#wheres the equality here

[lexezombie]

the sheer lack of mens clothing in the colour purple is a damn disgrace; we want purple too god damn it

and dont u give me fuckin plum thats closer to pink, no i want fucking PURPLE

[jewishrat420]

No one has ever flirted with Steve the way Eddie flirts with Steve.

And it's not like no one flirts with Steve. God, no, it's not like no one flirts with Steve. Steve can't walk into the grocery store without at least three sets of heads turning and focusing all their attention on him.

And he's not even trying to be cocky about it. That's just the reality he was gifted when he came out of his mother's womb looking like the world's freshest Adonis. Honestly, he wouldn't be surprised if they changed the colloquialism to "Steve."

Regardless. For as many people like to flirt with him, make themselves known, filtering in and out of his orbit like willing planets, no one knows quite how to get him going like Eddie. Maybe it's that they're not as confident as he is, maybe they're scared of the rejection Eddie was born facing and will die knowing.

Maybe they're scared of ruining their chances. Maybe Eddie isn't.

For whatever reason, Eddie doesn't seem like he's scared. Even though there was a long time before he knew Steve was bi, was just as into the flirting as Eddie was, even though there was a chance (not like it'd ever happen, but the unknown was there) that Steve could have beaten him up just for calling him "sweetheart," he did it anyway. He got right up into Steve's space, close enough that Steve could get high off the remnants of the joint he'd smoked earlier, and gave him a look that offered everything.

And, God, Steve wanted it. He wanted it all.

And so that began months of what Steve has so aptly referred to as torture. Apt, because he knows what it's like. He has the scars and the fear of ice cream and needles to prove it.

But this... this is a different kind of torture. Mental, emotional, spiritual, whatever you call it-- this is meant to tear him apart from the inside out, meant to make him want to rip his own bones out from his body and offer them to Eddie if it meant the other man making a fucking move.

And Steve would, is the thing. He would absolutely make the first move-- it's what he usually does, anyway, and he's got a pretty damn good success rate for it.

But, for whatever reason, this feels different. This back and forth they have, the constant teasing, the sliding in and out of each other's orbits, unable and unwilling to refute the most fundamental laws of gravity... it's something special, at least to Steve. Something sacred.

Which is why, when Eddie calls Steve "Harrington" for the first time in months, his first response is to pout.

They're about halfway through splitting a joint, the sweet smoke curling around wisps of hair and parted lips and filtering in and out of the holes in their sweaters. The air outside is getting colder, thinner, sharper, as the winter months dreg on. But inside the trailer, it's comfortable and warm. Safe.

Steve's being a bit of a hog, and he's man enough to admit that. But he had a shitty day at work and all he wants is to feel nothing other than the weightless relaxation of a good high buzzing through his bones. Sue him for taking a little more than his fair share of the good stuff, even if it is Eddie's.

"Steve," Eddie whines, reaching his hand out and curling his fingers in request. "Give it over."

"No," Steve responds, just on the edge of whiny. He brings the joint to his lips and takes a long, slow, deep drag, feeling the sweet heat of the smoke burning in his lungs, taking up the space where oxygen should be. He goes a little dizzy with it, feels his eyes lower. "Mine."

Steve can't see it, but he knows Eddie's rolling his eyes. Can sense the shift in the air, can sense every little fucking thing about Eddie at any given moment.

"C'mon, Harrington, you're being a brat."

And, normally, Steve would find another aspect of that sentence to freak out about. Would zero in on the word brat and relish in the flare of heat it sends shooting up his spine like firework sparks. Would squint his eyes at Eddie and tilt his head in the way he knows makes him look good, would give him his cutest little smirk and say, "Who, me?" and would preen in the response it gets.

This time, though, he's much too focused on the other name Eddie used for him. The one he hasn't heard come out of Eddie's mouth since before he realized that Steve was, as he put it, "actually a good dude."

He doesn't realize he's pouting until the sudden silence in the room starts to creep in, make a home in the buzzing in his ears. He didn't realize that he didn't say anything, and neither did Eddie, and now they're sitting in a mess of their own making. Of Eddie's own making, really.

His next words come out without effort, without intent.

"Don't call me that."

He chances a look over at Eddie, at the risk of appearing as vulnerable as he feels, and to his distress, he can't get a read on the man. His dark eyebrows furrow, brown eyes squinting slightly, and his lips part like he wants to speak. He licks them. Steve's eyes follow the motion unintentionally.

