#when you hyperfixate on two fandoms

[whiskawaybelf]

A little weird mystery Dipcifica fic. I hate cluttering tags so I tag this Backandnow so you can blacklist if it's in your way!

Ao3 link

Dipper came home very confused, “Mabel!” he yelled, he heard her shout from their room so he called her again. It was a battle of wills but eventually he won and she came downstairs instead of making him go up. 

“Did the diner run out of sprinkles?” she peeked her head around the doorway, at the look on his face she got a little bit serious.

“We still like Pacifica, right?”

Mabel frowned, “Yeah, of course we do. Pacifica’s great, she was telling me the other day… The other day, she was saying-” the realisation hit them both, one right after the other. 

“I can’t remember the last time I texted her.”

“I- Dip-Dip, I don’t think I’ve said anything for months.”

“She was at the diner and really chill, after last summer I think she would stab me if I just didn’t reply. But I haven't for some reason, and she was fine,” last summer felt very foggy. They started off fighting, then figuring something out. Something about her horrible family. They were all having a really fun summer, then at their birthday Mabel was going to do spin the bottle. They had a couple beers that night. But Mabel didn’t remember being drunk and it wasn’t his first time trying beer, he wasn’t drunk. It didn’t make sense anymore. But it made sense until right now.

“Do you think there’s a second memory gun?”

“Pacifica remembers. She asked me if I did.”

Mabel sat with that for a while, “Why would we just stop talking to her?”

“It’s going to be something weird, Mabel, it’s always something weird.”

So it must have begun with something weird, and weird was in short supply lately. After they sent Bill away and got rid of the journals, Gravity Falls became pretty normal. He was worried it was going to be boring but it wasn’t, that past summer was exciting. They found a thread to follow, the three of them. Wendy, when she was back from college and they solved a mystery.…

“Ghost stories,” said Mabel, “We were talking about ghost stories!”

“No, dreams.”

"No, I'm pretty sure it's ghosts."

“I’m pretty sure-”

“Dreaming of ghosts,” Mabel said suddenly and she was absolutely sure.

“You can’t just mix the words together and-” Dipper froze, “She was dreaming about ghosts! Were we hunting ghosts?”

They couldn’t remember but Wendy might, she was over pretty quickly, they sounded weird on the phone, excited and a little bit panicked. It was something big. 

Dipper paced back and forth in the living room, Mabel sat on the couch. Whatever version of sat meant her head was hanging off the seat and her feet were to the ceiling. 

There were several torn out sheets of paper, each with a theory and the information they had to connect them together. Mabel was trying to remember the last time she spoke to Pacifica and what they talked about. He was trying his best to think of any likely culprits and was beginning to run out. The list was very short. 

“If I say to you,” Dipper pointed at the name Pacifica, in pink marker and with a little doodle of her by Mabel, “‘Dreaming of ghosts’, does that remind you of-”

“Archibald Corduroy,” Wendy shrugged, “She dreams about him, they’ve gotten to be really good friends. He says hi.”

[susielesbianism]

Sometimes I think back on when chapter 2 came out and there were people saying that Susie’s turnaround from ch1 to how she is in ch2 was too sudden and jarring. Hell, even back in ch1 people were saying that Susie’s character development happened too quickly.

then Spamton sweepstakes happened and so did the newest girl post, which I really think was partially meant to serve as a reminder to people entering the fandom with ch2 that this is how she used to be.

Not to mention the aftermath of the Lancer fight, with how quickly she went from seemingly wanting to tear Lancers fucking throat out to immediately wanting to reconcile with him and affirming their friendship. (which. the whole thing WAS a huge misunderstanding. but still)

besties I think this is just how she is. She’s a good person and great friend but she’s also a little bit emotionally unstable! And I love her for that!!

[youling-the-ghost]

Sometimes I forget that my sfth hyperfixation literally cured my 6-month long writer's block and got me writing fanfiction again lol

Anyways the Billy (guy who was left at the altar) x Clint (the undercover fun police) fic is in the works right now and here's a preview for anyone who's curious :]

[medilies]

Do you ever watch s3 and s4 and realise you're not enjoying it that much

[misiahasahardname]

i swear i’m gonna draw more tmnt stuff i’m just brainrotting hard over primos

[mayxo-hxh]

1 year of being hyperfixated on hisoillu: OMG THEY ARE INSANELY CUTE TOGETHER LOOK AT HOW THEY SMILE AROUND EACH OTHER!!!

