#which has actually led to me really liking it

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[xtractors]

As my account says I am just here for the headcanon and The angst. So stick with me. [It looks longer than it is, but you can skip the bracketed section for my headcannon]

I've been thinking since I saw Deadpool and Wolverine whether Wolverine knew who Wade was as Deadpool? I came to a pretty solid conclusion, because when Paradox zaps Deadpool away, wolverine's first reaction isn't to be like, "So what's going on?", it's to automatically try and jump Paradox for disappearing Wade [which like maybe it wasn't because he knew it was Wade. Maybe it's just because he just really enjoyed flirting with him, but I think it's cuz he knows who Wade is]. Then in the void it's to attack Wade, which he doesn't seem to be surprised about his healing factor.

And this led me to, if Wade existed in worst wolverine's universe and had a healing factor. Then he probably could have been a version of origin's Deadpool?

And I have decided for THE ANGST, that absolutely origins happened, and worst Wolverine saw what happened to origin's Deadpool.

~~~~

[And here's my thing. I really wish origins had focused more on his relationship with his teammates, especially with the whole him and Wade making eyes at each other. Ignoring my feelings on the Kyla Silverfox lady, like I really wish the movie had just focused more on his teammates and relationship there. I think that he should have been "friends" with Wade and I think when he said "they finally found a way to shut you up" it should have been more emotional, and hurt and less sassy. I also really wish that Wade hadn't been just a mindless machine. Which I suppose we don't know how actually conscious he was, but could you imagine? Wade who's always expressed himself by being sassy and dealt with his trauma and being a mercenary by making jokes being unable to speak at all and unable to control himself as he attacks his friend?

Like I seriously don't think origins Deadpool was that bad of a character. I think there was just no emotional attachment to him. Cuz the whole mouth Sewn shut thing could have meant so much more if Wade was actually friends with Logan. ]

~~~~

Anyways, back to the plot.

So my thing is if there is origins Deadpool in worst wolverines timeline, do you think worst Wolverine ever just thinks about it?Do you think he ever has nightmares about his Wade being the one with the mouth sewn shut?? Unable to make his crude, but adorable jokes? Unable to call him Peanut and honey badger? Nightmares where his Wade, the one who saved him and gave him meaning and a new life, is staring into his eyes, as Logan's voice echos "They finally found a way to shut you up, huh." What if he wakes up guilty, a bitter taste on his tongue hearing how cruel those words really were to someone who means the world to him, someone who he never truly wants to shut up. Worrying his mind over not being able to save him once, not just not being able to save him, but having to kill him? Every once in awhile when he tells Wade "do you ever shut up?"[affectionate], he gets a flash of origins Deadpool in his head and goes quiet and regrets saying it?

could you imagine the angst?

Logan seeing his good "friend" who expressed his trauma through never shutting up unable to talk?Logan's "they finally found a way to shut you up" being breathless and painful and not just mean

Do you think Logan listens to Deadpool chatter and ever think about origins Deadpool and regrets not being able to save him? Regrets that one his last lines was taunting him for finally being unable to ramble?

[bloop-bl00p]

Alastor could have been Native American

Before anyone screams racism, removal of representation, or whatever I redirect you to my post about the Voodoo representation of the show.

→ HERE ←

First thing first, Alastor is not a Wendigo but his cannibalism aspect led to fans believing the contrary, a belief that was pushed further with him being a deer. Wendigoes aren’t related to deer at all, they mostly look like men who are visibly starved and all. The deer thing came from pop culture.

Now you’re gonna ask..

“You’re all for representing properly religion and culture why would you want him to be American Indian if he’s not a proper wendigo?”

He could be a skinwalker with small elements of wendigo.

Here’s a small rewrite

It’s not related to Hell’s Safe Haven, I’ll be doing something different, feel free to take the idea for your oc if you want. But remember, Always do research :)

Why a skinwalker? They are shamans who started as healers but broke taboos from the culture which involve using their ability for harm and curses. If you’re smart then you should see where I’m going with this.

Rather than being an “evil voodoo man” Alastor could have been a shaman who transgressed important rules and became a skinwalker, one of these taboos is murdering a close relative to align with darker powers which pretty much fits for Alastor. Obliviously, you don’t villainize the whole culture, you can still show that shamanism, when not perverted by skinwalkers, can do good. Alastor’s mother could have also been a shaman and went to Heaven.

He could still have been a serial killer, stalking and learning the routine of his victims before killing them. Then he could have died in the snow because hunters noticed his activities in the forest, thanks to their dogs smelling the putrid flesh of the bodies he was carrying around, and then he got shot. Or you can have it that he managed to escape but got lost and had to eat part of the corpse he managed to get with him, but he also had to use their skin to not try and protect himself from the cold in vain partially linking him to Wendigoes.

In Hell, he could have looked like a starved disturbing-looking deer, starved because of wendigos and deer because that’s the animals he favored the most to lure people. In terms of powers, he could have the ability to reproduce people's voices through electronics mainly using radios to do so. A cool detail could be that these voices sound slightly disturbing and fake.

He completely took a more charming and refined aesthetic once in Hell to appeal to and manipulate others more easily. Skinwalkers are described as carrying bones I guess that could help for a possible redesign. Since his appearance is quite scary he could wear a hat to hide his face.

