#when i do nothing but fucking try
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fvckednddistvrbed · 4 months ago
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inkskinned · 5 months ago
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this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.
good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.
sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.
so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.
one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.
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puppppppppy · 2 months ago
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who is your favorite AA character? 👁️👁️
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ziska… I hope capcom brings her back someday
#shes cool as fuck to me bc when I first played jfa I found her really frustrating to deal with#not just as Phoenix but I mean like on a personal level she is challenging because she’s so thorough#and yet I also find it fascinating that she breaks the character she’s built for herself once in a while#i 100% believe that I don’t think she would have caught on to what Phoenix was trying to do while stalling for time with engardes trial#so it’s probably a good thing edgeworth subbed in but she literally busts her ass to bring evidence to court#almost right after having a bullet extracted from her WHICH SHE ALSO PRESENTS AS EVIDENCE. thats metal as fuck ok#especially since she would technically have nothing to do with the case after edgeworth fills in and she still decided to do that anyway#maybe it was blind faith to use that evidence to win since she wasn’t there for most of the trial but still#and even if canon doesn’t give it to me I still firmly believe there’s be at least some chemistry between her and Maya#like especially if you hold it next to wrightworth that works bc there’s already a history there and majority of Phoenix and miles trying#to relearn their relationship is Phoenix coaxing out that side of Miles that he remembers from fourth grade#but with Franmaya it’s something new and they’re basically strangers to each other and one of them almost got the other convicted#and I still think that’s fascinating and it’s a damn shame thay half of the fics I find for them on ao3 is background in wrightworth fic#i did find a good one that touched on Franziska trying to win pearls approval because Pearl does hold a grudge against her#and seeing that trying to live up to perfecting even her personal relationships without getting to know Pearl to even know#why it wasn’t working feels believable when I think abt her as a character yk#myart#my art#doodles#aa#ace attorney#franziska von karma
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COME REST YOUR BONES NEXT TO ME ; SATORU GOJO, SUGURU GETO
synopsis; satoru shares the first snowfall of the year with the two people he loves most. 
word count; 4.6k
contents; satoru gojo/reader/suguru geto (poly relationship!!), gn!reader, you're all whipped, reader referred to as spouse, fluff fluff fluff!!, sickeningly domestic, just comfy vibes all around, mostly from satoru’s pov, suguru has a favorite (its you) (but also not really he just likes bullying toru <3), satoru gojo may or may not have unresolved mommy issues
a/n; happy satosugu holidays to those who celebrate <33 geto died today isnt that crazy. dont u think its fucked up how love figuratively and literally killed him. anyway! help urself to two very whipped husbands <33
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”holy shit!”
the raspy tilt of satoru’s voice echoes throughout the bedroom, stirring you from your comfortable slumber. a soft groan spills from suguru’s lips, deep and husky, as he pulls you closer into his embrace — smoothing a warm palm down the back of your head. trying to soothe you back to sleep, muttering under his breath.
”satoru, it’s too early for this...”
”it’s snowing!” said man continues, unperturbed. unmistakably giddy. he’s standing by the window, hands pressed flush against the cold glass; entirely entranced by the sight in front of his cerulean eyes. 
your eyelids begin to flutter. a tiny tug of your subconscious, a pang of something excited flowing through your veins, an alert to your sleepy brain.
(snowing.)
with groggy movements, you wriggle out of suguru’s grasp — a displeased grumble leaves his throat, almost a whine — allowing you to scramble out of bed. ”really?” you chirp, rubbing the sleep from beneath your eyes. a raspy, meek little voice spilling into the air.
satoru grins, watching you move closer, watching as a tiny gasp pushes past your lips. watching as your droopy eyes widen — brightening, glittering, starlight and snowflakes painted on the interior of your iris. a breathtaking sight, he thinks. 
maybe even more breathtaking than the winter wonderland reflected in it; beyond the pure opaque frosting of the window’s glass, out into your backyard, buried beneath a thick layer of snow. soft and fluffy, covering the city, suguru’s long-frozen tulip garden, the bare branches of your apricot tree. every roof in sight. all of it dyed a pure white, glittering in the light of a morning sun yet to fully rise, tiny snowflakes descending down to earth. 
it’s beautiful. 
satoru loves winter. he always has, he thinks. it comes to him as a memory — blurred at the edges, gleaming even still, the first time he saw those snowflakes up close. someone held him in their arms, he recalls. a warmth long faded. 
all he can properly remember is that sight. one that knocked the breath from out his tiny lungs, all glitter and something almost other-worldly, something frightening in its majesty. like it broke through a rift in the stratosphere. 
the first snow of the year.
and he’s loved it ever since; the soft crunch of snow beneath his feet, an air heavy with the scent of cinnamon and candied apples, bouts of laughter to be heard from faraway apartments. red and green glimmers of artificial light, sweet frosting on the christmas cake he would always gobble up alone in his room. the cold wind, nipping at his bare fingers — a reminder of his capacity for ache.
there are lots of things to love. lots of memories to cherish. and every single year, he gets the chance to make more.
like this; the light in your eyes, the smile on your face, the excitement in how hurriedly you turn to meet his giddy gaze. a nostalgic kind of joy simmering in the space between you.
and before either of you know it, satoru’s pulling you towards the hallway, intent on dragging you outside to see it all up close. almost tripping over his agumon plush, lying unassumingly on the floor, kicked off the bed once again. 
(probably by satoru himself, though he’ll always insist it was suguru’s doing. overcome by his jealousy, surely, unable to stand the sight of his cute husband cuddling up to a plushie instead of him. satoru understands, he does — he feels the same when he sees you hug that 3’0 cat plushie of yours.
and, sure, maybe once or twice he’s been lucid enough to register the subconscious kick of his leg and agumon’s subsequent fall to the floor — but he’ll still blame suguru in the morning. if only to see the way said man rolls his eyes, clicks his tongue, maybe flicks his forehead if he’s really lucky.)
high on the spirit of christmas, spurred on by childlike elation and sleep-deprivation, you stumble towards the door. satoru pulls one of his jackets over your shoulders, delighting in the way your hands don’t fully reach through the sleeves. wrapping you up in a cozy scarf when suguru shouts at you both to dress warmly, barely awake and already tired of your antics.
and the moment you step through the door, satoru is engulfed by it. that mystical, mystical feeling. 
a little lonely, a little too satisfying to pass up. a cold breeze that nips at his fingertips, snowflakes that brush against his cheeks and stick to his white lashes. a warm hand in his, as you cling to his side, shuddering — but smiling, as you look up at the sky, putting a hand out just to feel the snowflakes melt against the skin of your palm.
he feels you let go of him, but doesn’t mention it. a little too mesmerized to tug you back. dipping his toes into the bittersweet nostalgia of it all, staring at the flurry of white all around you, the skeletal branches of your apricot tree. suguru’s poor tulips. humming a jolly tune, subconsciously. a little delighted.