2 years of being fixated: it has been consistently emphasized that hisoka always works alone and that he is his own man yet he keeps on going back to working with illumi requiring illumis assistance aka admitting that he is not that much of a lone wolf as he initially shows himself off to be to other people not to mention his marriage to illumi completely loses him the "own man" status as he now belongs to someone else and-

3 years of being fixated: OMG THEYRE SO INSANELY CUTE TOGETHER AGHHHHHHHHHHH!!!!!!!!!!!!

[hadesknockedupintheunderworld]

"If you ship these characters together at all you've fundamentally misunderstood the plot of the story"

Bro I get this if like. It's a case where people genuinely are misunderstanding the story

But like bro you know shipping is inherently neutral and doesn't necessarily tell you anything about how someone interprets a piece of media, right?

You know that people who ship something don't always want the thing to be canon, right?

You know that people shipping something doesn't change canon

Right?

[ravencromwell]

Ros Vortalis trans headcanons

There are some remarkable trans Holland fics and headcanons, but can we talk about Ros Vortalis, whom all of his friends simply call Vor? Who, even when he’s _dying Holland calls Vor, to be expected, but also Vortalis which’s so much longer than Ros.

A bit of googling informs me Ros is “protector” in German, which’s chef’s kiss one hundred/ten no notes V.E. But it’s also, more frequently, a diminutive of Rosalind. Disclaimer before I start these that I respect and love! the headcanons of Makt as fairly gender nonrestrictive, with power being more of a defining factor of treatment. My Makt, however, is more complicated, with gender and gender transitions being imperfect but still a site where joy can be created, much like the rest of White London existence. Putting the rest of these beneath a cut with that in mind because as a trans person, I know some days I can’t handle transness as careful complication to be navigated and don’t want to inflict it on anyone unprepared. (Though, I promise! there’re fluffy as fuck nsfw Vor/Holland and Vor/friends headcanons in here to cut the angst.)

Ros retains a shortened form of his given namefor business purposes within the Shal—we know Shal means “market” in Red London, and I tend to think it means the same in White, such that when Holland calls him a “thug from the Shal” he’s referring to Vor being in the merchant/smuggling business. When he transitions, he’s relatively young and honestly to flagrantly demand a name change would be seen by too many as blood in the water. His greatest focus, always, is Makt rather than his personal happiness and he’d rather be burdened with the “nickname” Ros and be capable of rising in the Shal in service of becoming king.

There’re two ways of transitioning: the easiest and least painful is utilizing a spell similar to Astrid’s with Lila and stealing a face and voice. But that spell fades with death and though Vor understands that his body is likely destined for desecration once he’s gone as Makt’s people drain its blood and magic, there’s still this stubborn demand that they destroy a body without the face that made him shudder every time his child self caught a glimpse (he is so grateful for a lack of mirrors in Makt for much of his young adulthood.)

So he chooses the harder, excruciating method: finds a bone magician to permanently reshape his body. Session after session, over months traveling abroad on a ship with only the open sea and crew to hear him scream himself hoarse.

The first time they share a bed, Holland strokes along the broadened shoulders, runs fingers along the scars on his chest—eyes fixed on Vor’s all the while— and murmurs: “If they did not believe you would hold the throne, they were fools.”

“I’m flattered.” He’s bright-eyed, with that deep, rolling-sea laugh.

“After this, very little would stop you.” Fools have marveled at the extent of spells across his body, and inwardly he howls in hysterical laughter because there is very little to dull pain in Makt, and the shipboard pain was so vast it made everything else feel like pinpricks by comparison. He’s never bedded someone who would know that as intimately as the man who had done his damndest to use that same magic in stopping Vor’s fist before it connected with his face, and the admiration uncoils something deep in his chest. “Sometimes I’m certain I can’t keep it. One moment it will be there and then not.” He manages a farse of a smile “Foolish, after all these decades, but such is the weakness of your future king, Holland.”

