#where can i find a beat

[jacobthewilliam]

Trap type beat future by Jacobthewilliam.BEATS: [COLOR OF THE YEAR]

[lilnasxvevo]

I love you Monkey D. Luffy I love you protecting the power of friendship through the power of incredible violence

[maybe-a-dinosaur]

seijoh 4 as summer camp employees

hanamaki takahiro is BUILT for this he has fun hair he’s weird he’s engaging his he’s colorful his water bottle is covered in stickers he has sandals on toes Out he is shameless he’s kinda unhinged it so works. he’s a counselor but almost never has a cabin to himself he’s more like a sub if someone else has gets sick or whatever but when he shows up it’s like a celebrity sighting a monumentous occasion. if he’s not needed anywhere else he’s helping out with arts and crafts his favorite artworks are the ones where you can’t tell what the fuck it’s supposed to be. he has lots of string friendship bracelets he knows how to make them but lies whenever someone asks he just gives them one he gatekeeps cuz he thinks it’s funny and teaching is too much work. he tells the most Outrageous ghost stories and is the reason only half of the kids will go in the lake he talks about bigfoot and campers who went missing and the town’s curse he is carrying on legacies he is SO fun.

iwaizumi hajime is the Coolest fucking counselor ever. bandana around his head sleeves cut off of the uniform tshirt (muscle tee now) he has friendship bracelets a beat up watch one anklet his water bottle is on its last leg he has a dinosaur keychain on his backpack he like epitomizes cool guy the kids idolize him. his cabin wins every single camp-wide competition every time like he’s peak athleticism and he’s just like so awesome or whatever it’s contagious. he picks kids up and throws them in the lake and pool if a frisbee gets stuck in a tree he gets it every time he caught a snake once and took it back to the woods everyone wants to sit next to him in the mess hall he can’t build a fire and is mad about it he sleeps like a fucking Rock and snores like a lawnmower and eats enough for 3 people at every meal.

oikawa tooru is a lifeguard. at the pool at the lake he’s always around the water somehow and Everyone has a crush on him. up on his lifeguard chair sunglasses on his skin is all golden whistle around his neck or spinning on his finger his hair somehow always looks good he wears a headband one day and someone literally faints. he teaches swimming and canoeing lessons and is really good at it he almost Never has to save anyone for someone who works by the water you’d think they’d swim a little more. he’s pretty quiet when he’s on duty he takes the job seriously but he’s a fucking motormouth when he’s off that chair he will Not shut up. he sits w the boys at meals running that fucking mouth pisses them off So Bad he blatantly flirts/fights with iwaizumi when the kids aren’t around and Refuses to get into a canoe with him bc it always ends up getting flipped. he’s really good with the younger kids they’re his favorite to work with but he is generally well liked throughout the camp he’s like everyone’s counselor crush and he always eats raisin bran for breakfast.

matsukawa issei is the camp cryptid he works with the older kids who like go backpacking and spend all their time in the woods he emerges looking like he’s been there all his life. he kinda just appears sometimes doing odd jobs taking things to the lost and found feeding the chickens fishing things out of the lake general camp maintenance he materializes out of the trees with a fire extinguisher a neon yellow backpack and a missing camper. he’s often accompanied by the camp dog so there are theories (encouraged by takahiro) that he’s actually a werewolf and that’s why he’s everywhere some people think he is the camp dog issei thinks this is very funny. the only place he’s consistently found is the mess hall at meals otherwise when not wandering or in the forest he can be found hanging out with hiro coming up with new ghost stories playing some sort of sport with hajime or pouring water on tooru’s head wherever he happens to be. issei is the best campfire builder on the property and some of the kids are scared of him he never has his phone can only be contacted by walkie-talkie he is the jack of all trades.

[hydrus101]

I can never decide if post-canon Arthur avoids meat in order to tamp down memories of Faust and the pits, because the act itself repulses him that strongly; or, if he avoids it out of guilt, because he liked it just a little bit too much.

[plistommy]

And then they fucked Steve together… pray for that ass.

