#when she sees that you came for her

[arianeoftheglade]

Saving Minfilia

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[m4gp13]

Why did Rick do this to us?

Seriously, he went, "Yeah I'm gonna establish a history between two important characters on opposing sides of a conflict in which one of them clearly has negative feelings about the other. and then never bring it up again 🤪" BITCH COME BACK HERE!!!

There was so much that could have been going on between these two! I was talking to @nakamurastorrington about this on twt the other day.

Like, Annabeth's fatal flaw is hubris and Ethan's mother is the physical embodiment of the punishment for hubris, they are diametrically opposed! They have their shared history at camp but very different experiences with the system where Annabeth was pretty much immediately claimed and became the head councillor of her own cabin from a very young age, establishing her as a respected veteran at camp. Meanwhile, Ethan was shoved into a corner of someone else's cabin because he wasn't worth his own cabin, and so he just faded into the background. Also, Their relationship with Luke! They both had Luke as a big brother figure. Annabeth saw him as genuine family and Ethan would have looked up to him as his brother while in the Hermes cabin. Then Luke left and Annabeth still held out hope for him and refused to believe he'd ever truly passed the point of no return even while everyone constantly told her she was wrong, and Ethan, despite spending a year working for Kronos and seeing the worst of the results of Luke's actions, still believed he was in there fighting Kronos. Not to mention, THEIR MOTHERS??!?!!?!

There could have been such interesting conflict between them! Annabeth should have gotten to talk to Ethan during the parley. If anyone should have gotten to snap at Ethan about his mother, it should have been her because he would have snapped back so hard!

[squarecloud73]

*I worship you Tumblr please don’t remove it

[ryllen]

imelda

but she also sounds the friendliest when calling ravenclaw

[ dress ]

[expectiations]

I still find it funny that people call eleven a "deadbeat husband" and their marriage "toxic" but twelve is the "perfect husband" and their marriage "wedded bliss" all because of the few moments we'd seen between 11 and River were them being "toxic". yes of course! let's ignore how the minisodes show how that description isn't true and even how little moments in the episodes themselves – "what? that's it?" (why haven't you kissed me goodbye? are you being sly on purpose so I'd kiss you first?) and "they wouldn't bury my wife out here" and the music room is the heart of the home and it's not a ghost story, it's a love story – show 11 cared and put in the work and yes, they're going to have disagreements like the ones in TATM because duh who doesn't but it does not mean it is the entirety of their relationship but people have taken it and made it the entirety of their relationship.

[aleksanderscult]

Analyzing Aleksander's reaction to Alina's loss of her power

(I'm so sick and tired of seeing people use his "You are nothing now" words as a way to justify how he didn't love her that I decided to create a whole ass post about it.)

First of all, let's see what the powers of a Grisha mean to a Grisha, shall we?

For a Grisha her powers is the same thing as the oxygen is for all humans. The constant beat of a person's heart.

Indispensable.

And in a way it's implied that a Grisha cannot live without it. Just like birds can naturally fly, just like a fish can naturally swim. It's part of their nature, part of their body and soul.

Now let's see Aleksander's reaction to Alina's loss of her power.

The moment he saw Alina being unable to summon, he froze. At first he's in denial of what he sees.

How can a Grisha not being able to use her power? A power that is always there no matter what? A power that "feeds" them and keeps them healthy and alive.

We see Aleksander being in a state of shock as he tries to comprehend what is happening with her:

He had never seen anything like that. A Grisha losing her powers is unheard of. Impossible.

He tries again and again to summon her light and bring it to the surface. The fact that he can't feel it causes him panic and pain. In a way, he can't find her soul.

And the very fact that she also lost her collar and feter is impossible too. When a Grisha claims an amplifier, a connection is made that can't be broken.

Another fatal loss for Alina and a disastrous blow for Aleksander and his knowledge, since he knows more than anyone else how amplifiers work and how a Grisha's power work. All the hundreds of years he had spent watching and studying the ways of the Small Science and of power, have gone to waste right now as he tries to understand what is going on with the woman he loves.

His near immortality and rare powers always made him seek someone else to connect with. Someone to understand him and be on the same level as him.

People say that he never actually wanted Alina to be his equal. Well, based on his words and reaction here, I would say he wanted to.

Right now there's no pretense, no tricks or a façade. We see him "naked" and exposed showing us his terror of Alina's loss and despair for his fate. Of being alone forever.

"You were meant to be like me."

Aleksander wanted her strong and confident. Unafraid to rise above the others and to stand right beside him.

"You're nothing now."

I know it sounds cruel but it is true.