"Call you what?" Eddie says on an exhale. "A brat?"

Steve shakes his head. "Harrington. Don't like it when you call me that."

Eddie kind of softens, then, and Steve didn't realize he had stiffened until he isn't anymore. He sort of sinks into the couch, spreads his legs imperceptibly wider, and Steve wouldn't have noticed if it wasn't for the way his left knee brushes against Steve's just barely. Just enough for those heated sparks to send a couple pinpricks across his skin.

"No?" he says, looking over to meet Steve's gaze. His cheeks are flushed, whether from the weed or the heat of the room or the heat between them, and Steve's sure that his look the same. "What do you want me to call you, then?"

Steve's definitely blushing now. He looks away from Eddie, tucks his chin to his chest, lets the joint between his fingers burn away. Eddie takes it from him, gently, and brings it to his lips. Steve hears the paper crackling as he inhales.

His voice is quiet, almost meek, when he speaks. It's completely unlike Steve, completely unlike the persona he used to so proudly take on-- but then again, Eddie is completely unlike anyone that Steve has ever met. He's more real, more human, and in turn, Steve is too.

"...You know."

Eddie makes a little noise, then, something in the back of his throat that was born and died within the very same second it was released. Something soft, almost pained, like his body couldn't help the reaction it had to that sentence.

Steve watches the thin, long line of Eddie's arm reach forward and press the joint into the glass of the ashtray. He follows the motion until Eddie's hand settles into the rips over his knee, fingers intertwining with the thread. His pinkie is dangerously close to Steve's own sweatpant-covered skin, and he feels the contact as if Eddie were touching him.

Eddie's hand twitches like it wants to move, and Steve resists the urge to grab it, hold it within the warmth of his own palms.

"Do I?" Eddie says, his voice quieter than it was a moment ago. That thick silence fills the trailer once more, settling in between the soft buzzing of the lightbulb in the kitchen and the muffled humming of the crickets outside. Steve hears Eddie take a stuttering breath. "Tell me."

Steve sighs, feeling his chest burn as his heartbeat picks up. His throat pounds with the pulsing of it. He places his own hand on his right knee, pinkie finger edging closer and closer to the space where Eddie's meets his. Eddie's hand twitches again.

"Like it when you call me sweet things," he says on an exhale, as though getting it out all in one breath would make it easier. "Like how it makes me feel."

Eddie lets out another one of those noises, then, something more like a cut-off groan. His hand curls into the fabric of his jeans for no more than a second before he releases it, and Steve gets to watch as the blood blanches and then returns to his knuckles.

"Sweet things, huh?" he muses, voice only slightly strained. If Steve didn't know any better, he'd say Eddie is nervous. "Like... Stevie?"

Steve hums. "Yeah. I like that."

Eddie's pinkie moves closer. Barely. Imperceptibly, if not for the way Steve is tuned into his every movement, like a dog to the sound of their owner's keys.

"Yeah?"

Steve hums again.

"What about... sweetheart?"

Steve closes his eyes. Lets out a shaky breath, inhales a smoother one.

"Yeah."

Steve feels something brush against his pinkie. Something warm.

"Honey?"

Steve nods, biting his lip. "Mhm."

Eddie lets out a quiet little laugh. "Even big boy?"

Steve returns it helplessly, feels the edges of a smile pulling at his lips. The air feels cold on his teeth, as though he's burning up from the inside out and anything outside of his own body is a cooling salve.

"Especially big boy."

Eddie laughs a little louder, and the jostling of his body brings his pinkie even closer to Steve's. Completely pressed against his own, now.

Steve swears he can feel his heartbeat through it. Or maybe it's his own.

"What about..." Eddie takes a breath. "Love?"

Steve's own breath hitches. He opens his eyes, looks at where their skin is touching in more than one place. He feels it, feels every point of contact where the cells that make Eddie are existing with the cells that make Steve. Wonders, maybe, if they stay here long enough, if they'll merge and mold over time. Become one.

"Yeah," Steve breathes. "I like that one a lot."

Eddie hums, and the room falls back into silence for a moment. Steve's skin burns where their fingers are touching. He moves his hand to the right, just barely, just enough to let Eddie know that he feels it. Just enough to ask Eddie if he does, too.

His response is overwhelming.

