#which don't contain enough visuals for it to really work

[sanctus-ingenium]

another one of these posts lol... sketches vs final. not much changed for these ones, i kind of went into them with a very solid mental image already in my head. all of these were done start to finish in procreate

thoughts below the cut

horse fight .... this is based off a really really beautiful sky i saw while driving home one evening. i'm really proud of getting the colours i saw exactly right, this kind of greenish yellow fading to dark blue and with grey clouds low over it that looked very dark against the yellow by the horizon, but very pale against the dark blue.

i thought it would be a cool backdrop to draw a scene i've been thinking about for a while. The little cartoony horses are there to provide some tonal whiplash but also because these are two immortal shapeshifters who can fight violently without it being a huge deal. the little horses represent the actual gravity of the fight (that is, kind of a slap fight between two drama queens) which contrasts with the visuals of two animals brutally tearing at eachother. also i got the two horses at the bottom mixed up, Pascal is the one with the skinny plumed tail and Macha has a more traditional horse tail and i put them on the wrong sides.

i had a LOT of trouble shading this. i didn't want the horses to be too shiny but that meant a much lower contrast in shading and even with my screen brightness turned up i could barely see what i was doing. but i wanted it to read as realistic. mixed results i think. if i did it again i might try a different shading style because this one didn't really do it for me

--

spooky van!!! the post i deleted by accident (rip. i will repost it soon). this is a picture of the barrow (the field) taking a different shape - in this case a cool van. the van contains every single thing the field does (including the human victims that get lost in there...) but compressed down into a manageable shape. the void is Pascal because the field is inside him. he did this for his human bf to provide novel way to travel through the Otherworld. don't ask how this works like, spatially, because the answer is: i don't do hard magic systems in this setting

i loooove shading things with pencil hatching and i really like contrasting it with smooth colours/shading so that's mainly what i did here. it was simple enough. the van is of course heavily referenced and i wish i had been able to stylise it a little more.. maybe next time. i want to draw a kind of cutaway illustration of the van showing exterior and interior (like an old blueprint schematic), which i might use as a cover for the book/comic/whatever but that will require a very intimidating level of precision so i think i'll work up to that.

--

RUA magazine. this is my third time doing a rua magazine cover (first time posting tho). this is an in-universe magazine distributed throughout the Otherworld to an audience of fairies. in the sketch, the illustation was originally the King of Pentacles tarot card (the pentacle being the disco ball). but i decided to make a different King of Pentacles card for him instead, since I try hard to move away from symmetrical composition for the tarot cards (it's boring). so i repurposed this one into another magazine cover. like i said Pascal is a self-absorbed attention whore and has a habit of giving bullshit interviews just so that he can be on the cover as much as possible. he dresses like this all the time (the year is 2017)

the disco ball took 15 years off my life and it's not even the first disco ball i've drawn! i finished my actual king of pentacles card before i finished the rua cover sketch, so i can show u this

which is much better even if i did reference so heavily that it isn't exactly stylised. but this card needs some serious revision before i even think about posting it. i'm just not happy with his face.

original intent was for it be mysterious with emphasis on the neon lights but it ended up far more suggestive than i expected. that's life!

[cipheramnesia]

This is the process my brain goes through every time I see anything about Netflix Avatar The Last Airbender.

My first reaction is always: Why? The original, although not without flaws, doesn't leave a lot of room to improve. A good remake or adaptation usually involves an updated context or change in perspective that adds to the original work and gives it new meaning. It's a risky undertaking because it usually involves wanting to take on something established as iconic and make it your own. But Netflix is a corporation and seems very risk averse for the most part. Its only investment is in the name recognition of AtLA. It's hard to visualize Netflix deliberately taking a big risk on an expensive show.

My second reaction is: How? The original series is about 1400 minutes over 61 episodes, and it still had to rush the ending. We're looking at 8 episodes of roughly 45-60 minutes per episode for season 1, which would require Netflix to let it run more than 3 seasons, if the series has similar pacing. Historically however Netflix shows have glacial pacing, and rarely make three seasons. Not really sure how they plan to tell the story if the series is anything like the average Netflix series, meaning it either needs to undercut the story or let the series breathe for at least five seasons. But nothing Netflix has done makes me want to watch anything they make as an ongoing series? Why bother, they cancel everything I enjoy. So I wonder how. What's the hook to say "this will be able to provide something new and interesting compared to the original, and will be allowed to tell the complete story."

Which leads me to think, but you can't judge if something is good without seeing it. Except none of this is about whether it's good, I just find myself wondering what are the odds it's worth the effort? They're low, and it has nothing to do with whether or not it's even any good on its own merits.

Following this, I ask myself, what would a good version of this be. Imagine you are making a live action series with eight hour long episodes per season based on a children's cartoon with 20 thirty minute episodes per season. You are trying to encompass a story which was presented over three seasons as a cartoon, and you do not know if you will have more than those eight episodes. It's made for Netflix which, in terms of a company which will protect the hard earned fruits of your artistic labor, is the fox guarding the henhouse. What do you do?

If you are looking to make something good, that respects your audience investment and your own work, you make radical changes to the story. You change the pacing, the character arcs, the plot arcs. You make sure you deliver a complete story in those episodes with as much respect for the original work and as many new ideas as you can.

Except, at that point, what is even the point of a remake. The only way to work with it is either to trust Netflix allowing you to finish the story (which you'd need to be incredibly naive to do), or tell a story so different it may as well be wholly original. And that's where I always end up. Like, it'll probably be fine, but what's the point of it all? Another vanishing digital property to get canceled because of some undefinable failure to return on investment.

I think about it a lot because the two ends of the spectrum seem to be "dunk on every new piece of information" or "wait and see" but the only conclusion I can ever reach is "why even care?" That's been the lesson to take home from digital streaming in general when it comes to series, but Netflix in particular, and honestly for movie series too. If it can't be self contained, the companies who produce and release these kinds of series just cannot be trusted with it, and there are too many good original stories being put out to care anymore about big budget promises that one day they will definitely for sure deliver a finished story, this time for real.

I care enough to think about why I don't feel anything at all about Netflix Avatar. It'll be fine, whatever else. Just fine.

[accirax]

DRDT Chapter 2 Recap Analysis

Heyyyyy everybody :D

I'm sure that, by now, everyone has heard the exciting news: DRDT will be back on Friday, September 6, at 7 PM EST! That's so awesome!!! I can't wait to finally see the end of the Chapter, and hopefully for the DRDT community to come back in full force, even if only for a little while. I missed you all :)

So, to get back in the swing of Chapter 2 theorizing (and recap what's just happened for everyone including myself), I've decided to run a bit of analysis on the return announcement itself, specifically the recap that occurs at the end. I believe that anything an author says about their works can hold clues as to how they view their story. And, in this case, what does and doesn't make the recap and how certain events are phrased can give us some last-minute clues as to what we should be keeping our eyes on going into the second half of the Trial.

I'm going to try to keep this as facts-focused and non-partisan as possible, but in a "theory" like this, confirmation bias is basically impossible to fully ignore. It's inherent that I'll be more likely to pick up on "clues" that work with my beliefs than ones that work against it. So, please remember that I am not attacking anyone who believes any of the things that I "disprove" in this analysis, and I'm also not saying that you're already 100% wrong about them at this point in time. I'm literally going to "shoot down," so to speak, some of my own theories, but I'm not taking this analysis as reason enough to abandon them just yet. We can't know if anything is true or false until the Chapter is finished, so it would be silly to call something completely wrong when the Chapter hasn't even restarted yet.

With that out of the way, let's recap that recap, and drain every bit of information out of it that we possibly can!

I think that the most efficient way to see what is and isn't present is to list out the "scenes" that occur throughout Chapter 2, and see what DRDTdev had to say about each of them. With that in mind, our first "event" is...

Eden Makes Breakfast

Notably, all mention of Levi helping Eden make breakfast is omitted from this recap. This includes in the visuals of the clip played.

In some instances, I'm going to write how DRDTdev could have phrased things if he wanted to highlight certain elements in an indented paragraph, just to prove that it was possible to convey the information differently. Like this!

"Chapter 2 starts with Levi helping Eden make breakfast for everyone."

Distributing the Motive

This part seems pretty all-inclusive to what I remember happening in this scene. The only thing I particularly have to note is the finality of "Arturo received J's secret"-- which really makes it sound like that secret was assigned correctly-- but I don't think literally anyone was trying to claim that Arturo was lying about J having that secret.

Investigating the Second Floor

Obviously, DRDTdev didn't go into detail about any of these interactions-- no notes on Whit's theory that the killing game was catered to them, about Levi really wanting to make things up with Ace, or Nico's struggles with socialization. It means that those details are probably less important to the end of the Trial specifically, but I don't think that's much of a surprise.

Caulking the Bathroom

A lot of detail is omitted from what Teruko and MonoTV were actually talking about in the bathroom. Most notably, however, is that the Monocredits are not included in the recap. This may mean that Teruko's second Monocredit will not be redeemed this chapter, but at some later time.

A Chat With Charles

Once again, the use of Monocredits are ignored, as well as the fact that Charles gave Teruko the secret he received in case of emergencies. Therefore, it's possible that the letter (which should contain Eden's secret) won't come up again in the end of the Trial, and that this scene was more relevant to Charles' plot of opening up to Teruko than anything directly related to the secrets themselves.

"Afterwards, Teruko goes to talk with Charles, who hands her his motive secret in case of emergencies. Flustered by Charles' trust in her, Teruko uses her first Monocredit to have MonoTV make Charles go away."