The actual critic

This is really a surface-level thing, it's a first draft based on Wikipedia, but you can’t say that it’s not remotely much more cohesive than whatever Viv is doing with Alastor.

This is something that absolutely frustrates me with the Hellaverse, Viv has very surface-level concepts, and she doesn't do enough research to bring them to their potential. It happens with Voodoo, the Goetia, the Seven Deadly Sins, and the whole pantheon of biblical figures.

What she does is she takes these cool ideas and slaps them onto her oc without much thought.

Take an example with Andrealphus, he teaches math and geometry so one of my first thought is to give me space manipulation. This means he can basically change your location in an enclosed space, turn an entire room around, and twist it to his liking. With his knowledge of maths and geometry, he knows what to do specifically to make you land exactly where he wants which makes him extremely hard to fight inside a house, especially if it’s a big place.

He could also completely reshape the laws of geometry and physics, how funny would it be to see that he lives in a small house, not taking much place but then you go outside and discover it’s basically a whole castle? It’s generic but it makes sense and makes places for lots of interesting scenes for fights or just aesthetics.

Vivziepop chose to give him ice power, for some reason. I mean math isn’t really an attractive notion in terms of supernatural abilities but you can still do something interesting with it. Unless his castle is a geometrical wet dream, I don’t see a possible link between the two. It’s a matter of creativity and the willingness to do research to cultivate it, she doesn't have that.

If you just slap very specific labels (like voodoos) on a character without thinking about how it could work for them and affect the world around them (if voodoo works then the Lwas exists), then not only you are not doing your “job” as a writer but you are just doing it for the aesthetic. It’s not wrong to do if it’s mundane things like saying that one character knows how to speak Latin, but in some cases, you gonna have to be careful about what you write in your stories.

[penelopepine]

I’m absolutely in love with your writing 💕

I’ve always had this scenario of Phillip and Reader (who are both first time parents) going out with their baby, and Reader having to breastfeed the baby in public and a man tries to harass her about it (telling her she shouldn’t be doing this in public and whatnot) and Phillip stands up for her

Maybe the man tries to harass her while Phillip was at the counter getting them something to eat and he hears what’s going on or something?

(Moms who are alone in public get bothered like this irl by men so often and it’d be so sweet to see Phillip standing up for his wife 🥺❤️)

Thank You!!! I hope that you like this as well!

It's weird that people get so bothered by breastfeeding. Like just let the mom feed her baby in peace.

Mind Your Own Business

Phillip Graves x Fem Reader

With the baby turning six weeks old just a few days ago you and Phillip both felt comfortable taking the baby out to more public spaces. It was a beautiful day out, and that of course led to you both walking around the farmer’s market with the little one in tow. 

Philip had both hands on the stroller while you had one hand wrapped around the crook of his elbow as you both walked around. It wasn’t until half an hour had passed did he insist on sitting down in one of the bakeries for a bite to eat. “Come on, let me treat my sweetheart to something sweet.” 

“I think it’s you who wants something sweet.” You give him a playful nudge as you walk towards the shop. 

“Who says it can’t be both?” Phillip counted your accurate remark. “I’m a man capable of many things after all.” 

Once in the shop looking at all the available options is when the little one decides to make a fuss. Glancing at the time you know she’s probably just hungry since this is about the time you would normally feed her when at home. 

“Oh, are you hungry baby?” You gesture for Phillip to let you take control of the stroller, “I’m going to take her outside and feed her. I saw a shaded bench right outside.” 

It’s obvious he doesn’t want to leave you both alone, but understands that that’s just his protective nature talking. That little voice has been speaking a lot more ever since the baby was born. “I’ll be there in just a few minutes; I’ll bring you one of those chocolate croissants I saw you eyeing too.” 

"I love you so much." You give him a small kiss, and swiftly make your way outside to the bench just as the baby starts to cry.

It only takes you a few moments to get comfortable, grab the now crying baby out of her stroller, and adjust her so that she can easily breastfeed from you. 

You take this time to admire the tiny wiggling bundle of joy in your arms. She truly is the perfect mix between you and Phillip - it almost feels like she’s not real sometimes with just how perfect she is. 

The baby's crying and wiggling finally starts to settle down as she latches on. Just as things seem to settle down you feel a sudden presence next to you. Thinking it was Phillip you look up with a smile on your face which quickly shifts into a frown as you take in the strange man now standing in front of you.

It was the look of anger and disgust on his face that had you gripping your daughter tight to you; trying to decide if you needed to get up, and walk away. Before you can make a move though the man is already practically spitting venom at you. “Do you really think that’s appropriate to be doing in public? Why don’t you go do that in the bathroom like you're supposed to do?” 

“I’m breastfeeding - I’m just feeding my baby.” Is your immediate response to his unpleasant questions. You knew some people didn’t like it when women breastfeed in public, but you didn’t think anyone would actually try and fight you about it. All you're doing is feeding a baby after all. 

“No, what you are doing is purposely exposing yourself to others around you. I mean my god woman could you not have the decency to atleast have a cover on?” 

“A cover? It’s 80 degrees out right now, and you want me to practically put a blanket over her?” You couldn’t believe what you were hearing right now. Not to mention that you didn’t like using a cover; all it felt like was another thing you had to pack around and worry about. 

