#whew this got long

[heartbreakprincewille]

Masculinity In Young Royals

So, in honour of Ke Huy Quan and the team of Everything Everywhere All At Once sweeping the Oscars(been crying about it since morning), I was watching this BRILLIANT video essay(check it out it's so well thought out!) about Waymond(Ke's character) and this gave me thoughts about Young Royals as well, because hyperfixations go hand-in-hand, right? :)

Masculinity, and especially different portrayals and aspects of its prevalent notions is a theme brilliantly explored in the two seasons of Young Royals. I wanted to talk about some characters, and this list will progress from worse to better(not using the word perfect because nuance > perfection).

Note: The traits I will discuss further are not restricted to just a cis or male perspective, anyone can exhibit these traits, but since assertion of masculinity is a constant spectacle in Young Royals, I will associate some traits with it.

1. Vincent

Vincent, especially in S2, embodies the worst traits on the masculinity spectrum, and since his character is understandably not offered the privilege of nuance, he comes off as this typical, toxic, sort of "alpha-male" character, especially after he's elected as the prefect and Rowing Captain. He constantly bullies others, especially Simon, tries to enforce the hierarchy of privilege and class firstly through August and then by himself. As soon as he sees an opportunity shown by Wilhelm to take control in his hands, he doesn't take much time to betray his "friend", August(although August of all people getting betrayed is certainly irony at its best). He kinda reminds me of the Royal Court in some ways- their presence furthering the divide of tradition and social systems in their respective environments.

2. August

The only reason August is not placed higher than Vincent in this list is the privilege of nuance August is provided with throughout the story. This nuance is what sets him apart in the narrative, but is also the thing which dooms him as a character.

August is misogynistic, sexist, classist, obsessed with power and privilege and feels entitled to both of them, set to further the class divide just like Vincent. He stokes his ego like fire, and if someone tries to cross him, he does not hesitate to burn them with the flames, like Wilhelm exposing his money issues and August violating Wilhelm and Simon's privacy in return. He's manipulative, he's calculative, he knows how to scheme things in his favour(failed attempts, though) and he's just a walking red flag of a person. He also falls around the worse side of the spectrum of masculinity.

But, he is offered nuance by the narrative. In S1, it's in the form of familial and personal issues: his dad killing himself, financial problems, addiction issues and possible issues of body dysmorphia. In S2, through his relationship with Sara, we are shown a different side of him- a side that is capable of being vulnerable, capable of being soft, and this almost sparks this hope within the audience that maybe August can change a little, for the better.

But then he's offered a chance of power and his hamartia is revealed to the audience: his inability to change. The greatest tragedy (which is also its brilliance) with August's character is he cannot change for the better. Even if he tries to. He can have opprtunities to grow, but it will be a Herculean labour for him to take advantage of those opportunities and actually change. He is so deeply entrenched in his perceptions of toxic masculinity and power and lost in his conceited, privileged worldview that it's quite hard for him to see the light at the end of the tunnel. And it's what sets him apart in the narrative- despite all his nuance, he is still a terrible person at his core. The nuance is just what separates him from all his shallow and one-dimensional preceding antagonists of the past.

3. Nils

Nils brings a neutral perspective to the extreme hyper-masculine and cishet dynamics upheld by August and Vincent. He's revealed to be queer in S2, but chooses to be discreet about it- which gives him a chance to build solidarity with both his cishet peers(Vincent and August) as well as a fellow queer person (Wille). He's not dismissive of Wilhelm's queerness, but he believes it to be something "better behind close doors". He's one of the few people who actually acknowledges Wilhelm and Simon's relationship, but is also dismissive of it, mainly because of the difference in their social standings. He's devoid of the typical "heteronormative" traits associated with masculinity, especially in S2, but he still uphelds the toxic class hierarchy and privilege.

4. Simon

Simon is a quite interesting character to me on this list because he subverts these traits in a very unique way.

Usually canonically gay characters in media are often stereotyped to possess "feminine" traits, which is NOT a bad thing at all, BUT mostly the portrayal of such characters usually leans more towards the mockery of the "feminine" traits, rather than something which strengthens the queerness of that character.