Eden Retrieves Teruko

A couple of things here! Firstly, DRDTdev draws attention to the fact that Teruko was removed from the group for a day. I don't know if this could factor into murder plans at all, given that it's a whole three days before Arei turns up dead, but it could be relevant. Secondly, any mention of Eden's blackmail AND any mention of Eden's philosophy are omitted from the recap. Given that that's both one piece of information that makes Eden seem more guilty AND one piece that makes her seem more innocent, I imagine that was probably just to keep things neutral/brief. Unlike some of the other text boxes that I showed could have been written differently, that descriptor was already pretty long.

Commotion in the Cafeteria

No comment on who was the one tasked to help each of those pairs (Eden, Veronika, Teruko) or Charles and Whit choosing to sit out, but none of those additions seemed incredibly relevant to the overall plot.

David Suggests Secret Sharing

In this case, "secret" is put in quotations, which strongly suggests that having a family history of depression, whether true or not, is not what David's secret actually was. But, the board basically confirmed that already. Far more wildly, no mention is made of Charles learning of Elliot's existence at all. This is particularly crazy to me given that the last video on the DRDT channel prior to this was the Yoidoreshirazu MV. It definitely implies to me that Charles' secret will not be relevant in wrapping up Chapter 2.

Arei's Breakdown

The use of "rebuffs" as opposed to "bullies" or "demeans" is interesting to me, as it's a relatively chill word to describe what Arei did. We also lost Eden slipping up and telling Teruko that the secret she has belonged to someone with he/him pronouns, but that was likely excluded because we've (most likely) already solved that mystery.

Rose's Secret

No detail about Rose's backstory, but we don't have all day. Far more interesting to me is that DRDTdev draws attention to Nico asking Rose to teach them to paint in a sentence that could have easily been cut. My guess is to highlight the importance of this in relation to Ace's "murder."

Nico Threatens Ace

Nothing of note here; this seems pretty standard.

Nico's Secret

The phrasing "David has Nico reveal their secret" is really cool for how non-partisan it is. It doesn't say "David FORCES Nico" or "David MAKES Nico," but it also doesn't just say "Nico reveals their secret," either. It points out how David pushed things in this direction, but did so in a way where it was still technically up to Nico. Anyways, we also lost Hu telling us about the origin of her name. This is a bit strange, given that it's the main scene we have (in Chapter 2 at least) of Hu and David working together and being on good terms before David's reveal. Perhaps this implies that any relevance this scene has on the Trial has already passed.

Teruko Threatens J

Honestly, the weirdest part of this to me is that it was important enough to make the recap at all. But, it did have a CG and everything. Actually, I wonder if this could have been included to help us remember that Teruko is actively carrying a knife on her at all times.

Ace Nearly Dies

DRDTdev directly phrases this as "Nico attempting to murder Ace," which really sounds like a soft confirmation that Nico was the one who tried to kill Ace, and therefore they were not framed for this crime.

"Late at night, Teruko and Eden spot Nico running away from Ace's nearly dead body in the Gym."

We also lose a lot of detail when it comes to Teruko and Eden investigating the initial scene of the crime, Ace chasing down Nico to kill them on the spot, and Levi offering his aid before being rejected and growing angry. It could indicate that the details of what happened after Ace "died" won't be relevant to the end of the Chapter.

Hu Defends Nico

This scene, in which Ace tries to expose what Nico did and Hu argues that Ace must have the wrong idea, is entirely missing from the recap. I bring this up because, very notably, this is the scene where Arei is last seen, not speaking. Arei's weirdly quiet breakfast is not highlighted in the recap at all, which may mean that it won't be relevant to the Trial.

Teruko and Rose Check Out the Gym

We once again call particular attention to the fact that Rose can't do a pullup because the grippy tape went missing from the Gym at some point around the time of the murder, although no focus is put on the fact that the Gym was closed in between when Teruko and Eden were there and when Teruko returned with Rose. This may suggest that the lockdown logic of how the tape went missing may be relevant to the remainder of the chapter.

A Chat With Charles and Whit

Once again, absolutely no mention is made of Ellie or Charles' childhood amnesia, despite that being the main point of this conversation. Weird.

"Teruko stops by the Computer Lab and talks with Charles and Whit about Charles' memories of a forgotten older brother."

Horror Movies in the Gym

Beyond the lack of detail regarding Veronika's philosophy, I'm quite surprised that Teruko's plan to end the killing game wasn't at all mentioned in the recap. I guess that'll be saved for a further chapter!

Motive Reveal Time

I don't think there's anything particularly important going on here, besides possibly drawing attention back to David being the one to point out that Arei was missing. It's possible that could still be relevant if the specifics of the BDA come up in the Trial.

Discovering Arei's Body

A couple of points on word choice in this one-- first of all, the text says "find her body," which, according to what was said on the slide before this one ("points out that Arei is missing"), should imply that they found Arei's body. However, the way that this slide is phrased allows for the very sneaky "Everyone goes to search for [Arei]. Teruko, Eden, and Whit find [J's] body hanging in the playground." Therefore, in my opinion, this part of the recap doesn't disprove swap theory, at least.

Secondly, the word DRDTdev chose was "find," not "discover." And, in this game, the BDA rule is phrased as "The Body Discovery Announcement will play when three or more people who did not witness the murder discover the body." Thus, by not directly saying that Teruko, Eden, or Whit was discovering the body here, this part of the recap also doesn't disprove the idea that Eden or Whit (or Teruko) could have done something to falsify the BDA. In fact, the BDA itself isn't mentioned at all.

"Everyone goes to search for her. Teruko, Eden, and Whit discover her body hanging in the playground, and trigger the Body Discovery Announcement."

Investigation

Absolutely nothing from the investigation makes it into the recap, likely because the investigation is an entire episode long on its own, and DRDTdev was trying to keep it quick. Not to mention, pointing out particular pieces of evidence here would really highlight what's going to be important in the Trial to come, and DRDTdev may be lowkey trying to further nudge people towards rewatching the entire investigation for themselves anyways. I think that the reconstruction of the note is probably the thing that I'm most surprised to see missing from the recap? I'll also point out that the video clips chosen for the "Investigating the Second Floor" section include Teruko and MonoTV looking up at the Gym's ceiling fans, which could be a sneaky way of drawing further attention to that setup.

Assigning Secrets

We have to go a bit later into the recap to hear about the motive secrets, and what we get is, predictably, very vague. Saying, "currently, the state of the motive secrets is like this" puts the full burden of proof onto the students to assign them correctly, with DRDTdev giving no indication here as to which are correct. Even the most highly contested assignment-- that Xander has the "the killing game is all your fault" secret as opposed to Teruko-- is still treated like fact here. Again, not a surprise, but not much to be gained.

Possibility of Suicide

The specifics of the blackened being the "most mastermind-y" person involved in the case are not included in the recap. This could imply that this rule may not be important to the outcome of this Trial.

Eden and Arturo

"Eden had Arturo's secret" also feels like a soft confirmation that that is Arturo's secret, and we won't reveal later down the line that Arturo actually had a different secret. I feel like this segment is also phrased like fact, therefore implying that Eden wasn't lying about this confrontation happening. We also get no indication as to Eden's feelings on Arei's vow, or whether them becoming friends actually happened.

"In the Trial, Eden claimed to have Arturo's secret, and that he attacked her when she revealed it. When Arei came to save her, the two of them forged a friendship."

What Ace Overheard

While not as plainly put as "it is revealed that," the phrasing "Ace reveals that" seems to support that Ace was telling the truth about overhearing this conversation, although the date on which it happened isn't reaffirmed here. Similarly, "David's secret is revealed" strongly implies that David does have the manipulator secret.

"Ace then claimed to overhear Arei and David talking about [David's] secret, and declared that David's secret was being a manipulator."

The David Reveal

(I'm going to write these ones out instead of having a screenshot because I ran out of images :,( And I'm too lazy to compress them... )

"In response, David acts aggressively and admits to being Arei's killer. Everyone nearly votes for David, but Teruko and a few others believe that David is lying. Then, Charles interrupts and reveals that he has some yet-unknown information that changes the Trial..."

To be honest, I didn't realize that "a few others" were siding with Teruko. Like, Charles for sure, and possibly Ace, given he still thinks Nico did it...? That phrase could be a hint that we'll hear more about other students who don't think that David is the blackened quickly after the plot resumes. Maybe my prediction that we're about to head into a scrum debate for 7:30 AM vs 7:30 PM will turn out to be correct...!

And, that's pretty much all I had to say... 30 images later. Look, a lot of it is images, so there wasn't actually that much analysis involved! Besides, now is the third-best time to be hyped and rambling about DRDT Chapter 2-- the top two being while the chapter is airing and just after it's finished, obviously-- so I can say as much as I want! And so can you!

If there are any particular phrasings within the recap that struck you as interesting, feel free to talk about them in the comments or a reblog! I'd love to see what other people think about this, and add my two cents (if desired).

From what it seems, the DRDT community seems to be just as excited for the return of DRDT as I am, which makes me very happy. I hope you enjoyed reading this analysis, and once again, please remember that I'm not trying to shame anyone for believing in anything that may be "disproved" by what DRDTdev said, or to fully convince them out of it before the Chapter begins. If I were DRDTdev, I would be trying to phrase things in the most vague and misleading ways possible to throw off nosy people like myself. It's also definitely possible that I read into things too far in my excitement. That's what this practice round is for, before we dive back in to the real meat of the mystery on September 6th!

Oh my god... we're actually going to dive back in to the real meat of the mystery on September 6th...

See you then!!!