Arguing only seemed to be making the man more upset with you. As if you should be thankful that he was gifting you with his “amazing” advice on how and where you should be breastfeeding your baby. 

Red faced with a pointed finger raised, the man takes a large step closer to you. It genuinely seemed like he would have come even closer if he wasn’t so suddenly jerked away from you. 

“Now what do you think you're doing here bothering my wife and child?” There Phillip stood now in between the man and you. Finally, it felt like you could breathe again knowing that your husband was here to help you. 

Phillip was furious - that much was obvious even from where you sat with his back to you. His shoulders were tense, and his clenched fists looked like they were one wrong move from throwing a punch. 

“That’s your wife?” The man waves in your direction, “How about you tell your wife to cover up while in public.” 

The silence that follows after those words are deafening.

“Phillip,” You softly call out to your husband. As much as you would love to let him do whatever he sees fit you’d rather not have to be escorted off by police. 

You watch as Phillip slowly releases a sigh before he continues with his words to the man, “I'm not going to waste any more breath explaining just how stupid you sound right now. What I am going to say though is that if you don't walk away right now I'm going to beat the shit out of you, and I promise you that is a fight you don't want - not with me." 

The man clearly wasn't prepared for the outright threat of violence against him, and it showed on his now shocked face. People like him are all talk; just wanting to pick on someone seemingly weaker than him, and the second someone stronger stands up to him he's playing the victim. 

"Whatever," the man growls out before hastily turning on his heels and walking away further into the market. 

Phillip doesn't move from his position until the man has completely disappeared from view. When he does eventually turn around he puts one hand on your check and the other one cradles the baby's head before he asks you, "are you both alright?" 

"We're- we're alright. He didn't do anything besides give me a lecture." You're so thankful for that too, and luckily your daughter didn't seem to notice the tense situation that just occurred. "How did you know he was even here?" 

"You really didn't think I wouldn't be watching you while I was waiting inside did you?" Phillip looked much calmer now that it was just the three of you again. "Which reminds me I still need to pick our order up. Now let me help you pack up; there's no way I'm leaving you alone to get harassed again." 

Normally you would have insisted that you were alright to stay where you were, but right now all you wanted was to stay by his side. This encounter has really rattled you more than you thought. 

It only takes Phillip a few seconds to get everything back in the baby bag. The baby is still feeding from you as you both walk back to the bakery. In the silence you can’t help, but ask a question that has been bothering you. “Do you think I should … hide away when I need to breastfeed in public?" 

"Sweetheart, don't let one dumb fucker stop you from feeding our baby when she's hungry. You have the right to breastfeed anywhere you damn want to."

"You're right, you're right," He was right, this one experience shouldn't stop you from going out and enjoying things with your baby.

Phillip reached out and gave you a quick peck as he opened the bakery door, "besides I'll always be there to defend my girls." 

[letsgetrowdy43]

lowkey feeling some angst (said me never) like maybe nico gets hurt really hurt on the ice (like doesn’t get up for a while) and it was after an argument him and angie had when the team still didn’t know they were official. and angie goes crazy and has to be held back by someone (jesper?). idk just an idea!

-🍹

Omg yes!! It could have happened at the end of last season, and both of them are trying to make it to the end of the year after an injury-riddled season (2023-24 was rough for them).

Despite the seasons setbacks, Angie had begged Coach Green to let them play on the same line for just one game before the end of the year. After all, their off-ice chemistry was undeniable, so why not see if it translated onto the ice? Green had reluctantly agreed, but it felt like the world had other plans that night as they were no longer in play off contention so really it felt like wasted games.

Their pregame had been thrown off after a slight argument that Nico had started after bringing up their summer plans, hinting that he wanted to be invited to the lake house. Angie still a little on the fence about inviting him to the lake house and finally telling boys that they are, in fact, together. Nico felt like she was purposely sabotaging their relationship and Angie, flustered by her own fear of taking that next step, snapped at him.

Soooo they hadn’t fully made up before the game, and now, the tension lingered into their dynamic on the ice, which caused Green to separate them onto two different lines after playing a shitty first period together.

Then came the second period.

Everything had led up to the slightly dramatic, but also very traumatic moment where Nico had the puck when someone blindsided him with a hit that flipped him around and slammed him against the ice. It wasn’t just a routine fall—this was different, even the crowd could feel it as they gasped while Nico crumpled to the ice, unmoving.

For a moment, Angie was frozen on the bench, her brain struggling to process what she was seeing as he gaze flipped from Nico to Green who was now motioning fo rthe medics to get on the ice.

But then the panic hit as she dropped her gloves and stick on the ground.

She was halfway off the bench before she even realized what she was doing, her skates hitting the ice as she made a beeline for Nico. She couldn’t breathe, couldn’t think. The argument from earlier swirled in her head—how stupid she had been.

Really, her motives could be summed up as her being the only Alternate captain actually playing in the game (Jack was out for the rest of the szn at this point), but to a few guys on the team, these moves were a lot less calculated then the normal angie reaction.

