#which i understand is to be tagged as

[boldegoist]

Late night doodles to the end of "What if years later their relationship has kinda chilled out but Vlad still heckles Danny mercilessly as one of his 'closest' subjects" - Danny doesn't really often come to Vlad for advice or help, but he knows he can if he needs to, and Vlad continues to socialize with Danny by fighting (as ghosts do!!) and generally uses Danny's title only as a means to be a nuisance to him. :)

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[egophiliac]

don't think I'm not still obsessing over 7-12

[eydilily]

would you bite the hand that feeds you?

[stealingpotatoes]

heres a crappy venn (??) diagram explaining the dynamics in the tl4j time travel au bc it's easier than trying to write a full plot

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.

[reineydraws]

i dont have a caption for you lol i'll let shanks's heart eyes speak for themselves 🫶

(source)

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[keferon]

Important info please read!!

I am a goddamn moron. And I reeeally fucked up.

You know that thing when you get in a new fandom not from watching/reading canon material but from looking at fanart and fanfics?

So your perception of what characters should look/behave like is based on things other people draw and write?

Yeah. I first discovered Texaid through fanfiction and then went to look for some fanart of it and then, like an absolUTE FUCKING IDIOT, assumed I knew what they looked like because I saw how other people draw them. When in reality I was basically drawing other person's design from memory this whole time??? And no one ever called me out about this until today?? Why no one told me sooner ohmyfuckingod I would stop this shit instantly

Guys. GUYS. Those Texaid designs belong to @disformer They were never mine. It's fucking important you all know that.

I'm going through all imaginable stages of grief rn I'm so sorry. I won't use the designs ever again. Stealing them wasn't my intention. I knew Vortex and First Aid as a rare pair never really had any interactions in canon so I didn't bother to do a proper research about them and just went with what I saw in fandom. I'll go search for my clown shoes now.

[kristoffs-lullaby]

Jealousy, Jealousy

[apollos-boyfriend]

i may be a toxic gatekeeper but unless they were there all these sad quote/imagine accounts will NEVER understand the intricacies of “what am i without you?” / “yourself?” because they NEVER put a question mark on tubbo’s response. yeah the quote hits hard on its own whatever but the context is SO necessary and adds SO much. tubbo’s response isn’t really. as driven as “yourself.” with that period (.) would be. and, again, adding the period spins the meaning and narrative into something completely different (in a bad way!!! to me!!!! boooo booo tomato tomato etc!!!!)

because tubbo responds in a way that makes it seem like tommy asked him if the sky is blue. like, yeah, obviously yourself, what do you mean, boss man? because tubbo doesn’t value himself in the same way tommy values him. and tommy doesn’t value himself in the same way tubbo values him. there’s a clash of ideals on both sides. that’s what makes it so interesting!!!

but by removing the question mark you create this call and response of “i can’t imagine myself without you / your personhood is important and i am here to remind you to value yourself” instead of the much stronger call and response of “i can’t imagine myself without you / i can’t imagine myself mattering (that much) to you” and it drives me insane

[somerandomcockroach]

[sesamestreep]

it’s wild to me that like every modern adaptation of Sherlock Holmes (and by modern I mean “made recently” not “set in modern times”) is like Hell Bent on coming up with a Reason™️ that Watson stays with Holmes and trots around with him on adventures all the time despite the inconvenience and the danger and all, and so it’s like “oh, Watson’s a gambling addict, he loves uncertainty and mystery” or “oh, Watson’s an adrenaline junkie, he gets off on being constantly in danger from criminals” or even like “Watson’s atoning for sins of the past of BEING IN THE WAR by solving crimes with Holmes now” or WHATEVER. And it’s like, girl, maybe he’s just in love! Did you think of that?? Maybe he’s got a crush and it’s making him do stupid things. Maybe he’s just got bad taste and his type is guys who don’t know how to refold newspapers properly but can identify different types of cigar ash by sight, smell, and taste. And wrote a monograph on the subject. Maybe he’s down bad is all. I mean, Keep is simple, stupid!!!

[uncanny-tranny]

Once you stop thinking about queer people's labels as strict indications of what's in their pants and who they do/don't bed and instead view queer people's labels as how they interact with the world, you'll find that you'll get along with queer people better and treat them better, I think.

[hajihiko]

A scenario that was literally in my head this morning when I woke up: Hajime taking Fuyuhiko to a quiet corner to explain that he’s going to run and draw attention so everyone else can actually start living their lives, and Fuyuhiko being equally disbelieving and furious that Hajime thought they’d actually let him.

If he thinks anyone is letting go then obviously they just need to hold on harder