[halfratsalready]

The "What if the Traveler is Jack's Dad?" Dilemma & The Power of Character Design in Just Dance’s Storytelling

Originally I had an entire post of all of my thoughts on the worry that the Night Swan event will confirm that Jack's father is the Traveler, but this part made up well over half of it, so I made it a post of its own. I might post the rest separately at some point (I don't even know if I actually think that Ubisoft will make it canon, but I did this anyway).

I went a little crazy on this one, but stick with me here. I am well aware that people don't have to look anything like their parents, but in the world of things like video games (and especially in a game that has to rely entirely on visuals in the absence of dialogue), it's not a bad idea to make related characters visually similar enough for the audience to put their relation together, and the Just Dance team has done an excellent job of this with Wanderlust, so I thought I'd do some analysis on it in relation to the "Jack is the Traveler's son" theory we're all so worried about. This is a very long post - you have been warned.

Disclaimer of sorts: I'm not a costume designer. I'm not a character designer. I'm a musical theater composer, though, who has worked closely with artists on costume design, and I like to think that I have a pretty decent handle on the basics of visual storytelling through character design, which is what this entire post is based off of.

(This post also contains a small spoiler for Sweet Dreams, though it seems that it won’t be a beta for much longer…)

One of the cool things about Wanderlust's appearance is the way that the designers managed to give him his own unique look while also paying homage to both of his parents. It's important to note here that both Si'ha Nova and the Traveler were already well established characters by the time of Wanderlust's first appearance in JD23, so it was important to give him those visual similarities to make his connection to them more apparent.

The most obvious visual similarity between Si'ha and Wanderlust is their blue skin, which makes it pretty clear upon first glance that they're related. A non-genetic but still obvious visual similarity between the two is the use of triangle motifs. Si'ha has one on her head and more on her earrings, for example, while Wanderlust has them on his crown, one on his glove, and one on his belt. I think that it's also worth noting that the golden accents on Wanderlust's sleeves are vaguely reminiscent of the ones on Si'ha's purple glove. They both also have purple, gold, and pink in their overall designs.

Wanderlust has fewer “genetic” visual similarities with his father than he does with his mother, but they're still there. The only "genetic" similarity that they really have is the blue hair (granted, Wanderlust's is only a streak of blue, but it's still there, and his eyebrows are blue, as well). They have a ton of other visual similarities in their designs, though. Just like Si'ha, the Traveler has several triangle motifs throughout his appearance. The one he wears on a chain around his neck is very similar to the one on Wanderlust's glove and belt. They both have their own unique triangle symbols, but they're quite similar. Also notable is Wanderlust's half-cape, which is dark with gold accents, much like the Traveler's cloak. Once again, those gold lines on the Traveler's cloak are similar to the ones on Wander's sleeve. Additionally, Wanderlust seems to have the same eye color as both of his parents.

Even when he's been transformed by Night Swan's spell, Night Wanderlust (or, as I like to call him, Swanderlust) has several visual similarities to both of his parents that he doesn't have in his "normal" form. Though not the same shape or color, he has a shape over one of his eyes like the Traveler does, and those shapes on the black part of his shirt are, to me, very reminiscent of the circles on Si'ha's blue glove. And that little triangle on his crown is remarkably similar to the one on Si'ha's head, black surrounded by gold (I also think the blue of the feathers on his cape are similar in color to the Traveler’s shirt).

I know that Sweet Dreams is a beta (though it might not be for much longer) and that it's very possible that if they do release it, they might change this shot, but for now, I want to use it. When I first saw this shot of Night Swan at the end of Sweet Dreams, I was really thrown off because something felt very wrong with it, and I realized that it's her eyes. They are such a bright green here. It felt like such an intentional choice, and it made me think of the fact that all of Jack's avatars (though you can see it most clearly in his legendary avatar) have green eyes. Does he have green eyes in the actual game? No. But I thought it was an interesting enough detail to include here. Personally, my headcanon is that Night Swan had green eyes before she became Night Swan, at which point they turned yellow, meaning that her eyes are naturally green and that she passed that trait on to her son.

Though they're rather lacking in "genetic" similarities, though, Night Swan and Jack have plenty of those visual similarities that Wanderlust has with his parents (I also think it's worth mentioning that, save for that one teaser in Season 1: Astral, Night Swan and Jack were introduced in the same game, meaning that the need to make Jack as visually similar to her isn't necessarily as important, because Night Swan isn't an established character like Si'ha and the Traveler were prior to Wanderlust's appearance). The pink feathers are an obvious visual similarity between the two. They also both wear gold earrings and have a golden chain (Night Swan on her coat and Jack hanging from his pocket), and Night Swan's golden claws are represented by the golden glove on Jack's hand.

I also want to throw out there that Wanderlust is the son of two "good" characters, and his visual similarities to them indicate that he has that same "goodness." Jack, on the other hand, is the son of a villain, and making him stand out from his mother visually is a good way to represent from the start that he's supposed to be a sympathetic character who isn't anything like his mother. Because it's a dancing game, we don't get any sort of dialogue from him that could indicate that he's not a villain, so we're left to rely on his expressions (which Mickael did a fucking phenomenal job on) and his overall design. Making him stand out from his mother visually is a good way to show us from the start that he's not inherently on his mother's side.

Assuming the Traveler is Jack's father, there is essentially no similarity between the two save for the inclusion of some gold accents. I would say they have the same eye color, but I feel like Jack's dark eyes are overridden by the green eyes in all three of his avatars. Granted, it makes sense for Jack's appearance to be influenced by his mother considering she's the one who raised him, but I think that, from a storytelling perspective, it would have been a smart move to include some semblance of a visual similarity between Jack and the Traveler if they had really intended from the start for the Traveler to be Jack's father. If they did intend on this being a plot point from the start, they intentionally kept it a secret by not including a single visual clue, which is, to me as a storyteller, a sort of annoying thing that makes it seem like they’re more focused on pulling the rug out from under the audience than they are on making sure that the plot twists make sense. But hey, that’s just me.

If you actually, read all of that, I love you and you are the best and thank you for actually taking the time to read my ridiculous rambles. I hope it was at least mildly interesting and made some decent points.

[rebirthgarments]

Hi friends! We have a couple of updates to share. 

Firstly, Seraj needs more than $3,300 to pull off his final Ramadan project before Eid. He wants to distribute it on the last day of Ramadan, which is in 3 days, so we need to get to $20k ASAP! 

contribute at bit.ly/serajfund

The financial situation in Rah Fah continues to decline, with intermediaries taking a 15-17% cut when people get cash out. He is so hopeful that this project will work out! Helping others and bringing smiles to faces–especially those of children–is clearly one of Seraj’s passions. 

Here are the project details, all thought up by Seraj himself. He has amazing ideas! 125-130 cash envelopes containing either 50 or 100 shekels each. Seraj will distribute them based on how large each family is. Seraj will also make 40 envelopes for kids, each containing 20 shekels. 

Currently, Seraj’s plan is to distribute his envelopes on the last day of Ramadan, before Eid al-Fitr. Last time he tried to print something, the printer had no electricity. He has a plan this time for checking in early to make sure he has a chance to print. 

Working with Seraj on his mutual aid projects has been such a tangible reminder that we reject the notion of charity (which is very rooted in the white savior complex and pity of Black and Brown folx), and even allyship (not enough action)  instead are partners and collaborators with Seraj self directing, leading us, and constantly motivating us to to get to the next goal so he can achieve his vision! 

 Because Seraj and his family have managed to survive, he’s been able to give back. No NGOs or governments, just a 21-year-old young man helping as many of his neighbors as he can. In his words, “This is my duty, sisters, as long as I can help! Why don't I do that!”

Seraj is genuinely a superstar to everyone on our team. His generosity is humbling to us. We have so much to learn from Pale-eh -steinians. 

Secondly, we have a date for our upcoming virtual dance party! Mark your calendars for Monday, April 29th in the evening (Pacific time). Sky is hosting this event to hype up our virtual auction for Seraj. Follow Sky on Instagram for more details @rebirthgarments or @radicalvisibilitycollective

If you’d still like to contribute items to the auction, go to bit.ly/fundraiserforseraj ! Seraj’s Support Soirée would like to offer an item or service for every budget. And we encourage a wide variety of dough-nation types! While many of them will be creative objects, they do not have to be.

Some examples:

a book you love or wrote

a framed photograph

a massage (local area bidders only)

a meditation session

a piñata

a tarot reading

a t-shirt you love or designed

stickers

a virtual lesson on social media marketing

visual art

a virtual dance lesson

Your items will be listed this week on Give Butter! (stay tuned for details!) 

Our support soiree dance party will hype up the auction featuring selections from the archives of Rebirth Garments fashion performances while you can dance with Sky!

Thank you so much for being here for Seraj. He and his family are so deeply grateful for all of the ways folks have supported them and partnered with them to help others. And our team is so thankful for how you all have stepped up. Please share and contribute! 

-Written by my team member Bex with additions by me!

[image Description: a flyer featuring a photo by Seraj of a small little kid with a blue plastic bag full of fresh fruits and vegetables. The kiddo has a heart emoji over their face and is smiling really big. They are wearing a red shirt that says “sleep time” with a sleeping bear on it. They are standing on a sandy ground in front of a tent. Text to the right of the photo on a red background reads: Gaza Sky Seraj’s mutual aid project for Ramadan in Rah-fah For part 2 of Seraj’s Ramadan project, he gave out 32 food parcels for 32 families around him in the displacement camps. Send support to his family + others! bit.ly/serajfund “ Underneath is a QR code with the link. ]

[twstunes]

okay this isn't a tierlist it's more of a groupings list

BORING DRESS SHOES CONTAINMENT ZONE

[ Trey, Deuce, Jack, Azul, Jade, Malleus, Silver, Sebek, Trein ]

There's not much to say about most of these except that I don't like them. Yes yes they're functional and fit the personalities of those wearing them. I'll still die on the hill that plain dress shoes are more boring than they are classy >:/

Trey, Deuce, Jack, and Silver all have on penny loafers, which are about as casual as you can get while still counting as formalwear-appropriate. Azul and Jade appear to both have on plain-toe oxfords, which I'm sure they coordinated on. Malleus and Trein also seem to have some variety of oxfords, though Trein might be wearing derbies?

