#which basically just means i get to have fun with it and talk about how hes a cuck with no care

[alexanderwales]

My web serial, Worth the Candle, has been adapted into a webcomic. This was thanks to my agent, who I have a great fondness for, since without him I would have to spend time trying to make connections and call people and do a bunch of work that I don't know how to do and am not good at.

I was offered the chance to write the webcomic, but declined, mostly because writing Worth the Candle had taken four years and was pretty draining, and was a story that I feel like I'm done with, minus some editorial stuff, answering fan questions, and the odd bit of promotion. So my level of involvement is that I get the pages as they come in, make some comments on them, and generally just give feedback which they are free to ignore.

So let's talk about some of the adaptational changes! You can read the first three issues on Webtoon here, or the first eight issues if you're willing to pay, and the books start here, but I'll assume that you haven't read either, and there won't be substantial spoilers because I'm talking about stuff from the very beginning. Actually, I guess there will be some spoilers, but later on, and I'll mark them, mostly having to do with some foreshadowing that the webcomic does which I didn't do.

(I licensed the rights to make the webcomic to WebToon and took my money upfront, they didn't ask me to write this post, I have not actually asked the artist/writer why they made these changes, it's just me guessing and commenting, for fun. Edit: My agent has informed me that I'm mistaken, I do get a cut. So apologies for the misinformation, and hooray for me, I guess I signed the contract ages ago and just forgot the details.)

Character Design

Here's how Juniper Smith is described in the books, ch 2:

I won’t belabor my physical description. My friend Greg had once said that I looked like someone had chosen ‘default’ for every option in the character creator, which I’d tried to laugh at but cut kind of deep. I wasn’t handsome, I wasn’t ugly, none of my features were very prominent, my eyes were blue, my hair was brown, average build, average height … After Greg had made his comment at one of our D&D games, my nickname had been ‘default’ for a while, at least until I stopped pretending to find it funny, and even after that my friends would use similar lines to trash talk me, saying that I was “the most generic man alive”, “a white bread with skim milk motherfucker”, or “the human equivalent of vanilla ice cream”. Not that I was any less of an asshole to them.

This is how he looks in the comic:

I would more or less give this full marks.

In terms of other aspects of character design, Juniper is here given a black shirt with a red symbol on it rather than the stock white t-shirt he's wearing in the opening chapters of the first book, probably in the interests of adding in some visual variety. On the page, it's perfectly fine that every person in the first 50k words is wearing basically the same stock outfit. In a visual medium, I do think that you need that pop. I do think it's interesting that Juniper is wearing the same clothes in the classroom as he is on the plane, implying that when he transmigrated his clothes ... came with him? I don't know.

The other major character of the first section is Amaryllis, who is a major character in the entire work. Here's her description in the book:

Standing by a workbench, among various car parts, tools, and cans of unidentified fluids, was the most beautiful girl I had ever seen.

I’m not really sure what protocol is here, in terms of prose. I mean, I don’t want to sound like a creep, so maybe I should stay as generic as possible and tell you about her dark red hair pulled back in a braid, the glacial blue of her eyes, how starkly alert she looked as she peered over the parts in front of her, or her grease-smeared clothes. Save for her eyes, I wasn’t really focused on any of that. My mind was consumed by tracing her curves, the shape of her chest in her blood-stained t-shirt, the fullness of her lips and the delicate way she had them parted -- and yeah, it was pretty fucked up that the splatter of blood on her shirt wasn’t worth rating much of a mention. I was consumed with staring at her and thinking how gorgeous she was, until I noticed that she was having a powerful effect on me, at which point different parts of my mind were given over to marveling at the sensation of being so attracted to a girl, and others were still focused on her.

Imagine that someone spent a few years studying your likes and dislikes, running through video of your every private moment, somehow surreptitiously hooking up EKGs to measure your physiological responses without you knowing. Then imagine that they sat down with that data and the best photo manipulation artists in the world and made the absolute perfect picture to cause your heart rate to spike, a jolt to run up your spine, butterflies in your stomach, and a cold sweat on your palms. Then imagine that they did this again, over and over in slight variations, until they had a full 4K 60fps 3D movie to show you. That was what it was like watching her.

And here she is (as she's introduced) in the comic:

Aside from the change in clothes, which in the book are the same white t-shirt and blue jeans that everyone else is wearing, Amaryllis has a scar on her face, of unknown provenance. This was probably added for visual variety, but I do find scars to be very fetching, and in one of the early versions of Worth the Candle she did have one (patterned off a woman with an extremely attractive facial scar I had met, the kind of facial scar that looked like it was applied by a Hollywood makeup artist specifically to give a touch of the exotic and mysterious, except she was a just a Midwestern mom).

And of course Amaryllis was always going to be an adaptational challenge, because the books are told through Juniper's eyes, and she's The Most Beautiful Girl in the World to him, and conventionally attractive to everyone else. Juniper tries to be normal about this. But if you're in the visual medium, you have to show both how Juniper feels and how she actually looks, and attractiveness is just so incredibly personal. My wife and I get in these kinds of discussions a lot, where she'll think someone is good-looking and I'll say "him?" or vice versa.

