#when it was obvious if not from the get-go then from season 2/end of s2 max that they not only should be together but have feelings

[fieryncbles]

If you saw me add Castle muses here... no you didn't 😅

[low-budget-korra]

Arcane Hot Takes

1. The hate on Jayce is mostly for no reason. He was a good guy, genuinely nice and with no toxic masculinity. He never created Hextec to be a weapon or to destroy the world. And only got really mad when Jinx stole his creation and honestly? He had the right to be mad at that. He ain't perfect, he made mistakes but c'mon guys.

2. If you hate on s2 Caitlyn but idolize Silco, you're a hypocrite. The difference is that Caitlyn did all blinded by grief while Silco did blinded by the thirst for power

And speaking of Silco…No, he is not this revolutionary man some of the fandom make him out to be. He was a Mafia boss who filled the streets with drugs, divided and weakened his own community and even used child work in his factories. Yeah, he was not some Che Guevara freedom fighter. All he had was beautiful speeches abt it.

And also not this perfect father figure for Jinx, as he kept filling her paranoias and manipulating her

3. The writers made a miracle managing to end the show in a nice way, but the truth is that Arcane needed at least one more season to be perfect. 

In s2 they rely too much on characters' micro expressions and subtext. Which is not a bad thing at all, but in a first view a lot of things get missed

I already saw s2 three times, so if you think things were poorly explained, try to watch a second time. Better, binge s1 and s2 and I guarantee that a lot of stuff you think was outta nowhere, will make sense.

4. Caitlyn had the best character arc in season 2. Experiencing the phases of grief, getting radicalized and manipulated, opening her eyes and realizing what she was doing, a subtle yet important redemption.

And I Say "subtle" bc even if for me it was obvious, I know for a lot of people, it wasn't.

Also, the haters don't want her to recognize what she did wrong bc she already did, just not with those on the nose dialogues. The haters wanted her to be punished, which she also was. Girl was stabbed in the abdomen, betrayed by her right hand, was almost executed in front of her men, got beat up with a knife still in her abdomen and lost an eye. Yeah, I think she was punished enough and if you wanted more, just admit that you are a bit sadistic and move on

5. Arcane is fiction. Sure, it takes insp in real life problems but is still fiction. Its cool to be able to recognize the themes but project our world problems, anger and frustration towards the characters is stupid and makes you miss a lot of good stuff in the show. If you act radical abt the show, you don't have the right to judge someone that goes radical after losing her mom to a terrorist attack.

It doesn't matter if her mother was rich or something. In fact, Cassandra was one of the few council members, maybe the only one, who actually did something good for the Zaunites as she was the one that created those air filters for people in Zaun, the workers, be able to breathe without getting cancer or smt.

Yes, I know it's the bare minimum but she was the only one doing something. Heimerdinger in his 200y never did something like that and only tried to help Zaun when he was expelled from the council.

6. Vi didn know Jinx was wanting to off herself. Jinx already tricked her a couple times before and “breaking the circle” , from Vi’s pov could mean a lot of things. From offing herself to explode things again. She doesn't watch Arcane guys, she doesn't know Jinx as well as we do.

7. Having Zaunites helping Piltover in the battle wasn't lazy writing or disrespectful. It was literally about the fate of their world, y'all thing Ambessa and Viktor would stop with just Piltover? Who y'all think would be the next target? 

They also used the enforcers uniform because it is a tactical one, useful in a situation like a battle. I can hate on the police all I want but in a situation like that, I would rather go to battle with that stupid uniform and bullet proof vest than go on a simple tank top, jeans and converse.

And this shows how better the Zaunites are compared to Piltover and it's enforcers. They were willing to shallow their hate, their pride and help their oppressors for the greater good. That's a good heart, maturity and emotional intelligence.

[loycos]

my head's a bit clearer, some thoughts about act 3

-my biggest gripe is episode 7- cool idea, love the concept of peaking into a different universe and seeing what our characters couldve been under different circumstances, but a WHOLE episode. when you only had 9 episode in this season, that already feel like theyre moving at a neck's pace. for a universe that ultimately doesn't matter to the main universe where the story takes place. the fact it had timebomb made it feel extremely fan service-y.

-no emotional resolution to a lot of characters. viktor and jayce are the only ones i can think of that felt like they got the screen time and care for an actual emotional closure.

-isha wasn't even mentioned in this act. in general she was already a martyr for jinx's character development but guys can you make it less obvious.

-it started in act 2, hence why i was so jaded on it, but it continues here: just where the fuck the political drama between 2 cities go? the conflict between zaun and piltover took a back seat since episode 4 and never came back. the resolution to it isn't bad per say, but when u got so little focus on it in the finale it just feels rushed.

-i loved the cait and jinx scene. but like, that was the resolution to it??? after act 1 thinking about it disappoints me. im not against a conversation being the climax to a story, but that is, and im not joking, the ONLY conversation these 2 have in the show one on one. in general the jinx\cait\vi arc ends with 1 conversation per duo (well caitvi got one fight and one very steamy sex scene but u won't catch me complaining). and after act 1, idk i think i wanted just a little bit more. im biased though- the jinx\vi\caitlyn dynamic is my favorite part about arcane. the teasers for s2 always had them front and center so i assumed it'll play a bigger part in the story???

-i felt like what the show was at its core, which is the conflict between the sisters and the cities, was completely sidelined this season. in general i can't really tell what the main theme of the show is anymore. but yeah look at the resolution to the jinx and vi story.did it feel like it had the emotional impact u expected? cause i felt like it was underwhelming.

-sevika?? didnt speak since episode 4???? huhh???

-maddie was pointless. why was she there?? i don't understand the point of that character. i dont understand her motives. she ended up not mattering at all to caitvi's story. the only thing i got from her inclusion is "caitlyn fucks" but is it that THAT important??? of a character trait??? to add to caitlyn of all people?? in THIS season??? this belongs in the realm of fanfiction.

-a lot here felt like fanfiction actually. every silco inclusion (except of him in the cell with jinx), the whole "nobody dies au" they threw in the middle, even the caitvi sex scene (IM NOT COMPLAINING THO). the caitvi scene at the end was dialog out of fanfiction, wtf was that.

-why did caitlyn lose her eye? im not like against the idea on a base level but losing an eye is very symbolic, and im not sure what its supposed to represent here. caitlyn is an observant person, its a big character trait for her. so youre basically saying she sees less now? that she's more laser focused? i sure hope not. wasnt her whole arc with giving up of revenge about seeing the "bigger picture"? her sacrifice didn't feel in character, because caitlyn is not really a "fight to the death" type of character like ambessa is. if she made that sacrifice for something like love, or for the betterment of other people, that would be more in line. idk, you couldve made me on board with it but im just very meh on it. also caitlyn only really emotes through her eyes, it sucks that we get even less of it now?? though i guess it doesnt matter at this point.

-what was the point of the enforcer that looked like vander?

-ambessa was so wasted in these last 2 acts its crazy. where's the "you have to be the fox and the wolf" mindset from her? she felt like she was wolfing only with no wit anymore by the 3rd act.

-mel????????????? it was. uhhh. maybe you shouldve saved it for another series, riot. but in this show, waste of time. the fight she had with caitlyn against ambessa was cool tho.

