#which deck to get?

[bookalicent]

yeah so this was insane

[ethosiab]

still feels unreal that there was a solid two months or so where we got regular 2 hour uploads from etho. god is real (in the form of tangotek)

[specialagentartemis]

Genuinely: For people who are angry and frustrated at the limited number of movies and shows available for streaming, at the way streaming services pull or cancel movies and shows at will, at the way every media corporation under the sun is pulling their stuff onto their own streaming service and balkanizing access to things behind a dozen different monthly subscriptions? For people who miss Blockbuster and want to be able to just rent a DVD again?

See if your local library has a DVD collection.

If I want to watch The Mummy (1999) with Brendan Fraser? I can't stream it on Netflix, but I can borrow it from my local library.

If I want to watch The Mummy (1932) with Boris Karloff? I can't stream that pretty much anywhere, but I can borrow it from my local library.

I want to watch Star Wars or Iron Man or my favorite Disney movie but I refuse to sell my soul to pay for Disney+? I can borrow these from my local library.

Do I want to finish watching Star Trek: Deep Space 9 or check out Star Trek: Picard but resent that it's all on yet another streaming service I don't want? I can borrow season box sets of DVDs from my local library!

Obviously, available circulating collections vary a lot between library systems. (My hometown's library has all of Star Trek DS9 on DVD, for example, but my college town's library only has TOS, Picard, and Discovery.) And of course it depends on whether things are released in physical media form at all, and you won't be able to keep up with new episodes of new series - it takes a while for many things to come out on DVD.

But there can be a lot of good stuff there too. For example, I missed Nope in theaters, but I still really want to see it. So I have it on hold from my local library. I'm 73rd in line on 50 copies, so it'll be a while.

So check to see what DVD collections your library does have - it might surprise you what you can get access to, for free, in a manner that no greedy corporation can yank away.

And by checking out DVDs, you are telling the library that you use and want them to maintain and grow their AV media collection. Which is an encouragement we could really use these days.

[doctorwhommm]

I hsve an idea. Could u draw rose and ianto as besties

absOLUTELY I CAN

they’re chatting shit (lovingly) about their tall, long-coat-wearing, time-travelling, death-cheating, alien boyfriends who have spikey hair

[lurukifennecfox]

Anti-spectra!Jazz

so, we have Ghost!Jazz for whatever reason, i personally like it to happen a few years after Danny's Accident.

so Jazz is a ghost now, and her Obsession is predictably Psychology but unlike Spectra, Jazz gets pover from her clients actually making progress!

i also think it would be hilarious if Jazz's human disguise is more convincing that Danny's human form since his ghost side started bleeding into it more and he gives off uncanny vibes. Jazz does too but not more than anybody from amity park.

and she decides to move to Gotham because of course she wants to work in Arkham she can fulfill her Obsession and actually help people a lot there!

[charminglyantiquated]

9/25 update on the Nautilus, for anyone curious. Details below (long), but in summary: the damage is more expensive than we'd hoped. We will have to buy Nautilus back as salvage and repair her mostly out of pocket. We still do intend to repair her, but it seems now it will be over a timeline of several years. The fundraiser for her repairs has been raised to reflect the new estimate, and will remain up as long as we're working on her, for anyone who wishes to contribute. I'm so unbelievably, profoundly grateful to all of you who have helped us so far. Thank you so, so much.

Damage: a joint survey was conducted Tuesday between surveyors from our insurance and that of the other vessel. It will be another 3-4 weeks before we have the official paperwork, but the consensus was that the damage approaches twice Nautilus' value. In addition to the mast and all the attached rigging, sails, hardware, etc., the teak deck would have to come up in order to address the damage to the deck and hull. This means that rather than pay for repairs, our insurance company is almost certainly going to write her off as a total loss.

I am waiting for formal documentation before sharing any exact numbers. Once we have them I will be more precise. But the general process as I understand it right now is below, for anyone curious about how everything shakes out.