[triglycercule]

killer being like "yeah i know every single little thing about horror and dust" (because he watches them as a part time hobby (freak) (find something better to do)) and then he acts surprised when they do something that he wouldnt expect them to do in his little predetermined absolutely perfect concept of them

like what do you MEAN horror licks spoons clean when he's using them so he doesn't have to get a completely different one for the main course and the dessert. what do you MEAN dust has a lisp even though he speaks fluently and uses even more complex words than killer himself. horror knows how to sew and he often patches up their things without either of them noticing?? dust always wears oversized and clothes that cover him up just because he finds it comfy?? what??? out ra geous???? these guys have small little quirks to them that killer doesn't already know about???? killer immediately wants to know more. so he can expand his internal profile of them of course. not for any other more endearing and sweet reason. not at all,,,,,,,, (:3)

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[strawberrycamel]

ninjago seabound hurts. so much. what the fuck

[chatdae]

love how the older skaters in the senior division give Yurio encouragement and that each time it pisses Yurio off. JJ is intentionally condescending so that makes sense, but with Viktor and Yuuri they're not even being condescending. Yurio's just dialed in on being a hater... and i love that for him <3

[shalomniscient]

[good-beanswrites]

Fuuta x Kotoko?

Waah I hope the fact that this ran a little long makes up for the lateness -- I really love the idea and was so excited to get the request!! They'd be so interesting and affect each other so much...... it makes me crazy...... It becomes canon divergent at the end because I genuinely think being in each others' company more would influence them both

Kotoko was nothing if not observant. Over the years, she’d found herself in – and gotten herself out of – enough situations to get a good read on the people she interacted with. No matter what this world threw her way, she could always rely on those abilities. And from the moment she met Milgram’s third prisoner, those abilities told her he was nothing but trouble. 

“Oi,” he’d called across the dining table during the first meal they all had shared. “What did you do to get here?”

From the moment she woke up in this strange place, Kotoko had kept to herself. It’s dangerous to charge forward and introduce oneself to a group of mysterious murderers when there are no locks on the doors. She hadn’t spoken a word to anyone, the others smart enough to heed her intense look and stay away. 

Fuuta, on the other hand, was the first to speak directly to her. He stared impatiently.

“Well?”

She noted his directness. His volume. The brashness and vulgarity she’d heard earlier in the day. His motivations and values he’d let slip in his early defenses. His anger and his fear. The suspicion in his gaze, as well as the need for reassurance in his voice. In that moment, the information clicked together in her mind, and Kotoko realized two things:

Kajiyama Fuuta was a lot like her, in the obvious ways.

Kajiyama Fuuta was nothing like her, in the ways that really mattered.

“The same reason as everyone else, I suppose,” she said carefully. He may have revealed his whole hand, but from experience she knew better than to do the same.

A lot of her experiences returned to her as the trial went on. She went through the motions of coaxing secrets out of quiet men, or playing along with cheery girls’ games to uncover what she was looking for. She remembered how it felt on stakeouts as she kept her eye on the warden’s door, and recalled the thrill of negotiation when she had a moment alone with them. And unfortunately, she recognized the immediate sensation of being tailed. She was used to shaking an unwanted follower out on the streets, but it was difficult to do the same when the only places to go consisted of three rooms and a corridor. 

No matter how inconspicuous Fuuta thought he was being, Kotoko got a glimpse of that bright hair retreating around corners just behind her. She could feel his eyes boring into her back, always conveniently whipping away by the time she turned to look. The only thing that seemed to affect his permanently blaring volume was when she was speaking nearby – unlike a real stalker who would tactfully pretend not to be listening in, Fuuta would use the opportunity to jump into all her conversations.

Kotoko was in the middle of her morning stretches when she became aware of his presence lurking around the doorway. After several weeks of the behavior, she’d had quite enough. Kotoko knew that if you can’t shake a tail, there’s only one other option. 

She stepped out of her cell, swiftly reaching for Fuuta’s collar. With a handful of his uniform, she shoved him back against the cell bars. For someone that had creeped on all her daily exercise routines, he seemed awfully shocked at how strong she was.

“Stop following me.” She kept her voice low and even. “I don’t know what you want from me, nor do I care. I will –”

“I don’t want anything from you!” 

He raised his voice in an attempt to sound tough, but only succeeded in coming off desperate. He tried to weasel out of her grasp to no avail. She’d had practice intimidating guys three times her height – it was almost too easy now that she had an inch or so on Fuuta. 

“Don’t give me that oblivious crap. Every day. Every single day, you –”

“I don’t know what you’re talking about! You’re the one who acting fucking crazy!”