If a bird lost its ability to fly or a fish its ability to swim, would you call that normal? If a person stopped breathing or her heart stopped beating, would you call her alive and whole?

Alina lost the very essence of her being, her soul and identity. What happened to her was something completely unnatural and just wrong. Aleksander has lived for centuries and knows more about the Grisha than anyone else (except of course his mother) so he knows that what happened to her, has crippled her. She's not the Alina she was. And she's never gonna be.

It's not a statement of disgust, apathy or scorn. They're words of pain and mourning. Shock and anger.

It's a complete ruin for Alina.

A devastation and tragedy for the unfortunate Grisha that experiences it for the first time in their history. And an equal devastation and sorrow for the Grisha that watched it happen to the person he cared most about.

And it's actually funny how Aleksander seems to be the only person that was devastated for what happened to her.

Everyone else was:

"Alina lost her powers"

"Okay cool".

In a way you can say that it was proof of how he was the one that truly cared about her fate while the rest of her friends didn't seem to give two flying fucks.

The Darkling just gave up.

All he had fought for, all the patience he had mastered for years waiting for his equal to come, went to dust right in front of him.

In a way he committed suicide and just let Alina kill him.

Now if he didn't love her as some people say, why did he do these things after she lost her powers?:

1) Called her to his side and searched for her hand to hold it.

2) Smiled at her and stroked her tears.

3) Entrusted her with his last wish because he'd seen her kindness and believed in it.

4) Asked her to say his name one more time so he could hear it from her one last time. A name that he had probably never said to anyone else for centuries.

5) Begged her to not leave him alone while he died because loneliness frightened him.

I'm sorry but if I was dying, I wouldn't want anyone at my side but the people that I loved the most. And Aleksander wanted the same too.

There's no way he felt disgust or anger towards Alina even after she stabbed him. Whatever she did, he forgave. And whatever happened to her in the end didn't stop him from loving her and wanting her presence at his side until his own end.

(didn't really love her, my ass)

[vickyvicarious]

This morning I am horribly weak. My face is ghastly pale, and my throat pains me. It must be something wrong with my lungs, for I don't seem ever to get air enough.

It's never stated exactly where on her throat the "pin-pricks" are, but though Mina claims they started out tiny, by the time a week had passed they'd gotten a bit bigger/more noticeable. Now, she did say she'd call a doctor about them if they didn't heal up soon, and then didn't seem worried about them when she left Whitby, so it seems likely that they healed up fairly soon after Dracula left town. Lucy knew they were there because Mina expressed worry over them, and she dismissed it.

Lucy also had a habit of looking at herself in the mirror from time to time. If the marks went away and then returned I feel like she should have noticed, instead of just attributing everything to her lungs with no mention of other possible causes for throat pain. So, it leaves me three options, all of which feel deliciously creepy:

She no longer looks in the mirror. (May not think anything of it, may just feel ill and not have the impulse - however, even more things that she doesn't understand are going on with her now. It would be a perfectly reasonable time to try and stare at herself, take in how pale she looks, how tired, try to figure out why. To practice a cheerful smile for Arthur. If she's stopped entirely, I feel Dracula is responsible.)

She sees them in the mirror but doesn't think anything of it. (Observing relevant details but unable to connect them or notice the significance. Definitely could be an effect of Dracula feeding on her. Somewhat supported by a future scene.)

She looks in the mirror but doesn't see the marks at all. (Even more explicit/deliberate hiding of evidence from her eyes. They're vampiric in nature and just as vampires can't be seen in mirrors neither can the marks they make. Very fitting with how Dracula tries to gaslight/confuse his victims about what's happening to them. Also would be a nice creepy moment in a visual adaptation.)

[creekfiend]

take a good look at this animal

[carnivalcarriondiscarded]

yet another little Treat for myself! do i have a problem? maybe!

[commsroom]

mission launch for minkowski's crew was in march 2013. ostensibly, they were put through some mission training, though the extent and effectiveness of that is kinda dubious. pagliacci takes place in 2013, exact date unspecified. but it has to be early. let's say... mid-january.

eiffel thought he had ruined the rest of his life before he'd even turned thirty. he probably spent his thirtieth birthday in jail. and then... for some number of days, weeks, maybe even a couple of months, he exists in this state of, well. of limbo. cutter gets him released from prison, and flies him out to canaveral. he doesn't speak to his family, obviously. they don't want to hear from him, and don't even know. he's still a prisoner, but no one around him knows that, either. at some point in this time frame, goddard first exposes him to decima, before hilbert even knows who he is. and he lives wherever goddard is accommodating him, and he has to go about his day-to-day life in this transitory state between a 26-year sentence he'd just started really grappling with, and the very immediate reality he's now about to be sent into deep space instead.