Jesper Bratt grabbed her arm, pulling her back before she could get too close to the scene in front of them. "Angie, wait—let the medics handle it!" "I should be there," she said firmly, trying to pull free from Jesper’s grip, her voice breaking as she watched his expressions often, almost like he clued in a little that stronger emotions were floating around, "I need to—" "Let them do their job!" Jesper’s voice was firmer than she had ever heard before but still had that gentle tone to it. Angie struggled against him, but he held her back as the medics rushed onto the ice.

"Go talk to the Refs, okay, we still need a leader," he motioned towards the guys in tripes who were rewatching the tapes over and over again to decipher whether the hit was legal or not.

Her heart was pounding, every second feeling like an eternity as her eyes flipped between him and the refs, who weren't even attempting to speak to her, as she demanded some sort of penalty for their captain being knocked unconscious.

Nico still wasn’t moving, and with every few seconds she felt herslef going crazy.

Angry tears pricked at the corners of her eyes as the refs yelled at her, and she yelled back, her throat tightened with frustration at the turn of events, and before she knew it, she was ejected from the game and down the tunnel, following Nico close by.

But as she left the ice, she could definitely tell that the team could read the tobe change that had overtaken the captain and alternate captain and that whatever going on was at a deeper emotional level than they could ever understand.

-

-

-

Idk if that's what you were envisioning, but I can def see her going either completely batshit or like so overcome with emotions that she's not sure what to do other than get mad and cry (average girl experience)

[highfantasy-soul]

I usually don't post about The Bad Batch, but here's at least one post about it: I will be SO IMPRESSED if they actually keep Tech dead!

One of the main sticking points I had with the entire concept of the show and the 'reject clones' (ugh I hate that they're called that and I WILL NOT call them anything to do with 99, they don't deserve it) was that they undercut everything I found interesting about the clones. The idea that everyone has been created to be the same, yet they still clawed for their own identities within the sterile and controlled ranks, they were just normal guys - no special powers up against those with the force and machines of war, they followed orders - even when they knew it would lead to tragedy or wasn't what they thought was right they still had to do what they were told, the fact that they failed - a lot, and one of the biggest things: they DIED.

They were literally created to be cannon fodder to DIE and be replaced by the exact same model time and time and time again. We would get to know a new group of clones for ONE episode, but when they died, we still felt it - though they were created to be red shirts to die and non one to think about them again, the writers of the Clone Wars showed that they mattered - each and every one of them. That they still clung to individuality and companionship with one another even though they knew they were destined to die in this war and be replaced without a second thought.

The Bad Batch flew in the face of this: they were a group of superheroes we were supposed to feel bad for? They didn't follow anyone's orders, no one had ever died from their group, and they looked down on 'regs' as less than them. And of course, they were resistant to the chips in their brains because they're just so special.

So, if they actually keep Tech dead, it would be such a ballsy move that would turn the tone of the show on it's head. Suddenly, the Bad Batch would no longer have plot armor, they'd be just like any other clones (I mean, not really, but closer than they ever had been before).

I'm pretty sure they'll reveal he was saved by the empire and experimented on a la the special assassin units they just introduced (or like Echo), but if they actually stick with it, I'll have so much respect for the show.

[bacchuschucklefuck]

this has been a roller coaster of a design journey but finally I can present you: class swap artificer!adaine and rogue!fabian

[alangdorf]

(sorry for leaving y’all in suspense I was grocery shopping) Surprise!! I accidentally got into Len’en like two weeks ago. Whoops! I got ideas for cool drawings to do with each of the BPoHC shrine team members (and you-know-who, ofc, but that one might be… weird lol), but Tsubakura gets to go first cause theirs is the simplest; just greyscale + red color scheme with a split background and the pose is mostly random (maybe they’re squishing Tsurubami’s little eye thing? Idk). Very pleased with how everything worked out; the line for the eye is exactly where the dividing line for the background was and the way I managed to make the vest corseted while not changing the ribbon placement is just perfect. Although I did make their hat smaller out of the aforementioned cowardice also that thing is hard to draw

[moe-broey]

Some. Sort of spectrum. From most likely to least likely.

And by kitten-pile I mean This

I'll put a transcript under cut for easier reading! 🫡

How Likely Are They to Kitten Pile?

__

Mirabilis: "are you tired..? do you need a break...? ohh we could take one together..."

If she likes/trusts you even a little, she wants to cuddle about it!!!

-

Sharena and Peony: "Okay! 💖 Yay! 💖"

Shari: The only thing stopping her is social conventions -- making her MORE likely to jump at the opportunity!

Peony: Learning social awareness as she goes, and is surprisingly good at it?

-

Triandra: "Aren't we a bit old for that...? But... even so..."

Embarrassed, conflicted, but feels strangely nostalgic at the notion...

-

Plumeria: "I'm not so petal-soft that I'd resort to such INDECENCY, I mean even if your intentions are Pure USE YOUR HEADS YOU FOOLS!! Girl, the IMPLICATIONS!!!"

Desperately wants to join the kitten-pile, but her Issues and Pride gets in the way.

-

Moe: "aw, so cutes!"

Generally touch adverse, extremely picky even with the people it likes/loves -- everything is entirely on its terms.