I think the above panel in particular is a good middle ground, a glamour shot that snaps back to the reality of their first meeting:

(The void gun she's holding there is much different from the one described in the book, not something cobbled together from spare parts and void equipment, but this is another very minor change that I would assume is meant for communicating immediately that this is a lethal weapon, and there's probably not a place for explaining how and from what it was cobbled together, which is also under-explained in the book for reasons of pacing.)

Story

I've read the first nine episodes, and overall, it's hewing very closely. There are a few bits in particular that stand out to me in how they're handled.

Spoilers for later in the series follow, I guess.

These are the opening lines of the webcomic. This is much stronger foreshadowing than I used, and I like it. Part of Juniper's backstory is that he's been deeply depressed and self-destructive, and he's slow to open up about this with other characters or the reader. The "it" that he couldn't go through with is, then, suicide. In the books? This comes very very late. Juniper being depressed after Arthur's death is brought up after the first major arc, halfway through what's now Book 1, and gets more explicit as the books go on, eventually getting to Juniper talking about his attempted suicide with people and grappling with it like ... almost halfway through?

I don't know what the plans for the webcomic are, but my guess is that they're setting up for much, much later on in a way that I didn't. This was always a background element, something that informed Juniper's character, not so much the suicide attempt as the feeling that came after, this understanding that yes, he did want to live, a heady, energizing kind of "I guess I don't have the way out that I thought I did" sort of thing.

So I take it as a good sign that this is the opening line. It points toward them understanding where they're going.

One of the other major adaptational changes is that they signpost Arthur's death with a memorial on his desk:

When I was getting pages, this was one of the first moments where I was like "yes, this is a good change, visual storytelling to replace my walls of text, flows and offers indirect information". I am very happy with the adaptation thus far, and stuff like this is what I love about adaptation in general, the need to grapple with the strengths and weaknesses of the medium.

Content Rating

Worth the Candle gets grim and dark in places. It at least attempts to grapple with serious things. The webcomic is rated Young Adult, and I'm not sure how they're going to handle the later stuff, but I can talk about how they're handling the stuff now, and what I think it means overall.

First, there's a lot less swearing. Worth the Candle in its entirety uses the word "fuck" ~1200 times. Granted, this is over the course of 1.6 million words, so a fuck density of one every 1.3k words, and some of those are in the verb "soulfuck" rather used descriptively, as exclamations, etc. My personal feeling is that this doesn't matter basically at all. I don't think I notice when someone isn't swearing unless they're using corny substitutions or trying to get cute with it.

Second, the violence is toned down in that YA way, where they're still showing much of the same things, just not with the same level of visceral detail. When a Marvel comic has someone thrown into a wall, they're no blood or snapping of bones or mangling of bodies, at least if it's a comic at a certain rating (I have definitely read some edgy 90s comics that do go hard on the violence). I think, overall, that this isn't my preference, which might be obvious from the way that I try to write fight scenes and such. But I'm also sort of inured to this toning down of violence, since it's omnipresent.

Third, there's the sex stuff, and ... well, it hasn't come up in the webcomic yet. I think I laid out my reasoning for why I think sex scenes should be written/included in Why to Write a Sex Scene, but the brief version is that sometimes you're showing how characters relate to each other, what they think of each other, and the sex scene shouldn't always just be something that's skipped over and left to the reader's imagination, because things happen, there are moments of communication, it can and does develop a relationship in the moment rather than after the fact. Plus a little titillation is, in my opinion, usually good.

The great thing about writing webfic is that no one can stop you from just including three solid chapters of hardcore pornography in the middle of your story. I have never done that, but I could is the point, and I would only get complaints from people who have no power over me. That same freedom doesn't exist here, and ... yeah, it makes my heart sink a little bit.

Fourth, there's some of the more mature content stuff, the topics that might not be broached. I don't know how they're handling that, so I reserve judgment, but I think my opinion is probably going to be "well, you do what you have to do", and if my version of the story is superior because there are no brakes, then I can be smugly superior about that.

Conclusion

This is already a fairly long post, and there are a few other things that I could have remarked on, but I think this is all the most interesting stuff.

Alright, just one real quick: Arthur is adaptationally more attractive, though this is also how Juniper sees Arthur and I think by the standards of webcomics, this is actually sort of necessary. Most of the flashback cast is not described until much later on, and by then you kind of know and understand them from the things they've said, if you can keep track of them. Many of the flashbacks are nearly disembodied. But if you're showing Arthur early, then the first impression he's going to make is in his appearance, and that really anchors people.

So overall, I am happy with the adaptation. There are challenges ahead, and I'm thankful that I'm not the one who needs to tackle those challenges.