— until something cold and wet hits the exposed skin of his neck.
satoru twitches, a chilling shudder trickling down his spine. the snowball just thrown at him begins to melt, droplets sticking to his nape, and he turns to you with a raise of his brow. a devilish grin on his lips, when he hears your muffled laughter, sees the crinkle of your eyes.
(you’re cute, he thinks. but you need to be humbled.)
”oh, so that’s how you wanna play?” he drawls, eyes gleaming with amusement. taking a step forward, reaching down to gather some snow in his palm. a wide grin on his glossy lips. ”fine by me.” 
he's fast, but you act quickly, running towards the apricot tree with laughter in your throat. feeling the pitter patter of your heartbeat resound in your ears, as the snowball misses its mark by just a hair — and you waste no time in making your own.
it’s a hard-fought duel. snowfall blocking your vision, nerves beginning to numb, red cheeks and runny noses as you chase each other with giddy breaths. unfortunately for you, satoru’s arms are unfairly long, fingers unfairly nimble, and his stamina never even seems to falter.
so before long, your energy begins to dwindle. chest heaving, hands too cold to form a proper snowball, while your husband seems like he hasn’t even broken a sweat. they just keep on coming, snowball after snowball colliding with the fabric of your jacket, and when one of them hits your collarbone you squeal — falling backwards, right into a fresh pile of snow.
satoru moves forward, a triumphant smirk on his handsome face. you’re out of breath, and your hands are red, and he’s fairly certain you’re gonna catch a cold. suguru’s going to scold him, but right now all he can think of is you. the frown you’re wearing, the little huff that slips from your lips.
”ready to admit defeat, sweetheart?” he practically purrs, standing above you with his hands on his hips. smug. and you grin right back.
”never.”
a hum. something glimmers in his eyes, a devious little glint, and you come to regret your decision when satoru gathers a heap of snow with his overgrown arms; only to drop it all on top of you. too tired to fight back, all you can do is shield your face, silently accepting your fate.
a shiver wracks through your body, and satoru almost feels bad. just a tiny bit. but then you finally relent, murmuring bitterly under your breath. ”fine, fine…” a soft pout forms on your lips. ”you win.”
and satoru smiles. crouching down to meet you at eye level, on his knees in front of you. there’s a teasing mirth in his eyes, when he reaches out to cup the fat of your cheek. ”that’s all i wanted to hear, sweet pea,” he drawls, trying not to giggle when you exaggeratedly roll your eyes.
his voice curls down an octave when he continues, leaning forward to brush his nose against yours. hot breath against your chilled skin. ”now, for my prize…”
his lips meet yours, sweet and chaste — a little cheeky. you scoff into the kiss, but satoru’s smile only grows. honeyed, a little bit adoring. his tongue flits out to lick at your cold bottom lip.
he lingers, for a bit. like he’s trying to savour the way you taste, faded strawberry chapstick sticking to his lips, smudged against your own. and you sigh, softly, melting a little, comforted by the fleeting warmth that blossoms on your face. 
when he's finally satisfied, having dragged his prize out to its completion, satoru helps you up. brushing snowflakes off your jacket, cradling your ice-cold hands in his. they’re not faring much better, but a worried tug of his heartstrings compels him to warm you up. bringing them to his lips, hot breath fanning over your skin, tender little kisses against the knots of your knuckles.
you can’t help but blush, and a raspy chuckle flows from out his lips. 
hazy morning sunshine licks at the branches of the apricot tree behind you, illuminating the contours of your face, the shine of his eyes. a blue smudge on a canvas painted white and gray. the air smells of pine cones and something smokey, crisp. it courses through his burning lungs when he inhales, exhales, a breath of vapour that scatters up into the sky.
satoru loves winter. always has. but now, he’s certain he loves it even more.
because now, he has two people to share it with. two people to drag out into the snow, two people whose hands he can tenderly warm up, two people who’ll laugh and sigh at his antics and still indulge him. two people to pelt with snowballs. 
what more could a man want?
”hey, idiots!” 
the voice that echoes throughout the air is exasperated, a little teasing. yet fond. suguru’s got his hair tied into a messy half done bun, black turtleneck sweater enunciating his broad chest and the curve of his waist. there’s a fatigue in his eyes, the creases of his face, but a lazy smile is playing at his lips.
”i’m making breakfast,” he shouts, voice deep and smokey and soft even still. ”come in and warm up before you catch a cold.”
”is that any way to speak to your husband and spouse?” satoru chimes back, a melodic lilt to his sugarsweet voice. something satisfied. pleased.
suguru shoots him an unimpressed look, but his eyes soften. melting a little, at the words that spill from satoru’s lips, as if they were always meant to be there. 
(husband. spouse. suguru wills himself not to smile.)
with matching grins on your faces, the two of you stumble back towards the door. snow crunching beneath your feet, a happy noise pushing past your lips when you collide with the warmth of your husband’s chest.
”look, suguru. isn’t it pretty?” you chirp, smiling brightly. an expression he mirrors — brushing some snow from the top of your head, warm palms caressing your cold skin, setting a mental reminder to scold satoru later. sparing a brief glance at the snowy veil over reality.
then he exhales. a fond hum. ”it is.”
satoru joins you both by the door, stretching out his lanky limbs. tousled hair, wet strands sticking to his skin, reddened cheeks and a signature pout. ”suguru, my hands are cold,” he whines. ”warm ’em up for me?”
a click of his tongue. ”should’ve put some gloves on, satoru.”
a hum buzzes in your throat, and you put your hands out. itchy, a little dry. a sad frown tugs at your lips when you speak. ”my hands are also cold.”
and, like clockwork, suguru’s eyes soften. a coo tiptoeing on his tongue, engulfing your hands in his larger ones. ”aw, c’mere, my love…” his breath fans over your frozen fingertips. ”let’s get you warmed up, hm?”
satoru gasps, a hand on his chest, and you stifle a giggle. he’s acting, you both know, being a little drama queen. he knows you’re just exaggerating suguru’s double standard as a bit, that your husband would probably set himself on fire to warm either of you up.
despite that, his voice comes out thoroughly offended. ”oh, i see how it is,” he huffs, walking past the both of you. pouting deeply. ”you hate me. you hate me, and you want me to die. i understand.”
”satoru,” you coo. he hmphs, but stills, waiting for you to wrap your arms around him. and you do — a little too eager to appease your giant baby of a husband.
”we’re just joking around,” you assure him, holding back a humorous chuckle. squeezing his waist with palpable fondness. ”love you sooo much. you know that.”
satoru stays silent. but he cranes his neck, to meet suguru’s gaze, standing just behind him. narrowing his cobalt eyes — a meaningful look.
suguru sighs.