What a loss means with insurance: my understanding is that repair damages are only covered by insurance up to the point a vessel is totaled. Since the damages almost certainly surpass her value then she would be totaled instead. In this scenario, our insurance would give us the value the Nautilus was insured for, and then pursue the other vessel's insurance for their own reimbursement. Additionally the other insurance might give us the income we lost over the remainder of the season, but whether that will happen and what amount that would be is up in the air, with the three different attorneys we consulted agreeing that we'd be fortunate to get any amount. Anything beyond that is apparently unlikely, any other legal pursuit would possibly lose us more money that we might hope to gain.

On our end: we took out a loan to buy Nautilus in April, and still owe the majority of it. By the terms of the loan, with a total loss we would have to pay back the full loan immediately. Then, because this is essentially our insurance 'buying' Nautilus from us, we would have to buy her back as salvage. The salvage price would be determined by the salvageable parts of her, and the surveyor. Hopefully it would be less than five figures, but it depends heavily on which insurance company actually ends up with her, and how exhaustively they tally up the pieces of her that they could sell. The surveyors could not tell us at the time of the survey who would end up with her or what they would charge. For the next month or two Nautilus is in a kind of purgatory where we do still technically own her, but only until insurance gets through the paperwork, which makes it difficult to begin any work right now.

Financially: when the dust settles, once the loan is paid and we own Nautilus once more as salvage, I think that based on the current estimates we may have some funds remaining. But even in the best case scenario - low salvage price, and we do receive lost income - it wouldn't be enough to finance all the needed repairs. My partner and I will be keeping the fundraiser up for as long as we are working on her, for anyone who wishes to contribute to her repair fund. Any help from anyone who would like to see her sailing again will always be deeply appreciated, but we're both aware it's an absurd number. If we fail to meet it, we're both keenly aware it's not through any lack of generosity - I cannot possibly express how grateful we are for the help we have received already, and what a massive difference it has made over the last month as we deal with the immediate and long-term fallout, covering her haul-out and towing and bills over the months it will likely take to resolve all this.

Fixing Nautilus: my partner and I are still committed to repairing her, despite the cost and the time involved. The thought of letting her be cut up for salvage is too heartbreaking to bear. But at the pace things are progressing and with the resources we have, it's obvious now that it's not feasible to fix her fully over the winter; it will instead be over the course of several years. However, my partner and I hope that by doing as much of the work ourselves as we are qualified for, we can bring down the overall cost of repairs by a fair amount. Additionally, the broken mast was built only a few years ago by a gentleman who still has the plans for it and is willing to guide us through the process of building a replacement. There is a possibility we can connect with a local boat building school's fledgling restoration program. And a great many people have offered their time, advice, expertise, and contacts. The timeline has changed, but we are not giving up on her.

In the meantime: with the survey done, we now have at least a general idea of what the future will look like. Since working nonstop to get Nautilus sailing again by June is not on the table any longer, my partner and I are currently figuring out a long-term plan for ourselves, our little company, and the Nautilus herself. We have discussed a few ideas, which I'll share more about once we settle on anything concrete. Nautilus herself is finally clear of wreckage, with the pieces of her mast on sawhorses beside her, her deck swept clean, solar panel plugged in, and a tarp over the worst of the damage. She's as safe as we can make her for now; there's nothing else we can do except wait for the wheels to turn.

Lastly: thank you all, more than I can say. I have been trying not to miserypost, but I have been having a very hard time dealing with this, as has my partner. It took us ten years to save the money we put into Nautilus, and the few months we were able to spend sailing her together were the happiest and proudest I have been in my life. We have lost the future we'd imagined, and regardless of how this resolves, we are never getting that time back. We are determined not to lose the Nautilus as well, but it has honestly been difficult some days to push through the grief. The one consistent silver lining has been the kindness and sympathy and outrage from everyone who has taken the time to reach out to us. I have been floored, over and over, by how many people we have rooting for us. I am never, ever going to be able to express my full gratitude to all of you. Without exaggeration, you have kept me going.

