#which i had definitely needed to jump into it

[avisofapatite]

I never add directly to a post, but what I want to add would take too long to put in tags.

My immediate reaction reading this was assuming I would have done fabulously, but I decided since Bleak House is easy enough to find, I'd read the 7 paragraphs myself, try and grasp the meaning the best I could, and then return to read the study. I am not an English major, and I haven't performed academic work with literature since high school, so I wanted to see how I would fare. I have never actually read any of Dickens' work, and will admit to not successfully attempting any 19th century literature myself.

The passage did end up being more challenging than I had initially expected - it took a moment for me to adjust to some of the sentence structure Dickens used, and I found myself going over some of the passages a couple times to make sure I grasped everything. Most legal references I understood but some specifically 19thc British touchstones took some research (I understood the court setting, but needed to look up that the Chancery was specifically a property court, and was thrown off at first by Temple Bar thinking this referred to a legal bar before googling that name specifically). I had to find the definitions of about 3 words and came away feeling relatively confident in my comprehension.

Upon reading through the study, however, I was struck with a sudden understanding of how my trying best to read this text now had nothing in common to my approach doing the same in an academic setting. How I actually engaged with texts like this In School had me relating far more to the Approach of the readers having difficulty than I expected.

For instance, as I read the passage on my own, I jumped around a lot and went over passages multiple times, sometimes in fragments. The study required reading of the passage out loud from top to bottom, and I recall a specific moment in my schooling (in Grade 5) where I completely failed to comprehend a passage because of this format. However, I was never tested on my reading of texts in that manner after this age. Someone skilled in reading SHOULD be able to reliably comprehend things as they read them in the order it is presented to them - that in itself contains some part of the meaning! But I've only just realized I've never fostered that focus for challenging texts, relying on my ability to jump around the page, and that my schooling never stopped me from developing this habit.

The section of the study describing a strong reader made it clear to me I did not read that way in school, which has had lasting implications. While I would have preferred reading things properly, I often felt like I didn't have the time to properly read a text and would rely on my own being clever/online summary to fill in the gaps that I required. This feels like a problem coming from many sources - while I was certainly very busy with other work at that time, I also knew I could reliably receive a good grade despite not putting in the full effort, and perhaps this full effort would not have been so taxing if my reading skills had been more thoroughly exercised as I went through school.

I found myself reading the example of strong analysis realizing I failed to reach that particular depth of understanding, such being able to explicitly describe the idea of the crowd on the streets repeating the rhythms of a previous time, for instance, instead of just coming away with the image of the crowd jostling in the mud on that particular day. Worse of all, I realized on my own time, I would have been far more comfortable coming away from the text having put far less effort into its comprehension knowing that I wasn't about to be evaluated.

That specific notion of evaluation, and doing what is needed - and no more - to pass that evaluation I think is where the opportunity is lost for many. It certainly was for me, nevermind my personal tendency to spend more effort on cultivating the appearance of knowledge moreso than actual knowledge. I genuinely wonder whether I would have immediately fallen back on my mindset of trying to game the system with as much speed and little effort as humanly possible, assuming my inate skill would be enough to succeed, if I had been tested by the researchers in their setting instead of having done this little challenge on my own.

As someone in the 27-32 range that considers myself self-evidently literate, this did help me really examine my habits. But it was humbling to discover that if this system so successfully failed to train good habits into me Despite my ability to leap their hurdles, how impossible the challenge might be to those that at any point have had difficulty with reading and comprehension. The big question is how we can change the teaching of literacy to fix this. I'm going to be thinking about this for a while.

i appreciated this study: "They Can't Read Very Well: A Study of the Reading Comprehension Skills Of English Majors At Two Midwestern Universities"

essentially, a pair of professors set out to test their intuitive sense that students at the college level were struggling with complex text. they recruited 85 students, a mix of english majors and english education majors - so, theoretically, people focusing on literature, and people preparing to teach adolescents how to read literature - and had them read-while-summarizing the first seven paragraphs of dickens's bleak house (or as much as they made it through in the 20 minute session). they provided dictionaries and also said students could use their phones to look up whatever they wanted, including any unfamiliar words or references. they found that the majority of the students - 58%, or 49 out of the 85 students - functionally could not understand dickens at all, and only 5% - a mere 4 out of the 85 students - proved themselves proficient readers (leaving the remaining 38%, or 32 students, as what the study authors deemed "competent" students, most of whom could understand about half the literal meaning - pretty low bar for competence - although a few of whom, they note, did much better than the rest in this group if not quite well enough to be considered proficient).

what i really appreciated about this study was its qualitative descriptions of the challenges and reading behaviors of what the authors call "problematic readers" (that bottom 58%), which resonated strongly with my own experiences of students who struggle with reading. here's their blunt big picture overview of these 49 students:

The majority of these subjects could understand very little of Bleak House and did not have effective reading tactics. All had so much trouble comprehending concrete detail in consecutive clauses and phrases that they could not link the meaning of one sentence to the next. Although it was clear that these subjects did try to use various tactics while they read the passage, they were not able to use those tactics successfully. For example, 43 percent of the problematic readers tried to look up words they did not understand, but only five percent were able to look up the meaning of a word and place it back correctly into a sentence. The subjects frequently looked up a word they did not know, realized that they did not understand the sentence the word had come from, and skipped translating the sentence altogether.

the idea that they had so many trouble with every small piece of a text that they could not connect ideas on a sentence by sentence basis is very familiar to me from teaching and tutoring, as was the habit of thought seen in the example of the student who gloms on to the word "whiskers" in a sea of confusion and guesses incorrectly that a cat is present - struggling readers, in my experience, seem to use familiar nouns as stepping stones in a flood of overwhelm, hopping as best they can from one seemingly familiar image to the next. so was this observation, building off the example of a student who misses the fact that dickens is being figurative when he imagines a megalodon stalking the streets of london:

She first guesses that the dinosaur is just “bones” and then is stuck stating that the bones are “waddling, um, all up the hill” because she can see that Dickens has the dinosaur moving. Because she cannot logically tie the ideas together, she just leaves her interpretation as is and goes on to the next sentence. Like this subject, most of the problematic readers were not concerned if their literal translations of Bleak House were not coherent, so obvious logical errors never seemed to affect them. In fact, none of the readers in this category ever questioned their own interpretations of figures of speech, no matter how irrational the results. Worse, their inability to understand figurative language was constant, even though most of the subjects had spent at least two years in literature classes that discussed figures of speech. Some could correctly identify a figure of speech, and even explain its use in a sentence, but correct responses were inconsistent and haphazard. None of the problematic readers showed any evidence that they could read recursively or fix previous errors in comprehension. They would stick to their reading tactics even if they were unhappy with the results.

i have seen this repeatedly, too - actually i was particularly taken with how similar this is to the behavior of struggling readers at much younger ages - and would summarize the hypothesis i have forged over time as: struggling readers do not expect what they read to make sense. my hypothesis for why this is the case is that their reading deficits were not attended to or remediated adequately early enough, and so, in their formative years - the early to mid elementary grades - they spent a lot of time "reading" things that did not make sense to them - in fact they spent much more time doing this than they ever did reading things that did make sense to them - and so they did not internalize a meaningful subjective sense of what it feels like to actually read things.

like, i've said this before, but the year i taught third grade i had multiple students who told me they loved reading and then when i asked them about a book they were reading revealed that they had absolutely no idea what was going on - on a really basic literal level like "didn't know who said which lines of dialogue" and "couldn't identify which things or characters given pronouns referred to" - and were as best as i could tell sort of constructing their own story along the way using these little bits of things they thought they understood. that's what "reading" was, in their heads. and they were, in the curriculum/model that we used at the private school where i taught, receiving basically no support to clarify that that was not what reading was, nor any instruction that would actually help them with what they needed to do to improve (understand sentences) - and i realized over the course of that year that the master's program that had certified me in teaching elementary school had provided me with very little understanding of how to help these kids (with perhaps the sole exception of the class i took on communications disorders, not because these kids had communications disorders but because that was the only class where we ever talked, even briefly, about things like sentence structures that students may need instruction in and practice with to comprehend independently). when it comes to the literal, basic understanding of a text, the model of reading pedagogy i was taught has about 6 million little "tools" that all boil down to telling kids who functionally can't read to try harder to read. this is not productive, in my experience and opinion, for kids whose maximum effort persistently yields confusion. but things are so dysfunctional all the way up and down the ladder that you can be a senior in college majoring in english without anyone but a pair of professors with a strong work ethic noticing that you can't actually read.

couple other notes:

obviously it's a small study but i'm not sure i see a reason to believe these are particularly outlierish results (ACT scores - an imperfect metric but not a meritless one IMO for reading specifically, where the task mostly really is to read a set of texts written for the educated layperson and answer factual questions about them - were a little bit above the national average)

the study was published last year, but the research was conducted january to april 2015. so there's no pandemic influence, no AI issue - these are millennials who now would span roughly ages 28-32 (i guess it's possible one of the four first-year students was one of the very first members of gen z lol). if you're in your late 20s or early 30s, we are talking about people your age, and whatever the culprit is here, it was happening when you were in school.

i think some people might want to blame this on NCLB but i find this unconvincing for a variety of reasons. first of all, NCLB did not pass because everyone in 2001 agreed that education was super hunky-dory; in fact, the sold a story podcast outlines how an explicit goal of NCLB was to train teachers in systematic phonics instruction, because that was not the norm when NCLB was passed, and an unfortunate outcome was that phonics became politicized in ed world. second, anyone who understands anything about reading should need about ten minutes max to spend some time on standardized test prep and recognize that if your goal is truly to maximize scores... then the vast majority of your instructional time should be spent on improving actual reading skills because you actually can't meaningfully game these tests by "practicing main idea questions" (timothy shanahan addresses this briefly near the top of this post). so i find it very difficult to believe that any school that pivoted to multiple choice drill time in an attempt to boost reading scores was teaching reading effectively pre-NCLB, because no set of competent literacy professionals would think that would work even for the goal of raising test scores. third, NCLB mandated yearly testing in grades 3-8 but only one test year in high school; kansas set its reading and math test year in high school as tenth grade. so theoretically these kids all had two years of sweet sweet freedom from NCLB in which their teachers could have done whatever the fuck they wanted to teach these kids to actually read. the fact that they didn't suggests perhaps there were other problems afoot. fourth, and maybe most saliently for this particular study, the sample text was the first seven paragraphs of a novel - in other words, the exact kind of short incomplete text that NCLB allegedly demanded excessive time spent on. i'm not really sure what universe it makes sense in that students who can't read the first seven paragraphs of a novel would have become much better reader if everything else had been the same but they had been making completely wack associations based on nonsense guesses for all 300 pages instead. (if you read the study it's really clear that for problematic readers, things go off the rails immediately, in a way that a good program targeted at teaching mastery of text of 500 words or less would have done something about.)