”yes, yes. we love you oh so much.” he takes a step forward, ruffling the white head of hair by the door. a lazy smile on his lips. ”now behave and go change out of your pyjamas. they’re soaked.”
his voice is teasing. exasperated, more than a little condescending. but it’s suguru, so satoru accepts it — following you both into the warmth of your home. the scent of cinnamon and vanilla hangs heavy in the air, a hint of espresso and firewood, lulling him into a sweet state of tranquility. rich with comfort, safety.
he changes out of his wet clothes, pulling a black hoodie over his head before waltzing into the kitchen. and you do the same, emerging from your bedroom in one of suguru’s cozy sweaters, knitted and smelling of bergamot. 
when suguru notices, his gaze shifts into something fond. palpable. a look satoru always finds in the scope of those warm eyes, amber and cedar bleeding into something sweet, only ever directed at the two of you. a look said man assumes goes unnoticed. he’s not as slick as he thinks.
the kitchen simmers with hazy sunlight and gentle movements, something sleepy and kind. satoru is a little bit enamored with it; from bowls of cat food by the corner, to camellias by the windowsill, cookie jars and dried lemon slices, the fading scent of baked goods and wishlists stuck to the fridge.
(yours and satoru’s are filled with scribbles, new ideas popping up daily, while suguru’s is almost entirely blank; mostly necessities, one or two things he’d like for himself.
and then, of course, the same thing he writes at the top of his wishlist every year; some peace and quiet.)
suguru shuffles around the kitchen, long strands of black hair cascading down his back, swaying with his movements. he sends you both an affectionate glance when you step in, already in the process of making satoru his cup of hot chocolate — topped with marshmallows and whipped cream, colorful sprinkles in the shape of tiny stars, a touch of cinnamon. satoru licks his lips.
when it's finished, the cup is promptly handed to him, paired with a tender kiss to his forehead. and suguru starts the meticulous brewing of your coffee, steady hands, finely chosen coffee beans, the low purring of the espresso machine. soothing.
that’s when you attach yourself to his back. wrapping your arms around his waist, a sleepy yawn muffled into the fabric of his turtleneck. he places a big palm on your hand, thumb smoothing over your knuckle, and you nuzzle into him silently. suguru smiles.
”still sleepy, baby?” he questions, a coo on the tip of his tongue. his voice is soft, palpably so, buzzing with warmth and safety and something that makes you want to stay cuddled up to him forever.
satoru senses an opportunity to insert himself into the conversation, and forces out a yawn of his own. stretching his limbs like a big cat, blinking drowsily, eyelashes fluttering. hoping it’ll come off as endearing. ”mhm.” 
but suguru shoots him an unimpressed look. ”not you,” he tuts, patting your arm, ”this baby. i wasn’t asking you.”
a pout. ”why are you so mean to me?” he whines, shooting you a doe-eyed look. bottom lip jutting out slightly, a feigned glassiness to his eyes. ”sweetie, tell your husband to stop being so mean to me.”
you smile. indulgent, as always. ”don't be so mean to him, suguru. you know he’s sensitive.”
a sigh. deep, tinged with exhaustion. satoru shares an amused look with you — stifling a shared chuckle at suguru’s exasperation.
and suddenly, he feels something warm flutter in his ribcage. a sunkissed butterfly, wings brushing against his ribs, coaxing his lips into curling up. unmistakable fondness, almost too much to bear. the need to reach out and touch you creeps up on him, a hunger he can’t deny, but he holds back; you look comfy like that, curled up against suguru’s spine. so he only inches closer, without a word. 
his husband casts him a glance, but satoru stays silent. lips pursed, waiting for something. patient.
and suguru relents. he reaches a hand out, to tuck a stray strand of white hair behind his ear — an excuse to touch him. a silent apology. 
(i'm sorry, you big baby.)
satoru grins.
you shift from foot to foot, leaning over to see what suguru is doing, pressing buttons and taking two ceramic cups out from a wall cabinet. your eyes zero in on a particular shelf, narrowing in suspicion, before flitting over to meet your husband’s gaze.
”satoru, did you use up all my peppermint sweeteners again?”
he stiffens. just a tad, before swallowing a gulp — followed by a silly chuckle, sheepish and performative, eager to wiggle his way out of your cold gaze. ”… which sweeteners do you mean, honey?”
”don’t pull the ’honey’ card.”
”and don’t play dumb, either.”
a pout crosses his lips. betrayed. ”suguru, who’s side are you even on?”
said man gives him a look. that one look, characteristically suguru, the same one he always sends satoru’s way. one so thoroughly unimpressed it makes him feel like the world’s biggest clown. 
and satoru plays along. your dutiful, beloved clown, his posture wilting like a sad flower. suguru exhales through his nose.
”don’t steal their sweeteners.” he smooths a thumb over your knuckle, absentminded, meeting the cold metal of the ring on your finger. smiling a little at the sensation. ”buy your own.”
satoru huffs, drawn out and childish. crossing his arms, leaning against the kitchen counter. ”ah, i see how it is. leaving your sweet husband to buy his own sweeteners?” he clicks his tongue. ”chivalry is dead.”
you bite back a little chuckle — satoru recognizes the cute noise you make when you do — and suguru rolls his eyes. fondly, always. ”remind me next time i go to the store and i’ll consider it.”
”hmph.”
suguru is smiling. it’s small, but genuine, worth a thousand words. and you are, too, the vague crinkle of your eyes giving you away. even as you bury your face in the curve of suguru’s back.
and ah, satoru thinks. there it is again. 
that sickeningly sweet sense of deja vu; the sensation of a certain something flourishing deep inside his chest. warming him up, trickling through his frost-bitten veins. that one little itch he never manages to satisfy, that never goes away, something that took root inside his heart years ago — watered by the sweet looks on your faces.
this everyday slice of heaven, right in front of him, that he’s been greedily partaking in ever since he moved in with you. since he married you.
(married.)
sometimes he still can’t believe it. 
”it’ll be done in a minute,” suguru hums, and satoru blinks. broken out of his syrupy stupor. ”you two go wait by the kotatsu, okay? must be cold, poor babies.” 
and, as always, his voice is a little teasing. a tiny bit condescending, if you really strain your ears, in typical suguru fashion. but it’s laced with a touch of sweetness; one that would be too much for either of you to stomach, if it were to drip out of his lips with nothing to water it down. so satoru accepts it. welcomes it, even.
and you follow his suggestion. making your way towards the living room, satoru trailing behind you, continuously enamored by every little thing he sees. every little piece of the home you’ve built for yourselves.
your living room is cozy. several potted plants seated here and there, a thick quilt to cover the kotatsu, a bowl of satsumas on top of it. a sleepy cat on your couch, golden sunshine ruffling her fur. a santa hat lies beside her, and satoru snags it without much thought. pulling it over his head.
his gaze shifts to the christmas tree over in the corner, eyes filling with a childlike kind of wonder. it’s decorated to completion, weighed down by colourful ornaments and lights, a star at the very top. suguru cut it himself, bringing the biggest and prettiest one he could find back home.