I will share more once we know more - exact numbers, exact damage, exact plans for repairs and the next steps. Until then, from the bottom of my heart, thank you.

[noxious-fennec]

A redraw of an old thing because exam season is the only time i get creative energy ig

[dizzybizz]

i haven't introduced tumbly to my drawtectives oc!!! this is my guy nick nack, he runs a shop where he sells antiques and well... knick knacks.. he loves trinkets n bits n bobs n he is oh so short.

[lostyesterday]

Star Trek Women as Chappell Roan Songs

B’Elanna Torres – Femininomenon

Jadzia Dax and Lenara Kahn – Guilty Pleasure

Philippa Georgiou – Super Graphic Ultra Modern Girl

Christine Chapel – Picture You

Beckett Mariner and Jennifer Sh'reyan – Red Wine Supernova

Deanna Troi – Kaleidoscope

Seska – My Kink is Karma

T’Pring – Coffee

Beckett Mariner – After Midnight

Raffi Musiker and Seven of Nine – Casual

T’Pol – California

Lwaxana Troi – Hot to Go!

Ezri Dax – Pink Pony Club

Deanna Troi and Tasha Yar – Naked in Manhattan

[serpentface]

Two questions regarding the Wardi religion:

In addition to the bull and the lioness, what are the seven faces of god/sacrificial animals?

Given that white animals seem to be sacred, does that influence how albino humans/other sophents are treated by society?

The seven faces of God are as follows:

-the lunar, horned, or 'wild ox' face of God, which presides over the moons, and the fertility of the land, animals, and people. In pre-imperial times, this was functionally the most central face of God (replaced by the lion face/odomache). The most ideal sacrifice is a wild ox (especially white or albino) that has never been bred. -the ‘ox’ face of God, presides over agriculture and labor, as well as the domestic sphere. The most ideal sacrifice is a healthy plow oxen or khait who has never been yoked or bred (if the sacrifice is towards Ox-Face as the domestic sphere, this should be a heifer). -the lion face of God, presides over sovereignty, statehood, military might, and is most associated with the health and continuing existence of the imperial entity. The most ideal sacrifice is a maned lioness (functionally white, though this is a trait of the captive population). -the ocean or skimmer face of God, presides over the seas, winds, as well as fortune and mercantilism. The ideal sacrifice is the skimmer gull or an albatross, especially one taken from one of the sacred rocks in the 'mouth' of the Viper sea. -the serpent face of God, presides over the cosmos and divine Mysteries, associated with funerary rites and death. Also has a wildly disparate association with royalty (which is derived from entirely separate traditions and has not yet fully been reconciled into the faith). The ideal sacrifice is a two headed or melanistic snake, especially a venomous one (both would be MOST ideal, but this is rare beyond any practicality) -The solar face of God, presides over the sun, stars, and fire, also heavily associated with khait and mounted warriors. (this is a VERY direct import from the chief solar god in the Burri pantheon (who rides and/or is a khait with the sun between its horns), hence the seemingly random khait association). The ideal sacrifice is a healthy riding khait (especially with a white spotted coat), or alternatively a golden eagle. -The river face of God, presides over fresh water, seasonal flooding, and the rains. The ideal sacrifice is the migratory reed duck (which arrives at the onset of the wet season) or a freshwater hesperornis (ideally taken from one of the sacred waters). An-Nechoi are also occasionally given.

Though the core religion is monotheistic, each face of God is functionally a syncretic fusion of older ethnic Wardi beliefs, the Burri pantheon, and other regionally native traditions, which have not all been fully reconciled (the process of fusion is more or less still ongoing). Each face in of itself has dozens or more epithets with distinct features. For example, the river face has a specific epithet for each major riverway, each venerated as a distinct aspect of the Godhead. Functionally, common practice of the Wardi faith is pretty indistinguishable from polytheism, and most of the religious authority does not care as long as required orthopraxy is maintained (the central dogma of the religion does not care How you believe, but that the correct practices are enacted).