Simon is actually very different from this famous rendition of gay characters- he's actually very masculine in his behaviour. He exhibits two typical masculine behaviours in general:

1. "Man Of The House", or taking the mantle of emotional(and sometimes financial) stability in a house in one's own hands. He often takes matters in his own hand, especially when Sara says or does something that disrupts the peace of their little family. It's interesting because despite being the youngest person in the family, Linda subconsciously lets him take the mantle on his shoulders, without realizing how heavy it can be. And consequenty, it brings us down to the second trait:

2. "Suppressing emotions", or avoiding being vulnerable in public spaces or with people one loves and trusts. Simon constantly shoves what he's feeling deep in his heart, he refuses to break open in front of people, in front of Wille(S2 E6 gun scene) and would go to lengths to maintain a facade of "everything's fine!" even if he's breaking inside. It makes sense because his backstory alludes to hesitation to open up to people and it can be possibly related to his familial trauma, but it's still interesting nevertheless because he shows incredible emotional maturity throughout the story, much more than his predecessors on this list. He's devoid of both the toxic traits of heteronormativity and elitist behaviour associated with "masculinity" in Young Royals, but he still possesses a different set of problems associated with orthodox masculinity.

5. Wilhelm

Wilhelm is, in my opinion, the closest example to what is emerging as the new definition of "masculinity" in the current media. Wilhelm, through his immense emotional journey and growth in the two seasons, subverts all the traits of masculinity displayed by his predecessors in the list with grace and humility.

He's not obsessed with upholding traditions and asserting heteronormativity like Vincent and August, he is quite indifferent to it in S1, the only "compulsion" he feels to do so is immediately after Erik's death in S1, which he quickly overcomes as well. His "revenge" attempts on August by pulling rank and exercising his privilege stems from a feeling of injustice and anger rather than something he enjoys or feels the need to practice at all.

August's hamartia is Wilhelm's strength. Wilhelm, unlike August, displays great capacity to change for the better, which he constantly does throughout the story. Love knocks on both of their doors as an opportunity to grow, to change for the better, and while Wilhelm embraces it, August slaps the door shut on its face.

Unlike Nils, neither Wilhelm's queerness was never given a chance to be discreet in the first place, nor he ever felt the need to do so. The idea of keeping his and Simon's relationship a secret was more of an idea subconsciously conceived by Kristina in Wilhelm's head rather than his own desire to be secretive.

Wilhelm even subverts the traits displayed by Simon in this regard- the position of the "Man Of The House" falls on him in the form of "Crown Prince of Sweden", and although he understandably struggles with the role initially, by the end of S2, he consciously embraces the role with grace and humility. Compared to Simon, Wilhelm wears his heart on his sleeve, he is not afraid to express his true emotions to the people he love and trusts, and even to strangers.

[sweetpapercroissant]

When I think about s13-15 I can’t help but feel that Dabb was simply not interested in telling Sam&Dean’s story (anymore) (if he ever was). s12 is a little rocky regarding this too, but it’s still unmistakable that they’re the protagonists, this story is their story. But it’s evident from the start of s13 that he’s not willing to put in that effort anymore.

He introduces Jack and the rest of the season is focused on him, one way or the other. Even the mytharc of the season is about him, from being trapped in the apocalypse world, making a place for himself with the hunters, trying to figure out who he is. And meanwhile the actual protagonists of the show are…..running around chasing leads but actually accomplishing very little. They take turns being sad, make a few speeches but don’t really do anything. They are not the ones who move the story.

He downplays (if not outright erases) all of the older characters’ intelligence to make them fit the story and doesn’t bother with consistent growth/arc for any of them. He beats and forces them to fit the shape he’s cut out for them to portray in his story instead of understanding them: who they were, how they grew and where they are now and logically advancing their story from that point. He makes them regress or progress on a moment’s notice on an episode-to-episode basis and ignores any preceding canonical events when it suits him.

It’s most noticeable with Dean but he also takes away from Sam and Cas’ characters till they’re almost unrecognisable, bearing only the most superficial of similarities with the characters we have grown to love over 10+ seasons. But at the same time he also relies on this very love to keep the viewers watching, since the plot itself is barely held together by retcons or sudden personality changes/loss of logical reasoning in the characters.

There have been discussions on how, as the show goes on the themes (even the genre) change and how vastly different the later seasons are compared to the earlier ones and while that’s true, there is still some coherence to those changes-a graphical line changing direction erratically perhaps, but a line nonetheless-as the story progresses….upto s12. Forward of that Dabb just-tears the graph to pieces and handpicks a few of them to nail to the wall.