Sebek's in here bc I'm not quite sure what's going on with his shoes. Considering that rectangular portion on the interior sides & the fact he's in Equestrian Club, I wouldn't be surprised if they were jodhpurs? They accomplish the same visual effect as basic dress shoes, though, so in the containment zone he stays.

ZESTY DRESS SHOES

[ Riddle, Floyd, Lilia, Crowley, Crewel, Sam ]

Floyd, Lilia, and Sam make up the milder end of the zest spectrum. Floyd made his own shoes and thus gets a cool-by-default technicality. Lilia's shoes are fairly basic loafers, but the bat engraving and large golden heels are enough to nudge them under the "interesting" umbrella. Sam's shoes aren't really visible under his spats, but he remembered the crucial aesthetic detail of matching his spats w/ his gloves, so he gets a pass.

Riddle's shoes have heart-shaped cap toes and heels so chunky they might as well be wedges; both of these details perfectly fit his heart-themed and undersized ass. Crowley appears to have on derbies w/ extensive lace-patterned embellishments, which feels in-line with his love of fancy little baubles. I'd assumed Crewel was wearing saddle shoes at first glance, but now that I'm looking at them…those are full brogues, I'm pretty sure? (Good walking shoes, thus a good pick for a dog owner.)

BOOT CORNER

[ Rook, Epel ]

Rook is a hunter, and hunters need sturdy shoes that can hold up to long treks through the wilderness (or across campus). These are literally boots you could pick up at any given Tractor Supply. I personally believe Vil hates these shoes but cannot do anything to stop Rook from wearing them. He balances them out with his fancy hat, though, so maybe that's enough to placate Vil?

Epel grew up in Harveston, where I don't think it's possible to wear anything less than boots without getting frostbite most months of the year. Epel's probably been stomping around in these bad boys for A While; the tartan pattern is just unique enough to make it feel more like a hand-me-down than something Vil would buy for him.

ACTUAL SENSIBLE SHOES

[ Cater, Ace, Ruggie, Jamil, Idia, Vargas ]

Cater goes with some stylish slip-ons. They're comfy, they're convenient, and they go with most outfits. This dude would definitely wear the checkered Vans if he could.

I fully believe Ace picked out his shoes based entirely on how they looked. It worked out well in the end tho, bc they're perfect for how active he is. He and Idia are the only ones who don't change into different shoes for PE.

Ruggie, Jamil, and Vargas all have on practical, comfy sneakers, which makes sense considering they're some of the most active people on campus—Ruggie and Jamil are constantly running errands, and Vargas teaches PE all day. I like that Jamil's actually seem a little faded from use, though chances are that's just how they're supposed to look.

Idia, despite being a shut-in, at least has the good sense to put on what appear to be velcro shoes when he goes out. (Choosing velcro over laces is also maybe a safety thing? Easy to get on and off, no laces to come undone and trip over. Very important in a dorm with a lot of expensive tech!)

OUTLIERS

[ Leona, Kalim, Vil, Ortho ]

Leona is well-aware of the standard level of chaos that happens every day at NRC, but that isn't going to stop him from wearing sandals instead of something more protective. Dude wants to be comfy above all else, and frankly, I respect it. Either Crewel hasn't noticed Leona's lack of lab-safe footwear or he's given up on getting the guy to wear closed-toe shoes.

Kalim has on juttis w/ the classic curled/pointed tips. Iirc, curled, pointed tips are startlingly good at reducing the amount of sand that gets into shoes! Seeing as both his home and dorm are in desert environments, these make perfect sense for Kalim's go-to footwear.

Someone at this school full of prettyboys had to put on the heels, and Vil is the only baddie committed to fashion enough to follow through. This pair is undoubtedly custom-made—not just because that's the kind of person Vil is, but because they specifically feature Pomefiore's dorm colors.

Ortho doesn't wear shoes. That's just his body. He also doesn't walk in these bc, according to Idia, "walking is for normies." This foot design is present in all of Ortho's bodies except for his athletic gear, seeing as his athletic gear is the only one meant for walking instead of floating. (Since they're shaped kinda like pincers, I wonder if he can use them for picking things up?)

[inksandpensblog]

The Box

I'm finally watching the episode! These are my stream-of-consciousness thoughts through my initial viewing. This isn't thought-out refined analysis, these are just the thoughts as I have them the moment they appear in my head.

They're getting better at the 3d running/walking animation.

Green being the one to notice details, like in The Village.

Civilization!

Green only drew one but then he just has three more? Cartoon magic or stickfigure magic? Or just saving time on a meta level.

This looks like a nice little toh that's a white-filled head, they're ALL white-filled heads (all look like freehanded circles though)

For a given value of "white," I guess, but they're all very light colors. And they all have head accessories. Interesting...

Okay it's kinda funny that nobody would talk to them and the truck is right there. Did they think the color quartet were giving handouts or something? None of them stopped to listen long enough XD

Ooh, so these are some kind of simulation chambers? Looks like they've simulated a desktop art program.

Hmm, so Orange's ability to just have whatever he wants manifest into existence with the stroke of a pencil is unique to him; these guys try the same motions and all they get are regular lines. (Also if Orange can do all that outside then why are they doing these experiments in the simulation chamber? Is it just for safety or can they not do it outside? Shady could use his toolbar outside just fine...)

Orange's drawings were alive, almost from the first line it seems. Before they even took their shape. These ones aren't.

I don't like how coldly they're treating my boy :(

you.

and then they don't even interact?? okay, so...Victim is pretty single-mindedly focused on whatever is about to happen with Chosen, and whatever it is doesn't involve Orange so Orange is irrelevant to him rn. Why bind him then? Where's he going? :(

he went in. by himself. I'm...not sure how to feel about that. surprised? it's not like the thing had a door. though looking at that control-display, it does look like there's something within the chamber itself that's also containing Chosen. Or is that just the bounding box? I think it's a bounding box actually. So this is also a simulation chamber. (this is giving me all sorts of questions about how the artboard recognizes the toolbar icons as graphics while the tools still retain their functions as tools and I'm gonna stop before I spiral)

oh, it did have a door

WAITAMINUTE why is Victim's bounding box 2d and Chosen's 3d???

...oh. so...Chosen's fire registers as a separate graphic from him, then. good to know??

wait what the- just altering the visual is enough to affect his ability in producing that power??

why did we just cut to the hunter sharpening their spear? don't like that. not while you're stealing all my boy's natural defenses.

that one lingering second after Chosen's lasers die out but before he turns around to face Victim is haunting. Bro's been trapped and depowered again.

Okay nitpick but Victim's head isn't changing shape every frame and it's driving me up the wall. Did he have some work done between the last installment and this one?

I can't tell if I'm supposed to laugh or not at Chosen just standing there and tanking all of Victim's hits, and honestly I like that I can't tell, the dissonance is fun. But putting that aside...Chosen just let the dude have at him like it was no big deal. He didn't actually fight back until he decided he'd had enough. I suppose he could've just been confused about why this guy was attacking him...but he doesn't even block or dodge. He doesn't defend himself, his hands aren't even up, he's not even really in a fighting stance, and it takes him a bit to even retaliate. Even after the first one, his body language is just "bruh why." Which. Is an interesting attitude to have when he's trapped and depowered and being punched by a stranger.

Chosen finally counters, and it cuts to the control panel outside, looks like they're about to raise some setting. I've gotta take a break for a meeting, here's my thought: Victim never left the art program, in AvA1. In a very literal sense, he spent his whole life in it. It's where he found all the things that enabled him to fight back. In a weird way, it makes sense that this is where he's powerful, that this is where he's comfortable fighting. (and I know my personal headcanons are about to get blown outta the water but I'm really glad that I was on the right track in regard to this idea. though something I hadn't ever imagined was that he'd rely on other people to supply those advantages instead of obtaining them himself)

Meeting over, back to the episode! (I wonder if the title of this episode refers to the white chamber Chosen is in or the actual bounding box. Given that the mere appearance of a bounding box in Wanted was enough for many of us to clue in to Victim's involvement, even before he appeared in-person at the end of the episode, I'm leaning that direction. Amazing that it only happened once in the series before Wanted and it was already enough of a legacy to make him recognizable. I'm now realizing that in AvA2 the first thing Chosen did even before attacking the cursor was destroy the bounding box. Also realizing that the bounding boxes in this chamber aren't visible, unlike in the test-chambers in the previous scenes.)

interesting...each of Vicitm's limbs are separate graphics with their own bounding boxes, which is how they looked in the Bloop animation course that Alan made, but it isn't how he was in AvA1. Though he was recognized as a single graphic just a few scenes ago, so that might not mean anything.

why, stop, dude we get it you're strong now you've proved your point stop beating him up-

oh good Chosen's still got his own strength, he's fighting ba- what- okay what, can't take what you dish out??

Ooh, I don't think we've seen Chosen actually throw fire like that (instead of just blasting and halting blasts) since the early episodes.

okay, nice to know that Victim actually can dodge on his own

...don't like how little time it took Chosen to start feeling exhaustion...

