#when's the next writer coming in

[celaenaeiln]

I literally can't take it anymore. I need to get this out of my system. This is a hate-rant about why almost every single thing Tom Taylor has written is wrong.

First and foremost is the bimbofication of Dick Grayson. Tom Taylor loves to write him like this idiot who doesn't think at all. Being cheerful does not mean being dumb.

Nightwing (2016) Issue #79

"You seem unusually contemplative"? All Dick does is contemplate!

Nightwing (1996) Issue #3

His mind is always running!

Nightwing (2011) Issue #13

Nightwing (2016) Issue #38

I just picked a random issue from all of these comics and in every single one of these, Dick's planning, thinking, and strategising constantly.

Tom Taylor literally treats him like he's stupid or something.

Also the degradation of his abilities

Nightwing (2016) Issue #79

A vigilante for 20 years. Who has faced assassins, hitmen, psychos, surprise attacks, metas, and you're telling me he didn't know that a untrained kid snuck up and stole from him?

He forgot who he was, he didn't forget where he lived! Even when he was Ric Grayson, Dick had procedural memory. His battle instincts stayed with him.

Nightwing (2016) Issue #52

"Then...I didn't even know what I was doing. I took him down--took him apart in seconds."

This man is a vigilante machine when he was amnesic. Why the heck would Dick ever let his guard down?

His robin reference

Nightwing (2016) Issue #92

Even Bruce in Batman: Hush has said it-Dick was the best. His skills were the best of anyone he's witnessed which is one of the reasons why Bruce let him be Robin in the first place.

This scene is so wrong that there's a robin scene that came out before this in direct opposition of this Tom Taylor Shitshow.

Robin & Batman Issue #1

This was actually pre-robin. Bruce had him do a solo-trial run to see his skill before he made him Robin and this was the result. Compare that to Tom Taylor's scene and the result is humiliating. For Taylor.

Tom Taylor's version of trying to show that Dick loves the people comes off as him hating crime-fighting. RIP the whole Robin firing drama and Nightwing birth i guess.

Nightwing (2016) Issue #79

"We could have avoided all of this if we'd just stayed in and eaten kibble."

Nightwing (1996) Issue #3

Dick would rather die than stop crime-fighting. After Blockbuster's first attempt, his life was hanging on by a thread and he still continued crime fighting.

Nightwing (1996) Issue #91

After Blockbuster blew up his apartment, this is the single-minded determination Dick had to continue crime-fighting. This is him at one of the worst lows of his life but he refused to give up but now? He has everything and Dick wants to ignore the murder of a child to stay inside and eat kibble which - what the heck? I know he's seen as a happy character but him finding dog-food desirable is too far!

Also the idiocy of which Tom Taylor had Barbara calling the cops in Bludhaven for a stolen wallet. Newsflash! This isn't her first rodeo here.

Nightwing (2016) Issue #81

vs

Nightwing (2016) Issue #24

Nightwing (2011) Issue #23

Given how Dick's easily defeated enhanced metas and "very good" fighters, him falling down the stairs is a little to absolutely impossible to believe.

Another thing I love about Dick that Tom Taylor deciminates is his grace. Dick is the most graceful person in DC. His balance easily matches Selina's enhanced cat powers.

But yet. You have.

Nightwing (2016) Issue #83

Nightwing (2011) Issue #23

yeah. okay.

Taylor's motorbike scenes of Dick make me so mad. The boy is a pro at crazy. It's one of his best traits because he does the wildest stunts and he pulls it off.

Nightwing (2016) Issue #93

Nightwing (1996) Issue #86

He lands on his feet. He grabbed a villain mid-air, crashed into a window, and was perfectly fine. Actually no, he's not fine because he's worried about his bike's paint job.

Nightwing (2011) Issue #24

He just sailed over a whole crowd of people and started kicking butt like what he just did wasn't extraordinary - which for him is just another tuesday.

Nightwing (2016) Issue #95

yeah, tell 'er Dick.

He doesn't need someone to hold his bike.

One of the worst things in Taylor's run is how Blockbuster went down. It suddenly reminded me of Selina's stupid ideology which is why I think I got so ticked off.

Nightwing (2016) Issue #96

Blockbusters' thugs loyalty to him isn't a make it or break it deal. He's one of strongest criminal organisations and the knowledge that he owns one of the worst prisons that he could easily put his underlings into would've instilled fear into his thugs, not freedom. Furthermore Blockbuster takes good care of his people that don't piss him off. He teamed up with Nightwing in the scarecrow era in Nightwing (2016) because someone was messing with his people. He's extremely intelligent and superstrong, and he's not just going to be brought down by the knowledge that he owns a prison. It's Bludhaven. If he didn't, then there would be something suspicious given that he runs the city. It's the way Taylor dumbs down Bludhaven's villains that gets to me. Imagine him writing Batman (2016). It's like saying, "yeah the Joker was just a little misguided but he found the right way again after a stern talking to by Batman."

Nightwing is a big name.

When Dick first came to Bludhaven, one of the police officers was like we don't want your crazy here or something. Also Bludhaven loves Nightwing. They want him.

So why is everyone pretending like they don't know who he is?

Nightwing (2016) Issue #90

The police, the citizens, the villains-all of them. Dick fought Brutale and beat the crap out of him way back in 1996 comic. He's a Bludhaven regular. Just because Dick forgot who he was doesn't mean anyone else forgot him. Amnesia doesn't work that way.

Nightwing (2016) Issue #54

A whole team of Nightwings were formed during Dick's amnesic period because of how badly he was needed and missed. It's almost like the Tom Taylor run is set in an alternate universe.