He twists the characters, their history, their personalities, the themes and events of the story and it’s very heart to fit the show he wants to make instead of adapting his writing to the show that he’s actually been handed the reins to. And it’s tiring honestly.

I do believe that when a character behaves in a manner you find ooc, it can be interesting to think about why they may act that way instead of immediately blaming the writing, even if the writing may actually be the issue, because I think it can make for a more entertaining narrative sometimes, and because no one always acts true to who they are. It’s the point of being human. But that can only be applied to particular moments and decisions or behaviour concerning a certain element of the story (another character, an event etc). If your audience can barely recognise any of the characters, there’s only the writing to blame.

[triptychgardener]

Do you have any headcanons about the characters youd like to share?

That is pretty broad but I'll see...

I like the idea of Kanaya and Jasprose on Earth-C referring to each other as ex-wives. It drives Rose insane.

Despite not being his biological kids, I think June and Jane inherited Dad's freak strength. It starts kicking in during their late teens, when they get very confused why the rest of their friends *can't* lift up an entire refrigerator.

Dirk when on Earth C gets really into fitness and "healthy eating." Lots of vegetables and real food. Unfortunately his taste buds are so flavor blasted from years of junk food that he hates it. He also does not know how to properly prepare vegetables. He still eats them though.

In terms of like Gender/Sexuality that hasnt really come up in Early June, I tend to HC Terezi as being on the ace/aro spectrum. The way she interacts with other people, especially Dave and Karkat, gives me the feeling that she really likes flirting and teasing way more than putting a label on a relationship. She acts frustrated when Karkat asks what they are romantically, her and Dave despite flirting during the game basically only refer to each other as friends on the meteor, and literally just looks like theyre hanging out together. She likes physical things if she's weirding people out but feels otherwise more reticent to touch. This is probably a part of why Vriska drives her kind of insane, being unable to quantify what she wants from Vriska. They settle into the pale quadrant in post-retcon, but I don't think that's entirely right for them either. It's one problem that the quadrant system most definitely cannot fix.

[stllmnstr]

How do you write so well?? Your writing is so so beautiful!!! Any tips?

Oh this is so sweet 😭😭 First of all, thank you! I don’t feel like I have any particularly revolutionary advice to give, but these would be my main points:

1. Practice!!! Write. A lot. I posted my first fanfic in 2017 and had already been writing a lot before that, including original stories, poetry, and just about anything else I could think of. From what I’ve seen, I definitely skew on the older side of enha writers on tumblr, so please remember to be patient and gentle with yourself, especially if you’re young and/or newer to writing. The stuff I was writing at 16 certainly doesn’t read like the stuff I write now, but all of that practice helped me to get there. Writing is hard. I think it always will be. But give yourself grace and keep at it, and you’ll only keep getting better.

2. Read!!! There are so many great authors out there that do amazing, innovative, exciting things with words. I always feel inspired to write after I read a really great book, and reading will also strengthen your vocabulary, grammar, and sense of personal style/voice.

3. Let your writing be “bad” !!!! I very rarely reread stories after I post them, because every time I do, I find at least twenty things I want to change. 😭 Writing and words are a living thing, and there’s absolutely a certain amount of subjectivity to what makes writing “good.” There’s always going to be room from improvement, and you’re always going to be able to find something to nitpick or criticize if that’s the perspective you take. Fanfiction in particular is great, because if your story is something you’re excited about, there’s a 99.99% chance that other people will be excited about it too. It doesn’t have to be perfect. Take that pressure off of yourself, and enjoy the process. Use the experience and the feedback and the practice to write something even better the next time around.

4. Develop a strong editing routine. This is probably the most technical and specific point, but I think it gets overlooked. My first drafts look a LOT different from what I post, usually. I don’t remember where I found this tip, but my writing changed for the better when I started rewriting all/most of my story as part of the editing process. Literally, once I finish a draft, I’ll open a new document and will retype most/all of it, changing things as I go. This helps me to catch little errors and also to improve the overall flow and pacing of a story. I recommend trying it if you haven’t! Like I said before, a lot of “good” writing is subjective, but editing is where you improve the more objective aspects. Making sure that things like grammar, word choice, sentence variation, and general plot are solid will absolutely strengthen your writing.