(satoru had gone with him. partially to help carry it back, mostly to get a glimpse of suguru's biceps flexing with the swing of the axe. he’s a simple man.)
and beneath it, presents are already beginning to pile up. carefully wrapped, in bows and silken paper, growing more each day. shattering suguru’s hopes of maybe having a more lowkey christmas this year — but satoru couldn’t be more relieved. this is the only time of year you let him get away with pampering you both to his heart’s content.
a smile blooms on his lips. he plops down on the floor, crossing his legs, right as suguru walks in with a coffee pot in hand. their gazes overlapping.
and something mischievous begins to brew within the blue of his eyes, something that makes suguru narrow his own. satoru pats his thigh, twice, a coo on the tip of his tongue. santa hat sitting pointedly on top of his head, fluffing up his hair.
”c’mere, suguru! sit on santa’s lap.”
”— you’re disgusting.”
the words are playful, but a pout still slips into the curve of satoru’s lips, and he huffs out a displeased little breath. his husband pretends not to hear it, so satoru turns to you — sitting so prettily to his right, already anticipating his next move. puppy dog eyes on full display, he gives you a soft tilt of his head, snowy tufts of hair falling over his eyes.
and you sigh, in what he knows is resignation. his faux pout turning into a satisfied grin.
you curl up in satoru’s lap without much of a fuss, letting him circle his arms around you. an indulgent smile rests on your lips, but he knows you love this; his broad chest against your back, the heat of the kotatsu warming your feet. breathing in the fading scent of your shampoo, he leaves a peck on the sensitive spot right behind your ear, and you try not to shudder.
then satoru smiles. squeezing you, lightly, sweetly, eyes rich with honeyed affection. voice dripping with playful endearment. ”there we go,” he coos. ”what does my angel want for christmas, hm?” 
”i want you to stop stealing my peppermint sweeteners,” comes your answer. instantaneous.
silence fills the room. a moment passes. outside your frosted windows, a bird takes flight from the branches of your apricot tree. and satoru clicks his tongue.
”… santa can only do so much, baby.”
two deep scoffs fill the air, heavy and bemused. one from you, one from suguru. satoru only giggles.
”just kidding!” he chirps, planting a kiss on the top of your head. ”don’t you worry. santa’ll give you all the peppermint sweeteners you could ever want.” 
you raise a brow, exhaling amusedly. craning your head to meet his gaze. ”and he won’t end up using them all himself?”
”of course not! blasphemy.” 
a moment passes.
”… maybe one or two. as a treat.”
a string of protests slips from your lips, and satoru tries not to burst into a fit of giggles. suguru just watches, silently, smiling lightly as he pours hot coffee into two ceramic cups. steam wafting up to the ceiling, a cat jumping down from the couch to curl up in his lap. he places one in front of you, not taking a single sip of his own until he hears you hum blissfully at the taste — pink lips against white ceramic. a bitter taste on his tongue, sweetened by your approval.
then he starts peeling three satsumas, absentmindedly, and satoru swallows down the love-ridden honey choking up the back of his throat. pretending the domesticity of such a simple action doesn’t melt his heart down to the marrow. 
he turns his attention towards the window. frost sticking to the glass like spider-woven webs, soon to be melted by the glow of the mellow winter sunrays. flitting in through the curtains, cascading over the room, splattering across the floorboards. framing the hue of your hair, the smile on suguru’s lips.
and a memory comes to him. sudden, hazy, faded at the edges. ghosting his subconscious.
he remembers the frost, the biting wind, the frightening majesty of the snow that fell that day. breaking into his world through a rift in the stratosphere. he remembers the contrasting warmth of the person who held him, who cradled him close; the soft lull of a woman’s voice. 
for a moment, satoru thinks he can almost, almost see it before him. hear those gentle words, see her tired smile. why was she always so tired?
(look, satoru. isn’t it pretty?)
— he can’t recall how it sounded. if it was melodic and soft, or raspy and broken, happy or sad. but he does recall that it made him feel safe. safe enough to find comfort in a sight so other-worldly, so very foreign.
it should’ve been frightening, but it wasn’t. the first snowfall satoru ever saw knocked the breath from out his lungs, stole his heart with cold hands, left him with a suffocating nostalgia. but the memory is precious.
and now, he feels that sense of other-worldliness in this; a kotatsu for three, a warm house, peeled satsumas and promises of a christmas cake soon to be baked. one lovely spouse in his lap, the other gazing at him with that fond look he always assumes goes unnoticed. a cocoon of safety — a ghost he doesn’t need to chase anymore.
warmth. enough warmth to make up for the snow and frost outside your home, all the experiences he missed out on as a child. warmth, warmth, warmth. funny, how that happens to be satoru’s favorite thing about winter. 
he looks at the two of you, hoping you won’t pay any mind to his silence. for once, he hopes you’ll stay wrapped up in your awful, awful coffee, so bitter that just looking at it makes his throat feel dry. just so he can get away with admiring you for a little longer. from the contours of suguru’s face, to the skin of your collarbone, to the rings on your fingers. ones he put there himself. 
and ah, satoru thinks, there it is again. again and again, as always, forever. that warm, warm feeling flourishing in the depths of his chest. 
he hopes it never goes away.
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egophiliac · 5 months ago
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the lovers, reversed
(aka I'm still freaking out about Jou)
#art#ride kamens#i am about to go off on wild speculation so excuse me in advance#I HAVEN'T PLAYED THE EVENT YET so this could all be just absolutely nothing but i gotta get it out#(still debating if i wanna save the event for after i finish part 2 or not...)#this is my last chance to throw wacky theories out there okay#i've just. been thinking a lot about the riders the characters are based on and how they relate to their different classes#like the choices seemed SO random when they were first revealed but they do mostly make sense when you think about it#to the point where i actually do feel like i should've been able to call ooo for ambition. damnit.#however i did always feel like jou was a bit of an outlier and now i'm wondering if that's gonna be like...a thing#idk man just the fact that he's gonna have a special double card and bond henshin with taiten is nuts to me#especially since we're clearly on the verge of SOMETHING happening with soun and uryuu#what does it mean. WHAT DOES IT MEAN#what does this mean for the future of tower emblem#and it hasn't escaped me that there is no class associated with evolution (YET)#and thinking about who jou is based on i'm just like#(waves hands) YOU KNOW?!#(plus i'm still like WHAT DOES THIS MEAN FOR RUI AND HAYATE but that's a separate thing)#i'm gonna try and take my time and not rush through part 2 but i also am SO impatient#i gotta knooooow#given the way my predictions tend to go though i'm either 100% accidentally right about the dumbest thing#or jou is fine but leon fucking dies or something and i'm gonna throw my phone into a lake#HAVE FUN GUYS I GUESS
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lesbian-david-tennant · 2 months ago
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I just watched Star Trek: The Motion Picture and wow that really is some gay shit
I'd seen the "this simple feeling" scene, I was prepared for that. but I wasn't prepared for the full extent of the conversion therapy allegory
and then Spock saying "it knows only that it needs but like so many of us, it does not know what" while gazing at Kirk
and then the whole fucking resolution being that V'ger needs to discover something more, "a human quality, our capacity to leap beyond logic," through union with a human
it clearly parallels Spock and Kirk with V'ger and Will and directly implies that 'this simple feeling' is love, romantic love
WHAT THE FUCK I can only begin to understand what my fandom ancestors felt seeing this in 1979
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cozylittleartblog · 6 months ago
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bug doodles so i can say i drew something
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marzipanandminutiae · 3 months ago
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I didn't get the sewing job
I just.