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[markiafc]

to fulfill my promises to @ananeiah and to expound on @seventh-fantasy's post, there are many conceptions of enlightenment. because buddhism is a massive and old religion with a very robust canon, enlightenment goes by many names, it's articulated and imagined in many different ways. let's play the game of how many of them are adopted by the show...

popular metaphors that embody enlightenment include a refuge, a flame going out, or a firm island - because this world is often described as an ocean. all human beings are floating in the 生死苦海 sea of rebirth and suffering. to escape it, one must make their way to the island or to get on a boat. mahayana buddhism (aka. chinese buddhism) is literally named 大乘 the great vehicle, the primary idea being that enlightenment = to board a vehicle of transport, it will take you away. however, buddhism doesn't just envision this as an ambiguous vehicle. 乘 the vehicle specifically refers to a 船 boat.

the mortal world and the cycle of suffering is a sea and the way out is enlightenment, envisioned as a boat.

an extension of this is the concept of 彼岸 the faraway shore (alt tl: the further shore, the distant shore, the other shore, or at times the opposing shore). it draws on the same notion of 苦海 the ocean of suffering. to achieve enlightenment is to swim to shore, where there is finally safety and stability, free from suffering. this is why the euphemism for enlightenment is to 度到彼岸 reach the faraway shore.

此岸 this shore, is this ever-changing world full of agonies. you wade across the 苦海 sea of suffering, and reach 彼岸 the faraway shore. this is enlightenment.

as @seventh-fantasy depicts in this post, the final shot of ep 40, and as seen in the bonus ep 40.5, this is where llh is. ep 40 ends with the camera moving further into the distance, moving further into the sea. and the bonus ep 40.5 makes it clear again that lxy/llh has found his way to a different beach. llh has crossed the sea to another beach. he is on another shore, the 彼岸 faraway shore, far from 东海 the east sea where everyone else is.

let's look even closer at this.

enlightenment is also conceived as a place: 淨土 the pure lands, 极乐世界 the realm of greatest bliss, and so on. one of the geographical markers of this idea is 西 the west. this "land" accessible only to the enlightened (佛 buddhas, 菩萨 bodhisattvas, and 阿罗汉 arhats) is also dubbed 西方淨土 the western pure lands and 西天 the western heavens, etc.

enlightenment is imagined to be westwards. the opposite direction and away from 东海 dong hai = the east sea. where the story began and lxy famously plunged into; he fell into the 苦海 sea of suffering located in the 东 east. from this starting point, llh makes a meandering journey to his final location in the show. he makes his way 西 west, towards enlightenment, and reaches a 彼岸 faraway shore, the enlightened "after" and what is beyond.

now that we're on the topic of the pure lands, it's worth mentioning that this concept is furnished with a lot of descriptions in buddhist sutras. it is a beautiful, glorious land brimming with lotuses. because, of course, the lotus is yet another ubiquitous image that represents enlightenment.

the lotus position is crucial to the buddhist practice of prayer cultivation, especially in 禅宗 zen buddhism that is built around the central practice of prayer. lotuses are motifs in buddhist art, and buddhist myths (the legend goes that lotus flowers bloomed under the buddha's feet when he took his first steps as a child). people practicing buddhism are referred to as 莲友 lotus friends, 芬陀利花 the white lotus is a synonym for the buddha. lotuses are also integral to buddhist canon; the pure lands are detailed to have seven 宝莲池 treasure lotus ponds. every buddhist has their own lotus waiting for them in the pure lands; it is believed the more you cultivate, the more your bud in the pure lands grows/blooms.

of note, every living thing residing in the pure lands are made from lotuses. in fact, buddhist canon states that the enlightened are reborn inside a lotus bud, similar to an incubation. their new body is reconstituted from lotuses and they emerge anew when the bud blooms. crucially, it is also stated that every enlightened in the pure lands will have 莲花座 a lotus seat. this is a vehicle of transport, usually likened to the magic carpet from one thousand and one nights. it is described as 随心所欲、飞翔自在 something that acts after your heart's desire, something that flies free. the lotus seat is about boundless, freeing travel.

this isn't comprehensive at all, there are tons of other ways lotuses come up throughout buddhism. but the connection to the show is straightforward and self-explanatory. the primary motif in 莲花楼 mysterious lotus casebook is the lotus - a famous marker for buddhism itself. one of the dominant illustrations of enlightenment, the cultivation process to achieve it, and enlightened entities themselves.

the buddhist notions of rebirth are similarly heavily intertwined with the lotus. it is your body; you become it, it becomes you. from then on, you are surrounded by its image and its presence. you even have a lotus vehicle that becomes your main method of travel, a mode of travel defined by carefree contentment. sound familiar? llh's identity and his living carries major markers of enlightenment. it is one of the primary concerns of his character arc.

quick detour. a prominent moniker for enlightenment is the setting of the sun, as yet another epithet utilized by the drama.

detour over. crazy connections time.

discussions of death and suicide is, to my knowledge, particularly prominent in japanese buddhism. but as a whole, a significant portion of buddhist canon and a good number of buddhist media deals with this too. dying as a means to get closer to enlightenment, equating death and enlightenment, the subject of suicide itself. characters seemingly pass away and become enlightened, or characters strive for death with this express purpose as death is connected to enlightenment. this is true. one does not necessarily cause the other, but the concepts are interconnected in buddhism. it comes hand in hand, dissecting one means dissecting the other and vice versa.

most buddhist texts and masters do not condone a direct correlation, suicide is not the way to enlightenment. there is no buddhist value to killing yourself. but the key exception lies in one of the most important buddhist texts: the lotus sutra.