[faiell]

yapping about fics and commenting

sorry to yap but work is boring today and tumblr isn't blocked on my work computer LOL

ok it's abt that post where the writer friend stopped writing because they weren't getting the comments/kudos they wanted.

i'm like. an overeager fandom person. like i cannot get into a fandom without wanting to meet new people and make friends. i love yapping about whatever silly gay idiots i'm hyperfixating over. i'm all about community, and sharing the joy of fandom, and all that fun positive stuff.

i don't post my art for stats but like. that means nothing coming from me tbh. i get stats. i can't accurately predict what would happen if i stopped getting notes on my art, but i would probably keep drawing and keep posting, just maybe less confidently, and less often. i recognize that stats make it much easier and while it’s not my primary motivation, it definitely motivates me to keep posting.

and yet. for years, i never commented on fic. i think i left kudos? and i saw posts like this all the time about how writers were so sad they didn't get comments. and i would feel super guilty about it all the time. but i still wouldn't do it! it sounds stupid, but i would feel pressured. if i liked a fic a lot, it felt even more difficult to comment, because i thought i would have to somehow give back to the author everything that fic gave to me. i wanted to craft the perfect comment that could perfectly encapsulate everything a fic made me feel. and that was way too much pressure so i would just not say anything.

when i got into drarry, i started reading a shit ton of fic. and i still wouldn't comment. i left maybe... 2 or 3 comments, maybe, i think. i can't remember. but i had a lot to say and i WANTED the writers to hear that i had read it and liked it. i just... didn't comment! u know what i did instead? i just fucking straight up DM'd writers on discord and started gushing to them that i liked their fic. somehow i was confident enough to do that, but writing a comment still felt like too much pressure. ?? i don't understand it either, but in my head it felt like a writing assignment, but when I was in DMs it felt more like a conversation and so there wasn't any pressure to make it "good"? idk!! it's very weird.

then i wrote and posted my first complete fic. just a oneshot, nothing special, and i was like. UNREASONABLY nervous about posting it. like. i am a confident person, okay? i was going to make a burner AO3 account and post it under a different name so nobody would know it was me, and then never mention it to anyone except MAYBE super close friends. i got talked out of doing that (thanks i feel a bit silly about considering that now). and then i received my first comment on it, which was basically a two-liner where someone said they liked it and thanked me for writing it.

and i was like. ??...?????? ???????? ...??!!! because i felt like... uncontainable glee? i was freakishly happy. the amount of serotonin those two sentences gave me was definitely unnatural.

is that healthy? idk. will it continue? idk. LOL. i hope so? but idk, some people said it wears off if you write/post for a while. but whatever, the fact that one little comment like that could make my entire day blew my mind. tbh i thought writers were just exaggerating when they said stuff like that.

ever since then i started leaving comments! that shit's easy! like what was i overthinking for? i'm such a fucking tryhard! all i gotta say is that i liked it, and even the bare minimum can bring lots of joy to someone.

so basically what im trying to say is that negative reinforcement doesn't do shit!! it just makes people feel bad about themselves. that post is nasty for guilt-tripping readers like that, and i bet you it's going to have the opposite effect (or no effect tbh).

YAPPING FINISHED. for now.

[just-your-average-author]

TIT RECAP/THOUGHTS

SPOILERS OBV

Okay so firstly the open PSA that Dan wrote about "no photos or videos if you do, I will sue your ass to the ground" and "no flash photography do you want Phil to fall off the stage...again?!?!?" killed me. it was so cute

preshow playlist, stunning, beautiful all around bops.

the sudden cut off of the music and lights to signal the show started, genuinely shocked and I was SAT let me tell you.

THEY CAME OUT AND THEY WERE REAL?!? NOT A SIMULATION?? listen I still can't get over that, I can't believe they were real people who look and sound exactly like they do on my tv at home!! I was so focused on them and soaking every moment in, I couldn't handle it

have I mentioned how attractive they are?!?!?

okay also literally Phil straight up STOPPED THE SHOW BECAUSE HE HAD TO SNEEZE AND DAN JUST STARED AND WAS LIKE PHIL WTF and I loved every second I was like yes this is straight up what they do in videos, let's have our little squirrel moment babes.

plus it made it feel even more silly and improv, overall I know obv they scripted a lot but it was sooo interactive and they ad libbed so much and I adored it

the dollhouse recap i swear wtf. first off, it was such a creative and fun idea and the different sets, and dressed up dolls that the clothes matched!! also okay I'm so sorry I had no idea the random sex positions would be a theme of the show so I was gobsmacked, but the 69ing during pinof??? "so we did what 2 closeted twinks did upon meeting each other for the first time.... put sharpie's cat whiskers on!!!" shut up for the love.

I genuinely loved the role model or no-el model segment. my show was in NC so they first option for Dan as the Mr. Lawyer was he bans ___ and someone said south carolina and they both just were rendered speechless and were like damn oh dear but laughing too.

The boxing match was so hot dear heavens, Dan's expression when Phil came out in the fake- *cough* I mean very real abs. He was acting for his LIFE.

the confessions were so good, just wish it lasted a little longer. the yapping was good and also idk if this was standardized but the whole thing where Phil said "I have a cute but also sociopathic thing going on and I think it's working for me 😌" like shut up you're so adorable

omg the quick change where they kept their mics on and narrated so many innuendos I was dying omg so silly and so funny I loved it. I was really impressed with how fast they changed, but also talked the whole time.