Eddie moves his hand to the left, solidifies all the points of contact between them, and Steve feels like he's exploding. Feels like a bubbling pit of lava that's set to burst, to overflow, like it can't hold back anymore. Like it's tried for so long that it's hurting, now, pressurized and boiling and hot, way too fucking hot.

And then, Eddie crosses his pinkie over Steve's, and Steve thinks he's dying.

He takes in a sharp breath like it's the last one he'll ever get, and he doesn't even have it in him to be embarrassed about it. He knows Eddie is right there with him, knows he's not the only one feeling this irrefutable pull like gravity between them. Knows, hopes, it's only a matter of time before they collide.

Eddie hums again. He taps his pinkie once over the smallest of Steve's knuckles, almost like he's making a decision. He takes a long, slow breath before he speaks.

"You know which one's my favorite?"

Steve's throat clicks. "Which?"

"Look at me."

Steve turns his head to the right for no more than a second before Eddie's lips are on his.

It's hungry, it's indulgent, it's immediately addictive. It feels like breathing.

Eddie presses his whole body against Steve's, and he can feel the way his tendons flex where his hand is covering the back of Steve's. Where their pinkies meet, their fingers intertwine and cross over one another like the roots of a tree, their bodies the whole mycorrhizal network.

The next word is spoken against Steve's lips, and Steve can feel the way his mouth forms around it. Decides, from this moment on, that he never wants to hear it another way.

"Baby."

Steve's exhale is more of a moan, a dying sound that, like Eddie's before, lived for only a moment in his throat before pushing through the wall of his lips. Eddie takes it, holds it in his own mouth, swallows it down hungrily and slides his tongue against Steve's as though asking for more.

"That's--" Steve pants, getting his hands on Eddie's hips and pulling until he's seated in his lap. "Mine too."

"Yeah?" Eddie asks, his lips still pressed against Steve's. Their words are muffled against each other, but they don't need to hear them to understand. They only need to feel the outline of them, the shape of the consonants and vowels against and around each other's tongues. They only need to press their bodies together and know, intimately, the meaning in each other's hearts.

"Yeah. Want you to call me that forever."

This time, Steve feels Eddie's laughter against his lips. His chest. Feels it bubble up in the space between his ribs, feels it flow into his mouth like a river, swallows it down like the first glass of water after a run. Feels his own creep up behind his teeth in return, gives it back to Eddie like an offering, who takes it greedily. Hungrily. Gratefully.

"Think that can be arranged, baby."

[tahopo]

we truly regressed when people started buying into the genderbending is inherently transphobic thing. yeah that twelve year old being inquisitive and having fun on deviantart was your enemy all along.

[turtleblogatlast]

Every day I’m haunted by the fact the boys happily swim in sewer water

Even if it’s filtered somehow there’s no way it’s not still nasty 😭 Bet they can defeat any of their villains just by accidentally giving them diseases I swear

[idk-bruh-20]

Irondad fic ideas #155

Tony can be... a bit overbearing with his helicopter parent tendencies. To combat this, Peter sets up a small protocol with FRIDAY. 

Any time Tony wants to do something paranoid or invasive, FRIDAY is to send him a helpful article first, with titles like "Excessive Surveillance Can Harm Adolescent Development, Study Finds" and "Why Teens Need Privacy From Their Parents"

Peter leaves the choice of articles up to FRIDAY, trusting her to send ones that fit the situation.

While this protocol does get Tony to reconsider some of his more... extreme impractical requests, in most cases it fails to change his mind. Being hands-off about Peter's safety is not something he can do -- not when he knows the kinds of dangers this particular kid could face.

He's grateful for the insight that the protocol has given him, though. So instead of removing it, he decides to add to it. He asks FRIDAY to make it a two-way street. Now, whenever Peter complains about one of Tony's safety protocols, FRIDAY will send an article to help him understand

However, Tony doesn't anticipate the kinds of articles FRIDAY will choose. While she continues to send Tony studies and editorials, to Peter she sends news reports from Tony's past

Peter's mad that Tony has put trackers in everything he owns? -- "Tony Stark Still Missing: Inside Month Three of the Harrowing Search"

Peter hates the constant health monitoring that FRIDAY does when he's in the tower? -- "Death Wish or Death Sentence? Stark Behavior Tied to Secret Illness that Almost Cost Him His Life"

It goes on and on. For every seemingly insane overreach, there's a story, an experience Tony is trying to protect Peter from. 

