#when it was obvious if not from the get-go then from season 2/end of s2 max that they not only should be together but have feelings

[fieryncbles]

If you saw me add Castle muses here... no you didn't 😅

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[bildads-shoes]

I feel like Crowley has often played the role of 'philosophy teacher' in his dynamic with Aziraphale, and I think this is probably what ultimately led to most of the backlash against Aziraphale immediately post-Season 2, especially from casual viewers.

The Resurrectionists episode is super obvious about it, big Philosophy 101 energy, but it's of course a big running theme in the show, often addressing the classic philosophical/theological question 'if God/Heaven are all-loving and all-powerful, why do they make us suffer?'

In these situations Aziraphale is often needing to learn to break free of his black and white thinking. Of course, we, the viewers, agree that morality is not black and white, so we start trusting Crowley's ability in the teacher role.

And it happens again in the Final Fifteen: we cringe at the stark oversimplification of 'you're the bad guys', we agree that Heaven and Hell are 'toxic' with their rigid rules and roles. Having seen so many examples of this dynamic at this point, this can instinctively feel like a continuation of Crowley's 'morality is not black and white' lessons. Therefore it makes sense to me that the instinct can be to agree that Crowley 'understand[s] a whole lot better' than Aziraphale.

I could go on for days about why I feel Aziraphale's character is so much more nuanced than that, but I want to focus on Crowley here. When you start trusting someone in that 'teacher' role, it's easy to assume they have it all figured out. That's why the whole 'Crowley is an unreliable narrator when it comes to his Fall' confirmation always had me so intrigued.

It seems (to me at least) that Crowley probably made some very complex, grey choices as an angel (choices that were not as bad as Heaven feels, but not as good as Crowley likes to think, to paraphrase NG) and he is yet to accept the reality of those actions. To me, it feels like he's coped with that cognitive dissonance by entirely detaching from that identity at times, almost as though those were the actions and experiences of another person (the angel you knew is not me) whilst returning to the first person in moments of vulnerability (I only ever asked questions). Judging by the hints at Angel!Crowley throughout S2, I think (hope) we'll learn more about the Fall in S3, and thus see him finally need to internally resolve this

I think it'll be very interesting to finally see that dynamic flip, to see Crowley in the role of the student, trying to solidify his moral code and sense of self as we have seen Aziraphale do throughout the show.

I suppose I hope that in potentially having Crowley's own struggles with morality becoming more explicit on screen in Season 3, the broad attitude towards Aziraphale and Crowley will become a bit more balanced again. I think it'll be lovely to see them grow in their understanding and acceptance of themselves and each other, and finally reach a place of joy and freedom as individuals and together. We'll always have our own personal character interpretations, and I think that's wonderful and fascinating to hear about, but at the end of the day we're all rooting for their happy ending, and I can't wait to see them finally get it.

[theriverbeyond]

arcane s2 act 2 THOUGHTS, overall I think this was a lot stronger than the first act --- at the end of the day arcane is a character and relationship (primarily sisterhood/brotherhood/parent-child/family) driven show above all else, with plot as a sort of loose secondary, so like, even though i DO have plot critiques they're feel a lot softer just because the arc was genuinely so enjoyable to watch on an emotional level. anyway #SPOILERS and critiques below. well more like one big excessively long critique but I spent ages typing it all up so here it is:

i think my big critique thus far is pacing and story planning. there is just... a lot going on, for a 9 episode show. like a LOT. like way too much. and I think this was obvious in the first arc, and better managed in this arc -- but that is largely because this arc wildly narrowed the focus. this arc totally left out Ekko and Hermidinger(i can never remember his name. the squirrel dude), the new enforcer squad were basically back to being background characters, and while Sevika, Jayce, Victor, Cait, Ambessa were all present/involved in plot, they all took a big backseat screentime-wise. This allowed the act to really focus in on Jinx & Vi, Jinx and Vi & Vander, and Jinx & Isha, which is of course where the arc really shines -- but it brings BIG concerns for act 3, where presumably we will be back to having a full plate of characters. So I expect the "too much going on" issue to be more obvious in act 3, which is disappointing because that's like, the finale.

following from the above, there's a lot of skipping around that feels very economical but also like.... WEIRD! like.... we are watching a highlight clipshow? or something? Salo gets told "hey check out this healer" -> next time we see him he is totally healed. WHAT? like sure i dont care about him as a character, but that just feels kinda.... like we are really squeezing in here huh!! and we go from seeing Victor heal one dude in act1 -> next time we see him he has set up a whole commune and is playing big jesus. WHAT???? we dont get to see anythijg in the middle?? what about Jinx and Isha reuniting after escaping Stillwater but before finding Vi??? etc etc etc? and sure those scenes would be not be necessary on a "the plot doesnt work without them" level, but these types of "TITLE CARD READS: 2 DAYS LATER, AFTER THE GANG SETTLES IN" situations are happening SO frequently in this season that it really seems like they have too much story to fit into the time they are given, and are now aggressively trimming anything they can so stuff will fit and still make sense.

Basically what I'm saying is the show feels like my twitter reads, where Im a verbose mf and have to aggressively abbreviate words and cut sentences and rambling when I tweet so it can fit the character limit. and sure I don't need all those extra characters and words to convey my full meaning but "economical with time" is not really the best compliment I could give a show. Like why do you have to be so economical. why are we pinching pennies seconds here instead of modifying the plot to improve the pacing.

shallow critique but the "Jinxers" all getting blue hair and pronouns and pink accents was weird. like..... Jinx has a lot of symbols, like the monkey or the shark or whatever, that they could have easily done something like that. and the blue hair is GOOFY!!! the only one who gets a pass is Isha, bc her hair clearly looks like a quick dye/paintjob, versus everyone else who looks like they went to a salon.

I think this is, again, an issue of screentime economics, but im honestly disappointed in the CaitVi reunion. it's not that I dislike the scenes themselves, but it all feels so... easy! fast! like their breakup felt so emotionally resonant and them making up felt so quick. I have my fingers crossed for Consequences (and fallout from both Vi's alcoholic era and Cait's rebound bedsharing) next act, especially based on the preview, but like.... we have so much other stuff to tie up I am just not sure there is enough time for them to really deliver the impact that the breakup promised.

I've been told that they always planned for 2 seasons and had everything plotted out beforehand but the pacing is... really weird for something they had so meticulously planned for two seasons. It feels a LOT more like they wrote a story they wanted to tell, they were then given 18 episodes in which to tell it, and they decided they liked their original story so much that they didn't want to cut anything even though 18 episodes is a huge squeeze for this number of characters/this level of plot complexity.

And I think the quality difference is SO noticeable between the acts that are tight and focused (like this arc here, or the original season 1 act 1 -- both were tightly focused around Vander family dynamics, with some B and C plots. Compare that to act 1 of s2, which feels like trying to the contents of an entire pringles can into my mouth at once)

Related to that, I keep getting the sense that the writers want Specific Events to happen -- they want Jinx to care for someone that represents Powder, in order to coax out that part of her again. They want Cait and Vi to pull a doublecross deception on Ambessa. They want Victor to lead a jesus cult. etc. And then they draw a line from A to B in the most efficient way possible instead of doing things in a way that feels natural or actually rewarding. And then of course the specific Thing they wanted to happen does happen, and they do it really well. And it going really well retroactively justifies the hamfistedness of the setup, but also, should it? I talked about this issue for s2act1 last time but it remains, so.