all but 3 of the students reported A's and B's in their english classes and, again, 69% of them are juniors and seniors, so like... i mean idk kudos to these professors for being like "hold up can these kids actually read?" but clearly something is wack at the college level too [in 2015] if you can make your way through nearly an entire english major without being able to read the first seven paragraphs of a dickens novel. (once again i really do encourage you to look at the qualitative samples in the study, lest you think i am being uncharitable by summarizing understandable misunderstandings or areas of confusion that may resolve themselves with further exposure to the text as "can't read.") not to mention the fact that most students could not what they had learned in previous or current english classes and when asked to name british and american authors and/or works of the nineteenth century, roughly half the sample at each college could name at most one.

the authors of the study are struck by the fact that students who cannot parse the first 3 sentences of bleak house feel very confident about their ability to read the entire novel, and discover that this seeming disconnect is resolved by the fact that these students seem to conceptualize "reading" as "skimming and then reading sparknotes." i think it's really tempting to Kids These Days this phenomenon (although again these are people who in some cases have now been in the workforce for a decade) and categorize it as laziness or a lack of effort, but i think that there is, as i described above, a real and sincere confusion over what "reading" is in which this makes a certain logical sense because it's not like they have some store of actual reading experiences to compare it to. i also think it's pretty obvious looking at just how wildly severed from actual textual comprehension their readings are that these are not - or at least not entirely - students who could just work harder and master the entirety of bleak house all on their own. like i don't think you get from "charles dickens is describing a bunch of dinosaur bones actually walking the streets of london" to comfortably reading nineteenth century literature by just trying harder. i really just don't (and i say that acknowledging i personally have had students who like... were good readers if i was forcing them to work at it constantly... but i have also had students, including ones getting ready to enter college, who were clearly giving me everything they had and what they had was at the present moment insufficient). i think that speaks to a missing skillset that they don't know are missing, because they don't have any other experience of "reading" to compare it to.

just wanna highlight again that although they don't give the breakdown some of these students are not just english majors but english education majors a.k.a. the high school english teachers of tomorrow. some of them may be teaching high school english right now, in case anyone wishes to consider whether "maybe some high school english teachers can't read the first seven paragraphs of bleak house?" should be kept in mind when we discuss present-day educational ills.

[lune-moon-nuit]

"...cause I love her and I CAN'T LOSE her AGAIN"

“I'm just trying to demonstrate how careless Max is with Eleven's powers. In fact, how careless all of you are. You're treating her like some kind of machine when she's not a machine, and I don't want her to die looking for the flayed when they've obviously vanished off the face of the Earth. So can we please just come up with a new plan because I love her and I can't lose her again.”

Mike’s most quoted line in Season 3 — “Because I love her and I can’t lose her again” — is often cited as definitive proof of his love for Eleven. But this statement, when viewed in full context, is a trauma response rather than a heartfelt romantic confession.

What’s hilarious is that the reason why he said that is literally in the sentence itself: the trauma. It’s ironic that this scene is being used as the ultimate proof, when in reality, it perfectly illustrates Mike’s core issue. The trauma of having watched her sacrifice herself to protect him, after he’d spent the entire first season urging her to use her powers (he literally said it in season 1 that she was a weapon). What pushed him to say this was the accumulation of all the unresolved trauma he experienced throughout Seasons 1 and 2—and that doesn’t exactly strengthen your argument, because…

The trauma begins in Season 1. Mike forms a fast, intense bond with Eleven while Will is missing. He projects his grief, fear, and protective instincts onto her.

Expanding upon the notion that trauma lies at the heart of Mike and Eleven's relationship, it's significant to note that the moment Mike kisses Eleven in Season 1 occurs on the very same day he effectively attempted suicide by leaping into the quarry—an act from which she rescued him. From that point forward, he perceives himself as entirely indebted to her. Not only had he already idealized her as his only hope of finding Will, but she now embodied the literal reason he was still alive. Layered atop this is the influence of those around him—Lucas, Dustin, and even Nancy—who had begun to suggest he harbored romantic feelings toward her. Combined with his own confused emotions, the pedestal upon which he placed her from the very beginning due to the almost mythic timing of her arrival in his life, it constructs what appears to be a perfect narrative. And as a Dungeon Master and an aspiring storyteller, Mike is especially susceptible to such emotionally charged, almost archetypal storylines. Within this context, it becomes entirely plausible that he would interpret his overwhelming emotions—rooted in trauma, gratitude, and projection—as romantic love. That this kiss occurred on the very day of a near-death experience he never references again (and may never have shared with anyone besides those present) underscores the depth of repression and denial involved. Fundamentally, their relationship is born out of mutual trauma and survivor’s guilt. It is a structure of codependency rather than genuine romantic affection. Personally, I believe that had Mike not jumped into the quarry, and had Eleven not saved him, he would not have kissed her that night.

From the moment Eleven disappears at the end of Season 1 after using her powers to save him and their friends, Mike internalizes guilt and blame. He had encouraged her to keep using her powers, to push herself, and to fight — and she seemingly died because of it. He urges her to use her powers repeatedly, culminating in her presumed death. For nearly a year, Mike believes she died because he pushed her too far, he grieved her, believing it was his fault. This established a psychological pattern of guilt and a compulsive need to protect her, not because of romantic love, but as a trauma response.

If he truly loved her romantically, he would’ve reacted with joy and emotional fulfillment at the end of Season 3, when El told him she heard what he said and that she loves him too. He would’ve kissed her back, smiled, said something, even if he was surprised. The truth of that scene is, ironically, a perfect summary of how Mike—his point of view and his emotions—is misunderstood by the other characters and also by the audience. Because he is incapable of truly communicating or expressing his emotions.

That scene is literally Mike breaking down in a full-blown panic, triggered by his unresolved trauma: the fear of loss and abandonment caused by Will’s disappearance in Season 1, El’s absence and presumed death in Season 2, the helplessness of watching Will be possessed and nearly die, the massacre at the lab (gosh let’s be honest, Michael Wheeler urgently needs therapy, I did a post cut in two part : here and here who develop more and where I was already mentioning how this scene says a lot about Mike mental health), and finally, his survivor’s guilt for having encouraged El to use her powers to the point where she “died” right before his powerless eyes. This scenario is a mirror of Season 1's climax, and Mike’s panic reveals a deep-rooted fear of repeating past events.

For a whole year, he believed he was the reason El was dead. And the very argument that triggered that line was literally about whether or not El should keep pushing herself and her powers to the limit to stop Billy—when she had already nearly died doing exactly that. So yes, when Mike says, "Because I love her and I CAN’T LOSE HER AGAIN," it's true. Because, breaking news: Mike does love El. He deeply cares about her. He feels the need to protect her. He carries immense guilt over what happened to her, which only amplifies his desperate need to protect her now and avoid repeating the same mistake that, in his eyes, led to her "death"—a death that felt absolutely real to him.

When faced with the possibility of losing El again in Season 3, Mike's fear resurfaces—not because he is madly in love, but because he cannot emotionally survive another loss for which he feels responsible (he is just 14 here remember). The panic in his voice, the overwhelming urgency of “I can’t lose her again,” reveals that it is not romantic love driving him—it is fear, shame, and unresolved grief. This is compounded by his lack of romantic follow-through when she returns. There is no joy, no emotional intimacy, no physical warmth. Instead, there is distance, awkwardness, and emotional shutdown.

But the real truth in that line isn’t even the “because I love her” part—because nothing in that moment confirms he's saying it romantically (especially since he can’t even say it to her face, can’t write it to her, and still can’t say it even after she confirmed that she loves him and heard him say it). So yes, he loves her, just like he loves Lucas, just like he loves Nancy, just like he loves Dustin.

What truly matters in that sentence is: “and I CAN’T lose her AGAIN.” And those are the words he emphasizes. Not “because I love her”—that part is rushed, buried in the flood of words he’s pouring out mid-panic. But he clearly articulates and stresses “and I CAN’T lose her AGAIN.”

Everything is shown here—not told—through his words, his body language, his tone, the context. His trauma is triggered. He’s terrified. He’s trying to prevent history from repeating itself, because the current situation feels too much like the Season 1 finale from his perspective.

So no, it wasn’t romantic love that drove him to say that. It was unresolved, ignored trauma being violently reactivated. The only difference lies in how people interpret that line—be it other characters or the audience—through the lens of heteronormativity, completely ignoring the full context and everything that follows in Mike’s behavior and attitude toward El.

It could’ve been cute, and could’ve worked in your favor—if the show had ended with that episode. But unfortunately, the Season 3 finale and the entirety of Season 4 only go on to confirm that yes, he loves her and he can’t lose her again, but he doesn’t love her romantically, and he is deeply traumatized and in need of healing from his abandonment and loss issues—or else Vecna’s going to have an easy time with him.

If Mike were truly in love with Eleven, one would expect expressions of that love to come naturally, especially in moments of emotional vulnerability. Yet, at the end of Season 3, when Eleven tells him she heard what he said and that she loves him too, Mike gives no response. He looks stunned, confused, almost empty. He does not affirm her words, kiss her back, or show any sign of romantic fulfillment. Mike’s behavior in these scenes doesn’t resemble a boy in love. It resembles a boy in distress, one who is playing a role he feels obligated to fulfill, but who cannot emotionally connect with that role.

This pattern continues in Season 4. He avoids writing “Love, Mike” (and write every time "From Mike" instead) in letters, despite knowing it’s what Eleven needs to hear. When confronted, he dodges and manipulates: “I say it”. But we, the audience (and El too), know that he doesn’t. His behavior is not that of a loving boyfriend, but of someone trapped in a role he doesn’t know how to escape from. His “I love you” speech in Volume 2 is prompted not by genuine passion, but by external pressure, specifically by Will’s emotionally charged metaphorical painting (that channels Will’s own feelings for him) and pep talk and his finally staged encouragement ("don't stop, remember, you are the heart ! You're the heart"). The words are performative, desperate, idealized—not grounded in emotional truth. He praises a version of Eleven that no really exists, emphasizing her strength and powers, not her vulnerability, her personality, or her heart. This suggests he is in love with the idea of her—an idea shaped by admiration, yes, but especially guilt and obligation, not affection (further alienating her and reinforcing that his attachment is conditional and performative).

So yes, if the only two times your boyfriend tells you he loves you are:

– once, when you're not physically present, and he says it in a panicked trauma response, then refuses to take ownership of those words afterwards,

– and the second time is only after you told him that never hearing it from him is hurting you, and you need to hear it—and instead of reassuring you, he gaslights you into thinking he says it when he clearly doesn’t, dodges the subject by idealizing you as a superhero…

…and this “I love you” only comes when you’re on the brink of death, and only because his best friend handed him a painting with a disguised declaration of love in it?

Then I’m sorry, but that’s not romance. That’s codependency, guilt, trauma, emotional repression, and societal expectations. Not romantic love.

The relationship between Mike and El has long been framed through a heteronormative lens, one that presumes emotional closeness between a boy and a girl must equate to romantic attraction. The show’s framing and marketing often push this narrative, but Mike’s behavior consistently subverts it. His discomfort with physical affection, his emotional volatility, and his failure to express romantic feelings — even when prompted — all suggest that this narrative is externally imposed, not internally felt.

The audience’s insistence on seeing “Because I love her and I can't lose her again” as a definitive romantic confession overlooks the complexity of Mike’s trauma, his guilt, and his emotional repression. It ignores the fact that he never says it to Eleven directly until forced to, and even then, it is with inauthentic language and shaky motivation. The tragedy is that Mike’s real love story — one rooted in slow-burn intimacy, shared vulnerability, and mutual understanding — is with Will. But because it doesn’t fit the traditional mold, it goes unacknowledged by both the characters and the audience.