-i sound like im a hater but u have to understand. s1 of arcane was a political drama and a character study show. seeing all this discarded for magic and time travel shenanigans on like 4 different fronts was so jarring it took me out of the show multiple times.

-cant believe im saying that, but i wish they'd try to stick closer to the characters' current state in the source material (the cursed game). someof it felt out of left field and done for shock value, which isn't why we love the story or these characters to begin with.

good stuff:

-caitvi sex lmao ill take it babyyyyy

-jayce and viktor's scenes at the end were powerful.

-as usual, the visuals were phenomenal. the animation is gorgeous. fortiche u made this show what it is and youre still its saving grace.

-thank god they dropped the warwick\vander plot

-i liked the implication of the conclusion to jinx's story, even if it felt a little inconsistent with the character.

-the ending to jinx\vi\caitlyn was poetic and i did love it, even if it was rushed and didn't really hit the emotional highs i wanted it to.

[warblogs17282]

Obviously we're all aware of this tweet by now, and tbh, considering that we've now seen Mastermind, the only possible 'significant arc' I can think of that they might be referring to has to be something along the lines of getting Stolitz on the same page as each other.

Before any of you mention the divorce at all, it is definitely not that, Andrealphus literally says that Stolas is Stella's ex-husband at the start of the episode.

To save time I'm just gonna skip over to Ghostfuckers and Mastermind, but to summarize things a little simply, do remember that even the start of season 2 had a focus on getting Stolitz on the same page as each other, by showing us the start of Stolas getting the Asmodean Crystal for Blitz, aka, getting rid of the grimoire arrangement that was preventing them from ever being able to be on same exact page as each other. With the grimoire arrangement coming to a true end on s2 e8.

With that out of the way, let's discuss this scene.

I hate to break it to you if you're not already aware, but Stolas and Blitz did not hear each other during this part of the song at all, what we actually witnessed was a soliloquy.

Which is defined as by the Cambridge dictionary: 'a speech in a play that the character speaks to himself or herself or to the people watching rather than to the other characters'.

Which as a result, while it definitely moves Stolitz much closer to being on the same page as each other, they still aren't fully on the same page as each yet, Stolitz is not fully canon at this point in time, but will be very soon.

Let's break down where this scene leaves us, for Blitz, we're definitely at the point where he has realized and accepted his own love for Stolas, with the best lines I can think of to showcase this point being "The bird got to you that bad, huh?" and "Only death can rend our love apart!".

Blitz has also recognized and accepted the fact that Stolas loves Blitz back as well, with the episode making this extremely clear. The most obvious point of the episode that shows this is the moment when Blitz makes the conclusion that Stolas is going to sacrifice himself in order to save him. Because well, what says 'This person truly loves me' to someone more than 'This person is literally about to sacrifice himself in order to save me.', especially with the heart pupils as well, which overall, puts Blitz into a position where he thinks it's possible to have a relationship with Stolas, and wants one with him as well.

As for Stolas, it's made extremely clear that he recognizes and accepts his own love for Blitz, as the entire soliloquy section of the song shows.

But the key difference between them is the fact that I'm pretty sure that Stolas hasn't realized Blitz's own love towards Stolas at this point in time, which in all honesty, makes this scene pictured below hurt even more.

What I'm trying to say here is that Stolitz is still not on the exact same page as each other yet in regards to their relationship with each other, they're close, but not quite there yet.

Which is where Sinsmas comes into play. You all have seen this scene a million times by now in posts, but I really do feel like this is going to be the scene where Stolas starts to realize Blitz's own love for Stolas.

Because well, what says 'This person truly loves me' to someone more than 'This person is actively putting themselves into mortal danger by fighting against a royal demon in order to protect and save me.' (I could've sworn I used a very similar phrase earlier in this post, surely you can figure out why?)

And I'm pretty confident in saying that this scene definitely is not a dream, as I'll let @lost-romantique's post explain for me.

Basically, we're at the last page of the book, the last section of the arc I mentioned at the start, we're so close to Stolitz actually being on the same page of each other in regards to their relationship, we're so close to witnessing the whole miscommunication trope thing between them end, we're so close before we get to see the renewed and bettered start of Stolitz again.

Because let's be real, for all of the reasons I have mentioned here, there's absolutely nothing else I can think of that's being going on for the whole season that would count as a 'significant arc' over than the one I mentioned at the start of this post.

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[bildads-shoes]

I feel like Crowley has often played the role of 'philosophy teacher' in his dynamic with Aziraphale, and I think this is probably what ultimately led to most of the backlash against Aziraphale immediately post-Season 2, especially from casual viewers.

The Resurrectionists episode is super obvious about it, big Philosophy 101 energy, but it's of course a big running theme in the show, often addressing the classic philosophical/theological question 'if God/Heaven are all-loving and all-powerful, why do they make us suffer?'

In these situations Aziraphale is often needing to learn to break free of his black and white thinking. Of course, we, the viewers, agree that morality is not black and white, so we start trusting Crowley's ability in the teacher role.

And it happens again in the Final Fifteen: we cringe at the stark oversimplification of 'you're the bad guys', we agree that Heaven and Hell are 'toxic' with their rigid rules and roles. Having seen so many examples of this dynamic at this point, this can instinctively feel like a continuation of Crowley's 'morality is not black and white' lessons. Therefore it makes sense to me that the instinct can be to agree that Crowley 'understand[s] a whole lot better' than Aziraphale.

I could go on for days about why I feel Aziraphale's character is so much more nuanced than that, but I want to focus on Crowley here. When you start trusting someone in that 'teacher' role, it's easy to assume they have it all figured out. That's why the whole 'Crowley is an unreliable narrator when it comes to his Fall' confirmation always had me so intrigued.

It seems (to me at least) that Crowley probably made some very complex, grey choices as an angel (choices that were not as bad as Heaven feels, but not as good as Crowley likes to think, to paraphrase NG) and he is yet to accept the reality of those actions. To me, it feels like he's coped with that cognitive dissonance by entirely detaching from that identity at times, almost as though those were the actions and experiences of another person (the angel you knew is not me) whilst returning to the first person in moments of vulnerability (I only ever asked questions). Judging by the hints at Angel!Crowley throughout S2, I think (hope) we'll learn more about the Fall in S3, and thus see him finally need to internally resolve this

I think it'll be very interesting to finally see that dynamic flip, to see Crowley in the role of the student, trying to solidify his moral code and sense of self as we have seen Aziraphale do throughout the show.

I suppose I hope that in potentially having Crowley's own struggles with morality becoming more explicit on screen in Season 3, the broad attitude towards Aziraphale and Crowley will become a bit more balanced again. I think it'll be lovely to see them grow in their understanding and acceptance of themselves and each other, and finally reach a place of joy and freedom as individuals and together. We'll always have our own personal character interpretations, and I think that's wonderful and fascinating to hear about, but at the end of the day we're all rooting for their happy ending, and I can't wait to see them finally get it.

