin had to teach herself how to cook, do laundry, change her bedsheets, and get herself ready for school since neither my uncle nor her mother were heavily involved in her life, kind of like Matilda, Nanako, and Kotaro. Gee, it's almost like fiction is at least somewhat based on reality. What a concept!

Sorry if I got a little rambly, but my cousin's experience and my own experience as an older brother cause this argument to REALLY make me angry.

I've had endless debates across Reddit, YouTube, Tumblr and forums alike with people who hold that exact stance and it is never not utterly asinine.

Even if we ignore the factual reality that lots of children, even very young one's often end up parentified and left grappling with adult responsibilities as a small child.

Which I need to stress we should not ignore and the fact these people do shows just how willfully ignorant they are being.

The fact of the matter is it makes no narrative, character or thematic sense for her to be wrong about this!

Like, really, what is the narrative end goal in these people's brains, to have one of the main characters most overtly emphasized sources of trauma. Not only brought up by herself but by the sister she had to raise. Be wrong?

It makes every scene discussing it, every aspect of her character it informs, every bit if dialogue that touched on it utterly meaningless. CRWBY don't have that kind of time to waste on a red herring that serves literally Zero purpose!

But of course these people don't give two fried fucks about things like basic common sense or competent writing.

They want Yang to be delusional or lying because in their mind the fact she 'dared' be traumatized, 'dared' to be something other than a ditsy party girl and 'dared' be even indirectly critical of a man, of her father, is an insult to them.

Thus they want to ignore what's on screen, what the writers say, what the characters say, what reality says about situations exactly like this to erase her trauma and depth, All our a blend of sexist offence and misogynistic defensiveness of a minor male character.

It sucks but then, since wen hasn't RWDE been awful?

On your example:

Extremely well said, very good examples, I would also add Gohan from Dragon Ball surviving in the wilderness for a full year at the age of 3/4/5 depending on translations.

There's so many conversations tat make no coherent sense if Yang was wrong, but as said, these people don't care about good writing.

My sympathies and respect to your cousin and exactly, reality is often stranger than fiction and frankly this fictional scenario isn't even that strange sadly :/

I am right there with you for my own reasons, it sucks!

Literally the only area in which one can reasonably argue that Yang might be somewhat misinformed I thin is in relation to what exactly was going on in Ruby's head at the time.

IE, believing she didn't understand what was going on yet. That doesn't actually undercut any of her own experiences, but could be the case as it seems Ruby's memories of those early days are perhaps clearer tan Yang realizes.

Of course this changes nothing about Yang being parentified from an incredibly young age, because Ruby herself outright said Yang raised her.

[cementcornfield]

Draft Thoughts

okay, a week (and a day) out from the draft and i feel like rambling about it. this is only my second year paying attention in the offseason so, you know, grain of salt!

so the conventional wisdom is that you should always draft players, not positions. you shouldn't corner yourself into having to reach for a player that isn't as good because you need that position, versus getting an amazing player at a position that would just be a luxury (for example, if somehow jeanty falls to us at 17 and we don't grab him because we want a guard or something).

perhaps someone should tell the bengals that though, or, maybe they have and the katie and duke just rolled their eyes are assured whoever told them that actually they are MUCH smarter than you, we know what we're doing (not spending enough in FA and then having to draft for need thus practically guaranteeing reaching/taking risky picks) and then they wonder why their drafts go so poorly 🙃

but what's fun about this year is we have SO MANY needs that in a way, we /can/ draft best player available because more than likely, we need whatever position that player is (unless they're a QB or WR lol). so maybe it /does/ work out this time?? that's my glass half full take at least!!

here are some scenarios i'd be happy with:

R1 pick 17: i want us to start with a DT. we need interior pass rush because we have NOTHING right now. literally nothing. and some people don't think it's a need because last year we drafted both jenkins and jackson, and paid BJ and TJ this offseason. which is fair, BUT those are all run blockers/stuffers. they stop the run, they're all either bad to terrible at affecting the passer in anyway. (plus, it's not like the new DC drafted jenkins and jackson last year, maybe he wants to get his own guy??) and if we want a true game changer on our defense, i think it starts here. more pass rush means less time for lamar/patrick/josh/jayden to just hang around the pocket for years while our DBs eventually lose their coverage battles (because who can cover for 12 fucking seconds??). and if we want that game changer, i think we need to do it in the first round, second round at the absolute latest. while it IS a deep DT class, there aren't a lot of pass rushing game wreckers that will last that long.

i'd be happy with either walter nolen or derrick harmon here. leaning slightly towards nolen. both aren't perfect (nolen went to a few different high schools/colleges which is a bit of a red flag, but his explanations check out to me. while harmon is big and disruptive but isn't the best tackler).

and honestly that seems to be what all the whisperings from my beat guys indicate?? almost every prediction the last few weeks has been that we'll grab one of them, and these guys all have their ears to the ground at paycor 👀

however, i also wouldn't be at all mad (in fact i'd be thrilled) if we got a premium guard at 17 like kelvin banks. or one of the top safeties - starks or emmanwori just because that's also a position of need, and pretty top heavy (but i feel like we can still get a decent safety later on). i've also heard people wanting edge here but tbh i don't like any of the edge guys projected for R1 and there's good depth here. plus trey IS coming back (i KNOW IT), and while i don't have the most faith in myles, i can allow myself to believe his brother on twitter that Actually he'll be good this year (lol). and joseph ossai is someone i've always thought was better than how lou used him!