they give him a certain amount of freedom; it's not like he can go anywhere. he doesn't do much, anyway, is not feeling appreciative for his momentary second chance at life, given the circumstances. he blows off most of his mission training, and they're surprisingly lax about that, which in retrospect probably should have been a sign. he sits around and smokes, mostly. gets takeout food. but he goes to see movies, as much as he can. as much as he wants to punish himself, he needs to do something, or he'll go crazy, and it's not like he'll get a chance to see a movie in a long time. he was already resigning himself to maybe never going to a movie theater again.

the film adaptation of les misérables was released in december 2012. it's entirely feasible it could've been one of the movies he saw in this time period. i think the idea adds some resonance to his shared reference with minkowski in the finale, at least, in the way it pulls things full circle. intentionally or otherwise. and, incidentally, the 2012 film adaptation of les misérables, a story that notably features an ex-convict protagonist seeking redemption, was released on december 25th. call that serendipity.

[messangerforthestars]

“We need more morally gray characters” you guys can barely handle topaz and jade.

[thyhauntedmansion]

Miranda hating Cassandra for virtually no reason you say? Enough to deem her THE Annoyance?.. Cassandra herself can’t even stand Miranda?

Perhaps they were just at odds with each other… in another time.

[ladystoneboobs]

House of the Dragon s01e05 We Light the Way // Game of Thrones s02e06 The Old Gods and the New // House of the Dragon s01e05 We Light the Way // A Clash of Kings by George R. R. Martin, Chapter LVI, Theon V // House of the Dragon s01e07 Driftmark // Game of Thrones s02e03 What Is Dead May Never Die // House of the Dragon s01e07 Driftmark // Game of Thrones s02e07 A Man Without Honor // House of the Dragon s01e07 Driftmark // A Clash of Kings by George R. R. Martin, Chapter LVI, Theon V // House of the Dragon s01e07 Driftmark // A Clash of Kings by George R. R. Martin, Chapter XXXVII, Theon III // A Clash of Kings by George R. R. Martin, Chapter LVI, Theon V // House of the Dragon s01e07 Driftmark // Game of Thrones s02e06 The Old Gods and the New // House of the Dragon s01e09 The Green Council // Game of Thrones s01e04 Cripples, Bastards and Broken Things // House of the Dragon s01e09 The Green Council // A Clash of Kings by George R. R. Martin, Chapter LXVI, Theon VI // House of the Dragon s01e09 The Green Council // A Clash of Kings by George R. R. Martin, Chapter XLVI, Bran VI // House of the Dragon s01e09 The Green Council // Game of Thrones s02e03 What Is Dead May Never Die //

[biblically-accurate-dca]

vanweek day 2 - knife

does anyone else remember the knife game or have i finally gotten too old

[greenglowinspooks]

Liminal Scarecrow

I see a lot of Scarecrow in DCxDP, usually as a plot device in tandem with his fear gas. And honestly, I’ll accept just about anything with a Scarecrow mention in it. However, there is one thing I doubt a lot of DCxDP fans know about from the DP side, which is the Scarebeast.

The Scarebeast is what was created when the Penguin decided to experiment on Scarecrow, essentially turning him into a living weapon.

It’s a giant monster that naturally produces fear gas in its body, and Scarecrow can only return to human form once the Scarebeast has been defeated.

I think that the Scarecrow could easily be a liminal of some sort, and the Scarebeast could be a manifestation of ghostly power.

Now, it should be noted that Scarecrow (to my knowledge) hasn’t died and been revived. He also hasn’t used the Lazarus pits. He gets beaten to hell and back on a regular basis, but he never actually dies.

However, we know that you don’t necessarily have to die to become a halfa. Vlad didn’t; instead, he was shot in the face with ectoplasmic energy by the malfunctioning proto-portal.

Also, we were never told exactly how the Scarebeast was created. Sure, we know that one of the Penguin’s scientists mutated him into existence, but we don’t know exactly what she used.

It’s not really so much of a stretch to think that he could have been exposed to some form of ectoplasm in order to stabilize or power his monstrous form, and as such became liminal (or a halfa).

Hell, all the other (canon) halfas in existence were created in a lab setting! Danny was mutated by ectoplasm and electricity when the portal opened, Vlad was blasted in the face by the previous portal, and Dani/Ellie was a clone.

Basically, give Scarecrow cool ghost privileges. He’s already got the creepy aesthetic. It’s what he deserves.