[theriverbeyond]

arcane s2 act 2 THOUGHTS, overall I think this was a lot stronger than the first act --- at the end of the day arcane is a character and relationship (primarily sisterhood/brotherhood/parent-child/family) driven show above all else, with plot as a sort of loose secondary, so like, even though i DO have plot critiques they're feel a lot softer just because the arc was genuinely so enjoyable to watch on an emotional level. anyway #SPOILERS and critiques below. well more like one big excessively long critique but I spent ages typing it all up so here it is:

i think my big critique thus far is pacing and story planning. there is just... a lot going on, for a 9 episode show. like a LOT. like way too much. and I think this was obvious in the first arc, and better managed in this arc -- but that is largely because this arc wildly narrowed the focus. this arc totally left out Ekko and Hermidinger(i can never remember his name. the squirrel dude), the new enforcer squad were basically back to being background characters, and while Sevika, Jayce, Victor, Cait, Ambessa were all present/involved in plot, they all took a big backseat screentime-wise. This allowed the act to really focus in on Jinx & Vi, Jinx and Vi & Vander, and Jinx & Isha, which is of course where the arc really shines -- but it brings BIG concerns for act 3, where presumably we will be back to having a full plate of characters. So I expect the "too much going on" issue to be more obvious in act 3, which is disappointing because that's like, the finale.

following from the above, there's a lot of skipping around that feels very economical but also like.... WEIRD! like.... we are watching a highlight clipshow? or something? Salo gets told "hey check out this healer" -> next time we see him he is totally healed. WHAT? like sure i dont care about him as a character, but that just feels kinda.... like we are really squeezing in here huh!! and we go from seeing Victor heal one dude in act1 -> next time we see him he has set up a whole commune and is playing big jesus. WHAT???? we dont get to see anythijg in the middle?? what about Jinx and Isha reuniting after escaping Stillwater but before finding Vi??? etc etc etc? and sure those scenes would be not be necessary on a "the plot doesnt work without them" level, but these types of "TITLE CARD READS: 2 DAYS LATER, AFTER THE GANG SETTLES IN" situations are happening SO frequently in this season that it really seems like they have too much story to fit into the time they are given, and are now aggressively trimming anything they can so stuff will fit and still make sense.

Basically what I'm saying is the show feels like my twitter reads, where Im a verbose mf and have to aggressively abbreviate words and cut sentences and rambling when I tweet so it can fit the character limit. and sure I don't need all those extra characters and words to convey my full meaning but "economical with time" is not really the best compliment I could give a show. Like why do you have to be so economical. why are we pinching pennies seconds here instead of modifying the plot to improve the pacing.

shallow critique but the "Jinxers" all getting blue hair and pronouns and pink accents was weird. like..... Jinx has a lot of symbols, like the monkey or the shark or whatever, that they could have easily done something like that. and the blue hair is GOOFY!!! the only one who gets a pass is Isha, bc her hair clearly looks like a quick dye/paintjob, versus everyone else who looks like they went to a salon.

I think this is, again, an issue of screentime economics, but im honestly disappointed in the CaitVi reunion. it's not that I dislike the scenes themselves, but it all feels so... easy! fast! like their breakup felt so emotionally resonant and them making up felt so quick. I have my fingers crossed for Consequences (and fallout from both Vi's alcoholic era and Cait's rebound bedsharing) next act, especially based on the preview, but like.... we have so much other stuff to tie up I am just not sure there is enough time for them to really deliver the impact that the breakup promised.

I've been told that they always planned for 2 seasons and had everything plotted out beforehand but the pacing is... really weird for something they had so meticulously planned for two seasons. It feels a LOT more like they wrote a story they wanted to tell, they were then given 18 episodes in which to tell it, and they decided they liked their original story so much that they didn't want to cut anything even though 18 episodes is a huge squeeze for this number of characters/this level of plot complexity.

And I think the quality difference is SO noticeable between the acts that are tight and focused (like this arc here, or the original season 1 act 1 -- both were tightly focused around Vander family dynamics, with some B and C plots. Compare that to act 1 of s2, which feels like trying to the contents of an entire pringles can into my mouth at once)

Related to that, I keep getting the sense that the writers want Specific Events to happen -- they want Jinx to care for someone that represents Powder, in order to coax out that part of her again. They want Cait and Vi to pull a doublecross deception on Ambessa. They want Victor to lead a jesus cult. etc. And then they draw a line from A to B in the most efficient way possible instead of doing things in a way that feels natural or actually rewarding. And then of course the specific Thing they wanted to happen does happen, and they do it really well. And it going really well retroactively justifies the hamfistedness of the setup, but also, should it? I talked about this issue for s2act1 last time but it remains, so.

Anyway that ways just way too many words to essentially talk about one issue. But that one issue (pacing/story planning) just... seeps into EVERYTHING, and I spent a long time typing all that out, so.

This is a bit of a complimentary critique, but I think the wild pacing means that there is a LOT of feeling jerked around emotionally, and I think the show is doing a pretty good job at making that feel exciting instead of confusing, so props for that

Ok now for stuff I liked, because despite my Hater Energy I loved this arc. that is why I have critiques. Because I love it and wish it was better.

like I said, Isha's introduction felt really hamfisted but I can't deny her story crushed my SOUL this arc. I loved that she was nonverbal, I loved her growing relationship with Jinx and it all definitely got enough screen time for Jinx's character development to feel natural/real/earned. I loved that. I cried. oh my fucking god. I love the thematic parallels of it all and I love how it puts Jinx into the role of a parent -- this WHOLE show is about family. sisters and brothers and parents and their kids. this is what it is ABOUT this is why i love this SHOW aughgaaiudsadsafdkha

Jinx's whole character development and everything is so. I don't have brain to write more about it tn but im like. yeah. i love it a lot. she allows herself to try to be the big fat hero...

I love women. This was such a good arc for beautiful handsome women.

I was suuuuper skeptical of Warwick -- I knew from fan speculation the likely connection between him and Vander, and also that he was a big fuckoff werewolf, and I was worried it would all be too goofy but really loved this. Jinx's look of utter terror when she didn't know if she'd killed her father/sister again, the hug, Vander's head touch with Vi, his love for his children bringing him back from thoughtless rage... i loved it. i can't even think about that last scene oh my GOD

I did just complain about the CaitVi reunion but as a homosexual I loved it a lot. Like. It was hot. There was spit and handcuffs and wrassling in the dirt. the almost-kiss when Cait pulled the bag over her head was more intimate than a kiss. there was name calling.

I love Cait having a rebound gf/fuckbuddy. It is SO funny to me, it's an excellent characterization moment for Cait, it's great tension that will HOPEFULLY have payoff in act 3, it's incredible fodder for angsty erotic fanfiction that I hope will soon grace a browser near me. and i hope it influences the CaitVi NETFLIX SEX WARNING scene that will soon grace a TV near me. I hope it is so long it compels me to write 1k words complaining that it was an irresponsible use of screen time

Jinx and Vi teaming up is another thing that felt too fast for me but like, was retroactively justified by how good it was. LIKE!!! Vi protecting Jinx. Parallels to childhood. Their sibling fight. How Vi reached out to her and welcomed her into the family hug. I'm emotional

We finally got to see BLOOD like I'm not a gore person, honestly, but act1 was pretty bloodless even during violent scenes, and I was a little worried that it would just be like that. but NO!!! Warwick's massacre was soooo good and got that blood spraying

I really like how Silco continues to haunt Jinx, and I love the way the show is exploring her grief and like... that she doesnt know who she is anymore. ough.