I ran out of image space but what the absolute fiddlesticks is up with Dick being scared to jump. It better be a manipulation tactic but at this point I think Tom Taylor doesn't even know that Dick is manipulative.

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[leonardburton]

the thing is. juno & nureyev's relationship has been such a major guiding thread throughout the podcast and the major drive of season 5, and the fandom has built itself so much (as fandoms often do) around shipping the two of them.

and yet nureyev doesn't show up at all in the last episode! or, he does, but it's only implied (for all we know it could be like. alessandra strong)(i know it's not but it would be really funny) and we don't hear his voice.

and it's so important to me that despite the room that their romance has taken in the plot and in our hearts, his absence reinforces that the point of juno steel's story wasn't a lady getting his man, it was about learning to grow as person for himself and for his friends (and not just his love interest), and it was about finding his footing in life and being at peace with himself and his place in the world. and he did! his growth and relative serenity is so apparent and just. a balm to the soul

and the fact that his man is back is just a nice add-on, not a necessity for his happiness

[beware-of-you-98]

i know, i know, jj is so fucking strong and she perseveres despite everything she’s gone through, i know, but fucking hell my heart is breaking over and over for her

the far away look in her eyes

the constant fidgeting to keep herself present

the way she only has the bare minimum amount of skin showing, even to where she’s covering her hands

my heart hurts for her so much and she’s forcing herself to deal with all of this alone

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[lionfission]

Happy one year Anne-iversary to the end of Amphibia!

A fantastic finale to an unforgettable show. I'll always remember watching "The Hardest Thing" at 2 am with my siblings and crying my eyes out :'))

[welcometogrouchland]

I miss them so bad (Dick and Damian)

[jihyocentric]

hii I would like to hear more about your jeonghyo headcanons pls

anything? ... OMEGA jihyo. all the way. it's honestly all i've been thinking abt lately,,, not surprising at all bc i have permanent pillow princess/omega/subby jihyo brainrot and i don't really write or like her any other way BUT STILL! and i'm not big on omegaverse... but omega jihyo with alpha(s) jeongyeon (and nayeon) means a lot to me... anyway

i don't know if you'll remember the talk we had when i said i don't know what to write when it comes to jeonghyo despite it being my second favorit ship from twice but an anon gave the idea of making an office au and it's been in my head since.

i've even written a few paragraphs based on that (keep in mind that maybe that thing will never see the light of the day!) but it just feels like a perfect au to have omega/alfa dynamics... like annoyingly happy coworker alpha jeongyeon x grumpy single mom omega jihyo is peak if you ask me...

the idea of them having a lil family together will always do it for me honestly. them raising their teenagers and the new babies they definitely would have together... 😢 and usually the whole "i'll protect you and the family bc i'm your alpha" thing isn't appealing to me but i'd love to write stuff like this for them... in all universes (that i write) jihyo is someone who needs to be taken care of and looked after and jeongyeon fills the giving role so well :/

the headcannons are not really headcannoing but i wanted to talk abt this 😔

[phoenixtakaramono]

There are only two episodes left in The Boys S4, but having seen the leaks and with what we got, I have some opinions.

My conspiracy theory is that they got too many cooks in the kitchen (writers in the writer’s room)—plus the writer’s strike and pandemic happening during this time—and it’s starting to make sense how they dropped the ball with this season.

[mulders-too-large-shirt]

s6 episode 3 thoughts

okay. i have been told that this one is good. and i recognize the title of this episode from a piece of art i saw once where scully had a dress on. which made me need to catch my breath.

so. i am excited!!

let us read the episode description... hmm. i was one of those kids who was really worried about the bermuda triangle when i was little, so this might be healing for me. or make things worse.

mulder… don’t piss me off again! i still haven't forgiven you for that comment!!

ehehehehheeee, i’m excited!!!

post-episode thoughts: i am typing this after just having finished the episode, and i am feeling secret emotions i did not know existed an hour or so ago. wow. the nature of reality is that it can be SO profound. and i don’t even fully know what did or didn’t happen, which i believe was cultivated intentionally, but the friendships we made along the way were so real.

mulder, i will figure out what your deal is. scully, i will hold and cherish you forever.

we open on some waaaater. it seems a shipwreck has taken place!! NO, IS THAT DEAD MULDER? COME ON NOW, I DON’T WANT THAT. 

okay. intro time. so maybe he isn’t dead. maybe he was napping. underwater. 

SHORTENED INTRO AND NEW WORDS!!!!! “die wahrheit ist irgendwo da draußen” okaaaaay! i don’t speak german 💜 but i have a guess as to what that means

(and upon googling it, i was correct... yay! also, someone please appreciate my effort in going to wikipedia and copying and pasting the ß character just so i wouldn't get cancelled by the german speakers of the internet)

they’re pulling him out of the water!!!! and “they” sound like they are from across the pond!! but they are also speaking german, so who knows. whoever “they” are, they sure don’t recognize him.

they’re gonna throw him back overboard!!! but they find his ID and no one has ever heard of the FBI. he is baffled by this. how do you not know about the FBI? well, buddy, from the uniforms these fellows are wearing, i have some theories

the sailors take him to the captain and they’re beating him up!!! no one is bothering to introduce themselves. rude af??

ohhhh, he’s on the queen anne, which is the boat he came looking for!! so now he knows what is afoot. time warp. yeah.

LMAOOOOO he recites the EXACT location of the ship. okay. listen, i haven’t FORGIVEN him, but that is endearing. aww. i love when he nerds out.

ohhh noooo, they tell him it’s 1939 and hitler has just invaded poland and also this boat!! mulder thinks that the members of this ship have popped on over to 1998, but the opposite has happened!!! how is he gonna get out of this one?!