R2 pick 49: this is where i want us to get a guard. and i'm so serious if we wait past this round i'm losing my fucking mind on here in front of all of you (not that i haven't done this before!) we've been meeting with a lot of guards that are projected to go in this round, so it seems like the bengals are on the same page. a few guys who could apparently start day 1 that i like: jonah savaiinaea, donovan jackson, and tate rateledge. all of them are strong in pass protection (and decent at least against the run) which, is obviously what we need for a QB like joe. savaiinea and jackson have position versatility in that they could also potentially play tackle for us if needed. rateledge might be able to do that too, but he's only got experience at guard so it wouldn't be as seamless as the other two. but what he DOES have in his favor is that he played right next to amarius at georgia for a few years, so that chemistry is already established which could be huge. (he also has a beautiful mullet). i'd be happy with any of these guys if they fall to us, leaning tate rateledge if only for the vibes, but again, satisfied with any of them.

if however we get a guard like banks in the first round, then this is where i feel like we'd need to grab the best pass rusher available, which, if the board falls our way, could be TJ Sanders. great college production, versatile, but just not quite as polished as the two i like in the first round.

as for R3-R6 (keep in mind that, at this time, unless we somehow wrangle up a decent trade back, we don't have a 7th round pick 🥲) i'm less picky. especially because i can't really know what i want here until we see R1-R2. but i'll be feeling so much better if we nail that interior pass rush and pass protection. then i feel like we honestly could be free to just do best defensive player available. we definitely need safety help. we definitely need linebacker help. those positions are typically drafted in this range. and while they probably wouldn't be instant starters, we should be able to find at least some higher floor rotational guys.

i will say that paul dehner has convinced me i want a runningback in round 5. apparently that's the sweet spot for a loaded RB class this year, so i 'll take one! i haven't done any research on individuals though, but like, RB has one of the highest rookie year success rates. i'm sure we can find someone to be RB2 between chase and samaje (who. bless his heart. i love him. but he's gotta be RB3).

if y'all wanna do some more research in the upcoming week, i HIGHLY recommend this spreadsheet made by joe goodberry and a few other guys. a lot of great data in there and he's got great further analysis on his twitter/youtube channel.

you could also keep an eye on the locked on bengals guys (on youtube and twitter) and paul dehner's youtube channel and his draft series in the athletic. they've got good analysis too AND 100% have sources on the inside because they have gotten very very good at predicting who the bengals are going for (nailed mims last year, and thus /i/ nailed mims last year 🔥)

would love to hear all of your thoughts too if you wanna share!

[holidaygirl2412]

Yo holidaygirl! Hope your days going well.

Came in here to ask if you've written any fanfiction? I'm a fanfic writer myself but I'm just starting to put my foot in the door for it.

I know you may not be an expert, but asking a professional just feels like overkill, so here I am!

Currently i've posted (shocker!) a (singular) one-shot but I'm attempting to aim for more long running ones in the future, which are in Work In Progess hecc!

If you DO write, which series are they for, and what do you change/add? Thanks again for answering! - Anon

Well you've certainly come to the right place, as I am absolutely not an expert at writing anything in any capacity XD I have certainly written before... I think I'm pretty okay at it? I don't really let anyone read any of it, so... I guess I don't fully know LOL In terms for what I've written for fanfiction wise? Basically just whatever I'm currently obsessed with at that time... TV shows, books... Dragon Blazers... whatever XP I usually like to focus on one specific character... usually my favorite, or just one I have ideas for. I don't often change much in terms of what's already canon, but I certainly build around it all a lot and make everything more in-depth. For example if I know a character loves music, I'm not going to change anything about that fact, but I'm going to build on it and make it more fleshed out, if that makes sense XP Less traditional forms of fanfic, like writing a diary from the perspective of a character and stuff like that is also I think a really fun way to get into the head of the character you want to write for... it's kind of my main form of writing. Again, I'm far from an expert, or even a noteworthy amateur... but I hope these ramblings help at least a little bit??? I don't know if any of this even makes sense LOL Best of luck on your writing efforts!

[deadwooddross]

2 17 18 19 20

UMAMOO

2. How long was the process before the character reached its final version? (or a version that would be clearly recognizable as the character?) both very long and not at all! Umami present looks almost exactly the same as the first time I drew her a billion years ago on a whim, except she's usually fat now 17. Are there any motifs or symbols associated with the character? How are they represented, in their design, personality or in some other way? I'd say the main one is a brown dwarf star, which pops up in most of the (unposted) art of her I have sitting around. It's in her palette (red, black, sort of magentas and cool pinkish purplish browns in her clothes), and just kind of her whole. thing. Not a planet, not a star, something in between

18. Does the character have other characters connected to them? Do you have a family tree and "offscreen" connections made up for them or do they exist in a vacuum purely for the purpose of the story? She technically SHOULD have a ton of connections, from her big family to her friends and beyond, but for the most part I've only thought up a handful of them with any particular depth. Garum and Grendel are of particular note to her....but she's got a lot of time to get involved with all sorts of other characters depending on the span of her story. And of course she has her packs of pals that are friends characters 19. What is your general favourite thing about the character? What is your least favourite? My favorite thing is the whole umami, I love my weird liminal baby with only half a face. Least favorite is that I think her old camel tooth dental pad was really cute but I also like her current teeth and am sometimes torn between the two 20. Bonus question: share any additional thoughts, art, favourite scenes, anything you've been waiting for a chance to ramble about She's going to live for a very very very long time and it's going to suck so bad for her. But it's kind of her job to make sure there's a Big Crunch rather than a Freeze. Dont ask me how, she's not really capable of doing anything crazy. But at the same time she never really stopped being an angel