"These include several themes dealing explicitly with death, such as how suicide was committed to speed up rebirth in the Pure Land based on the sanctioning of voluntary death as a superior form of sacrifice in Chapter 23 of the Lotus Sutra ..." [1]

the chapter 23 in question talks about a bodhisattva who turns himself into a human candle and burns himself up, in offering to the buddha. there is more to the story, but it mainly functions as a lesson about cultivation and enlightenment.

in the canon about buddhist suffering, there lies a subset dedicated to physical pain and torment. there is a heavy focus on our 5 senses, specifically (that's a whole separate topic i won't go into here). very briefly, to suffer is to experience the world through our 5 senses. to live as a human being is to suffer in a sensory way.

buddhism aspires to transcend this flesh and blood suffering. so annihilation of one's body is an essential step to achieve enlightenment. usually, this theory centers natural death and decay. you accept that you are always aging, your senses will lose their edge, your body is always subject to illness, injury and other failings. let the body waste away, it will do so regardless.

hence, the human body is set on a course of gradual deterioration. this suffering is processed through our 5 senses and is defined by them. in the face of this, the lotus sutra is the only notable buddhist text that looks kindly upon "voluntary death" to transcend it.

similarly, llh accepts the effects of bicha on his body. it mimics the natural decline of the human body, accelerating the degradation of his senses, his immune system, and his physical capabilities in general. his experience of this form of suffering is also emphasized through a period losing his sense of sight. it is a very buddhist torment. but at the end of the day, it is still a man-made, unnatural cause generating this effect. accepting this is not the same as accepting 生老病死 death via age, sickness and other natural processes.

llh embodies the sentiments and themes in the lotus sutra when he consciously chooses to let bicha run its course. he chooses to die, it is a "voluntary death". let this destroy his body. let this suicidal choice (though its more nuanced than simply suicide imo) free him from buddhist physical suffering. thus bringing him closer to peace, a version of himself that will be happier.

finally, enlightenment is about ambiguity.

凡人 the common people are incapable of comprehending enlightenment. it is understood that the human senses and the human mind is too inept and unrefined, too clouded by illusions, to grasp it. there are a million ways to express it, depict it, and name it. but there is a consensus across buddhism that these are simply aids for the common student of buddhism, and they are not accurate to the truth. at the core of enlightenment is an abstraction, an inherent unknowing.

it is, by definition, a departure and a continuation. it is a removal from this world and a transition into another place, another realm. all at once, the phenomenon straddles a greyness between an ending and a beginning. it is unclear whether the enlightened has left, or is it the common man who is so lacking he cannot recognize or even perceive the enlightened? in the theory of enlightenment, buddhism accounts for both factors. but we will never know for sure.

where do the enlightened go? where are they, where have they gone? these are questions buddhists often ask and explore, and it is also the question that the remaining cast engages with. what is enlightenment, exactly? there is a suspicion, some notion of what must have happened. it might be death, it might not be. only the enlightened can answer this, everyone else is left without clarity.

in the end, the seekers get close to the answer but there is no real fruition. and so the search lasts indefinitely.

that, too, is part and parcel to enlightenment.

as for how enlightenment narratives function, i leave you with this.

"Nirvana provides the full stop (period) in the religious story; it gives what one might call, to use Frank Kermode's well-known phrase, "the sense of an ending" - that is, a real ending and not a mere breaking off. Such an ending is only possible within a narrative.

[...]

Nirvana, I want to suggest, is a moment within a discursive or practical dynamic, a formal element of closure in structure of Buddhist imagination, texts, and rituals. One might say that nirvana has primarily a syntactic rather than semantic value: it is the moment of ending which gives structure to the whole. The fact of narrative structure and closure provides a meaningful and satisfying resolution, although in itself nirvana has merely the formal value of a closure marker.

[...]

Earlier I called nirvana the full stop (period) in the Buddhist religious story; now I can add that it is a full stop in an eternal story, a full stop which brings closure to individual lives in a master text which itself can have no final ending." [2]

Sources:

Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse by Steven Heine ↩︎

Nirvāna, Time, and Narrative by Steven Collins ↩︎

[r-biter]

az for the character bingo. your relationship w him fascinates me

Put gently, i need him dead, but he IS like the most interestingly weird person in the IC likely.