why do I even keep going. nothing's ever going to change and nothing's ever going to work out and nobody's ever going to fucking want me
I'm going to get old working part-time jobs with no house and no family and no fucking future
and the economy's about to tank with Tr*mp so if I don't get something before that happens it's never going to
what's even the point honestly. when nothing ever-
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mrmeepsmadmind · 4 months ago
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rewatching this over and over again.. mainly bcs tarn makes soundwave into a manlet but also bcs it's hilarious
#thunderhowl at the copilot doing Absoluteky nothing then being surprised when shadowstriker is unfamiliar with the terrain: :D#i get ure a theater kid but CAN U STOP BEING SO CRYPTIC#bumblebee moving to the wall like the only smart person#optimus just wants to find the source#had to include soundwave being the bitchiest person for no reason at the end of course 🩵 mi lady#somebody help tarn bro only has one arm 😭😭#hes not even using it against a wall or anything like hes just trying to keep his balance#everybody panicking while shadowstriker doesnt give a fuck#girlboss shit she does every day and no one cares it pisses me off yall need to appreciate my mean lesbian like yall appreciate her mean gay#bestie#thunderhowl :) bcs he wants soundwave to struggle probably. i mean at the cost of others maybe risking a concussion? sure#theyre both so petty but try to act too cool to be in their own lame ways. im obsessed with them#he was hoping soundwave was gonna land in his lap 💔#somehow from all the way back there LMFAO if his terrains can defy gravity so can his beloved annoyance ok. he believes#im a filthy multishipper so i need tarn and soundwave to have more fic & kiss too bcs it's literally tarn being like I Know What You Are#(a Bttm) to soundwave and soundwave having to screw his lips into a smile & be like teehee of course.. only to be like (u forgot the Brat*)#at the end like. why are they like that. tarn holding him by the waist with 1 arm being like i got u bbgirl meanwhile hes getting#60000 concussions and soundwave is trying So hard not too laugh.. TOO loudly. (tarn thinking hes so anime protag rn)#tf cyberverse#soundwave#tarn#thunderhowl#shadowstriker#bumblebee#optimus prime#maccadam#transformers#I CANT BELIEVE I HAD ENOUGH ROOM FOR THESE TAGS!
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wittyworm · 10 months ago
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Going to be making stickers and posters and spreading this around my town hopefully soon. the green square is going to have a QR code that will have a bunch of resources and ways to help. Iv gathered some of my own but if anyone has resources they think would be helpful or have suggestions on ways to best do this (its just me and my sister) id really appreciate the help.
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faunandfloraas · 8 days ago
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seeing ppl be like 🥺 i hope lee know has taken the cats away from his parents who they have lived with their entire lives 🥺 so they can stay in an apartment he's about to leave for 6 months to do an international tour 🥺 like. are you stupid or have you never had a pet in your life? ALSO hyper analyzing that mans silly little cat video to figure out if he has them at his house or if his family has moved or if they've gotten new furniture or renovated is fucking WEIRDO behaviour lmao why would any of these guys ever want to share a video of their pets if the result is 2 days worth of people speculating on something thats none of their business in the first fuckin place
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majorasnightmare · 2 months ago
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okay so like. mizora
im pretty sure we're in agreement that the conditions for wylls pact were sus as fuck right? like there just happened to be a fully formed cult to tiamat rarin to go right outside baldurs gate mid ritual, and the home of high harper and nosy grandma JAHEIRA didnt notice shit?? nobody saw anything and no one could confirm wylls story despite baldurs gate having an active enough night life to sustain 7 actively hunting vampire spawn for at LEAST 200 years AND a sewer murder cult committing covert assassinations and murder sprees??? with a cult of bane conducting weapons trade deals and the knights of the shield operating a smuggling ring??? the flaming fist didnt even see anything to pointedly ignore??? not a single chickenshit recruit filed a report about observing a dragons head in the night sky with a filed dismissal by a senior officer claiming they probably drank too much. Saitama_Okay.jpg
im personally of the opinion that zariel didnt stage that particular incident but DID utilize agents to provoke tiamats cult into action while also stifling potential witnesses. we know raphael does similar because of his stupid chess themed letters to his own agents, so its not unreasonable to suspect zariel is doing the same. but i think the REAL prize of that particular operation was not the destruction of an active tiamat cult, but instead something more subtle and with a potentially higher payoff: the ear of duke ravengards son. a dragon cult getting annhilated was a bonus, and a convenient call to action besides
mizora, by karlachs admission, was part of zariels personal inner circle (by choice, as devils are ambitious creatures with a drive to climb the ladder). this means that, through mizora, zariel herself took direct personal interest in wyll ravenguard. wyll himself was only 17 years old by this point: he had yet to achieve anything of note and was drifting through noble highborn society as the odd man out, son to a lowborn duke who rised through meritocracy and raised to appreciate the down-to-earth rural pasttimes his father grew up with, like fishing. wyll himself had nothing to offer to a devil besides his heritage; baldurs gate is full enough of self sacrificing do-gooders to keep the harpers regularly staffed, and The Urge regularly sated. for mizora to target wyll specifically makes the most sense if the real target was his connection to the current grand duke of baldur's gate, a city home to a practicing diabolist, several evil cults, and itself has been a hotbed of planar activity thanks to the dead threes meddling for YEARS. that ulder also commands the flaming fist, the gates de facto policing force, is also a point to consider.