Mike Wheeler is not a romantic lead blindly in love with Eleven. He is a traumatized boy burdened by guilt, struggling with self-identity, repressing his true feelings, and unconsciously projecting protectiveness as love. His actions toward Eleven are rooted in trauma, not desire, while his connection with Will reveals the kind of emotional intimacy that speaks to a deeper, romantic truth. Until Mike confronts his trauma and his sexuality, he will continue to play a role that does not align with who he truly is — a boy in love, not with the girl who saved him, but with the boy who always understood him.

Mike is not a character who lacks love—on the contrary, he feels deeply. But his emotional repression, unresolved trauma, and fear of loss lead him to confuse guilt with devotion, and obligation with romance. His relationship with Eleven is a product of circumstance and narrative expectation—but it lacks the emotional reciprocity, intimacy, and authenticity of true romantic love. Meanwhile, his emotional world orbits around Will, whose presence brings out the rawest, most vulnerable, and most honest version of Mike.

In truth, Mike doesn’t need a girlfriend—he needs healing. He needs to confront his guilt, allow himself to feel, and to stop hiding behind a version of love that doesn’t belong to him. Only then will he be able to understand what love really is—and who it’s truly for.

[jjwolves]

Hello! Could you write something about human! reader falling asleep on ENA during a ride home. Like the both of them are done with a job but the only way back is on some sort of transport that will definitely take a while to get back home. And after all that job work the reader is a eepy sleepy since they are not built the same as ENA, literally. Gimme that cute shit between the two!

Thank you for your time!

SLEEPYHEAD · · ────── ꒰ঌ·✦·໒꒱ ────── · ·

What: A Story About ENA the Worker X Reader

Who: ENA the Worker from ENA Dream BBQ (By Joel G)

How Much: ~900 words, ~4 mins

Credits: Image Banner -> Joel G

Warnings: None

“I sense a business opportunity… this way!” ENA shouted as she grabbed your hand. You ran with her through the brush of Judgement Slope, which was less like plants and more like the twitching legs of massive insects buried upside down. It smelled like hand sanitizer. It didn’t matter to ENA, though—her client, a masked man with a scorpion’s tail, wasn’t far off and she held his trophy in a raised crimson mitt. You tripped and wiped out like your hand was tied to the bumper of a speeding car.

“Oh dear! Are you alright!? It seems your market value crashed.” ENA took a moment to slow her roll and help you up with an offered hand. Once you were on your feet again, clothes covered in reddish stains from the fall, ENA immediately shouted, “Watch where you’re stepping next time, moron! One two one two!” and began dragging you along once again with a possessive claw and a recursive march.

A few hours afterwards, you and ENA were jumping across the tops of wrecked cars and scaling the occasional crane to get to the top of the Kali Yuga Elevator. By the time you climbed the third ladder, you could only see clouds and a subtle curvature to the world. Large checkered bands ran across the sky like the ribcage of a dead titan, with balls of lightning crawling along their length. The effect was dizzying, and you held your arms out to resist the oncoming vertigo of such a dwarfing sight. Magnificent, if you hadn’t lost one of your shoes on the way here. You weren’t going to fall, but ENA’s white claw gripped and slightly pricked your shoulder.

”You’re missing a shoe. Are you kidding me?! How did you even manage—look, whatever, just take one of mine.” You respectfully declined as ENA tried to peel her one military boot off of her leg. There wasn’t much ground to cover before ENA could let the masked man’s jellyfish blower take care of the distance separating you from the skybridge, anyway; the shoe wouldn’t matter if you were flying inside of a jellyfish.

Your legs shook, one shoeless, as ENA piled another box of miscellaneous, abstract instruments onto your arms. She tapped her chin with a pencil and scrutinized a notepad. An inkling of frustration creeping into your voice, you asked why she needed four boxes of metal alien instruments. Her red side answered, “Hmm… the next client on our list appreciates naught but a good musical number which will remind him of his home planet. We can use these to close a deal with him, and cross him off of our list.” You sighed. ENA’s white side kicked in. “Crossing people off of our list is a good thing. Did you forget already?!” You were just glad the train was going to be here soon.

Hopping on, you set the musical instruments on the train’s floor as the walls pulsed red behind iron bars. Everything was getting blurry. You wanted to hang on so that ENA would have someone to talk to on the way there, but the day had drawn too much from you. You settled into maze-dreams of how much you loved the polygonal girl.

On the outside, ENA stopped jabbering about pitches and deals and managers once she realized that you were fast asleep, your head drifting onto her shoulder. “Seriously? You choose NOW of all times to hibernate?” No response except a bump in the train. She sighed and looked you up and down, taking in the stained clothes, crazy hair and missing shoe. She felt like she should be yelling, but something allowed her to keep her voice down. “I’m sorry I ran you so freaking hard today. This stupid job feels like it never ends. I put you through so much bullshit, don’t I?.” A ray of light from an electric ball passed through the train at eye level. ENA took her hat off and placed it onto your head, pulling it down so the visor would keep it out of your eyes. “I promise that one day we’ll leave this stupid world together. I’ll get us a house and I’ll make you break your fast and I’ll wear those money pants I heard of and we’ll have every other moronic thing we talk about. Sounds pretty freaking perfect, right?” She leans her head against yours and takes your warm, soft hand into her cold, sharp one.

Somewhere in the maze of dream, you’re sitting at the table with ENA laughing, her warm, soft hands in yours. You’re eating some sort of golden meat for breakfast. She’s wearing pants made out of shiny coins. The sun shines vibrant and bright flowers bloom in straight, geometric lines outside of the stained window. ENA looks vibrant as well. Soft warm hands. You give each other the world. You begin to wake and you think you stirred from a prophecy. It’s a shame you don’t remember it.

A/N: A lot of Meanie in this one. MENA if you will. We're making our way through the requests one at a time, gettin' stuff done. I'm glad so many people enjoy my writing, gosh! I've never had so many notes nor requests for stuff. I'm happy so many people get so much out of the stuff I write. Oops, sorry, the ironic mask slipped off. Putting it back on. Aah, much better. Honk honk.

[drinkabletoxicdishsoap]

for fun: here’s what I think each pjsk character’s favorite pokemon game is! I’ll do my best to choose one but if I’m stuck I’ll got for their top 2!!

⚠️ REALLY LONG POST AHEAD ⚠️

note: I apologize in advance if there’s a lack of scarlet and violet but it’s because I haven’t played it nor watch a play through.. hopefully I can in the future, but I’m sorry if I didn’t list it a lot 😭 ALSO SORRY IF THE EXPLANATIONS ARE BAD/DONT MAKE SENSE 💔💔

Leo/Need:

Ichika: Heartgold / Soulsilver. She enjoys Kanto, but adores Johto and the pokemon it introduced! She likes the life it breathed into it and allows her to enjoy it with color :3 she names all her pokemon after her friends btw. Thats all I got too sorry 😭😭

Saki: I think both Sun and Moon and XY work but if I had to choose one, it would be XY!! She would LOVE Lumiose City and the botiques as well! Based on the anime, I think she would either perform in the Pokemon Showcase and/or Pokevision videos

Honami: Sword and Shield !! She would probably get freaked out with all of the scary pokemon in the wild area, but she would love playing with her pokemon and camping :3 plus there’s appletun too cmon chat

Shiho: Black and White. I can’t explain but I think she would the pokemon, it’s gym leaders, and the legendaries. I just think that the whole region matches her vibes, that’s the best I got..

More More Jump:

Minori: Any game that has contests! It doesn’t really matter which one, she probably has saved files working on the contests for each of them! She likes playing with her pokemon and decorating them :D

Haruka: Any Sinnoh game. Piplup. Need I explain more?? (Gen 8 is an honorable mention for having eiscue)

Airi: Sword and Shield :D she enjoyed the dojo that came with the isle of armor dlc! She LOVES kubfu and liked challenging mustard!! She was thisss close to wanting to just break the dreams of the rival in the dlc.

Shizuku: Black and White! She likes the pokemon that were introduced, and she personally uses an emolga when she can! Oh and she also likes the object pokemon and doesn’t understand why everyone hates them?? they’re just so cute so why??

Vivid Bad Squad:

Kohane: Sun and Moon! She loves all the pretty spots in the game and the camera option and the Photo Booth in the ultra games. Also the island scan!! She definitely spent a long time scanning all the QR codes to get all of the pokemon! She also caught a shinx and named it after An. SHE WOULD ALSO PLAY THE NEW POKEMON SNAP TOO PLEASEE SHES A PHOTOGRAPHER IT MAKES SO MUCH SENSE !!

An: Platnium. she has a luxray on her team btw. That’s very important!! She likes the legendaries and sees shaymin as Kohane! She likes the cities and the pokemon that came with the gen. Since shaymin is an event exclusive, she caught a furret and named it after Kohane :D she also adores Cynthia.

Akito: Legends Arceus.. he likes the “difficulty” (he lost to Volo 100+ times btw) I don’t think I have to explain anything else. He never trusted volo anyways smh.

Toya: Sapphire/Alpha Sapphire (both could work). He likes the lore around it and the map :3.. kyogre is his favorite and he likes to compare groudon to Akito :3 (just ignore the rivalry the two legendaries have). It makes sense to him and him only. He probably also uses spectile too.

Wonderlands x Showtime:

Tsukasa: I think he’d enjoy Let’s Go Pikachu/Eevee. He would love to communicate with his starter and dressing up with them! He cried when he walked into viridian forest and saw all of the bug type pokemon

Emu: SUN AND MOON!!! SHE LOVES ALOLA!! the trials, the islands, the pokemon, the totems, EVERYTHING!! It’s so beautiful and fun to her :3 she definitely chose popplio, has an alolan raichu, and a slurpuff!! trust me!!! please!! She ran around looking for all the crystals but asked Rui for help (He looked up the answers online before giving it to her).

Rui: AND IF I SAID MYSTERY DUNGEON.. WHAT WOULD YOU DO?! I think he would definitely play the mystery dungeon games, but I also see him playing Sword and Shield. He would enjoy dynamax so much and would try to collect all of the forms to have a full crazy team of gmax pokemon.

Nene: I’d go with Johto for her too. I think she would like to around collecting both badges and fighting double the trainers! She’d crush the gym leaders and the elite 4 too!

Nightcord at 25:00:

Kanade: Legends Arceus. She likes the beauty of the game and the nobles. She likes to imagine which pokemon she’d be the warden of. She also likes the many areas and the story :D

Mafuyu: She doesn’t really play Pokemon. She plays her friends favorite games when they let her and she couldn’t tell you which one was her favorite. Though if she did, she would probably like Sinnoh and would play Platinum. I don’t have any explanation, just a feeling.

