#where is the FLAVOUR?????

[morggender]

This is how some of you draw Morgott

[yes-asil]

Martin stimming will never not make me smile

[asterlocke]

YOU KNOW WHAT??? FUCK YOU

*tattoos your venture*

[welcometogrouchland]

I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)

[vaguely-concerned]

seeing people claim that lucanis is 'bad representation' is hilarious to me because in so many ways he's really the closest anything has ever gotten to capturing my own personal experience. sorry for being bad real life queer and mental health/neurodiversity representation folks 😔 I'll take time to reflect and do some work on myself and try to do better in the future

[baeshijima]

haha jiaoqiu overhearing gossiping soldiers in the midst of his work, thinking it to be nothing but mundane drivel, only to have absolute dread entrap his entire being upon hearing one of them let slip word of your injury on the battlefield before frantically searching for your whereabouts, caring little about the concerned shouts from the knights nor the pelting rain stinging his skin and obscuring his vision.

the only thing on his mind is you, you, you; he cannot — no, he will not let you die. not when he still has so much to tell you, not when there are so many things left unsaid.

[lainalit]

In honor of Pride Month here are the five gayest men in acotar🌈✨

Cassian, a bi man that loves everyone except his mate

Rhysand, a messy gay cosplaying as a straight person

Tamlin, a gay musician that just wanted to be with his boyfriend Rhysiepoo

Eris, also a messy gay who loves to tease his lover azriel

Azriel, a closeted bi man who tells his shadows that having sex with eris doesn't make him gay

[rhapsoddity]

"Scar, I'm sorry-!"

So turns out ive barely ever drawn life series fanart, and the majority on 2/3 polls wanted life series art SO SAD GRIAN BE UPON YE

Glow up under the cut

2021 vs 2024

[ambrosykim]

i'll be honest the devs going on the internet to retroactively fill in the blanks is kinda giving "dumbledore is gay actually"

[gg-ladybug]

I’ve been thinking nonstop about a post @nouverx made on March 3rd where Alastor asks “what country” the ace aro flag was, and my brain naturally made a meme about it.

Rosie jump-scared him with it one night in the December of 2016, and he said yes for the sake of his sanity (post 1933 world maps are hard, okay)

[shorthaltsjester]

oh liliana. oh boy. fantastic night for family tragedy lovers. oh to see a woman who abandons her daughter to what she knows to be a horrible fate in search of Answers and she gives that daughter nothing but a carrot on a stick of ominous dreams for a mother. and when imogen finally catches up to her, as liliana guaranteed she would when she found answers and gave imogen none, and she stares in imogen’s face and gives her words to console the Infant she left behind and the woman who stands in front of her finds them lacking. the dream liliana has of a home she can return to with a daughter crying in her arms because she doesn’t have words yet is shattered by the reality of a daughter crying at arms length because she can’t trust her words. liliana clinging to that dream so hard that she tells imogen that she is committed to the cause imogen doesn’t understand because there’s children here and in the same conversation liliana reminds imogen that she chose this for her, to save Her, and liliana doesn’t notice that imogen’s no longer a child that can be included in that sentence. because liliana’s been hungry — for answers, for a life she gave up —and so is the monster that’s embedded in the moon and maybe if liliana does this right she can finally be full, she can finally feed her daughter with the knowledge of their power. she can go home to a table set for dinner and see imogen sat across from her.

except. except. except. the world is near ending and her daughter is dying in a tunnel that would become her tomb if liliana’s coworkers — y’know, the ones on the side that’s For Imogen — got what they wanted. and then liliana seemingly realizes, as she stumbles through helping imogen and her friends, being prodded by them as imogen strains under being both herself and the daughter who was abandoned, and she seems to actually Hear when imogen asks her to make her own choices, and to stop making them in her name (implicitly, making ones imogen is explicitly asking liliana Not To Make and then saying it’s all for her). and maybe liliana is still hungry for answers, but maybe imogen trusting her, piece by piece, fills a different kind of hunger.