They both still disagree about how much protection is too much, but at least they understand each other better now

[cosmicalls]

i'm no film or visual arts expert but ☝️ one little detail i like in dead poets society is how often there are shots of todd looking up at neil. often in admiration, i'd assume--

--which is of course mirrored in the shot of neil looking up at todd after he does his poem;

also,

looking up towards the sky after The Incident. what does this say? i don't know actually. but it feels like something. don't know what

not to mention when neil is finally on stage. everyone in the audience is looking up at him in that case, but i'd say it still makes sense?

they hjust admire each other so much i think. Ouuhg

[starry-bi-sky]

finally giving fem danyal her own au and fulfilling my 'danny is an animal whisperer' agenda at the same time: mother of monsters danyal 2.0

i say "2.0" because TECHNICALLY 'mother of monsters danyal' is an au I made back in June for Dark fem!Danyal (who I promptly named Layal). However, I haven't posted much for her yet, and I like the "mother of monsters" premise too much to leave it only to Layal. Plus Danyal in that au was going to become the mother of monsters anyway, just with significantly less world domination and mass extinction.

'Animal whisperer' Danny has been something I've been thinking about since my latest DP 'wolfpack au' post and it's! So fun to think about, and who no better to assign the idea to than Danyal Al Ghul? Who comes from a family infamously known for their love of animals and nature?

Fem Danyal is just purely self-indulgent. *gestures wildly at her* i just lomvb,,, her,,,, I've only really mentioned her in context of the 'Things in Threes' au/my first Danyal al Ghul au with the facial scar, but she's!!! I love her. She deserves her own au <33

So kill three birds with one stone! Make a post about it.

Anyways, Danny has a large lair. Similar to cult leader danyal, her lair is a giant mountain region resembling nanda parbat with a big temple/palace-like area built into the mountain. It's large, it's overflowing with natural flora, with its own mini-floating islands hovering over some areas, and it's also completely empty.

Danny takes one look at her lair upon first meeting, -- noting that it looked relatively smaller from the outside -- and promptly, with the elegance of an Al Ghul, goes "What the hell??" Because yes, while she does enjoy her own solitude and privacy, this is a bit ridiculous.

For heaven's sake, there's even a massive lake in there! What's she going to do with all this space? Can she make it any smaller? Why is it so big in the first place? This looks borderline like one of the mega-islands!

She finds out later that apparently, the amount of ectoplasm a ghost has can have an effect on the size of their lair. And since she has such a large core, her lair reflects that. Wibbly-wobbly timey-wimey stuff, it's bigger on the inside so it doesn't take up "too much space" on the outside. Don't worry about it too much.

Danyal isn't totally opposed to having such a large lair, she's just... a bit baffled by it. It feels like so much wasted space is all. All this flora and no fauna to enjoy it with. It's practically eerie.

She decorates her temple-palace area, transforming rooms to match her needs as she sees fit. In the center of the inner gardens is a massive tree that she likes to climb, with twisting, winding branches. Sam and Tucker have honorary rooms, even if they can't safely leave the specter speeder for long periods of time, even with proper safety equipment. So does Jazz. Ali (Dani) has one too, but he can actually use that one, and Danny brought him to her lair so he could decorate it himself.

She has a personal garden, but for the most part she lets the flora exist as it is. Too much space to cultivate it en masse anyways.

Skip to a few weeks later, on her next visit to Clockwork. She developed a habit of going to see him semi-regularly just because. She enjoys his wisdom, and he has a lot of stories to tell, and when he's not being the cryptic and esoteric timekeeper, he's a bit goofy.

(pushing my dadwork agenda here,,, i think Danny deserves to go 'hey, Lord Clockwork, do you want me to buy you something' while she's at walmart, only to receive a singular glowing sticky note that says 'cucumber gatorade'.)

(She insists on referring to him with his proper titles even for the most mundane of things because it's proper, but Clockwork sees a future where she eventually calls him "Cee" and by all things in existence is he determined to get there. Anyways,,,)

On her next visit to Clockwork, just as she is about to leave, Clockwork stops her and goes; "Ah, I have something for you. Hold out your hands."

Danny does as such, and Clockwork doesn't give out things often, so her curiosity has spiked to the highest levels. He turns away from her for a moment, using his staff to summon whatever it is he needs, and when he turns around.

He drops a fish into her hands. Granted, a fish in a small glass tank. But a fish nonetheless. A small one, roughly about the size of her finger, with a blue-black, eel-shaped body and four sets of glowing eyes. She can see thin, almost translucent, but spiny fins down its back and the start of bioluminescent markings. It's swimming around in circles in its small container.