this is also reflected in wylls pact, and the terms we experience of it. wyll specifically states that the terms of his pact primarily target the evil, the monstrous, and the heartless. remember, this is BEFORE he was the blade of frontiers. he became a warlock 7 years before the game, but only became the Blade five years prior to the plot. thats a two year gap of being a warlock but not the blade, where his pact STILL primarily targeted monsters. this is. a REALLY weird pact for a devil to offer! like firstly, its overwhelmingly in wylls favor. there is very little wyll does FOR mizora, and the targets she assigns to wyll near exclusively align with his moral code. he sees no reason to doubt mizoras portrayal of karlach, and has to be prompted into sparing her even as he hesitates, because past experience has told him that mizoras targets DO deserve to be slain as judged by HIS beliefs, as indicated by his line of participating in a mummers farce, and him playing his part all too poorly. wylls upset at himself for not thinking to question mizoras target and considering his hunt of karlach to be just. clearly thats because, in every other instance, wyll believed that to be the case!
thats REALLY FUCKIN WEIRD for a devil! like yes mizora gets to take down political rivals using wyll, because wyll knows devils are evil, but. thats a really weird pact to sign in return for destroying a cult mid god summon? like you could extort a LOT more for that and be assured youd get it, cuz its ALL OF BALDURS GATE and the RETURN OF TIAMAT on the line. and it doesnt seem to be a case of poor dealmaking, unlike raphael, whos every deal overwhelmingly reeks of desperation. he'll translate astarions back if you kill yurgir, because he really really really needs you to kill yurgir before he figures out raphael played him and he gets out because of it, and the clock is rapidly ticking down on that because balthazar is already in the temple, interacting with the dark justiciar skeletons, and actively looking for yurgir because the orthons annoying him. we are literally a single step removed from balthazar casually dropping the fact theres a dark justiciar hivemind in the bodies of 100 rats and raphael getting his ass beat for setting yurgir up. raphael really really wants you to hate the emperor and free orpheus because the only bargaining chip he has is the hammer, and in the midst of THAT deal literally spells out its location for you and why youd want it, for free. raphael the crown of karsus is almost in reach but to defeat the absolute ill need the plastic card you dad keeps in his wallet, make sure you send me the 16 numbers on the front, the 3 on the back, and the expiration date! hurry raphael we dont have much time!
comparitively mizora only ever bargains from a perceived position of strength. she can afford to make demands of wyll because he has no way to stop tiamats summoning without her. then, later, she has the easiest and most accessible source of information for wylls father knowing his life is in danger as a political prisoner. these are very strong bargaining positions! shes only ever undercut by the players presence bargaining on wylls behalf. its a quick and easy way to show that her inflated opinion of herself isnt entirely without merit, although her second pact is framed as choosing between two potential agreements, save wyll and kill ulder, or save ulder and damn wyll, when in reality shes proposing a new pact that has no authority over wyll OR ulder until signed (which is why you can save ulder because she doesnt actually have the pact given authority to insta kill him the way she implies, she can only throw thwartable assassins at him like anyone else with a grudge). shes a manipulator with plenty of skin in the game and a good amount of success behind her that justifies her position within zariels court. the point of this is make a point of highlighting how *little* mizora actually fucks with wyll *as enabled by the terms of the pact*. mizora is cruel, she is manipulative, she is condescending and rude, and she makes wylls life awful with her presence, but takes very few ACTIONS towards those ends, and relies primarily on verbally demeaning him. when he violates a clause in their pact, mizora utilizes a loophole to make karlach qualify by its terms and then punishes wyll by infusing his soul with infernal essence. thats... really it. you can watch wyll backtalk her, but she doesnt even do that leash yank she does in act 1. if you blenderize her, wyll dies by the pacts terms, but like. mizora literally also dies, and is REALLY upset by it to boot. you break wylls pact, tell mizora to fuck off with her second one, and she just kinda stomps her foot and fucks off for a bit before loitering in your camp still. as a warlock you can even mention to wyll that she very easily could have snatched his soul about the karlach thing but she doesnt.
in terms of "classic warlock struggles" we barely see mizora do anything beyond being an Unpleasant Person wyll is forced to interact with. theres none of the classic "being compelled to do something evil for self serving ends at risk of suffering The Horrors", mizora barely even tries to corrupt him. wyll is never forced by mizora into circumstances where he has to evaluate his code of ethics against an action he needs to take and decide what parts of his moral code he needs to capitulate on and what to keep, wyll keeps almost every single line in the sand he ever draws! his biggest character conflicts are actually between his OWN ideals, whether to live within the heroic persona of the Blade of Frontiers, or to accept his own capability of failings and live as Wyll Ravengard. like. being a warlock barely factors at all into those decisions and the closest it comes to mattering is choosing whether or not wyll breaks his pact or saves his father, which you can expose as a false choice by just rescuing his dad anyways. mizora exerts that little influence over wylls interior world. for a literal devil on his shoulder, bargaining from the greatest position of strength a negotiator could ask for, that is so fucking WEIRD.
okay thats a whole lotta post pointing out that mizoras motivations for even makin the damn pact in the first place needs examining, so now several paragraphs in let me actually get to what i MEANT to talk about. so firstly weve established that 17 yr old wyll doesnt have anything unique to entice a devil beyond his connection to the grand duke. weve established that the pact is weirdly in wylls favor, and that its pointedly not a Skill Issue but seems to be intentional, and furthermore that the POINT of the pact doesnt seem to be corrupting a good soul into the embrace of the Hells to make a new devil, because the pact seems to be made to allow wyll to just Be Himself comfortably without much internal conflict or moral sacrifice. we know that wyll made the pact before he became the blade of frontiers, and thus the pact was not made with the Blade of Frontiers persona in mind, which removes another layer of potential justification for the extremely loose terms of the pact. we know zariel is interested in wyll through the usage of mizora as his patron, and we know that stopping the summoning of tiamat without any external aid from the myriad conflicting interests within baldurs gate almost definitely necessitated a good amount of smokescreen work behind the scenes, but also that it most likely wasnt staged in its entirely because it benefits zariel to thwart tiamats ambitions. so. why is wyll ravengard a warlock pacted to mizora? i suggest the following hypothetical: that mizoras goal, and by extension zariels, was to have a morally agreeable framework within which to make a pact with duke ravengards son, such that hed be guaranteed to agree to it, and then to hide the evidence of the pacts circumstances to allow themselves greater reign to act within baldurs gate. that the goal was to have a devil on the shoulder of the dukes son, to push their relationship into strain so as to make ulder ravengards behavior more predictable and thus vulnerable to manipulation, and that through mizora (through wyll), zariel would have a first hand source to the inner political workings of baldurs gate, and the movements of the flaming fist and the goals they were pursuing. through the fist, zariel could keep track of the cult elements they were investigating (and thus what rivals need deposing), and through wyll and his father, zariel could monitor the movements of the gates upper class and utilize mizoras skillset to ingratiate wyll further into high society and put him in close proximity to those capable of mustering meaningful resistance to an influx of infernal influence. wylls relationship to his father prior to his pact was good, we know ulder was a firm but loving father and that wyll was generally well liked in baldurs gate in general, and that wyll openly admired his father and sought to follow in his footsteps. it is in fact extremely reasonable to suspect that such a good relationship was more than a single incident away from breaking. its in fact more reasonable to presume that a major political figure would be aware of the adage of keeping ones friends close, and enemies closer, such that you could monitor their movements. its reasonable to believe that one would assume good intentions on the part of ones son, who himself has made it known that he desires to be like you. to assume, in good faith, that even with all signs of dragoncult activity removed, that ones son clearly lost his eye and gained new scars *somehow*, through *some* kind of incident related to his new fiend pact. all of these are logical and reasonable things to assume and plan for, when you have made a point of manipulating people, of reading their intentions and catering to them like a monkeys paw.