LOVE Sevika and Jinx's heist/disguise scene, especially all the animation/art details. Like the way Jinx's disguise is so poorly fitted, it's so good. I rewatched that scene specifically like, 4 times

Pitfighter Vi 🧎

as always super interested to hear other people's thoughts, critiques, critiques of my critiques, if im missing something big, etc etc.

[crazyaboutto]

Tbh I’m surprised by Haladriel/Saurondriel fandom caring about Elrond kiss. It’s canonical that Elrond will become her son-in-law. There wasn’t anything romantic in that kiss. It was just awkward.

I get being upset about how season 2 promos and trop social media marketing towards Sauron and Galadriel chemistry. There is still one more episode in s2 so who knows, maybe we will get something that will greatly anger lorebros. Even if we don’t, we still have fanon.

But at the same time, it’s also obvious that Sauron and Galadriel won’t end up together (as final pairing) so show making them canon or not wouldn’t matter. It’d just give us fanfic/art material. And I’d appreciate two attractive people with insane chemistry kissing.

I didn’t think people shipped this ship since it will end up as canon. Antis asks and posts take up space in the tag recently. It’s so pointless, just like all the antis in other fandoms.

Who cares if Sauron is evil? Go King, be evil, who cares, just do it.

What does it matter if they don’t end up together? It won’t stop me from shipping them.

Sauron’s crimes is fictional but the chemistry Sauron and Galadriel have on screen is very real. I absolutely love the opposing morality, motives crashing, internal conflict and compatibility with each other. It’s sexy and hot. They just have a presence when they are on the screen together. Are they gonna fight? Are they gonna fuck? Both??? Would it be better if they just fuck or at least kiss once to resolve the tension? Absolutely.

But it not happening on screen won’t stop my imagination along with many writers and artists. Only thing we as a fandom need to do is to support artists and writers so fandom can grow.

I’ve always shipped non canon pairings (maybe only canon active one is Katniss/Peeta from thg). So I don’t mind living with fanon. It makes fandom more creative to come up with scenarios and all in my experience.

[colleybri]

Cassian x Bix and Rebelcaptain: Please let these ships be friends !

I ‘ship’ Cassian x Bix AND Cassian x Jyn. I see there has been some conflict in the past when the “new woman” was first brought in with the series, some that remains now, and I’m both saddened and bemused by that.

Rebelcaptain for me is a canon relationship… to a certain extent. I have no doubt that these brave heroes would have ended up together had they lived. That’s why I love it… the whole beautiful tragedy of what might have been, and the loyalty that binds people together when making a sacrifice like this. Were they actually in love, in canon? For me – no. Not yet. And that’s important for my personal enjoyment of Rogue One, especially its ending. As the novelisation stresses, Cassian dies without knowing Jyn as “There wasn’t the time”. And I simply don’t believe you can love someone without knowing them . But I enjoy the idea of exploring what would have happened had they lived. They are a perfect loyal “battle couple”, definitely my favourite fanon SW couple and great to imagine together. I see Rebelcaptain also as a way of giving them the happy ending they deserved. Oh - and the chemistry between Felicity Jones and Diego Luna on-screen is absolutely electric. In short and again: I have no doubt that they would have fallen in love had they lived and would have been perfect for each other. And they are a perfect fanon ship.

(^^ And I I think this is the exact moment in canon when they both acknowledge the loss of what might have been. It’s just heartbreakingly beautiful… )

Cassian x Bix - I don’t even think of it as a ‘ship’ per se as it is a 100% canon relationship, and one that is currently ongoing as we wait for Andor S2.. It’s fascinating to me – 17 years of friendship that has occasionally blossomed into a romantic/sexual relationship. It’s a genuinely unusual set up too. I’ve read a few takes that they are “over each other” by the time of the start of the series, to which I want to say … watch again, closely! They certainly have moved on to date different people, but it’s also very clear from their interactions (especially in the intense scene in Ep 7) that there is still a lot of extremely deep feeling between them – even if some of it is very negative. In the S1 production notes, the show’s creator Tony Gilroy says that they “are meant to be together… but it’s been impossible all these years. Now, she’s done with him … he’s burnt every last bridge .” Why? The series also provides the answer – Cassian is in many ways an absolute mess at the start of the season and Bix was quite rightly fed up with him as a boyfriend. He’s completely unreliable, likes short-lived affairs (often with married women - so no risk of commitment!), isn’t working regularly and has debts all over the place. This largely stems from his “unresolved childhood trauma”. He has a fear of “leaving people behind” and despite having a lot of love to give “ is so scared of being loved”. But he and Bix nonetheless prove to be incredibly loyal friends and their love in this platonic sense clearly runs very deep indeed. They have known each other since he was 10 so she is also something like a sister figure. Bix is still very protective of Cassian and takes personal risks for him… and he finally comes to appreciate this and pay back his metaphorical debt to her in the finale. The question now is what season 2 holds for them, if anything.

(^^ I love the way she is using her fingertips to push his hand off, as if to avoid the risk of too much touch. The gesture and look that says “Please don’t try and get close to me again because we both know how bad that is for us… but I’m such a total idiot when it comes to you that I will still very unwisely go out of my way to help you, especially when you look at me like that so please just don’t”)

Does loving their messy and complicated relationship mean that I want Cassian and Bix to ‘end up together’ ? No, and the obvious additional point is that they don’t! They are both going to be very different people at the start of S2 and over the following years of the story . Bix has been traumatised; Cassian has been radicalised. And that’s just the start. Perhaps they quickly drift apart. Perhaps some kind of betrayal is involved. Perhaps one or both of them will want to commit again to a relationship, but it’s impossible because of the demands of the rebellion (like Vel /Cinta). Perhaps Bix “ends up with” someone else (Brasso, ideally, especially if they both survive the season). Perhaps they will get back together at least for a while and enjoy a little last happiness before inevitable heartbreak. Perhaps all, some or none of these. But none of that stops me from loving and appreciating what they do have, what they have had up to now, and the intriguing dynamics of when they do interact on screen. Bix x Cassian attracts me as a fanfic ship because it’s all about exploring what is there and how it came to be, which is why I currently don’t write them beyond the present time of season 1. I’m waiting to see what happens next in Canon, as it were, because that to me is an important part of writing them. Meanwhile, I’m enjoying analysing the relationship by imagining them in the past.

So for me Bix x Cassian in no way impacts on Jyn x Cassian or vice versa, especially if you apply… real life principles rather than the ideals of fandoms: “soulmates” and OTPs. Many people – most people – will have a beautifully intense and loving relationship with more than one person at different times of their lives. I’m old – trust me on this one.

^^ Both relationships in these two scenes go way beyond romance. In the first - many years of close and loyal friendship. In the second: a bond created through brave and selfless sacrifice together. And for both: Cassian’s absolute hatred of being “someone who leaves people behind”: the quality that I love best about him. And saving each other. Literally and metaphorically.

And oh… it’s beautiful. Both moments are beautiful.

Edit: I won’t do any speculating here about the content of the trailers and articles. Except to say that there’s nothing in them that detracts from the emotional power of both ships. They can continue to happily coexist. 

[iridescenttttttt]

This includes s5 spoilers!!

I think we as a fandom should talk more about how sun wukong has absolutely no self preservation, and how he has been self-sacrificial since season 1. Hi, my name is iridescent, and in this essay-

ok but in all seriousness, I have evidence from every season of him doing this, and I will be analyzing it and informing about it Meticulously.