Mizuki: Any game with customization could work tbh, so Gen 6 - Gen 9!! I would choose Scarlet and Violet though :3 it allows customization and i think she would love terastallization and how your pokemon gets all crystaly and shiny during it!! Though she would definitely travel to Kalos to perform in the showcases

Ena: She would also play Scarlet and Violet too. She would enjoy the school and the terastallization. She would plan her team and see what Tera type they would have, and if it would work good. Though it’s important to know that she has the version that Mizuki DOES NOT have. They play and trade the version exclusives with each other, BUT FOR FUN, they like to debate which one is better. They’ll pull up everything down to the legendaries to basically everything, trying to prove which is one better. Thats it ty.

That’s all!! If you think they would enjoy other games, feel free to let me know :D I would love to hear other people’s opinions!! TYSM for reading this long post. Sorry if the explanations were bad I got tired halfway through.

[marstar13]

As I promised and shall I deliver, as my promise is a word not to be broken or something idc

Agent Stone animatic inspired by the amazing fic "A Junk Yard of Possibilities" by CrazyforClones over in ao3

Credits to the author @crazyforclones 🫡

[theygender]

Compulsive need to check locks not helped by the fact that the one time I didn't my cat got out onto the fucking balcony while I was gone

[loumauve]

I snapped today at work, and by snapped I mean I politely commented on a help desk ticket by summing up an mess of an (type of) issue that's come up for at least the fourth time in the 2+ months I've been managing user accounts, and asked the person responsible to fix it (himself for once) because last time I fixed his mess-up it took me two whole days to work out the details with at least four other colleagues from different departments and I really don't want to do it again. there's other shit that needs doing, I've been working 10+ hour days for most of this week already, so I need to cut down not add on more.

(good thing tho - at least we managed to fix the issue where the dataset of a newer employee got mixed up with another one of the same name and therefore wasn't able to apply for any of the access/accounts she needed. technically not entirely my area but it does impact us not being allowed to create an account for her so I figured I might as well track that issue down. took three days and at least three other people, but hey - it should all work out now. yay for that)

[autistic-shaiapouf]

Im so glad things are going well for you!!!! Hell yeah achievement!! What sort of stuff are you thinking of doing self employment wise? Wishing you all the luck 🍀

[I'm answering this from my laptop, so no emojis unfortunately - I'm only putting this note because it looks so jarring to not see all of them and looks to me like all the emotion is drained out as a result but that's definitely not the case!!]

Thank you for the well wishes!! I do wanna say that I started at least looking into self employment mostly due to my autism and how stressful the 8 hour workday is for me; I've seen multiple autistic creators express how they ended up turning to self employment because the control over their work stressed them a lot less. As far as self employment goes, I'm sort of just dipping into it and haven't fully explored a lot of options, but I'm starting out with some food delivery apps to see if those can help me get started as I transition out of my current line of full time work

It's almost funny bc the financial position I'm in means that even a little bit of money coming in a little faster is useful; even a little will get me supplies for my guinea pig or discount groceries for a week or two, and the idea of being able to listen to music or video essays while doing my work alone and then being able to walk away at my own discretion is too tempting to not even give a try to. I wanna give it a few test runs in silence while I get used to it and then I can start working through the 1000+ video essays I have saved, and that's not even touching on all the music I have saved that I could check out as well

I'm also leaning more into my art! Being at the bare minimum half burnt out from the job I already have makes it a little more challenging to keep my efforts on it, but I'm setting up a kofi page! I just want my comm info up in full before I start promoting it. I'm definitely not expecting it to be lucrative or anything, but the prospect of formalizing my art as something I can work with like that has me hopeful.

Overall, I'm just trying to see what does and doesn't work for me as I start coming to terms with the idea that I might not be able to sustain a normal 40 hour workweek and that I just need to get creative with how I approach this!

[crossbackpoke-check]

Fixed point (mathematics) // The History of Perspective // "Point of Disappearance", Dennis Held // How the Hughes hockey family stays grounded // Fixed Point Photography-- // "Portrait of A.", Tung-Hui Hu // Mic'd Up | Hughes NHL 25 cover shoot // "Burnt Norton", T.S. Eliot // "Circuitry", Janine Joseph // Bruce Bennett // Nick Wass // from obedience [maybe one day, during a point in time], kari edwards // Bill Rapai // "Errand Upon Which We Came", Stephanie Strickland // Benchmark (surveying)

art kid luke hughes

[neverendingford]

.

[fingertipsmp3]

My conspiracy theory is that Christmas is sponsored by Big Battery

[gothteddiesdotcom]

bored / not having fun at work today so trying to make vacation and event plans for next year in my head but it’s not going well

[beetleskeleton]

augh my back

but i have a vent thing so here ig/lh

(if the wording doesn't make sense, it's basically a hopeful plea that said friend is there, with the provided context that I’ve already lost a family member and a multitude of furry and feathery friends, it would only stand as a somewhat reasonable hope that he is with them too.)

[fushitoru]

so i know who i'm looking at! a sukuna ryomen oneshot

pairing ⸺ ghostface!sukuna x reader

summary ⸺ on halloween night, you get a strange phone call from a man with a distorted voice right as you're chilling while babysitting yuuji. you get an ultimatum: perform for him, or risk your and yuuji's lives.

warnings ⸺ smut, fluff (at the end), pre established consent but dub con just in case, cream pie, lots of degradation and praise, “good girl,” oral sex (m!recieving), recording and pictures, suggested infidelity (but it’s not actually infidelity), exhibitionism, reader gives him a show in exchange for her life, rough sex, semi-public sex, established relationship, mdni, pls help me find artist for credit :(

next. week two

kinktober masterlist | general masterlist

you stretch, yawning as you adjust the blanket you had on you to cover you and give you warmth on the chilly october evening. gazing forlornly at the balcony window outside, you see kids and college students alike in their halloween costumes visiting homes for treats and bars for booze, respectively. tonight was a night you were supposed to get dicked down by your boyfriend in the bathroom of a frat, but you’re stuck instead with a last minute call to babysit yuji because he’s sick. 

you love the kid too much, like he’s your own baby. which is why you couldn’t refuse playing babysitter, even if that meant forgoing pictures for your instagram with the slutty angel costume you had bought a month who in anticipation of halloweekend. instead, you’re tucked in and cozy, watching scream for the nth time just to fangirl over how hot ghostface is. 

so you’re in your tank top and boy shorts, relaxing and chilling (that is, as much as you can while locked in on your movie). and, as if on cue, the moment the phone rings in the movie, the itadori household’s phone number gets a call.

you jump at the noise, a bit on edge because of the movie and definitely regretting the idea of setting the living room pitch back in spirit of mood lighting. groaning (albeit a bit freaked out), you get up to answer the call, as yuji babysitting protocol required that you answer any call in case it may be an emergency.  

picking up—but a bit on edge—you drone, “itadori household, how can i help you?”

there’s heavy breathing on the other end and you hate your scaredy cat tendencies because your heart is picking up at the distorted and low pants. “h—hello?”

“hey.” the voice is low, just like the breathing, and for a moment, you hate your brain for immediately recalling the nsfw audios you watch to masturbate because the guy on the phone sounds exactly like them. it’s a little freaky that you’re getting such a weird fuckin call at this time, but regardless you persist, in case this was relevant. you kind of need this job.

feigning cheerfulness, you ask, "what can i get ya?" as your fingers absently toy with the thin strap of your tank top. the cool air from the nearby vent sends a shiver across your skin, but the silence on the other end of the line is more unnerving. you're met with nothing but heavy breathing, and each exhale seems to scrape against your eardrums.

shifting uncomfortably, you feel the sweat beading at the nape of your neck as impatience builds. your fingers tighten around the receiver. "are you gonna talk or should i hang up?" you finally snap, agitation bleeding into your voice.

but before you can slam the phone down, he speaks.

“what’s your favorite scary movie?”

a groan escapes you, the kind that rises from deep in your chest, exasperation overtaking any lingering nervousness. "look, buddy, this is soooo corny. like, i was literally just watching scream, so you’re not doing shit. if you wanna prank call a girl, try somewhere else because—"

“you got a boyfriend?”

“i do,” you quip back quickly, a hand on your hip as you stand straighter, eyes flicking to the doorway of the kitchen. shadows dance in the dim light, your heartbeat subtly picking up pace. you move to hang up the phone, more irritated than frightened now. “so you better not try anything funny and waste more of your time, you fu—”

“but he’s not sleeping upstairs with the kid?”

the world freezes. you pause, the phone hovering mid-air. what did he just say? your pulse quickens, each thud louder than the last as dread claws at your chest. "what?"

a laugh, deep and guttural, slithers through the receiver. it’s the kind of laugh that makes your stomach drop and your legs feel weak. his voice is smooth, velvety even, and it curls around your ear like smoke. despite the creeping fear, something primal makes your thighs clench involuntarily. “okay, now that i’ve finally got your attention, let’s try this again. what’s your name, baby?”

that word—baby—the way he drags it out, rich and slow, makes your heart stutter, even as fear wraps tighter around your ribs. you grip the edge of the counter, nails digging into the cool surface. “why do you wanna know?”

“so i know who i’m looking at.”

the room spins. your breath falters, shallow, barely there. it’s like the walls are closing in, and your throat feels thick with fear. you lick your dry lips, throat tightening painfully. “wha—what do you mean?”

a soft coo hums through the phone, mockingly sweet. “no need to be afraid, pretty baby. you don’t want the kid upstairs to die, do you?”

your blood turns to ice. the words don’t make sense at first, but when they do, it feels like the floor’s been yanked out from beneath you. your mind races, every nerve in your body screaming. “what the fuck? is this some kind of prank call? this isn’t funny.”

but the man just continues, as if he didn’t just say something so horrifying that your stomach churns. his voice remains steady, eerily calm. “the kid, how old is he? five, six? he’s dozin’ off in those stupid iron man pj’s of his.” you swear you can hear his smile through the phone, a wicked curl of satisfaction. “and i love those shorts on you. parading your ass around like the slut you are. how’d your boyfriend leave you alone tonight?”

the walls feel like they’re closing in. a cold sweat breaks out across your skin, and suddenly the room feels too small. your eyes dart toward the darkened stairs. every creak of the house becomes louder, sharper. the hairs on the back of your neck stand on end as you swallow, mouth dry as cotton. it feels like someone is watching—someone who shouldn’t be there.

for a second, you digest the information he’d bestowed upon you—information about yourself. not-so-subtly freaking out, you get out a “please, please don’t do this.” 

 “then gimme a show. follow what i say.”

“o—okay. what do you want me to do?” you’re trembling, your realize, in your fear. or was it arousal?

“come closer to the window,” the voice purrs. you tentatively walk up to the balcony window facing the itadori garden, awaiting instructions as you stand shivering with the chill of the air.

“now,” the voice instructs, “take your top off. gimme a show, alright? better see that fucking back arch when you’re talking it off like filthy stripper slut you are.”

you whimper in humiliation but follow his instructions anyways, slowly becoming more and more of a slave to your arousal, caused by his assured and suave voice. when you take your tank top off, back arched just like he asked, the man groans and you hear distant squelches on the other side of the line.

“good girl. now when you take that bra off, pull up your cups, but don’t take it off, leave it bunched. those tits better bounce for me.” pulling up the cups of your bra, your tits recoil and bounce and the squelching gets even louder as you feel eyes rove over your tits. “fuck, i love those tits. get on your knees and bounce em for me like you’re riding cock.” 

you clench so hard as you move to do as he says. part of you is soooo aroused to be forced around like this, so you’re easily giving him the show that he wants, getting on your knees and moving your chest so that they start rhythmically bouncing, synced up with the squelches you hear in the other side of the phone.