that ulder ravengard would not just chastise wyll, but banish him from baldur's gate entirely, must have been a horrible shock, not just for wyll, but for mizora. i doubt the uneventful two year gap between taking the pact and becoming the blade was purposeful. it makes more sense to interpet that as mizora simply having no fucking idea what to do with her warlock now, as the pact she dictated (designed so that wyll never felt it was unjust enough to make a point of breaking it, no matter how often he thought of doing so, because it was so in favor of him and aligned with his moral code), simply had no vehicles for any of the usual courses of action. cant force wyll into tricky moral quandries, because she can only ask him to kill evil, infernal, monstrous, or heartless beasts. cant ostracize him through the pact to isolate and grind him down, wyll cant talk about it. what do you even do? now your both stranded in the middle of nowhere with nothing but the pact to show for it
and heres where i veer into hot take interpretation country. i think mizora genuinely likes wyll. when you blenderize her in moonrise towers (before reloading a previous save ofc), her screams are oddly... genuine? confused, frightened, upset. its odd than an otherwise vindictive and catty individual isnt angry upon being killed, but confused and hurt sounding. i think in a lot of ways mizora both relies on the consistency of wylls moral code, while also considering it a hinderance, not to her plans (thoroughly derailed thanks to one ulder ravengard) but to wylls own personal development as a person. shes a devil, she doesnt have the kind of personality where she can be genuine and vulnerable and kind. but she was stuck as the only authority figure wyll had to rely on, for seven whole years, after being kicked out of the only life he ever knew and the only home he ever had. i think in a weird fucked up way, she really does want whats best for him, its just that her opinion of that is filtered through the lens of Literally Being A Devil. none of this is to say she was *good* to wyll. how wyll feels about mizora is pretty blatantly stated, and would be a much shorter post, and im not here to interrogate that or question it, because being stuck with a devil who can use your eye to spy on you is just an awful experience even without regular verbal degradation on top of it. im mostly just intrigued by the other end of that relationship. mizora clearly cares enough about keeping wyll as a warlock to go as far as trying to make a second pact with him if you succeed in negotiating the first one to be broken. which, as weve established above, is really weird because Wyll himself brings next to nothing a devil would value to the table. Mizora isnt trying to corrupt him into breaking his ethics, really the only thing she pushes is sacrificing his father instead, a decision a recruited minthara finds value in as "patricide is often the first step to greatness". i think mizora might have ulterior motives for wanting ulder ravengard dead, and i think its because she believes that wylls love for his father is holding him back. any time wyll is selfish in pushing back on her, mizora indicates some measure of being impressed on wylls behalf. if you encourage wyll to not sign the second pact, mizora taunts him with his fathers death but still says shes genuinely impressed that hes choosing himself over his father
genuinely i think what mizora wants is for wyll to become a more assertive person. a more selfish, self interested, less heroic, less self sacrificing individual. i think mizora considers wylls tendency to bend over backwards to help people to be actively detrimental to him, and i think shes invested in his growth as a person by virtue of being a guide and companion for seven of the loneliest years of wylls life, and in a fucked up devil kind of way i think she invests her pride into it. that, with her plans so thoroughly mangled, the LEAST she can do is forge wyll into a warlock worth the cost. wyll has so much potential he refuses to take, as minthara (another ambitious prideful character) will note, and its explicitly because he would rather give something up than take for himself. i think thats part of why mizora is so cruel and demeaning towards him, to try and push wyll to be pettier or more spiteful, instead of endlessly self sacrificing for the benefit of others, and this is even consistent with her punishment of wyll! she turns him into a devil and specifically notes that he wont be able to be the heroic persona The Blade of Frontiers anymore! ie the facade thats swallowed up wyll ravengard completely at the beginning of the story! i think her investment in wyll as a person is why shes so upset if you kill her at moonrise, because i think she genuinely thought that wyll would always save her and turning him into a lemure was a kind of bluff she didnt expect to cash in.
this would also explain why the terms of her second pact are so comically extreme. eternal damnation and serving zariel forever in return for maybe possibly getting to save ulder from a dangerous situation where he might die anyways from the absolute crisis and WILL die in a few decades from old age even if all goes well? its almost like shes taunting wyll. give it up, give up everything youve ever worked for and sacrifice everything you want to achieve to lock yourself into the worst evil you can think of for someone who banished you who might not even survive anyways. make this overwhelmingly stupid self sacrifice because thats just what you do wyll, never think of yourself or whats best for you, only other people, trade away all of eternity for the CHANCE of someone else getting another day, if THAT. this contract is so blatantly overwhelmingly unfair i DARE you to think so little of yourself youd agree to it. of course she wont congratulate him for choosing himself over his father, shes a devil and she has to rub salt in the wound, but that doesnt mean she disapproves of the choice. the only way wyll ever gets away from her is by thinking of himself and mizora takes every chance she gets to punish him for sacrificing himself and i think its because she knows he can do more if he just takes it for himself instead of passing it up. its the only kind of affection a devil can have. and every time i sit there and talk wyll through breaking his pact at moonrise and bully mizora into giving him a rapier (one of the best in the game, made specifically for wyll, made specifically out of his pact, when she doesnt have to give him anything and least of all something good, how its a reward specifically for wanting more from her and demanding it and not letting a circumstance where you have power over her go), i keep seeing hints of it underneath the surface.
a genuine devilish compassion for a warlock who rightfully loathes her, a loathing she encourages whenever she can. does wyll need an enemy to keep him from getting complacent? something to strive for thats just for his own benefit? it doesnt benefit anyone else for wyll to break his pact. most people benefit from him keeping it. its why he HAS kept it, all these years, despite hating mizora. i think mizoras taken it upon herself to do what the duke refuses to, and thats making sure Wyll becomes someone who can thrive in the world as she understands it. someone who has the ambition to reach higher, someone selfish enough to step on somebody else to get what they need, someone who refuses to get themselves killed just for somebody elses sake, somebody who doesnt give unless they receive in equal or greater value. someone who sees a situation where they have power, where someone needs them, and gets all they can out of it. and if not for people they want to protect, then at LEAST exploiting the people they HATE. does mizora demean him so much so that wyll is more comfortable firing back? so that wyll doesnt have to feel like hes becoming a worse person if he treats her as bad as he gets? if he treats his help as conditional, for her and only her, does he get to walk away feeling like he hasnt done anything wrong because he knows mizora does worse, and more often, and at least wyll will eventually help?
when he breaks his pact, and tells her no, he wont sign another, when he saves his father anyways, when he tells her off and gets everything he wants without sacrificing a damn thing, underneath the bluster and rage, is mizora proud of him?
things to consider sometime.