“it’s okay! the war’s over! let ‘em take you to germany, they make nice cars!” <- LMAOOOOO HE IS SO CONVINCED 

absolutely wild thing to say to someone who thinks that the nazis are afoot...

that is a grown man giggling and laughing because his time warp theory came true <3

he goes over to the radio and tries to call for help... and i am again impressed that he knows what he is doing on an old timey radio, but maybe that is a required FBI skill…. but the radio actually says that it *is* september 3rd, 1939, and there is war with germany!!!!

“oh, sh-" oh nooooo…. he has miscalculated……!!!

a german approaches!! it’s so hard to see because everything is SO DARK!! which is a pattern i am noticing after 3 episodes of this season!!! but mulder is hiding!!! and then he sneaks out and beats tf out of the german guy!!!

IT’S SPENDER?????

what. 

is he tripping…..?

you know, logistics of if this is actually happening in canon or merely mulder's head aside, more fight scenes should take place to andrews sisters songs

so mulder steals spender’s german uniform and puts it on, but he cannot respond to the people yelling at him in german!!!! does he have the advantage from studying this particular ship for years?? LMAO yeah, he hid around the corner! don't let anyone tell you that studying the layouts of boats that disappeared decades ago is useless knowledge!

woaaaah, there’s a fancy dance going on somewhere else!!! mulder enters the dance floor in his uniform!!!! and tries to flirt with the singer...

HE FINDS SCULLY!!!! BUT SHE THINKS HE’S A NAZI!!!!!! she has no idea who tf he is even though he is trying to explain. oh my GOD, she says she’s gonna punch him!!!!

oh. i’m blushing… scully in a dress with her hair like that….

the nazis burst in with guns and SHE HAD TO TRANSLATE FOR HIM…… because she knows a little german….

who is this man that she is dancing with?

“yeah, you’re all big men now, but wait until you get to russia! hope you fellas like the cold!” he yells out as they drag him away, and yet again i ask: LMAOOOO, WHAT IS GOING ON?

they’re dragging him to the deck! and the captain is saying he refuses to give up the ship!!! and the germans shoot him!!!

OH SHIT!!! IT’S CSM THAT TOLD HIM TO PULL THE TRIGGER??

i don’t know enough about german to know if he’s delivering those lines authentically, but it sounds convincing to me

someone finds his ID… SKINNER???? WHAT IS GOING ONNNN??

so they probably do not want to kill him if he is a proven american, which hopefully means he can get through the rest of the day until mercury comes out of retrograde or whatever 

oooo, present day!!! scully at a desk!! seems weird. i guess you have to be careful what you wish for.

BUT NOT AS WEIRD AS THE LONE GUNMEN ARRIVING AT HER PLACE OF WORK??? they say that mulder is in big trouble!!!

“the walls have ears” “i have ears, will you tell me what’s going on?” <- lmao, she’s such a smartass 

they try and explain what is going on, and she knows the queen anne right away!!! and is handling this news that it showed up this morning pretty well, all things considered.

“that’s impossible” “satellite doesn’t lie” “there’s nothing ON HERE!” <- BAHAHA, maybe i spoke too soon about her handling this news well

so the lone gunmen told him they found the queen anne, he chartered a boat, and has since gone missing!!!

love that they probably had been watching satellite on the bermuda triangle for years now to have noticed a sudden appearance. and love that mulder seemed to have a plan for what to do when that day finally arrived. truly, the lone gunmen and him match each other's freak.

they tell scully she needs to get information from the pentagon, and she heads off to go get it!!!

oh boy, kersh is gonna have a field day with this.

they’re filming this as one big walking shot, which is a cool effect 

BAHAHA, SHE WALTZES RIGHT INTO SKINNER’S OFFICE!! SHE IS NOT WAITING, and he is fully on the phone, but she does not give a FUCK, and that is my QUEEN!!!!

omg is she going to get in trouble for coming to see him… i’m nervous!!!

skinner hangs up and starts listening RIGHT AWAY!! oh yes!!!! 

OHHHH…. he doesn’t want to talk to her or hear whatever she has to say!!! 

his assistant sadly says “she walked right past me” LMAOOOO

OH SHIT, THE GIRLS ARE FIGHTING!!! “you’re out of line, agent scully” “no, sir, you’re out of line” <- YEAH, SHE IS GONNA CALL HIM SIR WHILE YELLING AT HIM!!! THAT IS MY GIRL!!

“i’m sorry, but i’m coming to you for help, and i’ve got nowhere else to go. i would hope that after everything that we have been through that you’d at least have the courtesy and the decency, and not to mention the respect, to listen to what i have to say” <- OHHHH YOU TELL HIM 🔥 THAT IS FIVE FEET OF RAGE!!

he starts whining about losing his job and his pension and she ROLLS HER FUCKING EYES LMAOOOO she has had ENOUGH!!!

can she call in a favor on her father’s memory to the navy people??

she goes to open the door but he SLAMS IT SHUT OMFG????? 

(this moment was CRAAAAZY)

“use your head, scully. it’ll save your ass” “save your own ass, sir. you’ll save your head along with it”

oh my GOD, she would say “save your own ass, SIR”, that is just so her. oh, she is in her detective era, and she is not going to play nice!!!!!

skinner… i want to know what you are thinking… maybe he thinks she can call in a favor in her father’s memory like i thought…

(more post-episode thoughts: i also think that it is really interesting that she trusts the lone gunmen enough that she hears what they have to say and then IMMEDIATELY goes straight to skinner because she knows they wouldn't lie to her. even if their story sounds ridiculous, there has to be some element of truth to it, because it's Them, and they have helped the agents for so long, and they wouldn't joke about mulder being in trouble. and it's also very interesting how she drops absolutely everything and barely formulates a plan as to what to do next, because scully is usually the queen of plans and knowing what to do, and so rarely do we get to see her being impulsive... i just think it's neat)

they’re still filming this as one continuous action shot, which is so cool, and also was probably a major pain to accomplish. 

