Pika Rambles about the new OP because why not
If there’s anything I’ve learned from season 6 of MHA, it’s that whatever Twitter’s reaction is to something, I’m likely to have the opposite reaction.
I’m not often one to go into my opinions on things in MHA I feel are “good” or “bad.” Sometimes it happens, but just generally I’ve been trained to read and analyze a lot of things without respect to whether or not I like them or agree with their philosophies. I’m usually trying to understand a story more than anything.
But OPs are a different matter.
I have a weird thing for OPs. I’ve watched many over the years, and in some cases even decided whether or not I would watch an anime based on its OPs. (I’ve also...made a lot of AMVs.) OPs are supplementary material that are opportunities for animators to showcase their creativity and their understanding of the story’s themes. For that reason, I’ll happily ramble about my love for MHA OPs 1-4 and 7 anytime (god, especially 7; I’ll never get over the candy apple sakuga).
This time, OP 11, the ramble isn’t a good one. “What? Really? But everyone agrees it’s the shiniest one yet! Is it just that weird Ochako shit they threw in there?” No, stock anon. It’s so much more than that.
I have opinions.
If you like OP 11...you may not want to read my thoughts under the cut.
I’m just gonna complain in list form from here have fun.
1. First, all the good: I like the song. I realize not everyone’s gonna like the song, but I happen to like it. I also like some of the OP, particularly the first bits of it before the title card drops. I think it’s a good use of some of the cover/non-story artwork Horikoshi drew during this arc. Except already saying that, I can’t help but notice a huge missed opportunity. This cover art would’ve made for an EXCELLENT theme in the OP:
It would’ve made up for the egregious lack of All Might too.
2. That title card is awful. Come on. They used to do fun things with the design or colors or something. This is just...weird effects that maybe will cause someone a seizure. It’s certainly not pleasing to the eye.
3. I don’t have a problem with the split screen bit. It’s not great, but it’s not terrible. Except the animation they give Ochako was basically already used in OP 8 so I don’t know what that’s all about.
4. All the Lady Nagant art is super lame sorry why do they repeat the same angle and pose twice? They could have used other camera angles at least, or even do something more with her younger self and angst? This is about as one-note as her actual role in the story (okay maybe it fits then).
5. I don’t need to complain about the weird ship bait that is the Ochako scene in the way everyone else already has done for me. I have a pressing urge to bring up though that Bones once again shows their lack of creativity here, and it feels like they have a vendetta against Ochako too. Where is her action shot? Her sakuga? There are plenty of moments from this arc that could’ve made a much nicer action shot here. Her smile is so weird because this whole arc she’s getting serious for Izuku’s sake and frowns at him a lot and stands up to him essentially. This feels like heroine-ization and it’s awful. Ochako does much more impactful and moving shit this arc than whatever the hell this is.
6. How dare you cheapen the hand-holding symbol of this series do you even know what the fuck is happening in this manga??? [clings to Iida’s leg]
7. The sakuga of Izuku swinging around is okay, probably the best part of the OP--except then we run into the Lady Nagant issue again
8. What the fuck is the weird white corpse from AoT doing here? What? What is that? Hello?
9. It needs to be said: the sakuga of Iida et. al. looks like absolute ass. I’m sick of fandom just salivating for nothing but sakuga while having absolutely no standards. “Action lines? Cool angles? Speedy animation? Yay it’s perfect!” No, seriously, if everyone’s gonna be so critical of the story and animation and pacing all the time, where’s your criticism of the actual sakuga? This shot looks awful and no one is talking about it. Not only do all the characters involved move awkwardly, you can’t even tell who they are. I wish we could have seen better highlights of the characters themselves, their faces even, including Shigaraki’s. YEAH THAT’S RIGHT. THEY’RE FIGHTING SHIGARAKI IN THAT SHOT. DID YOU EVEN NOTICE? YOU PROBABLY THOUGHT IT WAS IZUKU, RIGHT? SEE HOW DUMB THIS IS? IT MAKES NO SENSE FOR THAT TO BE SHIGARAKI EITHER, BUT IT IS. GO PAUSE A FRAME AND CHECK IT OUT. The special effects of their super attacks at the end also look like ass. This was the worst sakuga we’ve seen since the third movie and I am not impressed and I’m mad other people are.
10. Epilepsy colors Izuku is also terrible sakuga he’s so off-model it hurts I can’t stand watching this bit.
11. The Izuku+Tenko sequence is nice and a good show of creativity, and yet Izuku also looks off-model and I can’t stand how this is NOT the right season for this imagery. So that makes this a spoiler, basically? It doesn’t belong here. I like the subtle hint at the OFA star with the sun glare behind Izuku’s offered hand, but still this feels like they have no idea what this arc is about.
12. Exhibit #999999 that it feels like the animators have no idea what’s up with this arc: the ending image of Izuku doing the All Might fist in the air pose. Like, maybe it works if you read it as “he’s able to represent All Might because everyone else is there with him,” but it just doesn’t...feel right. It’s not earned based on the rest of the OP. Why couldn’t we just have them all be around the All Might statue? I don’t know what are you all even thinking when you draw this shit
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Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
Both of these kids deserved so much better from the world.
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