Even after knowing it was in vain, he kept squirming under her harsh look. His eyes flicked frantically around the room, only able to take in her stone cold expression for a brief moment at a time. He kept shouting his own defenses, his cheeks growing more red by the second.

This time, the information gathered took a bit longer to fall into place. One of her conclusions was something Kotoko was very used to. The other was something she’d never quite experienced before. For the first time in long career of poker faces, she visibly started upon realizing two things:

Kajiyama Fuuta was downright terrified of her.

Kajiyama Fuuta was hopelessly attracted to her.

She hurriedly released him, jerking herself away. “Just… stay out of my way.”  

“I was never in your way!” He shouted after her, his voice still shaking.

She should have stuck to her own demand and kept her distance; she was already aware of how much trouble this prisoner was capable of. But she took pride in her abilities to gather information of interest. And god, was Fuuta interesting. 

Between his constantly running mouth and his never running filter, he was always keeping her on her toes. She’d never met anyone who pressed her for answers like that – Fuuta was never satisfied with the explanations that could placate everyone else. He was always questioning, always pushing back. Though his talk could be as shallow as the older prisoners' melancholy musings, or the children’s gossipy chatter, it was different when he and Kotoko really went at it in a debate.

Fuuta talked shamelessly about society, about the other prisoners, and about her. The others kept their distance from someone as quietly calculating as her, but Fuuta would pour out his thoughts right to her face. He had her back when she was trying to prove a point to the others, but was too stubborn to compromise on any of own opinions when they conflicted. It was refreshing. 

And that was all it was, she would remind herself. The man would be insufferable if he was ever under the impression that she so much as tolerated his company. For everyone’s sake, he should remain completely unaware.

Awareness, however, was the very thing Kotoko prided herself in. She picked up on exactly what the warden was trying to communicate by granting her innocence. She was aware of the opportunities that arose with their disappearance. She noted the best time to fulfill her duties to them. She knew the optimal order to attack each prisoner in, to guarantee success.

It was due to her beloved observation skills that she found herself in cell 003 in the middle of the night. It didn’t matter how many training sessions Fuuta had spectated, or how many she’d invited him to join – he wasn’t as perceptive as she. He couldn’t predict or counter a single one of her movements. It only took a few moments for her to have him pinned on the ground.

“Y-you were serious?” Fuuta managed, even as her weight made it difficult for him to breathe. 

She’d confided in him about her deal with the warden, one late night long before verdicts were announced. She didn’t know what had driven her to do it. It had been a rare lapse in her judgment. The current situation only confirmed why she should never reveal more information than necessary. Why she should get closer to someone than necessary. 

“I am always serious.”

“Kotoko…”

She knew all of Fuuta’s typical arguments and excuses, and she had a rebuttal for each. She wound her arm back, her brass knuckles reflecting in the dim panopticon light. 

“...J-just… do it fast.”

Kotoko’s arm wavered. 

“What?”

“I’m not a fucking idiot. Even before that brat called you innocent, I knew that y-you were the one in the right. I used to think that you and I were the same, but I know that was all a lie. You were always the real hero. M-more than anyone else in this shithole. So…” Fuuta closed his eyes, squeezing tears from them. “Make it quicker than you did for that asshole, will ya?” 

Kotoko gripped her fight tighter. It was trembling. 

Fuuta’s eyes remained shut in fear. In trust. His breathing was erratic as he pretended not to be crying or struggling from the pressure on his lungs. He grit his teeth, preparing himself for what was to come. Kotoko prepared herself as well. 

Releasing a cry, she swung forward. The moment before her brass knuckles clashed with the floor, just to the left of Fuuta’s face, Kotoko realized one thing:

Kajiyama Fuuta was indeed nothing but trouble.

[skunkes]

doing figure drawing studies because i know thats what i should be doing right now but also ive been in a very insane deranged state for the past 2 months that leaves me like this whenever i look at a man for too long

[nyan-bynary]

I'm gonna have to wait out a few weeks to be able to complain about jjk's ending bc rn half the ppl are bashing everyone who expected more as ppl who just wanted gojo back

[andro-dino]

First encounter with the dragon

[usertoxicyaoi]

“And there’s nothing that will stay with me forever.” BETWEEN US (2022).