Anyway that ways just way too many words to essentially talk about one issue. But that one issue (pacing/story planning) just... seeps into EVERYTHING, and I spent a long time typing all that out, so.

This is a bit of a complimentary critique, but I think the wild pacing means that there is a LOT of feeling jerked around emotionally, and I think the show is doing a pretty good job at making that feel exciting instead of confusing, so props for that

Ok now for stuff I liked, because despite my Hater Energy I loved this arc. that is why I have critiques. Because I love it and wish it was better.

like I said, Isha's introduction felt really hamfisted but I can't deny her story crushed my SOUL this arc. I loved that she was nonverbal, I loved her growing relationship with Jinx and it all definitely got enough screen time for Jinx's character development to feel natural/real/earned. I loved that. I cried. oh my fucking god. I love the thematic parallels of it all and I love how it puts Jinx into the role of a parent -- this WHOLE show is about family. sisters and brothers and parents and their kids. this is what it is ABOUT this is why i love this SHOW aughgaaiudsadsafdkha

Jinx's whole character development and everything is so. I don't have brain to write more about it tn but im like. yeah. i love it a lot. she allows herself to try to be the big fat hero...

I love women. This was such a good arc for beautiful handsome women.

I was suuuuper skeptical of Warwick -- I knew from fan speculation the likely connection between him and Vander, and also that he was a big fuckoff werewolf, and I was worried it would all be too goofy but really loved this. Jinx's look of utter terror when she didn't know if she'd killed her father/sister again, the hug, Vander's head touch with Vi, his love for his children bringing him back from thoughtless rage... i loved it. i can't even think about that last scene oh my GOD

I did just complain about the CaitVi reunion but as a homosexual I loved it a lot. Like. It was hot. There was spit and handcuffs and wrassling in the dirt. the almost-kiss when Cait pulled the bag over her head was more intimate than a kiss. there was name calling.

I love Cait having a rebound gf/fuckbuddy. It is SO funny to me, it's an excellent characterization moment for Cait, it's great tension that will HOPEFULLY have payoff in act 3, it's incredible fodder for angsty erotic fanfiction that I hope will soon grace a browser near me. and i hope it influences the CaitVi NETFLIX SEX WARNING scene that will soon grace a TV near me. I hope it is so long it compels me to write 1k words complaining that it was an irresponsible use of screen time

Jinx and Vi teaming up is another thing that felt too fast for me but like, was retroactively justified by how good it was. LIKE!!! Vi protecting Jinx. Parallels to childhood. Their sibling fight. How Vi reached out to her and welcomed her into the family hug. I'm emotional

We finally got to see BLOOD like I'm not a gore person, honestly, but act1 was pretty bloodless even during violent scenes, and I was a little worried that it would just be like that. but NO!!! Warwick's massacre was soooo good and got that blood spraying

I really like how Silco continues to haunt Jinx, and I love the way the show is exploring her grief and like... that she doesnt know who she is anymore. ough.

LOVE Sevika and Jinx's heist/disguise scene, especially all the animation/art details. Like the way Jinx's disguise is so poorly fitted, it's so good. I rewatched that scene specifically like, 4 times

Pitfighter Vi 🧎

as always super interested to hear other people's thoughts, critiques, critiques of my critiques, if im missing something big, etc etc.

[crazyaboutto]

Tbh I’m surprised by Haladriel/Saurondriel fandom caring about Elrond kiss. It’s canonical that Elrond will become her son-in-law. There wasn’t anything romantic in that kiss. It was just awkward.

I get being upset about how season 2 promos and trop social media marketing towards Sauron and Galadriel chemistry. There is still one more episode in s2 so who knows, maybe we will get something that will greatly anger lorebros. Even if we don’t, we still have fanon.

But at the same time, it’s also obvious that Sauron and Galadriel won’t end up together (as final pairing) so show making them canon or not wouldn’t matter. It’d just give us fanfic/art material. And I’d appreciate two attractive people with insane chemistry kissing.

I didn’t think people shipped this ship since it will end up as canon. Antis asks and posts take up space in the tag recently. It’s so pointless, just like all the antis in other fandoms.

Who cares if Sauron is evil? Go King, be evil, who cares, just do it.

What does it matter if they don’t end up together? It won’t stop me from shipping them.

Sauron’s crimes is fictional but the chemistry Sauron and Galadriel have on screen is very real. I absolutely love the opposing morality, motives crashing, internal conflict and compatibility with each other. It’s sexy and hot. They just have a presence when they are on the screen together. Are they gonna fight? Are they gonna fuck? Both??? Would it be better if they just fuck or at least kiss once to resolve the tension? Absolutely.

But it not happening on screen won’t stop my imagination along with many writers and artists. Only thing we as a fandom need to do is to support artists and writers so fandom can grow.

I’ve always shipped non canon pairings (maybe only canon active one is Katniss/Peeta from thg). So I don’t mind living with fanon. It makes fandom more creative to come up with scenarios and all in my experience.

[colleybri]

Cassian x Bix and Rebelcaptain: Please let these ships be friends !

I ‘ship’ Cassian x Bix AND Cassian x Jyn. I see there has been some conflict in the past when the “new woman” was first brought in with the series, some that remains now, and I’m both saddened and bemused by that.

Rebelcaptain for me is a canon relationship… to a certain extent. I have no doubt that these brave heroes would have ended up together had they lived. That’s why I love it… the whole beautiful tragedy of what might have been, and the loyalty that binds people together when making a sacrifice like this. Were they actually in love, in canon? For me – no. Not yet. And that’s important for my personal enjoyment of Rogue One, especially its ending. As the novelisation stresses, Cassian dies without knowing Jyn as “There wasn’t the time”. And I simply don’t believe you can love someone without knowing them . But I enjoy the idea of exploring what would have happened had they lived. They are a perfect loyal “battle couple”, definitely my favourite fanon SW couple and great to imagine together. I see Rebelcaptain also as a way of giving them the happy ending they deserved. Oh - and the chemistry between Felicity Jones and Diego Luna on-screen is absolutely electric. In short and again: I have no doubt that they would have fallen in love had they lived and would have been perfect for each other. And they are a perfect fanon ship.

(^^ And I I think this is the exact moment in canon when they both acknowledge the loss of what might have been. It’s just heartbreakingly beautiful… )

Cassian x Bix - I don’t even think of it as a ‘ship’ per se as it is a 100% canon relationship, and one that is currently ongoing as we wait for Andor S2.. It’s fascinating to me – 17 years of friendship that has occasionally blossomed into a romantic/sexual relationship. It’s a genuinely unusual set up too. I’ve read a few takes that they are “over each other” by the time of the start of the series, to which I want to say … watch again, closely! They certainly have moved on to date different people, but it’s also very clear from their interactions (especially in the intense scene in Ep 7) that there is still a lot of extremely deep feeling between them – even if some of it is very negative. In the S1 production notes, the show’s creator Tony Gilroy says that they “are meant to be together… but it’s been impossible all these years. Now, she’s done with him … he’s burnt every last bridge .” Why? The series also provides the answer – Cassian is in many ways an absolute mess at the start of the season and Bix was quite rightly fed up with him as a boyfriend. He’s completely unreliable, likes short-lived affairs (often with married women - so no risk of commitment!), isn’t working regularly and has debts all over the place. This largely stems from his “unresolved childhood trauma”. He has a fear of “leaving people behind” and despite having a lot of love to give “ is so scared of being loved”. But he and Bix nonetheless prove to be incredibly loyal friends and their love in this platonic sense clearly runs very deep indeed. They have known each other since he was 10 so she is also something like a sister figure. Bix is still very protective of Cassian and takes personal risks for him… and he finally comes to appreciate this and pay back his metaphorical debt to her in the finale. The question now is what season 2 holds for them, if anything.