5. This last tip is actually more for readers: INTERACT!!!!! Reblog, comment, send asks, scream in the tags!!!! Do all of the above!!!! Writing is a long, difficult process, and it takes a lot of effort to post a story. It’s especially hard when you’re new. Like I mentioned above, I posted my first fanfic almost seven years ago, and the only reason I kept posting more was because people interacted with my work and took the time to tell me that they enjoyed it. If you want to read better writing, if you want to read longer stories, if you want more stories to read in general, give writers the incentive to write! I love writing. I really do. But it takes a lot of time and effort, and it’s a labor of love. Posting a story feels a bit like shouting into the void. At the end of the day, your interactions are what make it worth it for myself and a lot of others that publish in the fanfic space. If you’re a writer that is struggling to get any kind of interaction/feedback, a good place to start can be connecting with other writers and building a little community! It will help tumblr (or wherever you write) to not feel so lonely. Plus, having writer friends is a wonderful way to share your woes and get inspiration.

At the end of the day, I think that genuinely enjoying writing is half the battle. If you’re already there, that means you like words. You like stories. You like putting puzzle pieces together and making characters come to life. Liking those things is where it all starts, so keep at it, trust the process, and the rest will follow. 🤍

[gregoftom]

tom https://tvtropes.org/pmwiki/pmwiki.php/Characters/SuccessionTomWambsgans

greg under here https://tvtropes.org/pmwiki/pmwiki.php/Characters/SuccessionMainCharacters

ah ah okay! i found tom by scrolling down to his folder, but if you link directly to him/find his page via direct link/use what you sent, this is what comes up

but thank you so much for showing me where greg is! now i could find tom too 🥰

ahhhh… good old tvtropes who are again Wrong about characters i like… my favourite!

like. look. some of the tropes are correct i’m not gonna say all of it isn’t but some are just plain devoid of any nuance and some are completely ignoring other factors and some ARE wrong. i forgot how much tvtropes pisses me off in this manner lmao. starting with greg an example is this one.

oh yeah uhuh he looks really unhappy! he sure hates being praised and admired and rewarded for it!

that’s just one of them that are plain Incorrect lol. and it’s not only the stuff wrt tom completely ignoring the evolution of their relationship [one of the tropes says nobody likes him not even tom which. lmfao] but also some ableist bullshit, as well as incorrectly calling him a coward and such. like they do have “grew a spine” but that’s shittily worded as well and doesn’t really make sense since greg has literally the most audacity of anyone, he’s the only person who’s not scared of logan at the beginning! like?! who tf is putting these tropes to him lmfao bc it sure ain’t someone who paid attention to the show.

tom’s are much less annoying like, clearly there is some bias here lol, someone took more time and care and gave tom’s tropes and descriptions nuance and almost all of them make sense, i only got mildly irritated a couple of times. i don’t think any are flat out wrong. seems greg’s wasn’t given two fucks about but tom’s is much more attentive. how amusing.

it’s like. it’s just fucking irritating you know? lol. it’s one thing for greg to get overwhelming hatred in the fandom but another for a somewhat official and extremely well known site to not even bother giving his character a correct list of tropes or treat it with the same nuance as another. i haven’t looked at the siblings’ but i presume theirs are good too. but tom’s is largely fine. like what’s the deal?!

sorry this got long asf LMAO tvtropes just pisses me tf off sometimes

[katscye]

closed starter for @ofdoycnnes !!

ADELINE STEPPED OUT OF HER BATHROOM quietly, wrapping her robe tightly around her waist as she glanced to her bed where the other woman lay peacefully. she knew eventually she would have to wake her up but felt that sending her off after a nice cup of warm tea would soothe the hurt of being tossed out into the cold. after making her way downstairs she placed the kettle on her stove to warm before walking over to the windows and taking a look outside. to her surprise the rooftops and streets were covered in snow and there were no signs anyone outside. she grabbed the remote to her tv, no longer caring if she was quiet or not, and hit the power button. adeline flipped through the channels until the news popped up. in a giant red banner across the screen she read: 'mayor calls for emergency shut down of city. everyone is to stay in doors except for all essential workers who, if able, can go to work.' she let out a curse beneath her breath as the other woman finally came downstairs and joined her. "looks like we're stuck with each other for the next 24 hours." she said. "seems like we're snowed in."