I also have a couple of tangents about him protecting MK in here. I just like the detail of him always doing that, especially considering how he does it.

it wasn’t just season 5 where he was willing to sacrifice himself, season 5 was just the only season where it was outright blatantly stated that he was going to sacrifice himself.

(^Image taken from S1 EP9, Macaque)

this image in and of itself is fairly minor. Because we know he’s going to be okay. he is immortal, and compared to MK, an explosion most definitely will not do much, if anything, to him. and I’m sure he’s fully aware of this (which is probably part of the reason he shields MK with his body so much, there are SO many example of him doing this)

Still, even the fact his immediate instinct was to throw himself in harms way to protect MK is pretty sacrificial in and of itself. I’m 100% certain that even if it could hurt him, he would still protect MK like this.

(^ image taken from S2 EP10, this is the end)

Wukong here is visibly weakened and injured. It was stated early in season 3 that he was weak, and even at the end of season 2, we could tell. ESPECIALLY when he grabbed MK and escaped from LBD on his nimbus cloud. By the time they found their friends, it was deteriorating, and they quiet literally crash landed onto the ship.

But despite his obviously weakened state, he was still throwing himself in front of MK, protecting him from harm, and shielding him with his body. His first thought was to throw himself in harms way, and this time, there is a very real possibility that he probably can get injured! He’s weak, his powers are failing, there is no way he would have the energy to fight LBD. Not in the state he is in at this very moment, and MK isn’t, either. He knows this- I know he does, because instead of picking a fight, he grabs MK and runs. He even admits that he isn’t in any shape to face her. However, even though he knows he would hardly be able to put up a fight as it stands right now, he is still willing to throw himself in front of MK. (Which also directly supports what I said above! It does not matter if he can get hurt if not, he will still put himself in harms way to keep MK safe)

Similarly to above, he was fully willing to find and reforge the samadhi fire on his own, despite his weakened state- to keep the others out of harms way, because they are mortal and he is not. Still, even despite him being immortal, he’s trying to reforge the samadhi fire- one of the rare things that has the ability to actually hurt him. Wukong knows this, and he is still willing to do this alone. Even though he is obviously injured, and weakened, and there is a very real possibility the samadhi fire could kill him, he is willing to do this on his own. Because they are mortals- if the fire can kill him, then it can definitely kill them, too.

(^ Image taken from S3, EP1, on the run)

season 3 is, in my opinion, where his self-sacrificial tendencies and complete lack of self preservation becomes a lot more obvious. So, fair warning, season 3 is probably going to be a long one.

Wukong is fully willing to risk himself to get the map. And it isn’t like he doesn’t know the risks of forcing his way through the Barrie. Ne Zha even warns him, and says that if he forces his way through the barrier, they could both be destroyed. And honestly? If Wukong wasn’t, like, 7x immortal, there is a very real possibility that he would’ve been destroyed, then and there. And while, yeah, Ne Zha didn’t die, either, he also wasnt the one actively breaking through the barrier. I’m sure if Ne Zha was the one breaking through, he probably would’ve died. Even then, Wukong was severely weakened after this (as seen and talked about above!), he knew the risks and he still took them. He knew he could die, but if it meant saving the world and keeping MK and his friends safe? He would do it. And, again, even after being fully aware of his weakened state, he immediately ran to the protection of MK as soon as he realized he was in danger.

(^images taken from S3 EP10, The Samadhi Fire)

I’ve already talked about how often he is shown to use his body to protect MK from danger, but here, specifically, I want to mention be we are specifically shown a scene of him moving his arm to protect MK from danger. Especially considering the danger is the samadhi fire- something that can actually harm him. This is different from most other times he’s doing this, because this time, he can actually get hurt.

This is one of, in my opinion, one the most obvious examples of him being a self sacrificing idiot with very little self preservation (/aff)

his entire plan, from the very beginning, was to try and take the samadhi fire out of Mei (because he never wanted her to be harmed- he’s spent the entirety of season 2 and 3 trying to protect MK and his friends, he never one intentionally hurt them) and put it in himself. Think about that. The samadhi fire is something that can harm him- kill him, and he knows that. He knows that extremely well. His entire plan could lead to his death, and he’s aware of that. And the same thing goes for when he was getting the map in the first place- both times, he was fully aware that there is a possibility he could die from this. He doesn’t care, though. If it protects the people he cares about, he’s going to do it- even if he dies in the process.

once again, we are specifically shown a scene of him trying to protect MK. His immediate thought has always been to take the brunt of the fire, and keep MK from danger- I fully think, had there not been a shock factor to MK literally running straight in, he would have ran in after.

Again, in this scene he has no self preservation, and he is very self sacrificial. His entire plan from the very beginning hitched on having a weapon, something powerful enough to stop the lady bone demon, except that plan has failed, and now, there is no weapon. So his new solution? Stop LBD himself.

If he was truly confident he could beat her again, then why did he go looking for the samadhi fire, instead of going to immediately fight her and stop her? He’s desperate, he knows how bad the situation is, and he still isn’t sure if he can even beat her. He’s still willing to try, if it means protecting MK and his friends, and saving the world. He’s going into the fight. Alone. No backup, no plan, no samadhi fire. (And we know this goes wrong, too) He is fully aware of this! He knows he’s going into a fight he’s might not come out of. Everyone else knows this, too- Ne Zha even points out the chances of him surviving are slim.

(^ image taken from S4, EP1, familiar tales)

once again, his immediate reaction (even when being faced with his trauma) is to protect and save MK. He knows what the scroll is, and he knows what’s going to happen if he gets stuck inside of it- despite that, he still sacrifices himself to ensure MK doesn’t get stuck inside of the scroll. He lets himself get sucked into it. He is willing to face all of the mistakes he’s made and the trauma he’s endured to protect MK from having to go through the same.

WARNING YOU ALL AGAIN!!! S5 SPOILERS BEGIN NOW!!

Let’s all be honest here, they’re both lacking in the self preservation department. They are not lacking in the self sacrifice department, though, I’ll tell you that much! This entire fight, they are very blatant about how they are, quite literally, fighting over who gets to sacrifice themself. There isn’t much to say here that wouldn’t be stating the obvious- neither of them want eachother to sacrifice themselves, they both want to be the sacrifice.

TLDR: Sun Wukong has been self sacrificial and has had a disregard for his own preservation since we were introduced to him. This has only become more apparent as he grew closer to MK, and as his character has developed.

is all of this already very obvious? Mmmaybe???? I’m not too sure. Did I make a couple of reaches a couple of times? Mmmmmmmaaaaaybe. Is this an excuse to infodump and talk about sun wukong? Yeah. Am I sorry? No.