#bg3#wyll ravengard#bg3 wyll#mizora#bg3 mizora#a LOT fewer tags than my usual spread!!#anyways. i like mizora a lot more than raphael. if you can tell.#i think her relationship with wyll has a lot more going on under the surface that whats initially shown#and thatd contribute to why shes constantly in his character art despite not really doing a lot TO him#like. idk. something something the way a dragon is possessive over even the smallest part of their hoard#like thats HER warlock. he has to be Something. she wont let him be nothing#i think if wyll hunted her down in the hells and killed her. i think shed congratulate the vengeful spirit he had. and be genuine#and i think itd be a deeply confusing experience for wyll. and hed hate her even more for robbing him of the catharsis of her death#weird confusing toxic relationships everyone!!!!#anyways. i think mizora is riding the ''fuck ulder ravenguard'' train harder than anyone and thats why she summons exploding spiders#i think he just pisses her the fuck off for being everything wrong not just in HER plans but in wylls life#and i think she takes PERSONAL insult in ulder banishing HER warlock for not being trustworthy#when wylls pact literally has a hero clause BUILT IN#LIKE GODDD YOUUUUU D E N S E MOTHERFUCKER. YOUR SON IS THE GOODIEST TWO SHOES BOY SCOUT IN THE GATE#THE PRIORY OF ILMATER SHOULD FUCKING SAINT HIM. AND YOU THINK HES EITHER LYING OR *STUPID*???#GET FUCKED. TEN MILLION SPIDER BARRAGE.#if your all the way at the bottom of these tags and your still thinking wyll ravenguard is boring. you can try: AGAIN.
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puppppppppy · 9 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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jamietwat · 1 year ago
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Time loop fic set during season 2 when Jamie’s back around but Roy isn’t coaching yet where it takes Jamie and Roy an embarrassing amount of do-overs before they finally realize they’re both caught in it because for days Jamie goes over to Keeley’s place and antagonizes Roy in basically the exact same way because he thinks making the same stupid old man jokes all the time is funny anyway and any slight changes in conversation he just assumes is because he showed up at a different time or worded his own end of the conversation a little differently but Roy’s still basically saying the same grumpy old man shit anyway
And Roy makes basically the same retorts every time because he stands by it and he assumes Jamie shows up at slightly different times looking for Keeley as a butterfly effect of his morning with Keeley being different but that there’s no escaping him showing up to be a little bitch at some point
And like they both sometimes tell people but not the same people on the same version of the day so Keeley individually thinks that both of them are losing it on different versions of the day before eventually they both mention it
And then on like day 5 of the same day over and over Jamie doesn’t show up and Roy is irrationally angry about it but thinks it must be somehow connected to the fact that he was acting absolutely insane with Keeley trying to explain what’s happening while she thought he was fucking with her and somehow that made her brush off Jamie and him not show up or something?
And it takes Jamie showing up at 100 and just tearing Roy apart and going on about what a dick he is (which isn’t unusual but isn’t how this routine goes) and weirdly fixating on how he was excited to meet Roy but then he ended up just being an old washed up prick that never even gave him a chance because Jamie figures he can just show up, yell at Roy for all the reasons he’s so fixated on being a little asshole with a grudge against Roy in particular to get it out of his system, and then never have to deal with any consequences of Roy finding out about the whole embarrassing having been a big fan and expecting it to be so cool to play on a team with him just to immediately get offended that Roy didn’t give a shit about him and his bullshit and so Jamie ended up hating him thing
But instead Roy just scowls at him and is like “that’s not what you’re supposed to say” and Jamie’s like “…what.” And Roy’s like I’ve done this day like ten times already and either I make Keeley think I’m certifiable first thing in the morning and you don’t show up or else you show up looking for her and then make the same completely uncreative old man jokes at me and Jamie’s like what the fuck I’ve been doing this same day over and over and you’ve been making the same shitty jokes that weren’t funny the first time over and over again
And Keeley’s just sitting there watching this like “Are you two fucking with me? I can’t believe you two got along long enough to plan whatever the fuck this is.” And honestly, the fact that she couldn’t imagine them ever getting along to plan this stupid joke and agree on it is the main reason she actually starts to believe them that time in an okay either I’ve completely lost it or you two are stuck in a time loop kind of way and when she starts going on about how every time loop movie there’s like a moral the person has to learn and maybe they’re both caught in it because they’re supposed to learn how to get along and be friends and Roy’s supposed to take Ted’s offer and that’s how Jamie finds out about the Ted trying to convince Roy to coach thing
But they’re both like fuck no absolutely not, that’s not it and I’d rather be stuck in this stupid fucking loop forever than voluntarily spend time with him let alone get along (as if Jamie hasn’t shown up to annoy him practically every version of the day and Roy hasn’t just been sitting there waiting for him every time) and then they actively avoid each other for like a week’s worth of versions of the same day before they start considering that Keeley might have been on to something but it still takes three more days of pointedly not seeking the other out and waiting for the other to give in first before they run into each other at Ted’s place anyway and finally start actually swapping information they’ve picked up from their loops and what they’ve tried changing to try to get out and discussing ways to try to get out of it while Ted’s just sitting there cracking jokes and making annoyingly similar to what Keeley said comments about how in time loop and body switch things it’s always that you have to learn to see things from another perspective and be nicer to someone you don’t usually see eye to eye with before you can get out (Ted doesn’t actually believe they’re stuck in a time loop though, he’s just going well weird hypothetical but I’ll play along if this almost certainly made up scenario is what it takes for them to have an actual conversation with each other)
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ramshacklerumble · 1 month ago
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beepbeepmfkr · 4 months ago
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Honestly if trump wins I'm blocking anyone who's ever put "the Dems are just as bad so why bother voting" bullshit on my dash. Y'all will do everything to blame anyone else but yourselves for not doing the absolute bare minimum of your duty as a citizen and the hilarious part is that so many of you pretend that be fucking pseudo revolutionaries on the internet
Y'all can't even handle a conflicting opinion without sending anon hate but sure. You're definitely the one who's gonna plan the revolution 🙄
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