I loved every single solitary part of this show and I loved how they joked about how they were sorry we all went to school with whiskers then got out in the trash (cause yeah basically) and how they literally did raise us and should be blamed for us being feral not our actual legal guardians.

okay so. this show 9/10. here's where the last 1 point went.

please don't kill me, but I wasn't a fan of the song. I'm not entirely sure what it was, but the whole show was so raw and perfect and then the song was just really synthetic and overly autotuned where I personally didn't even hear their voices. like I couldn't tell who was singing which part. the ukulele part was cute, and I really hoped that would've been all of it, I guess the internet is here and interactive introverts and everything's fine just was so good you couldn't raise the bar again, but that was just my personal opinion, I know a lot of people loved the song and it was catchy and cute, I'm just not personally a fan of kpop/synthesized music so I was a little disappointed in the song but the dancing slapped so hard.

Dan flawlessly executing every move and strut and making eye contact with us while Phil very intentionally was focused on not tripping or walking off the stage and looking at Dan a few times to check if he was doing it right MY HEART.

cuties, gay, both of them, love them

overall I spent last night frantically calculating if I could afford to spontaneously go see the Nashville show as well and spend another 10 hours in the car today but regretfully thought against it.

[jonathan-cranes-mistress-of-fear]

Genuine question, as someone who has characters of my own: how do I get over my embarrassment for having OC’s? I’d never make fun of someone for having them, but whenever it comes across my dash (especially if it’s ship art) I can’t help but… (for lack of a better word), cringe. I love people being creative but it feels like I can’t get over the backlash against things like that.

It's something you have to unlearn, and that's not always easy. I think as a whole, most fandoms are not OC friendly unless it's something like a videogame in which you create the main character from scratch. Most people will stick to already established characters, because that's easy to write. Very few are brave enough to make their own story.

Firstly, l'm going to discuss comics, this is a world of many worlds. DC as example has so many universes, and there's no way I could name them all. I think many of them are numbered, and fans who create their own usually make a numbered or named verse. Like, Codotverse! (if Codot can put his whole voice out there, you can do it too, btw)

Personally, I think the open ended-ness of comic worlds is a positive for fandom. It makes it so anyone can tell a story and despite it being fannon, it's really no less canon than what's in between the pages. Comic writers themselves can't get things straight half the time, heck I've been known to nit pick comics because they forget some fact about Jonathan that SHOULD be well known.

Now, lets talk OCs. The fact is, and this probably sounds mean, people would rather read about Scarecrow or Riddler then -insert Hench character for shipping here-

The reason is as stated above, it's easier to get into. They know what to expect. And unless this OC is someone you've been talking about for years and they have curated their own mini fandom within the fandom, most ARE gonna scroll by. That's sad, I know.

BUT that doesn't mean you should quit or be embarrassed about an OC. People can come to love them, but this usually takes effort and dedication on your part. You are the one and only author and content creator of this OC. Nobody else is gonna make content for them without insensitive. That means you gotta talk talk talk, and draw draw draw, then write write write. MAKE them care. People can very easily come to love and OC,. and i know this for a fact because I used to have my own and I always got asks, people wanted to draw them, or write stories, etc.

The thing is, you gotta embrace being potentiality embarrassing. If you don't take a step forward and put yourself out there, who will? This sounds very internal for you, and it's literally something that is taught to the youngins of fandom very quickly. Fandom, as a whole (think big here) will squash or despise anything that isn't palatable. And what is palatable? that changes often. Usually, fandom is a progressive space but that doesn't mean each and every sect doesn't have issues. Big issues that are spread between a lot of fandoms include misogyny and fetishization. This is why you sometimes see creators and fandom goers attacking canon female love interests and OCs. This is also why you see a huge influx of men being shipped together and any mention of either man loving or having a relationship with a woman is often erased. These two things go hand in hand quiiiite a lot actually. Just, a thing to watch out for and think critically about.

In the end, it boils down to making your audience care amongst a sea of easy to read and already palatable content. You gotta swim against the current. Make a space for yourself, provide something that doesn't exist yet. (for me, it was hi res comic scans)

Basically, don't let the haters win.

[lalacliffthorne]

Hi, I love your modern batboys roommate fic so much. I am obsessed with Azriel and readers relationship and the way you write them. It’s my comfort fic that I always fun back to.

I know you don’t take request and I totally respect that, but I would be really curious what it would look like when Az and reader get into a fight (either a smaller fight like a disagreement or even a bigger fight). I’m really curious what it would look like since they live together, how they would react to being in a fight. And I’m curious what Rhys and Cassian’s reactions would be as well. But I feel like depending on the fight it wouldn’t last too long since they seem to be good at communicating and they love each other so much.