[daeyumi]

I am what you made me 🩸

[oraclebell17]

😇👻👗

for Aria! Or if it’s stressful to figure out lore, you could do Arval or another fave of yours!

ooooooh options!!

😇A headcanon about their religion/lack thereof

Aria's not particularly into the Seiros faith, and by that i mean she's not the type to pray or really be devout much, but i don't really imagine she's religious at all

i mean she's obviously run into and works with those who are devout, but she's more busy with training or her own work than giving time to get into being faithful

👻A headcanon about what scares them

i actually have something more solid for Arval here- they really fear being lonely.... being with their partner in destiny gives them a purpose and motivation, but without them, even if Arval was still alive, they would lose that purpose

not only does losing their partner in destiny mean that "cycle" they wanted to protect goes as well, but it also means they're without anyone to speak to...

i don't like thinking about them being alone (*sadly looks at that one feh quote and their last zahras chapter quote*) :(

anyways away from the sad:

👗A headcanon about their clothes

unlike canon Shez, Aria is able to afford both gloves

but also, i kinda think Aria would prefer clothes that she can show off in over practicality sometimes

[gloriouswhispers]

percy's laughter is fleeting as he allows himself a momentary indulgence in his brother's humor. but his focus snaps back to the task at hand. nick's interjections, though well-meaning, only disrupt his meticulous train of thought. with a measured tone that broaches no argument, percy dismisses his brother's musings. 'it's not an assumption pulled from nowhere, nick. felix's past speaks volumes. a former soldier, a human. it's clear to me where his loyalties will lie.' there's an air of finality in his words, a certainty that leaves no room for doubt. for percy, there are no shades of gray, no room for ambiguity. he deals in absolutes. 'i don't require irrefutable evidence to act, anyways. his past is enough for me to go on, and my job is to make sure everybody is safe.' he asserts, his voice steelier now and laced with the unmistakable edge of determination. 'every moment spent trying to find evidence just wastes our time.' percy's eyes flick from the lists and back to his brother, a slight grin on his face. 'and he should probably work out that not being useful to us is just as bad, huh?'

it becomes apparent that the discussion is far from over, and nick despite having opposing views is equally as unwavering as percy is. a winslow trait perhaps, or simply an effect from the lives they previously led. regardless of the how's, percy sets down the paper to give his brother his full attention. 'i'm going to wait for lil's input before i comment on that. i don't want to just assume there's more camps than facilities, or assume that facilities are kept secret. that just opens up a whole maze none of us can unravel. lily can tell us what is more likely based on what she can see.' he decides there and then, straightening as nick's words venture on questioning his capability as the coven's ward. percy fights a scowl from deepening over his features and instead, he shoots a light shrug to his brother. 'he can't reconnect with the army, nick. he's a wolf now. going anywhere near them would be suicide. he needs to be gone for us to stay in this town, i don't know why you or bella can't see that.' and as if on cue, percy's attention is drawn to the arrival of their sister. his greeting comes in the form of the paperwork offered out towards her in a small wave. 'need your eyes, if you got a sec. and maybe need you to tell nick to stop telling me how to be a ward, that'd be great too.' @rviner

Nick paused, giving a subtle nod of acknowledgement to his brother's words. "True, I'd probably not want to hand over intel that got you caught or killed." he considered. "Depending on the day." was added in a quick and playful mutter under his breath as he grinned. But, then his head was shaking, preferring to give people the benefit of the doubt rather than assuming the worst. "I...there's no proof that he's lying, right? That's just a...I don't even think that sounds like a gut feeling, that sounds like an assumption. He's probably cautious because if he gives us everything then he's not useful?" Nick threw the other perspective out there for considering, watching Percy's slow motion reaction. He huffed out a laugh quickly. "Oh, nothing. Forget I said anything. Maybe it was the lighting."

Sitting up straighter, Nick gave the conversation more dutiful attention. His answer was easy and practically immediate, and he nodded once with conviction. "I think very likely. What's it been? Four years? With the liberations happening too, they're probably getting more and more secretive about new locations. I don't think there's as many facilities as there are camps, though. And the fact there's even holding camps suggests there's not enough facilities or the ones are full. Or, that they're spread thin with man-power. So, yeah, that checks out to me why three soldiers wouldn't know the same facilities." he shrugged then to end his thoughts, giving a slight scoff to what he considered Percy's ignorance. "You're the ward now, you should be thinking of potential threats, even hypothetical ones. And turning away someone who was a soldier...I mean, come on, Perc. All it'd take is him reconnecting with the army and if he's as volatile as you see him as..."