(^^ I love the way she is using her fingertips to push his hand off, as if to avoid the risk of too much touch. The gesture and look that says “Please don’t try and get close to me again because we both know how bad that is for us… but I’m such a total idiot when it comes to you that I will still very unwisely go out of my way to help you, especially when you look at me like that so please just don’t”)

Does loving their messy and complicated relationship mean that I want Cassian and Bix to ‘end up together’ ? No, and the obvious additional point is that they don’t! They are both going to be very different people at the start of S2 and over the following years of the story . Bix has been traumatised; Cassian has been radicalised. And that’s just the start. Perhaps they quickly drift apart. Perhaps some kind of betrayal is involved. Perhaps one or both of them will want to commit again to a relationship, but it’s impossible because of the demands of the rebellion (like Vel /Cinta). Perhaps Bix “ends up with” someone else (Brasso, ideally, especially if they both survive the season). Perhaps they will get back together at least for a while and enjoy a little last happiness before inevitable heartbreak. Perhaps all, some or none of these. But none of that stops me from loving and appreciating what they do have, what they have had up to now, and the intriguing dynamics of when they do interact on screen. Bix x Cassian attracts me as a fanfic ship because it’s all about exploring what is there and how it came to be, which is why I currently don’t write them beyond the present time of season 1. I’m waiting to see what happens next in Canon, as it were, because that to me is an important part of writing them. Meanwhile, I’m enjoying analysing the relationship by imagining them in the past.

So for me Bix x Cassian in no way impacts on Jyn x Cassian or vice versa, especially if you apply… real life principles rather than the ideals of fandoms: “soulmates” and OTPs. Many people – most people – will have a beautifully intense and loving relationship with more than one person at different times of their lives. I’m old – trust me on this one.

^^ Both relationships in these two scenes go way beyond romance. In the first - many years of close and loyal friendship. In the second: a bond created through brave and selfless sacrifice together. And for both: Cassian’s absolute hatred of being “someone who leaves people behind”: the quality that I love best about him. And saving each other. Literally and metaphorically.

And oh… it’s beautiful. Both moments are beautiful.

Edit: I won’t do any speculating here about the content of the trailers and articles. Except to say that there’s nothing in them that detracts from the emotional power of both ships. They can continue to happily coexist. 

[iridescenttttttt]

This includes s5 spoilers!!

I think we as a fandom should talk more about how sun wukong has absolutely no self preservation, and how he has been self-sacrificial since season 1. Hi, my name is iridescent, and in this essay-

ok but in all seriousness, I have evidence from every season of him doing this, and I will be analyzing it and informing about it Meticulously.

I also have a couple of tangents about him protecting MK in here. I just like the detail of him always doing that, especially considering how he does it.

it wasn’t just season 5 where he was willing to sacrifice himself, season 5 was just the only season where it was outright blatantly stated that he was going to sacrifice himself.

(^Image taken from S1 EP9, Macaque)

this image in and of itself is fairly minor. Because we know he’s going to be okay. he is immortal, and compared to MK, an explosion most definitely will not do much, if anything, to him. and I’m sure he’s fully aware of this (which is probably part of the reason he shields MK with his body so much, there are SO many example of him doing this)

Still, even the fact his immediate instinct was to throw himself in harms way to protect MK is pretty sacrificial in and of itself. I’m 100% certain that even if it could hurt him, he would still protect MK like this.

(^ image taken from S2 EP10, this is the end)

Wukong here is visibly weakened and injured. It was stated early in season 3 that he was weak, and even at the end of season 2, we could tell. ESPECIALLY when he grabbed MK and escaped from LBD on his nimbus cloud. By the time they found their friends, it was deteriorating, and they quiet literally crash landed onto the ship.

But despite his obviously weakened state, he was still throwing himself in front of MK, protecting him from harm, and shielding him with his body. His first thought was to throw himself in harms way, and this time, there is a very real possibility that he probably can get injured! He’s weak, his powers are failing, there is no way he would have the energy to fight LBD. Not in the state he is in at this very moment, and MK isn’t, either. He knows this- I know he does, because instead of picking a fight, he grabs MK and runs. He even admits that he isn’t in any shape to face her. However, even though he knows he would hardly be able to put up a fight as it stands right now, he is still willing to throw himself in front of MK. (Which also directly supports what I said above! It does not matter if he can get hurt if not, he will still put himself in harms way to keep MK safe)

Similarly to above, he was fully willing to find and reforge the samadhi fire on his own, despite his weakened state- to keep the others out of harms way, because they are mortal and he is not. Still, even despite him being immortal, he’s trying to reforge the samadhi fire- one of the rare things that has the ability to actually hurt him. Wukong knows this, and he is still willing to do this alone. Even though he is obviously injured, and weakened, and there is a very real possibility the samadhi fire could kill him, he is willing to do this on his own. Because they are mortals- if the fire can kill him, then it can definitely kill them, too.

(^ Image taken from S3, EP1, on the run)

season 3 is, in my opinion, where his self-sacrificial tendencies and complete lack of self preservation becomes a lot more obvious. So, fair warning, season 3 is probably going to be a long one.

Wukong is fully willing to risk himself to get the map. And it isn’t like he doesn’t know the risks of forcing his way through the Barrie. Ne Zha even warns him, and says that if he forces his way through the barrier, they could both be destroyed. And honestly? If Wukong wasn’t, like, 7x immortal, there is a very real possibility that he would’ve been destroyed, then and there. And while, yeah, Ne Zha didn’t die, either, he also wasnt the one actively breaking through the barrier. I’m sure if Ne Zha was the one breaking through, he probably would’ve died. Even then, Wukong was severely weakened after this (as seen and talked about above!), he knew the risks and he still took them. He knew he could die, but if it meant saving the world and keeping MK and his friends safe? He would do it. And, again, even after being fully aware of his weakened state, he immediately ran to the protection of MK as soon as he realized he was in danger.

(^images taken from S3 EP10, The Samadhi Fire)

I’ve already talked about how often he is shown to use his body to protect MK from danger, but here, specifically, I want to mention be we are specifically shown a scene of him moving his arm to protect MK from danger. Especially considering the danger is the samadhi fire- something that can actually harm him. This is different from most other times he’s doing this, because this time, he can actually get hurt.

This is one of, in my opinion, one the most obvious examples of him being a self sacrificing idiot with very little self preservation (/aff)

his entire plan, from the very beginning, was to try and take the samadhi fire out of Mei (because he never wanted her to be harmed- he’s spent the entirety of season 2 and 3 trying to protect MK and his friends, he never one intentionally hurt them) and put it in himself. Think about that. The samadhi fire is something that can harm him- kill him, and he knows that. He knows that extremely well. His entire plan could lead to his death, and he’s aware of that. And the same thing goes for when he was getting the map in the first place- both times, he was fully aware that there is a possibility he could die from this. He doesn’t care, though. If it protects the people he cares about, he’s going to do it- even if he dies in the process.

once again, we are specifically shown a scene of him trying to protect MK. His immediate thought has always been to take the brunt of the fire, and keep MK from danger- I fully think, had there not been a shock factor to MK literally running straight in, he would have ran in after.