Also for reference, these are the specific animals taken on the pilgrimage in the story (transporting seven rare animals cross country can be fraught, so each had at least a few backups):

A pure white aurochs calf, found naturally born in a wild herd.

A massive, unbred and unyoked bull draft khait (dies en route, replaced by a less physically impressive backup with the same qualities)

A lioness with a full mane, from the white captive stock

A skimmer gull taken from a nest on the sacred rock in the waters of Od-Koto.

A baby two headed cobra (which dies en-route and is replaced with its backup, a melanistic viper)

A beautiful speckled riding khait mare whose horns form a near perfect circle (which is stolen en-route and replaced with its sister)

A rare wild hesperornis (haven't come up with an in-universe name yet) taken from the reeds of the Brilla river delta.

Anyway the sacrifices listed above are considered the absolute IDEALS when working with a specific face, but a great variety of animals will be sacrificed to various ends. There’s some very specific cultural/religious components to which animals are most valued, but in practice the value of a sacrifice is pretty close to 1:1 with the animal’s monetary value, at an intersection of utility and rarity.

So a young, healthy bull plow oxen who has never been bred or yoked is a more valued sacrifice than an old, experienced plow ox who has already sired offspring. You are giving up an extremely valuable animal and all its unused potential in a very practical sense, which makes the sacrifice more potent and valued. The 'virginal' status of the animal is key when the rite is SPECIFICALLY related to fertility, in the sense that the animal itself is sacrificing its unused fertility, allowing for the sacrifice-rebirth cycle to perpetuate. (Animals which Have been bred may be preferred in certain cases and rituals).

An animal with a rare coloration is usually going to be more valuable than one with more common genetics. This is the core root of why albino animals are of high value. It's less that white animals themselves are valued, just that rare genetics such as albinism = valuable sacrifice.

There are some specific exceptions where the color itself is significant (rather than just an extension of its rarity). God is specifically supposed to have taken the form of a white aurochs (itself emerged from the foam of the sea) during creation, so white oxen and wild oxen SPECIFICALLY have especially high value. Melanism or black scales are valued to the serpent face of God, which is associated with the cosmos and void behind the stars. (this stems from much, MUCH older beliefs in a cosmic serpent god in the region).

Animal sacrifice is a very significant part of the religious framework and involved in most rituals and prayers intended to affect significant change and transformation. (This is due in part to a deeply ingrained belief in the world being perpetually sustained in a cycle of sacrifice and rebirth, and in God Itself being the physical mechanism of rebirth and requiring sacrifice to be sustained). While blood itself is seen as potent, the nature of sacrifice isn't just 'spill blood and make thing happen', it's got a self contained value system and is very calculated and intentional in nature. You aren’t going to just grab a random rat and bleed it and pray, there needs to be a perceived ‘loss’. Sacrifice via killing is also not the only form, the most common day to day sacrifice is in (very minor) bloodletting and offerings of food and drink- the key is allowing a personal loss to sustain a greater cycle.

That being said, there is a HUGE trade system built up around the breeding and selling of animals solely for sacrifice. The industry revolves mostly around birds (doves are the cheapest, but also poultry, waterfowl, some birds of prey, a few select songbirds and ornamental birds), goats, sheep, and horses (the small, premodern kind). Cattle and camelids are a higher tier, and khait are among the highest of common sacrifices due to their great value.

Other animals that have no direct utility but are sacred are also bred or captured for sacrifice (hesperornis, lacetor, gulls and albatrosses, several kinds of snake, a bunch of wild ungulates, nechoi, etc). Some '''‘exotic’''' animals are imported specifically for this purpose, mostly as a means of displaying the wealth and reach of the state, with their sacrificial value rooted in the difficulty of acquisition. Animals taken from sacred sites are also prime candidates (ie cattle bred and grazed on the foothills of the Sons of Creation are VERY valuable).

---

So all that being said the importance of albino animals has come off a little overstated on my part, and doesn't have any particular impact on how albinism in people is regarded. It’s valued mainly for its rarity in the context of animal sacrifice, which would not have direct translations to how it’s perceived in people.