OHHH, she’s nervous!! scully is smacking the paper with the info she needs to know around in the elevator, and she hits someone who says “ouch!” and she mumbles “sorry” OHHHH, SCULLY…. my heart... she needs to save the day and she has no time for this, but she still feels bad for smacking that lady!!! ohhh my god, i just wanna put her in a nice blanket and give her a movie to watch. stop stressing her out.

she shoves through this other secretary to get to KERSH!! she must be really desperate to come to him!!! is this a trap??

FUCK!!! CSM WAS IN THERE!!!! AND HE HEARD HER SAY THAT SHE NEEDED INFORMATION OF MAXIMUM IMPORTANCE!!

nooo, she’s regretting coming in unannounced 💔💔💔 poor queen is nervously playing with her hair and then pacing the halls….. and she left the information she needed with kersh!!! so now he knows what it is she wants!!! this cannot be good!!!

she’s mumbling “what am i thinking? what am i thinking?” and calling someone on her cell!!!

but of course mulder does not pick up due to being on a different realm!!

(funny that she was in such a panic mode that she literally did not think to call him until this very moment LMAOOOO)

HOLY FUCK!!!! MY JAW IS ON THE FLOOR??? SHE GOES TO SPENDER?? “i want you to do me a favor. it’s not negotiable. either you do it, or i kill you. you understand?” <- HOLY HELL???

oh, i’m blushing and giggling and also aware that this will probably have negative career consequences for her since she just threatened CSM's most special baby boy, but i cannot pick my jaw off of the floor…..

“you okay, agent scully?” “no, i’m not. i’m a gun ready to go off, so don’t test me, spender, don’t even THINK about trying to weasel me”

ohhhh my GOD. she says she will “hunt him down” if he doesn’t come back right away with what she needs, and she doesn’t care what or who he has to do to get the answer. and then realizing how insane this sounds, she mumbles “oh god” to herself quietly.

well, the good news is, this is so uncharacteristic for her that if it’s her word against spender’s, they might be pretty evenly matched. i mean, maybe he has the promotion, but she has the longer record of service, and while she may have been demoted to domestic terrorism, she is known as the scientist and rationalist, soooo…

(i cannot quite figure out what relationship spender has to her. he sounded legitimately concerned and did not question her at all. is his personal fury more directed at mulder? i mean, there was that horrible moment where he implied that mulder was using her that was all thick and weird and tense, and he probably still has residual anger from her talking to his mother, but he doesn't seem as mad at her as he is at mulder, because if mulder came in there and did that he would have simply pulled out his gun)

very sad to see that the basement office is now filled with spender's things. i noticed he has some medal on the wall. but cannot tell what it comes from. it's far too organized!

spender leaves, and the basement office phone rings!!! and she picks it up!!! IT’S CSM??? he thinks she is diana so she LOWERS HER VOICE A LITTLE TO PRETEND TO BE HER… and he wants to know about the paper scully handed kersh!!!

LMAOOOO, HE GETS SUSPICIOUS AND SHE HANGS UP 

NOOO, SPENDER SNITCHED TO KERSH??? she calls him a rat bastard and SPRINTS OUT, LMAOOOO

i am at once amused and stressed tf out

she gets in the elevator and yells “STUPID” which i deeply relate to. some people are not great at being impulsive. her cell phone rings and she picks it up and it’s... maybe mulder???? but he is very garbled!!!

NOOOO, SHE WALKS ONTO THE FLOOR WHERE CSM AND KERSH ARE 💔💔 she goes right back into the elevator as they point at her LMAO

she is still yelling into her phone and she runs into SKINNER!!!!! it was actually HIM that was on the phone, not mulder!!

and he has the info she needs and she KISSES HIM???? ON THE LIPS??? what the hell, oh my god. 

i’m literally gasping for air, oh my god. what the hell am i watching? GOD. imagine being skinner right now. wait hold, on i’m genuinely fucking crying. tears of laughter, mind you. he must have been SO thrown off. imagine your best and most loyal agent who nearly died a horrible death is back from the grave, but now you can’t talk to her because she's trying to expose the evil government, but you did talk to her anyway to save her bestie’s ass, and she smooches you. and you’re trapped in the elevator and you might lose your job.

god. i’m fucking losing it. the way her eyes were open as she kissed him.

BUT SKINNER IS AN IMPROV LEGEND!! because he gets off on the floor where CSM and spender were, and he LOUDLY yells at her that if she EVER asks him to break protocol he will have her OUT OF THE FBI RIGHT AWAY!!!

SKINNER!! MY KING!!!!!!!!!!!

god. i still need to do that best skinner moments from s5 post.

AND SHE’S GETTING PICKED UP BY THE LONE GUNMEN IN THEIR WAGON, LMAOOOO

spender is sprinting behind them, but alas! he cannot outrun a wagon.

mulder, meanwhile, is explaining world war two to the guys who are currently in it, and hating on the spice girls. rude. spice up your life. 