...don't like how much trepidation the lasso is giving me. that feels like one of the crueler things to use against Chosen; not because we've seen it used against him before (only Victim and Orange have used it themselves, and only Victim has had it used against him, and good grief Orange and Chosen still don't know how Victim is connected to Alan-) but just because...I really don't want him bound and leashed again, he's been through enough of that. still, I had predicted that we'd see him using the lasso at some point in AvA6. I'm not happy I was right. (man, back before we knew Victim would make a proper return to the series I used to love the idea of him using it again. it's like the clearest example of him outwitting the animator and taking his tools for his own use.)

NOT THE NECK- they've never gone there, I don't like this-

oh what they actually- I was not expecting that. whips haven't appeared in the series before. oh I really don't like this.

God he's crawling back- why-

I had to pause. either the group outside just did something with the controls that Victim wasn't anticipating, or...Chosen felt threatened enough to turn his powers on himself and encase himself in ice as a defense. fuck. someone get him out of there. no flight, can't fight, man was pushed far enough he literally resorted to freeze. The Chosen One. I don't think that's ever happened before.

Fuck, that's just too much, I can't even bring myself to feel excited about seeing the duplicates again. though it is good to know that my headcanon about him needing to be in an art program in order to duplicate himself ended up being accurate. we'll see if my headcanon about it being one Victim with five bodies (as opposed to being five Victims) holds up. if they even have a way to show any difference.

[sighs, pulls AvA1 up in another tab] yep, they're all there. lasso, hammer, extended thumbtack (though it doesn't look like a thumbtack here, which is interesting), whatever that chain-accordion thing is, and the ninja star. why are you doing this? man literally froze himself immobile to get you to stop torturing him, just leave him be.

...haHAHAHA! Oh that felt good, that made me smile. Hopefully this means Chosen has recuperated a bit.

the animation of Victim on fire was so nice I completely missed Chosen breaking the ice XD going back to catch that made me realize that the other Victim duplicates literally just...stood and watched the one burning...

don't let yourself get backed into a corner-

OH he escaped the hold, nice-

I didn't realize until the lasso came back that he'd gotten rid of it when he broke the ice :( but before that he actually uses his fire-breath again, which is always nice to see. interesting to see it concentrated in a thin stream instead of just roaring out like usual.

oh yikes why- him on fire-

...don't do it, man...

OH HE OWNED THAT, LET'S GO!!! Great thinking, Chosen! (heh, nothing about this situation remotely resembles that time Chosen grabbed the cursor and forced it to click him free, but I was reminded of it nonetheless. something about the tool being turned against the user, but in such a different way than Victim does it.)

OH HE- ...oh...I was gonna say oh he learned, he adapted enough that he predicted them flipping his fire and he used that- but then they just nullified it immediately...

Victim don't snap the rope like that, we don't need any more implications we already know you're planning to put him in a world of hurt, why can't you just leave him alone now, what are you trying to prove

hh, back to Orange I guess...

MATH SPOTTED, MATH SPOTTED-

oh! they're bringing him to the- okay that makes sense, if it only works when he does it then obviously the next step to figuring it out is gonna involve him.

wait was he- could he not move when the bounding box was picked up?? (also neat that he immediately got worried once he realized he's in a bounding box, dunno if that's because of what happened in the last episode or if it's just because...he spends a lot of time in an art program so he'd naturally be familiar with what they can do and what it means to be inside one)

...well, nice that they at least get his attention before picking him up

oh now you're being friendly, sure. yeah Orange ain't having it.

okay, [picks up pencil] [instant notetaking] was funny XD

aaw, it's swimming around him

oh it knows what the eraser means

...wait it wasn't an electric eel in the last episode-

hexagons- and the power flickered

okay Orange stumbling around trying to stay out of its way makes it clear that he isn't controlling this thing once he's finished drawing it, it's acting on its own. it...it really feels distressed.

hah, they're all cowering. losers.

oh, back to this.

...did you have to make it so personal, Victim?

a chair

...okay not sure why that happened, could Chosen not just...lean forward? I rewound to watch it again and realized he's exhausted again after the slow-mo ends (is that from the slow-mo itself or just his exertion from the fight before the slow-mo?) and he...doesn't even struggle when Victim lifts him by hand with a lasso to the neck. is...is he just ragdolling now? is he at the point where that's his best option for minimizing conflict?

...he is. he's ragdolling. fuck. (damn you cc!Alan for introducing ragdolling in a comedic short-)

...no? no what?? no, he doesn't know anything about the animator? (which we know isn't true, but why would he deny that?) or no, he isn't going to answer?

don't tie him up, please...

oh now he starts struggling?

...back to ragdolling. good grief, the way they animate his legs just swinging even though they can still touch the floor...

...heh, I appreciate his spirit, especially at this point, but...Chosen you kinda just put yourself in a worse position.

...oh, what is that? I don't think we've seen anything like that before. It's got the floppy disk that's used as the "save" icon in many applications, but it looks kinda like a headset.

...a VR headset specifically, I guess.

OH WHAT- okay rad animation, but WHAT

...oh fuck, I've always wondered if there was a way to see the data that would be a stick's memory. FUCK what are they gonna use this for

wait they're bring Orange here?! Or are they just passing on their way back to the cell? but why are they going back to the cell, was the eel too much for them??

...wait, what? signal lost, I assume because Chosen dislodged it enough to disconnect, and then...instead of picking up where it left off it jumps all the way back to Showdown?? was...was Showdown just on Chosen's mind? or is this the memory of him recalling it right before flying to alanspc to entreat Orange's aid? ...or...are memories from beyond the sky-barrier not compatible? that doesn't make sense...

what's with everyone's reactions to Second's powers?

...I forgot Orange's cell is in here. whoops.

oh this is how he finds out??

hands first ("I did that??") and then his eyes ("Chosen was right??")

...and of course. I expected they'd lock him down with extra security as soon as they realized, but. poor guy.

(dammit I purposefully refrained from making a "dark mode" joke, you didn't have to go and put it on the damn control screen)

...and even after that (which, judging by Victim's reaction, even he hadn't known about Second's powers), the animator is still Victim's priority.

oh, this isn't just any clip of the cursor's involvement in Showdown, this is specifically while Yellow was rendering the cursor in.

and then they immediately pan to Yellow which means that observation is actually gonna be relevant, FUCK-

OH FUCK THE WANTED POSTERS

("earnings growth," so they actually do have a business element to them)

aaand the security cameras caught them peeking out of the truck, they literally just started printing the posters and they've already located Yellow-

that fight is mesmerizing. we haven't seen one like this before, as far as direction and setting. plus it's really interesting to see how the four respond. I might look deeper into that later. also that was a cool transition.

and Yellow is dragged off. The story has never had one of the quartet singled out in-universe by the plot like this before. they aren't even apprehending the others.

...of all the sticks to have a lighter, I never thought it would be Victim.

to be continued. good grief.

I have to eat before work so I'll think on all this and say more later.

[sideblog-usernametaken]

Something I haven't seen anyone talk about with the most recent chapter of Undead Unluck (Chapter 196) is Fuuko's eyes.

So at the beginning of the chapter her eyes are drawn normally with normal shading as you can see in the compilation below:

Then she sees Beast eating the soul of the octopus, and her eyes are still fairly normal

But shortly after this panel her eyes gain shading motif used for souls.

You can even see it in the panel that's zoomed out, this isn't a one time thing either it continues to the end of the chapter.

Now the question here is what does this mean? At first I assumed it was just a visual representation of Fuuko's ability to see souls, but then I remembered that being able to see souls is supposedly a default Negator ability. Back when Ichio was learning how to astral project she basically says as much (i.e. "Oh! [Nico] can't see me because he's not a negator!") and on top of that everyone at the Round Table was able to see Fuuko's ghost in the previous loop, and Rip was able to see Andy when he was astral projecting in the previous loop.

(Tangential side note here: Everything about Negation abilities makes so much more sense with this chapter's explanation that every Rule is using Soul has a starting point for their abilities. It was already estabilished that Negation abilities are tied to the soul of a Negator, but it's never explained how or why this is the case. But with this chapter it shows that it's basically impossible to negate a Rule without the use of a soul because any given Rule's ability is based on the effects of its soul, and we know from the previous loop that the only thing that can directly affect a soul is another soul. So why can all Negators see souls? Why can seemingly any Negator astral project if they try hard enough? Why can Negators manipulate their own souls with ease [Changing appearance subconsciously, Fuuko just imbuing a sword with her soul like it's no big deal, etc]? Because what separates Negators from non-Negators is their soul has effects that they're constantly using subconsciously, so any other soul related ability becomes a matter of if they are aware of their own soul or not. This kind of also extends to the whole thing with UMAs and altering memories, since cannonically memories are stored in the soul [Andy can think without his brain and in this chapter they explicitly say that souls contain memories]. So protecting their memories is likely a subconscious soul ability for negators, like how they can change their appearance in soul form. It's one of those revelations that retroactively explains a lot that you don't even really think about)

I think what the significance the eye change is supposed to show here is that Fuuko can now see the effects of a soul and not just the soul itself. Remember her eyes were normal when the octopus soul was getting eaten, but once she started channeling her own soul into a sword and cutting soul chains with it her eyes changed. What's really interesting here is that cutting those soul chains effectively negates part of Beast's abilities, he can't really have allies now and in theory this is how Unbeast would work if anyone had that Negation ability.

Even more interesting is the amount of Unluck that got loaded into that whale at the end of the chapter. It (presumably) got hit with a meteorite and that kind of unluck has only happened to people Fuuko deeply cares about in the past. So it seems by using her soul she can bypass the most restrictive part of Unluck by removing likability from the equation, which is going to be huge in their fight against Sun. This also begs the question. If Fuuko can now consciously use her soul to increase the amount of unluck imparted into a target regardless of amount of physical contact or likeability, can she decrease it? Does she now have full control over her soul's effects? Will she be able to touch people without hitting them with Unluck? Will she be able to teach other Negators how to have full control over the effects of their souls too?