Albinism in people doesn’t have a super well defined significance in broader Imperial Wardi culture, but perspectives mostly skew negative and towards seeing it as a sign of ill fortune (physical differences in people tend to be seen as a result of being cursed in the womb). Imperial Wardin is culturally diverse (united mostly by a identity based in shared religion), so exact nuances would vary and this statement should not be taken as a universal.

Imperial Wardi population is mostly human (with its citizen population being MAYBE 5% elowey, 2% qilik, and a decimal point of caelin). Overall sentiment towards other sophonts by the human majority is not outright hostile, but is human-centric and tinged with xenophobia (as most qilik and elowey in the region are immigrants, with the only elowey ethnic group historically inhabiting the region (the Jazait) being regarded as 'heathens'). Albino elowey or qilik might be similarly seen as products of a curse, or may be given a 'wow how beautiful' treatment (in a heavily patronizing capacity) and seen as a curiosity, or otherwise just subject to varying perspectives on albinism in the region.

The one other thing I have established in this vein is that the semi-mythological hero Janise (sworn brother of other semi-mythological founder hero Erub) is said to have been albino. While he is positively regarded, he is supposed to have died young of a snakebite (assumed to be the product of a curse from his enemies) and this would not improve perceptions of albinism being related to ill fortune.

[theoryofwhatnow]

alex and nigel

what they would’ve actually looked like

[glimblshanks]

For Mariner to be happy and fulfilled she needs a stable group of friends, a good relationship with her mom, a settled and supportive work/living situation, and plenty of time to process her war trauma. Meanwhile all Ransom needs to be happy and fulfilled is a bunch of stairs and some decon slime, so all that's to say that opposites attract, and they're actually perfect for each other.

[tacticalgrandma]

Ngl if ast/arion gets that whole new ending cinematic & all the new content we get for Wyll is a romance greeting he should have had from the start.

[thegoldenavenger]

Liu Qingge date lineup… I was thinking about how funny it would be to see how dating might change your lifestyle

[autisticredhood]

In The Dream House by Carmen Maria Machado page 5 / Batman #614 / Detective Comics #790 / In The Dream House / Detective Comics #790 / Batman #614 / In The Dream House / Batman #410 / Batman #428 / In The Dream house / Batman #617 / Detective Comics #790 / In The Dream House / Detective Comics #790 / Batman #618 / In The Dream House / Detective Comics #790 / Batman #614

ID under

[ID: Several photos weaving together text and comic panels. 

First image is of text that reads “The memoir is, at its core, an act of resurrection.”

Second image is a panel of Jason’s face on the ground in watercolor art style from Batman: Hush. He is wearing the Robin domino mask and his mouth is parted open. He is splattered with blood. A blue caption reads “Jason.”. The panel is overlaid in red. 

Third image is a cropped panel of Bruce and Cass in front of Jason’s grave. Bruce is saying “He would have been eighteen today.” 

Fourth image is of text that reads “Memoirists re-create the past, reconstruct dialogue.”

Fifth image is of Bruce and Cass surrounded by graves as Bruce is saying “But he was brash. Impulsive. Headstrong. Never looking before he leapt…I knew that, but I didn’t stop him because he wanted it so badly. He wanted too much to prove something.”

Sixth and seventh images are cropped panels from Batman: Hush with Batman in watercolor art style. The sixth image has blue captions that reads “No matter what differences we’ve had through the years, I’ve always known that Dick had a gift. Jason only had…rage.” In the seventh image the captions are “Jason never had the skills that Dick had. I should never have let him put on that costume.” 

The eighth image is text that reads “They summon meaning from events that have long been dormant.”

The ninth image is of two panels from Jason’s post-crisis Robin run in the 80s. The first panel is of Bruce’s face with the Batman cowl pulled down. He’s saying, “Hardly, the other Robin would’ve done the same thing…You two really are two of a kind.” The accompanying panel is an up close shot of Jason’s grinning face in the Robin suit. He’s saying, “Thank You, Mister Wayne. Mind if I stay up awhile and do some homework?”