“stick your tongue out. drool on your tits.” you moan, your tongue lolling out as a glob of spit starts trailing down your body.

 “fuck!” he exclaims, aroused by the sight. “you like being bossed around this baby? like my little bitch?”

“no!” you sob, tears springing out at the utter humiliation you were experiencing. “please let me go, please don’t do anything to yuji!” 

the voice chuckles. “really? i think you’re lying, baby. i know that pussy is wet while you’re giving me a show. matter of fact, why don’t you show me? make sure i get a really good look at that cunt, okay?”

slipping your shorts off, you turn so that your backside is facing the lawn and uncover your traitorous pussy—glistening wet—to him. taking a few steps back, you breathe heavily—like the person on the other side of the phone—as you press your pussy against the glass, the heat and humidity originating from your inner walls fogging the area on the glass. you hear a snap! on the other side, indicated that he had taken a photo. eyes widening in panic, you ask, “what are you doing? please, i’m doing whatever you wa—”

“i can’t let everyone think you’re some innocent virgin, can i? parading your ass and pussy for me, when anyone in the neighborhood can see? matter of fact,” and you start panicking at his next words, “i’ll post this online if you don’t grind that ass back for me.”

you swallow and start to do as he says. the glass is cool as you rub your folds along it, your slick dirtying the glass as you move your folds on the glass door. of course, the glide isn’t smooth—your clit keeps catching on the glass, but the fact that you’re bare to the world, any stray eyes being able to see you on display arouses you to no extent. you’re ashamed of being aroused at having to perform for a stranger, but you continue regardless and clutch the phone in your hand as he speaks to you again.

“the fuck you so wet for?” the voice mocks you. “you get off on this shit?”

“fuck you,” you moan, continuing to rub yourself. “i hate you.” 

the man laughs meanly. “for someone you hate, you’re getting pretty wet for me, baby.” the sounds of him stroking his dick are even louder as you grind against the door at the same tempo that he moves his hand at, grunting as you continue moaning into the mic. “look at how you’re clenching—good girl. want me to come in and make you cum?”

“real fucking cocky,” you hiss into the phone, “really fuckin cocky of you to think you can make me cum. with the way you had to threaten me, i just know you have a micro.”

as soon as you say that, the call hangs up and you look at your screen in confusion. that is, until you feel hands on your bare hips, knees–covered in black fabric—pressing against the junction between your thighs. “say that again,” the voice whispers.

you turn, eyes wide and heart speeding up as you turn to see the very figure that showed up in your movie. reminiscent of the killer, a tall man in a mask is hunched over you, now moving his hands to grip at your hands. “let’s take this to the bed, shall we?”

“oh shit,” ghostface curses, continuously snapping photos of your lips, the flash going off in the dark room. “look at this,” and he brings the camera closer and closer to your pussy, using his other hand to spread your lips as you helplessly lie on the bed, forced to spread your legs for him. “this pussy clenches everytime the flash goes off!” and he’s laughing, mocking you as slick leaves your hole in drops as the utter way you’re being humiliated. he grabs your cheeks roughly with the hand that was spreading your nether regions, squeezing them together and focusing the camera on your face. “this is the slut i’m going to fuck. gonna suck my cock, right?”

“mhm,” you whimper, resigned to your fate. making quick work of his robe, he takes them off completely, still leaving his mask in place. as he uncovers his pelvis, your eyes immediately rove over the hardened muscles on his abdomen. there’s a pink happy trail leading down to his dick, which is furiously red and standing. he grabs it, pumping the length as he moves closer and closer to your face until his precum is smearing against your face.

 “fuck,” he curses, as he takes in the sight of your teary eyes looking up at him dumbly, lips puckered as he slaps his cock against your cheeks until your cheeks are turning red. you’re giving kitten licks to his tip every time he alternates between slapping your two cheeks, not knowing what do to with yourself except focus on your oral fixation telling you instinctively to suck his cock. he then uses his fingers to pull your mouth open and slowly feeds his cock inside, eyes rolling back as soon as he feels your warm breath and hot tongue encompass him. 

you’re sucking at his tip and alternating between licking the rest of his dick, and he’s lost in the tight, wet heat of your mouth hollowing around him. you then prop yourself on your knees, using your hands to grab and play with his balls, stimulating him even more and causing him to rip out of your mouth and growls, “on your hands and knees. now.”

he doesn’t give you sufficient time to turn around and fully adjust in your position as he’s slamming into your roughly, the wet plush of your pussy too enticing. because you didn’t see it coming, your face is smushed against the pillow, and he grabs at your hands, using his free hand to hold them together at the small of your back. 

“you like my cock, baby?”  he pants, sweat beginning to run down his torso. when you don’t respond, he lets go of your hands to smack you consecutive times on your ass. “answer me.”

“i love it sooo much,” you babble, too lost in the pleasure to form more coherent thoughts as you ramble. “it’s splitting me—oh my god.” your eyes roll back—in pain or pleasure, you can’t decide—as his cock kisses your cervix. the masked man keeps thrusting in you, the sounds of his hips smacking into yours echoing throughout your room in a series of plap plap plap’s. 

“yea? fuck, i’m so close. you wanna live baby?” he grabs your hair and pulls, giving you a sloppy wet kiss on your cheek. “let me come inside. you’ll let me dump my cum in you, right?”

you only clenched tighter at his words. “please,” you sobbed. “please come inside. please paint my walls. i want your cum so bad.” 

you were so close, staving off your orgasm until he filled you up. at your words, the intruder laughed mockingly and kept thrusting into you, but the telltale sloppiness of his hips indicated that he was close. “god, what a slut—” he was interrupted by his own climax, and as soon as the thick ropes of cum filled you, you came with a squeal, your back arching impossibly further as your thrashed on his dick because of the intensity of your orgasm. both of you rid it together, panting as you came down. 

he pulls out of you, and before you can catch your breath, the man flops his entire weight on top of you, making you laugh as you let out a startled exclamation, “ryo!”

you squirm beneath him, trying to push him off, but it’s futile. he’s far too big and heavy, and he knows it. with a low, lazy chuckle, your boyfriend, sukuna ryomen, removes his mask—tossing it carelessly onto the floor—before nuzzling his face into the crook of your neck. his breath is warm against your skin, and you can feel the heat radiating off him as his chest rises and falls in rhythm with your own.

“did you enjoy that stupid thing you wanted, brat?” he mumbles, slightly panting in exhaustion.

his words are snarky, but you can hear the affection laced beneath them. your heart swells with a sudden rush of warmth, the fondness you feel for him almost overwhelming. it’s moments like this—where he does something ridiculous just because you asked, despite all his grumbling—that remind you why you love him so much.

you wrap your arms around his broad back, fingers trailing lazily up and down his spine as you press a soft kiss to the top of his head. “you didn’t have to go all out, you know,” you whisper, smiling into his hair. “but i really appreciate it. you’re kind of the best, even when you pretend you’re not.”

ryomen grunts, but there’s no bite to it. he tightens his hold around you, his large frame practically cocooning you in warmth. you feel his lips brush softly against the skin of your neck, a tender gesture that contrasts with his usual roughness.

“yeah, well... you’re lucky i love you, freak,” he murmurs, voice low and husky. despite his usual bravado, there’s something undeniably soft in the way he says it, as if the words are meant just for you.

you hum contentedly, feeling the weight of his body press you into the mattress. it’s comforting, like being wrapped in a warm blanket. you trace circles on his back with your fingertips, savoring the quiet intimacy of the moment, where it’s just you and him—no roleplay, no teasing—just the quiet aftermath of love.

“lucky, huh?” you tease back softly. “i’d say we’re both pretty lucky.”

ryomen huffs a quiet laugh against your skin before lifting his head slightly to look at you, his dark eyes soft in the dim light. then, he gets up and makes a move to walk out the door. at first, you thought he was heading towards the bathroom door to give you a towel to clean you up, but he’s heading towards the door—soft cock swinging, butt naked—and you’re only left in confusion as to what he’s doing.

“ryo, where are you going?”

“fixin myself a sandwich, i’m hungry,” he grumbles over his shoulder, leaving you dumbfounded. you’re left sitting on the bed as he continues the trek down the stairs to satiate his post sex hungries. 

“hey!” you shriek, “your balls are out! what if yuji sees?” 

later, when yuji walks deliriously into the kitchen to see his uncle’s cock and balls, he almost wishes he could fully succumb to his fever.

next. week two

kinktober masterlist | general masterlist

a/n hehe i love fluffy sukuna. consider joining my kinktober taglist if you'd like!

taglist:

@sugoroo @ryutotsukai0824 @sharkubi @lisvanrouge @mxlktae

@samisfunky @achbbys000 @xd3pr3ss3dx @jottositto

[purple-plum-petals]

Hi!! I love your homicipher fics! Have you thought about writing nsfw hcs? Specifically for Mr. Crawling and Silvair? I hope your night / day is going well! :)

⊱ Mr. Crawling and Mr. Silvair ⊰ || NSFW Alphabet (A-Z) Headcanons

╭─━━━━━━━━━━━━─╮

Character(s): Mr. Crawling, Mr. Silvair (Homicipher/文字化化, Separate) Reader Type: Human (Gender-Neutral Pronouns, No Sex-Specific Genitalia is Mentioned but it was Written with an AFAB Reader in Mind) Warning(s): 18+ Content, Virgin Asexual Author, Cum Eating, Facials, Minor Objectification, Cuckoldry, Mutual Masturbation, Face-fucking, Sexual Fantasies, Tickling, Praise/Degradation Kink, Breeding Kink/Creampies, BDSM, Overstimulation, Orgasm Control/Denial, Dumbification, Dacryphilia, Hair-pulling, Light Impact Play, Light Breathplay, Implied Cunnilingus/Blowjobs, Cock Warming, Mention/Discussion of Sex Toys… If I missed anything, please let me know! Genre: Headcanons, Smut (Minors Do Not Interact), Fluff Word Count: 7,200 words Request: “Hi!! I love your homicipher fics! Have you thought about writing nsfw hcs? Specifically for Mr. Crawling and Silvair? I hope your night / day is going well! :)” Author’s Note: I’m still very much working on getting better at writing spicier content, and I had no clue how to start writing these kinds of headcanons from scratch, so I went ahead and just filled out the NSFW Alphabet for both Mr. Crawling and Mr. Silvair as a jumping off point! It’s definitely interesting to think about how both of these characters would be in a sexually intimate setting, especially since – at least in my mind – they’d be quite different from each other in a variety of aspects even if they did have some overlap on a few of the points. I did my best to keep each of their headcanons at a similar word length (which was kind of hard to do with my Mr. Crawling bias, but I think I accomplished it haha). Anyway, I hope you enjoy these headcanons! ( ͡° ͜ʖ ͡°)

→ If you enjoyed my work, please reblog it if you can! Exposure on Tumblr is based on reblogging content rather than liking it, so your support would be much appreciated!  ♡

╰─━━━━━━━━━━━━─╯

A: Aftercare (What they’re like after sex)

👣: Mr. Crawling is immensely clingy after having sex, holding onto you and pretty much refusing to let go as he nuzzles his face into the crook of your neck or your hair. While he doesn’t want to get up from the bed or leave after the two of you have been intimate, if you’re hungry or thirsty or if you want to go take a bath, he’s happy to go fetch you something to restore your energy or help you to the bathroom to clean up. He’s quite good at aftercare, even if he doesn’t realize what he’s doing counts as it. Mr. Crawling just likes making you feel good, and he wants to keep you safe and happy! His favorite thing to do is help you bathe; he enjoys the way the warm water feels on his skin while he washes your back for you. 