[ishallgivehimupforever]

Here We go again Bellarke warriors, if you can hear me, it's been about 1680 days since I stopped caring (or so I thought)

I hadn't been to tumblr in years, before I decided to give the 100 a rewatch in June of this year, as I had given up somewhere around the start of season 5 (I remember hating the LONG ass timeskip teased at the end of S4, I guess some other media must have swallowed me during hiatus, and when I tried to give that season a chance I vividly remember 1) I couldn't see shit on my screen 2) I hated what the timeskip did to the established relationships) and so I dropped it for good, looking back I almost can't believe I could just...not finish it like that because let me tell you I did NOT fuck about Clarke and Bellamy, and Raven, and Monty, and probably some other characters back in 2015-2016. I think I maybe did not appreciate season 4 enough at the time it was airing (because I think binge-watching is very flattering for that season, watching it live I remember it was frustrating to watch the characters go on side quests in 4A) but now knowing what the character arcs are and where it was going makes it my second-favorite season. BUT, I digress, wow. This is meant to be a rambling, incohisive love letter to the compelling relationship between Bellamy and Clarke. I warn you, they truly do not fucking leave you as it turns out. I would go to the trenches for them back in my fandom days in 2015-17, and I realised, after binge-waching the show over 4 sleepless nights (seasons 1-6, which are the only seasons in existence, obviously)that I STILL just FUCKING CARE SO MUCH. I NEVER CARED ABOUT FICTIONAL CHARACTERS SO MUCH AS CARE FOR THESE TWO SEPARATELY, AND AS SOULMATES. Because let me tell you, Clarke and Bellamy, they fucking love each. Like actual, happens-only-in-romances LOVE. It is frankly INSANE how JRoth, K*m Shum and other managed to gaslight me over some of the bellarke scenes in S2-S3 as to make me think it's in my (and thousand's of fans') head WHEN IT IS SO FUCKING OBVIOUS FROM SCORE, EDITING CHOICES, LONGING LOOK SHOTS, HANDS SHOTS, LINES, AND FINALLY, ACTING AND DIRECTION THAT THESE TWO ARE LOVERS.

I have never, ever, before or since, followed two characters who were so compatible, so equal, so trusting in each other, so open with one another, so mindful of the other's emotions and needs, so so so made for each other, that it is no surprise to me that they are top 10 F/M pairing on AO3. Because Bellamy and Clarke would fall in love in every imaginable scenario, in every universe, across time. I am not usually that cheesy or cringy, but it is true. I could not put my finger on why they are my absolute favorite to read fanfic for and then it occurred to me. That as long as the hands of fate put these two in proximity of each other, it;s a done deal. That chemistry transcends the limits of a single tv show. The depth with how Clarke and Bellamy love each other honestly makes me pause for breath sometimes. It is not just the iconic, famous bellarke scenes, but also the quiet moments.

Like in 6x05 or 6x06 (cant remember) when Clarke's body was stolen by Josephine after her one-night stand with Cillian. (stay with me) Bellamy, unaware that Clarke isn't herself at that point, comes over to chat, he's clearly at least a bit jealous over her sleeping with Cillian, and yet he says "happiness looks good on you" with that wide, earnest smile. And just wow. How must he love her, to be so utterly happy for her own happiness that has in that instance nothing to do with him. so selfless. well, selfless is basically Bellamy's middle name.

Or how in season 4, after a lot of the characters and at times the narrative wanted to push this idea on Clarke that she is the sole leader of her people, gets right back on track to her co-leader dynamic with Bellamy, constantly checking with him, considering his input, and respecting choices that she herself would maybe not make (releasing the ensalved arkadians and grounders vs ensuring they get a machine necessary to generate water) but always understanding that these choices agree with his core values, and she loves him for it.

This post is way too long. I love Bellamy. I love Clarke. People often use the 'MY PARENTS" about ships on twitter, and you know what, in my case that's kinda true with bellarke. I met these characters when I was 15. I am 25 now, and with an adult perspective to my surprise I found their relationship even more profound then I remembered, and I was insanse about them already. They are truly THE power couple of all time. I miss the 100, If you wanna ramble about it together, feel welcome to send me ask, I'd love to have an excuse to share some of my (sometimes unpopular) opinions lol.

[caufield193]

I am a twol S2 truther idk. If you’re just as delusional as me…. Here is my proof…

- if you recall, when they announced that they were doing a Richonne series, it wasn’t announced as limited…. Suddenly, AMC threw limited on there, which makes sense… comic con is coming up, they need something to announce there

- during the filming of TOWL, there were so many side actors and backgrounds, who would accidentally say, “ see you for season 2.” There post are no longer available.

- Gale Anne Hurd… a producer, accidentally posted in February, a link to getting cast for S2.

- the most obvious one… Scott said he wants them all to come together, so we know we’ll see them again in an endgame, but the CRM isn’t completely done. Portland still exist, in order to get to that Endgame, Richonne still have more story to tell.

- danai says, “ we’ll figure that out on the next one…” when ending her scene.

- the biggest one! NO ONE CAN GIVE A STRAIGHT ANSWER! When they asked danai she goes, “ now you know I can’t answer that.” Why Danai? As it stands there’s only one season, so why cant you just say no? Saying no wouldn’t be a spoiler, because if it was no, you would just say no. When they asked Andy, he goes,” I like to think it stands alone, and it’s a dot dot dot.” An ellipses means that there is more. Scott says, he has more story to tell, and that he usually has a good track record of his dreams coming true. He is the fucking producer, and show runner , if anyone knows something it’s him, and like Andy said… they’re not one show anymore… there are multiple spin-offs… they’ve got to focus on DC, and Daryl and Carol right now…: Scott keeps saying he has more story, and keeps saying he would love to go on….

- the way it was advertised! If this was the last time we saw household names like Rick and Michonne, you really think they wouldn’t have had a cast interview. All we got was Andy in a field, and Dania doing a video lmfao.

- it being moved from limited to drama for the Emmy’s.

- S1 was always marketed as a Love story. For those complaining about not that much action, Michonne and Rick needed to get together before they completely rid the world of the CRM( portlan still exist… Silas, the spies… they didn’t get rid of the problem by killing Beale… they just got rid of someone who was going to unethically get rid of the problem… the problems still exist.) S1 was abt Rick and Michonne because as we saw in the mothership, when Michonne convinced Rick to fight Negan in the jail cell, before they could deal with the problem, they needed to be on the same page. S1 of TOWL was about them getting back on the same page.

- TWOL generated so much money for AMC.

Anyway, it doesn’t seem so delusional anymore is all I’m saying

[ok-sims]

Things in Good Omens 2 I still find weird after maaaaany rewatches

Yep, brace yourselves, it's exactly what's in the title:

Maggie making the spelling mistake ("urgrency") in one of the very first scenes of S2.

It is in the very first scene set in the present day. It is the first time we are presented to Maggie. And the spelling mistakes being very much connected to demons all through the season (specially in The Ball episode, with the note about the "angles" and Shax spelling "T-O-S-T-E", not to mention Furfur mispelling Aziraphale's name in 1941).

It is stands out so much because Maggie's mispelling is never brought up again, but the demons' is. And again, it was the audience's first contact with Maggie (even if she is offscreen). It might be just a callback joke (which does not make much sense to me, to be honest), it might be just red herring, or it might be to reinforce the "Maggie is a mirror to Crowley" theory (which does not make much sense to me either, because while Crowley is/was demon, we never see him making spelling mistakes himself).

I'm honestly at loss about what was the intention here. Seens to specific to be just random, given the demons do it many times. My best guess is that it is pure and intentional red herring, to mess with us. But then again, what for?