To be honest, that last part does feel a bit reaching, and all in all this entire post might be rendered useless with whatever else we see in the next chapter. But this is all really exciting.

[hyrulehobbit]

RECOGNISING AI GENERATED IMAGES

(Disclaimer: This is not a foolproof guide as these softwares are constantly changing, but it is intended to help you learn things to possibly look out for.)

We've all heard "count the fingers, count the teeth" for AI generated images of people, but more and more frequently I see people sharing images of objects and scenery that are AI generated without realising it. These people are often vocally anti-AI but still get caught out. This post is not intended to shame or make anyone feel bad for not recognising AI imagery. Usually, AI images posted on platforms like tumblr are not tagged as AI; the OP is often fully intending to trick you just to gain some quick numbers, so it's not your fault that their tactics work. They're designed to be pretty at a glance and betting on you not looking any closer.

So, that out of the way: How can I spot and avoid AI Generated images?

Here's some things I've learned to pick up on, and now I can spot them pretty much on sight.

Full guide under the cut. Contains AI images as examples.

1. Source

Your first easy step is to check if there's a source. Remember when everything on tumblr was just credited to weheartit?? This is the new worse version of that. If the image has no source in the description describing an artist, photographer, brand, location etc... check the original post.

If there's nothing in the tags to indicate that it is art or a piece of photography or an advertisement, it could be AI. Sometimes the caption is just something generic or aesthetic like ~witchy cottage life~ etc. The tags above for the image below of the room with the tree are largely nonsense.

Important note: A watermark does not always indicate a photographer or artist: if you think it might be AI but it has a watermark, that will most likely lead you to the socials for the person who created the image using AI.

2. Visual Soup

Zoom. In. It sucks to feel like you have to get into the habit of pausing and closely checking the details of images on platforms designed for infinite scroll and quick engagement, but if you get into the habit of this, soon you'll be learning to spot AI at a quick scroll glance.

Generally, when you zoom in on a photograph, the details and divisions of where one object ends and another begins still stays the same, just out of focus. Zooming in on an AI image, the details become... soup. Why is that plant morphing into the countertops? Why is the tap floating? Why are there five thousand burner dials???

The same applies to art. Zooming in on art reveals things like brush strokes, pencil lines, pixels, imperfections and intentional small details. If zooming in reveals soupy details that don't look like intentional stylistic choices it could be AI.

3. Interior Design Disasters

One thing AI doesn't seem to be good at is separating the depth and layers of rooms full of furniture, and making things sit properly in their 3D space. Window frames are wonky. Chairs and tables are fused to each other, or to walls. Bookcases get narrower at one end when they really shouldn't. A little wonkiness is fine and expected in artwork, but when the whole thing isn't sitting right, it could be AI.

(Compare the white image on the right to these real photographs of a similar house, and notice how messy and nonsensical the AI image seems).

(Edit 03/06/2023: See also this abstract furniture that still has a proper sense of depth and doesn't merge into the background)

4. Toothpaste

I don't know what else to call this but midjourney effing loves it. I most commonly see this on things like AI generated objects, outfits and garments rather than scenery. It looks like the software has applied all the details with a piping bag. Weird, greebly swirls like it's hoping you won't notice if it adds enough visual noise. Notice it. It's AI. And it looks super fucking weird.

Midjourney also loves adding weird concentric circles to everything, which can be seen in the image example for Lighting below.

5. Giblets

What is that bowl of stuff?? What is on that shelf?? What's that pile of...things?? They're giblets. This is another prominent midjourney feature and another example of visual noise. Stuff it with details, and maybe the viewer won't notice that what they're actually looking at is a lumpy pile of nonsense that definitely shouldn't exist. Spot the giblets!

6. Lighting

This one is hardest to describe and to spot, but I often find that the lighting in AI images of scenery and objects has a flat, dream-like quality. Once you study it, it begins to feel distinctly unreal.

7. Names

Lastly, some people do state that an image is AI in their descriptions or tags, but might not do so in those exact words. If you aren't already familiar, here's the names of the most prominant AI generators as of May 2023:

Midjourney

Dall-E or Dall-E 2

Stable Diffusion

Deep Dream

Artbreeder

WOMBO

NightCafe

Lensa

Stablecog

BigSleep

Brands such as Bing, Google, Shutterstock and Canva are also bringing out generators

8. Multiple Angles (added 03/06/2023)

I forgot to add this earlier, but it's another very simple tell! If the images are objects, garments or rooms... are there multiple images in the post of the same object or location from different angles? No? Then it could be AI. The shoes used as Toothpaste examples above were part of a set of lots of different shoes, but of each design there was only one image. AI is Not Good at creating the same thing twice consistently.

(See these photographs of hair pins. The post contains a source link to the photographer's flikr account, where there are multiple images of each pin in different angles and lighting, confirming that they're real.)

If I think of anything else or some new tell starts to appear, I will come back and update this post, but for now, thank you for reading. My hope for this is that people will either share AI generated images less, or if they do, at least learn to spot and tag them so that those who don't want to see them (aka me!) can filter and avoid.

[nkgrimmie]

Do you think that the sticks might be immune to memetics, antimemetics, and amnestics? Do to being made of code and not having physical biological brains?

they most likely are! human brains and stick brains, while similar, are different enough that they likely wouldn't be affected by them, or at least wouldn't be affected by the ones that affect us.

warning; i talk a lot

memetics that work on humans would likely not have an affect on stick figures. their minds are too different, and for visual memetics/memetic agents, their vision is too bad for them to be able to actually take in what they're looking at, ending in there being now affect.

now... despite that, humans do have an affect on sticks. for a stick, to look at a human in the flesh would end in severe sensory overload, and due to the stress caused, there's even a chance looking at a human in the flesh could kill a stick if they happen to be elderly or have a "heart" condition. the reason behind this is because the sticks are from a digital realm, where colors are very often uniform and able to be translated correctly into things such as HEX codes. it also doesn't have as much detail as the physical realm, with things generally appearing simpler than their physical counterparts, but still being complex in appearance.

(a little bit of info before i fully get into this; sticks are able to automatically tell the exact HEX code of something they're looking at, this allows them to tell the difference between two similarly colored sticks. this doesn't work as well when they're sleep deprived, among other things, though.)

in contrast... humans are very detailed. and very colorful, too. when a stick sees a human in the flesh, their brains are hit with vast amounts of detail in such a small space, and due to how stick brains process color, their minds are basically flooded with millions of HEX codes all at once, instantly causing a state of severe sensory overload.

the one real thing preventing this from happening on desktops is the fact that a user's webcam is usually turned off (the thing that enables sticks to see through the screen), and that when it IS turned on, then what the sticks see through the screen is too blurry and color-shifted for them to really experience any affects, maybe at most a little bit of unease. if a stick were to go into the webcam and look at the human however, then they would get sensory overload.

i believe antimemetics are just things that you don't want spreading around/things that are impossible to be spread around, and thus impossible to easily contain. so i think antimemetics wouldn't work in this situation, as the reason memetics can be so powerful is because of their ability to spread, which an antimemetic would not do.

amnestics would just make sense, as they are physical while the sticks are digital. you'd have to dip into their code to look through the memories, which... is very hard. considering how complex and convoluted their code is. and their memories are tied to their personalities, so removing memories, no matter how small, can easily affect who they will be when they wake up.

tldr; nope! humans are memetic agents to sticks though SKSBD

[doveshovel]

anon is right, more hunter lore.

he's very fun. love your ideas.

Do you mind if I ask what goes on regarding all the magic stuff? Is he Aideen-adjacent or just kind of vibing? Somewhere in-between? I know there's some drama going on with Sabine 🤔

I wasn't expecting my guy to get this much attention, thank you guys!

Going to be completely honest here: I'm a very new player who only really started playing SSO in January of this year, and took about a month's break from the main quests in March. As a result, I've almost definitely forgotten a lot of important lore surrounding Aideen/soul rider magic, and don't have many of the magical shenanigans in Hunter's story fully thought out :'))

But! It has definitely been on my mind. Hunter's specific role among the soul riders + his relationship with the different circles of magic are works in progress so here's what I've been working with so far!

(Content warning for some (pink) blood in image!)

Lately, I've been messing with the idea (just for fun) that Hunter's a conduit for Aideen, rather than a descendant or reincarnation. He has almost no magical power of his own, and relies pretty much entirely on the whims of an incorporeal, deity-like being to perform any kind of soul rider magic. Essentially, he gets partially possessed every now and again when what remains of Aideen's soul decides that it would be beneficial to the fate of Jorvik and/or its inhabitants. During this "possession", Hunter functions as a point at which her soul (which I think was supposed to be scattered among the horses, people, and nature of Jorvik? correct me if I'm wrong. Hunter's lore google doc is in dire need of revision and organization anyways) can condense enough to produce magic from any of the four circles, and create the illusion that he's the mystical fifth soul rider.

Other bits of this idea from the google doc:

The four runestones in Valedale respond to a concentrated "presence" of Aideen, rather than to Hunter himself.

He's aware of this. Aideen's not of this world in cannon (emerged from a falling star), and practically dissolved into the entire island of Jorvik. Containing even a fraction of her soul in a human body is a jarring experience that can cause a lot of issues for the "host" ranging from minor side effects (cold sweating, shortness of breath, dizziness, headaches, fatigue, muscle aches, mild nausea, etc.) to more severe (short memory gaps, nosebleeds, migraines, loss of consciousness, insomnia, severe nausea, visual disturbances and/or hallucinations, auditory disturbances and/or hallucinations, etc.).