OHHH, someone who will build the atom bomb is on the boat… and mulder puts that together and explains it to someone who turns out to be a german spy!! wait, was scully dancing with EINSTEIN?? or oppenheimer or someone? clearly i was too invested with her hair and dress and how she was threatening to punch mulder to pay too much attention

(there was no oppenheimer nor einstein and i feel vindicated)

there’s a big fight as mulder declares they ought to turn the ship around and go back the way they came so they can return to the present and avoid germany winning the war!!!!!

it’s so dark, it’s hard to tell what is going on as they run about the ship. ohhhh they bring mulder back to the dance hall…. CSM wants him to identify who can make the bomb….. and if he doesn’t answer the question, they will kill passengers!!! NOOOO, they did kill someone!!!!!

OH SHIT, SCULLY STEPS FORWARD, SAYING THAT SPENDER IS KILLING INNOCENT PEOPLE OVER NOTHING BECAUSE MULDER DOESN’T KNOW…. but he has HER at gunpoint now!!!

NOOOOO, THE GUY THEY KILLED WAS THE SCIENTIST…. where does this leave them… does past scully have to invent the atom bomb…?

meanwhile, the lone gunmen and scully are off in the bermuda triangle, and the queen anne is right there!!!! so can they get on there and save the day?? what is the proper course of action here?!

back inside the ship in the year of our lord 1939, mulder is yelling nursery rhymes at the nazis, and scully claims to be the scientist who can end the war. but some other guy says that HE is the scientist and she was sent here to protect him, so they take THAT guy away.

1939 scully curses at CSM in german, and then they are going to EXECUTE THEM??? but the engine shuts down!!! it’s brawl time!!!

modern scully and the lone gunmen are breaking into the ship trying to find mulder!! while a jazzy soundtrack plays!! and mulder and past scully are trying to save the ship!!

he’s leading past scully… but they get caught…. BY GERMAN SKINNER?? WHO SAYS “god bless america, get your asses out of here” <- YAAAAAS DAT IST MEIN UNCLE!!!!

past scully and present scully nearly collide!! while the ballroom brawl continues in the past!! 

past mulder has to convince past scully to get them to turn the ship around or else he’ll never be born!!!

i love that he explains it to her through the lens of einstein because he knows that she would have that as a frame of reference. because there is no scully, past or present or future, who wouldn't know about einstein. that's a very cute nod to her thesis.

AND THEN. LONG MAKEOUT SESSION. IN CASE WE NEVER MEET AGAIN????

my JAW. is once AGAIN. on the FLOOR.

(the darkness of this season is pissing me off. i wanted to see that in HIGH QUALITY!)

she PUNCHES HIM, he remarks that he was expecting a left jab, and then he JUMPS OFF THE SIDE OF THE BOAT??

past scully tosses a life preserver over!!!! and we’re back to the present!!!!

ohhh, mulder has flowers by his hospital bed, and the lone gunmen and skinner are all there… they must have fished him out!!

he’s trying to explain to her how she saved the world!!! and she just sarcastically agrees.

and the queen anne was just a ghost ship!!!!

(turns out a ghost ship means a ship with nobody on it, not a phantom of a boat. this is important to know because at first i was like "wtf, scully believes in ghosts now, but only for boats?")

skinner tells mulder that he better get well soon because is going to kick his ass (deserved) and then he and the gunmen leave. but scully stays behind.

“i would’ve never seen you again. but you believed me” (she leans in) “in your dreams” 

ohhh... it is sickeningly sweet as she tells him to go to sleep.

“hey, scully?” (he sits up) “yes?” (loooong silence) “i love you” “…oh, brother”

(as she leaves, he cradles the eye where past scully punched him in the face, smiling)

oh my god. i mean, it’s not like we really needed confirmation that he had feelings for her, but. like. that was it. he said the words. and then held his face where she punched him and remembered kissing her.

so, did the time warp really happen? who is to say? it’s fun to turn around both possibilities in your mind. the possibility that past scully really did believe him and was able to save the world AND the possibility that it would only happen in his dreams. 

there is so much to analyze here.

spender being a nazi… and skinner being a nazi… and CSM being a nazi… some of these make more sense than others. what are the implications... spender could speak both languages... is that an indication he is a double agent?

her saying “oh brother” to his love confession… oh my god, she must have thought he was sky high… i wonder how she felt hearing him say that? i wonder if she thought it was a joke, or if he really meant it, or it was the insane ramblings of someone very ill. i wonder if part of her felt crushed to hear those words, like that fragile thing that they have between them was being tampered with. or i wonder if she had always wanted to hear him say that and never let herself imagine it. either way, better to approach it from the angle of a sick man's mumbling. probably the only way to make sense of it. but i know she went home Wondering.

and what are they going to do about scully’s erratic behavior???? she normally conducts herself with such rationality! and today she barged in on two assistant directors, threatened to kill spender, and then ran off with the gunmen in a wagon! oh my god!!! i guess we won’t know!!! it looks like the next episode is a two parter, so i doubt that we will have time to examine the consequences from today.

but then again, rationality isn't ALWAYS her thing. gestures to all of the times she has nearly killed someone for getting between her and mulder before.

if you do consider the time warp to have actually happened, it’s very interesting that it shows scully has the capacity for belief. this whole episode was analyzing how scully responds to crisis- but that particular crisis being losing him for real. there have been close calls before, but this was unexpected and bizarre. usually she is very calm in crisis. but there are certain things in life you simply cannot prepare for. there’s FBI training on hostage situations and disease protocol, but nothing for “your partner travels back in time”

skinner…. my best friend…. he put it all on the line for them AND made an incredibly convincing performance in front of spender and CSM… the oscar goes to him

oh scully, i just. oh my god, man. i love her!!! her being impulsive because she had no choice!!! telling spender she would kill him!!! and then going in the hallway and mumbling “stupid, stupid”!!! apologizing for smacking that lady!!! kissing her boss on the mouth with her eyeballs open because she was so overcome with emotion!! that is MY disaster medical doctor special agent scully!!