and then. the image of imogen as an adult — her daughter certainly, but one with agency, and one with power, whether she has the satisfaction of knowledge guiding her or not — seems to settle in, but only now that it’s too late. only now, with the image of ludinus fading as fast as imogen’s does, revealing instead the conman and the woman she finds herself stuck between. and liliana finally sees imogen and realizes there will be no home, there will be no full bellies, no relief at the end of all this, because this is the end. because the man who promised a way to be full has found it, but this was never about liliana being full, and it was never about bringing home enough answers to ensure imogen never starved. it was about ludinus keeping his own plate full, ensuring he always had a meal at his side should he ever need it. and he’s hungry, and her use has finally failed to outweigh his gluttony. and when thinking of herself, her own power, liliana thought ludinus unbeatable, she thought him beyond anything but just influencing him to choose lesser evils, but she reaches out for her daughter, pain and storms surrounding their conversation as they have never failed to, and she tells imogen to stop him.

oh temults we’re really in it now. extremely obsessed with a family who loves each other enough to distance themselves from one another but not enough to stay.

[knifeforkspooncup]

iwtv really said "what if everyone was the most unreliable narrator of all time" and then released us into the wilderness to fend for ourselves huh

[gingermintpepper]

I think a lot about the depictions of Troilus' death that feature Achilles trying to prise him with a gift of doves instead of the immediate promise of death.

I've alluded to it before, but I tend to look at Achilles and Apollo as comparison cases - maybe not explicitly foils because I'm petty and that would imply that Achilles is narratively equal to Apollo and I don't want to give him that kind of honour even in a bit of casual analysis - but certainly as characters who gain a great deal of complexity when their actions are contextualised in context of each other's. The ambush of Troilus is just one of those funny little things that gets my mind a-whirring.

Because to me, Apollo's 'Troilus' so to speak is Kassandra. Kassandra, who Apollo coveted and wished to court. Kassandra, who was offered a great gift that would have undoubtedly forever marked her as one of Apollo's if she had accepted. Kassandra, who takes the gift but rejects the god and is cursed for her deception. Kassandra, whose curse makes her experience a thousand deaths over and over with no way of communicating such disaster to those around her.

The Achilles who falls in love with Troilus upon seeing his beauty and wishes to make a conquest of him is much the same to me. The biggest difference between Troilus and Kassandra though is that Troilus' rejection is much more physical. Those doves are nothing more than a symbol of the type of sacrifice Troilus would be; if he accepted them, he would die a docile death, sweet and quiet, a necessary casualty to turn the winds like Iphigenia. Except Achilles' love is nothing like Agamemnon's and it is nothing like Apollo's.

In the face of rejection, Achilles' instinct is to maim, it is to destroy. He was always going to kill Troilus - for the sake of the campaign, the boy had to die - but there was no dove's death, no quick and easy knife through the heart, no spit into an open mouth. Troilus' death is a brutal, drawn-out thing, a chase through the sand, a dragging that bruises his skin, a ripping of his hair, a violation of his flesh, a maiming of his corpse. As far as sacrifices go, it's an apalling one. None would dare to treat an animal set to be sacrificed before a god with that kind of brutality, sacrifices were meant to be blemishless and beautiful, something the gods would find appealing. Iphigenia was given away in her wedding finery, Kassandra was dressed as though to seduce a god. Troilus was a dove with his wings broken and his feathers pulled, whose death cries must've been like the terrible hollering of all birds when they try to alert their kind to a predator.

And as fucked as that is, I love it. It sets Achilles' love as this stormy, squallish thing that bleeds into his rage, it establishes that for him, love and wrath are but two sides of the same blade. Troilus was a necessary sacrifice, but he is in no way given even a modicum of the same dignity his contemporaries are and a part of me is just continually intrigued by this.

[xitsensunmoon]

The content with Sun that I'm seeing from help wanted 2 actually changes my perception of him so much I🧍‍♀️ Bro is not just a pathetic loser chihuahua bro is a PASSIVE AGGRESSIVE pathetic loser chihuahua!!!!

[abirddogmoment]

today's hot take for dog people: management is not the same thing as training.

[total-drama-brainrot]

Need more themed seasons like Action and World Tour.

Get the reboot cast off of that fucking Island. Put them somewhere else. Put them on a giant spaceship and have the elimination ceremony be shooting them towards Earth in little escape pods. Put them in a giant wizard tower and have each subsequent challenge take place on a higher floor of the tower until the winner reaches the top. Put them in New Jersey.