Maybe losing so much of his memory and original personality in the process of getting to Jorvik counts as losing part of a soul? So it creates a kind of "empty space" that Aideen's own soul is able to fill whenever she so chooses, and that's why Hunter works as a conduit/vessel, rather than a reincarnation. Idk. May have to workshop this.

The soul riders, valiant reincarnations of previous soul riders. +This one guy who has a weird thing with the local deity

Hunter and Aideen have a similar relationship to roommates who butt heads frequently but have no intention of leaving to seek a better roommate. but in Hunter's brain/soul/body. Bodymates. Soulmates (derogatory) (not romantic) (not platonic either). Symbiotic relationship. Both parties benefit and Hunter recognizes the necessity of it for saving Jorvik but he's still having a very bad no good time with the side effects, and he's still mad at her for letting him die.

This is the idea that I like working with the most so far, but I'll update y'all if there's something better in the works! :^D

As for Sabine: I was in a weird headspace while making that little comic of Hunter and Sabine up in Dinosaur Valley. At the time, it was just intended to be the end of Hunter's story. He'd be a spooky character who haunts the forest up in the valley as a ghost and that's that. Maybe the world's doomed by Garnok now, maybe the keepers find someone to replace him. Hunter doesn't know, he's dead on a mountainside and doomed to spend eternity wandering in search of an escape from Sabine.

A couple weeks after making that scene, I decided I didn't want that to be the end of his story. Just because it's kind of sad :( As much as I delight in making Hunter's wildly out of place string of crimes for a backstory, and making him experience endless horrors, Star Stable's very much a happy game for me. It's something I couldn't afford as a 10 year old but desperately wanted, and bought for myself with adult money a decade later to live out some old horseboy dream with beloved pixel horsies. :) To end my first (and so far only) player character's story there feels like a disservice, so I've got that scenario tucked away as a sort of AU/alternate timeline thing. It's still very fun to draw and think about because I love giving characters horrors to experience, but I want him to keep going on horse adventures in Jorvik :D

I decided that he does in fact die there in the Hidden Valley though. Not many people can survive that kind of thing after all. Aideen, however, decides she doesn't want to lose her vessel just yet, and Hunter's resurrected through a combination of the power of horsies and friendship Aideen's connection to the star circle and WizardEgg's (Starter horse) Starbreed magics. Magical resurrection results in the ability to channel more of Aideen's magic, but also the worsening of side effects, and a glowing star-shaped scar on his forehead that appears when using said magic.

^Old doodle from when I was playing around with negative side effects of magic :)

The whole scene creates a point of tension between he and Aideen. Hunter thinks Aideen could have done more to prevent it, and isn't particularly fond of the new, worsened magical side effects. Aideen isn't mortal and so doesn't think the way mortals do. She sees her vessel as having gained more power, and knows he'll come to understand the value of that power in the future. She's right, but he's still going to be mad about it.

As for Sabine? Hunter's still scared of her! Her and all the dark riders! They're spooky 👻 and he's a bit of a coward! Hunter lost a lot of his nerve/confidence with his memories during the boating incident, along with coordination and a couple other odds and ends.

[kaiasky]

sabakos: oh, I thought of this dumb comic again and I think what really cheeses me off about it is that something like "you get from it what you bring to it" is somewhat trivially true of everything else also, including not just "representational" art, but poems, novels, repair manuals, interpersonal relationships, etc.

So presenting this as some sort of mystical revealed wisdom that's particular to abstract art really just seems like an excuse for not thinking very hard about either abstract art or criticism or hermeneutics in general. But it's not like you need an abstract piece of art to teach that to you, most people start via the blind men and the elephant. So I expect someone who claims to enjoy abstract art to be able to tell me something about their fave other than the least distinctive thing about it.

(can't rb the original bc tsarina has me blocked (probably deservedly, i am very annoying) so im reposting)

idk enough about art criticism history to actually make this argument but. @sabakos's thing made me curious if like. "you get from it what you bring to it" is in some sense a sentiment that developed out of, or in concert with, modern art.

certainly blind men and the elephant is ancient but. there's many ways to apprehend that ig.

well like in literary criticism the standard very reductive story is that historicism (understanding of a work is in the study of its context) gave way to new criticism (understanding is in the close reading of the work and its self-reference, not in the reader or the author) and that gives way to stuff like reader-response theory (understanding is in the way the work acts upon/interacts with the reader).

and i don't think these have exact equivalents in visual arts, but like.... you certainly hear people talk about the formal qualities of modern art in a new-criticism-esque way with little attention paid to the reader. which is very different to the "what do YOU contain" of the image. (tsarina gets at this i think with 'this image is completely the wrong way to understand modern art' and i think she's right. or at least, its vastly incomplete, right.)

but also 'of course one can read any work, even repair manuals, as a text, and analyze it as its action on the reader' also feels very of a time with modern art. we are in the soup?

[lovechrissturniolo]

8/ day one - evening

contains: increasing tension, flirting, attraction

Their more or less intimate moment had changed something. Nothing dramatic, but somehow the interactions between Lea and Chris were different now - looser and more relaxed.

Lea was much more herself and Chris felt really comfortable with herself-Lea and enjoyed her presence in a noticeable way.

Whenever their paths crossed, they either exchanged a few words or a casual smile.

Among other conditions they probably would've become really good friends.

〽️

When the doorbell rang, Lea opened the door and took the dinner from the delivery service.

Dinner's here!

Perfect. I'm starving!

Chris came out of Matt's room and closed the door behind him. For some reason, he always had to make an effort not to look at Lea for too long.

There was something interesting about her, probably because she was neither a fan nor a friend but basically worked for him. It was so appealing to get behind her façade and know her true character.

Basically, it was unfair.

Because he was a public figure, Lea knew a lot about him, but conversely, he didn't have a clue about her.

The streaming marathon was not well suited to changing this. There wasn't enough time to get into deeper conversations, which is why he was mainly limited to the visual experience.

〽️

“I'll eat downstairs if you guys want to come out again later,” Lea interrupted his thoughts.

“Actually - wait a minute, I need to test something.” Chris replied and stood in front of her. “Rock, paper, scissors.”

“What?” Lea asked, confused and laughing. She knew that he and Matt had just done that on stream, but she didn't understand the testing part.

“I want to know if it's actually tripplet telepathy, or if I'm just too transparent.”

"Okay." she replied, still smiling.

Chris had paper on their first attempt, Lea had rock, - with the pleasant side effect that he could touch her hand, which he did for a little longer than necessary.

On the second and third attempt they had the same thing.

“Hm.” Chris pondered. “Maybe it's my overpowering influence on people.”

Lea laughed and unconsciously slapped him on hus arm. "There IS something catching about you!"

Before she could fully realize what she had said, to be embarrassed about it, Chris teasingly replied:

“I know!” - smirking and sticking out the tip of his tongue, while looking deep into her eyes.

And words could never describe how incredibly attractive that was!

Once again, Chris had managed to leave her petrified and speechless.

It was like a higher power that made her stand there staring until Chris left the room, giving her a mischievous wink before he went through the door.

〽️

“What's to smile about?” Matt asked, eyeing his brother from the side.

“Nothing.” replied Chris, without stopping. “It's just nice to be here streaming with you and everyone else! Look how many there are!” He pointed at the screen. “Oh my God!”

“Yep.” Matt confirmed. “The number has almost doubled!”

“Maybe we can triple it!” joked Chris, looking meaningfully at Matt.

“The joke's getting old, don't you think?”

〽️

While Chris on Stream talked like a waterfall and was totally hyper, Lea's thoughts revolved around the undeniable fact that she could hardly resist his attraction.

It usually took her so long to feel attracted to a man that they lost interest before it could actually happen. And she never felt physical attraction to someone without a certain emotional connection.

Lea had always found this enriching, as it prevented her from being hurt. So she was all the more confused by what was going on at the moment.

“Your mood swings are insane today!” Matt said to Chris at that moment, snapping her out of her thoughts.

next ➡️

⬅️ index

[adobe-outdesign]

Have you done the Azumarill line yet? I searched in the tags and couldn’t find it, but it IS tumblr

(Why does Azurill look so sad in this art? :( )

Before we start, I need to mention that the naming of this line drives me nuts and I always get Azurill's name mixed up with Marill's. That has nothing to do with anything, I just wanted to mention it.

Anyway, Azurill is a good example of how to add a pre-evo to a line later on. A lot pre-evos added later on end up feeling unnecessary because they don't add anything to the line. In Azurill's case however, the white markings on the cheeks and the waterdrop-shaped body are unique to it.

Much more importantly, taking the line's signature floatation tails and making the body small enough to bounce on it is fun, cute, and a fun twist on the rest of the line's designs. That alone justifies its existence and makes it plenty memorable, unlike some other similar pre-evos I could mention (not naming names) (Pichu).

While Pikablu Marill does what it needs to, I do think it's the blandest of the line. There's nothing particularly wrong with it, but Azurill bounces on its tail and Azumarill has unique markings, while Marill is fairly standard by comparison. Still, it works as an in-between and doesn't look overly similar to either of its evos, which is all that really matters.

Visually, the main draw of this line is obviously the tails, as mentioned above. I really like the biology included in the 'dex about them; Azurill's tail contains nutrients to help it grow, while Marill's tail has oil in it that helps it float on water, allowing it to deep-dive despite not being able to breathe underwater. It's always nice when a design has actual thought put into how it works and why.

Aside from that, the blue color is pleasant and reflects its water-typing, while the underbelly helps break apart the body a bit. Nothing stand-out, but a good basis for the rest of the line.