Again, in this scene he has no self preservation, and he is very self sacrificial. His entire plan from the very beginning hitched on having a weapon, something powerful enough to stop the lady bone demon, except that plan has failed, and now, there is no weapon. So his new solution? Stop LBD himself.

If he was truly confident he could beat her again, then why did he go looking for the samadhi fire, instead of going to immediately fight her and stop her? He’s desperate, he knows how bad the situation is, and he still isn’t sure if he can even beat her. He’s still willing to try, if it means protecting MK and his friends, and saving the world. He’s going into the fight. Alone. No backup, no plan, no samadhi fire. (And we know this goes wrong, too) He is fully aware of this! He knows he’s going into a fight he’s might not come out of. Everyone else knows this, too- Ne Zha even points out the chances of him surviving are slim.

(^ image taken from S4, EP1, familiar tales)

once again, his immediate reaction (even when being faced with his trauma) is to protect and save MK. He knows what the scroll is, and he knows what’s going to happen if he gets stuck inside of it- despite that, he still sacrifices himself to ensure MK doesn’t get stuck inside of the scroll. He lets himself get sucked into it. He is willing to face all of the mistakes he’s made and the trauma he’s endured to protect MK from having to go through the same.

WARNING YOU ALL AGAIN!!! S5 SPOILERS BEGIN NOW!!

Let’s all be honest here, they’re both lacking in the self preservation department. They are not lacking in the self sacrifice department, though, I’ll tell you that much! This entire fight, they are very blatant about how they are, quite literally, fighting over who gets to sacrifice themself. There isn’t much to say here that wouldn’t be stating the obvious- neither of them want eachother to sacrifice themselves, they both want to be the sacrifice.

TLDR: Sun Wukong has been self sacrificial and has had a disregard for his own preservation since we were introduced to him. This has only become more apparent as he grew closer to MK, and as his character has developed.

is all of this already very obvious? Mmmaybe???? I’m not too sure. Did I make a couple of reaches a couple of times? Mmmmmmmaaaaaybe. Is this an excuse to infodump and talk about sun wukong? Yeah. Am I sorry? No.

[ishallgivehimupforever]

Here We go again Bellarke warriors, if you can hear me, it's been about 1680 days since I stopped caring (or so I thought)

I hadn't been to tumblr in years, before I decided to give the 100 a rewatch in June of this year, as I had given up somewhere around the start of season 5 (I remember hating the LONG ass timeskip teased at the end of S4, I guess some other media must have swallowed me during hiatus, and when I tried to give that season a chance I vividly remember 1) I couldn't see shit on my screen 2) I hated what the timeskip did to the established relationships) and so I dropped it for good, looking back I almost can't believe I could just...not finish it like that because let me tell you I did NOT fuck about Clarke and Bellamy, and Raven, and Monty, and probably some other characters back in 2015-2016. I think I maybe did not appreciate season 4 enough at the time it was airing (because I think binge-watching is very flattering for that season, watching it live I remember it was frustrating to watch the characters go on side quests in 4A) but now knowing what the character arcs are and where it was going makes it my second-favorite season. BUT, I digress, wow. This is meant to be a rambling, incohisive love letter to the compelling relationship between Bellamy and Clarke. I warn you, they truly do not fucking leave you as it turns out. I would go to the trenches for them back in my fandom days in 2015-17, and I realised, after binge-waching the show over 4 sleepless nights (seasons 1-6, which are the only seasons in existence, obviously)that I STILL just FUCKING CARE SO MUCH. I NEVER CARED ABOUT FICTIONAL CHARACTERS SO MUCH AS CARE FOR THESE TWO SEPARATELY, AND AS SOULMATES. Because let me tell you, Clarke and Bellamy, they fucking love each. Like actual, happens-only-in-romances LOVE. It is frankly INSANE how JRoth, K*m Shum and other managed to gaslight me over some of the bellarke scenes in S2-S3 as to make me think it's in my (and thousand's of fans') head WHEN IT IS SO FUCKING OBVIOUS FROM SCORE, EDITING CHOICES, LONGING LOOK SHOTS, HANDS SHOTS, LINES, AND FINALLY, ACTING AND DIRECTION THAT THESE TWO ARE LOVERS.

I have never, ever, before or since, followed two characters who were so compatible, so equal, so trusting in each other, so open with one another, so mindful of the other's emotions and needs, so so so made for each other, that it is no surprise to me that they are top 10 F/M pairing on AO3. Because Bellamy and Clarke would fall in love in every imaginable scenario, in every universe, across time. I am not usually that cheesy or cringy, but it is true. I could not put my finger on why they are my absolute favorite to read fanfic for and then it occurred to me. That as long as the hands of fate put these two in proximity of each other, it;s a done deal. That chemistry transcends the limits of a single tv show. The depth with how Clarke and Bellamy love each other honestly makes me pause for breath sometimes. It is not just the iconic, famous bellarke scenes, but also the quiet moments.

Like in 6x05 or 6x06 (cant remember) when Clarke's body was stolen by Josephine after her one-night stand with Cillian. (stay with me) Bellamy, unaware that Clarke isn't herself at that point, comes over to chat, he's clearly at least a bit jealous over her sleeping with Cillian, and yet he says "happiness looks good on you" with that wide, earnest smile. And just wow. How must he love her, to be so utterly happy for her own happiness that has in that instance nothing to do with him. so selfless. well, selfless is basically Bellamy's middle name.

Or how in season 4, after a lot of the characters and at times the narrative wanted to push this idea on Clarke that she is the sole leader of her people, gets right back on track to her co-leader dynamic with Bellamy, constantly checking with him, considering his input, and respecting choices that she herself would maybe not make (releasing the ensalved arkadians and grounders vs ensuring they get a machine necessary to generate water) but always understanding that these choices agree with his core values, and she loves him for it.

This post is way too long. I love Bellamy. I love Clarke. People often use the 'MY PARENTS" about ships on twitter, and you know what, in my case that's kinda true with bellarke. I met these characters when I was 15. I am 25 now, and with an adult perspective to my surprise I found their relationship even more profound then I remembered, and I was insanse about them already. They are truly THE power couple of all time. I miss the 100, If you wanna ramble about it together, feel welcome to send me ask, I'd love to have an excuse to share some of my (sometimes unpopular) opinions lol.

[caufield193]

I am a twol S2 truther idk. If you’re just as delusional as me…. Here is my proof…

- if you recall, when they announced that they were doing a Richonne series, it wasn’t announced as limited…. Suddenly, AMC threw limited on there, which makes sense… comic con is coming up, they need something to announce there

- during the filming of TOWL, there were so many side actors and backgrounds, who would accidentally say, ��� see you for season 2.” There post are no longer available.

- Gale Anne Hurd… a producer, accidentally posted in February, a link to getting cast for S2.

- the most obvious one… Scott said he wants them all to come together, so we know we’ll see them again in an endgame, but the CRM isn’t completely done. Portland still exist, in order to get to that Endgame, Richonne still have more story to tell.

- danai says, “ we’ll figure that out on the next one…” when ending her scene.

- the biggest one! NO ONE CAN GIVE A STRAIGHT ANSWER! When they asked danai she goes, “ now you know I can’t answer that.” Why Danai? As it stands there’s only one season, so why cant you just say no? Saying no wouldn’t be a spoiler, because if it was no, you would just say no. When they asked Andy, he goes,” I like to think it stands alone, and it’s a dot dot dot.” An ellipses means that there is more. Scott says, he has more story to tell, and that he usually has a good track record of his dreams coming true. He is the fucking producer, and show runner , if anyone knows something it’s him, and like Andy said… they’re not one show anymore… there are multiple spin-offs… they’ve got to focus on DC, and Daryl and Carol right now…: Scott keeps saying he has more story, and keeps saying he would love to go on….