[cuteniaarts]

Here *throws random and actually much more important than I realised at first OC redesign at you after two and a half years since the OG*

Meifeng, Ming-Hua’s cousin! I just randomly remembered that she exists while putting together my OC family tree and since the only art I have of her is… nearly 3 years old and mediocre at best, and Kat and I have recently spent so much time focusing on Red Lotus siblings, I thought “Hey, why not redraw her? Just because she’s a cousin and not a sister doesn’t make her any less special than Lien-Hua, Summiya, Aiza or Haya!” (On that note… Nia give someone a brother challenge. The only one that counts is Aiza and she’s only a brother half the time)

Some headcanons about her, both new and old (the old copy-pasted over and slightly edited to save everyone the second hand embarrassment of going to look at my old art), which will go under the cut because this has gotten LONG:

Old:

Older than Ming-Hua by around 10 years

Her dad is the older half-brother of Ming-Hua's mom who’s… not the most fond of their side of the family

Has never left her home in the Foggy Swamp Water Tribe

Master healer, specialises in children. Can't have any of her own because of the high pollution levels in the swamp which is why she puts all those motherly instincts into teaching and caring for kids

Got a scar on her leg while saving Ming-Hua from some wild swamp creature when the latter was a child who was absolutely convinced she could handle everything herself and never listened to anyone. Ming-Hua still insists she had everything under control that day

She tried to understand Ming-Hua's perspective on things, she really did, but ultimately tribe mentality and fear for her cousin’s safety, believing her not to be nearly as capable as she claims to be, won over

Attempted to stop Ming-Hua from running away but was, obviously, unsuccessful

Was the one consoling Nuying after Ming-Hua left

Helped Suiren learn waterbending and held genuine affection for the girl, although she ultimately refused when Suiren begged for the chance for her and Midori to escape from Haya and live with the tribe. She thought that while Suiren would most likely adjust well, Midori was simply too Gaoling to survive in a place as dark, damp and isolated as the Swamp. She regrets that decision every day since she found out Suiren became an assassin

Mourned Ming-Hua more than anyone else in the tribe when informed of her death

New:

Was the one who babysat Ming-Hua a lot when Nuying was going through one of her depressive episodes after Cadeo left, and Ming-Hua actually enjoyed spending time with her because she was a lot less overbearing and protective than her mother. Was the first person to start calling her Ming. Sometimes Ming-Ming, but Ming-Hua had a tendency to deliver a very hard kick to the shins every time she tried that

Never left Nuying’s side when she got sick in the years following Ming-Hua’s disappearance, no matter how much everyone, including her own father, told her to stay away, there’s nothing she can do to help her. In her final moments, Nuying was delirious with fever and called out for Ming-Hua. Meifeng didn’t have the heart to remind her that her daughter left so instead let her hair down, covered her own hand in water and told Nuying that she was “right here, mom. I’m right here” and stayed like that until Nuying passed

When Ming-Hua returned, Meifeng was the one to break the news to her. Later, when Ming-Hua asked how and when it happened, she couldn’t quite stop herself from snapping at her because she should have been there, Meifeng shouldn’t have had to pretend to be her so her mother could die without worrying about where her daughter was. Their relationship never really fully recovered after that fight

Still, she had met Suiren when she was little on the rare occasions when the Red Lotus passed through the Swamp and Ming-Hua chose to take her daughter to visit the tribe. She never met Midori, but she did see Ming-Hua pregnant with her once

Didn’t know about Ming-Hua’s imprisonment until an 11-year-old Suiren told her because world news don’t reach into the heart of the Swamp. She just thought they had decided to stop visiting. The news crushed her but… a part of her couldn’t help but go “you should have fucking listened to me when I told you to stay, then this wouldn’t have happened”

Her teaching Suiren waterbending involved mostly the basics of combat (she herself doesn’t know much of it since she’s a healer), plantbending and healing. Suiren reached her level of mastery and proficiency as well as figured out icebending on her own through sheer determination and spite (she’s so much like her mama 🥹🥹🥹)

Is the only one from the tribe Suiren had ever confessed to about being an assassin. That knowledge broke her heart and she spent all those years absolutely terrified that Suiren would meet Ming-Hua’s fate. When Suiren stopped visiting at one point (when she left for her mission to kill Kuvira, got injured, recovered at ATI, reunited with her parents, broke Kuvira out and started living with her, etc etc) she had assumed that it really did happen, until Suiren randomly showed up one day with Kuvira in tow (Meifeng did not approve bc of the whole spirit vine thing 😅)

Absolutely reunited with Ming-Hua at some point and it was an extremely emotional moment

Ripped Cadeo a new one when he suddenly appeared looking for his daughter after 45+ years after it became common knowledge that the RL are all alive and no longer wanted by the law

All in all… quite an interesting character that I really should do something with at some point, bc how come Ming-Hua’s family is the only one to get 0 attention in our discussions?? #justiceformeifeng2024

[waywardsalt]

oh yeah i’ve got a bunch of loz aus that i haven’t really talked about. a few of them are listed and slightly explained in this poll and explanation reblog but i haven’t gone out of my way to actually list the aus i have and really explain them. so that’s what this post is for. here are some... decently simple explanations of my major aus and what they're generally about

i have two kinds of aus: original aus (loz aus that are set in their own kinds of worlds with their own stories and twists on character roles) and then crossover aus (we all know how this works i just mash loz and a thing i like together)

original aus: (many currently dont have actual titles, so the titles will often just be concept shorthand)

in the court of the crimson king/crimson king au: probably the most developed and closest to being written out. it's got one of the longer premises; set in a industrial-esque hyrule city, following linebeck as the main character, as the adoptive older brother of link and aryll, living with them and their grandmother as the only one able to reliably make money to pay for rent and food, leaving every other week to do jobs, but he moonlights as the 'demon of the gray moon', a masked persona he'd created as a child that had long since become a city-wide urban legend, anonymously taking unsavory jobs from whomever can contact him and offer pay, often working directly for bellum, a childhood friend, the one who enabled and trained him to become the demon, and one of five anonymous leaders of the city. linebeck effectively lives a double life, and tries to stay out of too much trouble to avoid drawing attention to himself or making his adoptive family worry, but he gets dragged into more and more danger as bellum becomes curious about the identities of the city's other leaders, and linebeck falls in love with a man named ganondorf, suspected to be one of those other city leaders. ive got a few posts related to it already: this one being another vague concept descriptor, this one being an actual scene i have written out.