“Lucky you would have an Antari to put it back, then.”

By the time he returned to London, voice rumbling deep from an expanded chest, people understood quickly to use “Ros” with the proper pronouns or see just how effective the runes on his hands were. But well…Ros is an easier shirt than Rosalind to slip into, but it will never sit comfortably. As he develops allies, he finds that Vor and Vortalis fit easier. And it becomes a good gauge for trust. Those who understand implicitly how painful his given name is and respect that, are people worth keeping. It becomes easier, as fewer and fewer people survive who remember Rosalind.

There are far too many moments to count when former friends or lovers try to use “Ros” as a weapon, with a little smirk that says: “You never said we _couldn’t call you that.” And he’s deeply glad he made a relatively small name fuss and provided only a small chink in his armor. (Those sorts of people tend, inevitably, to cause the use of his knives. As though letting them close and showing kindness is an invitation for open season. But such are the risks in Makt, and he is a man who craves touch and closeness. What good to craft the ideal body only to never have it appreciated. The way Holland simply…withdrew from people after Talya is something almost unfathomable. Whether they’re the closest of friends or both king and night and! king and beloved—which’s pretty much always in my head—there’s a deep, profound ache that he could never touch Holland enough to make up for too many years alone.

It’s the dimmest flicker every time he sees the “knight” and “Antari” masks slip, when Holland leans against his shoulder or puts his head in Vor’s lap, eyes half-closing at fingers in his hair. But, simply because the task is nigh on impossible, doesn’t mean he won’t do his best. Vor touches Holland Vosijk a hundred thousand times in those two years of rule—and so, so many more if they both survive—and is so very, very grateful he could take the touches the best of his lovers and allies offered over the last thirty years. (On a slashy front, can we also just talk about how, as a couple, there’s an incomparable way arousal and awe intertwine for Vor _every time Holland reaches out and shows affection: a kiss against his temple as Vor lets their foreheads rest together; a hand moving slow and easy down his back. To be trusted enough for the most guarded man he’s ever met—it took Vor _months to convince him to kill Gorst and he’s never had to work so hard or wanted so desperately for someone to say yes in his life—to touch him is such a valuable thing that he has immense responsibility not to break.)

Also in couple’s verse: If Vor has a small regret, it’s that the bone magicians are far more skilled with outward, above-the-waist presentation—because the best of them have not only done this for trans people, but for criminals etc. seeking a disguise. Thankfully, they had no trouble cutting him open to ensure he would never be with child—he doesn’t have the vocabulary for dysphoria, but the idea of his stomach rounded and heavy is one of the few things that can make him viciously soul-deep terrified. But the below the waist equipment well, it’s not a magic Makt has the luxury of learning.

By the time he meets Holland, it’s the very faintest of regrets: he has a collection of strap-ons for when he and a lover want to indulge in that particular fantasy—and is comfortable enough in his skin it’s an indulgence and not a requirement. It’s beautiful to watch lovers slide to their knees and take them in their hands or mouths or slide inside and watch them arch with pleasure. But oh, oh he wishes he could _feel it. It’s not a complaint worth voicing, and honestly after he becomes king, there’s very little time to indulge.

But one day, Holland comes back, smelling of flowers holding a box, tells the guards to wait at the end of the hall because he has crucial business from “the other London” for the king’s ears alone, which has Vor intrigued and concerned because he hasn’t come close to asking Holand to send a message. But before the concern can swell to anything beyond a flicker, he sees a flush so faint anyone would miss it who wasn’t watching. (Even before the Danes, Holland held his feelings and desires in an iron grip; Vor learned early in sharing a bed that Holland loathed the idea of being heard by those not his lovers when losing control: not merely a discomfort that could add spice to an evening, but viscerally, the way it would take everything Vor had to turn his back on an armed opponent.) This is pleasure, not business and he flicks his fingers in a silent command before they can even turn to look.

"Go get yourselves some dinner,“ he says for good measure, "If there is a foe Holland cannot protect me from, there’s little more bodies can do.”