and mulder thinking he was going to to die slash never be born at all so he KISSED her while he could…. and then back in the real world using his delirium as an excuse to say “i love you”, to hear how those words sound coming from his mouth… just to know what it felt like...

oh my god. i need to snuggle into a big cuddly blanket and scream a little.

so, now let us analyze mulder's recent behavior, stretching from the tail end of s5 to now. and you have to promise that you won't tell me if any particular theories i put forward are right or wrong! you can only comment on if you think my proposed theories are interesting. because i assume that YOU know why mulder is being weird (snapping at scully, agreeing to go undercover, fucking off to investigate a ship, and then confessing love despite his actions and words indicating disdain, etc) but i just do not.

i can put together from the comments left on my last posts and vague subtext in the show itself that there is SOMETHING afoot with mulder, which is why he is acting like a dick. but i cannot figure out WHAT it is. my guess is that maybe he is in some sort of danger so he’s trying to push scully away?? in an attempt to save her?? like when he went undercover, but maybe something even bigger and scarier??? but maybe he could use his vulnerability to confess how he really felt while he had the chance?? and then he will go back to being all moody?? because he thinks that he is in danger and doesn't have much time left? and maybe he thinks that if he acts all rude and terrible scully will be able to handle his demise?

the only other thing i can guess (and again: don’t tell me if i’m right or wrong!! i just want to voice my thoughts) is that maybe something is happening with his mom?? but if his mom was sick or dying or something, it still doesn’t make sense for him to take it out on scully. but then again, people take their rage out on each other in real life all the time, even if it doesn't make any sense.

maybe it’s something with his sister? i mean we saw his “sister” that CSM brought to him a while ago, but it was never addressed again… i mean, i don’t believe it was really her anyway, but maybe he thinks that diana can help him find her?? because she came back into town for some unfinished business or for family or something- what was it she said in the car with gibson? so maybe they’re plotting something together?? and he thinks (stupidly) that diana can help him with some secret thing he cannot tell scully about???

man. i don’t know. and i will have to just keep moving forward to find out. which means i will probably have to endure more bitchy mulder before i get answers. and then once i DO get answers, i will have to see if i judge them to be valid or not. 

but let us not look too far into the future. let us look to what we have been given, which is 1939 AU scully in a beautiful red backless dress, and noir detective canon scully, and sleepy, loopy, delirious lover boy mulder, and skinner who is the best boss around, and three guys in a wagon who will save their buddy from a time-traveling ship. and that is so beautiful. amen.

i realize i wrote all of that and never outright stated my feelings on the episode. while you probably picked up on it, but i did enjoy it! i was laughing and gasping and blushing and giggling. it was nice to have a change in pace. i thought the way it was shot was really interesting as well, with all of the perpetual motion. it had many of the things i consider integral to a good episode, which include, but are not limited to: skinner acting prickly and detached but then pulling through and saving the day, scully threatening to kill people and commanding a scene, mulder nerding tf out and reciting facts, fun costumes, MSR bait, and things you can turn around in your head over and over to make your own interpretations on! i'm not sure if it would make my top 15 episodes list just because it was SO zany and i'm having trouble wrapping my head around that, but definitely a contender.

i have a feeling my thoughts on this episode will grow and change with time, which is perfectly acceptable. i'll try to crack the symbolism of mulder's time warp visions in more detail moving forward, and i will probably find scully's panic somewhat out of character, if endearing. but you only get to watch something for the first time once. and so we share this moment together, you and i.

[celaenaeiln]

TOM TAYLOR IS LEAVING NIGHTWING ALONE WHAT ARE UR THOUGHTS

HE'S LEAVING?!

WHAT?!?!?! OH MY GOODNESS THAT IS FANTASTIC NEWS!!

But wait I've also been having second thoughts about him because I just caught up on the latest Nightwing issue and it was actually good?? I'm wondering - do artists have an influence on writers? Because I could swear that the writing gets better every time the artstyle changes. Maybe I'm over thinking it? Maybe this issue was just one of his better days?

Either way though I'm in general excited he's leaving!!

I did not put this-

in one of my posts for me to be sad about him leaving!!

Did he get pushed out by the hate or is it just time for a switch? WHATEVER I CAN'T WAIT FOR THE NEXT ONE. I'm so excited what the new writer is going to do and where he's going to go.

I want a story, I want an arc. Yes I get that the pirate thing with bea was an arc and everything but it wasn't compelling and I think the whole thing could've been better. There should be something Dick is working toward, an overarching goal that he's missing right now because reading Taylor's writing, it feels like disjointed little episodes. There's the heart-hunter going on but I want something big that'll span several issues that'll actually induce fear or anxiety or curiosity in me, as the reader, to continue reading. I want and don't want to feel the anticipation of waiting for a new chapter. Right now it's just a "whatever. Oh, there's a new one out?" feeling when Tom Taylor's writing.

AHH I'M GETTING MORE EXCITED THINKING ABOUT THE NEXT WRITER. WHERE. WILL THEY. GO? WHAT WILL THEY DO?!

[katierosefun]

hm maybe i’m going to get flack for this, but i genuinely don’t understand how some self-claimed fic lovers can be the same people who a) pressure and harass writers into producing more and more stories, regardless of their current health or personal lives, b) pressure writers when they aren’t updating fast enough, again, regardless of their current health or personal lives, and c) now, apparently, feed their supposedly beloved writers’ stories into ai bots. it’s becoming incredibly disheartening and clear that some folks don’t care so much about writers and really care exclusively about feeding whatever greedy need they have to just consume.