💉: Mr. Silvair isn’t too affectionate after the two of you are intimate, but he’ll check up on you and ask if you need him to get you anything. If your wrists were rubbed raw from the restraints he had placed on you, he would make sure to carefully wrap gauze around your irritated skin. If you were thirsty or hungry, he would locate something safe for you to consume to get your strength back up. If you feel sticky or gross afterward, he’ll carefully wipe your body with a wet cloth to make sure you are clean and comfortable. He lets you sleep and typically goes about his own business. Sometimes, though, Mr. Silvair finds himself watching over you to make sure you’re breathing steadily, carefully combing his fingers through your hair. 

B: Body Part (Their favorite body part of theirs and also their partner’s)

👣: Mr. Crawling doesn’t have a favorite part of your body since he honestly enjoys every aspect of you but, if he had to choose, he loves your hands. He knows that they can hurt people and cause a lot of pain, but he loves the way they feel when you cup his face to softly caress it or whenever you thread your fingers through his hair. For himself, Mr. Crawling loves his hair the most (I know it’s not technically a body part, but I think it makes the most sense for him); he pretty much melts whenever you play with it, and his head is quite sensitive, so he blue screens whenever you pull at his hair or rake your nails across his scalp. I also feel like Mr. Crawling would be proud of his arms since they’re fairly toned considering they’re his primary means of getting around. Because of his impressive strength, despite what his thinner frame may portray, he’s able to hold you up and move you around with relative ease (he 100% can manhandle you, but only will if you’re cool with it). 

💉: Mr. Silvair finds every aspect of your body fascinating, and he could probably explain why each part of you was interesting from a medical perspective or that everything was pleasant to look at in one way or another. If he had to pick a favorite part of your body, though, he would have to say it’s your head (I know, kind of weird, but he does appreciate your intelligence and, well… Ending 06 is my other piece of reasoning haha). Specifically, though, he likes your mouth. He enjoys being able to hold your head in place while your jaw hangs open, all while he just goes to town while you drool and choke around his cock. Don’t worry, though – he’ll find some remedy to lessen the soreness you feel in your throat afterward. For himself, he’s quite proud of his hands. Mr. Silvair is skilled at many things, and being able to make you come undone with his fingers alone makes him feel a sense of power (plus, you called them pretty once, and it made him feel good). 

C: Cum (Anything to do with cum)

👣: Mr. Crawling gets extremely flustered whenever he sees his cum on any part of your body, from your hair to your face to your stomach. The sight of it alone on your skin makes his brain short-circuit and body flare up – it only makes him want to touch you even more. He likes being able to clean you up, too, leaning forward before he runs his tongue along your body or face, making sure there wasn’t a single drop of his cum left on you (even if now it meant you were covered in saliva…). He doesn’t mind tasting himself, but it most certainly doesn’t compare to your flavor. 

💉: I probably need to ask you to stay with me on this one, but I think Mr. Silvair would probably keep your cum stored away in a sample tube or something along those lines, having a desire to run tests on it to see what he could create. Views your cum as a valuable resource in his research...yay? Maybe he could even use your release to invent some kind of lubricant since that’s not easily accessible in the other world and make having sex much more streamlined… or he just keeps it around to show you later and see your reaction to the fact he keeps your cum stored away in his laboratory to tease you. 

D: Dirty Secret

👣: The thought of taking you in public, in a space where no one but you could see him, makes his mind race and his body feel like it was on fire – this man can act like a feral dog sometimes. I mean, even you sometimes forgot he was there, unable to see his form unless you concentrated hard enough, so imagine if the two of you went out somewhere in public and he (with your consent, of course), just started touching you? Groping your ass, his face between your legs as he runs his hands along your inner thighs… no one can see that it’s him making your face flush and not the excuse of a fever you told the concerned stranger in the hopes they would leave you alone. When you half-heartedly glare at him to try and get him to lay off for a bit, he just laughs at your expression… how rude!

💉: Mr. Silvar wouldn’t be opposed to having a threesome with another resident of the other world. After all, he would be curious to see how differently you acted when another person was there with the two of you, or if your body reacted in an unlikely way if another were to touch you. While I will not write NSFW for Mr. Chopped (the power dynamic there isn’t my favorite thing in the world), he would be the one Mr. Silvair would feel most at ease sharing you with; Mr. Crawling or Mr. Hood would be his second and third choices respectively since he knows how deeply you trust them. He might not even partake in sex either, just sitting off to the side while he lets another use you like a toy. As long as you know your his, though, he doesn’t mind watching you enjoy yourself with another (he has to be there, though). 

E: Experience (How experienced are they? Do they know what they’re doing?)

👣: Mr. Crawling has absolutely zero experience with this kind of stuff, so he would need someone willing to walk him through the whole process, show him what you like, and teach him what and what not to do. What he lacks in experience, though, he makes up for in pure enthusiasm. It’s quite flattering how determined he is when it comes to making you feel good, even if it’s a bit sloppy and unpracticed. His thrusts are extremely unpredictable, never quite finding their rhythm… It’s alright, though; he’ll definitely get better with more time and the more he gets to understand what your body likes. You just have to give him the time to improve, and he’ll be certain to leave you breathless. 

💉: Mr. Silvair also has no experience when it comes to sex, or at least not any while he’s resided in the other world. He is a life-long learner through and through, though, and there’s nothing in the universe he’s not willing to learn about, especially if it has to do with humans and their anatomy. His thrusts are frighteningly accurate, being able to hit your most sensitive inner spots with ease to have you begging him to give you a moment to breathe. He’s an almost terrifyingly fast learner, too, being able to apply whatever new information he’s observed and gathered within moments. He can do it perfectly, too, and he does it in a way that has you questioning whether he was telling the truth when he said this was his first time doing anything like this. 

F: Favorite Position

👣: When it comes to favorite positions, Mr. Crawling loves being able to hold you close to him while also being able to see your face (he has to kiss you during sex – sorry, I don’t make the rules). He enjoys the rocking horse position since it allows him to be able to hold you close while still being able to maintain eye contact with you and easily have access to cover your face in kisses. While he prefers being the one making you feel good, Mr. Crawling would also enjoy the cowgirl position. He’s happy to let you use him to your heart's content while being able to look up and soak in the pleased look that’s plastered across your features while you slam your hips up and down on his cock. 

💉: Mr. Silvair personally enjoys the butterfly position, having you lay on your back atop his operation table all while he can watch and take mental notes on every single facial expression you make and every single twitch of your muscles while he drives you absolutely insane. He would also enjoy missionary, but he would spice it up a little bit by having your hands or wrists tied to something. After all, he doesn’t want you to touch him unless he says you can – just lay there quietly while he completely wrecks you with that annoyingly calm expression on his face. It’s not that he doesn’t enjoy when you touch him, though. Mr. Silvair simply prefers being the one in charge and determining when and where you’re able to feel his skin beneath your hands. 

G: Goofy (Are they more serious in the moment, or are they humorous, etc.)  

👣: Acts goofy most of the time during sex, even if he doesn’t mean to. He likes being able to make you happy, and he finds your laughter to be music to his ears. Sometimes you two will be having sex, and he’ll suddenly start giggling completely unprovoked, just finding the experience with you so joyful. Being with you in any capacity makes his chest feel light and fluttery as a sense of giddiness flows through his veins. He’ll wrap his arms around you and nuzzle into your neck, causing your body to spasm and tighten around him while his long hair drapes over you and tickles your skin. Overall, Mr. Crawling enjoys being more playful when the two of you are intimate since it adds to the overall experience for him. 

💉: Prefers to be serious while having sex. He treats the whole process of intercourse like one would treat a research project which, honestly, can make you feel a bit annoyed in some instances (Mr. Silvair still doesn’t quite understand why, though). He’s methodical in everything he does, and being light-hearted or purposefully humorous isn’t high on his list of things to do. He has no problem if you want to be silly, however. He finds it cute when you try to see if you can make him chuckle. It endears you to him more, and it makes him want to keep you around for even longer. The only goofy thing he does is gently run his fingers up and down your sides while thrusting into you, finding the way your body wriggles and writhes away from his touch to be adorable. 

H: Hair (How well-groomed are they, does the carpet match the drapes, etc.)

👣: I think Mr. Crawling would have fairly long hair beneath the metaphorical belt. His pubic hair would be thick, curly, and a very dark shade of black. He doesn’t really keep himself groomed (kind of hard to do in his world, plus it was never a priority for him), but if you would prefer him to keep it trimmed, he’d be happy to! He doesn’t care one way or another. 

💉: Mr. Silvair comes off to me as someone who would enjoy keeping themselves groomed and their appearance well-maintained, and I mean every inch of his body. I think he would have either no pubic hair or pubic hair that was trimmed to be the perfect length. If he did have any hair below the belt, it would be a gray color, one that was a shade darker than his regular hair and wavy in texture. 

I: Intimacy (How are they during the moment, romantic aspect)

👣: One of the more human-like members of the cast when it comes to his affections; he’s as romantic as a non-human being can be. Mr. Crawling loves holding you close as he ruts into you like a wild dog, whispering praises against your skin. He even tries his best to learn phrases in your language so he can tell you how much you mean to him without you having to try and decipher it. He’s always so, so soft with you when you two are having sex. He’s honored that you’d let him have you in such a way, and finds your trust in him heartwarming – he trusts you, too, with his entire heart and soul. 

💉: Mr. Silvair canonically doesn’t comprehend the concept of “liking” or loving someone, so that also translates into sex with him. All he knows is that he finds you entertaining to be around and that he’s somewhat endeared to you at this point. He’s not romantic but, in between teasing you and making you cry (whether it be in frustration or overstimulation), he’s checking in on you to make sure that you’re still comfortable. He knows sex can be invasive, and he’s aware of how much regard the act is held in by some people in your world, so he does his best to respect that... Even if he does need to check himself every now and again. 

J: Jack Off (Masturbation headcanon)

👣 and 💉: Neither of them masturbates much because they simply don’t have a desire or time to do so. Mr. Crawling would rather wait for you to be there so you two can enjoy yourselves together, and Mr. Silvair simply has more important matters to attend to. That’s not to say they never masturbate, though, it’s just typically a rare occurrence. 

👣: Mr. Crawling typically masturbates by rutting up against something, like a pillow, rather than taking himself in his hand. His thoughts before meeting you were just focusing on the physical sensation of his cock sliding against the fabric of his clothing, but now he finds himself thinking of you – the way your voice sounds when you coo sweet words in his ear, the warmth of your body. Imagining your hands gently touching his chest and hips makes him cum right then and there, almost embarrassingly quickly… Yeah, he’s down bad. 