- the way it was advertised! If this was the last time we saw household names like Rick and Michonne, you really think they wouldn’t have had a cast interview. All we got was Andy in a field, and Dania doing a video lmfao.

- it being moved from limited to drama for the Emmy’s.

- S1 was always marketed as a Love story. For those complaining about not that much action, Michonne and Rick needed to get together before they completely rid the world of the CRM( portlan still exist… Silas, the spies… they didn’t get rid of the problem by killing Beale… they just got rid of someone who was going to unethically get rid of the problem… the problems still exist.) S1 was abt Rick and Michonne because as we saw in the mothership, when Michonne convinced Rick to fight Negan in the jail cell, before they could deal with the problem, they needed to be on the same page. S1 of TOWL was about them getting back on the same page.

- TWOL generated so much money for AMC.

Anyway, it doesn’t seem so delusional anymore is all I’m saying

[ok-sims]

Things in Good Omens 2 I still find weird after maaaaany rewatches

Yep, brace yourselves, it's exactly what's in the title:

Maggie making the spelling mistake ("urgrency") in one of the very first scenes of S2.

It is in the very first scene set in the present day. It is the first time we are presented to Maggie. And the spelling mistakes being very much connected to demons all through the season (specially in The Ball episode, with the note about the "angles" and Shax spelling "T-O-S-T-E", not to mention Furfur mispelling Aziraphale's name in 1941).

It is stands out so much because Maggie's mispelling is never brought up again, but the demons' is. And again, it was the audience's first contact with Maggie (even if she is offscreen). It might be just a callback joke (which does not make much sense to me, to be honest), it might be just red herring, or it might be to reinforce the "Maggie is a mirror to Crowley" theory (which does not make much sense to me either, because while Crowley is/was demon, we never see him making spelling mistakes himself).

I'm honestly at loss about what was the intention here. Seens to specific to be just random, given the demons do it many times. My best guess is that it is pure and intentional red herring, to mess with us. But then again, what for?

Miss Cheng (specially in E5S2, "The Ball")

Since my first watch, the brief scene when Miss Cheng is entering the Bookshop for Aziraphale's thinly disguised excuse to have a Jane Austen ball, she has a very... particular look in her face. It is when the weather is getting darkier e gloomier, resembling Michael Jackson's "Thriller" videoclip, because Shax and her "legion" of demons are arriving. The thing is, Miss Cheng does not look afraid at all, or even like she is suspecting something is going on. Miss Cheng looks suspicious herself! I feel like this scene is off in so many levels. First of all, it did not need to be included at all. So why add this scene to the final cut? Miss Cheng does not have a very clear role in the narrative, while all the other shopkeepers have at least something that not only sets them apart from everyone else, but adds something to the narrative and/or callbacks something else in the series.

Beside the obvious Nina and Maggie, Ms Sandwich brings to the table the comical relief, Mr Brown is there to set the excuse for the Jane Austen ball, Mr Arnold provides the fancy classical music for the ball AND the Doctor Who jokes, Justine is an excuse to bring up Aziraphale's bad French again, and give us a callback to the Bastille scene in S1, and Mutt is a callback to the magic shop shown in the zombie minisode.

But Miss Cheng on the other hand brings none of those things. We don't even get to see what is her bussiness. Of course, her scene discussing Ms Sandwich's work is a delight, but honestly, it could have been any other character asking about Ms Sandwich's job. And opportunity to have Ms Sandwich ask what Miss Cheng's work was there, but it was not taken.

Now, the only other scene Miss Cheng is in focus is in the very end of E6S2, when Maggie and Nina decide to sit down with Crowley to have The Talk. Nina asks Miss Cheng to look after the coffeeshop for a few minutes. Again, seens kinda random to have Miss Cheng there, and I really think this specific scene, by itself, might not have any further meaning. But when viewed along her other scenes (and specific lack of better fleshing out, which was given to all other shopkeepers), it just seens weird. Again, might just be a red herring to mess with us, but Miss Cheng is presented in a very sus way.

Aziraphale not having a replacement

Odd phrasing, I know, but I could not find better words to describe it. We are presented very early on to Shax, who is replacing Crowley in his former job in Hell. Shax is an important character all through the season, yet we never get a hint at who is replacing Aziraphale's job vacancy. We don't even get a hint if there is a replacement, or if it was decided Heaven would not be replacing him. We just get radio silence about who is Heaven's representative in London now, or if something happed to that position and why. Maybe if Shax simply did not exist, it wouldn't have bothered me. But since she does, and it is made clear many times that she has Crowley's former job, it stands out to me that nothing is ever said or even alluded about Aziraphale's former job position.

There are some other things that stand out to me, but these are the more obvious ones to me. I would be delighted to hear other people's takes on these matters, as I might have missed something. Oh well, I guess here is my first piece of Good Omens meta.

[starbylers]

I will always struggle to understand ‘Mike and El were planned endgame from the beginning’ when the show was originally intended as an anthology and they weren’t supposed to get this “happy romantic ending”? (I know this has been said but bare with me).

Yeah, they changed their direction during the making of s1 but the Duffers’ initial conception of the ending was for El to die: the original idea was never a story of this super deep romantic couple in love that people have turned it into. They didn’t sit there while brainstorming and be like yeah we want to tell a story about a middle-school-esque relationship that actually is true love and they stay together forever:

And of course ideas shift and develop over time, but the implication that M*leven endgame was inevitable and obvious and conceptualised from the very start is so inaccurate. They just wanted the story to be more open-ended to allow for a s2 continuation, that doesn’t mean they changed how they envisioned these characters and their dynamics. A genuine love story clearly wasn’t what the Duffers were interested in telling here, hence the ET/Elliott comparisons.

That was always the vibe they were going for with Mike and El. You can tell that when they discovered they would get more seasons, they took the roots of that M*leven puppy crush storyline and expanded on it to realistically depict the effects of both their trauma on how they perceive each other and (in s3) the comedic disaster that would be these two characters trying to date.

Like they find out they’re getting season 2, and they’re just like yep let’s keep these two apart until the last episode and have Mike bonding with and protecting his (gay, from the very first pitch) best friend. People loved M*leven after s1, and the Duffers must’ve known it would be a risk keeping them apart the entire time, but they wanted the Mike and Will storyline for a reason, so they did it!

Like actually process that when they discovered they were getting another season, romantic M*leven was never a priority for them. Showcasing Mike’s survivors guilt and El’s trauma over losing the first person to provide her real safety definitely was, but they nipped any opportunity of developing their relationship in the bud. And instead made Byler inseparable, giving them numerous sweet and intimate moments. They know what they’re doing.

[inkblotsonmyhands]

----------------SPOILERS FOR ARCANE SEASON 2 ACT I BELOW----------------

Alright then, hopefully no one who hasn't watched Arcane S2 Act I yet is reading this. I don't know if this has already been said or not but I was (like so many others) blown away by Act I last Saturday and literally cannot wait for the next two. Full disclosure in case I get any facts wrong (feel free to correct me!!), I have never played League of Legends in my life and know no lore whatsoever outside the show.

I'm fascinated by Isha and Jinx's currently nonexistent but gradually growing relationship. First of all, if I remember correctly, we know that this child's name is Isha only because of a subtitle—she never introduces herself, and no one ever calls her by name. Jinx only acknowledges her grudgingly, and until the very last scene of Episode 3, Sevika acts like she isn't even there.