Sorry about the ramble, I’ve thought about this way too much. Anyways love your writing and your fics 🫶🏻🫶🏻

omg hi 🥹 thank u so much!! this means the world to me 💕

oohhhhh okay?? this is a really good question?! I already know I'm gonna go overboard with this lol

so for me, I feel like disagreements are rare. because honestly, you rarely disagree on anything in the first place. like, you are so attuned to each other and in synch, barely anything can throw that.

which means, the few disagreements that might occur are usually based on concern or something similiar. like azriel thinking you need a break and you being too stubborn, and vice versa. but those are usually solved easily, with azriel simply literally dragging you away from work and you talking some sense into him. communication is something the both of you know is important, and while az might not seem like he's big on talking, he's actually one of the few people that can get through to you when you're caught in your head, with simple, steady words. vice versa, you are one of the only people that can get through to him.

which means, actual fights are even more rare. like, so rare that the first time it happens, it throws not just you, but everyone.

it would definitely be about something that actually runs deep, bc anything superficial you either talk out or never actually becomes a problem. it would have to be something that makes azriel shut down and you so frustrated that you do too. again, I think it would be most likely something that stems from concern about the other.

the fight itself would shake you to your core. not because azriel would get loud or anything, he would never, not even in a serious argument, not even if you lost your temper on him. but bc usually, you manage to talk through everything.

but this time, instead, azriel shuts down. barely says anything at all, whole body tense and eyes stormy. it wouldn't be to punish you or anything; the literal only reason he would shut down on you like this would be him getting caught in his own head until he's not able to see how desperate you are, angry - until you shut down too.

and that is when the actual hard part begins. azriel is still caught in his head and distances himself without even noticing, and you pull back too, bc you're stuck in your own head.

which means suddenly, the whole flat is quiet.

rhys and cassian would notice immediately - and it would throw absolutely everything for them. bc let's be honest, azriel and you are the one constant these two can always rely on when they get home, knowing you are either in one of your rooms, your body curled into azriel's on the bed, messing around in the kitchen or sandwiched on the couch. you are the two people in their lives they know are like - fucking meant for each other.

so I definitely think it would have a massive effect on them. like suddenly rhys, who has problems sleeping in good times, barely sleeps at all. just loses all his focus; burns food and gets the simplest recipes wrong. he gets snappy, not even sarcastic or anything, just plain pissed, until it mounts into an absolutely massive argument with his dad. and cass, who we all know is basically sunshine incarnate, is just worried to his core. bc you're his family, and he can't lose that. so, gone is the constant grin and jokes, until all is left is a broody attitude and a deep frown.

I don't think either of them would ever pick sides, like - they love the both of you way too much for that and can probably guess that this argument is not really anyone's fault. having said that, I do think cass would probably gravitate towards you. bc - he is so protective of you on a good day, and he literally physically can't stand to see you so upset. it just absolutely breaks his heart, and he would want to do everything in his power to make sure you're not alone in this. like, he's the one who gets you to finally open your door, and who you break down on. he's the one who doesn't leave your side until he absolutely has to, who takes you wherever you need to go, sends everyone who just looks at you for too long scrambling with a simple dark glare. don't get me wrong, he'd leave you alone if you'd asked him, but he would probably fucking camp outside your door or something, just in case.

rhys on the other hand is there for you quietly. like coming into both of your rooms to bring you food and, in your case, sitting down on the floor until you've eaten something. pulling you out of the flat for a walk so you get some fresh air, just letting you lean into him. other than that, he just watches quietly.

until he's had enough. cause honestly - it's clear to anyone with the barest bit of common sense that both azriel and you are absolutely miserable. neither of you leaves their room. you don't get any sleep, bc how when azriel's not there, your thoughts are swallowing you whole, and you don't smile anymore. meanwhile, azriel stops talking altogether. both of you are yearning so incredibly hard for the other that whenever azriel just catches a whiff of your perfume, he has to fight the urge to barge into your room, simply held back by guilt, and you well up whenever you just catch a glimpse at his door.

I think rhys would probably just march into azriel's room and tell him to cut the crap. he would be so angry, like - "please, for god`s sake, stop being a fucking idiot, get out of your head and talk to your fucking girlfriend, you moron". and azriel would glare at him so hard - but rhys just glares the fuck back until azriel breaks.

he probably finds you in your room. it breaks his heart to see you curled up under your blanket, looking tired and pale and likely with red eyes from crying, and he suddenly absolutely wants to kick himself. you're not any better tho, the sight of him, hair a mess, dark shadows under his eyes and gaze dull causing your chest to squeeze.

you definitely talk it out, azriel starting, voice quiet, rough. it needs a good, honest conversation, about the reasoning why he shut down, why you did the same. you also promise there and that moment to never let it get that far again, to not speaking for days, bc honestly - you're just miserable without the other, and you barely handled it this time. you make a deal to give the other space when needed but never go to bed without talking it out - and you stick to that, for every future argument after.

when azriel finally pulls you into a hug so tight, your ribs ache, you just squeeze back, probably tearing up bc god, you missed him. and you missed his smile and his eyes and the way he always seems to be right behind you, and nothing feels right without him.

cass and rhys are so relieved when you walk into the kitchen together bit later, cass breaking into the widest grin ever and rhys immediately making you promise to him too to never let it get this far again, bc fuck that - the two of you are meant together and fighting is just shit. it makes you giggle wetly, azriel cracking the first grin in days, and both cass and rhys swear the world finally feels right again.

anyway, jfc, I'm sorry for this ramble 🙈 that totally got out of hand 😂

thank u so much for this again tho, this was really fun!! if there are other scenarios you've been thinking about, I'd love to hear them 💞

[daisymbin]

prompt list for requests!!!

check out my masterlist!

please allow me some time to write them though I promise to get them out as fast as I can within my capabilities! word count will vary for each prompt!

prompt list includes: fluff, suggestive, second chance romance & angst

+ please let me know which genre + no.