When he opens the box…there are the usual straps but the cock. The cock feels like _skin. “The Arnesians-” and oh, there’s still so much contempt in those words “With their infinite supply of magic have learned to transmute. From earth to bone, and then something softer. There is an illusion for the Arnesians who want to forget the straps.” There were layers upon layers beneath that statement: neither of them wished, at least then, to go begging for scraps, but to _take a little of the bounty Arnes had hoarded,

“_Yes!”

Neither of them know how the illusion works: it is as mysterious as the fireworks Holland has seen that fool his eyes into certainty dragons fly across the unbearably vivid Arnesian sky. It does not matter; in those moments when Holland’s mouth is hot on skin, Vor is utterly, entirely certain Holland is swallowing down the cock he has always had.

It’s almost too much, leaves him speechless for the first time in decades, has Holland scrambling up and onto the bed even as his eyes are still glassy from watching the king come undone to wrap himself around Vor’s back until the world comes into focus again. “Is it only good once or-” he asks, finally and Holland’s smirk is wicked.

When he’s upending the Ost table and coughing up blood—, so much, too much kajt I hope Holland can take the throne because whoever these bastards are they can’t rule, the thing he clings to: more than “Stay with me"—though he _tries—, more than the raw panic in Holland _swearing—is the name. _Vortalis, he says when the table overturns—though it would be such a forgivable mistake to use Ros. Vor, he says while chanting stay and one of his blood spells. He will die as who he made himself, not as he was born.

The three threads of coherence for Holland are the blood spell. That Vor _has to stay. And that if he cannot be enough to stop this, he _will not let Vor die hearing him use the wrong name.

In verses where Vor lives, they both know the "thank you” when he wakes is not for the healing, though to be alive is a joy.

[katyspersonal]

@fareehaandspaniards @jarognieva Are you FUCKING kidding me. You two can NOT be serious about this o_o" Alright, how many MORE people here really think that I am physically capable of losing passion for Bloodborne and I am not even aware of that??? fdhfdhs

I myself have a history of meeting a new person and liteally not even 5 minutes in scaring them with surprise lore essays! And I don't seem to ever learn, because I just.. how? How I can know how much lore is "too much" for someone, when for me all these essays is just how I NATURALLY function? Bitches be like "omg Kat you are working sooooooo hard to do so much research and write so much text on BB, I'd never have the patience! x3" and I just... don't know how to explain that I instead need patience to NOT do all this "research". I have to put in effort into NOT overthinking, not the other way around fjdhdhsf

And you guys have no idea how thankful I am for every single person that appreciates my approach to things, moreover, always wants to hear MORE? It feels like some autistic symbiosis xddd (Also Jara you SHUT the HELL up, you've made those posts about Polish language on the graves and that Czech Clocktower thing! What you did to finally show people that Yharnam is SLAVIC and not british is hard to rate!!)

___________

P.S. I do like ER, really, I do. I think what will likely happen is that I just end up loving all From's universes almost equally, but yeah, BB was my first intro to this genre and it will stay so. And it just... stands out too much. But all in all, don't worry guys, my autism is enough for ALL From's games. I've made only like, 3 ER observations in total and people already told me that the connections I've made were "unique" and something they haven't heard before...? All while I was as focused on BB as always. Basically, my obsession and my ability to analyze the information as though I've smoked five jointed dry lumenweeds is not a finite resource, it is more like breathing, so yeah, you two put your abandonment issues away xd

[burinazar]

It's a bit funny that to parts of my circles I'm 'the fandom one'/'the fanfic one'/'the shipping one' as the person they know most prominently into such things

because as much as i love writing my fics and shipping my ships my interest in both of those things is, I think, very narrow and specific compared to most people who are into them? due to my habits being like. very particular

[elbowreveal]

worth a shot, idk if anyone here particularly follows me for my art, but i've been drawing again... for another fandom.

been posting over on @bisexualmcqueen (yes, it's pixar cars, we know this about me. kachow and stuff)

[happistar]

thank you so much for your kind comment on my fic!

of course!! I’m excited for the future updates :D

[cartcop]

Don't get we wrong, I feel hopeful too, specially with the whole network change because it means the series has an actual shot of going back to the way it used to be. I feel like lately the emergencies don't have that spark anymore, so I'm looking forward to see what ABC does with them. Also, let's cross our fingers and think that they'll actually give a damn about promo and they'll use (at least in social media) what attracts more attention... I mean, if the answer is a couple of firefighters that are raising a child together, I wouldn't mind.