💉: Mr. Silvair treats masturbating as a chore. He’d much rather be doing something else than leaning against the wall of his operation room while his hand goes absolutely ham on his dick. He knows which areas on his body get the most reaction, so he purposefully presses all of his buttons just so he can be done with it quicker. This doesn’t change after meeting and getting to be intimate with you, though, he still sees it as a chore… Just now he imagines cumming on your face or inside you whenever he finally reaches his climax. 

K: Kink (one or more of their kinks)

👣: 

Mutual Masturbation: He likes spending time with you and doing things together, so why not spend some time watching each other explore yourselves? He likes observing you as you touch yourself, making mental notes of every spot on your body that have you biting your lip and furrowing your brows. While I wouldn’t say he’s into voyeurism since he does like being with you while you touch yourself instead of tucked away in the shadows just watching, he focuses more on the way your hands touch and caress your skin instead of focusing on the way he moves his hands across his body. Doesn’t last very long doing this, though, eventually pouncing on you and touching you himself.

Overstimulation (Giving): Mr. Crawling loves overstimulating you, even if he doesn’t realize he’s doing it half of the time. He just enjoys seeing you become a blabbering mess all because of him; he takes great pride in being able to make you feel good. However, the first time you started crying because he was simply giving you too much, he felt so guilty – the poor man was on the verge of tears thinking he made you feel bad. 

Praise Kink: While praising you is a bit more difficult considering the language barrier and the limited amount of words and phrases he has to choose from, he still loves doing it. Muttering against your skin how you’re doing such a good job, how he loves you so much, how you make him so happy. Mr. Crawling definitely makes sure to reassure you both inside and outside of the bedroom. 

Hair Pulling (Receiving): He loves, loves, loves it whenever you take his hair in your hand and give it a firm tug. Mr. Crawling enjoys it whenever he’s going down on you and you take his hair into your hands and push him even closer, making him become fully immersed in your scent and taste. 

Sensation Play: While Mr. Crawling may not enjoy more painful experiences, he does like general sensation play quite a bit. He likes the feeling of your breath fanning against his skin while you pepper his flesh with gentle kisses and nips. He enjoys tickling you while his hips sensually thrust in and out, feeling the way you squeeze around him as breathless and airy giggles escape past your lips. He loves whispering into your ear while running his tongue along it before taking your lobe between his teeth and lightly tugging.  

💉: 

Breeding Kink/Creampie: Mr. Silvair, after learning more about human reproduction, has a deep-seated curiosity regarding whether or not the two of you would be able to have offspring. That’s kind of what starts this particular kink for him – he wants to know if you both are sexually compatible in that aspect, and he is curious what the resulting child would look and act like if they were born in the other world. If you’re unable to give birth or get pregnant, even if his initial interest in breeding is certainly from a more scientific aspect, he still finds the image of you full of his seed while it drips down the curve of your ass to be quite arousing. 

Bondage/Shibari (Giving): He enjoys tying you up and pinning you down, being able to have full control over you in the bedroom. He’s perfectly content if you agree to light bondage, like having your hands restrained, and would never ask you to do anything more than that. However, if you trust him enough and feel comfortable doing some more intense bondage, he’s not going to complain. Would definitely be interested in the art of shibari, finding the way the rope looks pressing into your skin tantalizing. 

Orgasm Control/Denial (Giving): Another kink that feeds into his desire for control. Mr. Silvair enjoys being the one in charge of your release, and he likes seeing how far he can push you until you finally break and plead for him to let you cum. He loves seeing how stupid and desperate he can make you, sometimes with just his fingers alone. 

Overstimulation (Giving): Much like orgasm control/denial, he likes pushing you to your breaking point. However, unlike the previous bullet, he likes seeing how much stimulation you can take until you’re crying for him to stop. He thinks it’s fascinating, seeing how quickly your desire for his touch can change – one moment you’re begging for him to touch you, and the next you’re weakly pushing his hand away. He does eventually relent, of course, but only after letting you cry for a bit. 

Dacryphilia: There’s something about seeing your tear-streaked face that makes it feel like he’s just been hit with an arrow in his chest. It’s endearing and oh-so cute the way you look while you sob all because he’s making you feel that good. It makes him feel proud, in a way, seeing you in such a pathetic state all because of him. 

L: Location (Favorite places to do the do)

👣: He enjoys having sex with you on a bed (boring, I know), but he likes the softness of the mattress and the many pillows and blankets that can be used to bring even more comfort by keeping the heat from your bodies trapped. He also likes taking you in small, enclosed spaces, like an empty locker or cabinet (sorry folks with claustrophobia). Much like the reasoning with the bed, he likes how the smaller space forces you both to be immensely close to each other. Plus, these spaces bring him comfort, so why not mix the two things that make him feel safe together? 

💉: Either in his laboratory/operation room or in one of the many different cages or prison cells that he has access to (bonus points if you allow him to chain you up hehe). Mr. Silvair doesn’t need a soft mattress or pillows to enjoy sex with you. He’s fine taking you on his operation table or the cold concrete floor of the small prison cell, even if your back moving up and down across the ground rubs your skin raw. He’ll patch you up after, no worries, but he doesn’t need a lot of bells and whistles to have an enjoyable time. 

M: Motivation (What turns them on, gets them going)

👣: Sweet words and gentle touches. The other world is one full of violence and death, one where survival trumps all else. While there are entities like him who only resort to violence when either their safety or the safety of someone they’re fond of is in danger, it’s still not a happy or bright place to exist. Mr. Crawling does what he can to enjoy life, laughing in situations that probably aren’t even that funny just to try and make existing more enjoyable. Then you come along and make him feel cared for – loved – and safe, and he’s never been happier. Being able to lay with you, to feel you clench around his cock with your warmth while you pepper kisses across his face and let him know how good he is… Yeah, this is the life. 

💉: Power and control. He enjoys being able to restrict your movement, being able to dictate when and where you’re allowed to cum and, if you disobey him, he’ll punish you with a sadistic smile on his face. However, he would be lying if he said that was all. Mr. Silvair thinks the fact you trust him with your safety – your life, your heart, your existence – gets him going, whether he realizes it or not. Trusting another in the other world showcases how much two people believe in the fact the other would not do anything to purposefully harm them, and you feel that way toward him (and he feels the same toward you). Whenever you call out his “name,” the one you had given him, he finds his hips unconsciously moving even faster at the sound...

N: No (Something they wouldn’t do, turn offs)

👣: Anything involving pain would be a hard no for Mr. Crawling, both giving and receiving. Even though his senses are dull and what would be extremely painful for a human wouldn’t be for him, he still doesn’t particularly enjoy being harmed. When it comes to hurting you in any way, that’s pretty much something he will never concede on. He doesn’t want to do a single thing to hurt you, even if it’s an enjoyable kind of pain. 

💉: Pretty much nothing is off the table for him – Mr. Silvair enjoys experimenting, and that’s no different for him in the bedroom. The only extremely hard no would be coprophilia since he just doesn’t see the appeal nor does he want to test to see if he would like it or not. I also feel like he wouldn’t necessarily want a bratty partner or a partner who is constantly trying to take control back in the bedroom. 

O: Oral (Preference in giving or receiving, skill, etc.)

👣: Loves giving oral 101%, and he will give it to you anywhere – in public, in private, while you’re sleeping (with your consent, of course). Mr. Crawling adores having his mouth on you, being able to taste every single part of you while his tongue forces its way inside you, feeling your release dripping past his lips or dribbling down his chin… You taste good, too, better than anything he’s ever had before; he might get addicted to it, to be honest. He eats you out/blows you like a man starving, wanting a chance to have a taste and make you cry out his name while you pull harshly on his black locks and encourage him to keep going. He’s very enthusiastic about it, too, putting in so much effort and energy to get you cumming on his face or in his mouth. 

💉: Prefers giving oral over receiving it, but it’s not his favorite thing to do either way. It’s nothing personal, he just prefers using his hands, his cock, or a toy to get you off rather than his mouth. If he does allow you to give him a blowjob, he’ll place a collar around your neck and pull on the chain if you get cheeky – after all, he’s the one in charge here. Mr. Silvair enjoys making you kneel in front of him, watching you with a small smile as you take him into your hands and pump once or twice before taking him into your mouth. If the rare occurrence happens when he gives you head, you better thank the universe. He looks so hot, holding your thighs apart while he slowly runs his tongue along your length/slit and teases you until you’re asking him to touch you more. 

P: Pace (Are they fast and rough? Slow and sensual?)  

👣: Enjoys the slower and sensual side of things, but he typically can’t control himself as soon as he’s inside of you, so he ends up being somewhat fast and rough (not all the time, though... his thrusts remain immensely unpredictable no matter what, and he never seems to find a good rhythm to follow). Mr. Crawling enjoys the intimacy of sex, and he finds comfort in the closeness of your bodies while you two are connected at the hips. He loves being able to hold your hands and place kisses across your cheeks. Sometimes, he’s so caught up in the act of showering you with words of praise and sweet displays of affection that he forgets the fact he’s currently inside you and is supposed to be moving. He does see the appeal of rougher sex, though – it makes him feel almost animalistic whenever you two decide to set the pace for the night. 

💉: Mr. Silvair can quickly switch between the two, sometimes almost at a break-neck speed, to the point it feels like you got whiplash from the sudden change of deep and slow thrusts to fast and somehow even deeper ones (he’s very precise when it comes to hitting those sweet spots inside of you – it’s actually kind of terrifying how quickly he can locate them). He pretty much does whatever he thinks will get the most reaction out of your body and acts accordingly – nothing more, nothing less. He tends to prefer rougher and faster sex, enjoying the noises the quick snap of his hips can draw out of your mouth. However, sometimes, he finds himself preferring a slower and softer pace. This way, he’s able to focus on and truly soak in the expression on your face and appreciate the way your body feels under his palms (this sometimes just leads to you cock warming him). 

Q: Quickie (Their opinions on quickies rather than proper sex, how often, etc.)  

👣: Mr. Crawling is down for anything at any time. Pretty much, if you ask him to have sex, he’ll happily do it for you. Need him to eat you out or give you a blowjob, he’ll gladly oblige! After all, he is always pretty much kneeling, so he’s not being made to go out of his way to do it (even if he would go out of his way to please you). Want something more than just his tongue? That’s perfectly fine, too! There’s a private room over there he’ll gladly take you in, or maybe you’d want to try doing it in the empty locker? He’ll try not to take too long, but it’s hard since he loves being able to enjoy you to the fullest. So, Mr. Crawling can do quickies for sure, but he likes being able to take his time with you.  

💉: While he’s not opposed to quickies, he prefers being able to have proper sex with you to get the most out of it. After all, he can’t exactly see how long it takes for you to break or how much time it takes for you to start crying and babbling if you only have a few minutes to enjoy one another. However, he does make it a little challenge for himself to see how quickly he can get you to climax. Mr. Silvair will even make educated guesses on how fast you’ll finish just by making note of your current expression, body language, etc. He likes seeing how flustered you get if you think someone is going to enter the room the two of you are in, begging him to go faster which only makes him want to slow down – how mean! 