Miss Cheng (specially in E5S2, "The Ball")

Since my first watch, the brief scene when Miss Cheng is entering the Bookshop for Aziraphale's thinly disguised excuse to have a Jane Austen ball, she has a very... particular look in her face. It is when the weather is getting darkier e gloomier, resembling Michael Jackson's "Thriller" videoclip, because Shax and her "legion" of demons are arriving. The thing is, Miss Cheng does not look afraid at all, or even like she is suspecting something is going on. Miss Cheng looks suspicious herself! I feel like this scene is off in so many levels. First of all, it did not need to be included at all. So why add this scene to the final cut? Miss Cheng does not have a very clear role in the narrative, while all the other shopkeepers have at least something that not only sets them apart from everyone else, but adds something to the narrative and/or callbacks something else in the series.

Beside the obvious Nina and Maggie, Ms Sandwich brings to the table the comical relief, Mr Brown is there to set the excuse for the Jane Austen ball, Mr Arnold provides the fancy classical music for the ball AND the Doctor Who jokes, Justine is an excuse to bring up Aziraphale's bad French again, and give us a callback to the Bastille scene in S1, and Mutt is a callback to the magic shop shown in the zombie minisode.

But Miss Cheng on the other hand brings none of those things. We don't even get to see what is her bussiness. Of course, her scene discussing Ms Sandwich's work is a delight, but honestly, it could have been any other character asking about Ms Sandwich's job. And opportunity to have Ms Sandwich ask what Miss Cheng's work was there, but it was not taken.

Now, the only other scene Miss Cheng is in focus is in the very end of E6S2, when Maggie and Nina decide to sit down with Crowley to have The Talk. Nina asks Miss Cheng to look after the coffeeshop for a few minutes. Again, seens kinda random to have Miss Cheng there, and I really think this specific scene, by itself, might not have any further meaning. But when viewed along her other scenes (and specific lack of better fleshing out, which was given to all other shopkeepers), it just seens weird. Again, might just be a red herring to mess with us, but Miss Cheng is presented in a very sus way.

Aziraphale not having a replacement

Odd phrasing, I know, but I could not find better words to describe it. We are presented very early on to Shax, who is replacing Crowley in his former job in Hell. Shax is an important character all through the season, yet we never get a hint at who is replacing Aziraphale's job vacancy. We don't even get a hint if there is a replacement, or if it was decided Heaven would not be replacing him. We just get radio silence about who is Heaven's representative in London now, or if something happed to that position and why. Maybe if Shax simply did not exist, it wouldn't have bothered me. But since she does, and it is made clear many times that she has Crowley's former job, it stands out to me that nothing is ever said or even alluded about Aziraphale's former job position.

There are some other things that stand out to me, but these are the more obvious ones to me. I would be delighted to hear other people's takes on these matters, as I might have missed something. Oh well, I guess here is my first piece of Good Omens meta.

[starbylers]

I will always struggle to understand ‘Mike and El were planned endgame from the beginning’ when the show was originally intended as an anthology and they weren’t supposed to get this “happy romantic ending”? (I know this has been said but bare with me).

Yeah, they changed their direction during the making of s1 but the Duffers’ initial conception of the ending was for El to die: the original idea was never a story of this super deep romantic couple in love that people have turned it into. They didn’t sit there while brainstorming and be like yeah we want to tell a story about a middle-school-esque relationship that actually is true love and they stay together forever:

And of course ideas shift and develop over time, but the implication that M*leven endgame was inevitable and obvious and conceptualised from the very start is so inaccurate. They just wanted the story to be more open-ended to allow for a s2 continuation, that doesn’t mean they changed how they envisioned these characters and their dynamics. A genuine love story clearly wasn’t what the Duffers were interested in telling here, hence the ET/Elliott comparisons.

That was always the vibe they were going for with Mike and El. You can tell that when they discovered they would get more seasons, they took the roots of that M*leven puppy crush storyline and expanded on it to realistically depict the effects of both their trauma on how they perceive each other and (in s3) the comedic disaster that would be these two characters trying to date.

Like they find out they’re getting season 2, and they’re just like yep let’s keep these two apart until the last episode and have Mike bonding with and protecting his (gay, from the very first pitch) best friend. People loved M*leven after s1, and the Duffers must’ve known it would be a risk keeping them apart the entire time, but they wanted the Mike and Will storyline for a reason, so they did it!

Like actually process that when they discovered they were getting another season, romantic M*leven was never a priority for them. Showcasing Mike’s survivors guilt and El’s trauma over losing the first person to provide her real safety definitely was, but they nipped any opportunity of developing their relationship in the bud. And instead made Byler inseparable, giving them numerous sweet and intimate moments. They know what they’re doing.

[inkblotsonmyhands]

----------------SPOILERS FOR ARCANE SEASON 2 ACT I BELOW----------------

Alright then, hopefully no one who hasn't watched Arcane S2 Act I yet is reading this. I don't know if this has already been said or not but I was (like so many others) blown away by Act I last Saturday and literally cannot wait for the next two. Full disclosure in case I get any facts wrong (feel free to correct me!!), I have never played League of Legends in my life and know no lore whatsoever outside the show.

I'm fascinated by Isha and Jinx's currently nonexistent but gradually growing relationship. First of all, if I remember correctly, we know that this child's name is Isha only because of a subtitle—she never introduces herself, and no one ever calls her by name. Jinx only acknowledges her grudgingly, and until the very last scene of Episode 3, Sevika acts like she isn't even there.

I think there's parallels to be drawn between Powder and Isha, starting with what I mentioned—both of them are often ignored by the people around them. Of course, Powder was loved by her sister and adoptive siblings and father, most of them just rarely got the chance to really show it. I don't think Sevika or Jinx particularly care about Isha at all as of now, but we don't know much about her past. There's got to be some reason why Chross's men were chasing her, and there's got to be a reason why she apparently has nowhere to go. I would guess she's associated with either Chross, another chembaron, or perhaps a figure like Vander—relevant to the Lanes, but not a chembaron. I would also guess that, like Powder, whatever familial figure she has/had is either dead or has abandoned her.

She's small (although we do not know exactly how old she's supposed to be), does not appear to have much fighting ability, was scared the first time she saw Jinx kill people, and, despite it all, seems to be unnaturally resilient. From the little I've seen, she seems to be good at hiding and sneaking around. These are more traits that seem similar to Powder's. I'd like to add that her flinching when Jinx fired at Chross's men does not necessarily mean she's never seen violence before, but that she's probably never been in the direct line of it. I also think she has some emotional attachment to her hat. That could just be because it's useful, though.

The larger case I want to bring to light, however, is not her resemblance to Powder—but how she differs. There's two scenes where I think this really stands out.

The first is the Jinx and Sevika vs Smeech fight. The setting of the fight bears some similarity to the fight Vi, Claggor, and Mylo get into against some thugs at the beginning of Season 1. Obviously, Jinx and Sevika are much more experienced than the kids were at the time of their fight, but they're also fighting against equally powered opponents. Regardless, the two fights bear a resemblance in where they take place—the streets. Powder is present in one fight mostly because she goes where Vi goes; Isha is at the other because she was following Jinx. Powder, in an act of self-defense, tries to use the bomb she made, which backfires and results in her losing the loot and, in a way, nullifying the others' victory. Isha, in an attempt to help Jinx, throws the bomb that Jinx made—successfully distracting the thug, and allowing Jinx an easy kill.

