#where....at least I know im safe

[untrustedlifegamedev]

The climb never ends...

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[vehemourn]

went to post this on twitter but i didnt wanna get banned . crazy that u can scrape my entire lifes work and i cant even tell u to die over it <3

[piningpercussionist]

Oh! Fucking. Duh. Obvious Roxie post I can make today: here's an emote I made for the sp:te server! (With variants of different degrees of completion...)

I was gonna go back and shade the comic colors Roxie but. Just ended up going w the colors picked off the screenshot. This screenshot, specifically!

[theskullkid]

HEY, BITCHES, LISTEN TO ME IF YOU’RE IN THE FUCKING MARKET FOR MAKING NSFW ASMR OR CONTENT ON YOUTUBE.

EITHER A), DON’T, AND MAKE A PATREON OR ONLYFANS AND DO IT THERE

OR B), AGE RESTRICT YOUR FUCKING SHIT.

I KNOW DOING THIS IN ALL CAPS MAKES ME SEEM EXTRAORDINARILY UNPROFESSIONAL BUT THIS IS A TOPIC IM VERY PASSIONATE ABOUT SO SIT YOUR FAT ASSES DOWN AND LISTEN FOR ONE FUCKING MINUTE YOU FREAKY BUFFOONS

YOU UNDERSTAND THAT THERE ARE MINORITIES ON YOUTUBE, RIGHT? YOU MAY THINK, “THEY CAN KNOW NOT TO CLICK ON THE VIDEO!” WELL, MAYBE SO, BUT CONSIDER THAT IF YOU HAVE AN ELEVEN OR TEN YEAR OLD THAT DOESN’T UNDERSTAND WHAT THE FUCK THE TITLE MEANS AND CLICKS ON IT OUT OF CURIOSITY, THEN WHATRE YOU GOING TO HAVE?

ITS THE FACT OF THE MATTER THAT YOU SHOULD WANT TO AGE RESTRICT YOUR SHIT. YOU WANT TO ENSURE THAT YOU REACH YOUR TARGET AUDIENCE AND NOT MINORITIES. EVEN IF YOU SAY 18+ IN THE TITLE, THATS NOT GOING TO CUT IT, ‘CAUSE THEY CAN STILL WATCH IT.

AGE RESTRICT YOUR SHIT. PLEASE. THIS IS COMING FROM A MINOR THAT DOESNT WANT TO SEE IT. WHETHER THE VIDEOS ARE LONG FORM OR SHORTS. BUT IF YOURE INTRIGUED IN MAKING THOSE KINDS OF CONTENT, YOU SHOULD REALLY GO IN THE WAY OF A PATREON. PLEASE. I BEG.

[time-is-restored]

btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)

tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!

but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).

rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.

my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’

it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.

and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!

(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)

again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).

and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!

and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.

so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.

that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.

i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.

[comradecowplant]

so things are not going well with my new elderly socdem friend unfortunately.

[poisonedapples]

Super heavy vent ahead in the tags

[eternally-tired-cryptid]

"if you liked but didn't reblog"

*unlikes post and moves on*

[autumnalhalcyon]

.

[bleu-sang]

I wish I had someone to talk about how much amatonormativity traumatized me

Not only when I was a kid and grew up scared that my parents would abandon me because people would keep asking me if they "started a new life" but didn't get it was romantically speaking and really thought they were gonna leave town and forget about me

Or not just because as a teen everyone started dating and caring about romantic shits that I couldn't understand and I felt this suffocating pressure that I had to become like them if I wanted to be accepted/normal

But mostly because I am terrified to be seen as an object that can be used and discarded without my consent because I "just don't know" what I'm "missing out" or I "just didn't find the right person yet" or I "just had bad experiences and need to get over it with someone new"

The only message I seem to get from amatonormativity is that my life is worthless if I don't have someone to share it with (romantically & sexually) and that romance and sex can be forced upon me if I don't act like I want them

And it's so scary. It's so so scary.

To know that my life has no value and that I deserve to experience traumatic stuffs to "cure" me

To know that anyone could want that from me and that it wouldn't be acceptable to say "no" because my body is disposable and belongs more to others than it does to me since I just "don't know" that I want to say "yes" yet

And all I'm left with is a bunch of trust issues because anyone I meet could turn on me at any moment and it would be socially acceptable.

Anyone could discard me to "start a new life" with someone that want the same things as them (romance and sex)

Anyone I meet could hit on me and ask stuffs from me that I cannot give them and I would almost always be the bad guy for rejecting them and I know that they could force me and that I wouldn't be taken seriously if anything happened

I don't know, maybe it's just the invisible poc aroace trans neurodivergent otherkin fem-looking ghost in me who's too used to be not acknowledged talking but I think something is deeply wrong with this society and I will not feel safe until it's done right.

[lesbischl]

my twt best friend deactivated suddenly while i was doing adult stuff (ironing clothes, it took Ages) so now my life is just sitting around doing nothing, waiting for her to reply to my insta dms

[cerealmonster15]

i dont think i ever felt more annoyed at commercials than when those mean girls walmart ads were playing a few months ago or whenever that was

[bmpmp3]

I NEEED to go back to making art that makes it ABUNDANTLY clear that theres something wrong with my brain BUT NOT in a cool or stylishly interesting way. i need to do it in a way that makes people say "hm." and walk away

[yutadepth]

living in tornado alley with a severe fear (recovering phobic) of tornadoes and general anxiety/paranoia... and its spring (or fall)(or any time of year) is... something

[streetdumpster]

I think (as much as I annoyingly complain and whine about not having a partner) being single this long has been good for me. I'm learning a lot about myself and I'm learning why I was a shit person, and through finding the root of the problem I can kind of... start to heal. I can be nicer to myself so I can grow and get better. Because TBH.. being mean and cruel to yourself doesn't make you become a better person. It just makes you believe that thats what you /are,/ and thats what you /always will be,/ as opposed to realizing that you are a product of your circumstances but that does not mean you can't get better and become a better person. Accepting help and trying to get better so you can eventually love yourself – even if no one else does – is the greatest and loveliest thing you can do for yourself. You deserve that love, you exist and you live and you feel and that is a truly beautiful gift.