The tenth image is of two panels from Death In The Family of Bruce cradling Jason’s dying mother, Sheila. In the first panel Shiela is saying with many ellipses between her words, “He turned out to be such a good kid all his problems and he still turned out good.” In the second panel she is saying, “He threw himself in front of me. He took the main brunt of the blast.”

The eleventh image is text that reads “They braid the clays of memory and essay and fact and perception together, smash them into a ball, roll them flat.”

The twelfth image is a panel from Batman: Hush that is cropped to only show a caption that reads “Jason saw being Robin as a game. It’s probably what got him killed.”

The thirteenth image are of two panels from Bruce and Cass at Jason’s grave. The first panel is a cropped shot of Bruce saying “Yes. Maybe if I’d put an end to his attempts, he’d be getting ready to go off to college…” The following panel is of Bruce and Cass standing as dark silhouettes against a red sky with the angel statue of Jason’s grave looming over them. Bruce is finishing his thought from the last panel and saying, “Or just having a normal life…”

The fourteenth image is text that reads “They manipulate time; resuscitate the dead.”

The fifteenth image is of two panels from two different comics. The first is from Batman: Hush in modern comics art style and not watercolor. It’s a cropped panel of Tim Drake in the Robin suit yelling, “No matter what he says, Jason’s death still haunts him. Why else would he keep Jason’s costume so prominently in the cave?” The second panel is a cropped image of Barbara Gordon on the BatComputer screen from the same issue of Bruce and Cass visiting Jason’s grave. She’s contacting Bruce before he goes to the graveyard, saying, “Maybe you’re busy...Look Batgirl just came by. She seemed…upset. I don’t know what happened, but…if this is about what today is, then…Just Know I’m here if you need…”  

The sixteenth image is of text that reads “They put themselves, and others, into necessary context.”

The seventeenth image is a panel of Bruce and Cass in the graveyard. Bruce is saying, “But he’ll never have that. Maybe it’s not too late for Stephanie.”

The eighteenth and final image is an edited panel from Batman: Hush in watercolor style again. It is a close up of the R symbol of the Robin suit with blood stains on it. The panel is overlaid in red again. The edit is a blue caption from the same issue that is added to above the R symbol. It reads Batman’s inner monologue of “For these reasons, I’ve carried the burden of responsibility for Jason’s death.”

End ID.]

[patrice-bergerons]

Losing my mind a little thinking about what sex, should they choose to have it, would be like for Aziraphale and Crowley given that the physiology of their not exactly human bodies is at least in part dictated by what they believe it to be.

Let me unpack: sure, while on earth their bodies do operate within a human paradigm to some extent. (Hence Aziraphale's fear of getting discorporated should his head be chopped off.) But at the same time, for one, they aren't exactly human -- they don't have to eat or drink or sleep and the laudanum does not kill Crowley.

More importantly though, Crowley can drive thru a literal ring of fire in a burning car and be fine because as God tells us, he has an imagination--he decides it will be okay and so it is.

And sex is so alien a concept to them both and not something you generally observe other people doing. So even if they are crawling up the walls with the need to know one another they would have no clue what it is they are exactly supposed to do to begin with. (I am not even sure it would have occurred to them to add genitalia to their bodies until they start to explore this romance between the two of them.)

They are also both such stubborn bastards. Thus sex would likely be the two of them doing "research", coming to some wildly inaccurate conclusion(s), and then insisting yeah no this is really how it works.

And even if thru much vexation and trial and error they come to something close to human sex and something they enjoy, on the margin, the mechanics of it would be somewhat different than how real humans have sex, because there is no one there to give them notes. And they would both absolutely believe they are doing it right.

(I also really want Crowley to take the "bigger the better" adage to heart and come to Aziraphale with a hard dick he made to be a whole metre long only for an unimpressed Aziraphale to go "and what exactly do you expect me to do with this, my dearest?? should I unhinge my jaw like a snake???")