However, what makes me mad is that by the time they were working on the finale they weren't sure if they were going to come back or not. From what it looks like, all the characters will get a sort of happiesh?) ending just in case, because again, the ABC move back then was not a sure thing.

They did that with The Resident. Sure, at first it was supposed to be a season finale, but they still did an ending that could be interpreted as both options: season finale or series finale. Well, it was cancelled so at the end they at least got a chance to leave the characters in a good place.

That's what will happen with 911 this season, I believe, because after almost six years the show at least deserved a decent ending if for one reason or the other they were not coming back.

My point is, we know that it's not going to be an open ending, and that all the characters will be left in a good place. I know there are a lot of possibilities, but we are talking about miss Kristen Reidel, it wouldn't surprise me if Buck and Eddie end this season with Natalia and Marisol, representing a "traditional" conclusion for both characters.

It wasn't hard to leave them single, if she truly didn't want Buddie to happen, but she just had to bring two random characters for the last four episodes of the season, right? If I follow her previous patterns, what will happen is that for the general audience, Buck and Eddie will end in "heathy" relationships with Natalia and Marisol, but they will share a significant moment together that's up to interpretation for the internet. Classic queerbaiting behavior me thinks.

I'm aware that now we are far from losing the war, especially if we consider that ABC has a different target audience and that they actually tend to listen to them. So, Buddie truly has a chance of happening now.

At the end, what I'm trying to say is, I feel optimistic for the ABC move, but I'm also frustrated because if that had been the series ending, that woman would have given a poor conclusion to Buck and Eddie just because yolo?) There was no reason to have those two random characters with them.

Buddie has a second chance, but I hope and pray to the universe that ABC will realize what they have in their hands and even if *she stays, they will overule her bad takes, not only on Buddie, but for the show in general, that move was not a cheap one. If they really want for the series to last, changes need to be made.

It's also sad to think that if they had stayed at FOX or if they had cancelled the series, we never really had a chance to win, huh. Homophobia will always prevail, no matter what.

The thing with this, anon, is that mostly I think it's a really fair reading of what's been going on. I just read the information we have really differently.

I definitely agree with you that the emergencies have been meh for a while now, but to me that's just a symptom of being 6 seasons deep into a procedural; a new network might breathe a little more life into it, and I hope it does, but I've never watched a show through a network switch so I'm pretty 🤷🏻‍♀️ on how much it's gonna affect the actual content. Def hoping for more promo though.

I get what you're saying about all the character's getting a "happy-ish" ending because they didn't know about season renewal but....isn't that always how it is? Like, I don't personally see much of a difference between where it seems they're gonna leave off 6x18 than any of the other finales we've had.

And I get why a finale where one or both of the boys are in a relationship with a woman would be disappointing if we're reading it from a "they thought this might be the last episode they were ever making" angle (but I am BEGGING someone to show me what KR has said or done that makes y'all believe she hates buddie. Because I was watching casually through most of s5, I missed all that. And from the show itself, I don't get that impression at all. I am genuinely asking PLEASE i need context). But, while I've always been a buddie girlie, 6b is literally the first time I've ever thought they might actually do it. And I've been really confident since 6x13 and the interview about the couch being in play until the very last scene of the season (and still am) that the closing shot of this season is gonna be the three boys on the Diaz couch. It's just the only thing I see as a possible resolution. Not to say you can't read that as a "open for interpretation" fan service moment, but until I know exactly why people think KR is fundamentally opposed the idea of buddie together, I'm gonna be reading it the way the text tells me to.

Because while I've become a bit of a buddie truther in 6b, they're not in a place where getting together by the end of the season would make....any sense. A lot of people disagreed with me on that, but that's been my stance since like, early s6. Just cuz there was no development for them in the first half of the season at ALL, and we knew how jam packed 6b was gonna be with other plotlines with other characters. They've got a lot of growing to do before buddie canon would even be satisfying imo. I just really believe we might be on that track now.