[fallenclan]

I don't know if I've ever had a cat with Carrionplace Disease before, but looking into the code, it seems to have about the same rate of survival as redcough. that paired with the fact that Honeysuckle is 177... nobody get too attached lmao

First Prev Next

[sun-e-chips]

*Comes out of void while following waterpark au crumbs* Okay, question.

Why is Y/n back at the water park? And do they try to avoid the boys? And it's just a whole thing of Sun and Moon trying to hunt them down and Y/n just ducking and weaving into crowds to avoid them. *Sits down in front of you* Thank you for the crumbs...

Answering this question with a part 2!

(Why y/n is back at the waterpark is yet to be revealed :)

Oh no you got caught!

[bluebird-ascended]

one piece redraw for prideee!!!

og art and headcanons under the cut :D

luffy: aroace and agender. triple threat, he truly doesnt give a fuck

zoro: gay and trans

nami: lesbian

ussop: demiboy, definitely uses he/they

sanji: bi but veryyy deep in the closet. which is ironic because he has horrible fashion sense. hes also tranfemme to me but thats post timeskip 😌

chopper: ally!

robin: trans and bi

franky: trans and straight t4t with robin. frobin canon i said so

brook: he's dead he has no game anyway. but pan

[the-agent-of-blight]

Aromanticism in Academic papers (day 1)

A few days ago, I posted wondering about aromanticism in academic research. Well after a search through google scholar and some institutional access (thank you wikipedia <2) I've found some papers. Since it's Aromantic Spectrum Awareness Week this week, I'm gonna try posting about one paper I found each day this week.

So today's paper is The stability of singlehood: Limitations of the relationship status paradigm and a new theoretical framework for reimagining singlehood By Dr. Hannah Tessler (2022) [stable link]

To give a summary, this paper focuses on the idea that the general conceptualization of the term single is extremely limited within the standard definition of a person without a romantic partner. This assumes that a given person's relationship status is binary, that the individual is willing to be in a romantic partnership, that singlehood is a transitory state and not one that some people prefer to be in long term. Obviously, the implications of the term single does not accurately reflect the experiences of many people without romantic partners (like many aromantic people). The paper instead proposes a new framework for classifying singles on a graph of two axes, one for Openness to romance and one for desire for romance. This framework not only allows for the term single to encapsulate more than the normative assumption, but also shows how singlehood can be stable.

Tessler identifies seven populations of singles that subvert the standard assumption:

Singles that perfer singlehood

Aromantic and/or asexual singles

Heterosexual single women who elect to opt out of heteronormative relationships

MGTOWs and to an extent some incels

Singles committed to religion

People satisfied with single life but facing social pressure

and Single people after divorce/widowhood

The section on aromanticism itself is well written and accurate. It describes the state of many of us very well, while acknowledging that there are partnering aromantics out there. For future considerations, Tessler writes: "There is currently scant research on aromanticism, but more scholarship is necessary in order to better understand the intersections and boundaries between sex, romance, and relationships."

All in all, this paper is a wonderful insight that I hope future researchers in the area of romance take a look at and use ideas from. There's a lot of research out there on romance, but not as much on the lack of it. Tessler challenges the scientific community to help fill that gap.

[link to day 2]

[pileofsith]

Nameless Part Twelve - Apostate Page 2/10 I'm sorry, the only way to visually show Barriss successfully making an ideological transmission towards the future Grand Inquisitor was to make them gaze at each other like two sad wet seals. Text is taken from the TCW episode, ‘The Wrong Jedi’. The comic is also available here on AO3.

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[stunie]

it’s soooo criminal that we are online friends bc i saw SO many of your faves at the mall today >:

[fifthnailinstevesbat]

i love steve and eddie so much no guys wait. WAIT. i LOVE THEM. I LOVE STEVE AND EDDIE SO SO MUCH GUYS WAIT HOLD ON NO YOU DONT UNDERSTAND!!!!$!&!!$!! i LOVE THEM. i love them so MUCHHHH steve and EDDIE AHHHH STEVE and eddiE I LOVE THEM SO MUCH- *crashing* *explosions* *rapid gunfire* *screaming* *police sirens* *more crashing and screaming**glass shatters*