R: Risk (Are they game to experiment, do they take risks, etc.)  

👣: Mr. Crawling is down to experiment but, as stated before, he doesn’t want to try anything that causes him or you harm, even if pain is something you enjoy. He just has no desire to hurt you in any way, something which is quite different from other members of the cast who are definitely more sadistic (cough, Mr. Silvair and Mr. Machete, cough). I feel like he would be down to partake in certain aspects of BDSM, specifically B/D (bondage and discipline) and D/S (dominance and submission). He just wants to have a good time and be close to you, both physically and emotionally. 

💉: 100% down to experiment with anything (except the previously mentioned coprophilia). If you wanted to try some breathplay or impact play or even blood play, he’d be down for it. I honestly think he would enjoy breathplay since it adds more to the differential in power that he enjoys so much (there’s also a stirring in his chest when he sees how much you trust him with your life, but shhh…). Mr. Silvair is a man hungry for information and new experiences, so yes, he’s willing to try a variety of different things even if they could potentially be dangerous – he’ll always make sure you return to your original form. 

S: Stamina (How many rounds can they go for, how long do they last…)

👣 and 💉: Both of them are inhuman, which means that neither of them need any food, water, or rest to survive. Honestly, the two of them have unlimited amounts of stamina, and they can go for as long as you need them to (which could be two rounds or even eight – nothing is holding them back in the stamina department). 

T: Toys (Do they own toys? Do they use them? On a partner or themselves?)

👣 and 💉: Neither of them owns any toys because, well… you can’t access them easily in the other world. If they do end up there, though, they’re probably dirty or damaged beyond repair (please do not use nasty sex toys, people – infections and diseases are no joke). 

👣: Mr. Crawling would be down to use toys on you! After all, why not? It’ll just make the experience more fun, right? You’ll probably have to explain what he’s supposed to do with them, though, since he’s not quite sure what some of them are for. If you want to use toys on him, he’s completely fine with that! Want to wear a strap and give him backshots? Go right ahead! Want to tape vibrators to him until he’s whining and writhing? He’d be happy to oblige! Overall, he’s pretty chill about it and is somewhat enthusiastic about adding toys into your sex life. 

💉: Mr. Silvair enjoys using sex toys on you, some of his favorites being cock rings/chastity belts, strangely-shaped dildos, and vibrators. He loves being able to secure the variety of different vibrators he owns to your body, making sure to cover every erogenous zone he’s noted. He doesn’t typically want toys used on him (but he’d probably try out a variety of different sex toys on himself after a while, though, curious about how each of them felt or what they did), however, and the only one he’d be willing to use consistently would be fleshlights. He’d make you watch him use it, never once allowing you to use them on him. 

U: Unfair (How much they like to tease)

👣: Mr. Crawling is very fair, and he always makes sure to give you exactly what you want in the bedroom. However, that’s not to say he never teases you, he just doesn’t do it very frequently. Sometimes when he’s going down on you, he’ll pause his minstrations to nip at or kiss the fat of your thighs, keeping your hips held down so you can’t buck up against his mouth. When you start getting antsy, he just giggles at your expression before returning his attention to that oh-so-needy part of you. 

💉: If the word unfair was personified, it would be Mr. Silvair. I’d argue teasing you and making you cry – either because you can’t cum or have cum ten times in a row – are the aspects of sex that he enjoys the most. Edging you is one of his favorite things, though, watching you whine and try to move your hips on your own when he stops moving… bad move, though, because now he’s just going to make you wait even longer for release. 

V: Volume (How loud they are, what sounds they make)

👣: He’s not loud, per se, but he does make quite a variety of different noises whenever the two of you are intimate. He whimpers and whines frequently while you’re having sex – they’re barely audible, high-pitched, and come out sounding as though he’s completely out of breath. Sometimes you wonder if he’s in pain with the noises he makes, but he’s not. He just really enjoys being able to feel you like this as he pants like a dog in heat. 

💉: Completely quiet most of the time. Really, the only noises you’ll probably get out of him are barely audible sighs or the sound of his breathing hitching when he feels you stretch/tighten around him. It’s not that Mr. Silvair doesn’t enjoy having sex with you, he just doesn’t express that feeling verbally. You can tell in the way his hand squeezes the fat of your thigh or the way his hips stutter when he moves in and out that he’s having a good time. 

W: Wild Card (Random headcanon)

👣: Mr. Crawling loves taking showers or baths with you, though he leans more towards baths since it’s less painful on his joints (I headcanon that Mr. Crawling can stand, but walking for extended periods of time is painful for him – ambulatory wheelchair user Mr. Crawling when?). While yes, he can technically sit in the shower, having water spray his face isn’t exactly pleasant… He doesn’t view bathing with you as sexual, he just finds it relaxing as he helps you wash your back or you help him make sure all the soap is out of his hair. His favorite scent would have to be lavender – it’s very calming for him. 

💉: He keeps a journal tucked away full of terms and gestures from your world. Mr. Silvair has a deep desire to understand humans and everything they have to offer, even if he believes it's from a stance of craving knowledge (really, he wants to be able to express his endearment of you in a manner you can understand). He has a page on kissing and different kinds of kisses, a page on gestures of endearment, another on hugging and cuddling… The fact that humans’ bodies release a hormone whenever they simply spend time to bond with another socially, a hormone that turns the dial on their brain for whatever emotion they’re currently experiencing, is fascinating to him. 

X: X-Ray (Let’s see what’s going on in those pants)

👣: Mr. Crawling is tall – and I mean extremely tall whenever he stands up (my man has got to at least be seven feet), so I can assume that he’s probably relatively proportionate under the belt. I feel like he would be big, almost concerningly so, clocking in at around 8 inches in length. Even though his size is impressive, his dick doesn’t have much girth to it and is on the thinner side, but it is thicker towards the base compared to the head (not that you can take all of him – you can certainly give it a try, though). It’s on the veinier side, too, with a very distinct and present one on the underside of his cock. 

💉: Much like pretty much the entire cast, Mr. Silvair is also on the taller half of the height spectrum. However, I feel as though he would have a more modest, yet of course still impressive dick size. I imagine him to be 6 ½ inches in length and relatively thick from the base to the head with very little change in girth. Whenever you see his cock, you’re kind of awestruck for a moment because how can a man have such a nice-looking dick?? It doesn’t make sense! There’s barely any hair, there’s no visible veins or bumps, and it’s long and thick enough to drive you wild… Plus, it’s just really nice to look at, honestly. 

Y: Yearning (How high is their sex drive?)

👣 and 💉: Okay, so I know others probably will not agree with me here… but I honestly don’t think anyone in the cast has much of a sex drive, let alone a high one. I mean, they’re not human, so their cultural/social norms are different than ours, and I wouldn’t hold them to “typical” human desires on a biological/psychological level either. As I said before, I doubt any of them have been laid because sex just isn’t something the residents in the other world partake in – they’re too busy killing/fighting others, eating humans who find themselves lost in the other world, etc. Is this my asexual and world-building brain working? Probably haha. 

👣: Mr. Crawling really only wants sex whenever you want it, but he’s always enthusiastic and does get aroused whenever you ask if he wants to be intimate. While he does love feeling the warmth around his dick whenever you’re clamping down on him, almost like you were hugging him and not wanting to let him go, he enjoys the emotional connection during the moment more than anything else. I headcanon him (and all of the cast, to some degree) as existing somewhere on the aroace-spectrum. For Mr. Crawling, I see him as being reciproromantic/sexual with an average libido – he gets riled up whenever you’re riled up, though there are times he does get horny without you needing to do or say anything.  

💉: Much like Mr. Crawling, Mr. Silvair will have sex if you ask him to – he’ll make you beg for it, though, so he’s not as nice as the former. He prefers the control/power he gets from having sex rather than the sole act of intercourse (not to say he doesn’t enjoy the feeling, though). Plus, he finds the activity interesting since he knows it’s something most humans partake in with one another for a variety of reasons, from procreation to recreation. If you ask him to have sex and he isn’t in the mood, he’ll just use his hands or some toys and play around with you until you’re satisfied. I headcanon Mr. Silvair as being quoiromantic and eegosexual with a low libido. 

Z: ZZZ (… how quickly they fall asleep afterwards)

👣: Mr. Crawling doesn’t need to sleep (you know… being non-human and all), but he’ll curl up next to you on the bed and hold your body close to his while pretending to sleep alongside you. It’s kind of adorable, the way his head is nuzzled under your neck while his legs and arms are wrapped around your body, holding you close to him like you were a bodypillow or large stuffed animal. While you sleep, though, he’ll eventually place his head against your chest, listening intently to the sound of your heartbeat and the feeling of your chest rising and falling with each breath. Moments like this, laying there with you in silence, make his mind wander to scenarios with you he’ll never be able to fully experience. 

💉: Does not rest often, finding it a waste of time that could be spent doing something else. He understands you need your sleep, though, so he lets you do it in peace after you both have had sex. Mr. Silvair always manages to somehow make sure you have enough pillows to keep you comfortable or blankets to keep you from getting cold (you can’t help but wonder where he finds clean linens in such a grimy place…). Occasionally, however, he finds himself sitting next to you on the bed, fingers absentmindedly combing through your hair before he pulls his hand back as though you had burnt him – he doesn’t understand it, and he’s desperate to figure out an answer. 

[cocklessboy]

My cat has always had the worst timing. He'll jump up on my desk to cuddle at the very moment I'm about to get up to urgently go to the bathroom. He'll try to curl up with me in bed the very instant I need to get up and refill my glass of water and put some vaseline on my dry, sore lips. He'll ask me to play just at the second I need to end my break and get back to work.

The poor guy, right? From his perspective, he approaches me for love and I immediately get up and leave. I feel awful about it. I try to reassure him first that I love him and he just has bad timing, but I know it can't feel nice, and also he's too big of a dumbass to understand that me getting up and walking away isn't triggered by him coming to say hi.

Except today I realized something: Yes. It is.

I was sitting at my desk watching a video and up jumps the boy with a mrrp, head positioned for pets, when I realized I urgently had to get up and go to the bathroom. As I opened my mouth to say "bad timing again, buddy," it finally occurred to me that... I definitely already had to go. I for sure did not "suddenly" have an urgent need for the toilet out of fucking nowhere.

I didn't realize I needed to go because my brain is piloted by angry gremlins and they were more interested in watching the video than letting me know about an important bodily function.

My cat coming to say hi is a regular trigger that pulls me back into my body from whatever bullshit I'm hyperfocusing on. And that's when I realize all the warning lights are flashing on the dash. Need water. Need food. Need toilet. In pain: need to change position. Holy shit look at the time, need to get back to work!

I now wonder how much worse I'd function if I didn't have a furry little guy in my apartment to regularly remind me that I exist in a physical form which requires maintenance and also that time passes.

I do still feel bad for walking away from him every time, but I have started just inviting him to come with me. Hey bud, sorry, I have to stand up right now, but come follow me while I get a glass of water. You coming? Come on! And rewarding him with pats for following. It's better than just walking away, I think.

Anyway cats (or other pet of your choice that requires frequent attention)? 10/10, strongly encourage having a little guy to bother you now and then, especially if you have ADHD and live alone.