"Lord Clockwork." Danyal says all too calmly.

"Yes, Danyal?"

"What is this?"

"That is an adolescent leviathan, Danyal." She’s transfixed onto the tank, but she doesn’t need to see Clockwork’s face to hear the smile he’s stifling.

The myriad of emotions that runs through her all at once threatens to overwhelm her, and she can’t tell if the feelings are negative or positive. So she carefully closes her eyes to breathe in through her nose.

“Clockwork.”

“Ah, I see you’ve dropped formalities.”

She ignores that.

“Why have you given me an adolescent leviathan?”

She's expecting the trickster to look amused when she opens her eyes. Instead, he just looks endeared. "I know you're fond of animals," he says, "and you always look amazed when you come across an animal of the realms. So I thought you might enjoy taking care of the young beast, it's mother is dead so it has no one to care for it."

Oh.

"But, if you don't like it," Clockwork's hands reach out for the tank, "I can simply take it back--"

Danyal shifts the tank out from his reach and hugs it possessively. "I never said that. How do I care for it?"

And so clockwork gives her a list, and when Danyal returns to her lair, she sets up a large tank in her room for the leviathan to swim in -- it's much too small for the lake right now, she thinks. She'll feel better if it's somewhere she can find it. She names him Suhā.

Suhā grows quickly, and by the end of the mortal month she transforms one of the rooms into a large pond for him to swim around in. He's a very loyal beast, recognizing her as it's mother of some kind. Danyal takes great care ensuring that her beastie gets quality care, and Suhā swims to the surface to see her when he senses her in the room.

It spirals from there. Somehow, Pandora catches wind that Clockwork gave her a leviathan, and so the next time Danyal visits the Greater Athens, she gives her a baby chimera. It's eyes are still sealed shut, Danyal can't bring herself to say no. She names the little beastie Firas.

Frostbite hears about it too, and not to be outdone, gives her an animal she's never even heard of. Infinite-realms born, apparently. A fox-like creature with two small horns like an impala, four eyes, and tall legs. The name isn't something she's quite sure how to write down, and she's positive that her friends won't be able to comprehend it. She names her Eira.

Getting the three of them used to each other was... interesting. Suhā tried to eat Firas when Danyal first introduced the two, and they've hated each other ever since. Firas and Eira are seemingly getting along. Her island already feels full enough with the three of them on it.

Of course, that's not the end of it. With her luck, she begins stumbling across other monsters. Realms-borne or otherwise. An injured hydra in the Grecian islands that, through lots of trial and error, Danyal is able to rehabilitate and heal. It routinely comes to visit her afterwards.

A griffin with a broken wing that she moves permanently to the island that likes to keep to itself, but tends to come down when she's near. It gets along best with Firas.

A panther-like monster from the Shades Woods that had six legs and three tails, with ends that reminded her of a venus flytrap. It stuck around the heavy foliage and she can only make out where it was when she saw its golden eyes reflect.

She befriends a young indrik with its leg injured, and much like the hydra it follows her back to her island, and stays there in the mountains. It comes out when she's alone, much like her other beasts.

She receives two more leviathan -- one from clockwork, and one she finds herself while exploring the deeper and darker recesses of the Ghost Zone. It was huddled against the carcass of its mother, and she managed to befriend and get close enough to it to bring it back to her island. Suhā is fully grown by then, with a head bigger than Danyal herself and he still likes to stick her head out of the water for nuzzles when she's near.

He's not very happy with his new siblings, but he's not trying to eat them when she's not looking. So she calls it a win in her book.

And it's not just large beasts either; smaller animals begin popping up when she's not looking. Bird-like creatures and small mammals, and she swears she saw a doe (or something resembling a doe) grazing in the forest while she was walking by.

She takes back with her a lone snake egg once, and it grows so big it wraps around her island and sleeps with its massive head on the mountain beside the temple, like some smaller breed of Jörmungandr.

And on and on it goes. Some of the beasts she comes across never step foot onto her island, some of them follow her back, while others she has to carry back. Not all of the ones that follow her stay, and Danny rehabilitates the injured and releases them when they're fully healed.

It's hectic, and busy, and frankly she loves it. Some of her rehabilitated beasts return to visit her, or to have their children somewhere on the island, or whatever it is they need to do.