[sun-e-chips]

You ever scrolling through tumbler and you see everyones beautiful au’s of these beloved jesters and think

Damn am I lucky to exist in this world at this time

[purpleqilinwrites]

first step.

a/n: i can't get chilchuck and his wife out of my head!!!

fandom: dungeon meshi

pairing: chilchuck tims / his wife

genre: angst

info: told from the perspective of the wife; she is named (junnimay); takes place pre-canon

warnings: might not be canon-compliant

synopsis: everything in the house had a memory, but memory wasn't enough for her to stay.

word count: 2.2k

Chilchuck Tims / Chilchuck's Wife

It was supposed to be easier than pulling out a tooth. Instead, Junnimay found herself dragging her feet about the house as she took stock of all her belongings one last time before she went to bed.

Tomorrow, she would be leaving this house where she had spent almost half her life and the entirety of her adult years. This house where her daughters grew up and where her youngest was born a week late, coaxed out only by a long and complicated spell cast by a kind gnome living two houses down who happened to be a retired midwife.

This house where she once felt she had made a home.

Fler was the first of the girls to move out, wanting to live closer to the heart of the city where she was only a short walk away from the best clothiers in Kahka Brud and where she had better chances of meeting someone to marry. Mei followed suit half a year after, her hands hidden behind her back as she approached Junnimay one evening to announce the news that she had been given a room at a lodge owned by the Half-foot Union as a perk of the contract she accepted. Puck roomed with Mei for a brief period when she was employed by a wealthy tall-man family as a dog walker, before she decided to hop on a caravan with an elf she had befriended during that time.

With her daughters having places of their own to call home and Chilchuck being away on dungeon expeditions for years on end, there was nothing more than memory that kept her where she was. This house had served its purpose in her life, and she believed that it was a good time to move on from it. Even if she hadn't thought too hard about what to do next, moving out of this house and taking Fler up on her offer to live together seemed to be the right first step.

Most of the shelves in the house were bare even before Junnimay started the process of packing up about a week ago. Mei and Fler took the bulk of their belongings with them when they moved out. Junnimay stored the things they left behind in the basement, where she had marked out one set of shelves for Mei and two for Fler. Puck didn't have the luxury of space that her older sisters had, taking only what could fit in one carrying pouch and one trunk that was comically large in comparison to her then newly ten-year-old self. The rest of Puck's belongings were moved to the set of shelves in the basement that Junnimay had set apart for her.

Besides several wooden chests of lock-picking tools, two cupboards of various bottles of alcohol and the odd item of clothing that cropped up here and there, there wasn't much else in the house that belonged to Chilchuck. It made cleaning up easy when she first did her rounds in preparation to move out, putting anything that belonged to one of her girls onto their respective shelves in the basement. If she found anything that belonged to Chilchuck, she would stuff it into any bare spots in the lowest sections of the cupboards of alcohol where he also left things that he didn't know where else to place.

Before dawn broke, Junnimay was already awake. Despite having tossed and turned persistently before sleep finally came over her, she surprised herself with how easily she emerged from beneath the blankets and rose from the bed.

Having changed out of her nightclothes and gotten herself ready for work, she checked every corner of the house as if she were an inner city guard on night patrol, making sure that everything was as she left it the night before. When she was satisfied, she tied on her cloak and laced up her boots and left for the bakery for a short morning shift.

Mei was already inside the house when she came back, hunched over an open trunk as she loaded in her mother's books that had been removed from the makeshift shelves around the alcove that overlooked the sea.

That was her favourite part of the house for the longest time. Looking at it now and seeing it devoid of the signs that she had just been lounging there with a new novel and a cup of honeyed milk made her feel as though someone had reached into her chest to pinch at her heart.

("You drink more milk than the girls," Chilchuck said, all smiles and good humour as he finally emerged from the girls' bedroom after tucking them in. Junnimay laughed, leaning into his labour-roughened palm when he tucked himself into her side and smoothed his hand over her cheek. "All that milk and you've never been taller than me."

"Well, it'd be a waste if I drank honey straight from the pot, wouldn't it?")

There was a reason that she left the alcove as the last part of the house to gather her belongings from.

"I'm back," Junnimay said, softly so as not to startle her daughter who was currently preoccupied with helping her pack up. "Thank you for your help."

Mei continued her work, not looking up in order to keep her concentration. "I'm about half-done here," Mei said. "Fler's upstairs, and Puck's on her way with the wagon and the horses."

Since her books and her clothes were being taken care of, Junnimay ventured into the basement to bring up a trunk she had brought from her parents' house all those years ago. She was hit with a sudden urge to open it up and poke around inside it when she tugged off the dust cover. Something about the weathered leather encasing trunk made her feel like she was a child waiting to open her birthday present again.

("What are you doing down here?"

Junnimay jumped from her seated position on the basement floor at the sound of Chilchuck's voice. She turned around to see him coming down the stairs and fixing her with a curious look.

"You got a secret pet in here or something?" he asked, scanning the area around her. She let out a sound that was between a scoff and a chuckle, standing up and dusting off her now-wrinkled dress.

"The girls would be here too if we did have a secret dog to hide from you," she said, smiling.)

Junnimay was caressing the time-worn grooves on the latch that spelled out her mother's name when Fler shouted for her from upstairs. It didn't sound as though Fler was hurt, but she still rushed towards where she thought Fler might be when she called just in case something was wrong.

"Mama, do you...?"