I think there's parallels to be drawn between Powder and Isha, starting with what I mentioned—both of them are often ignored by the people around them. Of course, Powder was loved by her sister and adoptive siblings and father, most of them just rarely got the chance to really show it. I don't think Sevika or Jinx particularly care about Isha at all as of now, but we don't know much about her past. There's got to be some reason why Chross's men were chasing her, and there's got to be a reason why she apparently has nowhere to go. I would guess she's associated with either Chross, another chembaron, or perhaps a figure like Vander—relevant to the Lanes, but not a chembaron. I would also guess that, like Powder, whatever familial figure she has/had is either dead or has abandoned her.

She's small (although we do not know exactly how old she's supposed to be), does not appear to have much fighting ability, was scared the first time she saw Jinx kill people, and, despite it all, seems to be unnaturally resilient. From the little I've seen, she seems to be good at hiding and sneaking around. These are more traits that seem similar to Powder's. I'd like to add that her flinching when Jinx fired at Chross's men does not necessarily mean she's never seen violence before, but that she's probably never been in the direct line of it. I also think she has some emotional attachment to her hat. That could just be because it's useful, though.

The larger case I want to bring to light, however, is not her resemblance to Powder—but how she differs. There's two scenes where I think this really stands out.

The first is the Jinx and Sevika vs Smeech fight. The setting of the fight bears some similarity to the fight Vi, Claggor, and Mylo get into against some thugs at the beginning of Season 1. Obviously, Jinx and Sevika are much more experienced than the kids were at the time of their fight, but they're also fighting against equally powered opponents. Regardless, the two fights bear a resemblance in where they take place—the streets. Powder is present in one fight mostly because she goes where Vi goes; Isha is at the other because she was following Jinx. Powder, in an act of self-defense, tries to use the bomb she made, which backfires and results in her losing the loot and, in a way, nullifying the others' victory. Isha, in an attempt to help Jinx, throws the bomb that Jinx made—successfully distracting the thug, and allowing Jinx an easy kill.

The second instance is the Jinx and Sevika vs Vi and Caitlyn fight. There's no obvious similarity here, but I think, especially from Isha/Powder's perspective, this is a very similar situation to the fight Vi and everyone gets into against Silco's gang in the warehouse at the end of S1 Act I. Assuming Isha has very little context (just like Powder did, at the time), to her, it's a very big, very scary fight of the people who are "with" her—the good guys—vs the people attacking them—the bad guys. Powder, in an act of bravery, tries to intervene with a device she knows nothing about other than the fact that it explodes—and it does explode, and ultimately kills most of the people she was trying to save. Isha, in an act of bravery, tries to intervene with a gun, something she has presumably never held before, to save Jinx's life—and she succeeds. Another interesting detail is that in Powder's case, Silco's gang, armed with Shimmer, was blatantly and dangerously overpowered—Powder brought in the Hextech, which in theory, evened the odds, or even tipped them in their favor—but still cost them the fight. The fight Isha was witnessing was fairly evenly matched—Vi and Caitlyn had more Hextech weapons, but Jinx did have one Hextech weapon, and she and Sevika had the advantage of it being on their turf. Isha intervened with a simple gun, arguably the weakest weapon on the scene, but still succeeded. Lastly, Powder's intervention was from a distance, while Isha threw herself into the action. It should go without saying that I'm not trying to put Powder and Isha against each other at all—I'm just observing the situations they got put into.

To address the elephant in the room—I am aware that Powder and Jinx are the same person, but I'm drawing a distinction here because I'm examining the similarities between Powder (young Jinx, if you will) and Isha, wondering how Jinx would perceive them (if she perceives them at all), and how that would impact her relationship with her. I have no predictions as to what that may be, but I do expect Jinx and Isha's relationship to be an interesting one, and potentially, Isha may even play an important role in changing Jinx.

One last thing, although this is unrelated to the parallels—I mentioned earlier that Sevika acts like Isha doesn't exist until the very end of Episode 3. When Isha throws herself on Jinx, Caitlyn continues attempting to fire, and Vi attempts to stop her, I believe Sevika triggers the blast, ending that altercation, largely to save Isha. When she realizes that Caitlyn won't back away, she does the best thing she can to put a stop to the situation right there.

I could draw this even further into a Vander-Vi-Powder hold parallels to Sevika-Jinx-Isha theory, but that may be a stretch, even for me.

[shutupineedtothink]

I’m still s h o o k that people do not see exactly what’s going on with Moiraine throughout s2 and people are dragging her and dismissing her without an ounce of empathy for what she’s been through, so I’m bringing the full character analysis for y’all (and my own sanity). So this is a big ol in defense of Moiraine (and Lan) rant, so if that’s not your thing, scroll down now. Here we go.

I just… The AUDACITY some people have to look at Moiraine and be angry and pissed off at how she acts in S2. To not feel any sympathy and empathy for her and the monumental weight she’s under every goddamn day. There’s a reason we start with that bath scene in 2x01 – it shows you everything. How she’s just going through the motions. How she only lets herself cry when she’s alone in the water. How she literally curls into the fetal position and looks reproachfully devastated over her knees as she hugs them to her chest in a futile attempt at comfort. Not to mention the direct comparison/callback with the bath scene in 1x01, where she has both her power and Lan still, and now she’s lost her connection to both of them.

How is it not painfully obvious that every interaction she has after that bath scene is infused with a trauma response? Let’s tally up the devastation she’s been through. At the end of S1, she was 1. banished from the sisterhood of the white tower (they literally turned their backs on her), 2. was separated AGAIN from the love of her life fully expecting to never see her again, 3. was cut off from the other love of her life (that would be Lan, for the record) which is all the worse bc it’s her own fault for masking the bond, 4. was fully made to believe she’s been stilled from the one power aka an integral part of her being, AND 5. she’s “failed” her mission at the eye of the world – the one goal she’s had for the last 20 years, her life’s purpose – because instead of locking away the dark one she’s directly caused Rand to set Ishamael free.

You don’t think it's justified to be a little pissed off and standoffish after all of that? You don’t think the weight of that guilt, grief, pain, and loss is a reasonable cause to be distant, cold, harsh, having a little bit of a death wish? That’s TRAUMA, baby! She is absolutely wrecked, and it’s coming out in the worst way in her interactions with others (especially Lan because we’ve seen how they should be), but it’s absolutely not because she actively wants to hurt the people around her. In fact after almost every moment she lashes out at someone, we see an equally sad/grief-stricken/devastated moment from her and THAT’S the real emotion hiding underneath the anger. This woman needs therapy and understanding and patience, and does not deserve to be judged at the worst time of her life.

Ok fine, you say, but Lan IS patient and understanding with her! And she’s still an asshole to him! You’re right, Lan is absolutely trying his best and doing just about everything he can to be there for her in 2x01/2x02 (with a little help from Verin and Tomas). But 1. It’s STILL not about him, Moiraine is not obligated to respond in a certain way to her grief and pain that makes him feel better, and 2. This is Moiraine goddamn Damodred and even her trauma response is also a front to protect him, to push him away from her and what is now certainly a suicide mission to fight the dark without her powers.