She becomes a bit infamous for it. She goes to visit Dorathea once, and as she's walking through the streets she can hear some of the denizens whispering while she walks past.

"Is that her?"

"Her highness' friend? Yes--"

"--that's the one--"

"--Mother of monsters--"

Danny's not sure how to feel about that.

Although, she can't say she's opposed.

Danyal Al Ghul, Mother of monsters, raiser of beasts. It has a nice ring to it.

[bonefall]

⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)

[bazpango]

Inspired by one of you previous arts, do you think L and Light both bite each other’s lips, or does Light only bite L’s?

Anon, this question really made me think. So much so I had to put pen to paper. And I think I’ve decided that in classic lawlight fashion they both are biters, but their executions are where the similarities end.

[marvey-sideblog]

"And it just happened to be empty?" "Something like that."

Suits 4x8 "Exposure" Mike returns to Pearson Specter and gets Harvey's old office.

[jerreeeeeee]

okay so i was going to post a poll on peoples' interpretations of taako & sazed's relationship but i went and looked back at the transcript of the chalice episode and i can't even post a poll because i just can't think of enough options that would actually be supported by the text?

its very very clearly a predatory apprenticeship where taako is getting free labor from sazed in exchange for teaching him, and then sazed begins to feel entitled to an equal share, at which point taako shuts him down and speaks to him in actually a pretty cruel way.

taako 'hired' sazed to be a driver and assistant and "general roadie" and i think it's perfectly fine for taako to not want him to be performing as an equal partner, but also, he was clearly taken advantage of. like sazed's proposition is an equal split of both the work and the "glory" and presumably the profit, which is a fair suggestion, but also fair for taako to turn down. but also taako was exploiting sazed's adoration in order to not pay him for his work.

i don't think that equal partnership was something taako ever even let on could be a possibility, he's pretty clear in the conversation he has with sazed that it's not something he's interested in and he "doesn't wanna keep having this conversation." its definitely something sazed really wants, but i don't think it was ever promised to him, it seems like something he's thought of that he's bringing to taako, who immediately shuts it down.

and as unfair as paying for a lot of work with cooking lessons is, it seems like that's what sazed agreed to, and it's also worth acknowledging that even though this is an arrangement i would consider unfair within my own cultural context, it could be considered completely normal and fair in faerun, like similar to a blacksmith's apprentice or something

so i guess the only questions are what sazed agreed to and why, and whether or not taako actually liked him or was just mean to him all the time. idk its all very interesting on its own let alone when compared to taako's later relationships with angus & ren, but not really open to as much interpretation as i’d thought

[ilions-end]

sorry still thinking about teucer within the iliad and the ajax and how much of his agency and sense of personhood must have come directly from big ajax supporting and defending him socially. teucer's a nothos born of a trojan concubine, which means he was banned from coming-of-age rituals (legally a child all his life) including voting, and a lowly archer besides, but thanks to his half-brother he's fighting and eating meals and living alongside actual kings and commanders.

and despite living among them for a decade in the war, the moment ajax dies and teucer tries to hold his own, his lesser status and foreignness is thrown in his face by those same rulers. he's fortunate that odysseus happens to want the same thing as him, and that odysseus holds legitimate status and sway, because on his own there's no way teucer would have convinced them ajax deserved proper burial rites, which would have condemned teucer further.

[stuckinapril]

I love girls who’re comfortable being feminine in male dominated stem fields. Such is the case for chemistry but it will not stop me from going to lab in a pink fit if that’s what I want

[lambmotifz]

sam and dean are not equally abusive. sam doesn’t feel the need to have physical power or control over dean and he’s not possessive to the same extent (he is possessive but it’s not the same as dean’s desperate need to own his brother like he’s his property)

[catmask]

something about a protagonist being from the horror genre in general just makes them sexier i literally couldnt tell you what it is

[echo-starflower]

I FINISHED THE GUY!!!!!!

(Pattern by @ghost-cinnamon)

He’s perfect and I love him

But Echo! some of you might ask, isn’t the body supposed to be red like his bones? To that I say! 1: I’m impressed you saw it under the layers of clothes! /silly and 2!

BAH BAM

Embroidery!!!!! (I’m so proud of this hehe it turned out way better than I expected. Also faceless doll jumpscare>:3)

And of course, credit must be given to my amazing little sibling whose immediate reaction to seeing my doll was “ooo he’s spooky! He needs a top hat!!!!”

(She proceeded to make not one but two top hats hehe)