And with that in mind, here's my perspective on the ending IF they were writing it thinking they might never write another episode again: Buck can and should end up alone at the end of the season. He should really concretely know what he's looking for, in the way he didn't when he dumped Taylor. Having Buck explore the opportunity to date someone who is fascinated by his experiences but not actually interested in him is a great way to do that, imo. Him walking away from that and realizing he needs to find someone who will, in Oliver's words, meet him where he's at. I really cannot see Natalia being relevant beyond the finale at all, and if I'm wrong, I'm gonna start seriously questioning the writers, because they've told us she's not it for him (like, even my friends who watch the show very casually were screaming "NOOOOO!!!" at the screen every time she was mentioned in 6x15).

Eddie's more complicated though. Let's say, hypothetically, they realized midway through shooting 6b that renewal wasn't likely with Fox, and they didn't know whether or not they'd be picked up by another network. Eddie's been on this little journey of self discovery about wanting a partner, and has accepted the fact that he's lonely. Ending the show with Eddie in his single status quo would be sad as hell for the GA! We have to remember, we are not the only ones watching this show, and the vast majority are not seeing buddie as romantic options for each other. That can change, I really hope it does change, I am optimistic that it WILL change; but it hasn't yet. If they were trying to wrap things up nicely, with everyone in a pretty good spot, I can see why shoving relatively-underutilized Eddie with a nice girl would be a good way to do that. Easy to undo if they got a s7, but also a lot easier to convince the GA of a love interest for Eddie being good for him, just because he's not as big of a deal to the show (which I hate. I love Eddie I want him to have the world. But Buck is the main character on this show, let's be real)

That's not to mention that this is all speculation; we don't have any idea what's gonna happen with these two women. I'm standing pretty firm in my belief that they won't end the season in relationships, but I could be wrong. And if I'm wrong about Eddie, I can see why they'd make that choice and I'm not even a little mad at it. If I'm wrong about Buck, and he ends up in a clearly doomed relationship with Natalia, I'm less cool with that, but I can see the opportunities for s7 and assume that they were working under the assumption that they'd get a renewal somewhere. If Buck ends up in a seemingly perfect and happy relationship with Natalia, my faith in the writers is gonna plummet, not because queerbaiting, but because they told us it was doomed in 6x15, and it would make it clear to me that the writers don't even know what kind of stories they want to tell on a micro, episode to episode level. But I really can't imagine that happening.

[ceramicbird]

so i've seen the sara mini episode.

[carbonateddelusion]

oh no I'm realizing all the research I'll have to put into shit I wanna write about in order to make it accurate

SEE THIS IS WHY. I CAN'T HAVE HISTORICAL AUS OR MAFIA CRAP. my brain will drive me absolutely insane if I don't get every single detail as accurate as I possibly can. I can't just have them speak normally They Must Use Slang And Grammar And-

[nonbinarylesbianherb]

I say this as both an avid Alicent lover and Rhaenicent lover, I need you guys to stop attacking each other. Both sides can be upset over scenes or writing without invalidating each other. If you’re upset with how they’ve written Alicent for s2, take your frustration out on the writers or talk about it with your moots (as I have with mine. Believe me we’re all upset.)

It is weird and awkward to see posts saying and acting as if Alicent fans can’t be rhaenicent fans. I’m not saying there aren’t rhaenicent fans who don’t care about Alicent, but to generalise all rhaenicent fans (especially when I know myself, my moots and 99% of rhaenicents I know deeply love Alicent and care about her character) and seperate Alicent fans from rhaenicent fans when many people are BOTH is just odd and invalidating.

I need Rhaenicent shippers to stay away from the Alicent Hightower tag, you never liked her, you're salivating over the fact she abandoned her own CHILDREN, you're praising the writers for robbing her of agency and personality, you got what you wanted a useless prop who exists solely to make Rhaenyra look good.

You won, now stay away from Alicent Hightower fans we do not want to see your bs!