This is SOOO important to really get Moiraine’s character — y’all gotta understand this: Moiraine truly loves only TWO people on the whole fucking planet: Siuan and Lan. They are also the only people who truly love her, unconditionally, with all of her flaws and imperfections. Please please ingrain that into your brain, especially for Lan, in this context. (Siuan is a whole other conversation I won’t get into at the moment.) Moiraine loves Lan, he loves her, deeply. That’s the foundation of everything they go through with each other in this season, despite what’s happening on the surface.

Once you accept that as fundamental truth, everything makes a whole lot more sense. She is a dick to him to push him away. Literally tells him he failed her to put the final nail in the coffin of driving him away, which is his worst nightmare. On the surface it seems egotistic at best, plain cruel at worst. But look underneath. Moiraine always has reasons 2, 3, 6 layers deep for everything she does.

With everyone else she’s mean to this season, namely her sister and her nephew, it’s born out of distrust (and the aforementioned trauma response). She can’t afford to trust anyone because anyone could be a dark friend. (And if they’re not a dark friend, then they become a liability and endangered.) Anything she lets slip could be used to hurt/control Rand and push them all one step closer to eternal darkness. Oh and when we see Barthanes’ true nature that turns out to be fucking justified, by the way. But I digress.

Right so why is she an asshole to Lan then? Because she doesn’t trust him? I don’t believe that for a second. These two have been on the same page, literally sharing the same headspace, for the last 20 years – she knows he’s the best person she’s ever met, the least likely to ever turn to the dark, ever. It’s an actual impossibility. So it’s not that she doesn’t trust him. She literally marvels at how courageous he must be to fight the dark with only a sword.

The true reason is: she does trust him, she does love him, and she KNOWS him. She knows that he will never leave her like this, in her darkest hour. He is both honor-bound to her (which he takes very seriously) and deeply cares for her. The problem is that now his life is in serious danger by staying with her. But there is no calmly explaining to him that he should return to the white tower for his own good and bond to another aes sedai who can actually channel, who can actually hold up her end of the partnership and protect him and heal him in return for his loyalty and sacrifice. Or better yet, find Nynaeve, who is not only ridiculously powerful and has probably the best chance of protecting him out of anyone, but who also loves him.

If Moiraine loves him and wants him safe, the ONLY option she has to protect him, the one good thing left in her life even if their bond is masked, is to drive him away. To make it so that he’ll stay far away from her of his own free will, and never come after her and her suicide mission to defeat the dark. Because she has already lost everything, she has no control over her fate anymore (if she ever had any to begin with), but the ONE thing she can still try to do is keep him safe. And hopefully, maybe he’ll be happy, one day. Her reasoning is directly confirmed for us in the last thing she says to him in 2x02 before she leaves: “Light protect you, al’Lan Mandragoran.” That was her goal all along, to protect him.

That’s the true reason she’s Like That to him. It’s all out of her love for him, and a desperate desire not to drag him down with her when she’s sure she’s destined to die on this mission. Is her strategy misguided? On the one hand yes, because she does need people to help her and she needs to trust someone, as he points out. On the other hand, she’s absolutely fucking right because look what happened with the Fade fight at the end of 2x01. Both her and Lan would have died without Verin and Tomas, and it would have been because she couldn’t channel. He is factually, logically, physically better off without her as long as she’s “stilled.”

This is why it makes sense how Lan eventually responds the way he does. He initially sees right through what she’s trying to do, he literally says he won’t let her push him away. He knows her too, better than anyone, including Siuan at this point. But he isn’t expecting her to go as far as she does, and it shakes him to his core. She tells him he failed her, has his worst fears confirmed, and then hears the words “we were never equals” and hears that she thinks she’s better than him, when she means the exact opposite. Tomas tells him to really listen but he can’t, in that moment.

But then he gets some distance, and some perspective thanks to Ihvon and Maksim, and he remembers: he loves her. He believes in her and he knows her and he knows what she’s doing to push him away (although maybe not why, when it comes to protecting him, because he doesn’t see himself as someone who needs protecting). Even better, he realizes that her situation is actually not what she thinks, that she’s shielded not stilled, and he can do something about that.

I LOVE Lan in 2x07 because he’s got Moiraine’s number now, and he will not be swayed by any further attempts (rather weak attempts at this point) to lash out at him. He just takes all the shit she throws at him, and calmly asks her what he needs to know and tells her what she needs to hear (“hopefully everything we’ve lost” and “that’s what I thought” and “you need to trust someone, Moiraine”), and is truthful with her even if she is still putting on this act with him in her fear and grief. He isn’t having any of it, he sees straight through it to the fear and pain underneath. And he literally DECIDES they are going to be okay, and then he fucking. Follows. Through.

He is not a doormat to her rage, he is not her servant, he’s not going back to her with his tail between his legs. He SHOWS UP for her in her darkest hour, when NO ONE, not even Siuan, can see what’s going on with her. That’s a true friend, a true hero, and absolute king behavior.

In conclusion, Moiraine’s behavior in s2, while not cute, is totally justified given the trauma, circumstances and everything she’s dealing with (jfc the lack of sleep alone) and makes sense in light of her ultimate goal to protect the world, which includes protecting Lan. And Lan’s response, once he figures out what to do, is the absolute correct way to handle the situation and is not weakness at all but strength in the highest order.

I’m so glad we got the payoff of all that with their conversation in 2x08 and reconnecting the bond. It was so beautiful, so earned, and reminded us of the level they’re on with each other — which is a soul connection way beyond what any of us can imagine.

[claimedcrossbows]

Tyler Galpin's "Did you ever even love her?" Line Analysis, And Why It's Important to Weyler!

Y'all might wanna grab y'all popcorn for this analysis.

-

I know this has probably already been said a million times, and theorized upon but @gardenoblues and their analysis on the Tyler and Wednesday talk at the Rave'N got me thinking about a certain Tyler Galpin line.

Let me explain.

Tyler asking his dad in season 1, if he ever even loved his mom is actually so out of place considering we didn't learn ANYTHING of his mom, other than she was a Hyde, and eventually died after giving birth to Tyler, and apparently his dad and mom must've had some type of falling out.

That's all we learn in Season 1.

The reason I say it's so out of place to ask his dad in this episode or even season is because usually when writers set up a disposition, I feel it's usually followed through by the end of the episode or season. In this particular case we get no history or pay off at all of what Donovan and Francoise relationship was really like, not even a small flashback so this question seems like it was asked to early right?

So this makes me as a viewer as well as a writer ask the question.

"Why was this line incorporated into the show and why so early?"

Besides the Obvious reason, they just wanted to show some kind of drama with the Galpin household to make Tyler suspicious.

BUT

To me there's only 2 reasons this line was important enough, to be set up for Season 2 but mentioned in Season 1.

1.) This line is (obviously) going to be further delved into, giving us more of Francoise, Donovan's and Tyler's backstory in Season 2.

Yes, reason #1 could be enough to set up a One Liner so early in the first season, only to be resolved a season later. But to me, it's still a little weak that this couldn't have easily been delved into in season 1, if only just a little bit.

Which makes me think, there's ANOTHER reason, this line was used as a set up.

2.) For a motif, parallel's and indirect (covert) foreshadowing.

And what I mean by all this is, The phrase, "Did you ever even love her?" is a set up quote to be used again (A motif), by a different character, probably to the same person who asked the quote prior. Meaning at some point in S2, maybe even S3, I 100% believe this quote is going to be directed back to Tyler.

It will be a parallel because Tyler's question is now reverted directly back to him.

And I say it's indirect (Covert) foreshadowing because dramatic irony is amazing and in my opinion underused in movies or shows, because really, how ironic would it be to have someone ask Tyler the same question he asked his dad in similar circumstances?