It also has this beta sprite. Nothing much to note other than the blue makes more sense than pink giving the typing and the zig-zag tail gets the fact that it can stretch across more clearly than the straight tail here. Something about the expression and ears were cuter in this beta, but everything else has been an improvement.

Azumarill is a pretty straightforward evo for Marill, following the Jigglypuff line's tactic of taking a round Pokemon and having it elongate and gain some vaguely rabbit-ish features when it evolves. I do, however, think it stands out a bit more than Marill. This is mostly due the water-y, bubble-like markings, which also serve as a form of countershading according to the 'dex:

Aside from the markings, the egg-shaped body and long ears help it to feel stronger than Marill while still making sense progression-wise. I do find myself wishing something more interesting had been done with the tail, seeing as it's the most distinct element here and nothing about it really changes; I could easily see it becoming white to match its new markings, becoming more oval-like in shape to match the body, etc. Still, the design works fine as-is.

Overall, this line is pretty simple, but solid. The biology behind the stages is well thought out, each stage is distinct, and the designs are straightforward.

Also, Marill can be trans, so that's great.

[figbian]

disability studies & classics: some introductory texts!

as a disclaimer, this is not a complete list and not intended to be. i don't necessarily agree with everything in these texts, either – i'd be happy to discuss what i like/don't any time :-) that said, i included them because i find them useful or important or because i liked them enough i wanted to talk about them. further, not all of these texts are accessible (as in, free and online); send me an ask or message me if you want access to something & if i can i will send it to you.

in case you're looking for more sources but don't know where to find a good list, this – though as of posting (may 2023) is two years out of date – is a list of works on disability in the ancient world. it's very cool!!

disability theory/crip theory

Keywords For Disability Studies (book, edited by Rachel Adams, Benjamin Reiss, and David Serlin) - this series of essays can be really helpful in situating yourself. i find them occasionally a bit oversimplified, but overall they're pretty good, especially if you're new to the field.

Beginning With Disability: A Primer (book, edited by Lennard Davis) - this is another helpful way to situate yourself! i haven't read all of it, but i found the introduction pretty informative for dipping your toes into disability studies :-)

Disability Goes Cultural: The Cultural Model of Disability as an Analytical Tool (book chapter, by Anne Waldschmidt ) [open access on jstor here: https://www.jstor.org/stable/j.ctv1xxs3r.5] - this article to me has its flaws but ultimately contains what i think is the most useful model for articulating & analyzing disability in the ancient world.

if you're interested in more specific disability theory stuff, feel free to send me an ask!

books/articles on greece and rome

truthfully, this is the danger zone for me as a latinist, who finds a lot of stuff supposedly on greece and rome to ultimately be about greece. further, i have bones to pick with these books, but they remain either the best we've got or otherwise foundational:

Mental Disorders in the Classical World (book, ed. William V. Harris) very medical, but still kind of interesting to look at and i haven't found anything better?

The Eye of the Beholder: Deformity and Disability in the Graeco-Roman World (book, Robert Garland) the foundational work but i kind of dislike it, tbh.

Prosthetics and Assistive Technology in Ancient Greece and Rome (book, Jane Drycott) i haven't read much of this yet, but i like drycott and this is going to be my post graduation treat!

Life as a Cyclops: Mythology and the Mockery of the Visually Impaired (article, Jane Drycott) really enjoyed!

Why does classical reception need disability studies? (article, Hannah Silverblank and Marchella Ward) i found parts of this preachy and wasn't super pleased with the thoroughness of the scholarship, but here we are!

A Cultural History of Disability in Antiquity (book, ed. Christian Laes) i don't like laes much but i found some chapters of this really enjoyable

Disability Studies and the Classical Body (book, ed. Ellen Adams) NOT OUT YET!!!!! but very excited for it.......

books & articles on greece

ancient greece has way more scholarship when it comes to disability, or at least this is my experience. i'm less interested in greece, but i still have a lot of articles and books i like + some i know are integral to the field. this is kind of an eclectic list of things i know are Important vs just neat lmao:

The Staff Of Oedipus (book): truthfully, i've only ever read the chapter on blindness (which i enjoyed!). it's not a perfect book, but it's so foundational and can be pretty interesting

The Discourse of Disability in Ancient Greece (article) - one of my favorite articles! i love rereading this :-) i think it's got some super interesting analysis on lysias 24 and the word ἀδύνατος. really cool if you're interested in the construction of "disability" as an identity.

Hephaestus the Hobbling Humorist: The Club-Footed God in the History of Early Greek Comedy (article) - i really enjoyed this article because of how it presents hephaestus, tbqh. im not sure how good it is – dying to hear from hellenists about it, actually – but hephaestus as funny because he's disabled (but not in an ableist way) was very interesting.

"Breathe Upon Us an Even Flame": Hephaestus, History, and the Body of Rhetoric (article) – in all honesty, i don't like this article very much, but what dolmage is doing is super interesting (trying to reconsider hephaestus as a figure), and so i included it. worth taking a look at.

Temporary versus Long-term Madness (article) - this article was a lot of fun for me.

books & articles on rome

full disclosure, i'm a latinist. i love rome. there's less out there but i have so, so much more to say about it. some good places to start:

Approaching Disabilities a Capite ad Calcem: Hidden Themes in Roman Antiquity (book, edited by C.F. Goodey, Christian Laes, and M. Lynn Rose) - this has some problems; i hate christian laes a lot but he's very good at citing lots of ancient examples! overall, the individual essays in this make it better than laes' own book, but they are disjointed.

Disabilities and the Disabled in the Roman World: A Social and Cultural History (book, by Christian Laes) - did i mention i hate christian laes? i don't like how he writes about disability, and at the same time he's incredibly prolific and good at citing ancient sources, so he's incredibly useful. read him if you want ancient examples, but be wary of how he talks about disability, because i think he fails as an abled person to think of disability as anything but bad.

Heroes and Outcasts: Ambiguous Attitudes Towards Impaired and Disfigured Roman Veterans (article, by Van Lommel) - i don't remember how situated van lommel is in disability studies, but i found this article & his work in general on roman veterans interesting enough to include.

there's so, so much more out there! this is just a taste! i tried to be conservative so as not to overwhelm, and even then this reading list is huge. i'm sure in a couple months i'll want to revamp this post lmao but i wanted it to be out there so people can at least see it esp since i promised to write this months ago. disability studies and classics is SO much fun and so novel and so exciting. so much to learn! so much to talk about! if you're interested in a specific topic, i can see if i can help you find more on it, but please keep in mind im currently only a student :-)

[nitrateglow]

Thoughts on Napoleon (2023)

Saw the Napoleon movie last night and was pretty disappointed. It was my most anticipated film this year and wow... maybe the 4-hour cut is better? Because this movie just felt psychologically shallow and overly compressed. 2 1/2 hours just isn't enough time to cover three decades of history.

Not that this film is good history. I cringed at Ridley Scott's pathetic defense of his historical inaccuracies: "You weren't there, I wasn't there, stfu, I can do whatever I want." Did anyone tell Ridley about this thing called primary sources? Or historical records? Or biographies and history books? Like, THAT'S HOW WE KNOW ABOUT HISTORICAL EVENTS IN THE FIRST PLACE.

Like, I was prepared for basic inaccuracies when I saw how they depicted Marie Antoinette's execution in the trailer (no shorn hair, not in white). But man... they really oversimplify the French Revolution and never go into why Napoleon is such a fascinating historical figure, both revered and despised, with an incredibly complicated legacy.

Agnes Poirer's review has a great passage which sums up my frustration with the film as a Napoleon biopic:

"[Ridley Scott] even seems ignorant of the fact that there are two men in Napoleon: there is Bonaparte, a hero of the French Revolution who gave France and Europe institutions of the Enlightenment era that still exist today, and who liberated Jewish communities from their European ghettos; and there is Napoleon, the hero turned weary authoritarian ruler, whose military campaigns drained a whole nation of its youth and wealth. Beyond facts, Scott’s great historical deficiency is to ignore the politics; instead giving us Napoleon’s tactics on the battlefield as a mirror to his sex life. It’s inept, crass and boring."

There's often the sentiment that historically inaccurate movies can be forgiven somewhat if they make for compelling drama. The problem with Napoleon is that the real history IS compelling drama and Scott's film is just shallow spectacle with the occasional goofy gag masquerading as satire. The filmmakers seem to be going for dark comedy, but the approach only sporadically works because much of the humor falls flat (I saw this in an almost full theater and the comedy scenes mostly played to dead silence-- I felt secondhand embarrassment for the actors at times). The humor just consists of Napoleon being awkward or shouting meme-able things ("DESTINY HAS BROUGHT ME THIS LAMB CHOP!" *tries to start food fight*). Yeah, The Death of Stalin it is not.

Joaquin Phoenix's performance is also one-note and static-- his Napoleon never seems to age, visually or inwardly, and he never captures the man's famous charisma, so I never bought that any army would possess an ounce of loyalty to him. Vanessa Kirby fares better as the alluring and tragic Josephine, but even her performance felt compromised and choppy-- probably due to this being whittled down from the 4-hour cut.

Aside from Phoenix's Grumpy Cat face Napoleon and Kirby's Josephine, none of the other characters leave much of an impression, good or bad. Historical figures flit in and out of the story, barely making more than uninteresting cameos. I felt like I was watching a clipshow for a miniseries, not a self-contained movie. If you don't know the basic outline of the history being depicted, I can only imagine how confusing this movie must be.

Ugh, this was just so disappointing! I was never bored while watching it, but I just left the theater empty. The more I think about it, the less I like it.