'gimmick' au: i cannot explain the gimmick without spoiling the au. put simply, in this au, hyrule as a whole has been at war for ten years, every race and kingdom taking sides in a conflict that seems to be going nowhere. link joined the hylian army young, and has made his way up the ranks to become trusted by queen zelda herself, and things in the war take an interesting turn as he and zelda discover a new faction, unaligned with any particular kingdom and with unknown motives, and zelda decides to set out to the different parts of hyrule, link and a chosen group of trusted allies in tow, intending to try negotiation one more time before things take a turn for the worse.

sci-fi/space au: the fun one that probably would need to be done in a visual medium. it takes place in a solar system of a few planets, link growing up on the planet hyrule and occasionally traveling to the others as a knight specializing in investigating and taking down dangerous bounty hunters, working for zelda as a friend. he and zelda uncover a plot by the yiga clan to accumulate a number of highly dangerous research and weapons held by each species as they aim to resurrect a demon to wreck havoc on the solar system- the b plot being about the top bounty hunters in the solar system screwing around, eventually colliding with link and zelda's a plot as it begins to involve them.

murder mystery(?) au: one of the older ones, maybe one of the oldest that i still stick with. this might actually be one of the first ones i tried writing. the plot begins when zelda returns to hyrule city years after her father- the former mayor- was murdered, finding that he has been replaced by ganondorf and that while things seem fine enough on the surface, random and organized crime run the show, and she begins a private detective agency as 'sheik', a masked young man, and with the help of impa, and old friend and confidant, she moonlights as sheik and uses her daytime identity as zelda to help chip away at some of the city's biggest problems and finds herself drawn into a long string of murders that appear to be anything but random violence.

ruined hyrule 1: i have two au’s with the premise of hyrule being ruined. neither of them have more specific names yet. this one begins with the majority of greater hyrule's population having long since locked themselves in hyrule castle town in order to escape the increasingly dangerous wildlife. zelda, a young girl at the beginning, becomes curious about what lies beyond the city walls, and makes friends with many other children within this sheltered hyrule, and as they grow up together, aim to eventually venture out into the wilderness to see what may have caused the outside world to become so incredibly hostile.

ruined hyrule 2: the other ruined hyrule. set in a devastated hyrule, roughly ten years after the royal family was killed, link failing to save them or hyrule in the time since. he now resolves to set out and indiscriminately destroy every demon that plagues the ruined hyrule, meeting and bringing along various allies, each of which has been uniquely affected by and have different lived in this altered, dangerous shell of hyrule.

modern (school): i also have two modern aus. this one isn’t plot driven, just a concept i have, would work best as little vignettes or something. essentially just the idea of a group of loz characters hanging out together in a modern high school (or college?) setting.

modern: this is the one with an actual plot. follows the general idea of zelda characters living in a modern world only for the typical legends to begin resurfacing and heralding dark events. plot specifics are murky, but that's the general idea.

dark mage: this is the au that where the seas meet the sands takes place in. basically just ganondorf x linebeck shenanigans in this alternate hyrule while actual plot sneaks up on them. named 'dark mage' mostly because the initial idea behind this au was that linebeck would learn magic.

horror au: doesn't have the best name, and it's ended up just being a personal sandbox for me. constantly changing, with the cast and setting often altering if i find that something isn't working or sticking. it's an au i've considered (and even briefly tried) writing in the past, but it's still too fluid, and writing horror effectively is difficult. it's a fun au, though.

mecha au: spawned because i watched neon genesis evangelion. a lot of this au's basic concepts can be found here: x but the short version is that hyrule is being besiged by massive monsters, but each race has created their own mechs to combat them. link is just a farmer who happens to have a strange knack for being a mech user, so is brought in by zelda as a gamble to bolster their chances, and he is tasked with working with a new and less-than-trustworthy crew to help fight those monsters.

'amnesia link' au: an au that sprang up in about a day and hasn't gotten too far since. basic premise being that three years prior to the story, link and a group of allies has faced off against ganondorf and, despite their best efforts, lost, with link being presumed dead by their enemies. now, link has woken up from his coma, his memories gone and hyrule taken over, and, with guidance, must once again travel across hyrule, aiming to rediscover his allies and try to face ganondorf once more.

A quick list of crossovers: I won't explain these in length, since they can range from having their own plot to just being a fun mental concept. So, the things I have made crossover aus with are:

Warrior Cats

Batman

Jojo's Bizarre Adventure

Persona 5

Pokemon

(there are other, smaller ones, these are just the ones i consistently pay attention to)

So! These are the majority of my legend of zelda aus, some of which I may write, some of which just exist in my mind for fun, all of which I wouldn't mind talking more about if anyone is curious!

[hecksupremechips]

Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over

Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰

[ignatius-pennyfeather-ix]

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