+ for angst, please indicate if you want a happy ending or not, or if you would like for me to decide!

full prompt list under cut! check here for all completed req works: #daisymbin: reqs

fluff ⤵️

1. "you look good in my clothes/hoodie/sweater."

2. "you looked cold, so i brought you a blanket/jacket/sweater."

3. "do you wanna come over and watch that movie we always talk about?"

4. "stop stealing my food."

5. "you can stay over if you want."

6. "your hands are freezing—here, take mine."

7. "your laugh is my favorite sound."

8. "why are you hiding behind the door?"

9. "i didn’t mean to fall asleep on your couch."

10. "do you ever think about us like… as more than friends?"

11. "you remembered my favorite drink?"

12. "you can’t fall asleep without your goodnight hug, huh?"

13. "i kept this photo of us—don’t laugh."

14. "oh, so now we’re holding hands?"

15. "you’re my favorite person, you know that?"

16. "how do you look good even in sweatpants?"

17. "you forgot your umbrella, so i came to walk you home."

18. "wait, don’t fall asleep yet."

19. "you can borrow my jacket, but don’t lose it, okay?"

20. "you can braid my hair if you want."

21. "we should bake something together—it’ll be a disaster, but fun."

22. "do you think you could ever love me back?"

23. "you stayed up all night taking care of me?"

24. "you’re the only person who knows how to make me smile like this."

25. "your playlist is basically my soundtrack at this point."

26. "are you… blushing? because of me?"

27. "did you plan this whole day just to make me happy?"

28. "you’ve been carrying that photo of us in your wallet this whole time?"

29. "you’ll always have me, no matter what."

30. "is that my shirt you’re wearing?"

31. "you’re like my personal sunshine."

32. "hold my hand—just until we get there, okay?"

33. "you fell asleep on my shoulder again."

34. "you make my world feel a little brighter."

35. "i know you hate hugs, but i’m giving you one anyway."

36. "i couldn’t imagine my life without you in it."

37. "you brought me flowers? just because?"

38. "stop looking at me like that—it’s unfair."

39. "you talk about me in your sleep, you know?"

40. "i can’t believe you remembered my favorite ice cream flavor."

41. "you’re staring again—what’s on your mind?"

42. "sometimes, i wish time could just freeze when i’m with you."

43. "you’re my home, more than anywhere else."

44. "let’s stay up all night talking, just like we used to."

45. "you really trust me with your secrets, huh?"

46. "you doodled hearts in my notebook again."

47. "did you really save the last piece of cake for me?"

48. "you’re the best part of my day."

49. "what would i do without you?"

50. "you’re my person—always have been, always will be."

suggestive ⤵️

1. "if you keep looking at me like that, i might kiss you."

2. "are you trying to distract me on purpose?"

3. "you’re lucky you’re cute, or i’d be mad right now."

4. "you’re playing a dangerous game, sweetheart."

5. "is that your way of asking me to stay the night?"

6. "you can’t keep teasing me like this."

7. "come closer, i won’t bite—unless you want me to."

8. "you don’t have to pretend to be innocent with me."

9. "your hands feel good on my skin."

10. "you’re thinking about me, aren’t you?"

11. "that’s not what you were saying last night."

12. "stop biting your lip like that, it’s distracting."

13. "don’t act like you don’t know what you’re doing to me."

14. "you’ve been staring at my lips for the past five minutes."

15. "if you keep talking like that, i won’t be able to hold back."

16. "do you have any idea what you do to me?"

17. "come here and let me take care of you."

18. "why don’t we skip the movie and go straight to the good part?"

19. "you’re going to be the death of me, i swear."

20. "you’re not as innocent as you look, are you?"

21. "do you want me to kiss it better?"

22. "your place or mine?"

23. "i didn’t say stop."

24. "you know exactly what you’re doing, don’t you?"

25. "do you trust me?"

26. "if you don’t stop teasing me, i might have to do something about it."

27. "come here, let me help you out of that."

28. "you’ve been on my mind all day."

29. "don’t make promises you can’t keep."

30. "you’re too tempting for your own good."

31. "what are you doing in my bed?"

32. "i think we’d both be more comfortable if you took that off."

33. "you’re cute when you’re flustered."

34. "what if i said i wanted more than just a kiss?"

35. "you have no idea how much i want you right now."

36. "is that a dare?"

37. "you look so good like this."

38. "tell me what you want, and i’ll make it happen."

39. "you’re mine, remember that."

40. "don’t look at me like that unless you mean it."

41. "you’re not as shy as you pretend to be."

42. "i love it when you get all worked up."

43. "keep talking like that and see what happens."

44. "you drive me crazy, you know that?"