Now, who could be asking him this question and who is it directed towards?

The first one, I'm not sure who's asking Tyler this.

But I can definitely tell you who it's directed towards.

Wednesday Addams.

Because when you think about it, from the very beginning of Wednesday's and Tyler story, all the way to the very end of season 1, Their entire relationship boiled down to the simple question.

"Did Tyler Ever Really Love Wednesday?"

I said all this to say this, that question more than likely will be asked to Tyler, just like he asked his dad, and I can't wait for the moment to happen.

*MIC DROP*

[bookqueenrules]

Coda, Coda, Coda-DD Episode 4

In this post, I asked TDers to be on the look out for the Easter Egg that's not really an Easter Egg which Gimple mentioned on the NYCC panel. It was unclear if he was saying it was in episode 4 or not, but if he did mean episode 4, he was clearly referring to the Coda symbols in this is episode. For a reference as what a Coda is and how it is connected to Beth and her return, here is a wonderful post by @twdmusicboxmystery

I found two coda symbols in the episode. Please let me know if anyone found others. Interestingly, there are other TD related symbols above each of the codas.

In the garage with Theo and the other older gentleman, I don't remember his name, the coda symbol is clearly reflected on the top of the car.

The fact that this coda symbol is literally a reflection on a CAR is like a neon sign for TDers. If Beth did survive by being left in a car, either in the backseat or the trunk, putting the coda symbol on the car would be a clear sign that Beth was "resurrected" from the car as TD believes. Above it is a car sign for a brand of car, these cars no longer sold in North American, with a Chevron pattern like the one in the gray sweater Beth wore during Coda.

Next, there is the coda painted on pillars at the Nest. Soon after Isabelle's Coda-like death, this appears clearly in the shot behind Losang. Above the coda is a compass rose. I won't go over the compass rose symbolism as many other TDers have written about it for years.

So what do these codas mean? If this is the "mythology" Gimple is referring to, why is he calling it out? We know he uses symbols of all kinds in every episode. So, why call out this symbol now? The obvious answer is that the episode is the second Coda and now we will be going back to the first coda and Beth will return. Another NYCC tidbit is that right before the question that elicited Gimple's "Easter Egg" response was a question about crossovers and cameos. Gimple and Zabel looked at each other, laughed, and Zabel said that they are working on something right now.

By the end of season one and now throughout season two of DD, they have clearly repeated parts seasons 4 and 5. Based on this, below is my conjecture as to when Beth will return.

There may be post credits scene that airs after the cable broadcast of 2x6 where we see that Beth is alive like we saw Morgan after 5x8 Coda.

2. It could mean that we are in middle of a replay, but the replay isn't complete. I did a post explaining how we have seen a replay of 5x01, 5x02, and 5x03 here. However, knowing how the rest of the season goes, I don't think we have seen the replay of these episodes yet.

Honestly, as disappointing as it may be, I think season 3 will be about replaying some of these episode before we get Beth.

I'll post more about it later, but we already have a S3 spoiler that during a celebration a military like vehicle pulls up. Then, a man was heard yelling, "They kidnapped my daughter." I believe they were filming episode 2. So, @galadrieljones I believe you were correct about the kidnapping. It's not Laurent but a new character in Spain. Assuming D and C go after the girl, and I am sure they will, that episode may be the replay of Consumed and/or Crossed.

Another confirmation from S3 spoilers is the train connection. Trains are mentioned strangely in a couple of places in episode 4 as @twdmusicboxmystery pointed out in her video. She predicted that we would see a train soon. Guess what? A BTS picture was posted of a yellow(the color of reunion) train being filmed in Spain.

I'll post all the BTS pics I have as soon as S2 is over. I mention all the things TD has been and continues to be right about to show that we should not be too upset if she doesn't show at the end of season 2. She will show soon. Judging by the replays, she will show by the end of season 3 at the latest. Hang in there! In the mean time, Bethyl has the BEST fanfiction writers to keep us entertained!

TD is right. All the signs and symbols point to Beth's return. She will return. Unfortunately, TPTB are not in as a much of hurry to get there as we are.

[fantasticmoonsalad]

Caitlyn and Jinx parallels - and the conclusion they hint at

I think (and other people have guessed this too) that Caitlyn will lose an eye by the end of Arcane.

This is why. Spoilers for Arcane S2 Act 1 below (and some stuff from the trailers)

To me, the way that the show is currently portraying Caitlyn and Jinx points to this conclusion. It's pretty obvious to everyone that the two characters have been set up to be narrative foils. Jinx, from what I've seen in trailers for Arcane Season 2, will become a symbol to the people of Zaun, representing revolution from the Piltovian elite who have been abusing them for countless years.

Jinx's character represents the best of Zaun -- the ingenuity of the people there can be seen in the way she builds and creates devices from Piltovian scraps. She is also capable of incredible violence, the sort of acts of revolution that are necessary to induce change.

By the end of Act 1, Caitlyn has become a symbol of Piltover. She comes from an old, wealthy family, one that changed the very foundation the city was built on through their wealth and engineering.

Through these parallels, we can guess that when other characters describe or say things about Jinx or Caitlyn and the power they have as symbols, there is a double meaning -- they also apply to their foil.

Take this for example. Salo is talking about Caitlyn, about the power and prestige her name gives her. But is he?

When I first watched this scene I was struck by how ambiguous the wording is -- it took a few viewings to realise they were speaking about Caitlyn. Ambessa mentions that Caitlyn "overpowered" Salo in the council chamber when she stormed up and laid out her plan for a strike force. But we, the audience, know of another girl who overpowered Salo (and the other councillors) in their chambers.

The dialogue is foreshadowing what will happen around Jinx -- the way her actions and name captivate Zaun and the movement that will grow around her.

But why do I think this leads to Caitlyn losing an eye?

The episode before, Smeech - a chembaron, arguably a member of the closest thing Zaun has ever had to their own council (which is like... yeeesh) says this to Jinx:

When we think of a long-range type in Arcane, who do we think of?

Jinx is also technically a long-range fighter, but she's much better at close-up scrapping than Caitlyn, who almost gets her ass kicked by Sevika (and probably would have if not for the Hexcore glitch).

Caitlyn losing an eye would be devastating as she is a long range sharpshooter who relies heavily on her vision. Smeech's moment with Jinx was the part that convinced me this was going to happen.

There's other stuff, too, if you apply the "using the other foil as foreshadowing" rule.

Jinx's classic "who, me?" look also has her showing one eye.

And obviously in the poster, Caitlyn has literally put pins in Jinx's eye. Not worried about that rebounding at all Cait?

There's more. Caitlyn at her most reprehensible (gassing the Undercity) has one eye.

The Caitlyn doll Jinx made has one eye (I think, it's hard to tell).

This is a bit more of a long shot, but when Caitlyn thinks she sees Jinx at the old arcade in Zaun, she flips and shoots the figurine.

We get a quick shot of her eyes beforehand.

Don't you think the pupils kind of look like dartboards? Like targets?

I think Caitlyn is going to get very injured in her quest to get Jinx. Everything she throws at Jinx has managed to rebound at her. Even using the tunnels her family built and unleashing the Gray on the gangs of Zaun got Uno-reversed on her -- Jinx just blew it up to the surface (with her own flair, of course).

Vi even says it out loud, comparing Caitlyn to Jinx - the thing that pushes Cait over the edge and past the point of no-return.

Also there are a lot of profile shots of Caitlyn in the intro and the show that only show one eye.