The second instance is the Jinx and Sevika vs Vi and Caitlyn fight. There's no obvious similarity here, but I think, especially from Isha/Powder's perspective, this is a very similar situation to the fight Vi and everyone gets into against Silco's gang in the warehouse at the end of S1 Act I. Assuming Isha has very little context (just like Powder did, at the time), to her, it's a very big, very scary fight of the people who are "with" her—the good guys—vs the people attacking them—the bad guys. Powder, in an act of bravery, tries to intervene with a device she knows nothing about other than the fact that it explodes—and it does explode, and ultimately kills most of the people she was trying to save. Isha, in an act of bravery, tries to intervene with a gun, something she has presumably never held before, to save Jinx's life—and she succeeds. Another interesting detail is that in Powder's case, Silco's gang, armed with Shimmer, was blatantly and dangerously overpowered—Powder brought in the Hextech, which in theory, evened the odds, or even tipped them in their favor—but still cost them the fight. The fight Isha was witnessing was fairly evenly matched—Vi and Caitlyn had more Hextech weapons, but Jinx did have one Hextech weapon, and she and Sevika had the advantage of it being on their turf. Isha intervened with a simple gun, arguably the weakest weapon on the scene, but still succeeded. Lastly, Powder's intervention was from a distance, while Isha threw herself into the action. It should go without saying that I'm not trying to put Powder and Isha against each other at all—I'm just observing the situations they got put into.

To address the elephant in the room—I am aware that Powder and Jinx are the same person, but I'm drawing a distinction here because I'm examining the similarities between Powder (young Jinx, if you will) and Isha, wondering how Jinx would perceive them (if she perceives them at all), and how that would impact her relationship with her. I have no predictions as to what that may be, but I do expect Jinx and Isha's relationship to be an interesting one, and potentially, Isha may even play an important role in changing Jinx.

One last thing, although this is unrelated to the parallels—I mentioned earlier that Sevika acts like Isha doesn't exist until the very end of Episode 3. When Isha throws herself on Jinx, Caitlyn continues attempting to fire, and Vi attempts to stop her, I believe Sevika triggers the blast, ending that altercation, largely to save Isha. When she realizes that Caitlyn won't back away, she does the best thing she can to put a stop to the situation right there.

I could draw this even further into a Vander-Vi-Powder hold parallels to Sevika-Jinx-Isha theory, but that may be a stretch, even for me.

[theinfinitedivides]

it's telling how some people who were in denial that assad's snub/exclusion from marketing had anything to do with racism and Islamophobia (throwing all kinds of insults for months that we're being delusional, that w'ere doomposting) are also lamenting how the awards nominations are now "pitting jacob and sam against each other". their outrage feels performative as hell, when they act more concerned with "homophobic amc" splitting up their imaginary rpf ship rather than understanding that racism is the reason a white man was propped up at the expense of the main POC who had the most screentime this season. i'm actually annoyed that fans were even trying to write rpf fix it fic of jacob comforting poor sam at the awards ceremony??? (is That what they focused on from this controversy?), it's so obvious they treat this jacob like an accessory to his white coworker.

they don't get to pretend that amc wasn't being racist and islamophobic when they threw assad under the bus.... only to evoke jacob's name when they're mad that he should have been nominated alongside sam, as if this season wasn't carried by jacob, delainey and assad. there's no excuse for why sam is repeatedly promoted over one or two of them, or all three of them. i'm sick and tired of not only amc but also all these fandom hypocrites.

anon came in my inbox so hot i had to check to see where the fire was before i burned myself, goddamn. had to let this one sit and cook. let it marinate. let it fucking soak up all that juicy shit and then serve and eat bc truly what else is there to say? what else can i say about this that hasn't already been said in better ways with more evidence. what the fuck. i will never forget accidently ending up on that side of the fandom where they're convinced that 1. JA is not straight (ok. fair. their prerogative. i have my list of celebrities who are assigned bi until further notice. i function with the baseline that people in general are assigned bi until further notice i just don't put that on the internet all the time) and 2. he married his wife as a beard and he and Sam are dating BTS—look, i have no problem with RPF. live and let live peace and love on planet earth etc etc i am an RPF warrior but that right there? that's some scary scary shit. 'if Sam wins at the awards Jacob is going to be there and they're going to hold hands on the red carpet and—' stop. the levels of presumption and delusion and tokenism can only go so far, you do not see me saying Eric and Jo Anne are going to pull up to their next event together with Assad hanging off their arm as their third and believing it with my whole chest. that's for the great fic writers of Zamasian to solve not me to invent wholecloth as fact

heading back to the point from that quick detour (aka understanding that racism is the reason a white man was propped up at the expense of the main POC who had the most screentime this season, as you said)—honestly we need to send the Jassad-Delainey crew some fucking ice packs bc i know. i know their backs hurt from carrying s2. i know they still do. i'm talking spa treatments getaways salary raises whatever they need bc they are continuously overlooked by the people and outlets propping up the white man who was barely here and they're still giving 1000%. in fact you want to talk about white men that should have been propped up on the side in terms of screentime let's talk Ben Daniels. hit after hit after hit as scum of the earth Santiago (and he put the Iago in his name. he was on his Othello shit) and no submissions. none. now granted i know he's been going through a period of grief after the loss of his partner + he was technically a guest star so maybe he asked not to be submitted. maybe they decided not to regardless. my point is you had Santiago giving more depth and dialogue and just *motions* everything than Dreamstat hanging around to be Louis' glorified inner critic and manifestation of his intrusive thoughts. the writing was on the wall from the minute we saw how they were treating Assad this time around the awards we were the canary in the coalmine telling you that Jacob and Delainey could be next bc of pisspoor promotion and what did we get? accusations of anti-Blackness and taking away appreciation for their success so no. you don't get to use them to hide behind your bitchass behavior Jacob especially. you're the same type of people who pulled up like some freaks and said that Armand should get back with his maker or get assaulted in s3 just to spite the fans blowing the whistle do not let his initials even touch the inside of your mouth

and the Islamophobia........................ hoo boy. Assad has been unapologetically open about his upbringing and religious background for years. he's said that he talked with Rolin about his thought process and approach to this multi-faceted role he knows what he brings to the table in this starvation economy and we thank him for it. AMC isn't thanking him for it when they choose to use his scenes as social media promo without acknowledging it in the FYC rounds and the fandom certainly isn't thanking him every time some shit comes up and people turn a blind eye. hey. newsflash. you want to not be a racist dick you have to not be a racist dick to anybody. you can't handpick a few of our Black siblings and be like see i'm not racist and then turn around and act like our South Asian siblings are talking out of their ass when they bring up the kind of stereotypical rhetoric that has been used in this fandom to talk about Armand. i ain't even telling y'all to like Armand i'm telling y'all to stop reverting to the vilest shit possible to say since you don't, just like some of you Lestat fans will take every opportunity to make Louis look like the aggressor and abuser in that relationship. fuck that

see now. i said what else is there to say but anon you got me fired up you see how long this is. awa. anyway i'm a strong believer in if you put that kind of energy out it is going to come back. by hook or by crook by God or the universe or your own motherfucking actions Crapaud going to come and pull up in your driveway and smoke your pipe. choke you choking there on the fumes. who doesn't hear will feel rope long but you hanging eventually wi