45. "you have no idea what you’re doing to me right now."

46. "i’m not sure i can behave if you keep looking at me like that."

47. "let me show you how much i missed you."

48. "is it bad that i like seeing you all flustered?"

49. "you’re the best kind of distraction."

50. "you’re irresistible, and it’s so unfair."

second chance romance ⤵️

1. "do you ever think about what we could’ve been?"

2. "i never stopped loving you."

3. "if i could go back in time, i’d do everything differently."

4. "do you think we could try again?"

5. "i still keep your picture in my wallet."

6. "this place reminds me of us."

7. "do you ever miss me?"

8. "you’re the one that got away."

9. "i can’t stop thinking about what we lost."

10. "i wasn’t ready to let you go."

11. "you always had a piece of my heart."

12. "every song reminds me of you."

13. "it’s been years, and you still feel like home."

14. "i hate that i lost you."

15. "you deserved someone better than me."

16. "you still wear the necklace i gave you?"

17. "i saw you in my dream last night."

18. "we were so close to forever."

19. "do you think we could ever be us again?"

20. "seeing you again feels like a second chance."

21. "i thought i was over you, but then i saw you smile."

22. "you were my first love—you still are."

23. "i thought i’d never see you again."

24. "every road i take somehow leads back to you."

25. "do you remember the promises we made?"

26. "it’s always been you."

27. "i thought i was okay until i saw you with someone else."

28. "why did you have to come back into my life now?"

29. "i wrote you so many letters i never sent."

30. "you’re the only person who ever truly knew me."

31. "i don’t think i ever really moved on."

32. "i kept the gift you gave me."

33. "can we start over?"

34. "it still hurts, seeing you."

35. "i thought leaving was the right choice, but now i’m not so sure."

36. "you’re still the first person i think of when i hear good news."

37. "i was so stupid to let you go."

38. "do you think we could fix what’s broken?"

39. "we ended too soon."

40. "i never wanted anyone else—it was always you."

41. "you’re the reason i came back."

42. "i miss the way you used to look at me."

43. "it feels like i’ve been waiting for you forever."

44. "you used to love me."

45. "i wanted to call, but i didn’t think you’d pick up."

46. "i still dream about you."

47. "do you regret what we had?"

48. "you taught me what love is, and no one else has come close."

49. "it’s not too late for us, is it?"

50. "i still believe we were meant to be."

angst ⤵️

1. "i saw you with them—don’t deny it."

2. "you promised you wouldn’t hurt me."

3. "why didn’t you just tell me?"

4. "i thought i meant something to you."

5. "is that all i am to you?"

6. "you chose them over me."

7. "i don’t know if i can forgive you."

8. "was anything real between us?"

9. "i can’t keep pretending i’m okay."

10. "you don’t trust me, do you?"

11. "do you even love me?"

12. "did you even think about how i would feel?"

13. "don’t act like you care."

14. "you never really loved me, did you?"

15. "i’m not enough for you."

16. "do you even know how much you hurt me?"

17. "please don’t go."

18. "i thought you were different."

19. "it’s too late to fix this."

20. "i wish i could hate you."

21. "you don’t get to walk back into my life like this."

22. "i can’t lose you again."

23. "you broke me."

24. "i waited for you, but you never came."

25. "how could you keep this from me?"

26. "i wish we’d never met."

27. "this isn’t how it was supposed to end."

28. "you always put them first."

29. "stop pretending you care."

30. "i saw you with them—it’s over."

31. "don’t lie to me."

32. "you said you’d never leave."

33. "what about us?"

34. "you made me believe in us."

35. "why am i never enough?"

36. "you could’ve told me."

37. "don’t walk away from me."

38. "it wasn’t supposed to hurt like this."

39. "why are you pushing me away?"

40. "i thought we were forever."

41. "did you ever really love me?"

42. "please don’t make me choose."

43. "how could you think i didn’t care?"

44. "i loved you with everything i had."

45. "you were my everything."

46. "we can’t keep doing this."

47. "saying you're sorry isn’t enough this time."

48. "you knew this would destroy me."

49. "you’re too late."

50. "i hope they’re worth it."

[lipstickchainsaw]

We start creeping closer to the turn, with Ambessa talking about the three points of Strength that Noxus prizes in a way that Vi's talk about trust will mirror later in the episode.

Ambessa's teaching Caitlyn about Noxian philosophy very much as a part of her growing affection for Caitlyn, as she looks for an outlet for her feelings of motherly affection while her actual daughter is experiencing the horrors.

The core elements of strength, to Noxus, are:

-Vision, 'charting a course and having the wisdom to navigate it'. It's interesting that this is such a naval metaphor, because Ambessa's more of an army general than a navy admiral, and it's not like Caitlyn's going to especially receptive to naval metaphors, either. Regardless, in keeping with Caitlyn as a sniper, this is one she's arguably closest to herself.

-Might, 'bending your environment to your will'. This is a framing that seems to fit Ambessa better, as she has turned Piltover to her own purposes quite effectively. For all the flaws in her ethos, it's undeniable she has presence. Caitlyn did plenty of this when unleashing the Grey, but we haven't seen her do it much since becoming a dictator. Ambessa frames this more as 'force', anyway, including force of will, but Caitlyn already argues that doing too much of it exposes you to risk. This would be a fun beat if Caitlyn was already planning to betray her, but I don't think she is.