Fler was standing in front of one of Chilchuck's cupboards where he kept his alcohol, her back facing her mother as her voice trailed off. Hearing footsteps behind her, Fler turned around to face Junnimay, clutching something to her chest that looked very familiar.

It was a pot of honey from her hometown.

("Jun," came Chilchuck's voice from directly in front of her. "You can open your eyes now."

When she did, she was greeted with the rare sight of her fiancé with his cheeks pink and his ears pinker as he held out a painted pot of something to her. Junnimay reached out, and he all but shoved the pot into her hands. Fumbling a little with the pot that weighed much more than it looked, Chilchuck was quick to latch his hands onto the decorative indents so that neither of them wouldn't drop it.

"Chil, is this what I think it is?" she asked, even if she already knew what was inside the pot from the sweet, sweet aroma wafting through the cloth covering the mouth of the pot, bouncing on her heels.

Chilchuck nodded, his eyes darting about awkwardly before he cleared his throat. "As promised, only the best," he said, his words coming out in an ambiguous string with how he spoke without moving his lips much. "Just for you.")

"You told us Papa got this for you a long time ago! Do you remember?" Fler was trying to gesture excitedly at the same time as she held the large piece of stoneware in her arms, coming close to dropping it more than once. "You told us—"

Junnimay wanted to answer the question, but her ability to speak failed her.

She had long since emptied the contents of the pot, being overly generous with the spoonfuls she took from it when she wanted to sweeten her milk. The girls, too, mimicked her large portions when they took turns scooping out honey for their bread in the mornings.

Chilchuck had once said something about him not being made out of gold coins, after he was drawn into the kitchen by the smell of cured meat made in the style of their shared hometown cooking in rendered lard. He had caught sight of Puck with honey smeared across almost her entire face and walked over to her to wipe it off. Puck's bowl was more honey than bread, which prompted him to remind his family that he was not, in fact, made of gold.

Junnimay could see herself laughing as she flipped over the slices of meat in the pan, knowing that Chilchuck was censoring himself since he was in front of their daughters who were too young to be spitting out expletives.

"... Of course I remember," Junnimay said, putting on a smile and inwardly cursing at herself for doing so. "I asked for a lot of honey, so he bought some for me." There was no point in putting on a smile. There was no point in pretending.

What was she pretending for?

Fler coiled her arms tighter around the pot, squeezing. Junnimay could tell that there was something she wanted to say but she didn't know how to say it. She could see it in the way Fler was staring at her face but not making eye contact, the way Fler was incessantly shifting her weight from one foot to the other and then back again.

"Why did you stop asking Papa for things?"

When Fler finally spoke, Junnimay felt the question batter the breath out of her. She inhaled slowly, finding relief in the stretch of air filling up her lungs, thinking and thinking and wishing she had the answer.

Why did she stop asking Chilchuck for things? For help? For the time of day? Why—

"Asking someone who's not around is hard, isn't it?"

The words were bitter on her lips. She spoke the truth, though oversimplified for the sake of not having this difficult conversation on this day when she needed to be strong for herself. There would be a time for that in the future, but not now.

Fler's eyes misted over with the arrival of tears. Junnimay began to fret over if she had been too harsh, but Fler started nodding to show that she understood, a slow and measured nod at first before she repeatedly bobbed her head.

"... You know, sometimes, I can't remember what Papa looks like," Fler started with a wobble in her upper lip, turning away from Junnimay for a moment to return the empty pot of honey to the place where she found it. Junnimay met her at the open cupboard doors and drew her daughter into her embrace, squeezing. "I understand where you're coming from, Mama. But— I wish— I didn't have to miss Papa so much."

"I know how it hurts, little heart. But we still have each other," Junnimay whispered, starting to choke up from her own tears. She began rubbing circles into Fler's back, swaying and humming a lullaby with Fler in her arms the way she did with all her daughters when they were much younger. "We'll always have each other."

(This neighbourhood that Chilchuck had chosen was predominantly gnomes.

The vicinity was different from their hometown where everyone was a half-foot and everything was sized accordingly. Everything was built a little larger than they were used to. Junnimay supposed it suited her husband, since he was the tallest half-foot she knew.

Gnomes weren't much taller than half-foots, so she supposed that having to reach a little further to place things on the upper shelves was something she could learn to live with. She was more relieved that Mei and Fler could grow up in an area where she need not worry about her comparatively smaller daughters getting trampled by the much larger tall-man or kobold children who didn't know better.

Away from the centre of Kahka Brud which boasted architecture quite heavily in favour of the taller races, this gnome community along a cliff that looked out on the sea was similar enough to the village they grew up in. It was the perfect place to build a home away from home.

Chilchuck stopped at the shortest house in the row of fourteen that lined the edge of the cliff.

"This is it," he said, a grin on his face so wide that his skin threatened to split. "Our new home.")

[paintsplash1712]

Okay so I've caught up with my Adventures with Superman in the worst. place. possible!

I have never felt do much dread in a single episode before until today!

I hate Brainiac, I can't wait for him to be destroyed! He hurt my boy!

And you know Lex Luther will use this like the giant bigot he is!

(Also love the reference to the Justice League animated series with Clark with his family in Krypton, really dug that knife further)

[deancasforcutie]

On all levels but physical Dean spends The Winchesters integrating with the omitted object of his desire and faith: becoming that sublime Other driving the mystery, falling somewhere between a Big Good and sympathetic antagonist with his “interference from on high”, and above all Not Doing What He’s Told. Ever since you pulled him out of one Hell and threw him back into another now manifesting outward from his trauma of losing you and his life you changed him, Cas. Now it’s time for him to start dreaming about what’s next and get to the “find the queen of all my dreams” part of the song.