I do like that Ambessa genuinely appreciates Caitlyn engaging with her philosophy on this point. It really sells the idea that she is actually starting to mentor Caitlyn properly.

-Guile, which Ambessa doesn't so much describe as heap scorn on as belonging to 'phantoms, tricksters, mages, absent honor, absent accountability', clearly having the Black Rose in mind here. She doesn't present this as a respectable point of the triangle, and it is very fun that this dialogue plays over Caitlyn attacking Ambessa in the back and actually managing to bloody her. It'd be excellent foreshadowing if we actually saw Caitlyn do something before her turn this act.

'Tunnels in your eyes, lava in your veins, shadows in your heart'. She's always had the tunnels in her eyes, she'll do fine with the shadows in her heart, and the lava in her veins, well...

Ambessa then talks about 'discovering' a fourth principle, which is essentially the veneration of suffering again, but basically boils down to 'you'll fight harder when the stakes are higher'. It's very much her trying to cope with how much she's lost recently, and her trying to make Caitlyn her protege is a core part of that.

All in all, the fact that this is part of a training session means I want to take a look at this through the lens of these characters as the weapons they wield. I don't know what to make of Ambessa yet, because we haven't really seen her fight, but this is very much an attempt to turn Caitlyn into something more than just a sniper.

We've seen people's arsenals change as their personalities shift before. For example, after Vi destroyed Pow-Pow, Jinx' mini-gun, in episode 3, Jinx was left with only her pistol, and she's become a much more focused and directed person since.

So what does it mean for Caitlyn to switch from being a sniper, with a narrow, single-minded focus often blind to the consequences or wider context of her actions, to someone fighting in melee? Does it signify her putting herself at risk more, instead of only risking her target slipping out of reach? Does it mean she has to be more aware of what's happening around her, because something blindsiding her could fuck her up in one go? Does it mean she has to learn to stand her ground more, because she can no longer rely on repositioning when her position gets a little dicey?

Something to keep an eye on.

Given that Caitlyn's turn in episode 6 is the one I understand the least, I'm going to pay some additional attention to her scenes with Ambessa in this series of posts, to see if I can tease something out of this that I missed in my first viewing.

Starting with episode 4

For one, the image of Ambessa poking at a log in an attempt to get a little more out of a dying fire is a good image, but it does make me regret that we didn't get to see much of what Caitlyn's rule looked like when it was a roaring blaze.

Because the fire represents the efficacy of what Ambessa's trying to push in Caitlyn: her anger, her rage, her desire to get revenge. She frames this as Caitlyn's search for Jinx, because this is what she hopes to stoke in Caitlyn, but what makes this scene work is that it's also true of her own desire to have Mel back, even as she starts to displace some of this affection for her daughter onto Caitlyn herself.

Because Ambessa absolutely appreciates the fact that Caitlyn's willing to talk back, and able to use Ambessa's only rhetorical flourishes against her. It reminds her, in a way, of Mel, and just like Mel, this would-be daugher also talks about wanting peace without having to resort to violence.

Although Caitlyn's 'arrests require cause' bit is, again, odd, because you initiated martial law. You can blame Rictus for the fight all you like, but what situation do you think you're living under? There's a serious disconnect in how these two women see the oppressive regime they've initiated.

Then again, Ambessa understands war weariness and how to deal with it, so she coaxes a few more flames out of the dying embers, and off we go!

[charmac]

Genuine question. Do you like or dislike Rob? Your posts tend to imply both feelings hahaha

Do I like Rob?

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.

[gigantomachylesbian]

Guys. I did not know before now that writing could be painfully millennial in a full prose book but the pho*nix ke*per has proven me wrong and I have to complain about it in the tags

[lightblueminecraftorchid]

I love learning ASL it’s so good. Makes me happy to learn it. I’m so glad my university has classes for it with professors actually steeped in Deaf culture.

[maddy-ferguson]

talking to new people again is making me realize that (this is gonna sound dramatic) i haven't lived in five years but what i have done is watch a lot of movies and read a bunch of books and believe it or not that actually makes me an interesting conversationalist in some ways (?)

[eggmeralda]

that period of time between south park post covid being announced in 2021 to summer 2022 when everyone got obsessed with truffula flu was moderately heavenly

[area51-escapee]

One of the many hills I’ll die on is my defense of the Girl Scouts if you hear the “girl” in Girl Scouts and immediately assume “well, clearly all they’re teaching them is how to bake cookies and manage a household and become a good wife and mother who stays home and cooks and cleans” then that shits on you yeah some troops aren’t going to be as good as others it all depends on the leadership and resources available but that doesn’t negate the fact that at it’s core it is there to teach young girls valuable skills and it can provide unique opportunities and a nice community for people who may need it

[bmpmp3]

holy FUCK IA's voisona 2.0 is OUT

[eebie]

why do peopelt alk about personality types like that